Because of my own experience with market fluctuation, I recognize the great risks one takes on investments. This converts the Social Security safety net into a risky proposition many cannot afford to take.
quote by Grace Napolitano
Added by Lucian Velea
Comment! | Vote! | Copy!

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[...] Read more
poem by Rwetewrt Erwtwer
Added by Poetry Lover
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Soboba
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[...] Read more
poem by Rwetewrt Erwtwer
Added by Poetry Lover
Comment! | Vote! | Copy!

Risky
Ripop/sakamoto/laswell
Born in a corporate dungeon
Where people are cheated of life
I knew I could never stay home no
As you lie in the dark
With your pink dress on
You look risky lovely risky lovely
Child of the whispering skies
Risky thats your name
Risky unashamed
Risky show your style
Risky loves on trial
You make me feel that this heart is real
When you hold me love me hold me love me
Girl with the scream in her eyes
Risky thats your name
Risky unashamed
Risky show your style
Risky loves on trial
People fall apart all the time
Ive been hit enough to know why
Climb to this point move on
Climb to this point move on
Career, career acquire, acquire
But what is life whithout a heart
Theres standing room only
Somebody better tell the truth
Proceed at your own risk
Risky thats your name
Risky unashamed
Risky show your style
Risky loves on trial
Why feel so sad
Let your heart be glad
Love is risky lovely risky lovely
Child of the whispering skies
Born in a corporate dungeon
Where people are cheated of life
I knew I could never stay home
Risky love, risky love, risky love, sweet love
Risky love, risky love, give me love, sweet love, risky love, risky love
song performed by Iggy Pop
Added by Lucian Velea
Comment! | Vote! | Copy!
$ui_text['home']="pagina principală";
$ui_text['quote']="citat";
$ui_text['quotes']="citate";
$ui_text['of_the_moment']="momentului";
$ui_text['poem']="poezie";
$ui_text['song']="cântec";
$ui_text['epigram']="epigramă";
$ui_text['haiku']="haiku";
$ui_text['tanka']="tanka";
$ui_text['line']="replică";
$ui_text['lines']="replici";
$ui_text['script']="scenariu";
$ui_text['proverb']="proverb";
$ui_text['aphorism']="aforism";
$ui_text['pictures']="imagini";
$ui_text['authors']="autori";
$ui_text['authors_list']="Lista de autori";
$ui_text['by']="de";
$ui_text['in']="în";
$ui_text['from']="din";
$ui_text['about']="despre";
$ui_text['sources']="surse cunoscute";
$ui_text['anniversary']="Aniversarea zilei";
$ui_text['related_quotes']="Citate similare";
$ui_text['latest_quotes']="Ultimele adăugări";
$ui_text['random_quotes']="Citate la întâmplare";
$ui_text['more_quotes']="mai multe citate";
$ui_text['more']="mai multe";
$ui_text['read_more']="Citește tot";
$ui_text['unknown']="autor necunoscut/anonim";
$ui_text['translator']="traducere de";
$ui_text['performed']="interpretat de";
$ui_text['music']="muzica";
$ui_text['lyrics']="versuri";
$ui_text['moderator']="Moderator";
$ui_text['editors']="Editori";
$ui_text['user']="Adăugat de";
$ui_text['anonym']="anonim";
$ui_text['webmaster']="webmaster";
$ui_text['contact']="Contact";
$ui_text['stats']="Statistici";
$ui_text['until_now']="până în acest moment";
$ui_text['in_english']="în engleză";
$ui_text['in_romanian']="în română";
$ui_text['page']="pagina";
$ui_text['page_first']="prima pagină";
$ui_text['page_previous']="pagina precedentă";
$ui_text['page_next']="pagina următoare";
$ui_text['page_last']="ultima pagină";
$ui_text['search']="Caută";
$ui_text['search_all']="integral";
$ui_text['search_sms']="SMS (citate scurte)";
$ui_text['search_recent']="căutări recente";
$ui_text['search_recent_title']="din căutări recente";
$ui_text['search_recent_list']="Vezi și rezultatele altor căutari recente";
$ui_text['send_message']="Mesaj (adresa paginii este inclusă automat)";
$ui_text['send_name']="Semnătură (numele expeditorului)";
$ui_text['send_mail']="Adresa de e-mail a expeditorului";
$ui_text['send_to']="Adresa de e-mail a destinatarului";
$ui_text['send_confirmation']="Recomandarea a fost trimisă. Se poate trimite altă recomandare.";
$ui_text['send_link']="Send by e-mail";
$ui_text['problem_mistake']="Acest text conține o greșeală";
$ui_text['problem_duplicate']="Acest text apare duplicat";
$ui_text['problem_author']="Cunosc autorul acestui text";
$ui_text['problem_change']="Autorul acestui text este altul";
$ui_text['problem_another']="Altă problemă/completare";
$ui_text['problem_message']="Precizări, dacă sunt necesare";
$ui_text['problem_name']="Semnătură (numele expeditorului)";
$ui_text['problem_mail']="Adresa de e-mail (pentru cazul în care trebuie discutat)";
$ui_text['problem_confirmation']="Mesajul a fost trimis, mulțumim! Vom verifica în curând.";
$ui_text['problem_link']="Semnalează o problemă/completare";
$ui_text['vote']="vot";
$ui_text['vote_i']="idee";
$ui_text['vote_i5']="genială";
$ui_text['vote_i4']="inteligentă";
$ui_text['vote_i3']="interesantă";
$ui_text['vote_i2']="îndoielnică";
$ui_text['vote_i1']="stupidă";
$ui_text['vote_e']="exprimare";
$ui_text['vote_e5']="superbă";
$ui_text['vote_e4']="frumoasă";
$ui_text['vote_e3']="plăcută";
$ui_text['vote_e2']="acceptabilă";
$ui_text['vote_e1']="banală";
$ui_text['vote_t']="ton";
$ui_text['vote_t5']="comic";
$ui_text['vote_t4']="amuzant";
$ui_text['vote_t3']="ponderat";
$ui_text['vote_t2']="serios";
$ui_text['vote_t1']="trist";
$ui_text['vote_tip1']="un singur vot exprimat până acum";
$ui_text['vote_tipb']="media din";
$ui_text['vote_tipe']="voturi exprimate până acum";
$ui_text['vote_submit']="Votez";
$ui_text['vote_confirmation']="Votul a fost înregistrat. Rezultatul afișat este media tuturor voturilor exprimate și cu cât sunt mai multe voturi, cu atât este mai vizibil. Votul poate fi modificat, votând din nou.";
$ui_text['vote_only1']="Un singur vot până acum, nu e relevant, votează!";
$ui_text['vote_only2']="Doar două voturi până acum, nu e relevant, votează!";
$ui_text['vote_link']="Votează!";
$ui_text['copy_info']="Clic în câmp, apoi CTRL+C pentru a copia codul HTML";
$ui_text['copy_solid']="cadru cu linie simplă";
$ui_text['copy_dashed']="cadru cu linie întreruptă";
$ui_text['copy_dotted']="cadru cu linie punctată";
$ui_text['copy_double']="cadru cu linie dublă";
$ui_text['copy_groove']="cadru cu linie canelată";
$ui_text['copy_ridge']="cadru cu linie reliefată";
$ui_text['copy_inset']="cadru coborât";
$ui_text['copy_outset']="cadru ridicat";
$ui_text['copy_no']="fără cadru";
$ui_text['copy_blue']="albastru";
$ui_text['copy_green']="verde";
$ui_text['copy_red']="roșu";
$ui_text['copy_purple']="purpuriu";
$ui_text['copy_cyan']="azuriu";
$ui_text['copy_gold']="auriu";
$ui_text['copy_silver']="argintiu";
$ui_text['copy_black']="negru";
$ui_text['copy_submit']="Schimbă";
$ui_text['copy_link']="Copiază!";
$ui_text['comment']="comentariu";
$ui_text['comment_name']="Numele (obligatoriu)";
$ui_text['comment_mail']="Adresa de e-mail (nu este publicată)";
$ui_text['comment_0']="Nu sunt comentarii până acum.";
$ui_text['comment_said']="a spus pe";
$ui_text['comment_show']="vezi citatul comentat";
$ui_text['comment_link']="Comentează!";
$ui_text['comments']="comentarii";
$ui_text['comments_latest']="Ultimele comentarii";
$ui_text['add_quote']="Adaugă citat";
$ui_text['add_check']="Verifică dacă există deja pe site";
$ui_text['add_title']="Titlu";
$ui_text['add_author']="Numele autorului (nimic pentru autor necunoscut)";
$ui_text['add_lyrics']="Numele autorului versurilor (dacă se cunoaște)";
$ui_text['add_composer']="Numele compozitorului muzicii (dacă se cunoaște)";
$ui_text['add_performer']="Numele celui mai reprezentativ interpret (dacă este cazul)";
$ui_text['add_translator']="Numele traducătorului (dacă este cazul)";
$ui_text['add_source']="Sursa (titlul cărții, filmului, publicației etc, dacă se cunoaște)";
$ui_text['add_source_song']="Album, operă sau folclor (dacă se cunoaște)";
$ui_text['add_source_proverb']="Originea proverbului, la plural (de exemplu, proverbe românești)";
$ui_text['add_date']="Data când a fost scris sau publicat prima dată";
$ui_text['add_date2']="doar dacă data este cunoscută; se poate completa doar anul sau luna și anul";
$ui_text['add_notes']="Observații (nu sunt publicate, dar sunt citite de webmaster și pot fi de folos pentru viitor)";
$ui_text['add_name']="Numele tău (opțional, pentru creditare)";
$ui_text['add_mail']="Adresa de e-mail (opțional)";
$ui_text['add_confirm']="Înregistrarea a fost adăugată în baza de date.";
$ui_text['submit']="Trimite";
$ui_text['nothing']="Nu este nimic de prezentat";
$ui_text['nothing_more']="Nu mai este nimic de prezentat";
$ui_text['month_01']="ianuarie";
$ui_text['month_02']="februarie";
$ui_text['month_03']="martie";
$ui_text['month_04']="aprilie";
$ui_text['month_05']="mai";
$ui_text['month_06']="iunie";
$ui_text['month_07']="iulie";
$ui_text['month_08']="august";
$ui_text['month_09']="septembrie";
$ui_text['month_10']="octombrie";
$ui_text['month_11']="noiembrie";
$ui_text['month_12']="decembrie";
?>
$ui_text['home']="home page";
$ui_text['quote']="quote";
$ui_text['quotes']="quotes";
$ui_text['of_the_moment']="of the moment";
$ui_text['poem']="poem";
$ui_text['song']="song";
$ui_text['limerick']="limerick";
$ui_text['epigram']="epigram";
$ui_text['tanka']="tanka";
$ui_text['haiku']="haiku";
$ui_text['senryu']="senryu";
$ui_text['murphism']="murphism";
$ui_text['line']="line";
$ui_text['lines']="lines";
$ui_text['script']="script";
$ui_text['proverb']="proverb";
$ui_text['aphorism']="aphorism";
// subiecte existÄ deocamdatÄ doar la italianÄ, portughezÄ, spaniolÄ Ći catalanÄ
$ui_text['celebration']="Celebration";
$ui_text['national_day']="National day";
$ui_text['character_of_the_day']="Character of the day";
$ui_text['topic_of_the_day']="Topic of the day";
$ui_text['topics']="topics";
$ui_text['pictures']="pictures";
$ui_text['authors']="authors";
$ui_text['authors_list']="List of authors";
$ui_text['by']="by";
$ui_text['in']="in";
$ui_text['from']="from";
$ui_text['about']="about";
$ui_text['sources']="known sources";
$ui_text['anniversary']="Today's anniversary";
$ui_text['related_quotes']="Related quotes";
$ui_text['latest_quotes']="Latest quotes";
$ui_text['latest_funny_quotes']="Latest funny quotes";
$ui_text['latest_aphorisms']="Latest aphorisms";
$ui_text['latest_lines']="Latest lines";
$ui_text['latest_poems']="Latest poems";
$ui_text['latest_limericks']="Latest limericks";
$ui_text['latest_haiku']="Latest haiku";
$ui_text['latest_proverbs']="Latest proverbs";
$ui_text['latest_songs']="Latest songs";
$ui_text['random_quotes']="Random quotes";
$ui_text['random_funny_quotes']="Random funny quotes";
$ui_text['random_aphorisms']="Random aphorisms";
$ui_text['random_lines']="Random lines";
$ui_text['random_poems']="Random poems";
$ui_text['random_limericks']="Random limericks";
$ui_text['random_haiku']="Random haiku";
$ui_text['random_proverbs']="Random proverbs";
$ui_text['random_songs']="Random songs";
$ui_text['more_quotes']="more quotes";
$ui_text['more_funny_quotes']="more funny quotes";
$ui_text['more_aphorisms']="more aphorisms";
$ui_text['more_lines']="more lines";
$ui_text['more_poems']="more poems";
$ui_text['more_limericks']="more limericks";
$ui_text['more_haiku']="more creations";
$ui_text['more_proverbs']="more proverbs";
$ui_text['more_songs']="more songs";
$ui_text['more']="more";
$ui_text['read_more']="Read more";
$ui_text['unknown']="unknown author";
$ui_text['translator']="translated by";
$ui_text['performed']="performed by";
$ui_text['music']="music";
$ui_text['lyrics']="lyrics";
$ui_text['moderator']="Moderator";
$ui_text['editors']="Editors";
$ui_text['user']="Submitted by";
$ui_text['anonym']="anonym";
$ui_text['webmaster']="webmaster";
$ui_text['contact']="Contact";
$ui_text['related_photos']="Related photos";
$ui_text['related_photos_more']="Search for more...";
$ui_text['stats']="Statistics";
$ui_text['until_now']="until now";
$ui_text['in_english']="in English";
$ui_text['in_romanian']="in Romanian";
$ui_text['in_spanish']="in Spanish";
$ui_text['in_italian']="in Italian";
$ui_text['page']="page";
$ui_text['page_first']="first page";
$ui_text['page_previous']="previous page";
$ui_text['page_next']="next page";
$ui_text['page_last']="last page";
$ui_text['search']="Search";
$ui_text['search_all']="all";
$ui_text['search_sms']="SMS (short quotes)";
$ui_text['search_recent']="recent searches";
$ui_text['search_recent_title']="from recent searches";
$ui_text['search_recent_list']="Also view results of other recent searches";
$ui_text['search_top']="top searches";
$ui_text['send_message']="Message";
$ui_text['send_name']="Signature (sender's name)";
$ui_text['send_mail']="Sender's e-mail address";
$ui_text['send_to']="Recipient's e-mail address";
$ui_text['send_empty_to']="Please enter recipient's e-mail address.";
$ui_text['send_empty_mail']="Please enter sender's e-mail address.";
$ui_text['send_stop_abuse']="Your message has been sent. You can send another one.";
$ui_text['send_stop_html']="HTML is not allowed.";
$ui_text['send_stop_url']="URLs are not allowed.";
$ui_text['send_confirmation']="Your message has been sent. You can send another one.";
$ui_text['send_link']="Send by e-mail";
$ui_text['problem_mistake']="This text contains a mistake";
$ui_text['problem_duplicate']="This text is duplicate";
$ui_text['problem_author']="I know the author of this text";
$ui_text['problem_change']="The author of this text is another person";
$ui_text['problem_another']="Another problem";
$ui_text['problem_message']="More info, if necessary";
$ui_text['problem_name']="Your name";
$ui_text['problem_mail']="Your e-mail";
$ui_text['problem_confirmation']="Thank you!";
$ui_text['problem_link']="Report problem";
$ui_text['vote']="vote";
$ui_text['vote_i']="idea";
$ui_text['vote_i5']="brilliant";
$ui_text['vote_i4']="intelligent";
$ui_text['vote_i3']="interesting";
$ui_text['vote_i2']="arguable";
$ui_text['vote_i1']="stupid";
$ui_text['vote_e']="style";
$ui_text['vote_e5']="splendid";
$ui_text['vote_e4']="beautiful";
$ui_text['vote_e3']="nice";
$ui_text['vote_e2']="modest";
$ui_text['vote_e1']="common";
$ui_text['vote_t']="tone";
$ui_text['vote_t5']="hilarious";
$ui_text['vote_t4']="funny";
$ui_text['vote_t3']="moderate";
$ui_text['vote_t2']="serious";
$ui_text['vote_t1']="sad";
$ui_text['vote_tip1']="1 vote until now";
$ui_text['vote_tipb']="the average from";
$ui_text['vote_tipe']="votes";
$ui_text['vote_submit']="Vote";
$ui_text['vote_confirmation']="Thank you for your vote!";
$ui_text['vote_only1']="One vote until now, it's not enough, vote!";
$ui_text['vote_only2']="Two votes until now, it's not enough, vote!";
$ui_text['vote_link']="Vote!";
$ui_text['copy_info']="Click in the field, then press CTRL+C to copy the HTML code";
$ui_text['copy_solid']="solid border";
$ui_text['copy_dashed']="dashed border";
$ui_text['copy_dotted']="dotted border";
$ui_text['copy_double']="double border";
$ui_text['copy_groove']="groove border";
$ui_text['copy_ridge']="ridge border";
$ui_text['copy_inset']="inset border";
$ui_text['copy_outset']="outset border";
$ui_text['copy_no']="no border";
$ui_text['copy_blue']="blue";
$ui_text['copy_green']="green";
$ui_text['copy_red']="red";
$ui_text['copy_purple']="purple";
$ui_text['copy_cyan']="cyan";
$ui_text['copy_gold']="gold";
$ui_text['copy_silver']="silver";
$ui_text['copy_black']="black";
$ui_text['copy_submit']="Change";
$ui_text['copy_link']="Copy!";
$ui_text['comment']="comment";
$ui_text['comment_name']="Name (required)";
$ui_text['comment_mail']="E-mail address (hidden)";
$ui_text['comment_0']="No comments until now.";
$ui_text['comment_said']="said on";
$ui_text['comment_show']="show the commented quote";
$ui_text['comment_link']="Comment!";
$ui_text['comments']="comments";
$ui_text['comments_latest']="Latest comments";
$ui_text['add_quote']="Submit quote";
$ui_text['add_aphorism']="Submit aphorism";
$ui_text['add_lines']="Submit lines";
$ui_text['add_poem']="Submit poem";
$ui_text['add_limerick']="Submit limerick";
$ui_text['add_haiku']="Submit haiku";
$ui_text['add_proverb']="Submit proverb";
$ui_text['add_song']="Submit song";
$ui_text['add_check']="Check if it already exist on the site";
$ui_text['add_title']="Title";
$ui_text['add_author']="Author's name (empty for unknown author)";
$ui_text['add_lyrics']="Lyrics' author";
$ui_text['add_composer']="Music's composer";
$ui_text['add_performer']="The most representative performer";
$ui_text['add_translator']="Translator's name (if it's the case)";
$ui_text['add_source']="Source (title of the book, movie, magazine etc, if it's known)";
$ui_text['add_source_song']="Musical album, opera or folklore (if it's known)";
$ui_text['add_source_proverb']="Proverb's origin, plural form (for example, English proverbs)";
$ui_text['add_date']="Date when it was written or published for the first time";
$ui_text['add_date2']="only if it's known; you may enter month and year or year only";
$ui_text['add_notes']="Notes (they are not published, but they are read by webmaster and some can be useful for the future)";
$ui_text['add_name']="Your name (optional, for credits)";
$ui_text['add_mail']="Your e-mail address (optional)";
$ui_text['add_confirm']="The record is added to the database.";
$ui_text['add_more']="If you know another quote, please submit it.";
$ui_text['submit']="Submit";
$ui_text['nothing']="Nothing to show";
$ui_text['nothing_more']="Nothing more to show";
$ui_text['month_01']="January";
$ui_text['month_02']="February";
$ui_text['month_03']="March";
$ui_text['month_04']="April";
$ui_text['month_05']="May";
$ui_text['month_06']="June";
$ui_text['month_07']="July";
$ui_text['month_08']="August";
$ui_text['month_09']="September";
$ui_text['month_10']="October";
$ui_text['month_11']="November";
$ui_text['month_12']="December";
?>

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poem by Rwetewrt Erwtwer
Added by Poetry Lover
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Prince Hohenstiel-Schwangau, Saviour of Society
Epigraph
΄ΎÏαΜ ÏÎżÎœÎ”ÏÏαÏ, ÎŒÏ
ÏÎŻÏΜ Ïៜ áŒÎ»Î»ÏΜ ÏÏΜÏΜ
ÎŽÎčáżÎ»ÎžÎżÎœ áŒÎłÎÎ»Î±Ï . . .
Ï᜞ λοίÏΞÎčÎżÎœ ÎŽáœČ ÏÏΜΎៜ áŒÏληΜ ÏÎŹÎ»Î±Ï ÏÏÎœÎżÎœ,
. . . ÎŽáż¶ÎŒÎ± ΞÏÎčÎłÎșáż¶ÏαÎč ÎșαÎșÎżáżÏ.
I slew the Hydra, and from labour pass'd
To labour â tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.
You have seen better days, dear? So have I â
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Ćdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, â
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,â
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course â
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit â not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One â thus â up, up to blot Two â thus â
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:
[...] Read more
poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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The Third Monarchy, being the Grecian, beginning under Alexander the Great in the 112. Olympiad.
Great Alexander was wise Philips son,
He to Amyntas, Kings of Macedon;
The cruel proud Olympias was his Mother,
She to Epirus warlike King was daughter.
This Prince (his father by Pausanias slain)
The twenty first of's age began to reign.
Great were the Gifts of nature which he had,
His education much to those did adde:
By art and nature both he was made fit,
To 'complish that which long before was writ.
The very day of his Nativity
To ground was burnt Dianaes Temple high:
An Omen to their near approaching woe,
Whose glory to the earth this king did throw.
His Rule to Greece he scorn'd should be confin'd,
The Universe scarce bound his proud vast mind.
This is the He-Goat which from Grecia came,
That ran in Choler on the Persian Ram,
That brake his horns, that threw him on the ground
To save him from his might no man was found:
Philip on this great Conquest had an eye,
But death did terminate those thoughts so high.
The Greeks had chose him Captain General,
Which honour to his Son did now befall.
(For as Worlds Monarch now we speak not on,
But as the King of little Macedon)
Restless both day and night his heart then was,
His high resolves which way to bring to pass;
Yet for a while in Greece is forc'd to stay,
Which makes each moment seem more then a day.
Thebes and stiff Athens both 'gainst him rebel,
Their mutinies by valour doth he quell.
This done against both right and natures Laws,
His kinsmen put to death, who gave no cause;
That no rebellion in in his absence be,
Nor making Title unto Sovereignty.
And all whom he suspects or fears will climbe,
Now taste of death least they deserv'd in time,
Nor wonder is t if he in blood begin,
For Cruelty was his parental sin,
Thus eased now of troubles and of fears,
Next spring his course to Asia he steers;
Leavs Sage Antipater, at home to sway,
And through the Hellispont his Ships made way.
Coming to Land, his dart on shore he throws,
Then with alacrity he after goes;
And with a bount'ous heart and courage brave,
His little wealth among his Souldiers gave.
And being ask'd what for himself was left,
Reply'd, enough, sith only hope he kept.
[...] Read more
poem by Anne Bradstreet
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Safety Dance
Ssss-aaaa-ffff-eeee-tttt-yyyy
Safety-dance!
Ah we can dance if we want to, we can leave your friends behind
Cause your friends dont dance and if they dont dance
Well theyre are no friends of mine
I say, we can go where we want to, a place where they will never find
And we can act like we come from out of this world
Leave the real one far behind,
And we can dance
We can dance if we want to, we can leave your friends behind
Cause your friends dont dance and if they dont dance
Well theyre are no friends of mine
I say, we can go where we want to a place where they will never find
And we can act like we come from out of this world
Leave the real one far behind
And we can dance.
Dancez!
Ah we can go when we want to the night is young and so am i
And we can dress real neat from our hats to our feet
And surprise em with the victory cry
I say we can act if want to if we dont nobody will
And you can act real rude and totally removed
And I can act like an imbecile
I say we can dance, we can dance everything out control
We can dance, we can dance were doing it wall to wall
We can dance, we can dance everybody look at your hands
We can dance, we can dance everybody takin the chance
Safety dance
Oh well the safety dance
Ah yes the safety dance
Ssss-aaaa-ffff-eeee-tttt-yyyy
Safety-dance
We can dance if we want to, weve got all your life and mine
As long as we abuse it, never gonna lose it
Everythingll work out right
I say, we can dance if we want to we can leave your friends behind
Cause your friends dont dance and if they dont dance
Well theyre are no friends of mine
I say we can dance, we can dance everything out of control
We can dance, we can dance were doing it wall to wall
We can dance, we can dance everybody look at your hands
We can dance, we can dance everybodys takin the chance
Oh well the safety dance
Ah yes the safety dance
Oh well the safety dance
Oh well the safety dance
Oh yes the safety dance
Oh the safety dance yeah
Oh its the safety dance
Its the safety dance
[...] Read more
song performed by Men Without Hats
Added by Lucian Velea
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The Safety Dance
Ssss-aaaa-ffff-eeee-tttt-yyyy
Safety-dance!
Ah we can dance if we want to, we can leave your friends behind
Cause your friends dont dance and if they dont dance
Well theyre are no friends of mine
I say, we can go where we want to, a place where they will never find
And we can act like we come from out of this world
Leave the real one far behind,
And we can dance
We can dance if we want to, we can leave your friends behind
Cause your friends dont dance and if they dont dance
Well theyre are no friends of mine
I say, we can go where we want to a place where they will never find
And we can act like we come from out of this world
Leave the real one far behind
And we can dance.
Francois!
Ah we can go when we want to the night is young and so am i
And we can dress real neat from our hats to our feet
And surprise em with the victory cry
I say we can act if want to if we dont nobody will
And you can act real rude and totally removed
And I can act like an imbecile
I say we can dance, we can dance everything out control
We can dance, we can dance were doing it wall to wall
We can dance, we can dance everybody look at your hands
We can dance, we can dance everybody takin the chance
Safety dance
Oh well the safety dance
Ah yes the safety dance
Ssss-aaaa-ffff-eeee-tttt-yyyy
Safety-dance
We can dance if we want to, weve got all your life and mine
As long as we abuse it, never gonna lose it
Everythingll work out right
I say, we can dance if we want to we can leave your friends behind
Cause your friends dont dance and if they dont dance
Well theyre are no friends of mine
I say we can dance, we can dance everything out control
We can dance, we can dance were doing it wall to wall
We can dance, we can dance everybody look at your hands
We can dance, we can dance everybodys takin the chance
Oh well the safety dance
Ah yes the safety dance
Oh well the safety dance
Oh well the safety dance
Oh yes the safety dance
Oh the safety dance yeah
Oh its the safety dance
Its the safety dance
[...] Read more
song performed by Men Without Hats
Added by Lucian Velea
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The Interpretation of Nature and
I.
MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.
II.
Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.
III.
Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.
IV.
Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.
V.
The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.
VI.
It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.
VII.
The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.
VIII.
Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.
IX.
The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.
X.
The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.
XI.
As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.
XII.
The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.
XIII.
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poem by Sir Francis Bacon
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Sociology Assignment
THE APPLICATION OF SOCIOLOGY OF EDUCATION IN CLASSROOM TEACHING
INTRODUCTION
Sociology of education, as defined by Pavalko (1976) , is the scientific analysis of the social processes and patterns involved in the educational system. It is concerned with educational aims, methods, and institutions in relation to social and cultural forces of the society in which they function. This assumes that education is a combination of social acts and it deals with human interaction. In the education of the individual, it concerns the influence of social life and social relationships on the development of personality. Sociology of education is very significant as it introduces a teacher to a collection of techniques that are required in classroom teaching. Such techniques include; understanding and applying interaction in the classroom, the disposition of norms to the students by the teachers, understanding teacher-student relationship and communication, provision of career guidance and finally understanding social roles of teachers and students. This essay, therefore, discusses how we, as teachers to be, can apply the above sociological techniques in classroom teaching in secondary schools.
INTERACTION
A classroom, like any other social group, requires all the members to participate and interact with each other for a common goal. A teacher as a leader in the classroom can make sure that there is interaction among his/her students by forming study groups or circles. In these study circles there is mutual influence and benefit among students since students can participate in the discussions that the group undertakes. Interaction in these groups can be cooperative and competitive among students (Ottaway,1960) .
In these groups members are in face to face interaction with each other and there are a small number of participants, this encourages the students to speak out their minds on a given topic. This is so because in a small group every student is given a chance to express himself/herself as compared to the whole class. This gives a chance to some students who can not express themselves fully when there are many people around them. This helps students to build self confidence since their views can be heard by their peers. It also builds a habit of doing things together as a result there is unity among members of the group (Ashley et. al.,1970) .
In this case, the teacher as a leader in the classroom does not dominate in the classroom activities but rather just controls the thoughts and behaviour of his pupils and sets the tone of the interaction patterns in the classroom. The teacher is also there to facilitate in the discussions. However, a teacher needs not to always be present in these groups since some students may not interact fully in the presence of their teacher than their peers. In this case, indirect control from a teacher may be more effective than direct (Ottaway,1960) .
NORMS
Sociology of education analyzes the sociological processes that have a bearing in the education system. One of such sociological processes is the disposition of norms that a teacher imparts in his/her students through interaction in class. The studentsâ awareness of these norms facilitates the teaching process, on the part of the teacher, and the learning process on the part of students. The impartation of norms on the students is referred to as the hidden curriculum because it is not included on the formal curriculum. Though not included on paper, the students are supposed to know these norms because the way they conduct themselves in class (morally) will affect the teaching and learning processes either positively or negatively. For instance, some students may choose not to cooperate in taking assignments. This tendency may be triggered by the studentsâ lack of proper direction in their behavior that departs from the values and norms that guide the society. Such students if not handled professionally by the teacher may cause havoc in class. This is where sociology of education becomes vital to classroom management in secondary schools. In sociology of education a teacher learns how to manage students, both those who are morally upright and those morally decayed.
Sociology of education also instructs teachers to be exemplary. The teaching ethics are also very clear on this point as Ashley et al. (1970) declare that teaching professional training emphasizes moral virtues and exemplary behavior on the part of teachers. They have to behave, dress and speak as role models. True to that proverb that says âaction speaks louder than wordsâ, teacherâs behavior will have a great impact on the conduct of his/her students. If the teacher is not morally upright the students are likely to be like him/her in their conduct. One other point that may help curb indiscipline in students is through the provision of enough work to keep the students busy. This is helpful because when the students are idle they tend to misbehave (Abromitis,2009) .
TEACHER-STUDENT RELATIONSHIP AND COMMUNICATION
The maintenance of a harmonious social relationship between a teacher and those undergoing socialization (students) , is one of the applications of sociology of education in a classroom. The social interaction within the classroom will help teachers understand the psychological variables that affect the social behaviour of students. For instance, a studentâs performance may be affected by poverty and funeral at home among other things. This stresses that each individual is a member of a wide family and gets influenced by social and cultural factors as well. A teacher, therefore, is supposed to identify those students who are not doing well in class as expected and try to find the source of their problems and counsel them accordingly. For instance, sociology of education enables a teacher to establish the real cause of impoliteness in some students that even cause destructions during classes. A teacher does this through inquiries that he/she makes about the naughty studentsâ back ground that sometimes may be responsible for the studentsâ bad behavior.
The teacherâs awareness of such backgrounds will enable him/her to know where to start the intervention of shaping the behavior of students. When the good behavior of once ill-mannered students is restored, the teaching and learning processes go smoothly. This suggests that there should be a good communication and interaction between teachers and students. However, Zeleny (1948) as cited in Pavalko (1976) warns that the teacher should not be too friendly with the students. This is because it will be very difficult to provide counseling to them and eventually fail to induce changed behaviour when they go wrong.
CAREER GUIDANCE
A school as a social institution is expected to produce people who are reliable for continuity of a society as far as leadership and management of social institutions is concerned. In view of this, we can say it is important for teachers to include lessons in decision-making and career guidance. Though career guidance is over looked by many schools, it plays an important role. Harris (1999) says career guidance helps students to identify the work-related competences they are developing through the various school subjects and relate them to their career planning. In short, career guidance acts as an advocate for students in establishing their career ladders.
Career guidance needs enforcement because not all students are aware of the different job opportunities that are in the corporate world. For instance, asking children from rural areas about their ambitions, most of them will talk about nursing and teaching as opposed to those from urban areas who will talk of becoming, a pilot, an accountant, a lawyer and many more. This is due to parentsâ or guardiansâ âlevel of education and childrenâs exposure to media or other sources of information. Therefore, a teacher should not take it for granted that all students are aware about careers.
A teacher can impart career lessons through different ways. First of all, a teacher needs to include in his or her curriculum a special time at least 20 to 30 minutes per week for career lessons (Harris,1999) . In a classroom, a teacher may use personal approach, where he or she can ask students of their ambitions and provide information on the requirements and the institution(s) that offer(s) them. Secondly, a teacher can use interactive and experimental exercises, where he or she can put students into groups and ask them to interview different personnel on their professions and how they managed to achieve them. Afterwards students can present their findings to a class. Apart from motivating students, this method can also promote interaction between students and the community.
SOCIAL ROLES OF TEACHERS AND STUDENTS
Social role is among the five basic concepts in the sociology of education. A social role is a behavior appropriate to a particular position in a social group. A classroom as a sub-social system has actors and participants, who are teachers and students respectively. Sociology of education enables a teacher to realize his/her role and at the same time helps the students realize theirs. The teacher playing his/her role has to teach and encourage the students to learn. The role of a teacher is really a combination of sub-roles which the skillful teacher fits to produce a useful pattern of teaching. One of these sub-roles includes, being an instructor, whereby the teacher gives instructions and shows the students in a classroom how to learn and answer questions. This is the role the teacher prepares for, explicitly and directly. On the other hand, the students on their part have to listen, attend classes, submit assignments regularly and take examinations. Cooperation demands high degree of predictability of conduct and requires that individuals should make personal sacrifices in favour of societal expectations. In other words, where a teacherâs personal interests or commitments are in conflict with his or her role as a teacher, his/her personal interests have to give way to his/her teaching role (Ezewu,1983) .
There is a social and a personal aspect of every role that is significant to an individual. For instance, a person learns the expected and rewarded behaviour for each role. Students learn when to give priority to a particular role. In a classroom situation, the students learn to take the role of a pupil most of the time rather than the role of a playmate. (Havighurst et al.,1963) .
CONCLUSION
After discussing the above sociological techniques we have the audacity to conclude that Sociology of education adds to the teacherâs kit of intellectual tools. In this case, a set of sociological insights and concepts that will allow him/her to take account in his decision-making organization, cultural and interpersonal factors at work in his/her environment. Therefore, Sociology of education is essential as it equips teachers with great knowledge on how to socialize their students in a classroom situation in secondary schools.
LIST OF REFERENCES.
Abromitis, B. (2009, Feb 27) .Teachers Creating an effective learning Environment in a
monitored Classroom; Sociology of Education. www.google.com.
Ashley, J.B., Cohen, S.H., & Slatter, R.G. (1970) . An Introduction to the Sociology of
Education. Macmillan and Co Ltd: London & Basingstoke, pp.117-139
Ezewu, E.B.A. (1983) . Sociology of Education. Longman: London, pp.13-14
Harris, S. (1999) . Careers education: contesting policy and practice. Sage
[...] Read more
poem by Innocent Masina Nkhonyo
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The Tower Beyond Tragedy
I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.
[...] Read more
poem by Robinson Jeffers
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The Hind And The Panther, A Poem In Three Parts : Part III.
Much malice, mingled with a little wit,
Perhaps may censure this mysterious writ;
Because the muse has peopled Caledon
With panthers, bears, and wolves, and beasts unknown,
As if we were not stocked with monsters of our own.
Let Ăsop answer, who has set to view
Such kinds as Greece and Phrygia never knew;
And Mother Hubbard, in her homely dress,
Has sharply blamed a British lioness;
That queen, whose feast the factious rabble keep,
Exposed obscenely naked, and asleep.
Led by those great examples, may not I
The wonted organs of their words supply?
If men transact like brutes, 'tis equal then
For brutes to claim the privilege of men.
Others our Hind of folly will indite,
To entertain a dangerous guest by night.
Let those remember, that she cannot die,
Till rolling time is lost in round eternity;
Nor need she fear the Panther, though untamed,
Because the Lion's peace was now proclaimed;
The wary savage would not give offence,
To forfeit the protection of her prince;
But watched the time her vengeance to complete,
When all her furry sons in frequent senate met;
Meanwhile she quenched her fury at the flood,
And with a lenten salad cooled her blood.
Their commons, though but coarse, were nothing scant,
Nor did their minds an equal banquet want.
For now the Hind, whose noble nature strove
To express her plain simplicity of love,
Did all the honours of her house so well,
No sharp debates disturbed the friendly meal.
She turned the talk, avoiding that extreme,
To common dangers past, a sadly-pleasing theme;
Remembering every storm which tossed the state,
When both were objects of the public hate,
And dropt a tear betwixt for her own children's fate.
Nor failed she then a full review to make
Of what the Panther suffered for her sake;
Her lost esteem, her truth, her loyal care,
Her faith unshaken to an exiled heir,
Her strength to endure, her courage to defy,
Her choice of honourable infamy.
On these, prolixly thankful, she enlarged;
Then with acknowledgments herself she charged;
For friendship, of itself an holy tie,
Is made more sacred by adversity.
Now should they part, malicious tongues would say,
They met like chance companions on the way,
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poem by John Dryden
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Death Of The Middle Class
Oligarchs and Banksters tighten financial screws
In a bold attempt to kill the global Middle Class
Heads of State unable/unwilling to halt this ruse
The âGreat Depression of 1929â we soon surpass
ROTMS
By Andrew Gavin Marshall - Global Research
We now stand at the edge of the global financial abyss of a âGreat Global Debt Depression, â where nations, mired in extreme debt, are beginning to implement âfiscal austerityâ measures to reduce their deficits, which will ultimately result in systematic global social genocide, as the middle classes vanish and the social foundations upon which our nations rest are swept away. How did we get here? Who brought us here? Where is this road leading? These are questions I will briefly attempt to answer.
At the heart of the global political economy is the central banking system. Central banks are responsible for printing a nationâs currency and setting interest rates, thus determining the value of the currency. This should no doubt be the prerogative of a national government, however, central banks are of a particularly deceptive nature, in which while being imbued with governmental authority, they are in fact privately owned by the worldâs major global banks, and are thus profit-seeking institutions. How do central banks make a profit? The answer is simple: how do all banks make a profit? Interest on debt. Loans are made, interest rates are set, and profits are made. It is a system of debt, imperial economics at its finest.
In the United States, President Woodrow Wilson signed the Federal Reserve Act in 1913, creating the Federal Reserve System, with the Board located in Washington, appointed by the President, but where true power rested in the 12 regional banks, most notably among them, the Federal Reserve Bank of New York. The regional Fed banks were private banks, owned in shares by the major banks in each region, which elected the board members to represent them, and who would then share power with the Federal Reserve Board in Washington.
In the early 1920s, the Council on Foreign Relations was formed in the United States as the premier foreign policy think tank, dominated by powerful banking interests. In 1930, the Bank for International Settlements (BIS) was created to manage German reparations payments, but it also had another role, which was much less known, but much more significant. It was to act as a âcoordinator of the operations of central banks around the world.â Essentially, it is the central bank for the worldâs central banks, whose operations are kept âstrictly confidential.â As historian Carroll Quigley wrote:
'The powers of financial capitalism had another far-reaching aim, nothing less than to create a world system of financial control in private hands able to dominate the political system of each country and the economy of the world as a whole. This system was to be controlled in a feudalist fashion by the central banks of the world acting in concert, by secret agreements arrived at in frequent private meetings and conferences. The apex of the system was to be the Bank for International Settlements in Basel, Switzerland, a private bank owned and controlled by the worldâs central banks which were themselves private corporations.'
In 1954, the Bilderberg Group was formed as a secretive global think tank, comprising intellectual, financial, corporate, political, military and media elites from Western Europe and North America, with prominent bankers such as David Rockefeller, as well as European royalty, such as the Dutch royal family, who are the largest shareholders in Royal Dutch Shell, whose CEO attends every meeting. This group of roughly 130 elites meets every year in secret to discuss and debate global affairs, and to set general goals and undertake broad agendas at various meetings. The group was initially formed to promote European integration. The 1956 meeting discussed European integration and a common currency. In fact, the current Chairman of the Bilderberg Group told European media last year that the euro was debated at the Bilderberg Group.
In 1973, David Rockefeller, Chairman and CEO of Chase Manhattan Bank, Chairman of the Council on Foreign Relations and a member of the Steering Committee of the Blderberg Group, formed the Trilateral Commission with CFR academic Zbigniew Brzezinski. That same year, the oil price shocks created a wealth of oil money, which was discussed at that years Bilderberg meeting 5 months prior to the oil shocks, and the money was funneled through western banks, which loaned it to âthird worldâ nations desperately in need of loans to finance industrialization.
When Jimmy Carter became President in 1977, he appointed over two dozen members of the Trilateral Commission into his cabinet, including himself, and of course, Zbigniew Brzezinski, who was his National Security Adviser. In 1979, Carter appointed David Rockefellerâs former aide and friend, Paul Volcker, who had held various positions at the Federal Reserve Bank of New York and the U.S. Treasury Department, and who also happened to be a member of the Trilateral Commission, as Chairman of the Federal Reserve. When another oil shock took place in 1979, Volcker decided to raise interest rates from 2% in the late 70s, to 18% in the early 80s. The effect this had was that the countries of the developing world suddenly had to pay enormous interest on their loans, and in 1982, Mexico announced it could no longer afford to pay its interest, and it defaulted on its debt, which set off the 1980s debt crisis â collapsing nations in debt across Latin America, Africa and parts of Asia.
It was the IMF and the World Bank came to the âassistanceâ of the Third World with their âstructural adjustment programsâ, which forced countries seeking assistance to privatize all state owned industries and resources, devalue their currencies, liberalize their economies, dismantle health, education and social services; ultimately resulting in the re-colonization of the âThird Worldâ as Western corporations and banks bought all their assets and resources, and ultimately created the conditions of social genocide, with the spread of mass poverty, and the emergence of corrupt national elites who were subservient to the interests of Western elites. The people in these nations would protest, riot and rebel, and the states would clamp down with the police and military.
In the West, corporations and banks saw rapid, record-breaking profits. This was the era in which the term âglobalizationâ emerged. While profits soared, wages for people in the West did not. Thus, to consume in an economy in which prices were rising, people had to go into debt. This is why this era marked the rise of credit cards fueling consumption, and the middle class became a class based entirely on debt.
In the 1990s, the ânew world orderâ was born, with America ruling the global economy, free trade agreements began integrating regional and global markets for the benefit of global banks and corporations, and speculation dominated the economy.
The global economic crisis arose as a result of decades of global imperialism â known recently as âglobalizationâ â and the reckless growth ofâ speculation, derivatives and an explosion of debt. As the economic crisis spread, nations of the world, particularly the United States, bailed out the major banks (which should have been made to fail and crumble under their own corruption and greed) , and now the West has essentially privatized profits for the banks, and socialized the risk. In other words, the nations bought the debt from the banks, and now the people have to pay for it. The people, however, are immersed in their own personal debt to such degrees that today, the average Canadian is $39,000 in debt, and students are graduating into a jobless market with tens to hundreds of thousands of dollars of student debt that they will never repay. Hence, we are now faced with a global debt crisis.
To manage the economic crisis, the G20 was established as the major international forum for cooperation among the 20 major economies of the world, including the major developing â or emerging â economies, such as India, Brazil, South Africa and China. At the onset of the financial crisis, China and Russiaâs central banks began calling for the establishment of a global currency to replace the U.S. dollar as the world reserve currency. This proposal was backed by the UN and the IMF. It should be noted, however, that the Chinese and Russian central banks cooperate with the Western central banks through the Bank for International Settlements â which the President of the European Central Bank, Jean-Claude Trichet, recently said was the principle forum for âgovernance of central bank cooperationâ and that the G20 is âthe prime group for global economic governance.â In 2009, the IMF stated that the BIS âis the central and the oldest focal point for coordination of global governance arrangements.â The President of the European Union, appointed to the position after attending a Bilderberg meeting, declared 2009 as the âfirst year of global governance.â The 2009 Bilderberg meeting reported on the desire to create a global treasury, or global central bank, to manage the world economy. In 2009, prior to the Bilderberg meeting in fact, the G20 set in motion plans to make the IMF a global central bank of sorts, issuing and even printing its own currency â called Special Drawing Rights (SDRs) â which is valued against a basket of currencies. In May of 2010, the IMF Managing Director stated that âcrisis is an opportunity, â and while Special Drawing Rights are a step in the right direction, ultimately what is needed is âa new global currency issued by a global central bank, with robust governance and institutional features.â Thus, we see the emergence of a process towards the formation of a global central bank and a global currency, totally unaccountable to any nation or people, and totally controlled by global banking interests.
In 2010, Greece was plunged into a debt crisis, a crisis which is now spreading across Europe, to the U.K. and eventually to Japan and the United States. If we look at Greece, we see the nature of the global debt crisis. The debt is owed to major European and American banks. To pay the interest on the debt, Greece had to get a loan from the European Central Bank and the IMF, which forced the country to impose âfiscal austerityâ measures as a condition for the loans, pressuring Greece to commit social genocide. Meanwhile, the major banks of America and Europe speculate against the Greek debt, further plunging the country into economic and social crisis. The loan is granted, to pay the interest, yet simply has the effect of adding to the overall debt, as a new loan is new debt. Thus, Greece is caught in the same debt trap that re-colonized the Third World.
At the recent G20 meeting in Toronto, the major nations of the world agreed to impose fiscal austerity â or in other words, commit social genocide â within their nations, in a veritable global structural adjustment program. So now we will see the beginnings of the Great Global Debt Depression, in which major western and global nations cut social spending, create mass unemployment by dismantling health, education, and social services. Further, state infrastructure â such as roads, bridges, airports, ports, railways, prisons, hospitals, electric transmission lines and water â will be privatized, so that global corporations and banks will own the entirely of national assets. Simultaneously, of course, taxes will be raised dramatically to levels never before seen. The BIS said that interest rates should rise at the same time, meaning that interest payments on debt will dramatically increase at both the national and individual level, forcing governments to turn to the IMF for loans â likely in the form of its new global reserve currency â to simply pay the interest, and will thus be absorbing more debt. Simultaneously, of course, the middle class will in effect have its debts called in, and since the middle class exists only as an illusion, the illusion will vanish.
Already, towns, cities, and states across America are resorting to drastic actions to reduce their debts, such as closing fire stations, scaling back trash collection, turning off street lights, ending bus services and public transportation, cutting back on library hours or closing them altogether, school districts cutting down the school day, week or year. Simultaneously, this is occurring with a dramatic increase in the rate of privatizations or âpublic-private partnershipsâ in which even libraries are being privatized.
No wonder then, that this month, the Managing Director of the IMF warned that America and Europe, in the midst of the worst jobs crisis since the Great Depression, face an âexplosion of social unrest.â Just yesterday, Europe experienced a wave of mass protests and social unrest in opposition to âausterity measuresâ, with a general strike in Spain involving millions of people, and a march on the EU headquarters in Brussels of nearly 100,000 people. As social unrest spreads, governments will likely react â as we saw in the case of the G20 in Toronto â with oppressive police state measures. Here, we see the true relevance of the emergence of âHomeland Security Statesâ, designed not to protect people from terrorists, but to protect the powerful from the people.
So while things have never seemed quite so bleak, there is a dim and growing beacon of hope, in what Zbigniew Brzezinski has termed as the greatest threat to elite interests everywhere â the âglobal political awakeningâ. The global political awakening is representative of the fact that for the first time in all of human history, mankind is politically awakened and stirring, activated and aware, and that generally â as Zbigniew Brzezinski explains â generally is aware of global inequalities, exploitation, and disrespect. This awakening is largely the result of the information revolution â thus revealing the contradictory nature of the globalization project â as while it globalizes power and oppression, so too does it globalize awareness and opposition. This awakening is the greatest threat to entrenched elite interests everywhere. The awakening, while having taken root in the global south â already long subjected to exploitation and devastation â is now stirring in the west, and will grow as the economy crumbles. As the middle classes realize their consumption was an illusion of wealth, they will seek answers and demand true change, not the Wall Street packaged âbrand-nameâ change of Obama Inc., but true, inspired, and empowering change.
In 1967, Martin Luther King delivered a speech in which he spoke out against the Vietnam War and the American empire, and he stated that, âIt seems as if we are on the wrong side of a world revolution.â So now it seems to me that the time has come for that to change.
Andrew Gavin Marshall is a Research Associate with the Centre for Research on Globalization (CRG) .
poem by Ray Lucero
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Orlando Furioso Canto 15
ARGUMENT
Round about Paris every where are spread
The assailing hosts of Africa and Spain.
Astolpho home by Logistilla sped,
Binds first Caligorantes with his chain;
Next from Orrilo's trunk divides the head;
With whom Sir Aquilant had warred in vain,
And Gryphon bold: next Sansonet discerns,
Ill tidings of his lady Gryphon learns.
I
Though Conquest fruit of skill or fortune be,
To conquer always is a glorious thing.
'Tis true, indeed, a bloody victory
Is to a chief less honour wont to bring;
And that fair field is famed eternally,
And he who wins it merits worshipping,
Who, saving from all harm his own, without
Loss to his followers, puts the foe to rout.
II
You, sir, earned worthy praise, when you o'erbore
The lion of such might by sea, and so
Did by him, where he guarded either shore
From Francolino to the mouth of Po,
That I, though yet again I heard him roar,
If you were present, should my fear forego.
How fields are fitly won was then made plain;
For we were rescued, and your foemen slain.
III
This was the Paynim little skilled to do,
Who was but daring to his proper loss;
And to the moat impelled his meiny, who
One and all perished in the burning fosse.
The mighty gulf had not contained the crew,
But that, devouring those who sought to cross,
Them into dust the flame reduced, that room
Might be for all within the crowded tomb.
IV
Of twenty thousand warriors thither sent,
Died nineteen thousand in the fiery pit;
Who to the fosse descended, ill content;
But so their leader willed, of little wit:
Extinguished amid such a blaze, and spent
By the devouring flame the Christians lit.
And Rodomont, occasion of their woes,
Exempted from the mighty mischief goes:
[...] Read more
poem by Ludovico Ariosto
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Z. Comments
CRYSTAL GLOW
Madhur Veena Comment: Who is she? ? ? ? ? ? ? ? ? ? ? ....You write good!
Margaret Alice Comment: Beautiful, it stikes as heartfelt words and touches the heart, beautiful sentiments, sorry, I repeat myself, but I am delighted. Your poem is like the trinkets I collect to adorn my personal space, pure joy to read, wonderful! Only a beautiful mind can harbour such sentiments, you have a beautiful mind. I am glad you have found someone that inspires you to such heights and that you share it with us, you make the world a mroe wonderful place.
Margaret Alice Comment: Within the context set by the previous poem, âCosmic Probeâ, the description of a loverâs adoration for his beloved becomes a universal ode sung to the abstract values of love, joy and hope personified by light, colours, fragrance and beauty, qualities the poet assigns to his beloved, thus elevating her to the status of an uplifting force because she brings all these qualities to his attention. The poet recognises that these personified values brings him fulfilment and chose the image of a love relationship to illustrate how this comes about; thus a love poem becomes the vehicle to convey spiritual epiphany.
FRAGRANT JASMINE
Margaret Alice Comment: Your words seem to be directed to a divine entity, you seem to be addressing your adoration to a divinity, and it is wonderful to read of such sublime sentiments kindled in a human soul. Mankind is always lifted up by their vision and awareness of divinity, thank you for such pure, clear diction and sharing your awareness of the sublime with us, you have uplifted me so much by this vision you have created!
Margaret Alice Comment: The poetâs words seem to be directed to a divine entity, express adoration to a divinity who is the personification of wonderful qualities which awakens a sense of the sublime in the human soul. An uplifting vision and awareness of uplifting qualities of innocence represented by a beautiful person.
I WENT THERE TO BID HER ADIEU
Kente Lucy Comment: wow great writing, what a way to bid farewell
Margaret Alice Comment: Sensory experience is elevated by its symbolical meaning, your description of the scene shows two souls becoming one and your awareness of the importance of tempory experience as a symbol of the eternal duration of love and companionship - were temporary experience only valid for one moment in time, it would be a sad world, but once it is seen as a symbol of eternal things, it becomes enchanting.
IâM INCOMPLETE WITHOUT YOU
Margaret Alice Comment: You elevate the humnan experience of longing for love to a striving for sublimity in uniting with a beloved person, and this poem is stirring, your style of writing is effective, everything flows together perfectly.
Margaret Alice Comment:
'To a resplendent glow of celestial flow
And two split halves unite never to part.'
Reading your fluent poems is a delight, I have to tear myself away and return to the life of a drudge, but what a treasure trove of jewels you made for the weary soul who needs to contemplate higher ideals from time to time!
IN CELESTIAL WINGS
Margaret Alice Comment: When you describe how you are strengthened by your loved one, it is clear that your inner flame is so strong that you need not fear growing old, your spirit seems to become stronger, you manage to convey this impression by your striking poetry. It is a privilege to read your work.
Obed Dela Cruz Comment: wow.... i remembered will shakespeare.... nice poem!
Margaret Alice Comment: The poet has transcended the barriers of time and space by becoming an image of his beloved and being able to find peace in the joy he confers to his beloved.
'You transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, Iâm mere image of you, my beloved.'
Margaret Alice Comment: You are my peace and solace, I know, I am, yours too; A mere flash of your thoughts Enlivens my tired soul And fills me with light, peace and solace, A giant in new world, I become, I rise to divine heights in celestial wings. How I desire to reciprocate To fill you with light and inner strength raise you to divine heights; I must cross over nd hold you in arms, light up your soul, Fill you with strength from my inner core, Wipe away your tears burst out in pure joy How I yearn to instill hope and confidence in you we never part And we shall wait, till time comes right. the flame in my soul always seeks you, you transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, Iâm mere image of you, my beloved.
RAGING FIRE
[...] Read more
poem by Praveen Kumar
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Too Blind To Recognize
Too blind to recognize.
No one really knew,
Who they saw on a regular basis.
And this was not encouraged,
To be expected to accept.
Yet discussing other people,
Was what they did best.
Too blind to recognize.
Too blind to recognize.
Disrespecting was all they knew.
And this they did with a full effect.
No one knew who did what.
Or who had experiences to share,
That would provide benefits all would get.
So no one saw to see to receive opportunities,
They would meet but too blind to recognize.
Too blind to recognize,
Gifts given as a prize!
Gifts given they should pride.
Too blind to recognize,
Gifts given as a prize!
Gifts given they should pride.
Just too blind to recognize.
Just too blind to recognize.
Just too blind to recognize...
Gifts given as a prize!
Gifts given they should pride.
Too blind to recognize.
Just too blind to recognize.
Too blind to recognize.
Just too blind to recognize...
Gifts given as a prize!
Gifts given they should pride.
Too blind to recognize.
poem by Lawrence S. Pertillar
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People Everywhere: Social Music (Original 11 03 2009)
PEOPLE EVERYWHERE: SOCIAL MUSIC
Original 11 03 3009
People everywhere over here over there people
In poor bread lines people in pony drawn carriages
People on a chariot with a rumble seat people on a
Climb on a mountain steep people on a dime on a
Corner on Wall Street âstreet people -people everywhere
Everywhere thereâs a drummer. Where you going?
Everywhere you go you go with a beat you go with
Where the music is⊠where the music is âsocial man
Whatâs jazz? â People everywhere just social thatâs all
New Orleans people social all the way up river to
Kansas City on up to Chicago donât make no difference
If your name is Santiago Obama Bergson Rothschild
Bush just social People -Montrose New York City
People social all the way to Rio Paris Johannesburg
Brazil Belize over all the bridges âLondon Suez
Toronto Montreal people in a dim café -social
People in church every weekday and everyday
Everywhere thereâs a temple play -Joeâs Place
People social man -music social donât make no
Difference where you get together whoever is playing
Just playing so you keep on playing with everybody
Playing -people play social music man âman or
Woman donât understand just donât stop playing
People everywhere want to be there to see it -up here
You playing social music -understand -just donât
Stop playing -people everywhere get hungry lose
Patience -people everywhere not playing social music
When you stop playing social music people every-
Where stop âtrying to figure out why everybody
Stop playing social music -nothing social about
Playing a whole lot of music -nothing truly social
In a lot of music -the next thing you know a short
Spell and before long you got wars breaking out
Stop playing and its hell -thatâs not social any more.
Lee Mack copyright 2009. ISBN # 0615318347. Do not reproduce without permission.
poem by Lee B. Mack
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Fifth Book
AURORA LEIGH, be humble. Shall I hope
To speak my poems in mysterious tune
With man and nature,âwith the lava-lymph
That trickles from successive galaxies
Still drop by drop adown the finger of God,
In still new worlds?âwith summer-days in this,
That scarce dare breathe, they are so beautiful?â
With spring's delicious trouble in the ground
Tormented by the quickened blood of roots.
And softly pricked by golden crocus-sheaves
In token of the harvest-time of flowers?â
With winters and with autumns,âand beyond,
With the human heart's large seasons,âwhen it hopes
And fears, joys, grieves, and loves?âwith all that strain
Of sexual passion, which devours the flesh
In a sacrament of souls? with mother's breasts,
Which, round the new made creatures hanging there,
Throb luminous and harmonious like pure spheres?â
With multitudinous life, and finally
With the great out-goings of ecstatic souls,
Who, in a rush of too long prisoned flame,
Their radiant faces upward, burn away
This dark of the body, issuing on a world
Beyond our mortal?âcan I speak my verse
So plainly in tune to these things and the rest,
That men shall feel it catch them on the quick,
As having the same warrant over them
To hold and move them, if they will or no,
Alike imperious as the primal rhythm
Of that theurgic nature? I must fail,
Who fail at the beginning to hold and move
One man,âand he my cousin, and he my friend,
And he born tender, made intelligent,
Inclined to ponder the precipitous sides
Of difficult questions; yet, obtuse to me,â
Of me, incurious! likes me very well,
And wishes me a paradise of good,
Good looks, good means, and good digestion!âay,
But otherwise evades me, puts me off
With kindness, with a tolerant gentleness,â
Too light a book for a grave man's reading! Go,
Aurora Leigh: be humble.
There it is;
We women are too apt to look to one,
Which proves a certain impotence in art.
We strain our natures at doing something great,
Far less because it's something great to do,
Than, haply, that we, so, commend ourselves
As being not small, and more appreciable
To some one friend. We must have mediators
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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Cant Afford To Do It
Written by james williamson.
Well, I wanna go out without tearing my bed, now
Ise so scared my baby quit n
I cant afford to do it
I cant afford to do it
I cant afford to do it
And loose that girl of mine
Well she spend my money - buying me clothes
Shes done cheapest woman I ever did know n
So, I cant afford to do it
I cant afford to do it
I cant afford to do it
And loose that girl of mine
Yeah
Break:
I got a good friend from alabam
He tried to steal my chick I dont know how many time
I cant afford to do it
I cant afford to do it, ah
I cant afford to do it
And loose that girl of mine, ah
I cant afford to do it
I cant afford to do it
I cant afford to do it
I cant afford to do it
I cant afford to do it
And loose that girl of mine, um
song performed by Fleetwood Mac
Added by Lucian Velea
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V. Count Guido Franceschini
Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of ⊠why, 't is wine,
Velletri,âand not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate ⊠aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wristâwhat men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,âSirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,âyes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you seeâits tense or tremulous partâ
My self-respect, my care for a good name,
Pride in an old one, love of kindredâjust
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light thereâno one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,â
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!
[...] Read more
poem by Robert Browning from The Ring and the Book
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