But screw up your courage to the sticking place, And we'll not fail.
quote by Mary Bertone
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Related quotes
Screw It All
Screw the World
Screw my friends
Screw the lies that never end
Screw my mom
Screw my dad
Screw the way I feel sad
Screw my teachers
Screw my school
Screw the life of one man's rule
Screw my clothes
Screw my nose
All it is is a fake pose
Screw my body
Screw my face
Screw all the parts below my waist
Screw your life
And Screw mine
Screw the rich who drink and dine
Screw the poor
Screw the sick
All it is is a load of gick
Screw my money
Screw my car
Oh my God, I'm so sick of it all!
poem by Artemis Zeus
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Turn Of The Screw
Do you feel the turn of the screw?
Pushing harder, breaking through
It's better than you ever knew
Now it gets to take care of you
I won't go and tell it
Don't bet you're due
It swings enough to know the truth
It even left you black and blue
Never stop when there's nothing left to do
The turn of the screw, the turn of the screw
The thing you said you'd never do
The turn of the screw, the turn of the screw
There's no backing out once you've turned the screw
You never thought what they say could be
One night alone and you would see
I think you'll take back all those doubts
Now you know what the talk was all about
The turn of the screw, the turn of the screw
The thing you said you'd never do
The turn of the screw, the turn of the screw
There's no backing out once you've turned the screw
Turn, Turn, Turn it around
Turn, Turn, Turn it here on the ground
Turn, Turn, Turn it around
Turn, Turn, Turn it here on the ground
The turn of the screw, the turn of the screw
The thing you said you'd never do
The turn of the screw, the turn of the screw
There's no backing out once you've turned the screw
The Turn of the Screw
The Turn of the Screw
The Turn of the Screw
The Turn of the Screw1
song performed by 1208
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Coffee Courage
The bitter coffee kicked;
I shook and then I licked
My lips and gave a sigh.
Shattered eyes encouraged,
I nearly had envisaged
Waking up an eye.
Another sip; a jolt –
Not unlike a bolt
Of wattage from the mains.
My sockets under strain,
I tried it once again:
Aha! The light, the searing white –
My God, the bloody pain!
Copyright © Mark R Slaughter 2009
[...] Read more
poem by Mark R Slaughter
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The Queen of Jhansi
1st Stanza
The throne was shaken and tensions rose among the Raajvanshs, the royal heirs,
In aged India, new ideas were taking hold,
The people of all India lamented their lost freedom,
And decided to cast off British rule,
Old swords glittered anew as the freedom movement of 1857 started.
The Bandelas and Harbolas sang once again of the courage of the Queen of Jhansi,
How she fought like a man against the British intruders
So was the Queen of Jhansi.
2nd Stanza
She was as dear to the Nana (Nana Ghunghupant) of Kanpur as his real sister,
Laxmibai was her name, her parents only daughter
She'd been with Nana since her schoolgirl days
The spear, knife, sword, and axe were her constant companions.
She knew by heart the tales of valor of Shivaji
The Bandelas and Harbolas sang once again of the courage of the Queen of Jhansi,
How she fought like a man against the British intruders
So was the Queen of Jhansi.
3rd Stanza
None were sure, was she Laxmi or Durga devi or Devi durga reincarnate?
The people of Marathward were awed by her (expertise) skill with the sword,
They learned from her how to fight, the strategy of war,
To attack and humiliate the enemy were her favorite sports.
Her love for Maharashatra-kul-Devi was equaled only by her love for Bhavani.
The Bandelas and Harbolas sang once again of the courage of the Queen of Jhansi,
How she fought like a man against the British intruders,
8) So was the Queen of Jhansi.
4th Stanza
Laxmibai was married in Jhansi, with great jubilation
Entering the joyous city as Queen,
Grand celebrations were held in the palace in Jhansi, in honor of her coming.
Just as when Chitra met Arjun or Shiv had found his beloved Bhavani.
The Bandelas and Harbolas sang once again of the courage of the Queen of Jhansi,
How she fought like a man against the British intruders,
So was the Queen of Jhansi.
5th Stanza
Her presence was a blessing at the palace of Jhansi and candles of celebration burned long
But as days passed the dark clouds of misfortune overshadowed the royal palace.
She put aside her bangles and prepared for battle
For fate was unkind and made her a widow
[...] Read more
poem by Subhadra Kumari Chauhan
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Screw-Guns
Smokin' my pipe on the mountings, sniffin' the mornin' cool,
I walks in my old brown gaiters along o' my old brown mule,
With seventy gunners be'ind me, an' never a beggar forgets
It's only the pick of the Army
that handles the dear little pets -- 'Tss! 'Tss!
For you all love the screw-guns -- the screw-guns they all love you!
So when we call round with a few guns,
o' course you will know what to do -- hoo! hoo!
Jest send in your Chief an' surrender --
it's worse if you fights or you runs:
You can go where you please, you can skid up the trees,
but you don't get away from the guns!
They sends us along where the roads are, but mostly we goes where they ain't:
We'd climb up the side of a sign-board an' trust to the stick o' the paint:
We've chivied the Naga an' Looshai, we've give the Afreedeeman fits,
For we fancies ourselves at two thousand,
we guns that are built in two bits -- 'Tss! 'Tss!
For you all love the screw-guns . . .
If a man doesn't work, why, we drills 'im an' teaches 'im 'ow to behave;
If a beggar can't march, why, we kills 'im an' rattles 'im into 'is grave.
You've got to stand up to our business an' spring without snatchin' or fuss.
D'you say that you sweat with the field-guns?
By God, you must lather with us -- 'Tss! 'Tss!
For you all love the screw-guns . . .
The eagles is screamin' around us, the river's a-moanin' below,
We're clear o' the pine an' the oak-scrub,
we're out on the rocks an' the snow,
An' the wind is as thin as a whip-lash what carries away to the plains
The rattle an' stamp o' the lead-mules --
the jinglety-jink o' the chains -- 'Tss! 'Tss!
For you all love the screw-guns . . .
There's a wheel on the Horns o' the Mornin',
an' a wheel on the edge o' the Pit,
An' a drop into nothin' beneath you as straight as a beggar can spit:
With the sweat runnin' out o' your shirt-sleeves,
an' the sun off the snow in your face,
An' 'arf o' the men on the drag-ropes
to hold the old gun in 'er place -- 'Tss! 'Tss!
For you all love the screw-guns . . .
Smokin' my pipe on the mountings, sniffin' the mornin' cool,
I climbs in my old brown gaiters along o' my old brown mule.
The monkey can say what our road was --
the wild-goat 'e knows where we passed.
Stand easy, you long-eared old darlin's!
Out drag-ropes! With shrapnel! Hold fast -- 'Tss! 'Tss!
[...] Read more
poem by Rudyard Kipling
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Annus Mirabilis, The Year Of Wonders, 1666
1
In thriving arts long time had Holland grown,
Crouching at home and cruel when abroad:
Scarce leaving us the means to claim our own;
Our King they courted, and our merchants awed.
2
Trade, which, like blood, should circularly flow,
Stopp'd in their channels, found its freedom lost:
Thither the wealth of all the world did go,
And seem'd but shipwreck'd on so base a coast.
3
For them alone the heavens had kindly heat;
In eastern quarries ripening precious dew:
For them the Idumaean balm did sweat,
And in hot Ceylon spicy forests grew.
4
The sun but seem'd the labourer of the year;
Each waxing moon supplied her watery store,
To swell those tides, which from the line did bear
Their brimful vessels to the Belgian shore.
5
Thus mighty in her ships, stood Carthage long,
And swept the riches of the world from far;
Yet stoop'd to Rome, less wealthy, but more strong:
And this may prove our second Punic war.
6
What peace can be, where both to one pretend?
(But they more diligent, and we more strong)
Or if a peace, it soon must have an end;
For they would grow too powerful, were it long.
7
Behold two nations, then, engaged so far
That each seven years the fit must shake each land:
Where France will side to weaken us by war,
Who only can his vast designs withstand.
8
See how he feeds the Iberian with delays,
To render us his timely friendship vain:
And while his secret soul on Flanders preys,
He rocks the cradle of the babe of Spain.
9
Such deep designs of empire does he lay
[...] Read more
poem by John Dryden
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With A Sticking Comfort
It's not easy to leap and grow up.
Not easy to leave behind stuff,
That keeps one cemented and stuck...
With a sticking comfort.
People choose the things they do,
With a sticking comfort.
And it's hard to remove old shoes,
Fitting with a comfort.
But a yesterday has gone away,
Yet they...
Stick with such a comfort.
And in some minds they can't let go,
Even though their aging shows.
It's not easy to leap and grow up.
Not easy to leave behind stuff,
That keeps one cemented and stuck...
With a sticking comfort.
It's not easy to leap and grow up.
Not easy to leave behind stuff,
That keeps one cemented and stuck...
With a sticking comfort.
People choose the things they do,
With a sticking comfort.
And it's hard to remove old shoes,
Fitting with a comfort.
But a yesterday has gone away,
Yet they...
Stick with such a comfort.
And in some minds they can't let go,
Even though their aging shows.
In some minds they can't let go,
Even though their aging shows.
It's not easy to leap and grow up.
Not easy to leave behind stuff,
That keeps one cemented and stuck...
With a sticking comfort.
It's not easy to leap and grow up.
Not easy to leave behind stuff,
That keeps one cemented and stuck...
With a sticking comfort.
One should just let go.
poem by Lawrence S. Pertillar
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The Ghost - Book IV
Coxcombs, who vainly make pretence
To something of exalted sense
'Bove other men, and, gravely wise,
Affect those pleasures to despise,
Which, merely to the eye confined,
Bring no improvement to the mind,
Rail at all pomp; they would not go
For millions to a puppet-show,
Nor can forgive the mighty crime
Of countenancing pantomime;
No, not at Covent Garden, where,
Without a head for play or player,
Or, could a head be found most fit,
Without one player to second it,
They must, obeying Folly's call,
Thrive by mere show, or not at all
With these grave fops, who, (bless their brains!)
Most cruel to themselves, take pains
For wretchedness, and would be thought
Much wiser than a wise man ought,
For his own happiness, to be;
Who what they hear, and what they see,
And what they smell, and taste, and feel,
Distrust, till Reason sets her seal,
And, by long trains of consequences
Insured, gives sanction to the senses;
Who would not (Heaven forbid it!) waste
One hour in what the world calls Taste,
Nor fondly deign to laugh or cry,
Unless they know some reason why;
With these grave fops, whose system seems
To give up certainty for dreams,
The eye of man is understood
As for no other purpose good
Than as a door, through which, of course,
Their passage crowding, objects force,
A downright usher, to admit
New-comers to the court of Wit:
(Good Gravity! forbear thy spleen;
When I say Wit, I Wisdom mean)
Where (such the practice of the court,
Which legal precedents support)
Not one idea is allow'd
To pass unquestion'd in the crowd,
But ere it can obtain the grace
Of holding in the brain a place,
Before the chief in congregation
Must stand a strict examination.
Not such as those, who physic twirl,
Full fraught with death, from every curl;
[...] Read more
poem by Charles Churchill
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Orlando Furioso Canto 20
ARGUMENT
Guido and his from that foul haunt retire,
While all Astolpho chases with his horn,
Who to all quarters of the town sets fire,
Then roving singly round the world is borne.
Marphisa, for Gabrina's cause, in ire
Puts upon young Zerbino scathe and scorn,
And makes him guardian of Gabrina fell,
From whom he first learns news of Isabel.
I
Great fears the women of antiquity
In arms and hallowed arts as well have done,
And of their worthy works the memory
And lustre through this ample world has shone.
Praised is Camilla, with Harpalice,
For the fair course which they in battle run.
Corinna and Sappho, famous for their lore,
Shine two illustrious light, to set no more.
II
Women have reached the pinnacle of glory,
In every art by them professed, well seen;
And whosoever turns the leaf of story,
Finds record of them, neither dim nor mean.
The evil influence will be transitory,
If long deprived of such the world had been;
And envious men, and those that never knew
Their worth, have haply hid their honours due.
III
To me it plainly seems, in this our age
Of women such is the celebrity,
That it may furnish matter to the page,
Whence this dispersed to future years shall be;
And you, ye evil tongues which foully rage,
Be tied to your eternal infamy,
And women's praises so resplendent show,
They shall, by much, Marphisa's worth outgo.
IV
To her returning yet again; the dame
To him who showed to her such courteous lore,
Refused not to disclose her martial name,
Since he agreed to tell the style be bore.
She quickly satisfied the warrior's claim;
To learn his title she desired so sore.
'I am Marphisa,' the virago cried:
All else was known, as bruited far and wide.
[...] Read more
poem by Ludovico Ariosto
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A Love Song
okay"
I really do appreciate the fact you're sittin' here
Your voice sounds so wonderful
But yer face don't look too clear
Bar maid bring a pitcher, another round o' brew
"alright let's here it"
Why (don't we get drunk and screw)
"you're on the record!"
Chorus:
Why don't we get drunk and screw
I just bought a water bed, it's filled up for me and you
They say you are a snuff queen
Honey i don't think that's true
So, why don't we get drunk and screw.
"i can't wait for 'em to put that label on my live album. you're sounding absolutely wonderful out there, but we have invited the all girls choir from lima, ohio down here and we can't here
Too well now. we'd like all of you gentlemen out in the audience to just sorta take a break, sit back and let's let these beautiful women of the nineties tell us how they feel about it. ladies
Ou ready? on the count of four. one, two, three, four."
Chorus:
Why (don't we get drunk and screw)
"whoo yeah!"
I just bought a waterbed it's filled up with elmer's glue."
They say you are a snuff queen
Let's see what all you macho men can do
Why (don't we get drunk and screw)
"oh yeah."
Why don't we get drunk and screw
"i think we better work this out amongst ourselves."
Why don't we get drunk and screw, oooh yeah
song performed by Jimmy Buffett
Added by Lucian Velea
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What Gives You Courage
Without fear there cannot be courage
Fear drives the unthinkable out of us
What gives you courage when there is none?
What gives you courage to get out of bed?
What gives you courage to drive when you know it's dangerous?
What gives you courage to succeed?
What gives you courage to survive?
What gives you courage to strive?
People have courage to live for their children
People have courage to live for themselves
People have courage to live for hope
People have courage because they believe
People have courage to not give up
Fear is not the essence of life
But a free soul not tamed
Courage is the journey of your heart
Guided by strength
On a path of untamed obstacles
Let courage guide you
As you begin your quest
poem by Alisha Ricks
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OBIIT MDCCCXXXIII (Entire)
Strong Son of God, immortal Love,
Whom we, that have not seen thy face,
By faith, and faith alone, embrace,
Believing where we cannot prove;
Thine are these orbs of light and shade;
Thou madest Life in man and brute;
Thou madest Death; and lo, thy foot
Is on the skull which thou hast made.
Thou wilt not leave us in the dust:
Thou madest man, he knows not why,
He thinks he was not made to die;
And thou hast made him: thou art just.
Thou seemest human and divine,
The highest, holiest manhood, thou:
Our wills are ours, we know not how;
Our wills are ours, to make them thine.
Our little systems have their day;
They have their day and cease to be:
They are but broken lights of thee,
And thou, O Lord, art more than they.
We have but faith: we cannot know;
For knowledge is of things we see;
And yet we trust it comes from thee,
A beam in darkness: let it grow.
Let knowledge grow from more to more,
But more of reverence in us dwell;
That mind and soul, according well,
May make one music as before,
But vaster. We are fools and slight;
We mock thee when we do not fear:
But help thy foolish ones to bear;
Help thy vain worlds to bear thy light.
Forgive what seem’d my sin in me;
What seem’d my worth since I began;
For merit lives from man to man,
And not from man, O Lord, to thee.
Forgive my grief for one removed,
Thy creature, whom I found so fair.
I trust he lives in thee, and there
I find him worthier to be loved.
Forgive these wild and wandering cries,
[...] Read more
poem by Alfred Lord Tennyson
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Why Are You Waiting
What can I do Im at the door
Ive tried turning back theres no point in that now
What should I say, what should I do
Should I fix my hair oh why am I scared now
Facing the world is so hard do you know what I mean
People are so often hard and far too ready to say...hey...ohhh
Why are you waiting?
Why are you waiting?
Why are you waiting?
What if I fail (you wont fail)
Why are you waiting?
What if I fail (you wont fail, you wont fail)
Look at me stand outside the door
Like a frightened child with a nervous smile see
What should I do, what should I say
Should I speak at all
I am much too small now
Facing the world is so hard do you know what I mean
People are so often hard and far too ready to say...hey...ohhh
Why are you waiting?
Why are you waiting?
Why are you waiting?
What if I fail (you wont fail)
Why are you waiting?
What if I fail (you wont fail)
Why are you waiting?
What if I fail (you wont fail, you wont fail, you wont fail)
song performed by Rick Springfield
Added by Lucian Velea
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Talkin Blues
Yeah! oh, yeah! now!
Cold ground was my bed last night (bed last night)
And rock was my pillow, too; (doo-oo-oo-oo-oo!)
Cold ground was my bed last night (bed last night)
And rock was my pillow, too. yeah!
Im saying: talkin blues (talkin blues),
Talkin blues (talkin blues);
They say your feet is just too big for your shoes. (shoe-oo-oo-oo-oo)
Talkin blues (talkin blues), talkin blues (talkin blues):
Your feet is just too big for your shoes. (shoe-oo-oo-oo-oo)
Yeah, Ive been down on the rock for so long, (so long)
I seem to wear a permanent screw; (screw-oo-oo-oo-oo)
Ive been down on the rock for so long, (so long)
I seem to wear a permanent screw. (screw-oo-oo-oo-oo)
But-a I - Im gonna stare in the sun,
Let the rays shine in my eyes.
I - Im a gonna take a just-a one step more
cause I feel like bombin a church -
Now - now that you know that the preacher is lyin.
So whos gonna stay at home
When - when the freedom fighters are fighting?
Talkin blues (talkin blues), talkin blues (talkin blues):
They say your feet is just too big for your shoes, woe-oh-oh-oh!
Talkin blues (talkin blues), keep on talkin blues (talkin blues);
They say - you hear what they say -
Didnt you hear?
Cold ground was my bed (bed last night),
Rockstone - rockstone - rockstone was my pillow;
Cold ground was my bed last night (bed last night),
And rock was my pillow, too.
Sayin: (talkin blues, talkin blues):
I seem to wear a permanent screw - permanent screw.
Talkin blues (talkin blues), talkin blues (talkin blues):
Feet is just too big for your shoes. (shoe-oo-oo-oo-oo) /fadeout/
song performed by Bob Marley
Added by Lucian Velea
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Why Dont We Get Drunk
By: marvin gardens
1973
I really do appreciate the fact youre sittin here
Your voice sounds so wonderful
But yer face dont look too clear
So bar maid bring a pitcher, another round o brew
Honey, why dont we get drunk and screw
Chorus:
Why dont we get drunk and screw
I just bought a water bed, its filled up for me and you
They say you are a snuff queen
Honey I dont think thats true
So, why dont we get drunk and screw
-- spoken: pick it coral reefers, here we go...
(swing instrumental)
Chorus:
Why dont we get drunk and screw
I just bought a waterbed its filled up for me and you
They say you are a snuff queen
Honey I dont think thats true
So why dont we get drunk and screw
Yeah, now baby I say, (lord!)
Why dont we get drunk and screw
song performed by Jimmy Buffett
Added by Lucian Velea
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Back When
Dont you remember the fizz in a pepper .
Penuts in a bottle at ten, two, and four.
A fried bologna sandwitch with mayo and tamata, sittin around
the table dont happen much anymore.
We gotten to complicated, its all way overrated, I like old and outdated
way of life.
Back when a hoe was a hoe
Coke was a coke
And crakes what you were doing when you were cracking jokes
Back when a screw was a screw
The wind was all that blew
And when you said i'm down with that , well it meant you had the flu
I miss back when
I miss back when
I miss back when
I loved my records, black shiny vinyle
clikes, pops, and white noise man they sounded fine.
I had my favorite stations the ones that played them all.
country, soul, and rockin roll what happend to thouse times.
I'm reading street slang for dummies cause they put pop in my country.
I want more for my money, the way it was back then
When a hoe was hoe
Coke was a coke
And cracks what you were doing when you were cracking jokes
Back when a screw was a screw
The wind was all that blew
And when you said i'm down with that, well it meant you had the flu
I miss back when
I miss back when
I miss back when
Give me a flat top for strummin
I want the whole world to be hummin
Just keep it comin, the way it was back then
When a hoe was a hoe
Coke was a coke
And crakes what you were doing when you were crackin jokes
Back when a screw was a screw
The wind was all that blew
And when you said i'm down with that, well it meant you had the flu
I miss back when
I miss back when
I miss back when
I miss back when
I miss back when
song performed by Tim McGraw
Added by Lucian Velea
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Have you got the courage?
Have you got the courage?
To deal with personal baggage
Have you got the courage?
To embark on a new voyage
It is crystalline common knowledge
Many a woman born with courage
Has had piffling or no privileges
To travel through life’s hideous passage
And stand stubbornly by her message
Highs but not the lows, If you one of those
Have you got the courage, to end your marriage?
Have you got the courage, to face your fears?
Or experiment with new ideas
Have you got the courage, to say you love me?
And maturely accept if I glee or flee
Have you got the courage, to repair all self inflicted damage
Before your life becomes wastage
Have you got the courage, to learn a new language?
Can you manage with new knowledge?
Have you got the courage, to admit your gruesome rage?
Instead of acting like an actress on stage
Courage comes with age
When priority is no more image
Courage comes with change
Evolving from leadership shortage
In life, at this stage
Courage is something you must engage
It must be clearly visible in every page
poem by Sylvia Chidi
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Hope Is An Open Window
(christopher ward/tim tickner/diana ross)
Are we not more than hunger and music
Are we not more than harlequins and horns
Are we not more than color and drums
Are we not more than anger and dance
Give me courage so I can spread it over my face and mouth
Give me courage, give me courage
Give me courage, give me courage
I walk these city streets see the people there
Look into the eyes of quiet despair
And the faces tell a story that words never can
And it falls to everyone of us to try and understand
Out of kindness
One act of grace makes the world we walk a better place
Hope is an open window
Love an open door
To reach out for each other
Is what we came here for
Through an open window
We can see the way
If we hold on to each other, every day
We build walls of suspicion with bars of fears
Tell ourselves well be safe in here
I know more brings us together
Than keeps up apart
First we got to tear down these walls within our hearts
We might be strangers, we can be friends
You and I we both need to let somebody in
Hope is an open window
Love an open door
To reach out for each other
Is what we came here for
Through an open window
We can see the way
If we hold on to each other, every day
Give me courage so I can spread over my face and mouth
We are secret rivers with shaking hips and crests
Come awake in our thunder so that our eyes can see behind trees
Give me courage so I can spread over my face and mouth
Give me courage, give me courage
Give me courage, give me courage
Hope is an open window
Loves an open door
To reach out for each other
Is what we came here for
Through an open window
We can see the way
If we hold on to each other, every day
Hope is an open window
Love an open door
[...] Read more
song performed by Diana Ross
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The Aeneid of Virgil: Book 12
WHEN Turnus saw the Latins leave the field,
Their armies broken, and their courage quell’d,
Himself become the mark of public spite,
His honor question’d for the promis’d fight;
The more he was with vulgar hate oppress’d, 5
The more his fury boil’d within his breast:
He rous’d his vigor for the last debate,
And rais’d his haughty soul to meet his fate.
As, when the swains the Libyan lion chase,
He makes a sour retreat, nor mends his pace; 10
But, if the pointed jav’lin pierce his side,
The lordly beast returns with double pride:
He wrenches out the steel, he roars for pain;
His sides he lashes, and erects his mane:
So Turnus fares; his eyeballs flash with fire, 15
Thro’ his wide nostrils clouds of smoke expire.
Trembling with rage, around the court he ran,
At length approach’d the king, and thus began:
“No more excuses or delays: I stand
In arms prepar’d to combat, hand to hand, 20
This base deserter of his native land.
The Trojan, by his word, is bound to take
The same conditions which himself did make.
Renew the truce; the solemn rites prepare,
And to my single virtue trust the war. 25
The Latians unconcern’d shall see the fight;
This arm unaided shall assert your right:
Then, if my prostrate body press the plain,
To him the crown and beauteous bride remain.”
To whom the king sedately thus replied: 30
“Brave youth, the more your valor has been tried,
The more becomes it us, with due respect,
To weigh the chance of war, which you neglect.
You want not wealth, or a successive throne,
Or cities which your arms have made your own: 35
My towns and treasures are at your command,
And stor’d with blooming beauties is my land;
Laurentum more than one Lavinia sees,
Unmarried, fair, of noble families.
Now let me speak, and you with patience hear, 40
Things which perhaps may grate a lover’s ear,
But sound advice, proceeding from a heart
Sincerely yours, and free from fraudful art.
The gods, by signs, have manifestly shown,
No prince Italian born should heir my throne: 45
Oft have our augurs, in prediction skill’d,
And oft our priests, a foreign son reveal’d.
Yet, won by worth that cannot be withstood,
Brib’d by my kindness to my kindred blood,
Urg’d by my wife, who would not be denied, 50
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poem by Publius Vergilius Maro
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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