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Excess on occasion is exhilarating. It prevents moderation from acquiring the deadening effect of a habit.

quote by W. Somerset Maugham
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Rubaiyat Of A Robin - After Edward Fitzgerald - Rubaiyat Of Omar Khayyam

Jest plays with rubaiyat and, four by four,
unseals for your amusement more and more
verses together thread in rosary
unreeled to bloom till tomb will curtains draw.

Repealed are value judgement and perspective
revealed through standpoint purely introspective,
darkside concealed of moon’s yin-yang shines clear
when we’re in orbit, - option more effective.

Rolled form performs rôle midwife to perception,
sprung tongue in cheek, tweaks sense of imperfection
or willingness to leach between the lines,
impeach entrenched ideas of self-[s]election.

This prose arose as stream deprived of section,
where ‘dip at will’ will still sustain inspection,
the current’s sense, at odds with current views
ignores round holes, square pegs, top-down direction.

Here there’s no fear of critics’ peer rejection,
contention treated with due circumspection
intention is to mention for retention
an overview or clue to extrospection.

Life’s curtains are a veil through which few see,
as many haste taste-waste eternity,
mixed up, ignore life fixes finite sum
to/through infinite opportunity.

Can “Truth” exist? all ask, who seek its core,
we, modest, etch our words to sketch the score,
diverse the verses which converge to link
reflections mirrored many times before.

Vast content, style, a while, united are,
aim at soul stimulation, nothing bar,
to pleasure, treasure, or discard at will
as minds outreach to other minds on par.

Meditating, we shed light on what
tomorrow’s tot may factor into ‘bot’ -
the poet’s lot, forgot, to help all think
ahead of time, enhance life for a lot

Some seek Nirvana, Faith speaks more than “how”.
Others reject Salvation’s wraith, - w[h]ine “now”.
Verifying facts? Inventing dreams?
Each furrow-burrows with a different plough.

[...] Read more

poem by Jonathan Robin
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Spasmolytic

Kicking the (kickin')...habit (2x)
K... K.. Kicking the...habit (3x)
Making time in a low rent high-rise
Downtown!
Downtown... (11x)
Kicking the...habit (4x)
Kicking the (kickin')...habit (4x)
Downtown (8x)
Swirling tastes phornicate rotted meat (2x)
Rotted meat... (8x)
She sits alone in the worry she's created (2x)
In the worry she's created...
Kicking the...habit (4x)
K...K..Kicking the...habit (2x)
Kicking the...habit (8x)
Kickin the habit (2x)
Kicking the (kickin')...habit
Kickin the habit (2x)
No!

song performed by Deftones
Added by Lucian Velea
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For Them It's Automatic

People lie and they like it...
Just that way.
People lie out of habit,
Like a sport...
To play!

It is in their eyes as if there's something to hide!
And there are those people lieing to defy with denying.
People lie and they like it...
Everyday.
People lie out of habit,
And it's here to stay!

It's in their eyes as if there's something to hide!
And there are those people lieing defying to deny,
They are lieing out of habit since for them it's automatic.
People lie and they like it...
Just that way.
Lieing out of habit since for them it's automatic.

People lie and they like it...
Everyday.
Lieing out of habit since for them it's automatic.
People lie and they like it...
Just that way.
Lieing out of habit since for them it's automatic.

It's in their eyes as if there's something to hide!
Lieing out of habit since for them it's automatic.
People lie and think,
They're in disguise.
And lieing out of habit since for them it's automatic.

People lie and think,
They're in disguise.
And lieing out of habit since for them it's automatic.
And lieing out of habit since for them it's automatic.

poem by Lawrence S. Pertillar
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Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

[...] Read more

poem by Byron from Don Juan (1824)
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Great Mission

The jungle near manaus
The amazonas full of piranhas
The birds of paradise
Disappear into the green desert
For years and years
We are hungry and desperate
For the only thing worth living
The excess
We end our great mission
Exhausted and sad
And there is no hope left
When suddenly
In a cloud of golden smog
The father of excess
Jumps out of the water of
The amazonas full of piranhas
And screams to the lost souls
What are you doing at the amazonas
Leave manaus full of piranhas [burp!]
You will not find excess in the jungle
And then
He opened the green curtain
Made of fleshy leaves and said
I show you the excess of the
Asphalt a montmartre
The excess of the belly-dance
In abu dhabi
And the excess of the everlasting night in manhattan [burp!]
Are you ready for the sensation del tango a rosario?
Leave him, the gorilla
Leave the jungle of the amazonas
Leave manaus full of piranhas
And follow father excess...

song performed by Yello
Added by Lucian Velea
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Great Mission

The jungle near manaus
The amazonas full of piranhas
The birds of paradise
Disappear into the green desert
For years and years
We are hungry and desperate
For the only thing worth living
The excess
We end our great mission
Exhausted and sad
And there is no hope left
When suddenly
In a cloud of golden smog
The father of excess
Jumps out of the water of
The amazonas full of piranhas
And screams to the lost souls
What are you doing at the amazonas
Leave manaus full of piranhas [burp!]
You will not find excess in the jungle
And then
He opened the green curtain
Made of fleshy leaves and said
I show you the excess of the
Asphalt a montmartre
The excess of the belly-dance
In abu dhabi
And the excess of the everlasting night in manhattan [burp!]
Are you ready for the sensation del tango a rosario?
Leave him, the gorilla
Leave the jungle of the amazonas
Leave manaus full of piranhas
And follow father excess...

song performed by Yello
Added by Lucian Velea
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Orlando Furioso Canto 5

ARGUMENT
Lurcanio, by a false report abused,
Deemed by Geneura's fault his brother dead,
Weening the faithless duke, whom she refused,
Was taken by the damsel to her bed;
And her before the king and peers accused:
But to the session Ariodantes led,
Strives with his brother in disguise. In season
Rinaldo comes to venge the secret treason.

I
Among all other animals who prey
On earth, or who unite in friendly wise,
Whether they mix in peace or moody fray,
No male offends his mate. In safety hies
The she bear, matched with hers, through forest gray:
The lioness beside the lion lies:
Wolves, male and female, live in loving cheer;
Nor gentle heifer dreads the wilful steer.

II
What Fury, what abominable Pest
Such poison in the human heart has shed,
That still 'twixt man and wife, with rage possessed,
Injurious words and foul reproach are said?
And blows and outrage hase their peace molest,
And bitter tears still wash the genial bed;
Not only watered by the tearful flood,
But often bathed by senseless ire with blood?

III
Not simply a rank sinner, he appears
To outrage nature, and his God to dare,
Who his foul hand against a woman rears,
Or of her head would harm a single hair.
But who what drug the burning entrail sears,
Or who for her would knife or noose prepare,
No man appears to me, though such to sight
He seem, but rather some infernal sprite.

IV
Such, and no other were those ruffians two,
Whom good Rinaldo from the damsel scared,
Conducted to these valleys out of view,
That none might wot of her so foully snared.
I ended where the damsel, fair of hue,
To tell the occasion of her scathe prepared,
To the good Paladin, who brought release;
And in conclusion thus my story piece.

[...] Read more

poem by Ludovico Ariosto
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Breaking The Habit

Memories concern
Like opening the wound
Im picking me apart again
You all assume
Im safer in my room
Unless I try to start again
I dont want to be the one
Who battles always choose
Cuz inside I realize
That Im the one confused
I dont know whats worth fighting for
Or why I have to scream
I dont know why I instigate
And say what I dont mean
I dont know how I got this way
I know its not alright
So Im breaking the habit
Im breaking the habit tonight
Cultured my cure
I tightly lock the door
I try to catch my breath again
I hurt much more
Than anytime before
I have no options left again
I dont want to be the one
Who battles always choose
Cuz inside I realize
That Im the one confused
I dont know whats worth fighting for
Or why I have to scream
I dont know why I instigate
And say what I dont mean
I dont know how I got this way
Ill never be alright
So, Im breaking the habit
Im breaking the habit tonight
Ill paint it on the walls
Cuz Im the one that falls
Ill never fight again
And this is how it ends
I dont know whats worth fighting for
Or why I have to scream
But now I have some clarity
To show you what I mean
I dont know how I got this way
Ill never be alright
So, Im breaking the habit
Im breaking the habit
Breaking the habit tonight

song performed by Linkin Park
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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

[...] Read more

poem by Robert Browning from The Ring and the Book
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The Hind And The Panther, A Poem In Three Parts : Part III.

Much malice, mingled with a little wit,
Perhaps may censure this mysterious writ;
Because the muse has peopled Caledon
With panthers, bears, and wolves, and beasts unknown,
As if we were not stocked with monsters of our own.
Let Æsop answer, who has set to view
Such kinds as Greece and Phrygia never knew;
And Mother Hubbard, in her homely dress,
Has sharply blamed a British lioness;
That queen, whose feast the factious rabble keep,
Exposed obscenely naked, and asleep.
Led by those great examples, may not I
The wonted organs of their words supply?
If men transact like brutes, 'tis equal then
For brutes to claim the privilege of men.
Others our Hind of folly will indite,
To entertain a dangerous guest by night.
Let those remember, that she cannot die,
Till rolling time is lost in round eternity;
Nor need she fear the Panther, though untamed,
Because the Lion's peace was now proclaimed;
The wary savage would not give offence,
To forfeit the protection of her prince;
But watched the time her vengeance to complete,
When all her furry sons in frequent senate met;
Meanwhile she quenched her fury at the flood,
And with a lenten salad cooled her blood.
Their commons, though but coarse, were nothing scant,
Nor did their minds an equal banquet want.
For now the Hind, whose noble nature strove
To express her plain simplicity of love,
Did all the honours of her house so well,
No sharp debates disturbed the friendly meal.
She turned the talk, avoiding that extreme,
To common dangers past, a sadly-pleasing theme;
Remembering every storm which tossed the state,
When both were objects of the public hate,
And dropt a tear betwixt for her own children's fate.
Nor failed she then a full review to make
Of what the Panther suffered for her sake;
Her lost esteem, her truth, her loyal care,
Her faith unshaken to an exiled heir,
Her strength to endure, her courage to defy,
Her choice of honourable infamy.
On these, prolixly thankful, she enlarged;
Then with acknowledgments herself she charged;
For friendship, of itself an holy tie,
Is made more sacred by adversity.
Now should they part, malicious tongues would say,
They met like chance companions on the way,

[...] Read more

poem by John Dryden
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Undone To Undo

Undone to undo...
Those passionate insights.
Individuality disconnected,
To a symbolic way of life.

Undone to undo...
Questions and curiousity.
Freedom to disconnect...
From a torn and decadent society.

Undone to undo...
Truth and honesty.
A rise in higher consciousness,
That allows eyes wide open that see.

Undone to undo...
Facts and nonfiction.
To restrict convictions.

Undone to undo...
Influence that speaks,
To those poor and meek...
Reaching to strengthen,
Identities that seek...
A reality that teaches,
Shackles are for the sheep...
Heading for mutilation.
And a mindless humanity!

Undone to undo...
You and I.
And all good deeds pursued,
We attempt to do.

Undone to undo...
But intervention,
Prevents it.
Intervention prevents it.
Intervention prevents it.
An intervention,
Prevents it.
And dimensions,
Diminish.

poem by Lawrence S. Pertillar
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All that is Forever Was

All that was forever is and will be forever more
Cast a circle, kiss the wind, and walk on through the door.
All that is forever was yet remains just like before
You say this feeling’s all of my love yet I’d vouch that it was yours
All that is forever was and will be forever more
Dance in circles, hear sirens sing, walk on through the door.

I’ll meet you on the other side of Dawn's fresh twilight gaze
I'll greet you with a smile as we walk on through the maze;
This Labyrinth of splendour in which we may spend our days
Will lead us round in circles, will leave us sorely crazed.

Ever walking hand in hand join with me in unison
Grant me the grace to share with out the beauty of this land,
For let it be known that it has past been said that it is not we
Who inherit the Earth from our ancestors but it is we who
Borrow the love of our most gracious mother from our children.
It is they upon their clouds of cotton candy innocence that understand
And love Our Lady the most; it is for them that she plays host so
That they may understand that the ghosts of their forefathers
Are those same spirits that may once more be born unto this realm.

We are those that uphold a truth in unison with harmony,
We are those that were never told to keep steady at the helm
Yet now as I emerge from a life of decadent indulgence I perceive
A vision forming, now as every moment alongside every movement
Is significant as the farthest star, now liquid branches move in languid
Formations, casting shadows that open stairwells to the kingdom of
Shades. Upon a bridge of ivory the spirit of temptation wages duel
With the angel that guides my hand, they fight upon the subject of my
Soul, the angel fights to make me whole whilst the demon consoles
Himself in knowing that the battle may never be won, for they are as
One in the same and know that neither will strike the other severely
In fear of disrupting the balance of their natures law. The demon tempts
Me with scenes of drug fuelled orgies, he promises wisdom through
The blanket night, promises light without light, clarity without purity,
He promises the kiss of a thousand virgin souls, he promises wealth
Beyond the reach of green eyed dreams yet the angel whispers
Honesty and perceives in my eyes a wish to know the truth of my
Creation, he knows that I wish to hold true the girl of dreamtime
Wandering and he knows that I would be happy in her arms alone.
The angel promises romance to exist beyond its burial within this age,
He promises that beyond the turning of the page that no more wars
Will be waged in the clawing for black gold, he promises that I may
Grow old with dignity if I commit myself not to purity but moderation,
The devil screams excess it demands my greed enflamed but I
Understand moderation to be the key within a realm of appreciation,
For if we are to indulge we are also to refrain, if it is to be a golden
Summer we require a springtime rain. If we are to know pleasure
May it only be from a knowledge of pain and through self

[...] Read more

poem by David Lacey
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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus

Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—

Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse

[...] Read more

poem by Robert Browning from The Ring and the Book
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Paradise Lost: Book 09

No more of talk where God or Angel guest
With Man, as with his friend, familiar us'd,
To sit indulgent, and with him partake
Rural repast; permitting him the while
Venial discourse unblam'd. I now must change
Those notes to tragick; foul distrust, and breach
Disloyal on the part of Man, revolt,
And disobedience: on the part of Heaven
Now alienated, distance and distaste,
Anger and just rebuke, and judgement given,
That brought into this world a world of woe,
Sin and her shadow Death, and Misery
Death's harbinger: Sad talk!yet argument
Not less but more heroick than the wrath
Of stern Achilles on his foe pursued
Thrice fugitive about Troy wall; or rage
Of Turnus for Lavinia disespous'd;
Or Neptune's ire, or Juno's, that so long
Perplexed the Greek, and Cytherea's son:

If answerable style I can obtain
Of my celestial patroness, who deigns
Her nightly visitation unimplor'd,
And dictates to me slumbering; or inspires
Easy my unpremeditated verse:
Since first this subject for heroick song
Pleas'd me long choosing, and beginning late;
Not sedulous by nature to indite
Wars, hitherto the only argument
Heroick deem'd chief mastery to dissect
With long and tedious havock fabled knights
In battles feign'd; the better fortitude
Of patience and heroick martyrdom
Unsung; or to describe races and games,
Or tilting furniture, imblazon'd shields,
Impresses quaint, caparisons and steeds,
Bases and tinsel trappings, gorgeous knights
At joust and tournament; then marshall'd feast
Serv'd up in hall with sewers and seneshals;
The skill of artifice or office mean,
Not that which justly gives heroick name
To person, or to poem. Me, of these
Nor skill'd nor studious, higher argument
Remains; sufficient of itself to raise
That name, unless an age too late, or cold
Climate, or years, damp my intended wing
Depress'd; and much they may, if all be mine,
Not hers, who brings it nightly to my ear.
The sun was sunk, and after him the star
Of Hesperus, whose office is to bring

[...] Read more

poem by John Milton
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The Interpretation of Nature and

I.

MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.


II.

Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.

III.

Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.

IV.

Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.

V.

The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.

VI.

It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.

VII.

The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.

VIII.

Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.

IX.

The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.

X.

The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.

XI.

As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.

XII.

The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.

XIII.

[...] Read more

poem by Sir Francis Bacon
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Change Of Habit

(words & music by b. kaye - b. weisman)
If youre in old habits
Set in your old ways
Changes are a-comin
For these are changing days
And if your head is in the sand
While things are goin on
What you need, what you need,
What you need is a change of habit
Now if youre in the habit
To let your temper fly
When you talk with people
Who dont see eye to eye
And if you dont believe it
Theres a newer world ahead
What you need, what you need,
What you need is a change of habit
A change of habit, a change of outlook
A change of heart, youll be all right
The halls of darkness
Have doors that open
Its never too late
To see the light
So if youre in the habit
Of putting people down
Just because theyre different
From the wrong side of town
Well, dont count on any medals son
Theyre pinning none on you
What you need, what you need,
What you need is a change of habit

song performed by Elvis Presley
Added by Lucian Velea
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Just Leave Them Like You've Had It

I've got to beat bad habits...
To leave them like I've had it!
Not to pick them up again...
If I do I'll never win.

Beat bad habits...
To leave them like I've had it!
Not to pick them up again...
It is as if I'll never win.

You remind me why I never come home.
Not yet a habit.
You remind me why I turn off my phone.
Not yet a habit.
You remind me why I love to live alone.
But from you it seems I've got to know what's going on!
And that's a habit.

I've got to beat bad habits...
To leave them like I've had it!
Not to pick them up again...
If I do I'll never win.

I've got to free from those bad habits.

Beat bad habits...
I've got to free from bad habits now.
Those habits...
Those ones I want to break but how?

You remind me why I never come home.
Not yet a habit.
You remind me why I turn off my phone.
Not yet a habit.
You remind me why I love to live alone.
But from you it seems I've got to know what's going on!
And that's a habit.

I've got to beat bad habits...
To leave them like I've had it!
Not to pick them up again...
If I do I'll never win.

Beat bad habits...
To leave them like I've had it!
Not to pick them up again...
It is as if I'll never win.

I've got to free from those bad habits.

[...] Read more

poem by Lawrence S. Pertillar
Added by Poetry Lover
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Absalom and Achitophel

In pious times, e'er Priest-craft did begin,
Before Polygamy was made a sin;
When man, on many, multiply'd his kind,
E'r one to one was, cursedly, confind:
When Nature prompted, and no law deny'd
Promiscuous use of Concubine and Bride;
Then, Israel's monarch, after Heaven's own heart,
His vigorous warmth did, variously, impart
To Wives and Slaves; And, wide as his Command,
Scatter'd his Maker's Image through the Land.
Michal, of Royal blood, the Crown did wear,
A Soyl ungratefull to the Tiller's care;
Not so the rest; for several Mothers bore
To Godlike David, several Sons before.
But since like slaves his bed they did ascend,
No True Succession could their seed attend.
Of all this Numerous Progeny was none
So Beautifull, so brave as Absalon:
Whether, inspir'd by some diviner Lust,
His father got him with a greater Gust;
Or that his Conscious destiny made way
By manly beauty to Imperiall sway.
Early in Foreign fields he won Renown,
With Kings and States ally'd to Israel's Crown
In Peace the thoughts of War he could remove,
And seem'd as he were only born for love.
What e'er he did was done with so much ease,
In him alone, 'twas Natural to please.
His motions all accompanied with grace;
And Paradise was open'd in his face.
With secret Joy, indulgent David view'd
His Youthfull Image in his Son renew'd:
To all his wishes Nothing he deny'd,
And made the Charming Annabel his Bride.
What faults he had (for who from faults is free?)
His Father could not, or he would not see.
Some warm excesses, which the Law forbore,
Were constru'd Youth that purg'd by boyling o'r:
And Amnon's Murther, by a specious Name,
Was call'd a Just Revenge for injur'd Fame.
Thus Prais'd, and Lov'd, the Noble Youth remain'd,
While David, undisturb'd, in Sion raign'd.
But Life can never be sincerely blest:
Heaven punishes the bad, and proves the best.
The Jews, a Headstrong, Moody, Murmuring race,
As ever try'd th' extent and stretch of grace;
God's pamper'd people whom, debauch'd with ease,
No King could govern, nor no God could please;
(Gods they had tri'd of every shape and size
That Gods-smiths could produce, or Priests devise.)

[...] Read more

poem by John Dryden
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Canto the Fifth

I
When amatory poets sing their loves
In liquid lines mellifluously bland,
And pair their rhymes as Venus yokes her doves,
They little think what mischief is in hand;
The greater their success the worse it proves,
As Ovid's verse may give to understand;
Even Petrarch's self, if judged with due severity,
Is the Platonic pimp of all posterity.

II
I therefore do denounce all amorous writing,
Except in such a way as not to attract;
Plain -- simple -- short, and by no means inviting,
But with a moral to each error tack'd,
Form'd rather for instructing than delighting,
And with all passions in their turn attack'd;
Now, if my Pegasus should not be shod ill,
This poem will become a moral model.

III
The European with the Asian shore
Sprinkled with palaces; the ocean stream
Here and there studded with a seventy-four;
Sophia's cupola with golden gleam;
The cypress groves; Olympus high and hoar;
The twelve isles, and the more than I could dream,
Far less describe, present the very view
Which charm'd the charming Mary Montagu.

IV
I have a passion for the name of "Mary,"
For once it was a magic sound to me;
And still it half calls up the realms of fairy,
Where I beheld what never was to be;
All feelings changed, but this was last to vary,
A spell from which even yet I am not quite free:
But I grow sad -- and let a tale grow cold,
Which must not be pathetically told.

V
The wind swept down the Euxine, and the wave
Broke foaming o'er the blue Symplegades;
'T is a grand sight from off the Giant's Grave
To watch the progress of those rolling seas
Between the Bosphorus, as they lash and lave
Europe and Asia, you being quite at ease;
There's not a sea the passenger e'er pukes in,
Turns up more dangerous breakers than the Euxine.

[...] Read more

poem by Byron from Don Juan (1824)
Added by Veronica Serbanoiu
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Don Juan: Canto The Fifth

When amatory poets sing their loves
In liquid lines mellifluously bland,
And pair their rhymes as Venus yokes her doves,
They little think what mischief is in hand;
The greater their success the worse it proves,
As Ovid's verse may give to understand;
Even Petrarch's self, if judged with due severity,
Is the Platonic pimp of all posterity.

I therefore do denounce all amorous writing,
Except in such a way as not to attract;
Plain- simple- short, and by no means inviting,
But with a moral to each error tack'd,
Form'd rather for instructing than delighting,
And with all passions in their turn attack'd;
Now, if my Pegasus should not be shod ill,
This poem will become a moral model.

The European with the Asian shore
Sprinkled with palaces; the ocean stream
Here and there studded with a seventy-four;
Sophia's cupola with golden gleam;
The cypress groves; Olympus high and hoar;
The twelve isles, and the more than I could dream,
Far less describe, present the very view
Which charm'd the charming Mary Montagu.

I have a passion for the name of 'Mary,'
For once it was a magic sound to me;
And still it half calls up the realms of fairy,
Where I beheld what never was to be;
All feelings changed, but this was last to vary,
A spell from which even yet I am not quite free:
But I grow sad- and let a tale grow cold,
Which must not be pathetically told.

The wind swept down the Euxine, and the wave
Broke foaming o'er the blue Symplegades;
'T is a grand sight from off 'the Giant's Grave
To watch the progress of those rolling seas
Between the Bosphorus, as they lash and lave
Europe and Asia, you being quite at ease;
There 's not a sea the passenger e'er pukes in,
Turns up more dangerous breakers than the Euxine.

'T was a raw day of Autumn's bleak beginning,
When nights are equal, but not so the days;
The Parcae then cut short the further spinning
Of seamen's fates, and the loud tempests raise
The waters, and repentance for past sinning

[...] Read more

poem by Byron
Added by Poetry Lover
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