In a way, the sense of quality has improved, the status symbol of the small things is gone, and it is acceptable to use stainless steel, even if the neighbour uses silver.
quote by Arne Jacobsen
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Prince Hohenstiel-Schwangau, Saviour of Society
Epigraph
Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.
I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.
You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:
[...] Read more
poem by Robert Browning (1871)
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The Believer's Principles : Chap. IV.
Faith and Sense Natural, compared and distinguished.
When Abram's body, Sarah's womb,
Were ripe for nothing but the tomb,
Exceeding old, and wholly dead,
Unlike to bear the promis'd seed:
Faith said, 'I shall an Isaac see;'
'No, no,' said Sense, 'it cannot be;'
Blind Reason, to augment the strife,
Adds, 'How can death engender life?'
My heart is like a rotten tomb,
More dead than ever Sarah's womb;
O! can the promis'd seed of grace
Spring forth from such a barren place?
Sense gazing but on flinty rocks,
My hope and expectation chokes:
But could I, skill'd in Abram's art,
O'erlook my dead and barren heart;
And build my hope on nothing less
That divine pow'r and faithfulness;
Soon would I find him raise up sons
To Abram, out of rocks and stones.
Faith acts as busy boatmen do,
Who backward look and forward row;
It looks intent to things unseen,
Thinks objects visible too mean.
Sense thinks it madness thus to steer,
And only trusts its eye and ear;
Into faith's boat dare thrust its oar,
And put it further from the shore.
Faith does alone the promise eye;
Sense won't believe unless it see;
Nor can it trust the divine guide,
Unless it have both wind and tide.
Faith thinks the promise sure and good;
Sense doth depend on likelihood;
Faith ev'n in storms believes the seers;
Sense calls all men, ev'n prophets, liars.
Faith uses means, but rests on none;
Sense sails when outward means are gone:
[...] Read more
poem by Ralph Erskine
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Merlin And Vivien
A storm was coming, but the winds were still,
And in the wild woods of Broceliande,
Before an oak, so hollow, huge and old
It looked a tower of ivied masonwork,
At Merlin's feet the wily Vivien lay.
For he that always bare in bitter grudge
The slights of Arthur and his Table, Mark
The Cornish King, had heard a wandering voice,
A minstrel of Caerlon by strong storm
Blown into shelter at Tintagil, say
That out of naked knightlike purity
Sir Lancelot worshipt no unmarried girl
But the great Queen herself, fought in her name,
Sware by her--vows like theirs, that high in heaven
Love most, but neither marry, nor are given
In marriage, angels of our Lord's report.
He ceased, and then--for Vivien sweetly said
(She sat beside the banquet nearest Mark),
'And is the fair example followed, Sir,
In Arthur's household?'--answered innocently:
'Ay, by some few--ay, truly--youths that hold
It more beseems the perfect virgin knight
To worship woman as true wife beyond
All hopes of gaining, than as maiden girl.
They place their pride in Lancelot and the Queen.
So passionate for an utter purity
Beyond the limit of their bond, are these,
For Arthur bound them not to singleness.
Brave hearts and clean! and yet--God guide them--young.'
Then Mark was half in heart to hurl his cup
Straight at the speaker, but forbore: he rose
To leave the hall, and, Vivien following him,
Turned to her: 'Here are snakes within the grass;
And you methinks, O Vivien, save ye fear
The monkish manhood, and the mask of pure
Worn by this court, can stir them till they sting.'
And Vivien answered, smiling scornfully,
'Why fear? because that fostered at THY court
I savour of thy--virtues? fear them? no.
As Love, if Love is perfect, casts out fear,
So Hate, if Hate is perfect, casts out fear.
My father died in battle against the King,
My mother on his corpse in open field;
She bore me there, for born from death was I
Among the dead and sown upon the wind--
[...] Read more
poem by Alfred Lord Tennyson
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The quality of mercy (conditions apply)
The quality of mercy,
Portia declared,
the quality of mercy is
suspended during the present conflict
the quality of mercy is
not the business of a Minister of Justice
the quality of mercy is
not a matter of individual conscience
the quality of mercy is
too subtle for public discussion
or law
the quality of mercy is
only for Shakespeare and stuff
the quality of mercy is
less stimulating than revenge
the quality of mercy is
no business of yours
the quality of mercy is
no concern of religious authorities
who should stay silent
the quality of mercy is
an outdated concept
the quality of mercy is
nothing to do with forgiveness
or circumstantial evidence
or the remission of sins
the quality of mercy is
no longer a matter of pride
the quality of mercy is
no longer a mark of humanity
the quality of mercy
would be OK if Obama said so
the quality of mercy
is one hell of a hot potato
cooked in oil
[...] Read more
poem by Michael Shepherd
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An Essay on Criticism
Part I
INTRODUCTION. That it is as great a fault to judge ill as to write ill, and a more dangerous one to the public. That a true Taste is as rare to be found as a true Genius. That most men are born with some Taste, but spoiled by false education. The multitude of Critics, and causes of them. That we are to study our own Taste, and know the limits of it. Nature the best guide of judgment. Improved by Art and rules, which are but methodized Nature. Rules derived from the practice of the ancient poets. That therefore the ancients are necessary to be studied by a Critic, particularly Homer and Virgil. Of licenses, and the use of them by the ancients. Reverence due to the ancients, and praise of them.
'Tis hard to say if greater want of skill
Appear in writing or in judging ill;
But of the two less dangerous is th'offence
To tire our patience than mislead our sense:
Some few in that, but numbers err in this;
Ten censure wrong for one who writes amiss;
A fool might once himself alone expose;
Now one in verse makes many more in prose.
'Tis with our judgments as our watches, none
Go just alike, yet each believes his own.
In Poets as true Genius is but rare,
True Taste as seldom is the Critic's share;
Both must alike from Heav'n derive their light,
These born to judge, as well as those to write.
Let such teach others who themselves excel,
And censure freely who have written well;
Authors are partial to their wit, 'tis true,
But are not Critics to their judgment too?
Yet if we look more closely, we shall find
Most have the seeds of judgment in their mind:
Nature affords at least a glimm'ring light;
The lines, tho' touch'd but faintly, are drawn right:
But as the slightest sketch, if justly traced,
Is by ill col'ring but the more disgraced,
So by false learning is good sense defaced:
Some are bewilder'd in the maze of schools,
And some made coxcombs Nature meant but fools:
In search of wit these lose their common sense,
And then turn Critics in their own defence:
Each burns alike, who can or cannot write,
Or with a rival's or an eunuch's spite.
All fools have still an itching to deride,
And fain would be upon the laughing side.
If Mævius scribble in Apollo's spite,
There are who judge still worse than he can write.
Some have at first for Wits, then Poets pass'd;
Turn'd Critics next, and prov'd plain Fools at last.
Some neither can for Wits nor Critics pass,
As heavy mules are neither horse nor ass.
Those half-learn'd witlings, numerous in our isle,
As half-form'd insects on the banks of Nile;
Unfinish'd things, one knows not what to call,
[...] Read more
poem by Alexander Pope
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From an Upper Verandah
What happier haunt could the gods allot
For loftiest musing to sage or bard?—
Yet I would that this upper verandah did not
Look down on my beautiful Neighbour's Back-yard!
I stir the afflatus: Descend, O ye Nine!
Let the crystalline gates of the soul be unbarred!
No. My thoughts will keep running in one fixed line—
The clothes-line that hangs in my Neighbour's Back-yard!
Let me gaze on the hills; let me think of the sea;
Of the dawn rosy-fingered—the night silver-starred:—
(What dear little feet must the owner's be
Of those stockings that hang in my Neighbour's Back-yard!)
Let me tune my soul to a measure devout:—
Ah, the musical mood is all jangled and jarred,
While things with borders, and things without,
Keep flutt'ring down there in my Neighbour's Back-yard!
Are the True and the Good and the Beautiful dead,
That I win not one gleam of Pierian regard?
(Does she suffer, I wonder, from cold in the head?—
Such a lot of mouchoirs in my Neighbour's Back-yard!)
Comes the fit. While it sways me, high themes would I sing!
Prometheus! Achilles! Have at you! En grade!
Alexander the Great—(oh that I were a string
On that apron hung out in my Neighbour's Back-yard!)
I will shut my eyes fast—I have hit it at last,
Now my purest Ideals flit by me unmarred;
And odours of memory rise from the past,
(And an odour of suds from my Neighbour's Back-yard!)
Ah, yes! when the eyelids together are prest,
Every vestige of earth we throw off and discard.
(These are flannels, I think. Is she weak in the chest?—
There! I'm looking again at my Neighbour's Back-yard!)
Since the Muses back out, let Philosophy in:
Let me ponder its problems cold and hard.
Ah! Philosophy dies in a celibate grin
At that bolster-case down in my Neighbour's Back-yard!
Oh shame on my rapidly silvering hairs!
Oh shame on this veteran battered and scarred!
I to be witched with these frilled—affairs!
Confound my neighbour! Confound her Back-yard!
[...] Read more
poem by James Brunton Stephens
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Silver Heels
Written by bob welch.
She came in like a hurricane
Wearing boots and diamond rings
With a fox fur on her shoulder
She set wondering
And I could tell she was feeling abandoned
Because she flashed a look across my way
She said hop for a ride
Youll never ask me but Ill tell you anyway
She took me out on the blackboard jungle
Put me straight in a hurricane
She hypnotized my eyes with her silver heeled ways
If I could sing like paul mccartney, or get funky like etta james
Id never change, Id never change, Id never change silver heeled ways
She came in and her flags were flying
She was a sailboat of sweet perfume
And I could see that her eyes were smiling
From across the room
Well I couldnt think of conversation
I was busy looking at her furs
She said hey, youll never ask me
So I guess Ill say the word
She took me out on the blackboard jungle
Put me straight in a hurricane
She hypnotized my eyes with her silver heeled ways
If I could sing like paul mccartney, and funky like etta james
Id never change, Id never change, no Id never change silver heeled ways
(silver, silver heels) thats what I mean
(silver) whoo talking bout silver (silver heels)
(silver) alright (silver heels)
Im talkin bout silver (silver) silver heels (silver)
She took me out on the blackboard jungle
Put me straight in a hurricane
She hypnotized my eyes with her silver heeled ways
If I could sing like paul mccartney, and funky like etta james
Id never change, no Id never change her, Id never change silver heeled ways
(silver) oooh silver heels
(silver) talkin bout silver heels
(silver) silver heels
(silver) thats what I mean...
song performed by Fleetwood Mac
Added by Lucian Velea
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Picture-Writing
In those days said Hiawatha,
"Lo! how all things fade and perish!
From the memory of the old men
Pass away the great traditions,
The achievements of the warriors,
The adventures of the hunters,
All the wisdom of the Medas,
All the craft of the Wabenos,
All the marvellous dreams and visions
Of the Jossakeeds, the Prophets!
"Great men die and are forgotten,
Wise men speak; their words of wisdom
Perish in the ears that hear them,
Do not reach the generations
That, as yet unborn, are waiting
In the great, mysterious darkness
Of the speechless days that shall be!
"On the grave-posts of our fathers
Are no signs, no figures painted;
Who are in those graves we know not,
Only know they are our fathers.
Of what kith they are and kindred,
From what old, ancestral Totem,
Be it Eagle, Bear, or Beaver,
They descended, this we know not,
Only know they are our fathers.
"Face to face we speak together,
But we cannot speak when absent,
Cannot send our voices from us
To the friends that dwell afar off;
Cannot send a secret message,
But the bearer learns our secret,
May pervert it, may betray it,
May reveal it unto others."
Thus said Hiawatha, walking
In the solitary forest,
Pondering, musing in the forest,
On the welfare of his people.
From his pouch he took his colors,
Took his paints of different colors,
On the smooth bark of a birch-tree
Painted many shapes and figures,
Wonderful and mystic figures,
And each figure had a meaning,
Each some word or thought suggested.
Gitche Manito the Mighty,
He, the Master of Life, was painted
As an egg, with points projecting
To the four winds of the heavens.
Everywhere is the Great Spirit,
[...] Read more
poem by Henry Wadsworth Longfellow
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The Song Of Hiawatha XIV: Picture-Writing
In those days said Hiawatha,
'Lo! how all things fade and perish!
From the memory of the old men
Pass away the great traditions,
The achievements of the warriors,
The adventures of the hunters,
All the wisdom of the Medas,
All the craft of the Wabenos,
All the marvellous dreams and visions
Of the Jossakeeds, the Prophets!
'Great men die and are forgotten,
Wise men speak; their words of wisdom
Perish in the ears that hear them,
Do not reach the generations
That, as yet unborn, are waiting
In the great, mysterious darkness
Of the speechless days that shall be!
'On the grave-posts of our fathers
Are no signs, no figures painted;
Who are in those graves we know not,
Only know they are our fathers.
Of what kith they are and kindred,
From what old, ancestral Totem,
Be it Eagle, Bear, or Beaver,
They descended, this we know not,
Only know they are our fathers.
'Face to face we speak together,
But we cannot speak when absent,
Cannot send our voices from us
To the friends that dwell afar off;
Cannot send a secret message,
But the bearer learns our secret,
May pervert it, may betray it,
May reveal it unto others.'
Thus said Hiawatha, walking
In the solitary forest,
Pondering, musing in the forest,
On the welfare of his people.
From his pouch he took his colors,
Took his paints of different colors,
On the smooth bark of a birch-tree
Painted many shapes and figures,
Wonderful and mystic figures,
And each figure had a meaning,
Each some word or thought suggested.
Gitche Manito the Mighty,
He, the Master of Life, was painted
As an egg, with points projecting
To the four winds of the heavens.
Everywhere is the Great Spirit,
[...] Read more
poem by Henry Wadsworth Longfellow
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It Makes More Sense
It makes more sense,
Stopping something not to start.
Yes it makes more sense,
Not to tear things all apart.
Or bring up filthy garbage,
Knowing it is just a farce.
It makes more sense,
To walk away than to be petty.
And it makes more sense,
To prevent a thumping headache.
And it makes more sense,
Not to argue with a fool.
Knowing this is something done,
Many fools love to do.
And it makes more sense,
Stopping something not to start.
Yes it makes more sense,
Not to tear things all apart.
Or bring up filthy garbage,
Knowing it is just a farce.
And it makes more sense,
Not to argue with a fool.
Knowing this is something done,
Fools love to do.
And it makes more sense,
To keep the peace with every neighbor.
And it makes more sense,
To chase all bitterness away.
And it makes more sense,
To say, 'You're right' than build a hate.
Knowing that tomorrow promises another day.
And it makes more sense,
To keep the peace with every neighbor.
And it makes more sense,
To chase all bitterness away.
And it makes more sense,
To say, 'You're right' than build a hate.
Knowing that tomorrow promises another day.
Yes it makes more sense,
To keep the peace with every neighbor.
And it makes more sense,
To say, 'You're right' than build a hate.
Knowing that tomorrow promises another day.
Yes it makes more sense,
To keep the peace with every neighbor.
[...] Read more
poem by Lawrence S. Pertillar
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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator
Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!
It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
—The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!
Well,
Let others climb the heights o' the court, the camp!
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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A Pearls Worth
Silver pearls fall down her skin
She knows she must do it for she can't stay strong
For all she has to do is count to ten
She knows he's always wrong
Silver pearls fall down her face
In the dead of night, it is so dark
She stands in the room with fear, with hate
In her soul the pain he gave has left its mark
Silver pearls fall on the barrel
As she holds the gun in her hands
For long before this night their love grew stale
And oh how she thinks it is easy to hold life and death in her hands
Silver pearls fall over bruises, the pain
She bites her lip as she counts one... two
In her heart he's left the stain
She looks at his still body three... four
Silver pearls fall as she moves her hands
She walks to his side
In front of his face she stands
As her mind starts the chant 'he lied'
Silver pearls fall five... six
She holds the barrel to his head
Seven... Eight... she moves her feet just to stall
She knows it won't matter for she is already dead
Silver pearls shade her eyes
Nine... she counts on
her mind filled with his lies
Ten... her finger tightens as he opens his eyes
Silver pearls fall as she pulls the trigger, pulls the string
His eyes wonder, as he fades
His mouth moves, and she remembers the thing
Now she only see dark shades
Silver pearls fall as he leaves her, as she turns
Her daughter stands at the door at only six
Her hand turns
Her eyes search through the young girls eyes
Silver pearls fall as she mouths her last breath
The trigger is pulled as she sinks to her knees
The girls screams fill her mind, for she feels the hand of death
And only now she sees
[...] Read more
poem by Bethany Maxwell
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The Servant Girl Justified
BOCCACE alone is not my only source;
T'another shop I now shall have recourse;
Though, certainly, this famed Italian wit
Has many stories for my purpose fit.
But since of diff'rent dishes we should taste;
Upon an ancient work my hands I've placed;
Where full a hundred narratives are told,
And various characters we may behold;
From life, Navarre's fair queen the fact relates;
My story int'rest in her page creates;
Beyond dispute from her we always find,
Simplicity with striking art combin'd.
Yet, whether 'tis the queen who writes, or not;
I shall, as usual, here and there allot
Whate'er additions requisite appear;
Without such license I'd not persevere,
But quit, at once, narrations of the sort;
Some may be long, though others are too short.
LET us proceed, howe'er (our plan explained
A pretty servant-girl a man retain'd.
She pleas'd his eye, and presently he thought,
With ease she might to am'rous sports be brought;
He prov'd not wrong; the wench was blithe and gay,
A buxom lass, most able ev'ry way.
AT dawn, one summer's morn, the spark was led
To rise, and leave his wife asleep in bed;
He sought at once the garden, where he found
The servant-girl collecting flow'rs around,
To make a nosegay for his better half,
Whose birth-day 'twas:--he soon began to laugh,
And while the ranging of the flow'rs he prais'd,
The servant's neckerchief he slyly rais'd.
Who, suddenly, on feeling of the hand,
Resistance feign'd, and seem'd to make a stand;
But since these liberties were nothing new,
They other fun and frolicks would pursue;
The nosegay at the fond gallant was thrown;
The flow'rs he kiss'd, and now more ardent grown
They romp'd and rattl'd, play'd and skipt around;
At length the fair one fell upon the ground;
Our am'rous spark advantage took of this,
And nothing with the couple seem'd amiss.
UNLUCKILY, a neighbour's prying eyes
Beheld their playful pranks with great surprise,
She, from her window, could the scene o'erlook;
When this the fond gallant observ'd, he shook;
Said he, by heav'ns! our frolicking is seen,
[...] Read more
poem by La Fontaine
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What Do We Do When We Make Steel?
This impression attempts to present an ideal work arena (of an integrated steel company) , where human vaues and touch have special emphasis.
WHAT DO WE DO WHEN WE MAKE STEEL?
What do we do when we make steel?
We make the world understand and feel
That united we stand tall and reach
Far beyond others' imagination breach
And that we make a steel not of iron and its mix
But of a strong will moulded in our sense six
What do we do when we make steel?
We make the world understand and feel
That our vision is clear and fixed far
Moving ahead in a steady pace towards
Dashing and clearing all obstacles ajar
Each milestone crossed, planned at par
What do we do when we make steel?
We make the world understand and feel
That making steel has not hardened our heart
We demonstrate human love not in part
But full and gainful to any one we chart
To serve leaving them feel an independent lot
What do we do when we make steel?
We make the world understand and feel
That though profit alone sparks the business
Fuel is our customer delight, steering our righteousness
Acceleration our desire, brake our wakefulness
Road our work ethics, grip our togetherness
What do we do when we make steel?
We make the world understand and feel
That, if you take good care of people
Train them, and enthuse them to tackle
Odd occasions and situations of debacle
Steel gets formed on its own likea miracle
What do we do when we make steel?
We make the world understand and feel
When we mine, we do not explore and excavate minerals
We, indeed, dig out and bring to the world new talents and minds
Our blast furnaces do not knock off oxygen from iron oxide
[...] Read more
poem by Bashyam Narayanan
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Fifth Book
AURORA LEIGH, be humble. Shall I hope
To speak my poems in mysterious tune
With man and nature,–with the lava-lymph
That trickles from successive galaxies
Still drop by drop adown the finger of God,
In still new worlds?–with summer-days in this,
That scarce dare breathe, they are so beautiful?–
With spring's delicious trouble in the ground
Tormented by the quickened blood of roots.
And softly pricked by golden crocus-sheaves
In token of the harvest-time of flowers?–
With winters and with autumns,–and beyond,
With the human heart's large seasons,–when it hopes
And fears, joys, grieves, and loves?–with all that strain
Of sexual passion, which devours the flesh
In a sacrament of souls? with mother's breasts,
Which, round the new made creatures hanging there,
Throb luminous and harmonious like pure spheres?–
With multitudinous life, and finally
With the great out-goings of ecstatic souls,
Who, in a rush of too long prisoned flame,
Their radiant faces upward, burn away
This dark of the body, issuing on a world
Beyond our mortal?–can I speak my verse
So plainly in tune to these things and the rest,
That men shall feel it catch them on the quick,
As having the same warrant over them
To hold and move them, if they will or no,
Alike imperious as the primal rhythm
Of that theurgic nature? I must fail,
Who fail at the beginning to hold and move
One man,–and he my cousin, and he my friend,
And he born tender, made intelligent,
Inclined to ponder the precipitous sides
Of difficult questions; yet, obtuse to me,–
Of me, incurious! likes me very well,
And wishes me a paradise of good,
Good looks, good means, and good digestion!–ay,
But otherwise evades me, puts me off
With kindness, with a tolerant gentleness,–
Too light a book for a grave man's reading! Go,
Aurora Leigh: be humble.
There it is;
We women are too apt to look to one,
Which proves a certain impotence in art.
We strain our natures at doing something great,
Far less because it's something great to do,
Than, haply, that we, so, commend ourselves
As being not small, and more appreciable
To some one friend. We must have mediators
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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Silver And Gold
Silver, silver and gold
Silver and gold, silver and gold
Ev'ryone wishes for silver and gold
How do you measure its worth?
Just by the pleasure it gives here on earth.
Silver and gold, silver and gold
Mean so much more when I see
Silver and gold decorations
On ev'ry Christmas tree.
Silver, silver and gold
Silver, silver and gold
Silver and gold
Silver and gold
Silver and gold
Wise men brought gifts to the mange I'm told
Mary was humble to see
Shepherds and kings there on bended knees
It's silver and gold, silver and gold
Feeling the world with their lives
Silver and gold how they shimmer on ev'ry Christmas night
On ev'ry Christmas night
Silver, silver and gold
song performed by Vanessa Williams
Added by Lucian Velea
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Silver & Gold
Words and Music by Johnny Marks.
Silver, silver and gold
Silver and gold, silver and gold
Ev'ryone wishes for silver and gold
How do you measure its worth?
Just by the pleasure it gives here on earth.
Silver and gold, silver and gold
Mean so much more when I see
Silver and gold decorations
On ev'ry Christmas tree.
Silver, silver and gold
Silver, silver and gold
Silver and gold
Silver and gold
Silver and gold
Wise men brought gifts to the mange I'm told
Mary was humble to see
Shepherds and kings there on bended knees
It's silver and gold, silver and gold
Feeling the world with their lives
Silver and gold how they shimmer on ev'ry Christmas night
On ev'ry Christmas night
Silver, silver and gold
song performed by Vanessa Williams
Added by Lucian Velea
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First Book
OF writing many books there is no end;
And I who have written much in prose and verse
For others' uses, will write now for mine,–
Will write my story for my better self,
As when you paint your portrait for a friend,
Who keeps it in a drawer and looks at it
Long after he has ceased to love you, just
To hold together what he was and is.
I, writing thus, am still what men call young;
I have not so far left the coasts of life
To travel inland, that I cannot hear
That murmur of the outer Infinite
Which unweaned babies smile at in their sleep
When wondered at for smiling; not so far,
But still I catch my mother at her post
Beside the nursery-door, with finger up,
'Hush, hush–here's too much noise!' while her sweet eyes
Leap forward, taking part against her word
In the child's riot. Still I sit and feel
My father's slow hand, when she had left us both,
Stroke out my childish curls across his knee;
And hear Assunta's daily jest (she knew
He liked it better than a better jest)
Inquire how many golden scudi went
To make such ringlets. O my father's hand,
Stroke the poor hair down, stroke it heavily,–
Draw, press the child's head closer to thy knee!
I'm still too young, too young to sit alone.
I write. My mother was a Florentine,
Whose rare blue eyes were shut from seeing me
When scarcely I was four years old; my life,
A poor spark snatched up from a failing lamp
Which went out therefore. She was weak and frail;
She could not bear the joy of giving life–
The mother's rapture slew her. If her kiss
Had left a longer weight upon my lips,
It might have steadied the uneasy breath,
And reconciled and fraternised my soul
With the new order. As it was, indeed,
I felt a mother-want about the world,
And still went seeking, like a bleating lamb
Left out at night, in shutting up the fold,–
As restless as a nest-deserted bird
Grown chill through something being away, though what
It knows not. I, Aurora Leigh, was born
To make my father sadder, and myself
Not overjoyous, truly. Women know
The way to rear up children, (to be just,)
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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The Ghost - Book IV
Coxcombs, who vainly make pretence
To something of exalted sense
'Bove other men, and, gravely wise,
Affect those pleasures to despise,
Which, merely to the eye confined,
Bring no improvement to the mind,
Rail at all pomp; they would not go
For millions to a puppet-show,
Nor can forgive the mighty crime
Of countenancing pantomime;
No, not at Covent Garden, where,
Without a head for play or player,
Or, could a head be found most fit,
Without one player to second it,
They must, obeying Folly's call,
Thrive by mere show, or not at all
With these grave fops, who, (bless their brains!)
Most cruel to themselves, take pains
For wretchedness, and would be thought
Much wiser than a wise man ought,
For his own happiness, to be;
Who what they hear, and what they see,
And what they smell, and taste, and feel,
Distrust, till Reason sets her seal,
And, by long trains of consequences
Insured, gives sanction to the senses;
Who would not (Heaven forbid it!) waste
One hour in what the world calls Taste,
Nor fondly deign to laugh or cry,
Unless they know some reason why;
With these grave fops, whose system seems
To give up certainty for dreams,
The eye of man is understood
As for no other purpose good
Than as a door, through which, of course,
Their passage crowding, objects force,
A downright usher, to admit
New-comers to the court of Wit:
(Good Gravity! forbear thy spleen;
When I say Wit, I Wisdom mean)
Where (such the practice of the court,
Which legal precedents support)
Not one idea is allow'd
To pass unquestion'd in the crowd,
But ere it can obtain the grace
Of holding in the brain a place,
Before the chief in congregation
Must stand a strict examination.
Not such as those, who physic twirl,
Full fraught with death, from every curl;
[...] Read more
poem by Charles Churchill
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The Victories Of Love. Book II
I
From Jane To Her Mother
Thank Heaven, the burthens on the heart
Are not half known till they depart!
Although I long'd, for many a year,
To love with love that casts out fear,
My Frederick's kindness frighten'd me,
And heaven seem'd less far off than he;
And in my fancy I would trace
A lady with an angel's face,
That made devotion simply debt,
Till sick with envy and regret,
And wicked grief that God should e'er
Make women, and not make them fair.
That he might love me more because
Another in his memory was,
And that my indigence might be
To him what Baby's was to me,
The chief of charms, who could have thought?
But God's wise way is to give nought
Till we with asking it are tired;
And when, indeed, the change desired
Comes, lest we give ourselves the praise,
It comes by Providence, not Grace;
And mostly our thanks for granted pray'rs
Are groans at unexpected cares.
First Baby went to heaven, you know,
And, five weeks after, Grace went, too.
Then he became more talkative,
And, stooping to my heart, would give
Signs of his love, which pleased me more
Than all the proofs he gave before;
And, in that time of our great grief,
We talk'd religion for relief;
For, though we very seldom name
Religion, we now think the same!
Oh, what a bar is thus removed
To loving and to being loved!
For no agreement really is
In anything when none's in this.
Why, Mother, once, if Frederick press'd
His wife against his hearty breast,
The interior difference seem'd to tear
My own, until I could not bear
The trouble. 'Twas a dreadful strife,
And show'd, indeed, that faith is life.
He never felt this. If he did,
I'm sure it could not have been hid;
For wives, I need not say to you,
[...] Read more
poem by Coventry Patmore
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