The Russian composers, especially, tricked the symphony orchestra into the kind of dynamic, rhythmic thing.
quote by Gerry Mulligan
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Related quotes
Russian Girl
Ive been frozen, now its so hot I can barely see
Ive been cutting them down so they cant make fun of me, yeah
Been a russian girl,
Ive been a russian girl
Ive been a russian girl,
Ive been a russian girl
Young child sitting all alone
Hot child, she wants to take you home
Ive been a russian girl,
Ive been a russian girl
Ive been a russian girl,
Ive been a russian girl
Ive been a russian girl,
Ive been a russian girl
Ive been a russian girl,
Ive been rushin you
Ive been rushin you
Ive been a russian girl,
Ive been a russian girl
Ive been a russian girl,
Ive been rushin you
Been a russian girl,
Ive been a russian girl
Ive been a russian girl,
Ive been rushin you
Ive been a russian girl,
Ive been rushin
Ive been a russian girl,
Ive been rushin you
Ive been a russian girl,
Ive been a russian girl
Ive been a russian girl,
Ive been rushin you
Russian girl, Ive been a russian girl
Ive been a russian girl,
Ive been rushin you
Been a russian girl,
Ive been a russian girl
Ive been a russian girl,
Ive been rushin you
Ive been rushin you
Ive been a russian girl,
Ive been a russian girl
Ive been a russian girl,
Ive been rushin you
song performed by Liz Phair
Added by Lucian Velea
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Seasonable Retour-Knell
SEASONABLE RETOUR KNELL
Variations on a theme...
SEASONABLE ROUND ROBIN ROLE REVERSALS
Author notes
A mirrored Retourne may not only be read either from first line to last or from last to first as seen in the mirrors, but also by inverting the first and second phrase of each line, either rhyming AAAA or ABAB for each verse. thus the number of variations could be multiplied several times.- two variations on the theme have been included here but could have been extended as in SEASONABLE ROUND ROBIN ROLE REVERSALS robi03_0069_robi03_0000
In respect of SEASONABLE ROUND ROBIN ROLE REVERSALS
This composition has sought to explore linguistic potential. Notes and the initial version are placed before rather than after the poem.
Six variations on a theme have been selected out of a significant number of mathematical possibilities using THE SAME TEXT and a reverse mirror for each version. Mirrors repeat the seasons with the lines in reverse order.
For the second roll the first four syllables of each line are reversed, and sense is retained both in the normal order of seasons and the reversed order as well... The 3rd and 4th variations offer ABAB rhyme schemes retaining the original text. The 5th and 6th variations modify the text into rhyming couplets.
Given the linguistical structure of this symphonic composition the score could be read in inversing each and every line and each and every hemistitch. There are minor punctuation differences between versions.
One could probably attain sonnet status for each of the four seasons and through partioning in 3 groups of 4 syllables extend the possibilites ad vitam.
Seasonable Round Robin Roll Reversals
robi03_0069_robi03_0000 QXX_DNZ
Seasonable Retour-Knell
robi03_0070_robi03_0069 QXX_NXX
26 March 1975 rewritten 20070123
lllllllllllllllllllllllllllllllllllll lllllllllllllllllll
For previous version see below
_______________________________________
SPRING SUMMER
Life is at ease Young lovers long
Land under plough; To hold their dear;
Whispering trees, Dewdrops among,
Answering cow. Bold, know no fear.
Blossom, the bees, Life full of song,
Burgeoning bough; Cloudless and clear;
Soft-scented breeze, Days fair and long,
Spring warms life now. Summer sends cheer.
AUTUMN WINTER
Each leaf decays, Harvested sheaves
Each life must bow; And honeyed hives;
Our salad days Trees stripped of leaves,
Are ending now. Jack Frost has knives.
Fruit heavy lays Time, Prince of thieves,
Bending the bough, - Onward he drives,
[...] Read more
poem by Jonathan Robin
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Sand In My Face
I looked in the mirror
(what did you see looking at you? )
I saw a nine stone weakling
(what will you do? )
Dynamic tension waiting for you?
Dynamic tension make a man out of you
I opened my magazine
(what did you see? )
I saw mr. france
(what did he have? )
A girl on each shoulder
(what else? )
And one in his pants
Dynamic tension can do this for you
Dynamic tension make a man out of
You you you you you
So our hero goes down to the beach
Hes in real terrible shape
His chicks been seen with big alex
That mother kicked sand in his face
Now let me tell you about alex
Hes got:
Hands like hams
Knees like trees
200 lbs
Of surfboard hercules
Mr. atlas wont you bring her on back to me
I lost my girl down by the beach
Shes with alex and shes out of reach
So please mr. atlas wont you bring her on back to me
I saw your body in an advert on t.v.
But what convinced me was your money back guarantee
Now Im stronger than alex
(where is he now? )
Hes left in disgrace
(oh yeah? )
'cos I took back my girlfriend
(ha, ha, ha, ha)
And kicked sand in his face
(in his eyes, in his ears, in his nose)
Dynamic tension waiting for you
Dynamic tension make a man out of you
Dynamic tension, dynamic tension
Dynamic tension, dynamic tension
song performed by 10 Cc
Added by Lucian Velea
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Russian Roulette
Take it or leave it Ive heard it been said
All this spring fevers just way over my head
Stealing my moments, taking up all my time
Its playing russian roulette with my mind
Its none of my business baby just whats going on
Im not going to wait till somebody throw me a bone
Im way out on a limb now, and nothing seems to rhyme
Its playing russian roulette with my mind
I think that youve caught on, that youve been used and all
Im going down new orleans, Ive got to see dr. john
Got my mojo working everything will be fine
Stop playing russian roulette with my mind
Its not easy baby when everything starts getting out of control
Hang on your hat now, hang on to your soul
Dont worry baby, I wanna throw you the line
Theyre playing russian roulette with your mind
Too many hustlers, Ive been here before
None of them really know just who that you are
Everything gets contracted and space gets confined
Theyre playing russian roulette with your mind
Theyre playing russian roulette
Theyre playing russian roulette
Theyre playing russian roulette with your mind
Theyre playing russian roulette
Theyre playing russian roulette
Theyre playing russian roulette with your mind
song performed by Van Morrison
Added by Lucian Velea
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The New Symphony Sid
Symphony sid is grooving
Man this whole house is moving
Symphony sid is grooving
Symphony sid
Symphony sid is swinging
That radio is ringing
Symphony sid is swinging
Symphony sid
Bing-bang bing-bang bing-bang ...
Bing-bing-bing-bang ...
Symphony sid is jumping
Man this whole house is romping
Symphony sid is jumping
Symphony sid
Tune in and listen
Check out what youre missin
Youre finally close to eighty
On the dot
Some say hes the greatest
One thing is assured
When youre the latest
Youre gonna be hoppin and boppin round the future
All your friends will be knockin on your door
When sidney plays his swingin music, catch it you should take up the
Season you feel the temperature risin
Yeah man the radio is hot, youd never want to stop
Spinning like a little red top, all over town
Now, sisters and brothers, fathers and mothers dig in
Watch this, put em down
Bing-bang bing-bang bing-bang ...
Bing-bing-bing-bang ...
Symphony sid is jumping
Man this whole house is romping
Symphony sid is jumping
Symphony sid
song performed by Van Morrison
Added by Lucian Velea
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Mostly Slavonic
I.—
Peter Michaelov
It was Peter the Barbarian put an apron in his bag
And rolled up the honoured bundle that Australians call a swag;
And he tramped from Darkest Russia, that it might be dark no more,
Dreaming of a port, and shipping, as no monarch dreamed before.
Of a home, and education, and of children staunch and true,
Like my father in the fifties—and his name was Peter, too.
(He could build a ship—or fiddle, out of wood, or bark, or hide—.
Sail one round the world and play the other one at eventide.)
Russia’s Peter (not my father) went to Holland in disguise,
Where he laboured as a shipwright underneath those gloomy skies;
Later on he went to England (which the Kaiser now—condemns)
Where he studied as a ship-smith by old Deptford on the Thames—
And no doubt he knew the rope-walk—(and the rope’s end too, he knew)—
Learned to build a ship and sail it—learned the business through and through.
And I’d like to say my father mastered navigation too.
(He was born across in Norway, educated fairly well,
And he grafted in a ship-yard by the Port of Arundel.)
“Peter Michaelov” (not Larsen) his work was by no means done;
For he learned to make a ploughshare, and he learned to make a gun.
Russian soldiers must have clothing, so he laboured at the looms,
And he studied, after hours, building forts and building booms.
He would talk with all and sundry, merchants and adventurers—
Whaling men from Nova Scotia, and with ancient mariners.
Studied military systems (of which Austria’s was the best).
Hospitals and even bedlams—class distinctions and the rest.
There was nothing he neglected that was useful to be known—
And he even studied Wowsers, who had no creed of his own.
And, lest all that he accomplished should as miracles appear,
It must always be remembered he’d a secret Fund for Beer.
When he tramped to toil and exile he was only twenty-five,
With a greater, grander object than had any man alive.
And perhaps the lad was bullied, and was sad for all we know—
Though it isn’t very likely that he’d take a second blow.
He had brains amongst the brainless, and, what that thing means I knew,
For before I found my kingdom, I had slaved in workshops too.
But they never dreamed, the brainless, boors that used to sneer and scoff,
That the dreamy lad beside them—known as “Dutchy Mickyloff”—
Was a genius and a poet, and a Man—no matter which—
Was the Czar of all the Russias!—Peter Michaelovich.
Sweden struck ere he was ready—filled the land with blood and tears—
But he broke the power of Sweden though it took him nine long years.
[...] Read more
poem by Henry Lawson
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Playing Music Is Like Making Love
PLAYING MUSIC IS LIKE MAKING LOVE
Many people who insist that they enjoy
music known as classical merely say
they do, pretending. Far more serious is the ploy
planned by LSO, who'll just pretend to play.
There is surely nothing wrong with those who fake
enjoyment, like a woman faking an orgasm,
but pretense of playing music's a mistake,
since music needs not only sound, but ectoplasm.
Orchestras and lovemakers should never mimic:
they should always show their skin when they perform,
and should not be, although poetic, metonymic:
the use of any substitute is rotten form.
Denis Bartel reported the news about the London Symphony Orchestra's decision to mimic their playing while a performance is broadcast to visits at the Olympic Games. David Ng writes in the LA Times:
Musicians with the London Symphony Orchestra are reportedly going to have to pull a Milli Vanilli when they appear at the opening ceremony of the Summer Olympic Games in London. Reports from Britain state that the orchestra will mimic playing to prerecorded music due to concerns about the weather and the shape of the performing venue - a large, oval-shaped arena whose scale would apparently make a live-music performance tricky….
The London Symphony has reportedly recorded the music that is scheduled to be played during the July 27 ceremony. The Daily Mail reports that Boyle wanted the orchestra to perform live, but that he was overruled by the organizing committee for the Games. When viewers around the world tune in for the ceremony, they can expect to see the conductor and musicians from the renowned orchestra going through the motions while a soundtrack plays.
This wouldn't be the first time that the mimicking of live music was used at an Olympics ceremony. In 2008, a mini-controversy developed during the Beijing Games when it was revealed that a 9-year-old singer lip-synced to the voice of another young girl whom officials had deemed less telegenic. Similarly, at President Obama's inauguration, the musical performance by cellist Yo-Yo Ma, violinistItzhak Perlman, pianist Gabriella Montero and clarinetist Anthony McGill played, unamplified, to a recording. The decision to use a recording was made over fears that the cold weather that day could damage the instruments.
6/4/12 #10403
poem by Gershon Hepner
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Itch
Ha ha ha (ahh)
Don't wanna hurt you (hurt you baby)
You think you love me, but you don't really know me
Don't wanna hurt you (hurt you baby)
Wanna go ride, not a backseat drive
Ahhhhh ooh - ay ay ay I need
Ahhhhh ohh - something inside that you can't provide
I'm feeling the itch again
I need to get tricked again
I'm starting to twitch again
I feel the itch again
I'm starting to twitch again
I need to get tricked again
I feel the itch again
I feel the itch
i-i-itch, i-i-i-i-itch (ahh)
i-i-itch (ahh), i-i-i-i-itch
Don't want to hurt you (hurt you baby)
You can hug me, but you can't really hold me
what I do, and it's crazy
Don't wanna be cold, but I'm out of control
Ahhhhh ooh - ay ay ay that's true
Ahhhhh ooh - wish I could, but I can't be good
I'm feeling the itch again
I need to get tricked again
I'm starting to twitch again
I feel the itch again
I'm starting to twitch again
I need to get tricked again
I feel the itch
I feel the itch again
i-i-itch, i-i-i-i-itch (ahh)
i-i-itch (ahh), i-i-i-i-itch
Cause I want to go down wanna feel my heart pound
Don't you know that I get restless
You can't reach where I need scratching
So feel the itch again
Itch
Itch
Ahhhhh ooh - ay ay ay I need
Something inside that you can't provide
I'm feeling the itch again
I need to get tricked again
I'm starting to twitch again
I feel the itch again
I'm starting to twitch again
I need to get tricked again
I feel the itch again
I feel the itch
Yeah yeah, I feel the itch again
[...] Read more
song performed by Vitamin C
Added by Lucian Velea
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Canto the Seventh
I
O Love! O Glory! what are ye who fly
Around us ever, rarely to alight?
There's not a meteor in the polar sky
Of such transcendent and more fleeting flight.
Chill, and chain'd to cold earth, we lift on high
Our eyes in search of either lovely light;
A thousand and a thousand colours they
Assume, then leave us on our freezing way.
II
And such as they are, such my present tale is,
A non-descript and ever-varying rhyme,
A versified Aurora Borealis,
Which flashes o'er a waste and icy clime.
When we know what all are, we must bewail us,
But ne'ertheless I hope it is no crime
To laugh at all things -- for I wish to know
What, after all, are all things -- but a show?
III
They accuse me -- Me -- the present writer of
The present poem -- of -- I know not what --
A tendency to under-rate and scoff
At human power and virtue, and all that;
And this they say in language rather rough.
Good God! I wonder what they would be at!
I say no more than hath been said in Danté's
Verse, and by Solomon and by Cervantes;
IV
By Swift, by Machiavel, by Rochefoucault,
By Fénélon, by Luther, and by Plato;
By Tillotson, and Wesley, and Rousseau,
Who knew this life was not worth a potato.
'T is not their fault, nor mine, if this be so --
For my part, I pretend not to be Cato,
Nor even Diogenes. -- We live and die,
But which is best, you know no more than I.
V
Socrates said, our only knowledge was
"To know that nothing could be known;" a pleasant
Science enough, which levels to an ass
Each man of wisdom, future, past, or present.
Newton (that proverb of the mind), alas!
Declared, with all his grand discoveries recent,
That he himself felt only "like a youth
Picking up shells by the great ocean -- Truth."
[...] Read more
poem by Byron from Don Juan (1824)
Added by Veronica Serbanoiu
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Don Juan: Canto The Seventh
O Love! O Glory! what are ye who fly
Around us ever, rarely to alight?
There's not a meteor in the polar sky
Of such transcendent and more fleeting flight.
Chill, and chain'd to cold earth, we lift on high
Our eyes in search of either lovely light;
A thousand and a thousand colours they
Assume, then leave us on our freezing way.
And such as they are, such my present tale is,
A non-descript and ever-varying rhyme,
A versified Aurora Borealis,
Which flashes o'er a waste and icy clime.
When we know what all are, we must bewail us,
But ne'ertheless I hope it is no crime
To laugh at all things- for I wish to know
What, after all, are all things- but a show?
They accuse me--Me--the present writer of
The present poem--of--I know not what--
A tendency to under-rate and scoff
At human power and virtue, and all that;
And this they say in language rather rough.
Good God! I wonder what they would be at!
I say no more than hath been said in Dante's
Verse, and by Solomon and by Cervantes;
By Swift, by Machiavel, by Rochefoucault,
By Fenelon, by Luther, and by Plato;
By Tillotson, and Wesley, and Rousseau,
Who knew this life was not worth a potato.
'Tis not their fault, nor mine, if this be so-
For my part, I pretend not to be Cato,
Nor even Diogenes.--We live and die,
But which is best, you know no more than I.
Socrates said, our only knowledge was
'To know that nothing could be known;' a pleasant
Science enough, which levels to an ass
Each man of wisdom, future, past, or present.
Newton (that proverb of the mind), alas!
Declared, with all his grand discoveries recent,
That he himself felt only 'like a youth
Picking up shells by the great ocean--Truth.'
Ecclesiastes said, 'that all is vanity'--
Most modern preachers say the same, or show it
By their examples of true Christianity:
In short, all know, or very soon may know it;
And in this scene of all-confess'd inanity,
[...] Read more
Canto the Eighth
I
Oh blood and thunder! and oh blood and wounds!
These are but vulgar oaths, as you may deem,
Too gentle reader! and most shocking sounds:
And so they are; yet thus is Glory's dream
Unriddled, and as my true Muse expounds
At present such things, since they are her theme,
So be they her inspirers! Call them Mars,
Bellona, what you will -- they mean but wars.
II
All was prepared -- the fire, the sword, the men
To wield them in their terrible array.
The army, like a lion from his den,
March'd forth with nerve and sinews bent to slay, --
A human Hydra, issuing from its fen
To breathe destruction on its winding way,
Whose heads were heroes, which cut off in vain
Immediately in others grew again.
III
History can only take things in the gross;
But could we know them in detail, perchance
In balancing the profit and the loss,
War's merit it by no means might enhance,
To waste so much gold for a little dross,
As hath been done, mere conquest to advance.
The drying up a single tear has more
Of honest fame, than shedding seas of gore.
IV
And why? -- because it brings self-approbation;
Whereas the other, after all its glare,
Shouts, bridges, arches, pensions from a nation,
Which (it may be) has not much left to spare,
A higher title, or a loftier station,
Though they may make Corruption gape or stare,
Yet, in the end, except in Freedom's battles,
Are nothing but a child of Murder's rattles.
V
And such they are -- and such they will be found:
Not so Leonidas and Washington,
Whose every battle-field is holy ground,
Which breathes of nations saved, not worlds undone.
How sweetly on the ear such echoes sound!
While the mere victor's may appal or stun
The servile and the vain, such names will be
A watchword till the future shall be free.
[...] Read more
poem by Byron from Don Juan (1824)
Added by Veronica Serbanoiu
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The Interpretation of Nature and
I.
MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.
II.
Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.
III.
Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.
IV.
Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.
V.
The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.
VI.
It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.
VII.
The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.
VIII.
Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.
IX.
The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.
X.
The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.
XI.
As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.
XII.
The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.
XIII.
[...] Read more
poem by Sir Francis Bacon
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Variations At Home And Abroad
It takes a lot of a person's life
To be French, or English, or American
Or Italian. And to be at any age. To live at any certain time.
The Polish-born resident of Manhattan is not merely a representative of
general humanity
And neither is this Sicilian fisherman stringing his bait
Or to be any gender, born where or when
Betty holding a big plate
Karen crossing her post-World War Two legs
And smiling across the table
These three Italian boys age about twenty gesturing and talking
And laughing after they get off the train
Seem fifty percent Italian and the rest percent just plain
Human race.
O mystery of growing up! O history of going to school!
O lovers O enchantments!
The subject is not over because the photograph is over.
The photographer sits down. Murnau makes the movie.
Everything is a little bit off, but has a nationality.
The oysters won't help the refugees off the boats,
Only other human creatures will. The phone rings and the Albanian
nationalist sits down.
When he gets up he hasn't become a Russian émigré or a German circus
clown
A woman is carrying a basket—a beautiful sight! She is in and of
Madagascar.
The uniformed Malay policeman sniffs the beer barrel that the brothers of
Ludwig are bringing close to him.
All humanity likes to get drunk! Are differences then all on the surface?
But even every surface gets hot
In the sun. It may be that the surface is where we are all alike!
But man and woman show that this isn't true.
We will get by, though. The train is puffing at the station
But the station isn't puffing at the train. This difference allows for a sense
of community
As when people feel really glad to have cats and dogs
And some even a few mice in the chimney. We are not alone
In the universe, and the diversity causes comfort as well as difficulty.
To be Italian takes at least half the day. To be Chinese seven-eighths of it.
Only at evening when Chang Ho, repast over, sits down to smoke
Is he exclusively human, in the way the train is exclusively itself when it is
in motion
But that's to say it wrongly. His being human is also his being seven-eighths
Chinese.
Falling in love one may get, say, twenty percent back
Toward universality, though that is probably all. Then when love's gone
One's Nigerianness increases, or one's quality of being of Nepal.
An American may start out wishing
To be everybody or that everybody were the same
[...] Read more
poem by Kenneth Koch
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The Symphony Of Music
music has away of projecting
your every-emotion that you
have to give, the art of music
lives inside every-one that wants
to follow it.
the sorrow that it has
gives a symphony of words,
to express the inner-emotions
that music has to expose to
us as we listen to it.
the symphony of music
impacts us as we listen
and compassionately take
it to heart, as we start
becoming involved with
the symphony of music that
is being produced to us.
some-how the art of
music takes us by the
hand and moves us in so
many different ways that we
can't even explain to any-one
that is around us.
we take the symphony of
music as it moves through
us, as we listen with an open
heart and an open mind, and find
the boundaries that combines our
very emotions, thoughts, and feelings,
with the symphony of music that reveals
to us a whole new world of music to
us and being the people of the world.
but what people don't
understand and realise is
that the symphony of music,
goes deeper than what they
had imagined it to go, and
some-how not to show this
bittersweet side of me and
what the symphony of music
does to me and my feelings.
and to have it some-how
over-flowing inside my
veins is some-thing that
[...] Read more
poem by Erie Diane
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Two Folk Songs
I. THE SOLDIER
(Roumanian)
When winter trees bestrew the path,
Still to the twig a leaf or twain
Will cling and weep, not Winter's wrath,
But that foreknown forlorner pain-
To fall when green leaves come again.
I watch'd him sleep by the furrow-
The first that fell in the fight.
His grave they would dig to-morrow:
The battle called them to-night.
They bore him aside to the trees, there,
By his undigg'd grave content
To lie on his back at ease there,
And hark how the battle went.
The battle went by the village,
And back through the night were borne
Far cries of murder and pillage,
With smoke from the standing corn.
But when they came on the morrow,
They talk'd not over their task,
As he listen'd there by the furrow;
For the dead mouth could not ask-
How went the battle, my brothers?
But that he will never know:
For his mouth the red earth smothers
As they shoulder their spades and go.
Yet he cannot sleep thereunder,
But ever must toss and turn.
How went the battle, I wonder?
-And that he will never learn!
When winter trees bestrew the path,
Still to the twig a leaf or twain
Will cling and weep, not Winter's wrath,
But that foreknown, forlorner pain-
To fall when green leaves come again!
[...] Read more
poem by Sir Arthur Quiller-Couch
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This, My Song, Is Made For Kerensky
(Being a Chant of the American Soap-Box and the Russian Revolution.)
O market square, O slattern place,
Is glory in your slack disgrace?
Plump quack doctors sell their pills,
Gentle grafters sell brass watches,
Silly anarchists yell their ills.
Shall we be as weird as these?
In the breezes nod and wheeze?
Heaven's mass is sung,
Tomorrow's mass is sung
In a spirit tongue
By wind and dust and birds,
The high mass of liberty,
While wave the banners red:
Sung round the soap-box,
A mass for soldiers dead.
When you leave your faction in the once-loved hall,
Like a true American tongue-lash them all,
Stand then on the corner under starry skies
And get you a gang of the worn and the wise.
The soldiers of the Lord may be squeaky when they rally,
The soldiers of the Lord are a queer little army,
But the soldiers of the Lord, before the year is through,
Will gather the whole nation, recruit all creation,
To smite the hosts abhorred, and all the heavens renew —
Enforcing with the bayonet the thing the ages teach —
Free speech!
Free speech!
Down with the Prussians, and all their works.
Down with the Turks.
Down with every army that fights against the soap-box,
The Pericles, Socrates, Diogenes soap-box,
The old Elijah, Jeremiah, John-the-Baptist soap-box,
The Rousseau, Mirabeau, Danton soap-box,
The Karl Marx, Henry George, Woodrow Wilson soap-box.
We will make the wide earth safe for the soap-box,
The everlasting foe of beastliness and tyranny,
Platform of liberty: — Magna Charta liberty,
Andrew Jackson liberty, bleeding Kansas liberty,
New-born Russian liberty: —
Battleship of thought,
The round world over,
Loved by the red-hearted,
Loved by the broken-hearted,
Fair young Amazon or proud tough rover,
[...] Read more
poem by Vachel Lindsay
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A Poem Especially For You
I write this poem,
Especially for you.
Hope you like it too.
I love this poem,
Hope you love it too,
Especially for you.
I love you so much that,
I Dream of you every night,
Especially be with you.
I write this poem,
Especially for you,
To remember your loving smile.
Give me your smile,
Give me your cheerful face,
Give me your Laughter.
Only this poem can,
Take your heart away.
Especially made for you.
I say this poem,
Especially designed for you,
In remembrance of our True friendship.
In this moment of life,
I share this poem
Especially with you.
In this precious memory,
I want you to know that,
I forever love you.
To say the right words,
At the right time;
Especially for you, is hard.
More than any right words,
I composed this poem,
Especially for you,
So that the world may know that
I fall in Love with you again.
Especially with you.
poem by Lawrence Hiung
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Winter Symphony
Autumn colors have gone
Birds fled south with their song
Snowflakes cover the earth quietly
Night extends through the hours
Coolly lit by the stars
The pulse of life slows silently
Cuddle up in a cozy nook
With a warm drink and a book
Within a winter symphony
Somewhere children outside
Screamin down a daredevil slide
Rosy-cheeked bundles of cold-weather clothes
Hear the winter winds howl
Pierced by the hoot of an owl
Fingers of frost take a nip at my nose
Cuddle up in a cozy nook
With a warm drink and a book
Within a winter symphony
Winter symphony
Snowflake fantasy
Warms my heart like a tropic sea
There the sun always shines
There youll always be mine
All in a winter symphony
Winter symphony
Snowflake fantasy
Warms my heart like a tropic sea
There the sun always shines
There youll always be mine
All in a winter symphony
song performed by Beach Boys
Added by Lucian Velea
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I Hear A Symphony
Your givin me true love
And everyday I thank the lord
For a feeling thats so new
So inviting so exciting
Whenever your near
I hear a symphony
A tender melody
Pulling me closer, closer to your arms
Then suddenly your lips are touching mine
A feeling so divine, still I need a path because
Im lost in a world
Made for you and me
Oooh...
Baby, baby
I hear a symphony
Ooooh... baby
Whenever your near
I hear a symphony
Played sweet and tenderly
Everytime your lips meet mine, my baby
Baby, baby
I feel the joy begin
Dont let this feeling end
Let it go on and on and on now baby
Baby, baby
Those tears that filled my eyes
I cried not for myself
But for those who have never felt the joy of love
Baby, baby
Whenever your near
I hear a symphony
Each time you speak of me
I hear a tender note so sweet of love
Baby, baby
As you stand there holding me
Whispering how much you care
A thousand violins fill the air, now
Baby, baby
Dont let this moment end
Keep standing close to me
So close to me my baby, baby, baby
Baby, baby
I hear a symphony
A tender melody
I hear a symphony
song performed by Michael Jackson
Added by Lucian Velea
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Rasputin
There lived a certain man in russia long ago
He was big and strong, in his eyes a flaming glow
Most people looked at him with terror and with fear
But to moscow chicks he was such a lovely dear
He could preach the Bible like a preacher
Full of ecstacy and fire
But he also was the kind of teacher
Women would desire
Ra ra rasputin
Lover of the russian queen
There was a cat that really was gone
Ra ra rasputin
Russias greatest love machine
It was a shame how he carried on
He ruled the russian land and never mind the czar
But the kasachok he danced really wunderbar
In all affairs of state he was the man to please
But he was real great when he had a girl to squeeze
For the queen he was no wheeler dealer
Though shed heard the things hed done
She believed he was a holy healer
Who would heal her son
Ra ra rasputin
Lover of the russian queen
There was a cat that really was gone
Ra ra rasputin
Russias greatest love machine
It was a shame how he carried on
(spoken:)
But when his drinking and lusting and his hunger
For power became known to more and more people,
The demands to do something about this outrageous
Man became louder and louder.
This mans just got to go! declared his enemies
But the ladies begged dont you try to do it, please
No doubt this rasputin had lots of hidden charms
Though he was a brute they just fell into his arms
Then one night some men of higher standing
Set a trap, theyre not to blame
Come to visit us they kept demanding
And he really came
Ra ra rasputin
Lover of the russian queen
They put some poison into his wine
Ra ra rasputin
Russias greatest love machine
He drank it all and he said I feel fine
Ra ra rasputin
Lover of the russian queen
They didnt quit, they wanted his head
[...] Read more
song performed by Boney M.
Added by Lucian Velea
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