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I like to go to the movies or read.

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Groovy Movies

Sometimes I think Im gonna better myself,
Searching for acceptance in this big, wide world.
Sometimes I think I wont make it,
Playing in a rock n roll band.
Sometimes I wanna be a picture director,
And try to make the world understand.
By making groovy movies,
By making groovy movies,
By making groovy movies.
All the movie makers of the world would be,
Falling over backwards to have dinner with me.
Ill go down to [? ]
Anytime I feel like a game[? ].
Or take a long vacation to san tropez,
And think of all the money I made.
By making groovy movies,
By making groovy movies,
By making groovy movies.
I dont want to be a producer,
I dont want to be a big star.
I just want to be a picture director,
And smoke a big havana cigar.
By making groovy movies,
By making groovy movies,
By making groovy movies,
By making groovy movies,
By making groovy movies,
By making groovy movies.

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Sad Movies

Sad movies always make me cry
Sad movies always make me cry
He said he had to work, so I went to the show alone.
They turned down the lights and turned the projector on.
And just as the news of the world started to begin,
I saw my darling and my best friend walking in.
Although I was sitting right there they didnn see me.
And so they both sat right down in the front of me.
And when he kissed her lips then I almost died.
And in the middle of the colour cartoon I started to cry.
Oh sad movies always make me cry
Sad movies always make me cry
Sad movies always make me cry
Sad movies always make me cry
And so I got on up and slowly I walked on home,
And mama saw the tears and said baby what is wrong.
And so just to keep from telling her a lie,
I just said sad movies makes me cry.
Oh sad movies always make me cry
Sad movies always make me cry
Sad movies always make me cry
Sad movies always make me cry

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Only In The Making Of Movies

Only in the making of movies,
Are actors found to be handed scripts.
To then learn lines some find to be tedious.
And time well spent is sacrificed to deliver,
What's right for the price...
For the cost being paid.

Camera angles are selected,
By a director who chooses the best scenes.
And the actors are blocked within them,
To emote with belief as an audince viewing this...
Sits,
With their emotions manipulated.

Only in the making of movies,
Are 'realities' depicted.
Although many in the audience become captivated,
With beliefs they also can deceive truth easily.
By saying and doing things they wish to sell.
With hopes their 'portrayals' have gone over well.

And only those who become offended,
They can not sell lies they told to tell...
Are those who become combative,
When confronted by others...
Who are specific and direct AND caring less,
How a charade is masqueraded to address.

Only in the making of movies,
Are actors found to be handed scripts.
To then learn lines some find to be tedious.
Until what is done has been finished.
But many unpaid to 'act' but embellish facts,
Find it difficult to strip away all their fantasies.

Only in the making of movies...
No one sits back to snack.
Only in the making of movies...
Every actor wants to get paid.
And,
Only in the making of movies...
No one sits back to snack.
No one has time for that,
Since a budget has to be paid back.
Oh.
Only in the making of movies...
No one sits back to snack.
Only in the making of movies...
Every actor wants to get paid.
And,

[...] Read more

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Tale XXI

The Learned Boy

An honest man was Farmer Jones, and true;
He did by all as all by him should do;
Grave, cautious, careful, fond of gain was he,
Yet famed for rustic hospitality:
Left with his children in a widow'd state,
The quiet man submitted to his fate;
Though prudent matrons waited for his call,
With cool forbearance he avoided all;
Though each profess'd a pure maternal joy,
By kind attention to his feeble boy;
And though a friendly Widow knew no rest,
Whilst neighbour Jones was lonely and distress'd;
Nay, though the maidens spoke in tender tone
Their hearts' concern to see him left alone,
Jones still persisted in that cheerless life,
As if 'twere sin to take a second wife.
Oh! 'tis a precious thing, when wives are dead,
To find such numbers who will serve instead;
And in whatever state a man be thrown,
'Tis that precisely they would wish their own;
Left the departed infants--then their joy
Is to sustain each lovely girl and boy:
Whatever calling his, whatever trade,
To that their chief attention has been paid;
His happy taste in all things they approve,
His friends they honour, and his food they love;
His wish for order, prudence in affairs,
An equal temper (thank their stars!), are theirs;
In fact, it seem'd to be a thing decreed,
And fix'd as fate, that marriage must succeed:
Yet some, like Jones, with stubborn hearts and

hard,
Can hear such claims and show them no regard.
Soon as our Farmer, like a general, found
By what strong foes he was encompass'd round,
Engage he dared not, and he could not fly,
But saw his hope in gentle parley lie;
With looks of kindness then, and trembling heart,
He met the foe, and art opposed to art.
Now spoke that foe insidious--gentle tones,
And gentle looks, assumed for Farmer Jones:
'Three girls,' the Widow cried, 'a lively three
To govern well--indeed it cannot be.'
'Yes,' he replied, 'it calls for pains and care:
But I must bear it.'--'Sir, you cannot bear;
Your son is weak, and asks a mother's eye:'
'That, my kind friend, a father's may supply.'

[...] Read more

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Read My Lips

Words and music: doug johnson, mike reno, neil shilkin
Here you come again, lookin for another thrill
With your lipstick, high heel shoes, lookin like youre
Dressed to kill
Tattoo stuck on you, branded by a chosen few
What short memory, now its time to pay your dues
Dont you hear a word I say?
Just turn your head and look this way
And read my lips
Read my lips, listen to me, Im talkin to you
Read my lips
Read my lips, Im tellin you, Im through with you
I know where you go when you need to get some
Bad little actress on a mattress, its seduction
Anything for you
You dont hear a word I say
So turn your head and look this way
And, read my lips
Read my lips, listen to me, Im talkin to you
Read my lips
Read my lips, listen to me, youre history
Ive been watching what you do
And it doesnt take a fool
To see what weve been through
Oh, gonna turn the page on you
(guitar solo)
You dont hear a word I say
So turn your head and look this way
And read my lips
Read my lips, listen to me, Im talkin to you
Read my lips
Read my tips, oh, Im through with you
Read my tips
Read my lips, listen to me, Im talkin to you
Read my lips
Read my lips, listen to me, youre history
Oh yeah, read my lips
I said, read my lips
Read my lips
Just read my lips

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Steal The Thunder

Here you come again, lookin' for another thrill
With your lipstick, high heel shoes, lookin' like you're dressed to kill
Tattoo stuck on you, branded by a chosen few
What short memory, now it's time to pay your dues
Don't you hear a word I say? Just turn your head and look this way
And read my lips, read my lips, listen to me, I'm talkin' to you
Read my lips, read my lips, I'm tellin' you, I'm through with you
I know where you go when you need to get some
Bad little actress on a mattress, it's seduction, anything for you
You don't you hear a word I say, so turn your head and look this way
And read my lips, read my lips, listen to me, I'm talkin' to you
Read my lips, read my lips, listen to me, you're history
I've been watching what you do, and it doesn't take a fool
To see what we've been through, oh, gonna turn the page on you
(Solo)
You don't you hear a word I say, so turn your head and look this way
And read my lips, read my lips, listen to me, I'm talkin' to you
Read my lips, read my lips, oh, I'm through with you
Read my lips, oh, read my lips, listen to me, I'm talkin' to you
Read my lips, read my lips, listen to me, you're history
Oh yeah, read my lips, I said, read my lips, read my lips
Just read my lips
------------------------------------------------------------------------------

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

[...] Read more

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Read Between The Lines

Uh hu
You got to read between the lines
You got to read between the lines
You got to read between the lines
Ah ah ah ah
Late afternoon
Its the sun going down
A call on the cell
Why is he in such a hurry
Leaving the room
Hes mumbling too
Now look what hes doing
Hes leaving out the room
No explanation
No ask for location
Just watching him pacing
Wonder who hes chasing
Looks like versation
The end of debation
Hed love to go swing and
(chorus)
You better open your mind
And read between the lines
Got to read between the lines
Got to read between the lines
Got to read between the lines
Hot in the morning
Im up waiting for breakfast
Know your getting restless
This fool is full of questions
Little replying
Whole lot of denying
Instead I feel life in
So why do you keep on trying
Touch for the median
Now hes a comedian
Thats all the more reason
Its changing like the season
Are you still pleasing
How soon youll be leaving
Which one hell be creeping
(chorus)
(bridge)
Your replies are getting old
Its in his eyes
Youve got to read between the lines
Your replies again told
Look in his eyes
Youve got to read between the lines
Your replies are getting old

[...] Read more

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If You Read

If you read me
In my lines you begin
To understand what
I write about &
Perhaps what I am
That would be
So ordinary
A matter only of clarification.

If you read me, however
Carefully
in between
My lines,
and go deeper
To hidden symbols
And find some meanings
You will find
something
Else, something not
Me but sounding like
Me and you will begin to have doubts
If it is really me
Or I am just
Bluffing
Misleading you
For something else
So that you
Do not grasp me
At all,

and if you begin
to
Doubt it,
well, it could be that it was
Done on purpose
i
Wanting to achieve
A little
dramatization
Of what I am,
For some little
Thrills
Some gigs
Or gimmicks
We all love these
Tragic plays
Most of the
The time.

But sometimes,

[...] Read more

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Starlight

Starlight open wide
Starlight open up you door
This is new york calling
With movies on the street
Movies with real people
What you get is what you see
Starlight open wide
Andys cecil b. demille
Come on l.a. give us a call
Weve got superstars who talk
Theyll do anything at all
Ingrid, viva, little joe
Baby jane, and eddie s.
But you better call us soon
Before we talk ourselves to death
Starlight open wide
Everybody is a star
Split screen 8 hour movies
Weve got color, weve got sound
Wont you recognize us
Were everything you hate
Andy loves old hollywood movies
Hell scare you hypocrites to death
You know that shooting ups for real
That person whos screaming
Thats the way he really feels
Were all improvising
Five movies in a week
If hollywood doesnt call us
Well be sick
Starlight open wide
Do to movies what you did to art
Can you see beauty in ugliness
Or is it playing in the dirt
There are stars out on the new york streets
We want to capture them on film
But if no one wants to see em
Well make another and another
Starlight let us in that magic room
Weve all dreamt of hollywood
It cant happen too soon
Wont you give us a million dollars the rent is due
And will give you 2 movies and a painting
Starlight open wide

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Notes On An Unadorned Night

after Rene Char

Let's agree that the night is a blank canvas, a station
break, a bridge of a song.

Let's agree further that activities at night—movies,
campfires, reading by a lamp—are all
basically an homage to the day.

I have come to regard these two statements as
contradictory. Let me explain.

First, set aside that one could see a movie, torch a fire,
and read with the sun blazing over us.

The in-between aspect of night need not spark a flurry of
activity, is all I'm saying.

You could do nothing at night! Just lay and sleep!

A Cézanne sketch I looked at last night bears
mentioning.

A big Gallic face, reclining upwards, looks up at three
boxcars on train tracks.

The man's eyes are wide open and unfulfilled.

The two disemboweled deer I saw the night before also
bear mentioning.

The torsos of both deer were connected to faces, both
looking up.

I assumed they were struck by trains near the house
where I was sleeping.

Anyway, it occurred to me that as I looked into these
two dead deer's eyes that so much has fallen at
me, rather than simply by me.

I want to be among people. I do.

But I just want the easy parts skipped, for bodies to rub
up against each other, to always feel as new flesh
touches new flesh.

Those deer weren't an emblem of anything. I'm not like that.

I don't need dead animals to mirror my own interior world.

[...] Read more

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People Who Read People Magazine

(kinky friedman)
Well, Im here to say I got turned away from studio 54
Back to neon lights and lonely nights and saw-dust on the floor
And if she ever loved me, she dont love me anymore,
And if anyone should ask me, heres who Im singing for:
For the people who read people magazine,
For the soap opera lovers, for the home-town bowling team,
For everybody everywhere whos ever lost a dream,
For the people who read people who read people magazine.
Now if youre too new york for texas, too texas for l.a.
You been chasing trends like rainbow ends but youre always just a song away
And if the white house wouldnt have ya, play in every little honky-tonk and bar
The good lord made the heavens, ah but he never made a star.
No, its the people who read people magazine,
Its the soap opera lovers, its the home-town bowling team,
Its everybody everywhere whos ever lost a dream,
For the people who read people who read people magazine.
And to tell you the truth this telephone booth gets lonesome in the rain,
But son, Im 21 in nashville and Im 43 in maine.
And when your mama gets home, would you tell her I phoned, itd take a life-time to explain
That Im a country-picker with a bumper-sticker that says: god bless john wayne.
And bless the people who read people magazine,
Bless the soap opera lovers, bless the home-town bowling team,
Bless everybody everywhere whos ever lost a dream,
For the people who read people who read people magazine.
Bless the people who read people who read people magazine.

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People Who Read People Magazin

(Kinky Friedman)
Well, I'm here to say I got turned away from Studio 54
Back to neon lights and lonely nights and saw-dust on the floor
And if she ever loved me, she don't love me anymore,
And if anyone should ask me, here's who I'm singing for:
For the people who read People Magazine,
For the soap opera lovers, for the home-town bowling team,
For everybody everywhere who's ever lost a dream,
For the people who read people who read People Magazine.
Now if you're too New York for Texas, too Texas for L.A.
You been chasing trends like rainbow ends but you're always just a song away
And if the White House wouldn't have ya, play in every little honky-tonk and bar
The good Lord made the Heavens, ah but He never made a star.
No, its the people who read People Magazine,
It's the soap opera lovers, its the home-town bowling team,
It's everybody everywhere who's ever lost a dream,
For the people who read people who read People Magazine.
And to tell you the truth this telephone booth gets lonesome in the rain,
But son, I'm 21 in Nashville and I'm 43 in Maine.
And when your mama gets home, would you tell her I phoned, it'd take a life-time to explain
That I'm a country-picker with a bumper-sticker that says: ?God Bless John Wayne?.
And bless the people who read People Magazine,
Bless the soap opera lovers, bless the home-town bowling team,
Bless everybody everywhere who's ever lost a dream,
For the people who read people who read People Magazine.
Bless the people who read people who read People Magazine.

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Read em & Weep

Ive been trying for hours just to think of what exactly to say
I thought Id leave you with a letter or firey speech
Like when an actor makes an exit at the end of a play
And Ive been dying for hours trying to fill up all the holes with some sense
Id like to know how you faded and you threw it away
Id like to give you all the reasons and what everything meant
Well I could tell you good-bye or maybe see you around
With just a touch of a sarcastic thanks
We started out with a bang and at the top of the world
Now the guns are exhausted and the bullets are blanks
And everythings blank
Chorus:
If I could find the words then I would write it all down
If I could only find a voice I would speak
Oh its there in my eyes so cant you see me tonight
Cmon and look at me and read em and weep
Chorus
Ive been whispering softly, trying to build a cry up to a scream
We let the past slip away, and put the future on hold
Now the present is nothing but a hollowed out dream
And Ive been dying for hours trying to fill up all the holes with some sense
Id like to know why you faded and you threw it away
Id like to give you all the reasons and what everything meant
Well I could tell you good-bye or maybe see you around
With just a touch of a sarcastic thanks
But now the rooms are all empty, the candles are dark
The guns are exhausted and the bullets are blanks, and everythings blank
Chorus
Its there in my eyes and coming straight from my heart
Its running silent and angry and deep
Its there in my eyes and its all I can say, cmon and read em and weep
Read em and weep - for all the hours well be spending alone
Read em and weep - for the dreams well ignore
Running silent and deep -
And all those promises we promised to keep, they wont be kept anymore
Read em and weep - for the magic that our bodies had made
Read em and weep - for the blood that we lost
Running silent and deep - and all the secrets that we somehow betrayed
For whatever the cost
Read em and weep - for the memories still alive in the bed
Read em and weep - for the lies we believed
Running silent and deep - and all the things that can never be said
Why dont you look at me and read em and weep
Cmon and look at me and read em and weep
Its there in my eyes and coming straight from my heart
Its running silent and angry and deep
Its here in my eyes and its all I can say
Cmon look at me and read em and weep

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Elizabeth Barrett Browning

First Book

OF writing many books there is no end;
And I who have written much in prose and verse
For others' uses, will write now for mine,–
Will write my story for my better self,
As when you paint your portrait for a friend,
Who keeps it in a drawer and looks at it
Long after he has ceased to love you, just
To hold together what he was and is.

I, writing thus, am still what men call young;
I have not so far left the coasts of life
To travel inland, that I cannot hear
That murmur of the outer Infinite
Which unweaned babies smile at in their sleep
When wondered at for smiling; not so far,
But still I catch my mother at her post
Beside the nursery-door, with finger up,
'Hush, hush–here's too much noise!' while her sweet eyes
Leap forward, taking part against her word
In the child's riot. Still I sit and feel
My father's slow hand, when she had left us both,
Stroke out my childish curls across his knee;
And hear Assunta's daily jest (she knew
He liked it better than a better jest)
Inquire how many golden scudi went
To make such ringlets. O my father's hand,
Stroke the poor hair down, stroke it heavily,–
Draw, press the child's head closer to thy knee!
I'm still too young, too young to sit alone.

I write. My mother was a Florentine,
Whose rare blue eyes were shut from seeing me
When scarcely I was four years old; my life,
A poor spark snatched up from a failing lamp
Which went out therefore. She was weak and frail;
She could not bear the joy of giving life–
The mother's rapture slew her. If her kiss
Had left a longer weight upon my lips,
It might have steadied the uneasy breath,
And reconciled and fraternised my soul
With the new order. As it was, indeed,
I felt a mother-want about the world,
And still went seeking, like a bleating lamb
Left out at night, in shutting up the fold,–
As restless as a nest-deserted bird
Grown chill through something being away, though what
It knows not. I, Aurora Leigh, was born
To make my father sadder, and myself
Not overjoyous, truly. Women know
The way to rear up children, (to be just,)

[...] Read more

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James Russell Lowell

A Fable For Critics

Phoebus, sitting one day in a laurel-tree's shade,
Was reminded of Daphne, of whom it was made,
For the god being one day too warm in his wooing,
She took to the tree to escape his pursuing;
Be the cause what it might, from his offers she shrunk,
And, Ginevra-like, shut herself up in a trunk;
And, though 'twas a step into which he had driven her,
He somehow or other had never forgiven her;
Her memory he nursed as a kind of a tonic,
Something bitter to chew when he'd play the Byronic,
And I can't count the obstinate nymphs that he brought over
By a strange kind of smile he put on when he thought of her.
'My case is like Dido's,' he sometimes remarked;
'When I last saw my love, she was fairly embarked
In a laurel, as _she_ thought-but (ah, how Fate mocks!)
She has found it by this time a very bad box;
Let hunters from me take this saw when they need it,-
You're not always sure of your game when you've treed it.
Just conceive such a change taking place in one's mistress!
What romance would be left?-who can flatter or kiss trees?
And, for mercy's sake, how could one keep up a dialogue
With a dull wooden thing that will live and will die a log,-
Not to say that the thought would forever intrude
That you've less chance to win her the more she is wood?
Ah! it went to my heart, and the memory still grieves,
To see those loved graces all taking their leaves;
Those charms beyond speech, so enchanting but now,
As they left me forever, each making its bough!
If her tongue _had_ a tang sometimes more than was right,
Her new bark is worse than ten times her old bite.'

Now, Daphne-before she was happily treeified-
Over all other blossoms the lily had deified,
And when she expected the god on a visit
('Twas before he had made his intentions explicit),
Some buds she arranged with a vast deal of care,
To look as if artlessly twined in her hair,
Where they seemed, as he said, when he paid his addresses,
Like the day breaking through, the long night of her tresses;
So whenever he wished to be quite irresistible,
Like a man with eight trumps in his hand at a whist-table
(I feared me at first that the rhyme was untwistable,
Though I might have lugged in an allusion to Cristabel),-
He would take up a lily, and gloomily look in it,
As I shall at the--, when they cut up my book in it.

Well, here, after all the bad rhyme I've been spinning,
I've got back at last to my story's beginning:
Sitting there, as I say, in the shade of his mistress,
As dull as a volume of old Chester mysteries,

[...] Read more

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You Don't Read Africa

Never have you ever sat
Or beneath African Suns lay flat
You insist on rumours fat
Liken to a rainy day's door mat
To judge where you haven't testified
And judge what ain't justified

You don't read Africa
You heard it is Hell's replica
With an oasis of virtual bliss
Where on semi-humans and snakes hiss
You watched him report
On a continent he hasn't rapport!

Why do you believe:
That which you perceive?
As Gospel-truth lies you receive?
Those that only your mind deceive?
Making you think 'Africa' is synonym to 'grieve'?

You don't read Africa
You only read about Africa
The cradle of mankind
You believe is to mankind unkind
You help in protests
Against nothing on your list of detests
You call it charity when you commission inquests!

Can a reader read a book here
When he is only there
There where he doesn't know where,
Where he feels and thinks is nowhere?
Read Africa from your heart
Not just when Africans hurt
You cannot read Africa miles apart

You read of Africa
You read about Africa
You read about Africa
You have read about Africa
You Don't Read Africa

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Z. Comments

CRYSTAL GLOW

Madhur Veena Comment: Who is she? ? ? ? ? ? ? ? ? ? ? ....You write good!

Margaret Alice Comment: Beautiful, it stikes as heartfelt words and touches the heart, beautiful sentiments, sorry, I repeat myself, but I am delighted. Your poem is like the trinkets I collect to adorn my personal space, pure joy to read, wonderful! Only a beautiful mind can harbour such sentiments, you have a beautiful mind. I am glad you have found someone that inspires you to such heights and that you share it with us, you make the world a mroe wonderful place.

Margaret Alice Comment: Within the context set by the previous poem, “Cosmic Probe”, the description of a lover’s adoration for his beloved becomes a universal ode sung to the abstract values of love, joy and hope personified by light, colours, fragrance and beauty, qualities the poet assigns to his beloved, thus elevating her to the status of an uplifting force because she brings all these qualities to his attention. The poet recognises that these personified values brings him fulfilment and chose the image of a love relationship to illustrate how this comes about; thus a love poem becomes the vehicle to convey spiritual epiphany.


FRAGRANT JASMINE

Margaret Alice Comment: Your words seem to be directed to a divine entity, you seem to be addressing your adoration to a divinity, and it is wonderful to read of such sublime sentiments kindled in a human soul. Mankind is always lifted up by their vision and awareness of divinity, thank you for such pure, clear diction and sharing your awareness of the sublime with us, you have uplifted me so much by this vision you have created!

Margaret Alice Comment: The poet’s words seem to be directed to a divine entity, express adoration to a divinity who is the personification of wonderful qualities which awakens a sense of the sublime in the human soul. An uplifting vision and awareness of uplifting qualities of innocence represented by a beautiful person.


I WENT THERE TO BID HER ADIEU

Kente Lucy Comment: wow great writing, what a way to bid farewell

Margaret Alice Comment: Sensory experience is elevated by its symbolical meaning, your description of the scene shows two souls becoming one and your awareness of the importance of tempory experience as a symbol of the eternal duration of love and companionship - were temporary experience only valid for one moment in time, it would be a sad world, but once it is seen as a symbol of eternal things, it becomes enchanting.


I’M INCOMPLETE WITHOUT YOU

Margaret Alice Comment: You elevate the humnan experience of longing for love to a striving for sublimity in uniting with a beloved person, and this poem is stirring, your style of writing is effective, everything flows together perfectly.

Margaret Alice Comment:

'To a resplendent glow of celestial flow
And two split halves unite never to part.'

Reading your fluent poems is a delight, I have to tear myself away and return to the life of a drudge, but what a treasure trove of jewels you made for the weary soul who needs to contemplate higher ideals from time to time!


IN CELESTIAL WINGS

Margaret Alice Comment: When you describe how you are strengthened by your loved one, it is clear that your inner flame is so strong that you need not fear growing old, your spirit seems to become stronger, you manage to convey this impression by your striking poetry. It is a privilege to read your work.

Obed Dela Cruz Comment: wow.... i remembered will shakespeare.... nice poem!

Margaret Alice Comment: The poet has transcended the barriers of time and space by becoming an image of his beloved and being able to find peace in the joy he confers to his beloved.

'You transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.'

Margaret Alice Comment: You are my peace and solace, I know, I am, yours too; A mere flash of your thoughts Enlivens my tired soul And fills me with light, peace and solace, A giant in new world, I become, I rise to divine heights in celestial wings. How I desire to reciprocate To fill you with light and inner strength raise you to divine heights; I must cross over nd hold you in arms, light up your soul, Fill you with strength from my inner core, Wipe away your tears burst out in pure joy How I yearn to instill hope and confidence in you we never part And we shall wait, till time comes right. the flame in my soul always seeks you, you transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.


RAGING FIRE

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Gone To The Movies

Now the rain comes down the windows and it
Drops onto the forehead of the waiting boy
He surveys his rental kingdom and he
Wonders if he's really lost his one joy

Another fool would go down to the
Only place she ever went to lose herself
She's gone to the movies now and she
Don't need your help

Now the rain turns into snowfall as the
City sky reflects the silver street below
And it covers up the cars and the Wall-
Flowers cd ended half an hour ago

Another fool would dig the broken car out from the snow
And drive to find the show
She's gone to the movies now and she's
Not coming home
She's gone to the movies now and she's
Not coming home

Now he looks around his place and anyways
There's nowhere she could sit besides the bed
And he wonders if the car will start tomorrow
Or he'll have to take the bus instead

Any other fool would be out on the roadway
Trying to spot her rusted Pontiac
She's gone to the movies now and she's
Not coming back
She's gone to the movies now and she's
Not coming back

song performed by Semisonic from Feeling Strangely FineReport problemRelated quotes
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Day & Night We Walk These Aisles

Day and night we walk these aisles
In the same old movie show
And look for someone to feel for a while.
Theres matinees on saturdays
When we sit in the velvet chairs
Popcorn boxes fly through the air.
Sad movies, they make you cry
Sad movies make you wonder why
You ever came.
Do something to me,
Dont make me wait
Stab something through me,
Dont cry out the good things
That I appreciate.
Day and night we walk these aisles
In the same old movie show
And look for someone to feel for a while
The lights go on, the movies gone
And the managers up there
He says he doesnt care
And we take our money back.
Sad movies, they make you cry
Sad movies make you wonder why
You ever came.

song performed by Neil YoungReport problemRelated quotes
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