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We are not the originators of the story. I think it's actually the opposite when you're an actor. You're telling somebody else's story.

quote by Jessica Lange
Added by Lucian Velea
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The Opposite Begins

When one has had it,
With a havoc that misfits...
That one agitated,
Finds an exit and splits.

People known to create conflict,
Seek an attention they don't get...
Until,
The opposite begins.
Opposition steps in.

They pretend a trust to believe,
To have others perceive but...
The opposite begins,
For them.

Wake up and take notice,
That the opposite begins for them.
Those who charade innocence.
The opposite begins for them.
Those masking evil intent.
The opposite begins for them.

When one has had it,
With a havoc that misfits...
Well,
The opposite begins.
The opposite begins.
And...
That one agitated,
Finds an exit and splits.
But then,
The opposite begins.
The opposite begins.

That one who's had it,
Splits and runs into love...
To know the opposite begins,
When someone genuine comes in...
To view.

When one has had it,
With a havoc that misfits...
Well,
The opposite begins.
The opposite begins.
And...
That one who's had it,
Splits and runs into love...
To know the opposite begins,

[...] Read more

poem by Lawrence S. Pertillar
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His Story

Yo, this is a story of a male female threat to society
You know being misjudged and not respected for what we are
But I want to send this special shout out to my girl tawana brawley
Cause no matter what we say or what we do
Theyll always believe his story (ow)
Chorus:
His story (yeahee, yeahee, yeahee)
Hist story (ow)
Theyre gonna believe
His story
His story
Why does it have to be that we get labeled for what we do
Its hard enough for us to be ourselves without being used
Girls have an image too
But when they get mad at you
There is no telling what theyll say to hurt you
This is a story of a male female threat to society
Why you wanna go and tell a lie on me? (yeahee, yeah, oooh)
His story over mine his story will be his story
And my story is a waste of time (aaaah-aah-aah)
Theyre gonna believe
Chorus
Sometimes I feel like there is no reason for me to explain
No matter how much we complain
You know it all stays the same
They try to call us freaks
Why does it have to be
We cant get justified until we speak up (oooh)
This is a story of a male female threat to society
Why you wanna go and tell a lie on me? (yeahee, yeah, oooh)
His story over mine his story will be his story
And my story is a waste of time (aaaah-aah-aah)
(you know its just a waste of my time)
Theyre gonna believe
His story over mine
So what you gonna do
Dont let it take over you (hey)
My story is a waste of time
Its hard enough to be ourselves without being used
So yo take it from me
Dont be a victim of society
You cant put yourself in a position to be neglected
And disrespected
You have to do whats not expected
Alright
Or all be his story
His story over mine
His story will be his story
(this is a story of) how could you do this to us
Theyre gonna believe

[...] Read more

song performed by TLC
Added by Lucian Velea
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The Rosciad

Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.

Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,

[...] Read more

poem by Charles Churchill
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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Actor Of Love

Hold on
I have found something I longing for
To fill the hollowness of my heart
But why I'm feeling more of sorrow

Before
I am the one who said: 'Oh, I'll control'
But now I realize you are my world
And it's waiting to break apart

I'm an actor of love
I'm trying to perfect
But I'm just fooling around

I'm an actor of love
I want to be your hero
But I've made myself a clown

I'm an actor of love
I need you by my side
But now you leave me alone

I'm an actor of love
I beg your forgiveness
But you refuse me so cold

Sometimes
We wonder why we should be together
Do we really dream of love forever?
Or we afraid to be alone

I'm an actor of love
I want to protect you
But I always hurt you bad

I'm an actor of love
I want to be your shield
But may turn someone you hate

I'm an actor of love
We kiss in the morning
But in night we have a war

I'm an actor of love
We care for each other
But we only circle round

If this love only makes me crazy
Take the story and just let it be
Tragedy or comedy

[...] Read more

poem by Maria Sudibyo
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When You Really Love Someone

I'm a woman
lord knows it hard
i need a real man to give me what i need
sweet attention love and tenderness
when it real it's unconditional
i'm telling ya'll
cause a man just ain't a man if he aint man enough
to love you when you right
love you when you wrong
love you when you weak
love you when you strong
(take you higher) when the world got you feelin low
he's given you his last cause
he's thinkin of you first given comfort when
he's think that you hurt (that's done when you really love someone )
i'm telling ya'll i'm telling ya'll
cause your a real man
and lord knows it's hard
sometimes you just need a woman's touch
sweet effections love and supports
when it real it's unconditional i'm telling ya'll
cause a woman ain't a woman if she ain't woman
enough to love you when you right
love you when you wrong
love you when you weak love you when you strong
(take you higher)when the world got you feelin low
she's given you her best even when you at your worst
given comfort when she thinkin
that you hurt (that's what done when you really love
someone) i'm telling ya'll i'm telling ya'll
um...um..um...um
sometimes you want to argue
sometimes you want to fight
sometimes it's going to feel like it will never be right
but something so strong keeps
you holdin on it don't make sense
but it makes a good song
Cause a man just aint a man if he aint man enough
to love you when you right
love you when you wrong
love you when you weak
love you strong
(take you higher)when the world got you feelin low
he given his last
cause he's thinkin of you first
given comfort when he's thinkin that you hurt
(that's done when you really love someone)
i'm telling ya'll i'm telling ya'll
a woman aint a woman ain't woman enough to
love you when you right

[...] Read more

song performed by Alicia Keys
Added by Lucian Velea
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Reverse Reality

when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision

poem by Nyein Way
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An Abc Of Inner Peace

inner peace: a to z (© Raj Arumugam, September 2008)

Inner peace is effortless, as it’s always there within.
One just has to see it.

And once one truly sees this inner peace – not with words or just
intellectually, but actually see this inner peace within – it is one’s, always;
no one takes away that…

Nothing and no evil and no violent force or even the most difficult
of circumstances in one’s life can remove that inner peace that one
sees within; but let one see this not as a word, or as a phrase
but as an actuality.

Feel that peace, see that inner peace and let it radiate always – for it is
the harmony within each and it is always one’s own.

A


Let amity be your constant companion….Be at peace with all beings, equally at peace with those near and those far, and thus walk hand in hand with amity as in a bounteous garden…





B


Be mindful of your blessings always…To be alive, to breathe in fresh air;
and to be with the family and the companionship of good fellow-human
beings; and the kindness of strangers; and the creatures of this world
and the flowers that bloom, and to have a place in this marvelous planet
of ours….all these too are blessings….

There is a life of the body in the domain of the physical, and
the legitimate needs of the body are just as important as
one’s inner needs…

[...] Read more

poem by Raj Arumugam
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I. The Ring and the Book

Do you see this Ring?
'T is Rome-work, made to match
(By Castellani's imitative craft)
Etrurian circlets found, some happy morn,
After a dropping April; found alive
Spark-like 'mid unearthed slope-side figtree-roots
That roof old tombs at Chiusi: soft, you see,
Yet crisp as jewel-cutting. There's one trick,
(Craftsmen instruct me) one approved device
And but one, fits such slivers of pure gold
As this was,—such mere oozings from the mine,
Virgin as oval tawny pendent tear
At beehive-edge when ripened combs o'erflow,—
To bear the file's tooth and the hammer's tap:
Since hammer needs must widen out the round,
And file emboss it fine with lily-flowers,
Ere the stuff grow a ring-thing right to wear.
That trick is, the artificer melts up wax
With honey, so to speak; he mingles gold
With gold's alloy, and, duly tempering both,
Effects a manageable mass, then works:
But his work ended, once the thing a ring,
Oh, there's repristination! Just a spirt
O' the proper fiery acid o'er its face,
And forth the alloy unfastened flies in fume;
While, self-sufficient now, the shape remains,
The rondure brave, the lilied loveliness,
Gold as it was, is, shall be evermore:
Prime nature with an added artistry—
No carat lost, and you have gained a ring.
What of it? 'T is a figure, a symbol, say;
A thing's sign: now for the thing signified.

Do you see this square old yellow Book, I toss
I' the air, and catch again, and twirl about
By the crumpled vellum covers,—pure crude fact
Secreted from man's life when hearts beat hard,
And brains, high-blooded, ticked two centuries since?
Examine it yourselves! I found this book,
Gave a lira for it, eightpence English just,
(Mark the predestination!) when a Hand,
Always above my shoulder, pushed me once,
One day still fierce 'mid many a day struck calm,
Across a Square in Florence, crammed with booths,
Buzzing and blaze, noontide and market-time,
Toward Baccio's marble,—ay, the basement-ledge
O' the pedestal where sits and menaces
John of the Black Bands with the upright spear,
'Twixt palace and church,—Riccardi where they lived,
His race, and San Lorenzo where they lie.

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Every Face Tells A Story

(m. allison/p. sills/d. black)
Theres no need for you to tell me
I can see the way you feel
I just know without you saying
What is a lie and whats real
Every face tells a story
Its hard to hide a lie
Every face tells a story
And yours is saying goodbye
Somethings going on, and I know it
You cant keep it from me
Your smile cannot hide what you feel inside
And I dont like what I see
Every face tells a story
Its hard to hide a lie
Every face tells a story
And yours is saying goodbye
Youre always telling stories
Youre always telling me lies
Youre always telling stories
If you want to leave me, leave me
No good living a lie
You can pretend that were not gonna end
But your eyes are saying goodbye
Every face tells a story
Its hard to hide a lie
Every face tells a story
And yours is saying goodbye
Youre always telling stories
Youre always telling me lies
Youre always telling stories
Tell me, I got a right to know
Pour your little heart out to me, baby
You know, you know I dont want to let go
Every face tells a story
Its hard to hide a lie
Every face tells a story
And yours is saying goodbye

song performed by Olivia Newton-John
Added by Lucian Velea
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Telephone Conversation

Wednesday, January 23,2008
Week 10: Telephone Conversation by Wole Soyinka

Week 10 Dividing lines: Differences in Class, race, Gender and Ideology

Telephone Conversation
by Wole Soyinka

The price seemed reasonable, location
Indifferent. The landlady swore she lived
Off premises. Nothing remained
But self-confession. 'Madam, ' I warned,
'I hate a wasted journey—I am African.'
Silence. Silenced transmission of
Pressurized good-breeding. Voice, when it came,
Lipstick coated, long gold rolled
Cigarette-holder pipped. Caught I was foully.
'HOW DARK? '... I had not misheard... 'ARE YOU LIGHT
OR VERY DARK? ' Button B, Button A.* Stench
Of rancid breath of public hide-and-speak.
Red booth. Red pillar box. Red double-tiered
Omnibus squelching tar. It was real! Shamed
By ill-mannered silence, surrender
Pushed dumbfounded to beg simplification.
Considerate she was, varying the emphasis-
'ARE YOU DARK? OR VERY LIGHT? ' Revelation came.
'You mean-like plain or milk chocolate? '
Her assent was clinical, crushing in its light
Impersonality. Rapidly, wave-length adjusted,
I chose. 'West African sepia'-and as afterthought,
'Down in my passport.' Silence for spectroscopic
Flight of fancy, till truthfulness clanged her accent
Hard on the mouthpiece. 'WHAT'S THAT? ' conceding
'DON'T KNOW WHAT THAT IS.' 'Like brunette.'
'THAT'S DARK, ISN'T IT? ' 'Not altogether.
Facially, I am brunette, but, madam, you should see
The rest of me. Palm of my hand, soles of my feet
Are a peroxide blond. Friction, caused-

[...] Read more

poem by Tamilarasi Shalu
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Kremlin Dusk

All along I was searching for my Lenore,
And the words of Mr. Edgar Allan Poe.
Now I'm sober and nevermore
Will the raven come to bother me at home?
Calling you, calling you home
You-u, calling you, calling you home...
By the door you said you had to go.
Couldn't help me any-any more.
This I saw coming long before,
So I kept on staring out the window.
Calling you, calling you home
You-u, calling you, calling you home...
I am a natural entertainer.
Aren't we all holding pieces of dying ember?
I'm just trying to remember who I can call
Who can I call?
Ohhh! Calling you, calling you
I promise secret propaganda.
Aren't we all hiding pieces of broken anger.
I'm just trying to remember who I can call
That I - I - I can...
Born in a war of opposite attracion,
It isn't, or is it a natural conception.
Torn by the arms in the opposite direction,
So is it, or is it a modernist reaction.
Born in a war of opposite attracion,
It isn't, or is it a natural conception.
Torn by the arms in the opposite direction,
So is it, or is it a modernist reaction.
(in background:)
Born in a war of opposite attraction,
It isn't, or is it a natural conception.
Torn by the arms in the opposite direction,
So is it, or is it a modernist reaction...
Is it like this? Is it always the same?
When a heartache begins, is it like this?
Do you like this? Where you always the same?
Will you come back again? Do you like this?
Is it always the same,
And will you come back again?
Do you like this?
Oh, do you like this?
Is it like this? Is it always the same?
If you change the fine lines, would you tell me?
Is it like this? Is it always the same?
When a heartache begins, is it like this?
If you like this, will you remember my name?
Will you play it again, if you like this?

song performed by Utada Hikaru
Added by Lucian Velea
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Behind the Scenes

The actor struts his little hour,
Between the limelight and the band;
The public feel the actor's power,
Yet nothing do they understand
Of all the touches here and there
That make or mar the actor's part,
They never see, beneath the glare,
The artist striving after art.
To them it seems a labour slight
Where nought of study intervenes;
You see it in another light
When once you've been behind the scenes.

For though the actor at his best
Is, like a poet, born not made,
He still must study with a zest
And practise hard to learn his trade.
So, whether on the actor's form
The stately robes of Hamlet sit,
Or as Macbeth he rave and storm,
Or plays burlesque to please the pit,

'Tis each and all a work of art,
That constant care and practice means --
The actor who creates a part
Has done his work behind the scenes.

poem by Andrew Barton Paterson
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The Odyssey: Book 14

Ulysses now left the haven, and took the rough track up through
the wooded country and over the crest of the mountain till he
reached the place where Minerva had said that he would find the
swineherd, who was the most thrifty servant he had. He found him
sitting in front of his hut, which was by the yards that he had
built on a site which could be seen from far. He had made them
spacious and fair to see, with a free ran for the pigs all round them;
he had built them during his master's absence, of stones which he
had gathered out of the ground, without saying anything to Penelope or
Laertes, and he had fenced them on top with thorn bushes. Outside
the yard he had run a strong fence of oaken posts, split, and set
pretty close together, while inside lie had built twelve sties near
one another for the sows to lie in. There were fifty pigs wallowing in
each sty, all of them breeding sows; but the boars slept outside and
were much fewer in number, for the suitors kept on eating them, and
die swineherd had to send them the best he had continually. There were
three hundred and sixty boar pigs, and the herdsman's four hounds,
which were as fierce as wolves, slept always with them. The
swineherd was at that moment cutting out a pair of sandals from a good
stout ox hide. Three of his men were out herding the pigs in one place
or another, and he had sent the fourth to town with a boar that he had
been forced to send the suitors that they might sacrifice it and
have their fill of meat.
When the hounds saw Ulysses they set up a furious barking and flew
at him, but Ulysses was cunning enough to sit down and loose his
hold of the stick that he had in his hand: still, he would have been
torn by them in his own homestead had not the swineherd dropped his ox
hide, rushed full speed through the gate of the yard and driven the
dogs off by shouting and throwing stones at them. Then he said to
Ulysses, "Old man, the dogs were likely to have made short work of
you, and then you would have got me into trouble. The gods have
given me quite enough worries without that, for I have lost the best
of masters, and am in continual grief on his account. I have to attend
swine for other people to eat, while he, if he yet lives to see the
light of day, is starving in some distant land. But come inside, and
when you have had your fill of bread and wine, tell me where you
come from, and all about your misfortunes."
On this the swineherd led the way into the hut and bade him sit
down. He strewed a good thick bed of rushes upon the floor, and on the
top of this he threw the shaggy chamois skin- a great thick one- on
which he used to sleep by night. Ulysses was pleased at being made
thus welcome, and said "May Jove, sir, and the rest of the gods
grant you your heart's desire in return for the kind way in which
you have received me."
To this you answered, O swineherd Eumaeus, "Stranger, though a still
poorer man should come here, it would not be right for me to insult
him, for all strangers and beggars are from Jove. You must take what
you can get and be thankful, for servants live in fear when they
have young lords for their masters; and this is my misfortune now, for
heaven has hindered the return of him who would have been always

[...] Read more

poem by Homer, translated by Samuel Butler
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

poem by Robert Browning from The Ring and the Book
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Mirror Mirror

Mirror, mirror
Up on the wall in the back of the room
As I walk down the hall in the house where I stayed
Tell me something about what I saw in the face of a man
Who once felt it all but feels nothing today
Knock knock
Who's there
I don't know, I can't say
Ask me tomorrow
I'll tell you the same
Ooh, I'm telling you now
I'm telling you now
Ooh, I'm telling you now
I'm telling you now
Trouble trouble
Down in my hood where it's well understood
They love when you're bad
And they hate when you're good
Tell me something about who we are at the end of our days
When our souls become one but our lives separate
Knock knock
Who's there
I don't know I can't say
Ask me tomorrow
I'll tell you the same
Ooh, I'm telling you now
I'm telling you now (It's bound to make you smile)
Ooh, I'm telling you now
I'm telling you now (It's bound to make you smile)
It's bound to make you smile

song performed by Whiskeytown
Added by Lucian Velea
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Mirror Mirror

Mirror, mirror
Up on the wall in the back of the room
As I walk down the hall in the house where I stayed
Tell me something about what I saw in the face of a man
Who once felt it all but feels nothing today
Knock knock
Who's there
I don't know, I can't say
Ask me tomorrow
I'll tell you the same
Ooh, I'm telling you now
I'm telling you now
Ooh, I'm telling you now
I'm telling you now
Trouble trouble
Down in my hood where it's well understood
They love when you're bad
And they hate when you're good
Tell me something about who we are at the end of our days
When our souls become one but our lives separate
Knock knock
Who's there
I don't know I can't say
Ask me tomorrow
I'll tell you the same
Ooh, I'm telling you now
I'm telling you now (It's bound to make you smile)
Ooh, I'm telling you now
I'm telling you now (It's bound to make you smile)
It's bound to make you smile

song performed by Whiskeytown
Added by Lucian Velea
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Dont Let Me Down

Yeah-aahhh-yeah, ooooooooohhhhh
Even though Im scared,
And Im not pre-pared
I need to know
A way
To be oh so-sure
That-i-can-ah-dore your-heart (your-heart) your-soul(your-soul) your love
cos baby I care,
And I hope you feel the same (echo)
Dont let me down
Im telling you that youre my baby
The worlds gone crazy
This love weve found
Dont always come around (----wont you dance)
So-im-telling-you baby
Im still around (echo)
Ohhhhh-oh-oh-oh
Hhmmmmm-hm-hm
I apolgise,
For the way that i
Describe
My mind
To you.
With my-love for-you,
I would not fail to keep you true
Its all, i-have, to-do-do-do
cos baby, I care,
And I hope you feel the same (echo)
Dont deny me
Dont let me down
Im telling youw that youre my baby
The worlds gone crazy,
This love weve found (echo)
Dont always come around (----wont you dance)
So-im-telling-you baby
Im still around
(indeterminate warbling? falsetto cos you stole my heart. not-falsetto yes-you-did)
cos baby I care,
I hope you feel the same
Dont deny me (dont let me down (echo), Im telling you)
Im telling you (that youre my baby, the worlds gone crazy (echo))
This love weve found (echo)
Dont always come around (----wont you dance)
So Im telling you baby
Dont let me down (dont let me down-down)
Im telling you that youre my baby (youre my baby)
The worlds gone crazy
This love weve found (weve found)
Dont always come around (----wont you dance)

song performed by Will Young
Added by Lucian Velea
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Dont Let Me Down

Yeah-aahhh-yeah, ooooooooohhhhh
Even though Im scared,
And Im not pre-pared
I need to know
A way
To be oh so-sure
That-i-can-ah-dore your-heart (your-heart) your-soul(your-soul) your love
cos baby I care,
And I hope you feel the same (echo)
Dont let me down
Im telling you that youre my baby
The worlds gone crazy
This love weve found
Dont always come around (----wont you dance)
So-im-telling-you baby
Im still around (echo)
Ohhhhh-oh-oh-oh
Hhmmmmm-hm-hm
I apolgise,
For the way that i
Describe
My mind
To you.
With my-love for-you,
I would not fail to keep you true
Its all, i-have, to-do-do-do
cos baby, I care,
And I hope you feel the same (echo)
Dont deny me
Dont let me down
Im telling youw that youre my baby
The worlds gone crazy,
This love weve found (echo)
Dont always come around (----wont you dance)
So-im-telling-you baby
Im still around
(indeterminate warbling? falsetto cos you stole my heart. not-falsetto yes-you-did)
cos baby I care,
I hope you feel the same
Dont deny me (dont let me down (echo), Im telling you)
Im telling you (that youre my baby, the worlds gone crazy (echo))
This love weve found (echo)
Dont always come around (----wont you dance)
So Im telling you baby
Dont let me down (dont let me down-down)
Im telling you that youre my baby (youre my baby)
The worlds gone crazy
This love weve found (weve found)
Dont always come around (----wont you dance)

song performed by Will Young
Added by Lucian Velea
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You Might Actually Care

So many times my heart leans over
Psst David, look, she's pretty, she's nice, she could be your lover
So many times Heart tells me how great she is
Heart prods me: 'Hey what if that your first kiss '
Heart says: 'You've only seen this side of her but she's actually like this'
Heart says: 'This isn't your idea of her this is her' what hypnosis
Heart says: 'She thinks you're worth it '
Heart says: 'She's wants romance, she wants you, you're a perfect fit'
Heart prods me: 'Wouldn't it be wonderful if...'
Heart says: 'Hey she actually cares, don't wait take the risk '
Heart says: 'Hey come this is your chance, she's like your serif'
Heart says: 'You want her, no you need her, like dawn needs dusk.'
Heart says: 'Don't suppress your feelings you were made for it'

Deceit... could this be deceit... Heart are you my friend?

Because of this, no hopefully in spite of this I think you care
I think that maybe I could say this love, maybe it's love... do I dare?
I think you might actually truly value me
Maybe you don't know to say 'you're worth it' but I hope you think that
I sincerely hope if I love you it's for you, not the you I see
I want to love you for who you really are, I want to love you at
Every single, breathing moment of my life, if I say I love you
It means I want to spend my entire life with you, I really do
So now you see why I can't just walk up and say how I feel
I'm not sure if my heart will ever heal
It's destroyed by lust, deceived by Heart... I don't want to offer you that
No you deserve better, but what if you actually care... I dunno if I was at
Even though I want you to have someone better I can't help it
I love you or so I think, I wish I could take a hit
For you and just not pursue so that someone worthy might find you
I'm sorry for my selfishness too

But maybe you don't care... maybe you'd only accept another
I don't want to fall in love with an idea of you
But maybe you could actually love me
Maybe you return my feelings and because maybe you're the first one
Who actually cares. Or maybe Heart has won
Again... do you actually care? Can I say that I love you?
Or could I let you go?

poem by David Knox
Added by Poetry Lover
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