Mournful and yet grand is the destiny of the artist.
quote by Franz Liszt
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The mother and the artist
A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of wonderfully emollient freshness; every
unfurling instant of impregnably magnificent existence,
A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of spellbindingly undefeated innocence; every
unfurling instant of symbiotically pristine existence,
A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of timelessly unconquerable truth; every unfurling
instant of bounteously magnanimous existence,
A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of unfathomably unfettered creativity; every
unfurling instant of timelessly burgeoning existence,
A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of royally triumphant resplendence; every
unfurling instant of unconquerably majestic existence,
A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of eternally exhilarating vivaciousness; every
unfurling instant of redolently insuperable existence,
A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of unbelievably ameliorating optimism; every
unfurling instant of marvelously benign existence,
A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of brilliantly liberated camaraderie; every
unfurling instant of iridescently inscrutable existence,
A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of unshakably virgin righteousness; every
unfurling instant of beautifully untainted existence,
A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of uninhibitedly heavenly frolic; every unfurling
instant of tantalizingly sensuous existence,
A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of compassionately humanitarian friendship; every
unfurling instant of magically mitigating existence,
A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of miraculously everlasting freshness; every
unfurling instant of invincibly coalescing existence,
A mother might bear just a single child in 9 months; but an artist blossoms
into an infinite children of pricelessly ubiquitous oneness; every unfurling
[...] Read more
poem by Nikhil Parekh
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Evangeline: A Tale of Acadie
This is the forest primeval. The murmuring pines and the hemlocks,
Bearded with moss, and in garments green, indistinct in the twilight,
Stand like Druids of eld, with voices sad and prophetic,
Stand like harpers hoar, with beards that rest on their bosoms.
Loud from its rocky caverns, the deep-voiced neighboring ocean
Speaks, and in accents disconsolate answers the wail of the forest.
This is the forest primeval; but where are the hearts that beneath it
Leaped like the roe, when he hears in the woodland the voice of the huntsman
Where is the thatch-roofed village, the home of Acadian farmers,--
Men whose lives glided on like rivers that water the woodlands,
Darkened by shadows of earth, but reflecting an image of heaven?
Waste are those pleasant farms, and the farmers forever departed!
Scattered like dust and leaves, when the mighty blasts of October
Seize them, and whirl them aloft, and sprinkle them far o'er the ocean
Naught but tradition remains of the beautiful village of Grand-Pre.
Ye who believe in affection that hopes, and endures, and is patient,
Ye who believe in the beauty and strength of woman's devotion,
List to the mournful tradition still sung by the pines of the forest;
List to a Tale of Love in Acadie, home of the happy.
PART THE FIRST
I
In the Acadian land, on the shores of the Basin of Minas,
Distant, secluded, still, the little village of Grand-Pre
Lay in the fruitful valley. Vast meadows stretched to the eastward,
Giving the village its name, and pasture to flocks without number.
Dikes, that the hands of the farmers had raised with labor incessant,
Shut out the turbulent tides; but at stated seasons the flood-gates
Opened, and welcomed the sea to wander at will o'er the meadows.
West and south there were fields of flax, and orchards and cornfields
Spreading afar and unfenced o'er the plain; and away to the northward
Blomidon rose, and the forests old, and aloft on the mountains
Sea-fogs pitched their tents, and mists from the mighty Atlantic
Looked on the happy valley, but ne'er from their station descended
There, in the midst of its farms, reposed the Acadian village.
Strongly built were the houses, with frames of oak and of hemlock,
Such as the peasants of Normandy built in the reign of the Henries.
Thatched were the roofs, with dormer-windows; and gables projecting
Over the basement below protected and shaded the doorway.
There in the tranquil evenings of summer, when brightly the sunset
Lighted the village street and gilded the vanes on the chimneys,
Matrons and maidens sat in snow-white caps and in kirtles
Scarlet and blue and green, with distaffs spinning the golden
Flax for the gossiping looms, whose noisy shuttles within doors
[...] Read more
poem by Henry Wadsworth Longfellow
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Virginia's Story
Elizabeth Gates-Wooten is my Grand mom.
She was born in Canada with her father and brothers.
They owned a Barber Shoppe.
I don't remember exactly where in Canada.
I believe it was right over the border like Windsor or Toronto.
I never knew exactly where it was.
When she was old enough she got married.
First, she married a man by the name of Frank Gates.
He was from Madagascar.
He fathered my mom and her brother and sister.
The boy's name was Frank Gates, Jr.
Two girls name were Anna and Agnes.
Agnes was my mother.
Frank Gates went crazy after the war
He drank a lot and died
Then grandma Elizabeth married a man by the name of Mr. Wooten.
He had a German name, but I don't think he was German.
She took his last name after they got married.
Then they moved to West Virginia in the United States.
Their son, Frank Gates Jr. Became a delegate in the democratic party.
He use to get into a lot of trouble because he liked to fight.
He was a delegate from the 1940's to 1970's.
He died of gout in the 1970's.
Anna was a maid and cook.
She baked cakes and stuff for people as a side line.
She had a hump on her back (scoliosis) .
She had to walk with a cane.
She could cook good though.
She did this kind of work all of her life, just like her mom, Elizabeth
They were both good cooks
They had a lot of money because they had these skills
Especially when people had parties.
Because they would make all of this food and then they would have left-overs.
We got to eat a lot of stuff we normally wouldn't get because of that.
When they cooked, they didn't use no measuring stuff, they would just use there hand.
My moms name was Agnes Barrie Gates.
She married James Wright and moved to Cleveland.
[...] Read more
poem by Talile Ali
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Fate and Destiny
Fate and Destiny
Who can tell us what Fate and Destiny are?
Who can tell us what our Fate is?
Who can tell us what our Destiny is?
Fate. Destiny.
People say we cannot choose our Fate, but we can choose our Destiny.
People say we are Fated or Destined to do/become something.
Fate. Destiny.
Are they different?
Are they the same?
People say we can choose Destiny and we are Fated to do it.
People say that our Destiny is open, but our Fate is sealed.
Are Fate and Destiny the same?
If our Destiny has yet to be chosen but our Fate is sealed, then is not our Destiny already chosen, but unseen to us until the opportune moment?
Fate. Destiny.
When is the opportune moment?
At what point in our life will our Fate and Destiny be revealed?
Or will we realize what our Fate and Destiny are only when it is too late?
Or will we pass our Fate and Destiny without knowing it?
Fate. Destiny.
If someone tells us what our Fate and Destiny are, will we like what we hear?
Or will you strive against the path set before you?
poem by Robert Grimes
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Fifth Book
AURORA LEIGH, be humble. Shall I hope
To speak my poems in mysterious tune
With man and nature,–with the lava-lymph
That trickles from successive galaxies
Still drop by drop adown the finger of God,
In still new worlds?–with summer-days in this,
That scarce dare breathe, they are so beautiful?–
With spring's delicious trouble in the ground
Tormented by the quickened blood of roots.
And softly pricked by golden crocus-sheaves
In token of the harvest-time of flowers?–
With winters and with autumns,–and beyond,
With the human heart's large seasons,–when it hopes
And fears, joys, grieves, and loves?–with all that strain
Of sexual passion, which devours the flesh
In a sacrament of souls? with mother's breasts,
Which, round the new made creatures hanging there,
Throb luminous and harmonious like pure spheres?–
With multitudinous life, and finally
With the great out-goings of ecstatic souls,
Who, in a rush of too long prisoned flame,
Their radiant faces upward, burn away
This dark of the body, issuing on a world
Beyond our mortal?–can I speak my verse
So plainly in tune to these things and the rest,
That men shall feel it catch them on the quick,
As having the same warrant over them
To hold and move them, if they will or no,
Alike imperious as the primal rhythm
Of that theurgic nature? I must fail,
Who fail at the beginning to hold and move
One man,–and he my cousin, and he my friend,
And he born tender, made intelligent,
Inclined to ponder the precipitous sides
Of difficult questions; yet, obtuse to me,–
Of me, incurious! likes me very well,
And wishes me a paradise of good,
Good looks, good means, and good digestion!–ay,
But otherwise evades me, puts me off
With kindness, with a tolerant gentleness,–
Too light a book for a grave man's reading! Go,
Aurora Leigh: be humble.
There it is;
We women are too apt to look to one,
Which proves a certain impotence in art.
We strain our natures at doing something great,
Far less because it's something great to do,
Than, haply, that we, so, commend ourselves
As being not small, and more appreciable
To some one friend. We must have mediators
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Lisbeth and the Artist
Lisbeth stands watching
The artist as he prepares
To sketch. Her elder sisters
Stand in shadows whispering.
Her younger sister plays
With her doll on the floor.
Their father said to do as
The artist instructed and
Don't misbehave or be rude.
The artist stares hard his
Dark eyes searching their
Every move and expression
And body gesture. The elder
Girls mutter in shadows
Their hands over their mouths
Their blue eyes like shallow
Pools. Ready? The artist
Asks putting charcoal to
Paper his fingers blackening.
Lisbeth says just as we are?
The artist nods. His grim
Features express do not disturb.
The youngest sister plays
Ignoring the artist her eyes set
On the game at hand. The girls
In shadow turn their profiles
Set to mystery their hands on
Their abdomens like guardians
Of virtue. Lisbeth wonders as
She watches the artist's stiff
Moustache and beard the slow
Movement of his mouth as he
Mouths words and stares hard.
The last artist employed some
Year before younger and less
Brutal in expression and manner
Had drawn them each in private
Rooms and set them down on couch
Or bed and kept their images inside
His head. He was dismissed and the
Drawings destroyed and nothing said.
Lisbeth had thought it just a game
Something done as lover might in
Private corners or lonely spots on
Quiet nights. The artist sketches.
His blackened fingers move and
Made their mark. Their images
Captured. The scene set. One sister
In the shadows yawns the other
Stares in still contempt. Lisbeth
[...] Read more
poem by Terry Collett
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As Destiny Unfolds
There is always a choice to make
When two paths merge and life takes a break
For a split second, all things are one
As destiny and chaos collide once more
When two paths merge and life takes a break
No one will warn you that it is already to late
To change the path you have taken
As destiny and chaos collide once more
For a split second, all things are one
In that moment, you realize God will not be outdone
This place and time will no longer exist
As destiny and chaos collide once more
No one will warn you it is already too late
The first man and woman sealed your fate
Nothing can stop what was meant to be
As destiny and chaos collide once more
To change the path you have taken
The original spirit must reawaken
To be forsaken was never part of the master plan
As destiny and chaos collide once more
In that moment, you realize God will not be outdone
By now you realize that life is not a dry run
No second chances are guaranteed
As destiny and chaos collide once more
This place and time will no longer exist
And mankind is summarily dismissed
For failing to exercise discipline and reproof
As destiny and chaos collide once more
The first man and woman sealed your fate
The choice is no longer yours to make
What you do now is fruit of the poisonous tree
As destiny and chaos collide once more
Nothing can stop what was meant to be
Two paths have merged into life’s potpourri
The world is filled with to much hate
As destiny and chaos collide once more
The original spirit must reawaken
Or those waiting for the rapture will not be taken
It will all be for not in the end
As destiny and chaos collide once more
[...] Read more
poem by Nettie Pennington
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The Zenana
WHAT is there that the world hath not
Gathered in yon enchanted spot?
Where, pale, and with a languid eye,
The fair Sultana listlessly
Leans on her silken couch, and dreams
Of mountain airs, and mountain streams.
Sweet though the music float around,
It wants the old familiar sound;
And fragrant though the flowers are breathing,
From far and near together wreathing,
They are not those she used to wear,
Upon the midnight of her hair.—
She's very young, and childhood's days
With all their old remembered ways,
The empire of her heart contest
With love, that is so new a guest;
When blushing with her Murad near,
Half timid bliss, half sweetest fear,
E'en the beloved past is dim,
Past, present, future, merge in him.
But he, the warrior and the chief,
His hours of happiness are brief;
And he must leave Nadira's side
To woo and win a ruder bride;
Sought, sword in hand and spur on heel,
The fame, that weds with blood and steel.
And while from Delhi far away,
His youthful bride pines through the day,
Weary and sad: thus when again
He seeks to bind love's loosen'd chain;
He finds the tears are scarcely dry
Upon a cheek whose bloom is faded,
The very flush of victory
Is, like the brow he watches, shaded.
A thousand thoughts are at her heart,
His image paramount o'er all,
Yet not all his, the tears that start,
As mournful memories recall
Scenes of another home, which yet
That fond young heart can not forget.
She thinks upon that place of pride,
Which frowned upon the mountain's side;
While round it spread the ancient plain,
Her steps will never cross again.
And near those mighty temples stand,
The miracles of mortal hand,
[...] Read more
poem by Letitia Elizabeth Landon
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It's Grand
It's grand to be a squatter
And sit upon a post,
And watch your little ewes and lambs
A-giving up the ghost.
It's grand to be a "cockie"
With wife and kids to keep,
And find an all-wise Providence
Has mustered all your sheep.
It's grand to be a Western man,
With shovel in your hand,
To dig your little homestead out
From underneath the sand.
It's grand to be a shearer
Along the Darling-side,
And pluck the wool from stinking sheep
That some days since have died.
It's grand to be a rabbit
And breed till all is blue,
And then to die in heaps because
There's nothing left to chew.
It's grand to be a Minister
And travel like a swell,
And tell the Central District folk
To go to -- Inverell.
It's grand to be a socialist
And lead the bold array
That marches to prosperity
At seven bob a day.
It's grand to be unemployed
And lie in the Domain,
And wake up every second day --
And go to sleep again.
It's grand to borrow English tin
To pay for wharves and docks
And then to find it isn't in
The little money-box.
It's grand to be a democrat
And toady to the mob,
For fear that if you told the truth
They'd hunt you from your job.
It's grand to be a lot of things
[...] Read more
poem by Andrew Barton Paterson
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The Loves of the Angels
'Twas when the world was in its prime,
When the fresh stars had just begun
Their race of glory and young Time
Told his first birth-days by the sun;
When in the light of Nature's dawn
Rejoicing, men and angels met
On the high hill and sunny lawn,-
Ere sorrow came or Sin had drawn
'Twixt man and heaven her curtain yet!
When earth lay nearer to the skies
Than in these days of crime and woe,
And mortals saw without surprise
In the mid-air angelic eyes
Gazing upon this world below.
Alas! that Passion should profane
Even then the morning of the earth!
That, sadder still, the fatal stain
Should fall on hearts of heavenly birth-
And that from Woman's love should fall
So dark a stain, most sad of all!
One evening, in that primal hour,
On a hill's side where hung the ray
Of sunset brightening rill and bower,
Three noble youths conversing lay;
And, as they lookt from time to time
To the far sky where Daylight furled
His radiant wing, their brows sublime
Bespoke them of that distant world-
Spirits who once in brotherhood
Of faith and bliss near ALLA stood,
And o'er whose cheeks full oft had blown
The wind that breathes from ALLA'S throne,
Creatures of light such as still play,
Like motes in sunshine, round the Lord,
And thro' their infinite array
Transmit each moment, night and day,
The echo of His luminous word!
Of Heaven they spoke and, still more oft,
Of the bright eyes that charmed them thence;
Till yielding gradual to the soft
And balmy evening's influence-
The silent breathing of the flowers-
The melting light that beamed above,
As on their first, fond, erring hours,-
Each told the story of his love,
The history of that hour unblest,
When like a bird from its high nest
[...] Read more
poem by Thomas Moore
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Grand Illusion
I saw you in a dream, it hit me like a bright light
Flashing on a screen, visions of my whole life.
I used to chase the moment of desire
Back to when my young heart burned like a fire.
It was just a, nothing but a grand illusion.
Heart was quicker than the eye.
Nothing but a grand illusion,
Legend in my own mind.
I held you in my arms till the other side of midnight.
Kept you in my mind, you got me through some long nights.
Standing on the threshold of desire,
Caught between the madness and the fire.
Chorus
It was all a grand illusion.
Hand was quicker than the eye.
Nothing but a grand illusion,
Legends in our own minds.
I used to chase the moments of desire
Back to when my young heart burned like a fire.
It was just a, nothing but a, it was all a grand illusion.
Nothing but a grand illusion.
It was all a grand illusion,
Legend in my own mind.
It was just a grand illusion.
Nothing but a grand illusion.
It was just a grand illusion,
Legend in our own mind.
song performed by Eric Clapton
Added by Lucian Velea
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The Grand Parade Of Lifeless Packaging
When all this revolution is over, he sits down on a highly polished floor while his dizziness fades away. it is an empty modern hallway and the dreamdoll saleslady sits at the reception desk. wi
Prompting she goes into her rap: this is the grand parade of lifeless packaging, those you are about to see are all in for servicing, except for a small quantity of our new product, in th
Ond gallery. it is all the stock required to cover the existing arrangements of the enterprise. different batches are distributed to area operators, and there are plenty of opportunities for the
E investor. they stretch from the costly care-conditioned to the most reasonable mal-nutritioned. we find here that everyones looks become them. except for the low market mal-nutritioned, each
Ovided with a guarantee for a successful birth and trouble free infancy. there is however only a small amount of variable choice potential - not too far from the mean differential. you see, the
Has predetermined the limits of ac
Tion of any group of packages, but individuals may move off the path if their diversions are counter-balanced by others.
Its the last great adventure left to mankind
- screams a drooping lady
Offering her dreamdolls at less than extortionate prices,
And as the notes and coins are taken out
Im taken in, to the factory floor.
For the grand parade of lifeless packaging
- all ready to use
The grand parade of lifeless packaging
- I just need a fuse.
Got people stocked in every shade,
Must be doing well with trade.
Stamped, addressed, in odd fatality.
That evens out their personality.
With profit potential marked by a sign,
I can recognise some of the production line,
No bite at all in labour bondage,
Just wrinkled wrappers or human bandage.
Grand parade of lifeless packaging
- all ready to use
Its the grand parade of lifeless packaging
- I just need a fuse.
As he wanders along the line of packages, rael notices a familiarity in some of their faces. he finally comes upon some of the members of his old gang and worries about his own safety. running o
Rough the factory floor, he catches sight of his brother john with a number 9 stamped on his forehead.
The hall runs like clockwork
Their hands mark out the time;
Empty in their fullness
Like a frozen pantomime.
Everyones a sales representative
Wearing slogans in their shrine.
Dishing out failsafe superlative,
Brother john is no. 9.
Its the grand parade of lifeless packaging
- all ready to use
Its the grand parade of lifeless packaging
- I just need a fuse.
The decor on the ceiling
Has planned out their future day
I see no sign of free will,
So I guess I have to pay,
Pay my way,
For the grand parade...
Its the grand parade of lifeless packaging
- all ready to use
[...] Read more
song performed by Genesis
Added by Lucian Velea
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The Great Franchise Demonstration
'Twas in the year of 1884, and on Saturday the 20th of September,
Which the inhabitants of Dundee will long remember
The great Liberal Franchise Demonstration,
Which filled their minds with admiration.
Oh! it was a most magnificent display,
To see about 20 or 30 thousand men all in grand array;
And each man with a medal on his breast;
And every man in the procession dressed in his best.
The banners of the processionists were really grand to see-
The like hasn't been seen for a long time in Dundee;
While sweet music from the bands did rend the skies,
And every processionist was resolved to vote for the Franchise.
And as the procession passed along each street,
The spectators did loudly the processionists greet;
As they viewed their beautiful banners waving in the wind,
They declared such a scene would be ever fresh in their mind.
The mustering of the processionists was very grand,
As along the Esplanade each man took his stand,
And as soon as they were marshalled in grand array,
To the Magdalen Green, in haste, they wended their way.
And when they arrived on the Magdalen Green,
I'm sure it was a very beautiful imposing scene-
While the cheers of that vast multitude ascended to the skies,
For the "Grand Old Man," Gladstone, the Hero of the Franchise,
Who has struggled very hard for the people's rights,
Many long years, and many weary nights;
And I think the "Grand Old Man" will gain the Franchise,
And if he does, the people will laud him to the skies.
And his name should be written in letters of gold :
For he is a wise statesman- true and bold-
Who has advocated the people's rights for many long years;
And when he is dead they will thank him with their tears.
For he is the man for the working man,
And without fear of contradiction, deny it who can;
Because he wishes the working man to have a good coat,
And, both in town and country, to have power to vote.
The reason why the Lords won't pass the Franchise Bill :
They fear that it will do themselves some ill;
That is the reason why they wish to throw it out,
Yes, believe me, fellow citizens, that's the cause without doubt.
[...] Read more
poem by William Topaz McGonagall
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In the eyes of my beloved
As I tried to decipher my destiny in the eyes of the horrendously slithering crocodile; confronting him face on beside the marshy swamps,
All I saw was a life blended consisting of savage deeds compounded with profound animosity; and before I could ask him a volley of questions; he gobbled me like mincemeat with his knife like jaws.
As I tried to cognize my destiny in the eyes of a frivolous chimpanzee; patting him gently on his back,
All I saw was an aboriginal life of leaping voraciously on trees; inexorably masticating a meal of succulent banana; unable to go to school like humans do.
As I tried to perceive my destiny in the eyes of the hideous lizard; blowing my breath in gasps on its serrated skinned body,
All I saw was a bleak future devouring scores of slimy insects; spending the remainder of my life in realms of despondency and circumspection.
As I tried to envisage my destiny in the eyes of a pernicious vulture; sitting in close proximity with its monstrous sized eggs,
All I saw was a brutal life plucking decayed carrion from the flesh of lifeless bodies; scaring innocuous creatures in the sky with my dreaded persona.
As I tried to visualize my destiny in the eyes of a grizzly bear; riding on his furry back through the snow clad mountains,
All I saw was a shivering life in the freezing winds; a future in which there would be absolutely no sun in the cosmos to sight.
As I tried to conceive my destiny in the eyes of a potbellied tortoise; forcing him to extrude out his slender neck,
All I saw was a life full of indolence blended with languid ease; without budging a solitary inch for years on the trot.
As I tried to speculate my destiny in the eyes of a hunch backed camel; endeavoring to caress its slimy nose,
All I saw was a life full of confronting sweltering sandstorms; consuming scraggy cactus for morning breakfast as well as nocturnal supper.
As I tried to discern my destiny in the eyes of mammoth dinosaur; standing like an inconspicuous mosquito on the ground,
All I saw was a life replete with barbaric domination; and before I could even realize; he instantaneously pulverized me to saw dust under his diabolical feet.
As I tried to contemplate my destiny in the eyes of a scintillating dolphin; floating beside it in the swirling ocean,
All I saw was a life diving acrobatically in the waters; occasionally being eaten by the preposterously huge white shark.
As I tried to comprehend my destiny in the eyes of a cold blooded murderer; standing in the firing range of his gleaming revolver,
All I saw was a life assassinating innocuous individuals; coating my palms with their innocent blood.
And eventually as I tried to imagine my destiny in the eyes of my beloved; I felt submerged in waves of unprecedented euphoria,
And it was here that I saw my life the most beautiful; the most ravishing; the most exhilarating out of all of my previous lives; and I discovered a host of blissfully fulfilling purposes to live.
(c) (r) copyright-2004, by nikhil parekh. all rights reserved.
poem by Nikhil Parekh
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Good Love
Check it out, kelly
You give good love
A real good love
Baby I cant believe
You are my destiny
You give good love
A real good love
Baby I cant believe
You are my destiny
Have I told you lately?
That I am grateful of my sweet baby
Youre everything a woman could want
No maybes cause I cant keep it inside
Keep giving, giving me good love yeah
You give good love
A real good love
Baby I cant believe
You are my destiny
You give good love
A real good love
Baby I cant believe
You are my destiny
Never thought one moment
That were together could be so happy
The kind of love thats only in dreams
Dont wanna wake up if I lose your touch
Keep giving, giving me good love yeah
You give good love
A real good love
Baby I cant believe
You are my destiny
You give good love
A real good love
Baby I cant believe
You are my destiny
Ive been looking
Trying to find
Something new
Thank God theres you
Heaven sent a love to me thats so good
Cause heaven sent a love
Thatll love me like no other
Uh, break it down
Kelly price, oh, oh, oh
Yeah, ya heard it right here baby
Good love
You give good love
A real good love
Baby I cant believe
You are my destiny
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song performed by Kelly Price
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Sad Wings Of Destiny
Mournful, yet grand is the destiny of man. Believing he can look destiny in the eye, without so much as flinching. And only after having swallowed the seeds of fate, did he find, they grew into hate. Making what was once water to the faithful, turn to nothing more, than blood, before the eyes of an unbeliever. Of all that man has been, or in his vanity, may come to believe, destiny, after having granted his wishes, also gave him more than he perceived. For only by the work of his own two hands, could such suffering be achieved. Leading him to fight against his destiny, even though, he had no hope of victory. Like pantomimes of white, on a background of black, his destiny, appears as a silken thread, lost in an endless labyrinth of time. Never knowing, only death transforms life into a destiny, for only death has no need for time. Having denied love, he sealed his fate. Unable to find the meaning and never seeing the truth of life, that it may only be found with another, but not alone. Fear, merely encouraged his ignominy and transported him to the nether world, where he will at last, take his final flight, on the sad wings of destiny
poem by Eric Paeplow
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Dar-Thula
ARGUMENT.
It may not be improper here to give the story which is the foundation of this poem, as it is handed down by tradition. Usnoth, lord of Etha, which is probably that part of Argyleshire which is near Loch Eta, an arm of the sea in Lorn, had three sons, Nathos, Althos, and Ardan, by Slissáma, the daughter of Semo, and sister to the celebrated Cuthullin. The three brothers, when very young, were sent over to Ireland by their father, to learn the use of arms under their uncle Cuthullin, who made a great figure in that kingdom. They were just landed in Ulster, when the news of Cuthullin's death arrived. Nathos, though very young, took the command of Cuthullin's army, made head against Cairbar the usurper, and defeated him in several battles. Cairbar at last, having found means to murder Cormac, the lawful king, the army of Nathos shifted sides, and he himself was obliged to return into Ulster, in order to pass over into Scotland.
Dar-thula, the daughter of Colla, with whom Cairbar was in love, resided at that time in Seláma, a castle in Ulster. She saw, fell in love, and fled with Nathos; but a storm rising at sea, they were unfortunately driven back on that part of the coast of Ulster, where Cairbar was encamped with his army. The three brothers, after having defended themselves for some time with great bravery, were overpowered and slain, and the unfortunate Dar-thula killed herself upon the body of her beloved Nathos.
The poem opens, on the night preceding the death of the sons of Usnoth, and brings in, by way of episode, what passed before. it relates the death of Dar-thula differently from the common tradition. This account, is the most probable, as suicide seems to have been unknown in those early times, for no traces of it are found in the old poetry.
DAUGHTER of heaven, fair art thou! the silence of thy face is pleasant! Thou comest forth in loveliness. The stars attend thy blue course in the east. The clouds rejoice in thy presence, O moon! They brighten their dark-brown sides. Who is like thee in heaven, light of the silent night? The stars are shamed in thy presence. They turn away their sparkling eyes. Whither dost thou retire from thy course when the darkness of thy countenance grows? Hast thou thy hall, like Ossian? Dwellest thou in the shadow of grief? Have thy sisters fallen from heaven? Are they who rejoiced with thee, at night, no more? Yes, they have fallen, fair light! and thou dost often retire to mourn. But thou thyself shalt fail one night and leave thy blue path in heaven. The stars will then lift their heads: they who were ashamed in thy presence, will rejoice. Thou art now clothed with thy brightness. Look from thy gates in the sky. Burst the cloud, O wind! that the daughters of night may look forth; that the shaggy mountains may brighten, and the ocean roll its white waves in light!
Nathos is on the deep, and Althos, that beam of youth! Ardan is near his brothers. They move in the gloom of their course. The sons of Usnoth move in darkness, from the wrath of Cairbar of Erin. Who is that, dim by their side? The night has covered her beauty! Her hair sighs on ocean's wind. Her robe streams in dusky wreaths. She is like the fair spirit of heaven in the midst of the shadowy mist. Who is it but Dar-thula, the first of Erin's maids? She has fled from the love of Cairbar, with blue-shielded Nathos. But the winds deceive thee, O Dar-thula! They deny the woody Etha to thy sails. These are not the mountains of Nathos; nor is that the roar of his climbing waves. The halls of Cairbar are near: the towers of the foe lift their heads! Erin stretches its green head into the sea. Tura's bay receives the ship. Where have ye been, ye southern Winds, when the sons of my love were deceived? But ye have been sporting on the plains, pursuing the thistle's beard. O that ye had been rustling in the sails of Nathos, till the hills of Etha arose! till they arose in their clouds, and saw their returning chief! Long hast thou been absent, Nathos! the day of thy return is past!
But the land of strangers saw thee lovely! thou wast lovely in the eyes of Dar-thula. Thy face was like the light of the morning. Thy hair like the raven's wing. Thy soul was generous and mild, like tho hour of the setting sun. Thy words were the gale of the reeds; the gliding stream of Lora! But when the rage of battle rose, thou wast a sea in a storm. The clang of thy arms was terrible: the host vanished at the sound of thy course. It was then Dar-thula beheld thee, from the top of her mossy tower; from the tower of Seláma, where her fathers dwelt.
"Lovely art thou, O stranger!" she said, for her trembling soul arose. "Fair art thou in thy battles, friend of the fallen Cormac! Why dost thou rush on in thy valor, youth of the ruddy look? Few are thy hands in fight against the dark-brown Cairbar! O that I might be freed from his love, that I might rejoice in the presence of Nathos! Blest are the rocks of Etha! they will behold his steps at the chase; they will see his white bosom, when the winds lift his flowing hair!" Such were thy words, Dar-thula, in Seláma's mossy towers. But now the night is around thee. The winds have deceived thy sails- — the winds have deceived thy sails, Dar-thula! Their blustering sound is high. Cease a little while, O north wind! Let me hear the voice of the lovely. Thy voice is lovely, Dar-thula, between the rustling blasts!
"Are these the rocks of Nathos?" she said, "this the roaring of his mountain streams? Comes that beam of light from Usnoth's nightly hall? The mist spreads around; the beam is feeble and distant far. But the light of Dar-thula's soul dwells in the chief of Etha! Son of the generous Usnoth, why that broken sigh? Are we in the land of strangers, chief of echoing Etha?"
"These are not the rocks of Nathos," he replied, "nor this the roar of his stream. No light comes from Etha's hall, for they are distant far. We are in the land of strangers, in the land of cruel Cairbar. The winds have deceived us, Dar-thula. Erin lifts here her hills. Go towards the north, Althos: be thy steps, Ardan, along the coast; that the foe may not come in darkness, and our hopes of Etha fail. I will go towards that mossy tower, to see who dwells about the beam. Rest, Dar-thula, on the shore! rest in peace, thou lovely light! the sword of Nathos is around thee, like the lightning of heaven!"
He went. She sat alone: she heard the roiling of the wave. The big tear is in her eye. She looks for returning Nathos. Her soul trembles at the bast. She turns her ear towards the tread of his feet. The tread of his feet is not heard. "Where art thou, son of my love! The roar of the blast is around me. Dark is the cloudy night. But Nathos does not return. What detains thee, chief of Etha? Have the foes met the hero in the strife of the night?"
He returned; but his face was dark. He had seen his departed friend! it was the wall of Tura. The ghost of Cuthullin stalked there alone; the sighing of his breast was frequent. The decayed flame of his eyes was terrible! His spear was a column of mist. The stars looked dim through his form. His voice was like hollow wind in a cave: his eye a light seen afar. He told the tale of grief. The soul of Nathos was sad, like the sun in the day of mist, when his face watery and dim.
"Why art thou sad, O Nathos!" said the lovely daughter of Colla. "Thou art a pillow of light to Dar-thula. The joy of her eyes is in Etha's chief. Where is my friend, but Nathos? My father, my brother is fallen! Silence dwells on Seláma. Sadness spreads on the blue streams of my land. My friends have fallen with Cormac. The mighty were slain in the battles of Erin. Hear, son of Usnoth! hear, O Nathos! my tale of grief.
"Evening darkened on the plain. The blue streams failed before mine eyes. The unfrequent blast came rustling in the tops of Seláma's groves. My seat was beneath a tree, on the walls of my fathers. Truthil past before my soul; the brother of my love: he that was absent in battle against the haughty Cairbar! Bending on his spear, the gray-haired Colla came. His downcast face is dark, and sorrow dwells in his soul. His sword is on the side of the hero; the helmet of his fathers on his head. The battle grows in his breast. He strives to hide the tear.
"'Dar-thula, my daughter,' he said, 'thou art the last of Colla's race! Truthil is fallen in battle. The chief of Seláma is no more! Cairbar comes, with his thousands, towards Seláma's walls. Colla will meet his pride, and revenge his son. But where shall I find thy safety, Dar-thula with the dark-brown hair! thou art lovely as the sunbeam of heaven, and thy friends are low!' 'Is the son of battle fallen?' I said, with a bursting sigh. 'Ceased the generous soul of Truthil to lighten through the field? My safety, Colla, is in that bow. I have learned to pierce the deer. Is not Cairbar like the hart of the desert, father of fallen Truthil?'
"The face of age brightened with joy. The crowded tears of his eyes poured down. The lips of Colla trembled. His gray beard whistled in the blast. 'Thou art the sister of Truthil,' he said; 'thou burnest in the fire of his soul. Take, Dar-thula, take that spear, that brazen shield, that burnished helm; they are the spoils of a warrior, a son of early youth! When the light rises on Seláma, we go to meet the car-borne Cairbar. But keep thou near the arm of Colla, beneath the shadow of my shield. Thy father, Dar-thula, could once defend thee; but age is trembling On his hand. The strength of his arm has failed. His soul is darkened with grief.'
"We passed the night in sorrow. The light of morning rose. I shone in the arms of battle. The gray haired hero moved before. The sons of Seláma convened around the sounding shield of Colla. But few were they in the plain, and their locks were gray. The youths had fallen with Truthil, in the battle of car-borne Cormac. 'Friends of my youth,' said Colla, 'it was not thus you have seen me in arms. It was not thus I strode to battle when the great Confaden fell. But ye are laden with grief. The darkness of age comes like the mist of the desert. My shield is worn with years! my sword is fixed in its place! I said to my soul, Thy evening shall be calm; thy departure like a fading light. But the storm has returned. I bend like an aged oak. My boughs are fallen on Seláma. I tremble in my place. Where art thou, with thy fallen heroes, O my beloved Truthil! Thou answerest not from thy rushing blast. The soul of thy father is sad. But I will be sad no more! Cairbar or Colla must fall! I feel the returning strength of my arm. My heart leaps at the sound of war.'
"The hero drew his sword. The gleaming blades of his people rose. They moved along the plain. Their gray hair streamed in the wind. Cairbar sat at the feast, in the silent plain of Lena. He saw the coming of the heroes. He called his chiefs to war. Why should I tell to Nathos how the strife of battle grew? I have seen thee in the midst of thousands, like the beam of heaven's fire: it is beautiful, but terrible; the people fall in its dreadful course. The spear of Colla flew. He remembered the battles of his youth. An arrow came with its sound. It pierced the hero's side. He fell on his echoing shield. My soul started with fear. I stretched my buckler over him: but my heaving breast was seen! Cairbar came with his spear. He beheld Seláma's maid. Joy rose on his dark-brown Taco. He stayed his lifted steel. He raised the tomb of Colla. He brought me weeping to Seláma. He spoke the words of love, but my soul was sad. I saw the shields of my fathers; the sword of car-borne Truthil. I saw the arms of the dead; the tear was on my cheek! Then thou didst come, O Nathos! and gloomy Cairbar fled. He fled like the ghost of the desert before the morning's beam. His host was not near; and feeble was his arm against thy steel! Why art thou sad, O Nathos?" said the lovely daughter of Colla.
"I have met," replied the hero, "the battle in my youth. My arm could not lift the spear when danger first arose. My soul brightened in the presence of war, as the green narrow vale, when the sun pours his streamy beams, before he hides his head in a storm. The lonely traveller feels a mournful joy. He sees the darkness that slowly comes. My soul brightened in danger before I saw Seláma's fair; before I saw thee, like a star that shines on the hill at night; the cloud advances, and threatens the lovely light! We are in the land of foes. The winds have deceived us, Dar-thula! The strength of our friends is not near, nor the mountains of Etha. Where shall I find thy peace, daughter of mighty Colla! The brothers of Nathos are brave, and his own sword has shone in fight. But what are the sons of Usnoth to the host of dark-brown Cairbar! O that the winds had brought thy sails, Oscar king of men! Thou didst promise to come to the battles of fallen Cormac! Then would my hand be strong as the flaming arm of death. Cairbar would tremble in his halls, and peace dwell round the lovely Dar-thula. But why dost thou fall, my soul? The sons of Usnoth may prevail!"
"And they will prevail, O Nathos!" said the rising soul of the maid. "Never shall Dar-thula behold the halls of gloomy Cairbar. Give me those arms of brass, that glitter to the passing meteor. I see them dimly in the dark-bosomed ship. Dar-thula will enter the battles of steel. Ghost of the noble Colla! do I behold thee on that cloud! Who is that dim beside thee? Is it the car-borne Truthil? Shall I behold the halls of him that slew Seláma's chief? No: I will not behold them, spirits of my love!"
Joy rose in the face of Nathos when he heard the white-bosomed maid. "Daughter of Seláma! thou shinest along my soul. Come, with thy thousands, Cairbar! the strength of Nathos is returned! Thou O aged Usnoth! shalt not hear that thy son has fled. I remembered thy words on Etha, when my sails began to rise: when I spread them towards Erin, towards the mossy walls of Tura! 'Thou goest,' he said, 'O Nathos, to the king of shields! Thou goest to Cuthullin, chief of men, who never fled from danger. Let not thine arm be feeble: neither be thy thoughts of flight; lest the son of Semo should say that Etha's race are weak. His words may come to Usnoth, and sadden his soul in the hall.' The tear was on my father's cheek. He gave this shining sword!
"I came to Tura's bay; but the halls of Tara were silent. I looked around, and there was none to tell of the son of generous Semo. I went to the hall of shells, where the arms of his fathers hung. But the arms were gone, and aged Lamhor sat in tears. 'Whence are the arms of steel?' said the rising Lamhor. 'The light of the spear has long been absent from Tura's dusky walls. Come ye from the rolling sea? or from Temora's mournful halls?'
"'We come from the sea,' I said, 'from Usnoth's rising towers. We are the sons of Slissáma, the daughter of car-borne Semo. Where is Tura's chief, son of the silent hall? But why should Nathos ask? for I behold thy tears. How did the mighty fall, son of the lonely Tura?' 'He fell not,' Lamhor replied, 'like the silent star of night, when it flies through darkness and is no more. But he was like a meteor that shoots into a distant land. Death attends its dreary course. Itself is the sign of wars. Mournful are the banks of Lego; and the roar of streamy Lara! There the hero fell, son of the noble Usnoth!' 'The hero fell in the midst of slaughter,' I said with a bursting sigh. 'His hand was strong in war. Death dimly sat behind his sword.'
"We came to Lego's sounding banks. We found his rising tomb. His friends in battle are there: his bards of many songs. Three days we mourned over the hero: on the fourth I struck the shield of Caithbat. The heroes gathered around with joy, and shook their beamy spears. Corlath was near with his host, the friend of car-borne Cairbar. We came like a stream by night. His heroes fell before us. When the people of the valley rose, they saw their blood with morning's light. But we rolled away, like wreaths of mist, to Cormac's echoing hall. Our swords rose to defend the king. But Temora's halls were empty. Cormac had fallen in his youth. The king of Erin was no more!
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poem by James Macpherson
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A Nude Artist
A Nude Artist
he says he is a nude artist
because he is naked when he paints
such nakedness has
nothing to do with being a nude artist
a naked artist who paints a cat or a chicken
is not a nude artist
there is no nude cat
thyere is no nude chicken
just paint a naked woman
and he will be called a nude artist
an artist is not an art
he must know that
- Frog Mantra, Accents Publishing,2012 -
poem by Suchoon Mo_
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Peace
Artist - somebody didn't hear me
(What'd he say?)
Artist - formerly known as Prince
You gotta get your peace on
Peace, whoa oh
Peace
That's what we're here for
And not to war
When the war upon people of color thru needles
Designed to disease instead of relieve
When it ceases
I'll be a man of peace
(Say what)
When this mask of vendetta
Like tears on the face of Coretta
Roll down and go away
I'll be happier
(Happier)
I'll be a man of peace
Everybody say!
Peace, whoa oh
Peace
That's what we're here for
(That's what we're here for)
And not to war
When the time that we spend
Watching TV depends on
Whether or not it destroy or transcend
Then I won't need
(I won't, I won't)
Won't need a warranty
When the power of the hour is not yours but is ours
And the faces we see reflect all that we be indeed
There'll be a jubilee
Everybody say
Peace, whoa oh
Peace
That's what we're here for
(That's what we're here for)
And not to war
Bass
(Talkin' about freedom)
The rewards that we share will be based on what's fair
And not the curliness or the thick of our hair
Real competition, if you dare!
Music is our middle name
And we don't wanna play your game
So when the mergers you make are with us
And you take a fair slice of the cake
That we bake then you break
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song performed by Prince
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Value Fever Pitch: An Artist’s Time
Bhoman F Jamhari said
'I am an artist - This does not
mean I will work for free.
I have bills just like you.
Thank you for understanding.'
Polite and to the problematic point.
Anyone who thinks believes
an artist’s time is worthless,
is definitely a person an artist
should avoid; such individuals
cannot comprehend
or remotely understand
aesthetic value of art.
Art takes time to produce.
Vision and artistic skill takes
even longer to realize to attain
expanding horizons. Time costs.
Artists of differing genre value
appreciate each other and art
which suits their temperament.
To create art
is the life blood
of an artist.
The air we breathe
is the home of art.
Creativity is our fevered mind songs
we sing in a legacy of image visions.
What kind of a con artist wants
to steal bread from an artist’s mouth;
therefore limiting the quality quantity
of future works of art, to be produced
by that artist. Answer an enemy of art.
poem by Terence George Craddock
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