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Avarice, the spur of industry.

quote by David Hume
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The Race Industry

The coconuts have got the jobs.
The race industry is a growth industry.
We despairing, they careering.
We want more peace they want more police.
The Uncle Toms are getting paid.
The race industry is a growth industry.
We say sisters and brothers don't fear.
They will do anything for the Mayor.
The coconuts have got the jobs.
The race industry is a growth industry.
They're looking for victims and poets to rent.
They represent me without my consent.
The Uncle Toms are getting paid.
The race industry is a growth industry.
In suits they dither in fear of anarchy.
They take our sufferings and earn a salary.
Steal our souls and make their documentaries.
Inform daily on our community.
Without Black suffering they'd have no jobs.
Without our dead they'd have no office.
Without our tears they'd have no drink.
If they stopped sucking we could get justice.
The coconuts are getting paid.
Men, women and Brixton are being betrayed.

poem by Benjamin Zephaniah
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The Castle Of Indolence

The castle hight of Indolence,
And its false luxury;
Where for a little time, alas!
We lived right jollily.

O mortal man, who livest here by toil,
Do not complain of this thy hard estate;
That like an emmet thou must ever moil,
Is a sad sentence of an ancient date:
And, certes, there is for it reason great;
For, though sometimes it makes thee weep and wail,
And curse thy star, and early drudge and late;
Withouten that would come a heavier bale,
Loose life, unruly passions, and diseases pale.
In lowly dale, fast by a river's side,
With woody hill o'er hill encompass'd round,
A most enchanting wizard did abide,
Than whom a fiend more fell is no where found.
It was, I ween, a lovely spot of ground;
And there a season atween June and May,
Half prankt with spring, with summer half imbrown'd,
A listless climate made, where, sooth to say,
No living wight could work, ne cared even for play.
Was nought around but images of rest:
Sleep-soothing groves, and quiet lawns between;
And flowery beds that slumbrous influence kest,
From poppies breathed; and beds of pleasant green,
Where never yet was creeping creature seen.
Meantime, unnumber'd glittering streamlets play'd,
And hurled every where their waters sheen;
That, as they bicker'd through the sunny glade,
Though restless still themselves, a lulling murmur made.
Join'd to the prattle of the purling rills
Were heard the lowing herds along the vale,
And flocks loud bleating from the distant hills,
And vacant shepherds piping in the dale:
And, now and then, sweet Philomel would wail,
Or stock-doves plain amid the forest deep,
That drowsy rustled to the sighing gale;
And still a coil the grasshopper did keep;
Yet all these sounds yblent inclined all to sleep.
Full in the passage of the vale, above,
A sable, silent, solemn forest stood;
Where nought but shadowy forms was seen to move,
As Idless fancied in her dreaming mood:
And up the hills, on either side, a wood
Of blackening pines, aye waving to and fro,
Sent forth a sleepy horror through the blood;
And where this valley winded out, below,
The murmuring main was heard, and scarcely heard, to flow.

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poem by James Thomson
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William and Helen

I.
From heavy dreams fair Helen rose,
And eyed the dawning red:
'Alas, my love, thou tarriest long!
O art thou false or dead?'-

II.
With gallant Fred'rick's princely power
He sought the bold Crusade;
But not a word from Judah's wars
Told Helen how he sped.

III.
With Paynim and with Saracen
At length a truce was made,
And every knight return'd to dry
The tears his love had shed.

IV.
Our gallant host was homeward bound
With many a song of joy;
Green waved the laurel in each plume,
The badge of victory.

V.
And old and young, and sire and son,
To meet them crowd the way,
With shouts, and mirth, and melody,
The debt of love to pay.

VI.
Full many a maid her true-love met,
And sobb'd in his embrace,
And flutt'ring joy in tears and smiles
Array'd full many a face.

VII.
Nor joy nor smile for Helen sad
She sought the host in vain;
For none could tell her William's fate,
In faithless, or if slain.

VIII.
The martial band is past and gone;
She rends her raven hair,
And in distraction's bitter mood
She weeps with wild despair.

IX.
'O rise, my child,' her mother said,

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poem by Sir Walter Scott
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Crushed By The Wheels Of Industry (Extended Dance Mix)

Breaking in the future just before the week is up
They can do it but it's going to take some money
Have what you desire if and when you see the fact
They will lead us to the land of milk and honey
Work all day or work all night it's all the same
If you want the pay
Some drive tankers
Some are bankers
Some are workers
Some are not
It is time for a party
Destination for the nation now!
Chorus:
Crushed by the wheels of industry
Crushed by the wheels of industry
Crushed by the wheels of industry
Crushed by the wheels
Crushed by the wheels of industry
Crushed by the wheels of industry
Crushed by the wheels of industry
Crushed by the wheels
Work now!
Call me in the morning just before the breakfast show
We'll watch TV and analyse the weather
Before we go to work we'll have planned the day ahead
We'll while away the working day together
Work all day or work all night it's all the same
If you want to play
Some are nurses
Some steal purses
Some are workers
Some are not
It is time for a party
Liberation for the nation now!
Chorus
There's a party going on
That's going to change the way we live
But how do we know we've even been invited
Now the invitation's waiting
And the table is reserved
So just play it cool and don't get excited
Work or day or work all night it's all the same
Will we ever change
It's vocation or vacation
Some are workers
Some are not
It is time for a party
Syncopation for the nation now!
Chorus

song performed by Heaven 17
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Freaks Of The Industry

*this is a cover of a digital underground song*
Yeah, suburban noize, those kottonmouth kings
Freaks come out at night, the freaks come out...
Well... were the freaks of the industry, suburban noize, kottonmouth kings
The freaks of the industry, and when ya see us back stage be prepared to g
Now they say that first do it means do it, time to freak, saint dog gets to it
Not a heavy weight, but Ill go twelve rounds with a jab of the stick
Im going lick for lick, so give me the helmet, Ill be the stunt man
Just relax, and I wont front like arena, I mean to get the cream of the crop
And Ill be taking it slow, never missing a spot, yes caress your back n chest
Youre kissing on my nose ring, Ill whisper in your ear
Saint dog kottonmouth king, oh big st thats what youll be screaming and creaming
But its not a wet dream its the real, the freaky dog, dog nasty,
Never letting a kitty cat get past me, without picking it up, petting it
Teasing it, taking 3 home and pleasing it
Were the freaks of the industry, suburban noize, kottonmouth kings
The freaks of the industry, and when ya see us back stage be prepared to g
Say youre g-in, nobody else is seeing
And the freak that your withs in front of you, bending over naked
As shes leaning on the dresser, boo-yeah, youre looking at her from the rear
She looks just like rebecca, not rebecca with the singing career
But the x rated video queen, ya know what I mean?
All right heres the scene, youre lying on your back
With your head on the edge of the bed
The bootys 2 feet from your head, should you
A. take the time to find a condom, b. walk right over and you pound em
C. tell her that you want her love, well the answer is d. all of the above
So youre freakin, the furnitures squeakin, shes tweaking,
Saying that shes weak in the knees, cheek for cheek, and pound for pound
Im taxing it and waxing it and working it around
Till the booty starts making that clapping sound
Which is cool but your friends are chillin in the other room
The clap is getting louder, you dont want them to clown you
In this situation, what do you do?
A. plainly simply back up off her
B. you hit it just a little bit softer
C. you take it out and put it in her butt
Well this for daddy x yo, yo listen up
I put a towel on the floor by the 2 inch gap under the door
And now ya cant see me anymore, to the lock to the top,
But they cant listen, therell be no barging in, therell be no dissin
Get back to the mission, broke out the whip cream and the cherry
I go through all the 5 positions, my head under her leg under my arm under her toe
She says I like it when you scream, daddy let yourself go,
I hit it, slid it, lick it, quit it, after the ride I put my clothes on I walk outside,
And before anybody has a chance to speak I say yo Im daddy x
I guess Im just a freak
Were the freaks of the industry, suburban noize, kottonmouth kings
The freaks of the industry, and when ya see us back stage be prepared to g

song performed by Kottonmouth Kings
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“LIVES” are Priceless

Believe it, humans cost money, they’re profits, and lives aren’t

important:

“It costs to be born, ”
“It costs to live, ”
“It costs to die.”

In the agriculture industry, money comes before being fed.

In the fashion industry, money comes before being clothed.

In the real estate industry, money comes before being sheltered.

In the business industry, money comes before doing without needs.

In the health industry, money comes before saving lives.

In the funeral industry, money comes before burying a life.

Money is the main human sacrifice and those celebrities are the public example; the dramas and appraisers surrounding their lives are preyed upon by tabloids that make earnings about their publicity:

Their charity work, it’s worth bronze.
Their childhood, it’s worth silver.
Adultery exposure, nude images, drugs, DUI, etc. it’s worth gold.
Death or prison sentence, a pandemonium, that’s worth platinum!

Coming into this world you’re paying a price, but what will happen if people can’t afford to buy anymore? Nah, that wouldn’t happen—it’s always will or a way, and even with the different birth control life can’t be eliminated.

poem by Francee Bouvenir
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The Borough. Letter VII: Professions--Physic

NEXT, to a graver tribe we turn our view,
And yield the praise to worth and science due,
But this with serious words and sober style,
For these are friends with whom we seldom smile.
Helpers of men they're call'd, and we confess
Theirs the deep study, theirs the lucky guess;
We own that numbers join with care and skill,
A temperate judgment, a devoted will:
Men who suppress their feelings, but who feel
The painful symptoms they delight to heal;
Patient in all their trials, they sustain
The starts of passion, the reproach of pain;
With hearts affected, but with looks serene,
Intent they wait through all the solemn scene;
Glad if a hope should rise from nature's strife,
To aid their skill and save the lingering life;
But this must virtue's generous effort be,
And spring from nobler motives than a fee:
To the Physician of the Soul, and these,
Turn the distress'd for safety, hope, and ease.
But as physicians of that nobler kind
Have their warm zealots, and their sectaries blind;
So among these for knowledge most renowned,
Are dreamers strange, and stubborn bigots found:
Some, too, admitted to this honourd name,
Have, without learning, found a way to fame;
And some by learning--young physicians write,
To set their merit in the fairest light;
With them a treatise in a bait that draws
Approving voices--'tis to gain applause,
And to exalt them in the public view,
More than a life of worthy toil could do.
When 'tis proposed to make the man renown'd,
In every age, convenient doubts abound;
Convenient themes in every period start,
Which he may treat with all the pomp of art;
Curious conjectures he may always make,
And either side of dubious questions take;
He may a system broach, or, if he please,
Start new opinions of an old disease:
Or may some simple in the woodland trace,
And be its patron, till it runs its race;
As rustic damsels from their woods are won,
And live in splendour till their race be run;
It weighs not much on what their powers be shown,
When all his purpose is to make them known.
To show the world what long experience gains,
Requires not courage, though it calls for pains;
But at life's outset to inform mankind
Is a bold effort of a valiant mind.

[...] Read more

poem by George Crabbe
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The Four Seasons : Autumn

Crown'd with the sickle and the wheaten sheaf,
While Autumn, nodding o'er the yellow plain,
Comes jovial on; the Doric reed once more,
Well pleased, I tune. Whate'er the wintry frost
Nitrous prepared; the various blossom'd Spring
Put in white promise forth; and Summer-suns
Concocted strong, rush boundless now to view,
Full, perfect all, and swell my glorious theme.
Onslow! the Muse, ambitious of thy name,
To grace, inspire, and dignify her song,
Would from the public voice thy gentle ear
A while engage. Thy noble cares she knows,
The patriot virtues that distend thy thought,
Spread on thy front, and in thy bosom glow;
While listening senates hang upon thy tongue,
Devolving through the maze of eloquence
A roll of periods, sweeter than her song.
But she too pants for public virtue, she,
Though weak of power, yet strong in ardent will,
Whene'er her country rushes on her heart,
Assumes a bolder note, and fondly tries
To mix the patriot's with the poet's flame.
When the bright Virgin gives the beauteous days,
And Libra weighs in equal scales the year;
From Heaven's high cope the fierce effulgence shook
Of parting Summer, a serener blue,
With golden light enliven'd, wide invests
The happy world. Attemper'd suns arise,
Sweet-beam'd, and shedding oft through lucid clouds
A pleasing calm; while broad, and brown, below
Extensive harvests hang the heavy head.
Rich, silent, deep, they stand; for not a gale
Rolls its light billows o'er the bending plain:
A calm of plenty! till the ruffled air
Falls from its poise, and gives the breeze to blow.
Rent is the fleecy mantle of the sky;
The clouds fly different; and the sudden sun
By fits effulgent gilds the illumined field,
And black by fits the shadows sweep along.
A gaily chequer'd heart-expanding view,
Far as the circling eye can shoot around,
Unbounded tossing in a flood of corn.
These are thy blessings, Industry! rough power!
Whom labour still attends, and sweat, and pain;
Yet the kind source of every gentle art,
And all the soft civility of life:
Raiser of human kind! by Nature cast,
Naked, and helpless, out amid the woods
And wilds, to rude inclement elements;
With various seeds of art deep in the mind

[...] Read more

poem by James Thomson
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Isabella or The Pot of Basil

I.
Fair Isabel, poor simple Isabel!
Lorenzo, a young palmer in Love's eye!
They could not in the self-same mansion dwell
Without some stir of heart, some malady;
They could not sit at meals but feel how well
It soothed each to be the other by;
They could not, sure, beneath the same roof sleep
But to each other dream, and nightly weep.

II.
With every morn their love grew tenderer,
With every eve deeper and tenderer still;
He might not in house, field, or garden stir,
But her full shape would all his seeing fill;
And his continual voice was pleasanter
To her, than noise of trees or hidden rill;
Her lute-string gave an echo of his name,
She spoilt her half-done broidery with the same.

III.
He knew whose gentle hand was at the latch,
Before the door had given her to his eyes;
And from her chamber-window he would catch
Her beauty farther than the falcon spies;
And constant as her vespers would he watch,
Because her face was turn'd to the same skies;
And with sick longing all the night outwear,
To hear her morning-step upon the stair.

IV.
A whole long month of May in this sad plight
Made their cheeks paler by the break of June:
"To morrow will I bow to my delight,
"To-morrow will I ask my lady's boon."--
"O may I never see another night,
"Lorenzo, if thy lips breathe not love's tune."--
So spake they to their pillows; but, alas,
Honeyless days and days did he let pass;

V.
Until sweet Isabella's untouch'd cheek
Fell sick within the rose's just domain,
Fell thin as a young mother's, who doth seek
By every lull to cool her infant's pain:
"How ill she is," said he, "I may not speak,
"And yet I will, and tell my love all plain:
"If looks speak love-laws, I will drink her tears,
"And at the least 'twill startle off her cares."

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poem by John Keats
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Isabella; Or, The Pot Of Basil: A Story From Boccaccio

I.
Fair Isabel, poor simple Isabel!
Lorenzo, a young palmer in Love's eye!
They could not in the self-same mansion dwell
Without some stir of heart, some malady;
They could not sit at meals but feel how well
It soothed each to be the other by;
They could not, sure, beneath the same roof sleep
But to each other dream, and nightly weep.

II.
With every morn their love grew tenderer,
With every eve deeper and tenderer still;
He might not in house, field, or garden stir,
But her full shape would all his seeing fill;
And his continual voice was pleasanter
To her, than noise of trees or hidden rill;
Her lute-string gave an echo of his name,
She spoilt her half-done broidery with the same.

III.
He knew whose gentle hand was at the latch,
Before the door had given her to his eyes;
And from her chamber-window he would catch
Her beauty farther than the falcon spies;
And constant as her vespers would he watch,
Because her face was turn'd to the same skies;
And with sick longing all the night outwear,
To hear her morning-step upon the stair.

IV.
A whole long month of May in this sad plight
Made their cheeks paler by the break of June:
'To morrow will I bow to my delight,
'To-morrow will I ask my lady's boon.'-
'O may I never see another night,
'Lorenzo, if thy lips breathe not love's tune.'-
So spake they to their pillows; but, alas,
Honeyless days and days did he let pass;

V.
Until sweet Isabella's untouch'd cheek
Fell sick within the rose's just domain,
Fell thin as a young mother's, who doth seek
By every lull to cool her infant's pain:
'How ill she is,' said he, 'I may not speak,
'And yet I will, and tell my love all plain:
'If looks speak love-laws, I will drink her tears,
'And at the least 'twill startle off her cares.'

[...] Read more

poem by John Keats
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Arnold Rode Behind

WE galloped down the sodden track
Close buttoned 'gainst the wind;
I took the lead with whip and spur,
And Arnold rode behind.

The skies were wild; a rending gale
Ran roaring through the trees;
It sounded now like shouting hosts,
And now like angry seas.

'Spur on! Spur on!' I turned and cried,
'The fatal moments fly!'
I cursed him then-his trembling hand-
I cursed his bloodshot eye.

I cursed him for the lust of drink
That held his will a slave;
For skill to tend and mend was his
To succour and to save.

I thought of her, the golden girl,
My life, my love, nigh spent,
Nigh death, with fever clutching her,
And what his coming meant.

Through driving rain and tossing trees
I saw her pale with pain ;
And if my eyes grew wet, perchance
'Twas not the wet of rain.

I turned on Arnold, and I vowed
To pay with coin of hate
His ten-mile ride, his boasted skill,
If he should prove too late;

I mixed my words with searing scorn,
And turned and told him plain,
Of how I found him stupid, drugged,
With dull and sluggish brain.

And how the wasted hours went by-
I waiting by his side-
Till he should wake, and be himself,
And mount his horse and ride.

And 'Arnold, if she die'-I said-
'Be yours the lot accurst-
In life to thirst, to thirst in death,
In Hell to thirst and thirst.'

[...] Read more

poem by Roderic Quinn
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The Minstrel ; Or, The Progress Of Genius - Book II.

I.
Of chance or change O let not man complain,
Else shall he never never cease to wail:
For, from the imperial dome, to where the swain
Rears the lone cottage in the silent dale,
All feel the assault of fortune's fickle gale;
Art, empire, earth itself to change are doom'd;
Earthquakes have raised to heaven the humble vale,
And gulphs the mountain's mighty mass entomb'd,
And where the Atlantic rolls wide continents have bloom'd.

II.
But sure to foreign climes we need not range,
Nor search the ancient records of our race,
To learn the dire effects of time and change,
Which in ourselves, alas! we daily trace.
Yet at the darken'd eye, the wither'd face,
Or hoary hair, I never will repine:
But spare, O Time, whate'er of mental grace,
Of candour, love, or sympathy divine,
Whate'er of fancy's ray, of friendship's flame is mine.

III.
So I, obsequious to Truth's dread command,
Shall here without reluctance change my lay,
And smile to the Gothic lyre with harsher hand;
Now when I leave that flowery path for aye
Of childhood, where I sported many a day,
Warbling and sauntering carelessly along;
Where every face was innocent and gay,
Each vale romantic, tuneful every tongue,
Sweet, wild, and artless all, as Edwin's infant song.

IV.
'Perish the lore that deadens young desire,'
Is the soft tenor of my song no more.
Edwin, though loved of Heaven, must not aspire
To bliss, which mortals never knew before.
On trembling wings let youthful fancy soar,
Nor always haunt the sunny realms of joy;
But now and then the shades of life explore;
Though many a sound and sight of wo annoy,
And many a qualm of care his rising hopes destroy.

V.
Vigour from toil, from trouble patience grows.
The weakly bosom, warm in summer bower,
Some tints of transient beauty may disclose;
But soon it withers in the chilling hour.
Mark yonder oak. Superior to the power

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poem by James Beattie
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Trivia ; or, the Art of Walking the Streets of London : Book II.

Of Walking the Streets by Day.

Thus far the Muse has trac'd in useful lays
The proper implements for wintry ways;
Has taught the walker, with judicious eyes,
To read the various warnings of the skies.
Now venture, Muse, from home to range the town,
And for the public safety risk thy own.
For ease and for dispatch, the morning's best;
No tides of passengers the street molest.
You'll see a draggled damsel, here and there,
From Billingsgate her fishy traffic bear;
On doors the sallow milk-maid chalks her gains;
Ah! how unlike the milk-maid of the plains!
Before proud gates attending asses bray,
Or arrogate with solemn pace the way;
These grave physicians with their milky cheer,
The love-sick maid and dwindling beau repair;
Here rows of drummers stand in martial file,
And with their vellum thunder shake the pile,
To greet the new-made bride. Are sounds like these
The proper prelude to a state of peace?
Now industry awakes her busy sons,
Full charg'd with news the breathless hawker runs:
Shops open, coaches roll, carts shake the ground,
And all the streets with passing cries resound.
If cloth'd in black, you tread the busy town
Or if distinguish'd by the rev'rend gown,
Three trades avoid; oft in the mingling press,
The barber's apron soils the sable dress;
Shun the perfumer's touch with cautious eye,
Nor let the baker's step advance too nigh;
Ye walkers too that youthful colours wear,
Three sullying trades avoid with equal care;
The little chimney-sweeper skulks along,
And marks with sooty stains the heedless throng;
When small-coal murmurs in the hoarser throat,
From smutty dangers guard thy threaten'd coat:
The dust-man's cart offends thy clothes and eyes,
When through the street a cloud of ashes flies;
But whether black or lighter dyes are worn,
The chandler's basket, on his shoulder borne,
With tallow spots thy coat; resign the way,
To shun the surly butcher's greasy tray,
Butcher's, whose hands are dy'd with blood's foul stain,
And always foremost in the hangman's train.
Let due civilities be strictly paid.
The wall surrender to the hooded maid;
Nor let thy sturdy elbow's hasty rage
Jostle the feeble steps of trembling age;

[...] Read more

poem by John Gay
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Blaming Poverty On The Poor

Give us your deprived, your malleable muddled masses
hoping for a gentler taskmaster
Welcome to the multi-trillion dollar industry, Poverty
A.K.A, cheapest labor force

Poverty works, never ever unemployed
A much needed commodity to justify
White-collar crime classes
Teaching dastardly deeds—to procure monetary needs-
fostering avarice greed

Give us your deprived, your malleable muddled masses
hoping for a gentler taskmaster
Welcome to the multi-trillion dollar industry, Poverty
A.K.A., cheapest labor force

Poverty creates jobs for those financing the societal
Institution of ya godda pay more taxes
Blaming Poverty on the poor
Look! what Enron did to those less fortunate
Blaming Poverty on the poor

Did not corporations want a billion dollar welfare check
Blaming Poverty on the poor
Blaming Poverty on the poor

Give us your deprived, your malleable muddled masses
hoping for a gentler taskmaster
Welcome to the multi-trillion dollar industry, Poverty
A.K.A., cheapest labor force

No penance just punishment augmenting the pillar of economic pillaging
Poor people put in the pillory from the political pulpit

Poverty is prime property
Poverty pimps portrayed as political preachers purely punitive but polite
The pluralization of Poverty provides prestige of the patricians

Poverty, the promissory note from the bureaucratic infidel
The Truth will tell—the truth will tell
Poverty the patriotic prisoner on trial for treason

Copyright 2001

poem by Josephine DixonBanks
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An Alliterative Amorous Answer

Alliterative Love Letter

Adored and angelic Amelia. Accept an ardent and artless amourist’s affections, alleviate an anguished admirer’s alarms, and answer an amorous applicant’s avowed ardour. Ah, Amelia! all appears an awful aspect! Ambition, avarice and arrogance, alas are attractive allurements, and abase an ardent attachement. Appease an aching and affectionate adorer’s alarms, and anon acknowledge affianced Albert’s alliance as agreeable and acceptable.

Anxiously awaiting an affectionate and affirmative answer, accept an ardent admirer’s aching adieu. Always angelic and admirable Amelia’s admiring and affectionate amourist, Albert
Wit and Wisdom 1826

An Alliterative Answer

Artless Amelia Acme’s answer adamantly admonishing artful Albert Acne’s announced amorous ambitions, and assertive advances, actively advocates appropriate alternatives. Also, attesting abhorrent Albert’s attempted abduction, Amelia asks an adequate aureate award. Advance “ amical ” arrangements are altogether abjured.

Adieu Albert!

Abused Amelia, an adorable angel, aghast and askance, acknowledges agile apostate Albert’s apparently avuncular, albeit astonishingly audacious application, and, as alleged affiancement alliances and anticipations are absent, appends an acceptable, accurate answer.

Aggressively accosted, Amelia acts advisedly, asking an acceptably authentic apology affirming all Albert’s avowed affiancement allegations as archetypal authoritarian autocratic attempts at annulling Amelia’s autonomy. Also, Albert’s absolutely alarmingly acquisitive ambitions afford anguish, anxiety, and, afterall, acute anger. All are anathema, as Albert, an adder, assumed angelic approbation after an abject attempt at abrogating and appropriating all Amelia’s assets.

Agamous Albert’s age, adiposity, and abnormally abrasive accents also argued against amorous agglutination. Agamy appeared advisable as Amelia always aspired at attaining an absolute amour, assiduously avoiding ambiguity. Ardent admiration activated Albert’s appetite as Amelia’s allure and accomplishments attracted all-round applause.

Amelia and Albert are at an apogee. Alliance anticipations are antilogical as Amelia’s aplomb and articulateness, and Albert ’s anthropomorphic antics are as antipodes apart as Aphrodite and an anthropoid ape. Acataleptic Albert, Amelia’s antithesis, acting almost as an aggressive animal, abused Amelia’s adolescent acquaintance, Anabelle, an alluring afro actress, - actually auditionning as an aria alto, - adventuring affront abruptly abbreviated.

Albert’s apologists are accomplices aiding and abetting an attack (after anticipating advantages agreed aforehand) .... At Ashcloth Abbey altar agnostic Albert asked Assyriac Abyssinian Archdeacon Ahasuerus and Arabian acolyte Abdul abn Abdulaziz abn Abdullah Abu an aboveboard absolution although Abbott Abraham Allsaints’ anterior abjuration altered all accomodating actions.

Apprehending arrogant acquiline Albert’s arbitrary approach, Amelia appositely acted appropriately, adjusting apparel. Applause and approbation are apropos.

Albert abusively alledges aristocratic alabaster Amelia’s assent - an assumption as absurd as an ass astride an advocate assiduously assembling an ascorbic acid apparatus!

Abstemious Amelia’s abilities attract acclaim - above all admirable administrative aptitudes, artistic aims, analytical assurance, amiability and amenability. Altruistic Amelia amalgamating agreeableness and authority, always assists aliens.

Alcoholic Albert’s abominations abound, as aforementioned as all adults agree, admonishing an aggressive ambiance........Albert apes affability!

Abusive adulation appalls, accelerates aversion and attracts adverse acknowledgements alienating affirmative adhesions. Allegorical accolades, artificially addressed, accumulate absurdities. although amiable acolytes are acceptable additions. Argot argues against acceptance as avid adventurers assume affected accents -, acquiring added artificial accomplishments.

Addressing amoral Albert, and apprehending amorphous arrangements, Amelia advises acrimonious Albert’s accepting any alternative Abigail, Alice and Anabella, as affianced amourette. Auburns are also admired as are armed assegaie’d ashanti, andalousian, algonquin, anabaptist and amerindian amours:

Abigail, Ada, Adrienne, Adriana, Adelaide, Agatha, Aglaë, Alice, Aliette, await Albert,
Aline, Alison, Amy Amanda, Amandine Andrea, Angela, Angelica, Ann, anticipate Albert
Anna, Annabelle, Anne, Annette, Angelina, Annick, Annie, Andrée, Anthea, alleviate Albert
April, Ariane, Ariane, Arlette, Armande, Armelle, Ashley, Astarte, Ava, appreciate Albert
.....And Albert annoys Amelia! - aggravating!

[...] Read more

poem by Jonathan Robin
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Envy And Avarice

Envy and Avarice, one summer day,
Sauntering abroad
In quest of the abode
Of some poor wretch or fool who lived that way--
You--or myself, perhaps--I cannot say--
Along the road, scarce heeding where it tended,
Their way in sullen, sulky silence wended;

For, though twin sisters, these two charming creatures,
Rivals in hideousness of form and features,
Wasted no love between them as they went.
Pale Avarice,
With gloating eyes,
And back and shoulders almost double bent,
Was hugging close that fatal box
For which she's ever on the watch
Some glance to catch
Suspiciously directed to its locks;
And Envy, too, no doubt with silent winking
At her green, greedy orbs, no single minute
Withdrawn from it, was hard a-thinking
Of all the shining dollars in it.

The only words that Avarice could utter,
Her constant doom, in a low, frightened mutter,
'There's not enough, enough, yet in my store!'
While Envy, as she scanned the glittering sight,
Groaned as she gnashed her yellow teeth with spite,
'She's more than me, more, still forever more!'

Thus, each in her own fashion, as they wandered,
Upon the coffer's precious contents pondered,
When suddenly, to their surprise,
The God Desire stood before their eyes.
Desire, that courteous deity who grants
All wishes, prayers, and wants;
Said he to the two sisters: 'Beauteous ladies,
As I'm a gentleman, my task and trade is
To be the slave of your behest--
Choose therefore at your own sweet will and pleasure,
Honors or treasure!
Or in one word, whatever you'd like best.
But, let us understand each other--she
Who speaks the first, her prayer shall certainly
Receive--the other, the same boon _redoubled!_'

Imagine how our amiable pair,
At this proposal, all so frank and fair,
Were mutually troubled!
Misers and enviers, of our human race,

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poem by Victor Hugo
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Charity

Fairest and foremost of the train that wait
On man's most dignified and happiest state,
Whether we name thee Charity or Love,
Chief grace below, and all in all above,
Prosper (I press thee with a powerful plea)
A task I venture on, impell’d by thee:
Oh never seen but in thy blest effects,
Or felt but in the soul that Heaven selects;
Who seeks to praise thee, and to make thee known
To other hearts, must have thee in his own.
Come, prompt me with benevolent desires,
Teach me to kindle at thy gentle fires,
And, though disgraced and slighted, to redeem
A poet’s name, by making thee the theme.
God, working ever on a social plan,
By various ties attaches man to man:
He made at first, though free and unconfined,
One man the common father of the kind;
That every tribe, though placed as he sees best,
Where seas or deserts part them from the rest,
Differing in language, manners, or in face,
Might feel themselves allied to all the race.
When Cook—lamented, and with tears as just
As ever mingled with heroic dust—
Steer’d Britain’s oak into a world unknown,
And in his country’s glory sought his own,
Wherever he found man to nature true,
The rights of man were sacred in his view;
He soothed with gifts, and greeted with a smile,
The simple native of the new-found isle;
He spurn’d the wretch that slighted or withstood
The tender argument of kindred blood;
Nor would endure that any should control
His freeborn brethren of the southern pole.
But, though some nobler minds a law respect,
That none shall with impunity neglect,
In baser souls unnumber’d evils meet,
To thwart its influence, and its end defeat.
While Cook is loved for savage lives he saved,
See Cortez odious for a world enslaved!
Where wast thou then, sweet Charity? where then,
Thou tutelary friend of helpless men?
Wast thou in monkish cells and nunneries found,
Or building hospitals on English ground?
No.—Mammon makes the world his legatee
Through fear, not love; and Heaven abhors the fee.
Wherever found (and all men need thy care),
Nor age, nor infancy could find thee there.
The hand that slew till it could slay no more,
Was glued to the sword-hilt with Indian gore.

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poem by William Cowper
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Aauch the casting couch!

1
auuchh! the casting couch
on this couch the industry girls will slouch
ahh! to get work no doubt you will have to get on the couch
the industry girls they will weep
to get a role they will have to sleep

2
auuchh! the casting couch
this is a fact have no doubt
if you want to make it in this industry you will have to slouch on the couch
sona tho padey ga
tabhi ja kar tho tu hiroine banney ga
pehele tu director ki sunney ga tabh ja kar tu kuchh banney ga

3
auuchh! the casting couch
this is the way this industry functions
sonney key bina yanha kuch nahi hota
par soo kar bhi yanhan kabhi kabhi kuch nahi hota

4
auuchh! the casting couch
i am a young struggling actress
have no doubut i will not sleep on no couch
mujey actress banana hei tho banao
nahi tho tum bhaad mein jaao

5
auuchh! the casting couch
directors, producers all stand in the line
pounceing over me like wolves pouncing on a lamb
weather i make it or not they don't give a damn
i refuse to be a part of this sham

6
auuch! the casting couch
jab ladki degi tabhi tho ja kar uski casting hogi
darling henione banna hei tho sona tho padega
nahi tho que mein khada rehna padey ga

7
auuch! the casting couch............................................ .......................

poem by Anuj Tikku
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100 STD's 10,000 MTD's

There are STD's, sexually transmitted diseases.
and then there are MTD's, meat transmitted diseases.

The latter take a lot more lives.

*********

In Animal Flesh: Blood Sweat Tears as well as Carcinogens Cholesterol Colon Bacteria

Animal products kill more people annually in the US than
tobacco, alcohol, traffic accidents, war, domestic violence,
guns, and drugs combined. USAMRID wrote that consumption of pig flesh caused the world's most lethal pandemic in WW1,
euphemistically called flu. Anthrax
used to be called wool sorters'
disease. Smallpox used to be called
cow pox or kine pox because of
its origin in animal flesh.
.

WHAT'S IN A BURGER? BLOOD SWEAT AND TEARS (AS WELL AS BIOTERRORISM)

POISONS IN ANIMAL AND FISH FLESH... A PARTIAL LIST

a partial list in alphabetical order

acidification diseases
addiction (to trioxypurines)
adrenalin (secreted by terrorized
animals before and during slaughter)

ANTIBIOTICS (too many to list) (crowded factory farm animals standing in their own feces are often infected)

BACTERIA
creiophilic bacteria survive
the freezing of animal flesh
thermophilic bacteria survive
the baking boiling and roasting

bacteriophages (viruses FDA allows to
be injected)
blood
colon bacteria.. euphemistically
called ecoli animals defecate
all over themselves in terror
John Harvey Kellogg MD studied
the exponential rate into the billions

BSE DISEASES, PRIONS IN SPECIES FROM GELATIN (JELLO ETC)
Mad Chicken

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poem by O. Anna Niemus
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Mazeppa

'Twas after dread Pultowa's day,
When fortune left the royal Swede--
Around a slaughtered army lay,
No more to combat and to bleed.
The power and glory of the war,
Faithless as their vain votaries, men,
Had passed to the triumphant Czar,
And Moscow’s walls were safe again--
Until a day more dark and drear,
And a more memorable year,
Should give to slaughter and to shame
A mightier host and haughtier name;
A greater wreck, a deeper fall,
A shock to one--a thunderbolt to all.

II.
Such was the hazard Of the die;
The wounded Charles was taught to fly
By day and night through field and flood,
Stained with his own and subjects' blood;
For thousands fell that flight to aid:
And not a voice was heard to upbraid
Ambition in his humbled hour,
When truth had nought to dread from power,
His horse was slain, and Gieta gave
His own--and died the Russians’ slave.
This too sinks after many a league
Of well sustained, but vain fatigue;
And in the depth of forests darkling,
The watch-fires in the distance sparkling--
The beacons of surrounding foes--
A king must lay his limbs at length.
Are these the laurels and repose
For which the nations strain their strength?
They laid him by a savage tree,
In outworn nature’s agony;
His wounds were stiff, his limbs were stark,
The heavy hour was chill and dark;
The fever in his blood forbade
A transient slumber's fitful aid:
And thus it was; but yet through all,
Kinglike the monarch bore his fall,
And made, in this extreme of ill,
His pangs the vassals of his will:
All silent and subdued were they,
As owe the nations round him lay.

III.
A band of chiefs!--alas! how few,
Since but the fleeting of a day

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poem by Byron
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