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I started working with Timely in 1946. Stan Lee hired me.

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Mr. Lee

(emma pought/jannie pought/helen gathers/laurawebb/rether dixon)
One, two, three, look at mr. lee
Three, four, five, look at him jive
Mr. lee, mr. lee
Oh, mr. lee
Mr. lee, mr. lee
Oh, mr. lee
Mr. lee
I met my sweetie
His name is mr. lee
I met my sweetie
His name is mr. lee
He's the hansomest sweetie
That you ever did see
My heart is achin' for you mr. lee
My heart is achin' for you mr. lee
'cause i love you so
And i'll never let you go
Mr. lee, mr. lee
Oh, mr. lee
Mr. lee, mr. lee
Oh, mr. lee
Mr. lee, mr. lee
Oh, mr. lee
Mr. lee
Here comes mr. lee
He's coming for me
Here comes mr. lee
He's coming for me
He's my lover boy
Let's jump for joy
Come on mr. lee and do your stuff
Come on mr. lee and do your stuff
'cause you're gonna be mine
Till the end of time
One, two, three, look at mr. lee
Three, four, five, look at him jive
One, two, three, look at mr. lee
Three, four, five, look at him jive
Mr. lee, mr. lee
Oh, mr. lee
Mr. lee, mr. lee
Oh, mr. lee
Mr. lee, mr. lee
Oh, mr. lee
Mr. lee
One, two, three, look at mr. lee
Three, four, five, look at him jive
Mr. lee, mr. lee
Oh, mr. lee

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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

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Ella Wheeler Wilcox

Three Women

My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.

Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.

Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.


Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.


Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.


1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.


Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,

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Stagger Lee

The night was clear and the moon was yellow
And the leaves came tumbling down
I was standing on the corner
When I heard my bulldog bark
He was barking up at the two men
Who were gambling in the dark
It was stagger lee and billy
Two men who gambled late
Stagger lee threw a seven
Billy swore, he threw an eight
Stagger lee told billy,
I cant let you get away with that
Well, youve won all my money
And my brand new stetson hat
Stagger lee ran home
Went and got him his 44
Said, Im going to the bar room
Just to pay that debt that I owe
Go stagger lee, go stagger lee
Go stagger lee, go stagger lee
Said, i m going to the bar room
Just to pay that debt that I owe
Stagger lee went to the bar room
Boy, he stood across the bar room doors
Said, now, nobody move
And he pulled out his 44
Stagger lee, cried billy
Oh, please dont you take my life
I got me three little children
And a very sickly wife
Go stagger lee, go stagger lee
Go stagger lee, go stagger lee
Got me three little children
And a very, very sickly wife
Stagger lee shot billy
Boy, he shot that poor boy so bad
That the bullet came thru billy
And went right thru the bartenders glass
While I was standing on the corner
When I heard my bulldog bark
He was barking up at the two men
Who were gambling in the dark
Go stagger lee, go stagger lee
Go stagger lee, go stagger lee
Well, he was barking up at the two men
Who were gambling in the dark

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Stack A Lee

Hawlin alley on a dark and drizzly night,
Billy lyons and stack-a-lee had one terrible fight.
All about that john b. stetson hat.
Stack-a-lee walked to the bar-room, and he called for a glass of beer,
Turned around to billy lyons, said, what are you doin here?
Waitin for a train, please bring my woman home.
Stack-a-lee, oh stack-a-lee. please dont take my life.
Got three little children and a-weepin, lovin wife.
Youre a bad man, bad man, stack-a-lee.
God bless your children and Ill take care of your wife.
You stole my john b., now Im bound to take your life.
All about that john b. stetson hat.
Stack-a-lee turned to billy lyons and he shot him right through the head,
Only taking one shot to kill billy lyons dead.
All about that john b. stetson hat.
Sent for the doctor, well the doctor he did come,
Just pointed out stack-a-lee, said, now what have you done?
Youre a bad man, bad man, stack-a-lee.
Six big horses and a rubber-tired hack,
Taking him to the cemetery, buy they failed to bring him back.
All about that john b. stetson hat.
Hawlin alley, thought I heard the bulldogs bark.
It must have been old stack-a-lee stumbling in the dark.
Hes a bad man, gonna land him right back in jail.
High police walked on to stack-a-lee, he was lying fast asleep.
High police walked on to stack-a-lee, and he jumped forty feet.
Hes a bad man, gonna land him right back in jail.
Well they got old stack-a-lee and they laid him right back in jail.
Couldnt get a man around to go stack-a lees bail
All about that john b. stetson hat.
Stack-a-lee turned to the jailer, he said, jailer, I cant sleep.
round my bedside billy lyons began to creep.
All about that john b. stetson hat.

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Frankie Lee

Writers: leo sayer & ray parker, jr.
On every corner of every avenue
The words been passed all around
Better watch out, lock up your daughters
cause that bad frankie lee is back in town
All the ladies fall for frankie
Sayin, frankie lee, how can it be
Of all the men here, youre the only one
Whos got the key, to set us free
Oh, frankie lee
Now theres a woman, in this neighborhood
Whos loving frankie in her mind
But in fear of bein discovered
She keeps her secret locked up inside
Just then a stones thrown up at the window
And she looks below, what does she see
Theres a man there, standing neath the streetlight
It looks to be
Like frankie lee
Youd best believe
Well, old frankie steals through the back door
While her old man is leavin by the hall
But before she hears his footsteps
Frankies standing at the bedroom door
So she holds him, then she begs him
Oh frankie lee, dont cha ever leave
And he tells her, shes the only one
Hes got the key
That frankie lee
To set her free
Then as the moon fades, into the night sky
Frankie leaves while shes asleep
Then hes up and out on the street again
Hes got the key thatll set you free
That frankie lee
Every kid in this ol gangtown
Theyd want to be like frankie lee
Please the ladies, like a vagabond
Hes got the key
That frankie lee
To set them free
Yeah, every kid in this ol gangtown
Yeah, theyd want to be like frankie lee
Cassanova and valentino
Theyd like to be as good as frankie lee
Every kid in this ol gangtown
Theyd like to be like frankie lee
Please the ladies, like a vagabond
Hes got the key
That frankie lee

[...] Read more

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Virginia's Story

Elizabeth Gates-Wooten is my Grand mom.

She was born in Canada with her father and brothers.
They owned a Barber Shoppe.
I don't remember exactly where in Canada.
I believe it was right over the border like Windsor or Toronto.
I never knew exactly where it was.

When she was old enough she got married.

First, she married a man by the name of Frank Gates.
He was from Madagascar.
He fathered my mom and her brother and sister.
The boy's name was Frank Gates, Jr.
Two girls name were Anna and Agnes.

Agnes was my mother.

Frank Gates went crazy after the war
He drank a lot and died
Then grandma Elizabeth married a man by the name of Mr. Wooten.
He had a German name, but I don't think he was German.
She took his last name after they got married.

Then they moved to West Virginia in the United States.

Their son, Frank Gates Jr. Became a delegate in the democratic party.
He use to get into a lot of trouble because he liked to fight.
He was a delegate from the 1940's to 1970's.
He died of gout in the 1970's.

Anna was a maid and cook.

She baked cakes and stuff for people as a side line.
She had a hump on her back (scoliosis) .
She had to walk with a cane.
She could cook good though.
She did this kind of work all of her life, just like her mom, Elizabeth

They were both good cooks

They had a lot of money because they had these skills
Especially when people had parties.
Because they would make all of this food and then they would have left-overs.
We got to eat a lot of stuff we normally wouldn't get because of that.
When they cooked, they didn't use no measuring stuff, they would just use there hand.

My moms name was Agnes Barrie Gates.

She married James Wright and moved to Cleveland.

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Stagger Lee

The night was clear, and the moon was yellow
And the leaves came tumblin down. . .
I was standin on the corner
When I heard my bull dog bark.
He was barkin at the two men
Who were gamblin in the dark.
It was stagger lee and billy,
Two men who gambled late.
Stagger lee threw a seven,
Billy swore that he threw eight.
Stagger lee, said billy,
I cant let you go with that.
You have won all my money,
And my brand-new stetson hat.
Stagger lee went home
And he got his .44.
He said, Im goin to the ballroom
Just to pay that debt I owe.
(bridge)
Go, stagger lee
Stagger lee went to the ballroom
And he strolled across the ballroom floor.
He said you did me wrong, billy.
And he pulled his .44.
Stagger lee, said billy,
Oh, please dont take my life!
Ive got three hungry children,
And a very sickly wife.
Stagger lee shot billy
Oh, he shot that poor boy so hard
That a bullet went through billy
And broke the bartenders bar.
Go, stagger lee, go, stagger lee!
Go, stagger lee, go, stagger lee!
(to fade)

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Hesitating Beauty

For your sparkling cocky smile I've walked a million miles
Begging you to come and wed me in the spring
Why do you my dear delay
What makes you laugh and turn away
You're a hesitating beauty, Nora Lee
Well I know that you are itching to get married, Nora Lee
And I know how I'm twitching for the same thing, Nora Lee
By the stars and clouds above we could spend our lives in love
You're a hesitating beauty, Nora Lee
We can build a house and home where the flowers come to bloom
Around our yard I'll nail a fence so high
That the boys with peeping eyes cannot see that angel face
My hesitating beauty Nora Lee
Well I know that you are itching to get married Nora Lee
And I know how I'm twitching for the same thing Nora Lee
By the stars and clouds above we can spend our lives in love
If you quit your hesitating, Nora Lee
We can ramble hand in hand across the grasses of our land
I'll kiss you for each leaf on every tree
We can bring our kids to play where the dry leaves blow today
If you quit your hesitating, Nora Lee
Well I know that you are itching to get married, Nora Lee
And I know how I'm twitching for the same thing, Nora Lee
By the stars and clouds above we could spend our lives in love
If you quit your hesitating, Nora Lee

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Remember That Turkey Stuffed

Slip me a witch and be done with it.
Then give me a hee-hi-ho!
Let's both benefit from this wickedness.
Then slip me a ho-to-go!

La la la la lahhhh
Lee lee lee lee leeeee
Loo loo loo loo loo lah low.

And for all who have not had a good screwing all this year...
May those turkeys you stuff have tasty rears.

Slip me a witch and be done with it.
Then give me a hee-hi-ho!
Let's both benefit from this wickedness.
Then slip me a ho-to-go!

La la la la lahhhh
Lee lee lee lee leeeee
Loo loo loo loo loo lah low.

And for all who have not had a good screwing all this year...
May those turkeys you stuff have tasty rears.

May you taste a good turkey stuffed...
With cheer!

La la la la lahhhh
Lee lee lee lee leeeee
Loo loo loo loo loo lah low.
And for all who have not had a good screwing all this year...
May those turkeys you stuff,
Have juicy rears!

'Oh...
Such a festive decadence.'

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Working For The Man

Roy orbison
Re-recorded version of 1987
----------------------------------
Hey now
You better listen to me every one of you
We got a lot of lot of lot of lot of work to do
Forget about your women
No, no water can
Today you're working for the man
Well pick up your feet
We got a deadline to meet
I'm gonna see you make it on time
Now, don't relax
I want elbows and backs
I wanna see everybody from behind
'cause you're working for the man
Working for the man
Gotta make him a hand
When you're working for the man
Well i'm pickin' em' up
And i'm layin' 'em down
I believe he's gonna work me into the ground
I pulled to the left, and i heaved to the right
I wanna kill him but it wouldn't be right
'cause i'm working for the man
Working for the man
Gotta make him a hand
When you're working for the man
Well the bossman's daughter sneaks me water
Everytime her daddy's down the line
She says "meet me tonight,
Love me right
And everyting's gonna be fine."
So i slave all day, without much pay
I'm just abiding my time
'cause the company and the daughter, you see
They both gonna be all mine
Yeah i'm gonna be the man
Gonna be the man
Gotta make him a hand
If you gonna be the man
Working for the man
Working for the man
Gotta make him a hand
When you're working for the man
Working for the man
Working for the man
Original version
------------------------
Hey now

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A Ducktail Called Stan

There was a man they called Stan the ducktail,
a well build biker with very long hair,
his real name could have been Sam
or Dick or Dirk
no one really still knows
but he carried chains
and knuckle-dusters
that he used as fighting tools
(and sometimes his bare fists did the thing)
whenever a game of cards, pool, snooker
or even darts did not go straight
he took a swing

and rumour had it that he had even
knocked some cops through shop windows,
had send them straight to hospital
he was a hippie in the time
that free love and marijuana
was in some circles acceptable

and this bloke had many friends,
a gang full of them
that used to party with him
with chicks near Brakpan dam
drinking champagne, beer and cane,
or whatever liquor
they could lay their hands on

and to all the schoolboys Stan
was the man, the archetype
of what they wanted to become
what they used to call:
“a mean fighting machine, ”

and some parents did not want them
to associate with what they called
ducktail scum, even went as far
as warning the kids in the Sunday school
against Stan, hippies and ducktails in general
and to live a honest respectable life
and held a prayer meeting
where they begged God to intervene
in the life of Stan
and to this day they believe that He did

and one day just to have some fun
Stan was breaking shop windows
in the main street, waiting on the police
to come and meet him
with drawn batons and fists

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Forsaking All Others Part 3

I

THERE was an instant when he might have said
He could not see the lady; but instead
He nodded with a blank, impassive face,
And waited, never moving from his place
Beside the window, till a moment more
And she was there, leaning against the door
Which she had closed. She stood there, silent, staring,
Trembling with fear at her own act of daring,
But not with fear of him. Erect and slim,
White as the daytime moon, she spoke to him.

'I know,' she said, 'that it was not your plan
That we should ever meet: I know a man
Assumes despotic power, assumes his voice
In cases such as ours shall have the choice...

'But is that just, I ask... is that fair play
That you should have the right to throw away,
Crush and destroy and utterly deny
Our joint possession... or rather mine, for I
Value our friendship so much more than you
Appear to...' 'No,' he said, 'That is not true.'

She shook her head. 'Ah, if you thought it rare,
Precious and wonderful, you would not dare
Destroy it by yourself... not even you.'

He answered: 'I not only would. I do.
You speak of friendship. What a silly word,
And as dishonest as I ever heard.
Let us at least be candid, for God's sake,
And speak the truth... what difference does it make?
It is not friendship we are speaking of,
But the first moments of a passionate love....'

'You're wrong,' she cried, 'you're absolutely wrong.
Not everything emotional and strong
Between a man and woman needs must be
Physical love... People like you and me
Are wise enough and old enough to take
This fiery elemental thing and make
Something for every day, serene and cool...
I am not of the all-or-nothing school.'

He smiled. 'We light hell-fires, and you engage
They'll warm our palsied hands in our old age,'
At this she paused, and then she said:'Your tone
Wounds me. I live so terribly alone,

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The Ballad Of Frankie Lee And Judas Priest

by Bob Dylan
Well, Frankie Lee and Judas Priest,
They were the best of friends.
So when Frankie Lee needed money one day,
Judas quickly pulled out a roll of tens
And placed them on a footstool
Just above the plotted plain,
Sayin', "Take your pick, Frankie Boy,
My loss will be your gain."
Well, Frankie Lee, he sat right down
And put his fingers to his chin,
But with the cold eyes of Judas on him,
His head began to spin.
"Would ya please not stare at me like that," he said,
"It's just my foolish pride,
But sometimes a man must be alone
And this is no place to hide."
Well, Judas, he just winked and said,
"All right, I'll leave you here,
But you'd better hurry up and choose
Which of those bills you want,
Before they all disappear."
"I'm gonna start my pickin' right now,
Just tell me where you'll be."
Judas pointed down the road
And said, "Eternity!"
"Eternity?" said Frankie Lee,
With a voice as cold as ice.
"That's right," said Judas Priest, "Eternity,
Though you might call it 'Paradise.'"
"I don't call it anything,"
Said Frankie Lee with a smile.
"All right," said Judas Priest,
"I'll see you after a while."
Well, Frankie Lee, he sat back down,
Feelin' low and mean,
When just then a passing stranger
Burst upon the scene,
Saying, "Are you Frankie Lee, the gambler,
Whose father is deceased?
Well, if you are,
There's a fellow callin' you down the road
And they say his name is Priest."
"Oh, yes, he is my friend,"
Said Frankie Lee in fright,
"I do recall him very well,
In fact, he just left my sight."
"Yes, that's the one," said the stranger,
As quiet as a mouse,
"Well, my message is, he's down the road,

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The Ballad Of Frankie Lee & Judas Priest

Well, frankie lee and judas priest,
They were the best of friends.
So when frankie lee needed money one day,
Judas quickly pulled out a roll of tens
And placed them on a footstool
Just above the plotted plain,
Sayin, take your pick, frankie boy,
My loss will be your gain.
Well, frankie lee, he sat right down
And put his fingers to his chin,
But with the cold eyes of judas on him,
His head began to spin.
Would ya please not stare at me like that, he said,
Its just my foolish pride,
But sometimes a man must be alone
And this is no place to hide.
Well, judas, he just winked and said,
All right, Ill leave you here,
But youd better hurry up and choose
Which of those bills you want,
Before they all disappear.
Im gonna start my pickin right now,
Just tell me where youll be.
Judas pointed down the road
And said, eternity!
Eternity? said frankie lee,
With a voice as cold as ice.
Thats right, said judas priest, eternity,
Though you might call it paradise.
I dont call it anything,
Said frankie lee with a smile.
All right, said judas priest,
Ill see you after a while.
Well, frankie lee, he sat back down,
Feelin low and mean,
When just then a passing stranger
Burst upon the scene,
Saying, are you frankie lee, the gambler,
Whose father is deceased?
Well, if you are,
Theres a fellow callin you down the road
And they say his name is priest.
Oh, yes, he is my friend,
Said frankie lee in fright,
I do recall him very well,
In fact, he just left my sight.
Yes, thats the one, said the stranger,
As quiet as a mouse,
Well, my message is, hes down the road,
Stranded in a house.

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You Started This Fire

I lay with you and it's,
Under-cover.
With a ring-aling that dings.
And penetrates to get to things.

Aaahhh, aaahhh, aaahhh.

I lay with you and it's,
Under-cover.
With a ring-aling that dings.
And penetrates to get to things.
And penetrates to get to things.
Repeat.
And penetrates to get to things.
Repeat.
And penetrates to get to things.

Aaahhh, aaahhh, aaahhh.

Now who started this fire?
With a-ring and a-ding-ding-ding.
And a,
Big dingalingaling.
In this,
Sticky heat!
And, breathing deep.

Now who is accused for this fire?
That makes my breathing deep.
And...
Makes me clinch both fist and teeth.

Now who is accused for this fire?
That makes my breathing deep.
And...
Makes me clinch both fist and teeth.

You lay bare with naked clues!
You must of have started this fire.
You looking as if you know what to do too.
You must of have started this fire,
To build up my desire.

And why do I suspect that,
You have done this thing and...
That you want to bring me,
To a place....
To hear me scream

You lay bare with naked clues!

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50 Ways To Leave Your Lover

50 ways to leave your lover
Words & music by paul simon
The problem is all inside your head, she said to me
The answer is easy if you take it logically
Id like to help you in your struggle to be free
There must be fifty ways to leave your lover
She said its really not my habit to intrude
Furthermore, I hope my meaning wont be lost or misconstrued
But Ill repeat myself at the risk of being crude
There must be fifty ways to leave your lover
Fifty ways to leave your lover
Just slip out the back, jack
Make a new plan, stan
You dont need to be coy, roy
Just get yourself free
Hop on the bus, gus
You dont need to discuss much
Just drop off the key, lee
And get yourself free
Just slip out the back, jack
Make a new plan, stan
You dont need to be coy, roy
Just listen to me <-----------
Hop on the bus, gus
You dont need to discuss much
Just drop off the key, lee
And get yourself free
She said it grieves me so to see you in such pain
I wish there was something I could do to make you smile again
I said I appreciate that and would you please explain
About the fifty ways
She said why dont we both just sleep on it tonight
And I believe in the morning youll begin to see the light
And then she kissed me and I realized she probably was right
There must be fifty ways to leave your lover
Fifty ways to leave your lover
Just slip out the back, jack
Make a new plan, stan
You dont need to be coy, roy
Just get yourself free
Hop on the bus, gus
You dont need to discuss much
Just drop off the key, lee
And get yourself free
You just slip out the back, jack
Make a new plan, stan
You dont need to be coy, roy
Just listen to me <------------
Hop on the bus, gus
You dont need to discuss much

[...] Read more

song performed by Paul SimonReport problemRelated quotes
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Love Working On You

(jim collins/craig wiseman)
You woke up this morning
Changes were taking place
You looked in the mirror
A smile was all over your face
cause out of nowhere
Someone was there
Who dared to climb
Those walls you made
Its exciting, a little frightening
But girl dont you be afraid
Thats just the love working
Love working on you
Thats just the love working
Working on pulling you through
Cant even remember
All the sorrow that you left behind
Its a brand new day
Theres a bright new way
And your tears have turned into wine
You never forget
When your eyes met
Or just how clearly you could see
Where the turns are deep in your heart
That lead you to believe
Thats just the love working
Love working on you
Thats just the love working
Working on pulling you through
All of the while you felt forsaken
And all of the while
Loves been waiting, waiting
Suddenly you see how it could be
If we all only felt this way
And for a while girl you can see this world
Looking through the eyes of fate
Thats just the love working
Love working on you
Thats just the love working
Working on pulling you through
Thats just the love working
Love working on you
Thats just the love working
Working on pulling you through
Thats just the love working on you
Thats just the love working
Working on pulling you through

song performed by John Michael MontgomeryReport problemRelated quotes
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Forsaking All Others Part 4

I

WAYNE was looking near and far
After the theatre to find his car.
He had taken his wife to the play that night;

Broadway was glittering hard and bright
With every sort of electric light­
Green and scarlet and diamond-white;
And moving letters against the sky
Told you exactly the reason why
This or that was the thing to buy.
And suddenly there at his side was Nell
Vainly seeking her car as well
They talked. for a moment... of meeting again...
And how were Edward and Ruth, and then
'I wonder,' said Nell, 'if you ever see
My lovely friend...' 'You mean,' said he,
'That blue-eyed lady I once sat next.. '
'Exactly,' said Nellie. 'I feel so vexed
With Lee. I haven't seen her this season,
And between you and me, I know the reason.'
'Do you indeed? ' said Wayne.'Oh, yes,'
Nell answered. 'I know... at least I guess.
When a woman like that whom I've seen so much
All of a sudden drops out of touch,
Is always busy and never can
Spare you a moment, it means a MAN.'

Wayne did not smile. 'I am sure you are
Right,' he said. 'Do you go so far
In the magic art as to tell us who
The man may be? ' 'I certainly do,'
Said Nell. 'It's that handsome young romantic
Doctor who's driving the ladies frantic,
So that they flock to be cured in shoals
And talk of nothing but sex and souls,
And self-expression, and physical passion..
Of course, no wonder the man's the fashion.'

'Does Mrs. Kent flock? ' 'Oh, no, I meant
They've called him in to take care of Kent.
Imagine the long deep conversations,
The tears, the intimate revelations...
I wish to all ladies, lonely and sad,
Tied to a husband hopelessly mad
A handsome psychiatrist... good or bad.
Oh, there's my car,' and so with a gay
Good night to Wayne she was driven away.

[...] Read more

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The Hired Man And Floretty

The Hired Man's supper, which he sat before,
In near reach of the wood-box, the stove-door
And one leaf of the kitchen-table, was
Somewhat belated, and in lifted pause
His dextrous knife was balancing a bit
Of fried mush near the port awaiting it.

At the glad children's advent--gladder still
To find _him_ there--'Jest tickled fit to kill
To see ye all!' he said, with unctious cheer.--
'I'm tryin'-like to he'p Floretty here
To git things cleared away and give ye room
Accordin' to yer stren'th. But I p'sume
It's a pore boarder, as the poet says,
That quarrels with his victuals, so I guess
I'll take another wedge o' that-air cake,
Florett', that you're a-_learnin_' how to bake.'
He winked and feigned to swallow painfully.--

'Jest 'fore ye all come in, Floretty she
Was boastin' 'bout her _biscuits_--and they _air_
As good--sometimes--as you'll find anywhere.--
But, women gits to braggin' on their _bread_,
I'm s'picious 'bout their _pie_--as Danty said.'
This raillery Floretty strangely seemed
To take as compliment, and fairly beamed
With pleasure at it all.

--'Speakin' o' _bread_--
When she come here to live,' The Hired Man said,--
'Never ben out o' _Freeport_ 'fore she come
Up here,--of course she needed '_sperience_ some.--
So, one day, when yer Ma was goin' to set
The risin' fer some bread, she sent Florett
To borry _leaven_, 'crost at Ryans'--So,
She went and asked fer _twelve_.--She didn't _know_,
But thought, _whatever_ 'twuz, that she could keep
_One_ fer _herse'f_, she said. O she wuz deep!'

Some little evidence of favor hailed
The Hired Man's humor; but it wholly failed
To touch the serious Susan Loehr, whose air
And thought rebuked them all to listening there
To her brief history of the _city_-man
And his pale wife--'A sweeter woman than
_She_ ever saw!'--So Susan testified,--
And so attested all the Loehrs beside.--
So entertaining was the history, that
The Hired Man, in the corner where he sat
In quiet sequestration, shelling corn,

[...] Read more

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