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William Faulkner

Unless you're ashamed of yourself now and then, you're not honest.

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Honest Men

Were just a stones throw
From burning hellfire
Does anybody know,
Where did all the heroes go?
Weve had our fill of
This gallery of scoundrels,
The leaders of the world,
Those power hungry liars
Rise up and sound the sirens,
Send out the searching powers,
All we need is a few good men
Send the s.o.s. and red alerts
All across the universe
Calling your honest men?
S.o.s. emergency,
Sinking fast and getting worse.
Wheres your honest men?
In some village, far away,
Or in a little town pub.
High on a mountain top
There must be an honest man
Calling all honest men
Throw out the tyrants,
The aged fat cats
Outlived their usefulness
They have led us to this mess
Make them answer,
Hold them to their promises,
And throw them in the street
If they wont tell the truth
S.o.s. and red alert
All across the universe,
Calling all honest men
S.o.s. emergency,
Sinking fast and getting worse,
Wheres your honest men?
To your stations,
Man the ramparts,
The barricades
We need new heroes urgently
We need a few good honest men
Calling all honest men
Calling all honest men
Call to him
He lives next door,
Across the street
On the upper floor.
Its our only hope we need him now
Send the s.o.s. and red alert,
All across the universe,

[...] Read more

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Jack Honest, or the Widow and Her Son

Jack Honest was only eight years of age when his father died,
And by the death of his father, Mrs Honest was sorely tried;
And Jack was his father's only joy and pride,
And for honesty Jack couldn't be equalled in the country-side.

So a short time before Jack's father died,
'Twas loud and bitterly for Jack he cried,
And bade him sit down by his bedside,
And then told him to be honest whatever did betide.

John, he said, looking him earnestly in the face,
Never let your actions your name disgrace,
Remember, my dear boy, and do what's right,
And God will bless you by day and night.

Then Mr Honest bade his son farewell, and breathed his last,
While the hot tears from Jack's eyes fell thick and fast;
And the poor child did loudly sob and moan,
When he knew his father had left him and his mother alone.

So, as time wore on, Jack grew to be a fine boy,
And was to his mother a help and joy;
And, one evening, she said, Jack, you are my only prop,
I must tell you, dear, I'm thinking about opening a shop.

Oh! that's a capital thought, mother, cried Jack,
And to take care of the shop I won't be slack;
Then his mother said, Jackey, we will try this plan,
And look to God for his blessing, and do all we can.

So the widow opened the shop and succeeded very well,
But in a few months fresh troubles her befell--
Alas! poor Mrs Honest was of fever taken ill,
But Jack attended his mother with a kindly will.

But, for fear of catching the fever, her customers kept away,
And once more there wasn't enough money the rent to pay;
And in her difficulties Mrs Honest could form no plan to get out,
But God would help her, she had no doubt.

So, one afternoon, Mrs Honest sent Jack away
To a person that owed her some money, and told him not to stay,
But when he got there the person had fled,
And to return home without the money he was in dread.

So he saw a gentleman in a carriage driving along at a rapid rate,
And Jack ran forward to his mansion and opened the lodge-gate,
Then the gentleman opened his purse and gave him, as he thought, a shilling
For opening the lodge-gate so cleverly and so willing.

[...] Read more

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Walls

Im not ashamed
To say that Ive loved you well
Im not ashamed
To let you know
Im just a name thats all
Scratched upon your wall
Youve used it well but what the hell
Thats what walls are for
Im not ashamed
To listen to the fast-fallin rain
In the morning upon my window
Im not afraid to cry
Im not ashamed to try
To be your friend once again
cause thats whats friends are for
Friends are for sorting out the hang-ups that we hide
Walls are for shutting out the love we feel inside
Im not ashamed no to talk it over once again
To rearrange my vocabulary
But I cant seem to find
Any words to change your mind
Because I left them all behind
And thats what words are for
Words are for explaining the mistakes we might have made
Names are for calling when theres nothing left to say
Im not ashamed, no, to say that Ive loved you well
Im not ashamed, and yet I know
Im just a name, thats all
Scratched upon your wall
Youve used it well, but what the hell
Thats what walls are for
Im not ashamed of wearing out my old grey socks
Chasing you around the back woods
Im not ashamed to darn
Nor to proud to find some yarn
To sew them up once again
cause thats what socks are for

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Ashamed

i feel alone... i feel like i could die
i feel alone... i feel like i could die... tonight
carry on carry on

don't feel ashamed.. don't feel ashamed
i rather it be this way
you're not to blame you're not to blame
don't feel ashamed

i'm getting close...
to the other side
just close the door
i'll leave the past behind me
can you see my pride
it's only one step away from
freedom... freedom...

i feel i can fly anywhere with anyone

don't feel ashamed
i rather it be this way
you're not to blame
don't feel ashamed
don't feel ashamed
i rather it be this way
you're not to blame
don't feel ashamed

i love you baby... so don't you feel ashamed!!


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0038 Why I'm ashamed of being British

It was so easy being a British child
in the 1930s:
everything was – or so it seems to memory’s
selective mind - so ordered:
how old was I, when I stopped
raising my school cap
(‘Don’t just touch it, Michael;
lift it! ’) to, not just staff at school,
but anyone to whom my parents talked
or who had talked (‘My, hasn’t he grown! ’
as if this was some personal achievement) to me,
or more likely, over my head, as I
shifted from foot to foot,
trapped in a grown-up world
of politenesses; which however
my mother loved and rightly
as one now raised in her station
from being polite to customers
in grandma’s terrace front-window shop
where homemade cooking was the income
now that the cotton dust had got to grandpa's lungs;
but now the wife of a man retired
at thirty-eight, stone-deaf…

The history books at school were slender – since
we’d won every war – or if some foreigners thought
we hadn’t, it had all the same brought out great courage,
incredible bravery which was a lesson to us all,
fortitude and leadership and deeds
‘ surpassing the call of duty’. We’d even
won wars in places which technically weren’t ours,
called The Empire; over which we ruled
because we did it better than the natives;
because we were born to rule..

And we were taught by haunted heroes who’d fought
in the war to end all wars – the PT instructor
had a face like camouflage, white, greenish, brown and red,
where he’d been mustard-gassed; our heroes
were still close to us, although
they didn’t talk about it much. That was
another lesson in how to be British.

Geography was happy natives
(only the National Geographic Magazine
photographed their tits, and then only if brown)
moving export crops, balancing trade
and the occasional water-pot – which was always full.
And the sun never set on those red bits on the map
which were the British Empire…

[...] Read more

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Rudyard Kipling

Poor Honest Men

(A.D. 1800)


Your jar of Virginny
Will cost you a guinea,
Which you reckon too much by five shillings or ten;
But light your churchwarden
And judge it according,
When I've told you the troubles of poor honest men.

From the Capes of the Delaware,
As you are well aware,
We sail which tobacco for England-but then,
Our own British cruisers,
They watch us come through, sirs,
And they press half a score of us poor honest men!

Or if by quick sailing
(Thick weather prevailing )
We leave them behind ( as we do now and then)
We are sure of a gun from
Each frigate we run from,
Which is often destruction to poor honest men!

Broadsides the Atlantic
We tumble short-handed,
With shot-holes to plug and new canvas to bend;
And off the Azores,
Dutch, Dons and Monsieurs
Are waiting to terrify poor honest men.

Napoleon's embargo
Is laid on all cargo
Which comfort or aid to King George may intend;
And since roll, twist and leaf,
Of all comforts is chief,
They try for to steal it from poor honest men!
With no heart for fight,
We take refuge in flight,
But fire as we run, our retreat to defend;
Until our stern-chasers
Cut up her fore-braces,
And she flies off the wind from us poor honest men!

'Twix' the Forties and Fifties,
South-eastward the drift is,
And so, when we think we are making Land's End
Alas, it is Ushant
With half the King's Navy
Blockading French ports against poor honest men!

[...] Read more

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Not Ashamed Of Being Ashamed

Some Frenchmen are ashamed of being French,
while others are ashamed that those who are ashamed aren’t proud;
though nowadays it’s hard to be a mensch,
it’s harder to oppose opinions of the madding crowd,
as well as those espoused by the elite,
which turns a blind eye to the problems of identity,
opining that a nation should backbeat
traditions and become an obsolete nonentity.

Devorah Lauter writes an article about French identity politics in the LA Times, December 14,2009 (“As the French debate their identity, some recoil”) . The allusion to the Swiss minaret poll brings to mind my poem “Swiss Minarets, ” which Huffpo chose not to put on its blog. Lauter writes:
It was one of a series of government-run public debates aimed at defining the values that constitute French national identity. But in this middle-class suburb west of Paris, the discussion last week quickly turned into a cacophony of hot-tempered accusations. Rather than give his version of what it means to be French, an invited speaker, historian Jean-Yves Mollier, attacked his host (who sat stone-still a few feet in front of him) for supporting the national dialogue. Mollier said the ongoing debates represent none other than Vichy-style propaganda attempting to 'stigmatize' those who don't fall into France's ruling native caste, in this case mostly French Muslims of immigrant origin. Mollier and several other attendees proceeded to walk out. Meanwhile, two actors disguised as avid participants launched into a faux back-and-forth. 'Today, I'm ashamed of being French! ' said one of the men, standing up to be heard. The other, jumping to his feet, replied, 'Excuse me, but I'm proud of being French, and you, you should be ashamed of being proud of being ashamed of France! ' 'It's a shame for France! ' shouted back the first. 'I'm proud of the shame I feel for people like you who are ashamed of being French! ' cried the second. In the crowd, one middle-aged man's face turned the color of his pink shirt. He termed the scene 'disgraceful.' Host Anne Boquet, the local police chief, expressed her hope that the dialogue would 'remind people of their Republican values and to respect authority.'

'The debates can introduce that respect, ' she said, and help 'define the face of France we like today.' That, it seems, may be a long way off. The 3-month-long national debate series, spearheaded by conservative President Nicolas Sarkozy and his minister of immigration, has been the subject of heated controversy since a late November vote in Switzerland to ban the construction of minarets on mosques. Sympathy for the Swiss vote here, according to polls, has helped focus the debates, which began in November, on widely held demands that Muslims do more to blend into French society. Polls show that a small majority in France favor a ban on minarets like the one the Swiss approved with a 57.5% majority.


12/14/09

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You Send Me

Darlin' you send me
Darlin' you send me
I know you send me
Honest you do, honest you do, honest you do
You thrill me
I know you thrill me
I know you thrill me
Honest you do, honest you do, honest you do
When at first I thought it infatuation
But now it's lasted so long
And now I find myself wanting to marry you
And take you home
Whoa, you send me
Darlin' you send me
I know you send me
Honest you do, honest you do, honest you do
When at first it was infatuation
But now it's lasted so long
And now I find myself wanting to marry you
And take you home
You send me
You send me
You send me
Honest you do
You send me

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Independence

Happy the bard (though few such bards we find)
Who, 'bove controlment, dares to speak his mind;
Dares, unabash'd, in every place appear,
And nothing fears, but what he ought to fear:
Him Fashion cannot tempt, him abject Need
Cannot compel, him Pride cannot mislead
To be the slave of Greatness, to strike sail
When, sweeping onward with her peacock's tail,
Quality in full plumage passes by;
He views her with a fix'd, contemptuous eye,
And mocks the puppet, keeps his own due state,
And is above conversing with the great.
Perish those slaves, those minions of the quill,
Who have conspired to seize that sacred hill
Where the Nine Sisters pour a genuine strain,
And sunk the mountain level with the plain;
Who, with mean, private views, and servile art,
No spark of virtue living in their heart,
Have basely turn'd apostates; have debased
Their dignity of office; have disgraced,
Like Eli's sons, the altars where they stand,
And caused their name to stink through all the land;
Have stoop'd to prostitute their venal pen
For the support of great, but guilty men;
Have made the bard, of their own vile accord,
Inferior to that thing we call a lord.
What is a lord? Doth that plain simple word
Contain some magic spell? As soon as heard,
Like an alarum bell on Night's dull ear,
Doth it strike louder, and more strong appear
Than other words? Whether we will or no,
Through Reason's court doth it unquestion'd go
E'en on the mention, and of course transmit
Notions of something excellent; of wit
Pleasing, though keen; of humour free, though chaste;
Of sterling genius, with sound judgment graced;
Of virtue far above temptation's reach,
And honour, which not malice can impeach?
Believe it not--'twas Nature's first intent,
Before their rank became their punishment,
They should have pass'd for men, nor blush'd to prize
The blessings she bestow'd; she gave them eyes,
And they could see; she gave them ears--they heard;
The instruments of stirring, and they stirr'd;
Like us, they were design'd to eat, to drink,
To talk, and (every now and then) to think;
Till they, by Pride corrupted, for the sake
Of singularity, disclaim'd that make;
Till they, disdaining Nature's vulgar mode,
Flew off, and struck into another road,

[...] Read more

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Bring It On Home To Me / You Send Me

(sam cooke)
Well if you ever want to come home to me
Ill still be here waiting
If you ever change your mind
About leaving, leaving me behind
Baby bring it to me, bring your sweet loving
Bring it on home to me
I know I laughed when you left
But now I know that I only hurt myself
Honey bring it to me, bring your sweet loving
Bring it on home to me
Let me tell you all about it
Ill give you tulips and money too
That aint all, that aint all Id do for you
If youll bring it to me, bring youre sweet loving
Bring it on home to me
You know Ill always be your slave
Until Im buried, buried in my grave
Oh honey bring it to me, bring your sweet loving
Bring it on home to me
I tried to treat you right
But you stayed out, stayed out late at night
But I forgive you
Bring it to me, bring your sweet loving
Bring it on home to me
Just remember this one thing darlin that
You, you, you send me, you know this one
You, you know darlin you send me
And I know that you, you thrill me
Honest you do, honest you do, honest you do
And I wanna tell you one thing that
And I know this one thing that
You send me honest you do, honest you do
Honest you do, let me tell you
When I get home youre always there for me
And I know that youre gonna send me
Honest you do, honest you do, honest you do
I know, I know, I know, I know, I know
Well you thrill me
Darlin youre always gonna send me

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An Epistle To William Hogarth

Amongst the sons of men how few are known
Who dare be just to merit not their own!
Superior virtue and superior sense,
To knaves and fools, will always give offence;
Nay, men of real worth can scarcely bear,
So nice is jealousy, a rival there.
Be wicked as thou wilt; do all that's base;
Proclaim thyself the monster of thy race:
Let vice and folly thy black soul divide;
Be proud with meanness, and be mean with pride.
Deaf to the voice of Faith and Honour, fall
From side to side, yet be of none at all:
Spurn all those charities, those sacred ties,
Which Nature, in her bounty, good as wise,
To work our safety, and ensure her plan,
Contrived to bind and rivet man to man:
Lift against Virtue, Power's oppressive rod;
Betray thy country, and deny thy God;
And, in one general comprehensive line,
To group, which volumes scarcely could define,
Whate'er of sin and dulness can be said,
Join to a Fox's heart a Dashwood's head;
Yet may'st thou pass unnoticed in the throng,
And, free from envy, safely sneak along:
The rigid saint, by whom no mercy's shown
To saints whose lives are better than his own,
Shall spare thy crimes; and Wit, who never once
Forgave a brother, shall forgive a dunce.
But should thy soul, form'd in some luckless hour,
Vile interest scorn, nor madly grasp at power;
Should love of fame, in every noble mind
A brave disease, with love of virtue join'd,
Spur thee to deeds of pith, where courage, tried
In Reason's court, is amply justified:
Or, fond of knowledge, and averse to strife,
Shouldst thou prefer the calmer walk of life;
Shouldst thou, by pale and sickly study led,
Pursue coy Science to the fountain-head;
Virtue thy guide, and public good thy end,
Should every thought to our improvement tend,
To curb the passions, to enlarge the mind,
Purge the sick Weal, and humanise mankind;
Rage in her eye, and malice in her breast,
Redoubled Horror grining on her crest,
Fiercer each snake, and sharper every dart,
Quick from her cell shall maddening Envy start.
Then shalt thou find, but find, alas! too late,
How vain is worth! how short is glory's date!
Then shalt thou find, whilst friends with foes conspire,
To give more proof than virtue would desire,

[...] Read more

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I Could Never Be Ashamed Of You

Everybody says you let me down
That I should be ashamed to take you round
Makes no difference what you used to do;
Darling, I could never be ashamed of you.
Maybe you were reckless yesterday
But together, we can find a brighter way.
In my heart, I know that youll come through
Darling, I could never be ashamed of you
All the happiness Ive ever known
Came the day you said youd be my own
And it matters not what we go through
Darlin I could never be ashamed of you
Maybe youve been cheated in the past,
And perhaps those memories will always last
Even though you proved to be untrue
Darlin I could never be ashamed of you.

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I'm Not Ashamed

I'm not ashamed to call you mine,
I'll scream it out til the end of time.
I'm not ashamed to say I love you,
Why some are I have no clue.

I'll never hide you from my life,
Or to others, even those who strife.
You will be known for who you are,
My loving girl, my shining star.

I'm not ashamed to hold your hand,
To stand beside you as your man.
I'm not ashamed to kiss your lips,
Or wrap my arms around your hips.

No matter who is here with us,
It's not just me, I have a plus.
No matter if they fuss or whine,
I'm not ashamed to call you mine.

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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

[...] Read more

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Two Lovers

Well Ive got two lovers and I aint ashamed
Two lovers and I love them both the same
Let me tell you bout my first lover
Hes sweet and kind, hes mine all mine
He treats me good like a lover should
And makes me love him
I really really love him
Oh oh oh oh I love him so
And Ill do everything I can
To let him know
But Ive got two lovers and I aint ashamed
Two lovers and I love them both the same
Let me tell you bout my other lover
You know he treats me bad, he makes me sad
He makes me cry but still I cant deny
That I love him
I really really love him
Oh oh oh oh I love him so
And Ill do everything I can
To let him know
Oh but darling, well,
Dont you know that I can tell
Whenever I look at you
That you think that Im untrue
cause I said that I love two
But I really really do
cause youre a split personality
And in reality
Both of them are you
But Ive got two lovers and I aint ashamed
Two lovers and I love them both the same
Ive got two lovers but I aint ashamed
cause both of them are you
Ive got two lovers and I aint ashamed, no
Two lovers and I love them both the same
Ive got two lovers, two lovers
And both of them are you

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Wat Tyler - Act I

ACT I.

SCENE, A BLACKSMITH'S-SHOP

Wat Tyler at work within. A May-pole
before the Door.

ALICE, PIERS, &c.

SONG.

CHEERFUL on this holiday,
Welcome we the merry May.

On ev'ry sunny hillock spread,
The pale primrose rears her head;
Rich with sweets the western gale
Sweeps along the cowslip'd dale.
Every bank with violets gay,
Smiles to welcome in the May.

The linnet from the budding grove,
Chirps her vernal song of love.
The copse resounds the throstle's notes,
On each wild gale sweet music floats;
And melody from every spray,
Welcomes in the merry May.

Cheerful on this holiday,
Welcome we the merry May.

[Dance.

During the Dance, Tyler lays down his
Hammer, and sits mournfully down before
his Door.

[To him.

HOB CARTER.

Why so sad, neighbour?—do not these gay sports,
This revelry of youth, recall the days
When we too mingled in the revelry;
And lightly tripping in the morris dance
Welcomed the merry month?


TYLER.

[...] Read more

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Wat Tyler - Act II

ACT II.

SCENE— BLACKHEATH.


TYLER, HOB, &c.

SONG.

' When Adam delv'd, and Eve span,
' Who was then the gentleman?'

Wretched is the infant's lot,
Born within the straw-roof'd cot!
Be he generous, wise, or brave,
He must only be a slave.
Long, long labour, little rest,
Still to toil to be oppress'd;
Drain'd by taxes of his store,
Punish'd next for being poor;
This is the poor wretch's lot,
Born within the straw-roof'd cot.

While the peasant works— to sleep;
What the peasant sows— to reap;
On the couch of ease to lie,
Rioting in revelry;
Be he villain, be he fool,
Still to hold despotic rule,
Trampling on his slaves with scorn;
This is to be nobly born.

' When Adam delv'd, and Eve span,
' Who was then the gentleman?'


JACK STRAW.

The mob are up in London— the proud courtiers
Begin to tremble.


TOM MILLER.

Aye, aye, 'tis time to tremble;
Who'll plow their fields, who'll do their drudgery now?
And work like horses, to give them the harvest?


JACK STRAW.

[...] Read more

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Honest

(l. stansfield/i. devaney/r. darbyshire)
(honest)
(honest)
I just want to be honest with you
Honestly baby youve got me down on my knees
And honey Im sorry as sorry can be
You see it got me, my defenses were down
All Im praying is youll still want me around
Ooh baby
Chorus:
I wanna be honest with you
Youve seen it through
But Ive gotta tell you babe
Ive done something wrong
I wanna be honest with you
bout putting you through this pain
It was only a sexual thing
So help me baby
cos I wanna be honest
I wanna be honest with you
Babe weve gotta stop now and take a look at ourselves
cos we took a good thing and ran it down to the ground
Found myself lonely and in need of some love
But if it aint the real thing
Well it just aint enough
Ooh baby
Chorus
How much can I say Im sorry?
What more can I do?
I wanna be with you
Wont you say well stay together
Dont you say its gone
I wanna be with you
So baby please understand
I love you
Chorus
Fade

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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The Candidate

This poem was written in , on occasion of the contest between the
Earls of Hardwicke and Sandwich for the High-stewardship of the
University of Cambridge, vacant by the death of the Lord Chancellor
Hardwicke. The spirit of party ran high in the University, and no
means were left untried by either candidate to obtain a majority. The
election was fixed for the th of March, when, after much
altercation, the votes appearing equal, a scrutiny was demanded;
whereupon the Vice-Chancellor adjourned the senate _sine die_. On
appeal to the Lord High-Chancellor, he determined in favour of the
Earl of Hardwicke, and a mandamus issued accordingly.

Enough of Actors--let them play the player,
And, free from censure, fret, sweat, strut, and stare;
Garrick abroad, what motives can engage
To waste one couplet on a barren stage?
Ungrateful Garrick! when these tasty days,
In justice to themselves, allow'd thee praise;
When, at thy bidding, Sense, for twenty years,
Indulged in laughter, or dissolved in tears;
When in return for labour, time, and health,
The town had given some little share of wealth,
Couldst thou repine at being still a slave?
Darest thou presume to enjoy that wealth she gave?
Couldst thou repine at laws ordain'd by those
Whom nothing but thy merit made thy foes?
Whom, too refined for honesty and trade,
By need made tradesmen, Pride had bankrupts made;
Whom Fear made drunkards, and, by modern rules,
Whom Drink made wits, though Nature made them fools;
With such, beyond all pardon is thy crime,
In such a manner, and at such a time,
To quit the stage; but men of real sense,
Who neither lightly give, nor take offence,
Shall own thee clear, or pass an act of grace,
Since thou hast left a Powell in thy place.
Enough of Authors--why, when scribblers fail,
Must other scribblers spread the hateful tale?
Why must they pity, why contempt express,
And why insult a brother in distress?
Let those, who boast the uncommon gift of brains
The laurel pluck, and wear it for their pains;
Fresh on their brows for ages let it bloom,
And, ages past, still flourish round their tomb.
Let those who without genius write, and write,
Versemen or prosemen, all in Nature's spite,
The pen laid down, their course of folly run
In peace, unread, unmention'd, be undone.
Why should I tell, to cross the will of Fate,
That Francis once endeavour'd to translate?
Why, sweet oblivion winding round his head,

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