Anybody who plays the stock market not as an insider is like a man buying cows in the moonlight.
quote by Daniel Drew
Added by Lucian Velea
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Prince Hohenstiel-Schwangau, Saviour of Society
Epigraph
Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.
I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.
You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:
[...] Read more
poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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Give The Po Man A Break
Give po man a break
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[...] Read more
song performed by Fatboy Slim
Added by Lucian Velea
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Langwidge
'The flamin' cows!' 'e ses; 'e did, an' worse;
'Twas 'orrible the langwidge that 'e used.
It made me blood run cold to 'ear 'im curse;
An' me that taken-back-like an' confused;
W'ile them poor beasts 'e belted an' abused.
'They couldn't shift,' 'e ses, 'a blanky 'earse!
The flamin' cows!'
'The flamin' cows!' You oughter 'eard 'im curse.
You would a bin that shocked. . . . An' the idear!
'Im usin' such remarks about a 'earse;
An' 'is own brother buried not a year.
'Not move a blanky 'earee!' 'e ses. My dear,
You 'ardly could imagine langwidge worse.
'The flamin' cows!'
'The flamin' cows!' Wot would the parson say?
An' 'im so friendly-like with 'im an' 'er.
I pity 'er; I do, 'cos, in 'er way.
She is respectable. But 'i! It's fur
From me, as you well know, to cast a slur,
On anyone; but wot I 'eard that day. . . .
'The flamin' cows!'
'The flamin' cows!' I know quite well that we
Ain't wot you'd call thin-skinned; and nasty pride
Is wot I never 'ad.... But 'er! ... W'y she
She's allus that stuck-up an' full o' side;
A sorter thing I never could abide.
An' all the time 'er 'usband.... Goodness me!
'The flamin' cows!'
'The flamin' cows!' O' course 'e never knowed
That I was list'nin' to 'im all the w'ile.
'E muster bin a full hour on the road;
An', Lord, you could 'a' 'eard 'im for a mile.
Jes' cos they stuck 'im in that boggy sile:
'If they ain't blanky swine,' 'e ses, 'I'm blowed!
The flamin' cows!'
'The flamin' cows!' W'y, if it 'ad occurred,
An' me not 'eard, I'd 'ardly think it true.
An', you know well, I wouldn't breathe a word
Against a livin' soul, I don't care 'oo;
Not if the Queen of Hingland arst me to.
But, oh! that langwidge! If you only 'eard!
'The flamin' cows!'
'The flamin' cows!' 'e ses,, an' more besides.
An' fancy! 'Im! To think that 'e would swear!
[...] Read more
poem by Clarence Michael James Stanislaus Dennis
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Insider
Youve got a dangerous background
And everything youve dreamed of
Yeah youre the dark angel
It dont show when you break up
And Im the one who oughta know
Im the one left in the dust
Yeah Im the broken hear ted fool
Who was never quite enough
Im an insider, I been burned by the fire
And Ive had to live with some hard promises
Ive crawled through the briars
Im an insider
Its a circle of deception
Its a hall of stran gers
Its a cage without a key
You can feel the danger
And Im the one who oughta know
Im the one you couldnt trust
Yeah Im the lonely silent one
Im the one left in the dust
Im an insider, I been burned by the fire
And Ive had to live with some hard promises
Ive crawled through the briars
Im an insider
Ill bet youre his masterpiece
Ill bet youre his self-control
Yeah youll become his legacy
His quiet world of white and gold
And Im the one who ought to know
Im the one you left to rust
Not one of your twisted friends
Im the one you couldnt love
Im an insider, I been burned by the fire
And Ive had to live with some hard promises
Ive crawled through the briars--Im an insider
song performed by Tom Petty
Added by Lucian Velea
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The highwayman
The wind was a torrent of darkness among the gusty trees.
The moon was a ghostly galleon tossed upon cloudy seas.
The road was a ribbon of moonlight over the purple moor,
And the highwayman came riding—
Riding—riding—
The highwayman came riding, up to the old inn-door.
He'd a French cocked-hat on his forehead, a bunch of lace at his chin,
A coat of the claret velvet, and breeches of brown doe-skin.
They fitted with never a wrinkle. His boots were up to the thigh.
And he rode with a jewelled twinkle,
His pistol butts a-twinkle,
His rapier hilt a-twinkle, under the jewelled sky.
Over the cobbles he clattered and clashed in the dark inn-yard.
He tapped with his whip on the shutters, but all was locked and barred.
He whistled a tune to the window, and who should be waiting there
But the landlord's black-eyed daughter,
Bess, the landlord's daughter,
Plaiting a dark red love-knot into her long black hair.
And dark in the dark old inn-yard a stable-wicket creaked
Where Tim the ostler listened. His face was white and peaked.
His eyes were hollows of madness, his hair like mouldy hay,
But he loved the landlord's daughter,
The landlord's red-lipped daughter.
Dumb as a dog he listened, and he heard the robber say—
"One kiss, my bonny sweetheart, I'm after a prize to-night,
But I shall be back with the yellow gold before the morning light;
Yet, if they press me sharply, and harry me through the day,
Then look for me by moonlight,
Watch for me by moonlight,
I'll come to thee by moonlight, though hell should bar the way."
He rose upright in the stirrups. He scarce could reach her hand,
But she loosened her hair in the casement. His face burnt like a brand
As the black cascade of perfume came tumbling over his breast;
And he kissed its waves in the moonlight,
(O, sweet black waves in the moonlight!)
Then he tugged at his rein in the moonlight, and galloped away to the west.
PART TWO
He did not come in the dawning. He did not come at noon;
And out of the tawny sunset, before the rise of the moon,
When the road was a gypsy's ribbon, looping the purple moor,
A red-coat troop came marching—
Marching—marching—
[...] Read more
poem by Alfred Noyes
Added by Dan Costinaş
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A Drought Idyll
It was the middle of the drought; the ground was hot and bare,
You might search for grass with a microscope, but nary grass was there;
The hay was done, the cornstalks gone, the trees were dying fast,
The sun o'erhead was a curse in read and the wind was a furnace blast;
The waterholes were sun-baked mud, the drays stood thick as bees
Around the well, a mile away, amid the ringbarked trees.
McGinty left his pumpkin-pie and gazed upon the scene:
His cows stood propped 'gainst tree and fence wherever they could lean;
The horse he'd fixed with sapling forks had fallen down once more;
The fleas were hopping joyfully on stockyard, path, and floor;
The flies in thousands buzzed about before his waving hand;
The hungry pigs squealed as he said, 'Me own, me native land!'
'Queensland, me Mother! Ain't yer well?' he asked. 'Come tell me how's -'
'Dry up! Dry up!' yelled Mrs Mac, 'Go out and feed the cows.'
'But where's the feed?' McGinty cried, 'The sugarcane's all done -
It wasn't worth the bally freight we paid for it per ton.
I'll get me little axe and go with Possum and the mare
For 'arf a ton of apple-tree or a load of prickly-pear.'
'The prickly-pear'll kill the cows unless yer bile it right,'
Cried Mrs Mac, 'and I don't mean to bile it all the night.
They tell me fer a bob a bag the brewery will sell
Their refuse stuff, like Simpson 'ad - his cows is doin' well.
Yer get the loan of Bampston's dray and borrer Freeny's nags,
And fetch along a decent load, McGinty - thirty bags.
McGinty borrowed Bampston's dray and hitched up Freeney's nags
And drove like blazes into town and fetched back thirty bags.
The stuff was mellow, soft, and brown; and if you came too near
It shed around a lovely scent till the air seemed full of beer,
McGinty fetched each feedbox out and filled it to the brim,
Then lit his pipe and fell asleep. That was the style of him.
The cows, they lurched off fence and tree and staggered in to feed,
The horses tottered after them - old, feeble, and knock-kneed.
But when they smelt that sacred stuff in boxes on the ground
They smiled and neighed and lowed and twirled their hungry tails around.
You would have walked a hundred miles or more to see and hear
They way McGinty's stock attacked that stuff that smelt like beer…
'Wake up! Wake up! McGinty man! Wake up!' yelled Mrs Mac.
She held a broom and every word was followed by a whack.
McGinty had been dreaming hard that it was Judgement Day
And he was drafted with the goats and being driven away;
The Devil with a toasting fork was jabbing at his jaw,
He rose and yelled and fled outside - and this is what he saw:
The brindle cow, with spotted tail, was trying to climb a tree;
[...] Read more
poem by George Essex Evans
Added by Poetry Lover
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Give Your Heart To The Hawks
1 he apples hung until a wind at the equinox,
That heaped the beach with black weed, filled the dry grass
Under the old trees with rosy fruit.
In the morning Fayne Fraser gathered the sound ones into a
basket,
The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.
Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.
Fayne snatched for it and missed;
Michael stood by rejoicing, his rather small
Finely cut features in a dance of delight;
Fayne with one sweep flung at his face
All the bruised and half-spoiled apples in the pan,
[...] Read more
poem by Robinson Jeffers
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The Great Hunger
I
Clay is the word and clay is the flesh
Where the potato-gatherers like mechanised scarecrows move
Along the side-fall of the hill - Maguire and his men.
If we watch them an hour is there anything we can prove
Of life as it is broken-backed over the Book
Of Death? Here crows gabble over worms and frogs
And the gulls like old newspapers are blown clear of the hedges, luckily.
Is there some light of imagination in these wet clods?
Or why do we stand here shivering?
Which of these men
Loved the light and the queen
Too long virgin? Yesterday was summer. Who was it promised marriage to himself
Before apples were hung from the ceilings for Hallowe'en?
We will wait and watch the tragedy to the last curtain,
Till the last soul passively like a bag of wet clay
Rolls down the side of the hill, diverted by the angles
Where the plough missed or a spade stands, straitening the way.
A dog lying on a torn jacket under a heeled-up cart,
A horse nosing along the posied headland, trailing
A rusty plough. Three heads hanging between wide-apart legs.
October playing a symphony on a slack wire paling.
Maguire watches the drills flattened out
And the flints that lit a candle for him on a June altar
Flameless. The drills slipped by and the days slipped by
And he trembled his head away and ran free from the world's halter,
And thought himself wiser than any man in the townland
When he laughed over pints of porter
Of how he came free from every net spread
In the gaps of experience. He shook a knowing head
And pretended to his soul
That children are tedious in hurrying fields of April
Where men are spanning across wide furrows.
Lost in the passion that never needs a wife
The pricks that pricked were the pointed pins of harrows.
Children scream so loud that the crows could bring
The seed of an acre away with crow-rude jeers.
Patrick Maguire, he called his dog and he flung a stone in the air
And hallooed the birds away that were the birds of the years.
Turn over the weedy clods and tease out the tangled skeins.
What is he looking for there?
He thinks it is a potato, but we know better
Than his mud-gloved fingers probe in this insensitive hair.
'Move forward the basket and balance it steady
In this hollow. Pull down the shafts of that cart, Joe,
And straddle the horse,' Maguire calls.
'The wind's over Brannagan's, now that means rain.
Graip up some withered stalks and see that no potato falls
Over the tail-board going down the ruckety pass -
And that's a job we'll have to do in December,
[...] Read more
poem by Patrick Kavanagh
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Satan Absolved
(In the antechamber of Heaven. Satan walks alone. Angels in groups conversing.)
Satan. To--day is the Lord's ``day.'' Once more on His good pleasure
I, the Heresiarch, wait and pace these halls at leisure
Among the Orthodox, the unfallen Sons of God.
How sweet in truth Heaven is, its floors of sandal wood,
Its old--world furniture, its linen long in press,
Its incense, mummeries, flowers, its scent of holiness!
Each house has its own smell. The smell of Heaven to me
Intoxicates and haunts,--and hurts. Who would not be
God's liveried servant here, the slave of His behest,
Rather than reign outside? I like good things the best,
Fair things, things innocent; and gladly, if He willed,
Would enter His Saints' kingdom--even as a little child.
[Laughs. I have come to make my peace, to crave a full amaun,
Peace, pardon, reconcilement, truce to our daggers--drawn,
Which have so long distraught the fair wise Universe,
An end to my rebellion and the mortal curse
Of always evil--doing. He will mayhap agree
I was less wholly wrong about Humanity
The day I dared to warn His wisdom of that flaw.
It was at least the truth, the whole truth, I foresaw
When He must needs create that simian ``in His own
Image and likeness.'' Faugh! the unseemly carrion!
I claim a new revision and with proofs in hand,
No Job now in my path to foil me and withstand.
Oh, I will serve Him well!
[Certain Angels approach. But who are these that come
With their grieved faces pale and eyes of martyrdom?
Not our good Sons of God? They stop, gesticulate,
Argue apart, some weep,--weep, here within Heaven's gate!
Sob almost in God's sight! ay, real salt human tears,
Such as no Spirit wept these thrice three thousand years.
The last shed were my own, that night of reprobation
When I unsheathed my sword and headed the lost nation.
Since then not one of them has spoken above his breath
Or whispered in these courts one word of life or death
Displeasing to the Lord. No Seraph of them all,
Save I this day each year, has dared to cross Heaven's hall
And give voice to ill news, an unwelcome truth to Him.
Not Michael's self hath dared, prince of the Seraphim.
Yet all now wail aloud.--What ails ye, brethren? Speak!
Are ye too in rebellion? Angels. Satan, no. But weak
With our long earthly toil, the unthankful care of Man.
Satan. Ye have in truth good cause.
Angels. And we would know God's plan,
His true thought for the world, the wherefore and the why
Of His long patience mocked, His name in jeopardy.
[...] Read more
poem by Wilfrid Scawen Blunt
Added by Poetry Lover
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100 STD's 10,000 MTD's
There are STD's, sexually transmitted diseases.
and then there are MTD's, meat transmitted diseases.
The latter take a lot more lives.
*********
In Animal Flesh: Blood Sweat Tears as well as Carcinogens Cholesterol Colon Bacteria
Animal products kill more people annually in the US than
tobacco, alcohol, traffic accidents, war, domestic violence,
guns, and drugs combined. USAMRID wrote that consumption of pig flesh caused the world's most lethal pandemic in WW1,
euphemistically called flu. Anthrax
used to be called wool sorters'
disease. Smallpox used to be called
cow pox or kine pox because of
its origin in animal flesh.
.
WHAT'S IN A BURGER? BLOOD SWEAT AND TEARS (AS WELL AS BIOTERRORISM)
POISONS IN ANIMAL AND FISH FLESH... A PARTIAL LIST
a partial list in alphabetical order
acidification diseases
addiction (to trioxypurines)
adrenalin (secreted by terrorized
animals before and during slaughter)
ANTIBIOTICS (too many to list) (crowded factory farm animals standing in their own feces are often infected)
BACTERIA
creiophilic bacteria survive
the freezing of animal flesh
thermophilic bacteria survive
the baking boiling and roasting
bacteriophages (viruses FDA allows to
be injected)
blood
colon bacteria.. euphemistically
called ecoli animals defecate
all over themselves in terror
John Harvey Kellogg MD studied
the exponential rate into the billions
BSE DISEASES, PRIONS IN SPECIES FROM GELATIN (JELLO ETC)
Mad Chicken
[...] Read more
poem by O. Anna Niemus
Added by Poetry Lover
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IV. Tertium Quid
True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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The Odyssey: Book 12
"After we were clear of the river Oceanus, and had got out into
the open sea, we went on till we reached the Aeaean island where there
is dawn and sunrise as in other places. We then drew our ship on to
the sands and got out of her on to the shore, where we went to sleep
and waited till day should break.
"Then, when the child of morning, rosy-fingered Dawn, appeared, I
sent some men to Circe's house to fetch the body of Elpenor. We cut
firewood from a wood where the headland jutted out into the sea, and
after we had wept over him and lamented him we performed his funeral
rites. When his body and armour had been burned to ashes, we raised
a cairn, set a stone over it, and at the top of the cairn we fixed the
oar that he had been used to row with.
"While we were doing all this, Circe, who knew that we had got
back from the house of Hades, dressed herself and came to us as fast
as she could; and her maid servants came with her bringing us bread,
meat, and wine. Then she stood in the midst of us and said, 'You
have done a bold thing in going down alive to the house of Hades,
and you will have died twice, to other people's once; now, then,
stay here for the rest of the day, feast your fill, and go on with
your voyage at daybreak tomorrow morning. In the meantime I will
tell Ulysses about your course, and will explain everything to him
so as to prevent your suffering from misadventure either by land or
sea.'
"We agreed to do as she had said, and feasted through the livelong
day to the going down of the sun, but when the sun had set and it came
on dark, the men laid themselves down to sleep by the stern cables
of the ship. Then Circe took me by the hand and bade me be seated away
from the others, while she reclined by my side and asked me all
about our adventures.
"'So far so good,' said she, when I had ended my story, 'and now pay
attention to what I am about to tell you- heaven itself, indeed,
will recall it to your recollection. First you will come to the Sirens
who enchant all who come near them. If any one unwarily draws in too
close and hears the singing of the Sirens, his wife and children
will never welcome him home again, for they sit in a green field and
warble him to death with the sweetness of their song. There is a great
heap of dead men's bones lying all around, with the flesh still
rotting off them. Therefore pass these Sirens by, and stop your
men's ears with wax that none of them may hear; but if you like you
can listen yourself, for you may get the men to bind you as you
stand upright on a cross-piece half way up the mast, and they must
lash the rope's ends to the mast itself, that you may have the
pleasure of listening. If you beg and pray the men to unloose you,
then they must bind you faster.
"'When your crew have taken you past these Sirens, I cannot give you
coherent directions as to which of two courses you are to take; I will
lay the two alternatives before you, and you must consider them for
yourself. On the one hand there are some overhanging rocks against
which the deep blue waves of Amphitrite beat with terrific fury; the
blessed gods call these rocks the Wanderers. Here not even a bird
[...] Read more
poem by Homer, translated by Samuel Butler
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LYRIC-LUTE [3] / by Dr. Mahendra Bhatnagar
[1] SING
Sing; so that life a lyric may become!
Man is helpless at each step,
Each silvery love-dream is shattered,
Sunken in sea of tears
The sun of hope is far, far away,
Sing, so that each particle a friend may become!
Surrounded on all sides is darkness dense
Hurt is each heart, full of pain,
Shall mute cover of troubles life-long
For ever remain thus overhead?
Sing, that defeat victory may become!
Breath is overcast with helplessness-suffocation,
Smoldering is life smarting-burning fed,
Full of poisonous dense-dust particles
Is sky of man’s wishes,
Sing, so that suffering a music may become!
[2] A WISH
Let life flow freely,
Let it lead to victory!
Let each one find solace
Under the tree-shade of blessings!
Let there be songs played day and night
On the harp of the soul!
Let sweet dreams ever come
And bring pleasure and laughter!
Let no one be sad
Let laughter ring!
Let each man become gold
Made pure in the inner fire!
Let each one bear bravely
The knocks of the unknown fate!
[3] WHO ARE YOU
Who are you long-lost in waiting,
[...] Read more
poem by Mahendra Bhatnagar
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The Fyftene Loyes Of Maryage
Somer passed/and wynter well begone
The dayes shorte/the darke nyghtes longe
Haue taken season/and brynghtnes of the sonne
Is lytell sene/and small byrdes songe
Seldon is herde/in feldes or wodes ronge
All strength and ventue/of trees and herbes sote
Dyscendynge be/from croppe in to the rote
And euery creature by course of kynde
For socoure draweth to that countre and place
Where for a tyme/they may purchace and fynde
Conforte and rest/abydynge after grace
That clere Appolo with bryghtnes of his face
Wyll sende/whan lusty ver shall come to towne
And gyue the grounde/of grene a goodly gowne
And Flora goddesse bothe of whyte and grene
Her mantell large/ouer all the erthe shall sprede
Shewynge her selfe/apparayled lyke a quene
As well in feldes/wodes/as in mede
Hauynge so ryche a croune vpon her hede
The whiche of floures/shall be so fayre and bryght
That all the worlde/shall take therof a lyght
So now it is/of late I was desyred
Out of the trenche to drawe a lytell boke
Of .xv. Ioyes/of whiche though I were hyred
I can not tell/and yet I vndertoke
This entrepryse/with a full pyteous loke
Remembrynge well/the case that stode in
Lyuynge in hope/this wynter to begyn
Some Ioyes to fynde that be in maryage
For in my youth/yet neuer acquayntaunce
Had of them but now in myn olde aege
I trust my selfe/to forther and auaunce
If that in me/there lacke no suffysaunce
Whiche may dyspleasyr/clerely set a parte
I wante but all/that longeth to that arte
yet wyll I speke/though I may do no more
Fully purposynge/in all these Ioyes to trete
Accordynge to my purpose made to fore
All be it so/I can not well forgete
The payne/trauayle/besynes and hete
[...] Read more
poem by Anonymous Olde English
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Seventh Book
'THE woman's motive? shall we daub ourselves
With finding roots for nettles? 'tis soft clay
And easily explored. She had the means,
The moneys, by the lady's liberal grace,
In trust for that Australian scheme and me,
Which so, that she might clutch with both her hands,
And chink to her naughty uses undisturbed,
She served me (after all it was not strange,;
'Twas only what my mother would have done)
A motherly, unmerciful, good turn.
'Well, after. There are nettles everywhere,
But smooth green grasses are more common still;
The blue of heaven is larger than the cloud;
A miller's wife at Clichy took me in
And spent her pity on me,–made me calm
And merely very reasonably sad.
She found me a servant's place in Paris where
I tried to take the cast-off life again,
And stood as quiet as a beaten ass
Who, having fallen through overloads, stands up
To let them charge him with another pack.
'A few months, so. My mistress, young and light,
Was easy with me, less for kindness than
Because she led, herself, an easy time
Betwixt her lover and her looking-glass,
Scarce knowing which way she was praised the most.
She felt so pretty and so pleased all day
She could not take the trouble to be cross,
But sometimes, as I stooped to tie her shoe,
Would tap me softly with her slender foot
Still restless with the last night's dancing in't,
And say 'Fie, pale-face! are you English girls
'All grave and silent? mass-book still, and Lent?
'And first-communion colours on your cheeks,
'Worn past the time for't? little fool, be gay!'
At which she vanished, like a fairy, through
A gap of silver laughter.
'Came an hour
When all went otherwise. She did not speak,
But clenched her brows, and clipped me with her eyes
As if a viper with a pair of tongs,
Too far for any touch, yet near enough
To view the writhing creature,–then at last,
'Stand still there, in the holy Virgin's name,
'Thou Marian; thou'rt no reputable girl,
'Although sufficient dull for twenty saints!
'I think thou mock'st me and my house,' she said;
'Confess thou'lt be a mother in a month,
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Market Square Heroes
(derek dick, mark kelly, steve rothery, peter trewavas, michael pointer, brian jellyman, diz minnett)
I found smog at the end of my rainbow
I found my thoughts shift slowly into phase
Declared the constitution of the walkway
I realise its time to plan the day, the day
Im a market square hero gathering the storms to troop
Cause Im a market square hero speeding the beat of the streetpulse
Are you following me, are you following me?
Well suffer my pretty warriors and follow me
I got a golden handshake that nearly broke my arm
I left the ranks of shuffling graveyard people
I got rust upon my hands from the padlocked factory gates
Silent chimneys provide the silent steeples
Cause Im a market square hero gathering the storms to troop
Cause Im a market square hero speeding the beat of the streetpulse, the streetpulse
Are you following me? are you following me?
Well suffer my pretty children and follow me, follow me
Change, change, change!
Change, change, change!
I am your antichrist show me allegiance
Are you following me
I am your antichrist pledge to me defiance
Are you following me
Suffer my pretty warriors
Suffer my fallen child
Are you following me
The time has come to conquer and Ill provide your end
Suffer!
We march!
I give peace signs when I wage war in the disco
Im the warrior in the ultra violet haze
Armed with antisocial insecurity
I plan the path of destiny from this maze
Cause Im a market square hero gathering the storms to troop
Cause Im a market square hero speeding the beat of the streetpulse, the streetpulse
Are you following me? are you following me?
Well suffer my fallen angels and follow me
Im the market square hero
Im the market square hero
Were market square heroes
Were the market square heroes
Are you following me?
Im the market square hero!
song performed by Marillion
Added by Lucian Velea
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Winter Song
Turn to me with frozen lips
Your hands are icy cold
Your eyes burn bright
Against the frost lit sky
You never seemed more lovely than you do tonight
Pale on the horizon
Like leaves frozen in the snow
Two bodies merging seperately
Time stands still
If its pierced with cold
Chorus:
The moonlight hears
The moonlight knows
Whats simple is true
And I love you
Theres a warmth in my heart
It haunts me when youre gone
Mend me to your side
And never let go
Time knows nothing
Well never grow cold
The moonlight hears
The moonlight knows
Whats simple is true
And I love you
The twilight descends
On our sillouhettes
How soon spring comes
How soon spring forgets
I wanna stop time
Say itll never begin
Old man winter be our friend
Old man winter be our friend
The moonlight hears
The moonlight knows
Whats simple is true
Whats simple is true
And I love you
---------------
October 97 version
Turn to me with frozen lips
Your hands are icy cold
Your eyes so blue
Against the frost lit sky
You never looked more lovely than you do tonight
Pale on the horizon
Like leaves frozen in the snow
Two shadows merging seperately
Time stands still
Its pierced with cold
[...] Read more
song performed by Jewel
Added by Lucian Velea
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Drawing a Purple Blank Verse after Gelett BURGESS Purple Cow
DRAWING A PURPLE BLANK VERSE
Kindly refer to notes
I've never cowed to purple prose
know now I'll never write it,
for anyhow true writer knows
hand stretched finds critics bite it.
I've never wowed, and goodness knows
hacks lack the knack of versing,
won't bow, kowtow to backhand blows,
preferring role reverse_sing.
Ah, yes, I wrote on purple prose,
yet can't regret I penned it,
one far prefers rhyme's timeless flows,
no blush need rush defend it.
10 February 2009
robi03_1856_burg01_0001 PWX_IXX
Parody Gelett BURGESS The Purple Cow
Author notes
For original and variations on a theme see bekiw
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THE PURPLE COW
I never saw a Purple Cow,
I never hope to see one,
But I can tell you anyhow,
I’d rather see than be one.
Gelett BURGESS 1866_1951
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CONFESSION
Ah, yes! I wrote the « Purple Cow » -
I’m Sorry, now, I Wrote it,
But I can Tell you Anyhow
I’ll Kill you if you Quote it.
Gelett BURGESS 1866_1951
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A Perfect Woman
[...] Read more
poem by Jonathan Robin
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The Purple Cow Parodies
Gelett Burgess' original poem…
A Purple Cow
I never saw a Purple Cow,
I never hope to see one;
But I can tell you, anyhow,
I'd rather see than be one.
Poem parodied in the
style of…
John Milton
Hence, vain, deluding cows.
The herd of folly, without colour bright,
How little you delight,
Or fill the Poet's mind, or songs arouse!
But, hail! thou goddess gay of feature!
Hail divinest purple creature!
Oh, Cow, thy visage is too bright
To hit the sense of human sight.
And though I'd like, just once, to see thee
I never, never, never'd be thee!
Percy Bysshe Shelley
Hail to thee, blithe spirit!
Cow thou never wert;
But in life to cheer it
Playest thy full part
In purple lines of unpremeditated art.
The pale purple colour
Melts around thy sight
Like a star, but duller,
In the broad daylight.
I'd see thee, but I would not be thee if I might.
We look before and after
At the cattle as they browse;
Our most hearty laughter
Something sad must rouse.
Our sweetest songs are those that tell of Purple Cows.
[...] Read more
poem by Carolyn Wells
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