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Regarding comments attributed to me in the Los Angeles Times - allegedly made on a bus trip from Germany to Holland in 1998 - I emphatically denounce such comments as false.

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Octavio Paz

Piedra de Sol

La treizième revient...c’est encor la première;
et c’est toujours la seule-ou c’est le seul moment;
car es-tu reine, ô toi, la première ou dernière?
es-tu roi, toi le seul ou le dernier amant?
Gérard de Nerval, Arthèmis
Un sauce de cristal, un chopo de agua,
un alto surtidor que el viento arquea,
un árbol bien plantado mas danzante,
un caminar de río que se curva,
avanza, retrocede, da un rodeo
y llega siempre:
un caminar tranquilo
de estrella o primavera sin premura,
agua que con los párpados cerrados
mana toda la noche profecías,
unánime presencia en oleaje,
ola tras ola hasta cubrirlo todo,
verde soberanía sin ocaso
como el deslumbramiento de las alas
cuando se abren en mitad del cielo,
un caminar entre las espesuras
de los días futuros y el aciago
fulgor de la desdicha como un ave
petrificando el bosque con su canto
y las felicidades inminentes
entre las ramas que se desvanecen,
horas de luz que pican ya los pájaros,
presagios que se escapan de la mano,

una presencia como un canto súbito,
como el viento cantando en el incendio,
una mirada que sostiene en vilo
al mundo con sus mares y sus montes,
cuerpo de luz filtrado por un ágata,
piernas de luz, vientre de luz, bahías,
roca solar, cuerpo color de nube,
color de día rápido que salta,
la hora centellea y tiene cuerpo,
el mundo ya es visible por tu cuerpo,
es transparente por tu transparencia,

voy entre galerías de sonidos,
fluyo entre las presencias resonantes,
voy por las transparencias como un ciego,
un reflejo me borra, nazco en otro,
oh bosque de pilares encantados,
bajo los arcos de la luz penetro
los corredores de un otoño diáfano,

voy por tu cuerpo como por el mundo,

[...] Read more

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Los Angeles

City of glam, city of crime
People are fake, you're no friend of mine
Club fights, dancing through the night
We're kids living the dream under the lights

We're in Los Angeles
Dancing through the night in Los Angeles
Hollywood trash in Los Angeles
Being ourselves in Los Angeles
Never losing Los Angeles

City of High, city of low
Selling drugs, we're losing our souls
Walking the strip with one goal
We're gonna live our dream, no one can stop us all

We're in Los Angeles
Dancing through the night in Los Angeles
Hollywood trash in Los Angeles
Being ourselves in Los Angeles
Never losing Los Angeles

Girls in my world
Music in my ears
Pain in my tears
Rock in my veins
Nothing in my brain
I think i'm going insane
That's all i need in Los Angeles


We're in Los Angeles
Dancing through the night in Los Angeles
Hollywood trash in Los Angeles
Being ourselves in Los Angeles
Never losing Los Angeles


We're in Los Angeles
Dancing through the night in Los Angeles
Hollywood trash in Los Angeles
Being ourselves in Los Angeles
Never losing Los Angeles

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Los Angeles

I met a man
He was a good man
Sailing and shoring
Dancing the beta can-can
Making me foreign
Oh yeah
I want to live in los angeles
Not the one in los angeles
No, not the one in south california
The got one in south patagonia
I want to live in los angeles
Not the one in los angeles
They got a bunch down in moleville
They got a bunch more still
I want to live in los angeles
Not the one is los angeles
They got one in twenty-five two five
Works just like a beehive
I want to live in los angeles
Not the one in los angeles
Counting helicopters on a saturday night
The symphony of the fair light
I hear them saying los angeles
In all the black and white movies
And if you think they star-spangled us
How come we say los angeleez?
Ill wait in los angeles
Ill wait in the pouring sun
No way
For not anyone
No way
I met a man
He was a good man
Sailing and shoring
He got a betatron, man
Talking that foreign
Oh yeah
Ill wait in los angeles
Ill wait in the pouring sun
No way
For not anyone
No way

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Cesar Vallejo

Himno A Los Voluntarios De La República

Voluntario de España, miliciano
de huesos fidedignos, cuando marcha a morir tu corazón,
cuando marcha a matar con su agonía
mundial, no sé verdaderamente
qué hacer, dónde ponerme; corro, escribo, aplaudo,
lloro, atisbo, destrozo, apagan, digo
a mi pecho que acabe, al que bien, que venga,
y quiero desgraciarme;
descúbrome la frente impersonal hasta tocar
el vaso de la sangre, me detengo,
detienen mi tamaño esas famosas caídas de arquitecto
con las que se honra el animal que me honra;
refluyen mis instintos a sus sogas,
humea ante mi tumba la alegría
y, otra vez, sin saber qué hacer, sin nada, déjame,
desde mi piedra en blanco, déjame,
solo,
cuadrumano, más acá, mucho más lejos,
al no caber entre mis manos tu largo rato extático,
quiebro con tu rapidez de doble filo
mi pequeñez en traje de grandeza!

Un día diurno, claro, atento, fértil
¡oh bienio, el de los lóbregos semestres suplicantes,
por el que iba la pólvora mordiéndose los codos!
¡oh dura pena y más duros pedernales!
!oh frenos los tascados por el pueblo!
Un día prendió el pueblo su fósforo cautivo, oró de cólera
y soberanamente pleno, circular,
cerró su natalicio con manos electivas;
arrastraban candado ya los déspotas
y en el candado, sus bacterias muertas...

¿Batallas? ¡No! Pasiones. Y pasiones precedidas
de dolores con rejas de esperanzas,
de dolores de pueblos con esperanzas de hombres!
¡Muerte y pasión de paz, las populares!

¡Muerte y pasión guerreras entre olivos, entendámosnos!
Tal en tu aliento cambian de agujas atmosféricas los vientos
y de llave las tumbas en tu pecho,
tu frontal elevándose a primera potencia de martirio.

El mundo exclama: '¡Cosas de españoles!' Y es verdad.
Consideremos,
durante una balanza, a quema ropa,
a Calderon, dormido sobre la cola de un anfibio muerto
o a Cervantes, diciendo: 'Mi reino es de este mundo, pero
también del otro': ¡punta y filo en dos papeles!
Contemplemos a Goya, de hinojos y rezando ante un espejo,

[...] Read more

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Me Da Igual

Me da igual, me da igual
Que me hablen de la vida
O de la muerte tambin
Me da igual, me da igual
que me hablen de los buenos
O de los malos tambin. . . .
Se acabaron los refuerzos
De una guerra siempre injusta
Hoy slo quedan los desechos de las almas justas
Se acabaron los amigos
Se acabaron los vecinos
Hoy slo quedan los sucesos de los asesinos
coro:
Me da igual, me da igual
Que me hablen de la vida
O de la muerte tambin
Me da igual, me da igual
Que me hablen de los buenos
O de los malos tambin. . . .
Se acabaron los valores
De la sangre y del pota
Hoy slo quedan los residuos de una patria muerta
Ya acabaron con el mundo
Ya acabaron con los hijos
Hoy solo quedan los recuerdos de los aos vivos
coro (X2)
Me da igual, me da igual
Que me hablen de la vida
O de la muerte tambin
Me da igual, me da igual
Que ma hablen de los buenos
O de los malos tambin
Me da igual, me da igual
Me da igual, me da igual
Que me hablen de la vida
O de la muerte tambin
Se acabaron los refuerzos
De una guerra siempre injusta
Hoy slo quedan los desechos de las almas justas
Se acabaron los amigos
Se acabaron los vecinos
Hoy slo quedan los sucesos de los asesinos
Me da igual, me da igual
Que ma hablen de los buenos
O de los malos tambin

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Magic Bus

Every day I get in the queue (too much, magic bus)
To get on the bus that takes me to you (too much, magic bus)
Im so nervous, I just sit and smile (too much, magic bus)
You house is only another mile (too much, magic bus)
Thank you, driver, for getting me here (too much, magic bus)
Youll be an inspector, have no fear (too much, magic bus)
I dont want to cause no fuss (too much, magic bus)
But can I buy your magic bus? (too much, magic bus)
Nooooooooo!
I dont care how much I pay (too much, magic bus)
I wanna drive my bus to my baby each day (too much, magic bus)
I want it, I want it, I want it, I want it ... (you cant have it!)
Thruppence and sixpence every day
Just to drive to my baby
Thruppence and sixpence each day
cause I drive my baby every way
Magic bus, magic bus, magic bus ...
I said, now Ive got my magic bus (too much, magic bus)
I said, now Ive got my magic bus (too much, magic bus)
I drive my baby every way (too much, magic bus)
Each time I go a different way (too much, magic bus)
I want it, I want it, I want it, I want it ...
Every day youll see the dust (too much, magic bus)
As I drive my baby in my magic bus (too much, magic bus)

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William Blake

The Book of Urizen

PRELUDIUM TO THE [FIRST] BOOK OF URIZEN

Of the primeval Priests assum'd power,
When Eternals spurn'd back his religion;
And gave him a place in the north,
Obscure, shadowy, void, solitary.
Eternals I hear your call gladly,
Dictate swift winged words, & fear not
To unfold your dark visions of torment.


Chap: I

1. Lo, a shadow of horror is risen
In Eternity! Unknown, unprolific!
Self-closd, all-repelling: what Demon
Hath form'd this abominable void
This soul-shudd'ring vacuum? — Some said
"It is Urizen", But unknown, abstracted
Brooding secret, the dark power hid.

2. Times on times he divided, & measur'd
Space by space in his ninefold darkness
Unseen, unknown! changes appeard
In his desolate mountains rifted furious
By the black winds of perturbation

3. For he strove in battles dire
In unseen conflictions with shapes
Bred from his forsaken wilderness,
Of beast, bird, fish, serpent & element
Combustion, blast, vapour and cloud.

4. Dark revolving in silent activity:
Unseen in tormenting passions;
An activity unknown and horrible;
A self-contemplating shadow,
In enormous labours occupied

5. But Eternals beheld his vast forests
Age on ages he lay, clos'd, unknown
Brooding shut in the deep; all avoid
The petrific abominable chaos

6. His cold horrors silent, dark Urizen
Prepar'd: his ten thousands of thunders
Rang'd in gloom'd array stretch out across
The dread world, & the rolling of wheels
As of swelling seas, sound in his clouds
In his hills of stor'd snows, in his mountains

[...] Read more

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She Went To Germany

What you gonna do?
What you gonna do?
What you gonna do on your vacation?
What you gonna do?
What you gonna do?
What you gonna do for relaxation?
Change you name?
Cut your hair?
You can go anywhere.
You deserve some fun and rest.
You deserve the very best.
She went to germany.
Went there without me.
She went to germany.
Left me in misery.
She went to germany.
Gots some style insanity.
She went to germany.
Left me in disharmony.
Why you gonna do?
Why you gonna do?
Why you gonna do that to me baby?
Are you telling me were thru?
Are you telling me were thru?
Are you telling me were thru or is it maybe,
Just another declaration of some female independence,
Or another proclamation to some male friends in attendance.
She went to germany.
Went there without me.
She went to germany.
Left me in misery.
She went to germany.
Gots some style insanity.
She went to germany.
Left me in disharmony.
She eating wurst.
Shes drinking beer.
She loves a crowd, thats what I hear.
She went to germany.
Went there without me.
She went to germany.
Left me in misery.
She went to germany.
Gots some style insanity.
She went to germany.
Left me in disharmony.
She went to germany.
Went there without me.
She went to germany.
Left me in insanity.

[...] Read more

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Crepusculo 3

Junto a la cuna aún no está encendida
la lámpara tibia, que alegra y reposa,
y se filtra opaca, por entre cortinas
de la tarde triste la luz azulosa.
Los niños cansados suspenden los juegos,
de la calle vienen extraños ruïdos,
en estos momentos, en todos los cuartos,
se van despertando los duendes dormidos.
La sombra que sube por los cortinajes,
para los hermosos oyentes pueriles,
se puebla y se llena con los personajes
de los tenebrosos cuentos infantiles.
Flota en ella el pobre Rin Rin Renacuajo,
corre y huye el triste Ratoncito Pérez,
y la entenebrece la forma del trágico
Barba Azul, que mata sus siete mujeres.
En unas distancias enormes e ignotas,
que por los rincones oscuros suscita,
andan por los prados el Gato con Botas,
y el Lobo que marcha con Caperucita.
Y, ágil caballero, cruzando la selva,
do vibra el ladrido fúnebre de un gozque,
a escape tendido va el Príncipe Rubio
a ver a la Hermosa Durmiente del Bosque.

Del infantil grupo se levanta leve
argentada y pura, una vocecilla,
que comienza: 'Entonces se fueron al baile
y dejaron sola a la Cenicentilla!
Se quedó la pobre triste en la cocina,
de llanto de pena nublados los ojos,
mirando los juegos extraños que hacían
en las sombras negras los carbones rojos.
Pero vino el Hada que era su madrina,
le trajo un vestido de encaje y crespones,
le hizo un coche de oro de una calabaza,
convirtió en caballos unos seis ratones,
le dio un ramo enorme de magnolias
[húmedas,
unos zapaticos de vidrio, brillantes,
y de un solo golpe de la vara mágica
las cenizas grises convirtió en diamantes!'

Con atento oído las niñas la escuchan,
las muñecas duermen, en la blanda alfombra
medio abandonadas, y en el aposento
la luz disminuye, se aumenta la sombra!

¡Fantásticos cuentos de duendes y hadas,
llenos de paisajes y de sugestiones,

[...] Read more

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William Blake

Book the First

Daughters of Beulah! Muses who inspire the Poet’s Song,
Record the journey of immortal Milton thro’ you Realms
Of terror & mild moony luster, in soft sexual delusions
Of varied beauty, to delight the wanderer and repose
His burning thirst & descending down the Nerves of my right arm
From out the Portals of my Brain, where by your ministry
The Eternal Great Humanity Divine planted his Paradise,
And in it caus’d the Spectres of the Dead to take sweet forms
In likeness of himself. Tell also of the False Tongue! vegetated
Beneath your land of shadows, of its sacrifices and
Its offerings, even till Jesus, the image of the Invisible God,
Became its prey – a curse, an offering and an atonement
For Death Eternal in the heavens of Albion, & before the Gates
Of Jerusalem his Emanation, in the heavens beneath Beulah.

Say first! what mov’d Milton, who walk’d about in Eternity
One hundred years, pond’ring the intricate mazes of Providence,
Unhappy tho’ in heav’n – he obey’d, he murmur’d not, he was silent
Viewing his Sixfold Emanation scatter’d thro’ the deep
In torment – To go into the deep, her to redeem & himself perish?
What cause at length mov’d Milton to this unexampled deed?
A Bard’s prophetic Song! for sitting at eternal tables,
Terrific among the Sons of Albion in chorus solemn & loud,
A Bard broke forth! all sat attentive to the awful man.

* * *

Then Milton rose up form the heavens of Albion ardorous.
The whole Assembly wept prophetic, seeing in Milton’s face
And in his lineaments divine the shades of Death & Ulro.
He took off the robe of the promise, & ungirded himself from the oath of God.
And Milton said: ‘I go to Eternal Death! The Nations still
Follow after the detestable Gods of Priam, in pomp
Of warlike selfhood, contradicting and blaspheming.
When will the Resurrection come to deliver the sleeping body
From corruptibility? O when, Lord Jesus, wilt thou come?
Tarry no longer, for my soul lies at the gates of death.
I will arise and look forth for the morning of the grave;
I will go down to the sepulcher to see if morning breaks;
I will go down to self annihilation and eternal death,
Lest the Last Judgment come & find me unannihilate,
And I be seiz’d & giv’n into the hands of my own Selfhood.
The Lamb of God is seen thro’ mists & shadows, hov’ring
Over the sepulchers in clouds of Jehovah & winds of Elohim,
A disk of blood, distant; & heav’ns & earths roll dark between.
What do I here before the Judgment? without my Emanation?
With the daughters of memory & not with the daughters of inspiration?
I in my Selfhood am that Satan; I am that Evil One!
He is my Spectre! In my obedience to loose him from my Hells,
To claim the Hells, my Furnaces, I go to Eternal Death.’

[...] Read more

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Rembrandt to Rembrandt

(AMSTERDAM, 1645)


And there you are again, now as you are.
Observe yourself as you discern yourself
In your discredited ascendency;
Without your velvet or your feathers now,
Commend your new condition to your fate,
And your conviction to the sieves of time.
Meanwhile appraise yourself, Rembrandt van Ryn,
Now as you are—formerly more or less
Distinguished in the civil scenery,
And once a painter. There you are again,
Where you may see that you have on your shoulders
No lovelier burden for an ornament
Than one man’s head that’s yours. Praise be to God
That you have that; for you are like enough
To need it now, my friend, and from now on;
For there are shadows and obscurities
Immediate or impending on your view,
That may be worse than you have ever painted
For the bewildered and unhappy scorn
Of injured Hollanders in Amsterdam
Who cannot find their fifty florins’ worth
Of Holland face where you have hidden it
In your new golden shadow that excites them,
Or see that when the Lord made color and light
He made not one thing only, or believe
That shadows are not nothing. Saskia said,
Before she died, how they would swear at you,
And in commiseration at themselves.
She laughed a little, too, to think of them—
And then at me.… That was before she died.

And I could wonder, as I look at you,
There as I have you now, there as you are,
Or nearly so as any skill of mine
Has ever caught you in a bilious mirror,—
Yes, I could wonder long, and with a reason,
If all but everything achievable
In me were not achieved and lost already,
Like a fool’s gold. But you there in the glass,
And you there on the canvas, have a sort
Of solemn doubt about it; and that’s well
For Rembrandt and for Titus. All that’s left
Of all that was is here; and all that’s here
Is one man who remembers, and one child
Beginning to forget. One, two, and three,
The others died, and then—then Saskia died;
And then, so men believe, the painter died.

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The Bus to Nevermore

The snow lay deep on the countryside
When they left to catch the bus,
Heading out to Milwaukee, first
They left New York in their dust,
The guys were happy and laughing then
To be off on the winter tour,
The pickers picked and the jokers joked
On the bus to Nevermore.

They'd had a couple of hits or three
And they'd topped the charts with one,
The kids were mad for their rock 'n roll
At each auditorium,
The towns they travelled were tiny towns
But the audiences roared,
They rocked Kenosha, then headed out
On the bus to Nevermore.

The heater failed and the bus, it froze
And the smiles then died away,
They huddled up in the cold and dark
But they played each town by day,
They switched their buses, more than once
When the diesel ceased its roar,
But every bus in its turn was just
The bus to Nevermore.

The bus broke down on a lonely road
As the snow fell through the night,
The fields were a winter wonderland
But the cold began to bite,
By the time that a roving patrolman
Found the bus, they were more than sore,
The drummer suffered from frostbite
On the bus to Nevermore.

The tour was running in circles
From Wisconsin to Iowa,
To Minnesota and back again
But nobody seemed to care,
Except the fellows that rode the bus,
Each day they cursed and swore,
'This bus is part of the Devil's fleet!
The bus to Nevermore.'

Tired and dirty and cold they drove
To Appleton, Green Bay,
Then overnight they had huddled up
For the trip to Clear Lake,
They played the show in their crumpled clothes

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William Blake

Book the Second

Thou hearest the Nightingale begin the Song of Spring.
The Lark sitting upon his earthly bed, just as the morn
Apears, listens silent; then springing from the waving Corn-field loud
He leads the Choir of Day! trill, thrill, thrill, trill,
Mounting upon the wings of light into the great Expanse,
Reechoing against the lovely blue & shining heavenly Shell.
His little throat labours with inspiration; every feather
On throat & breast & wings vibrates with the effluence Divine.
All Nature listens silent to him, & the awful Sun
Stands still upon the Mountain looking on this little Bird
With eyes of soft humility & wonder, love & awe.
Then loud from their green covert all the Birds begin their Song:
The Thrush, the Linnet & the Goldfinch, Robin & the Wren
Awake the Sun from his sweet reverie upon the Mountain;
The Nightingale again assays his song, & thro’ the day
And thro’ the night warbles luxuriant, every Bird of Song
Attending his loud harmony with admiration & love.
This is a Vision of the lamentation of Beulah over Ololon.

Thou perceivest the Flowers put forth their precious Odours,
And none can tell how form so small a center comes such sweets,
Forgetting that within that Center Eternity expends
Its ever during doors that Og & Anak fiercely guard.
First, e’er the morning breaks, joy opens in the flowery bosoms,
Joy even to tears, which the
Sun rising dries; first the Wild Thyme
And Meadow-sweet, downy & soft, waving among the reeds,
Light springing on the air, lead the sweet Dance: they wake
The Honeysuckle sleeping on the Oak; the flaunting beauty
Revels along upon the wind; the White-thorn, lovely May,
Opens her many lovely eyes; listening the Rose still sleeps –
None dare to wake her; soon she bursts her crimson curtain’d bed
And comes forth in the majesty of beauty; every Flower,
The Pink, the Jessamine, the Wall-flower, the Carnation,
The Jonquil, the mild Lilly opes her heavens; every Tree
And Flower & Herb soon fill the air with an innumberable Dance,
Yet all in order sweet & lovely. Men are sick with Love.
Such is a Vision of the Lamentation of Beulah over Ololon.
And Milton oft sat upon the Couch of Death, & oft conversed
In vision & dream beatific with the Seven Angels of the Presence:
I have turned my back upon these Heavens builded on cruelty.
My Spectre still wandering thro’ them follows my Emanation;
He hunts her footsteps thro’ the snow & the wintry hail & rain.
The idiot Reasoner laughs at the Man of Imagination,
And from laughter proceeds o murder by undervaluing calumny.’
Then Hillel, who is Lucifer, replied over the Couch of Death,
And thus the Seven angels instructed him, & thus they converse:
‘We are not Individuals but States, Combinations of Individuals.
We were Angels of the Divine Presence, & were Druids in Annandale,
Compell’d to combine into Form by Satan, the Spectre of Albion,

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Tu

Tu tienes el poder de transformar la realidad
solo tienes que tratar de hacer creer a los demas
que la imaginacion es el poder para crear
para traspasar los limites
y las fronteras ..
En el mundo de los suenos es real
en el mundo de los suenos tu y yo
Tu tienes el poder de transformar la realidad
solo tienes que tratar de hacer creer a los demas
que la imaginacion es el poder para crear
para traspasar los limites
y las fronteras ..
En el mundo de los suenos es real
en el mundo de los suenos tu y yo..
En los suenos tu, en los suenos yo
En los suenos tu, en los suenos yo
en los suenos tu y yo..

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Realidad (Silva)

En el dulce reposo de la tarde
cuando al ponerse el sol en occidente
su luz dorada, de la vida fuente,
como una hoguera en los espacios arde,
o de la noche en el silencio umbrío
cuando la luna con fulgor de plata
alumbra a trechos el sonante río
y en sus límpidas ondas se retrata,
entre las sombras de la vida hay horas
en que la realidad que nos circuye
a detener el ímpetu no alcanza
de nuestra alma que a lo lejos huye
y a la región de lo ideal se lanza...

Y entonces cuando pienso en tus amores
nuestras dos vidas deslizarse veo
no cual la realidad que aja sus flores
sino cual la ilusión de tu deseo.
No por las conveniencias separados,
soñando tú conmigo, yo en tus sueños,
sino juntos los dos en los collados
de la Arcadia risueños;
asidos por las manos a lo lejos
buscando el fin de la campiña amena
a los pálidos rayos de la luna.
O del ardiente sol a los reflejos,
dejando transcurrir una por una
las no contadas horas venturosas
que no mancha la sombra de una pena
libando amor... y deshojando rosas...
Del verdor y del musgo en lo sombrío
ocultos en lo ignoto del boscaje
radiante aún de gotas de rocío
de virgen fuerza y de vigor salvaje;
sentados a la orilla del torrente
tú escuchando los ecos del follaje
yo acariciando —trémula la mano—
tus rizos al caer sobre tu frente...


Otras veces trayendo a la memoria
los fantasmas de un tiempo ya pasado
junto con ellos cual sencilla historia
los ideales de tu amor soñado.
Y es entonces un gótico castillo
de altivas torres de musgosas piedras
en cuyo muro gris crecen las hiedras
teatro de nuestro amor santificado.

Y en reducida y perfumada estancia

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Misiva Para La Oscuridad Como Una Vocación, William Hawkins En Mente

-¿Cómo lo representan, a su gran
dolor ahora,
incluso un rincón de ella?

Tal vez
que se forja en adelante, encontrar una
foto, un caballo
a la pintura, como en la película,

luego a sí mismo ocupado con la realización
de ella, entonces ver cómo la barriga es demasiado,
tiene que ser diluido, una pata de nuevo
recortada a la medida,
una convulsión breve de los ojos y la pintura
depende de las manos,
un problema monumental que hace que corregir,
o por lo menos, las perspectivas de sufrimiento de uno mismo
en medio, en contra,

o, en el
dientes de las preocupaciones diarias
asumido como máxima forma,

da comentario visual,
respuesta en una imagen del caballo
pintada en deshacerse de la madera,
patio trasero de la ruina un uso correcto
con amabilidad extendido en
la garra del martillo, los cuervos cerca
la puerta de barrotes, y, con los medicamentos
proporcionar límite a los descensos embotamiento,
usted puede encontrar una vez más que el deseo de sumergirse
más / más profundo, aún más profundo, en el lodo
y la magia de los días más cortos
da en invierno, en las largas noches
generosamente vertido sin
parte de control sobre el ser humano.

Hawkins, un anciano de la tribu americana, usados,
no, suavizado de los bordes aparentemente fortificada,
la visión de fortalecer y metal, pintado,
trabajado los objetos de la creación artística,
se ocupó de los familiares de edad,
y las manchas alusivas,
sirviendo ahora y antes que
ancestralmente tomarán parte de su ofrenda,
lugar / curado en su contemplación,
matizada en muestra de nube,
franja de tierra se desplomó.

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Byron

English Bards and Scotch Reviewers: A Satire

'I had rather be a kitten, and cry mew!
Than one of these same metre ballad-mongers'~Shakespeare

'Such shameless bards we have; and yet 'tis true,
There are as mad, abandon'd critics too,'~Pope.


Still must I hear? -- shall hoarse Fitzgerald bawl
His creaking couplets in a tavern hall,
And I not sing, lest, haply, Scotch reviews
Should dub me scribbler, and denounce my muse?
Prepare for rhyme -- I'll publish, right or wrong:
Fools are my theme, let satire be my song.

O nature's noblest gift -- my grey goose-quill!
Slave of my thoughts, obedient to my will,
Torn from thy parent bird to form a pen,
That mighty instrument of little men!
The pen! foredoom'd to aid the mental throes
Of brains that labour, big with verse or prose,
Though nymphs forsake, and critics may deride,
The lover's solace, and the author's pride.
What wits, what poets dost thou daily raise!
How frequent is thy use, how small thy praise!
Condemn'd at length to be forgotten quite,
With all the pages which 'twas thine to write.
But thou, at least, mine own especial pen!
Once laid aside, but now assumed again,
Our task complete, like Hamet's shall be free;
Though spurn'd by others, yet beloved by me:
Then let us soar today, no common theme,
No eastern vision, no distemper'd dream
Inspires -- our path, though full of thorns, is plain;
Smooth be the verse, and easy be the strain.

When Vice triumphant holds her sov'reign sway,
Obey'd by all who nought beside obey;
When Folly, frequent harbinger of crime,
Bedecks her cap with bells of every clime;
When knaves and fools combined o'er all prevail,
And weigh their justice in a golden scale;
E'en then the boldest start from public sneers,
Afraid of shame, unknown to other fears,
More darkly sin, by satire kept in awe,
And shrink from ridicule, though not from law.

Such is the force of wit! but not belong
To me the arrows of satiric song;
The royal vices of our age demand
A keener weapon, and a mightier hand.

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Orlando Furioso Canto 9

ARGUMENT
So far Orlando wends, he comes to where
He of old Proteus' hears the cruel use
But feels such pity for Olympia fair,
Wronged by Cymosco, who in prison mews
Her plighted spouse, that ere he makes repair
Further, he gives her hope to venge the abuse:
He does so, and departs; and with his spouse
Departs Bireno, to repeat his vows.

I
What cannot, when he has a heart possess'd
This false and cruel traitor Love? since he
Can banish from Orlando's faithful breast
Such tried allegiance and due loyalty?
Wise, full of all regards, and of the blest
And glorious church the champion wont to be,
Now, little for himself or uncle, driven
By a vain love, he cares, and less for heaven.

II
But I excuse him well, rejoiced to know
I have like partner in my vice: for still
To seek my good I too am faint and slow,
But sound and nimble in pursuit of ill.
The count departs, disguised in sable show,
Nor for so many friends, with froward will,
Deserted cares; and comes where on the plain
Are camped the hosts of Afric and of Spain;

III
Rather uncamped: for, in less troops or more,
Rains under shed and tree had driven the band.
Here ten, there twenty, seven or eight, or four,
Near or further off, Orlando scanned.
Each sleeps, oppressed with toil and wearied sore;
This stretched on earth, that propped upon his hand:
They sleep, and many might the count have slain,
Yet never bared his puissant Durindane.

IV
So generous is Orlando's heart, he base
Esteems it were to smite a sleeping foe.
Now this he seeks, and now that other place;
Yet cannot track his lady, high or low.
If he finds any one in waking case,
Sighing, to him he paints her form and show;
Then prays him that for courtesy, he where
The damsel is, will reach him to repair.

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Fitration Bags

2.5 gallon shopvac bags
1995 ktm 400 rxc hard bags
2006 black leather prada bags list
24 x 36 shrink bags
18 x 9 padded bag
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20lb bag parrot food
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2001 explorer air bag light flashes
3rd street sissy bar bag
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12x18 carry bag
1001 grab bag ideas
2000 explorer air bag light flashing
15,000 cfm used bag dustcollector
12 lb turkey recipies in bag
14.1 laptop messenger bags
3306 plan tackle bag
10 pound bag of endives yield
4 mil zip bags
$2 grab bag nsd
1970s bean bag
18th century shooting bags
48 superman bop bag
2006 kawasaki ninja 250r bags
1976 electra glide saddle bags
1940 s english aoutomobiles gas bags
40 lb bag of cement
07 cr-v safety bag plastic pillar
2 gauge ear plug grab bag
1998 saturn sl2 air bag module
40 degree helix sleeping bag
3x4 organza gift bags
3 bags full consignment
2000 mercedes air bag problem
2ply snap handle bag
1987 bmw k75s saddle bags
2003 bozo desktop bop bag
135 approved electronic flight bag
2005 toyota matrix side air bags
2006 bag gucci spring
3 insulated sleeping bags
4in bag ice one
2008 street bob hard bags
45 micron bag
250 ninja nelson-rigg saddle bag
24 wheeled garment bag
1996 lincoln continental air bag suspension
2006 aka boule bag
400d horn bag

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Los maderos de San Juan

¡Aserrín!
¡Aserrán
Los maderos de San Juan,
Piden queso, piden pan,
Los de Roque
Alfandoque,
Los de Rique
Alfeñique
¡Los de triqui, triqui, tran!

Y en las rodillas duras y firmes de la Abuela,
Con movimiento rítmico se balancea el niño
Y ambos agitados y trémulos están,
La abuela se sonríe con maternal cariño
Mas cruza por su espíritu como un temor extraño
Por lo que en lo futuro, de angustia y desengaño
Los días ignorados del nieto guardarán.

Los maderos de San Juan
Piden queso, piden pan.
¡Triqui, triqui,
triqui, tran!

Esas arrugas hondas recuerdan una historia
De sufrimientos largos y silenciosa angustia
Y sus cabellos, blancos, como la nieve, están.
De un gran dolor el sello marcó la frente mustia
Y son sus ojos turbios espejos que empañaron
Los años, y que, ha tiempos, las formas reflejaron
De cosas y de seres que nunca volverán.

Los de Roque, alfandoque
¡Triqui, triqui, triqui, tran!

Mañana cuando duerma la Anciana, yerta y muda,
Lejos del mundo vivo, bajo la oscura sierra,
Donde otros, en la sombra, desde hace tiempo están
Del nieto a la memoria, con grave son que encierra
Todo el poema triste de la remota infancia
Cruzando por las sombras del tiempo y la distancia
De aquella voz querida las notas vibrarán!

Los de Rique, alfeñique
¡Triqui, triqui, triqui, tran!

Y en tanto en las rodillas cansadas de la Abuela
Con movimiento rítmico se balancea el niño
Y ambos conmovidos y trémulos están,
La Abuela se sonríe con maternal cariño
Mas cruza por su espíritu como un temor extraño

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