An Englishman, even if he is alone, forms an orderly queue of one.
quote by George Mikes
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M'Sieu Smit
THE ADVENTURES OF AN ENGLISHMAN IN THE CANADIAN WOODS.
Wan morning de walkim boss say 'Damase,
I t'ink you're good man on canoe d'ecorce,
So I'll ax you go wit' your frien' Philéas
An' meet M'sieu' Smit' on Chenail W'ite Horse.
'He'll have I am sure de grosse baggage--
Mebbe some valise--mebbe six or t'ree--
But if she's too moche for de longue portage
'Poleon he will tak' 'em wit' mail buggee.'
W'en we reach Chenail, plaintee peep be dere,
An' wan frien' of me, call Placide Chretien,
'Splain all dat w'en he say man from Angleterre
Was spik heem de crowd on de 'Parisien.'
Fonny way dat Englishman he'll be dress,
Leetle pant my dear frien' jus' come on knee,
Wit' coat dat's no coat at all--only ves'
An' hat--de more stranger I never see!
Wall! dere he sit on de en' some log
An' swear heem in English purty loud
Den talk Français, w'ile hees chien boule dog
Go smellim an' smellim aroun' de crowd.
I spik im 'Bonjour, M'sieu' Smit', Bonjour,
I hope dat yourse'f and famille she's well?'
M'sieu Smit' he is also say 'Bonjour,'
An' call off hees dog dat's commence for smell.
I tell heem my name dat's Damase Labrie
I am come wit' Philéas for mak' de trip,
An' he say I'm de firs' man he never see
Spik English encore since he lef' de ship.
He is also ax it to me 'Damase,
De peep she don't seem understan' Français,
W'at's matter wit' dat?' An' I say 'Becos
You mak' too much talk on de Parisien.'
De groun she is pile wit' baggage--Sapré!
An' I see purty quick we got plaintee troub--
Two tronk, t'ree valise, four-five fusil,
An' w'at M'sieu Smit' he is call 'bat' tubbe.'
M'sieu Smit' he's tole me w'at for's dat t'ing,
An' it seem Englishman he don't feel correc'
[...] Read more
poem by William Henry Drummond
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An Englishman In New York
Englishman in New York
I don't take coffee I take tea my dear
I like my toast done on one side
And you can hear it in my accent when I talk
I'm an Englishman in New York
See me walking down Fifth Avenue
A walking cane here at my side
I take it everywhere I walk
I'm an Englishman in New York
I'm an alien I'm a legal alien
I'm an Englishman in New York
I'm an alien I'm a legal alien
I'm an Englishman in New York
If, "Manners maketh man" as someone said
Then he's the hero of the day
It takes a man to suffer ignorance and smile
Be yourself no matter what they say
I'm an alien I'm a legal alien
I'm an Englishman in New York
I'm an alien I'm a legal alien
I'm an Englishman in New York
Modesty, propriety can lead to notoriety
You could end up as the only one
Gentleness, sobriety are rare in this society
At night a candle's brighter than the sun
Takes more than combat gear to make a man
Takes more than a license for a gun
Confront your enemies, avoid them when you can
A gentleman will walk but never run
If, "Manners maketh man" as someone said
Then he's the hero of the day
It takes a man to suffer ignorance and smile
Be yourself no matter what they say
I'm an alien I'm a legal alien
I'm an Englishman in New York
I'm an alien I'm a legal alien
I'm an Englishman in New York
song performed by Sting
Added by Lucian Velea
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Englishman In New York
I dont take coffee I take tea my dear
I like my toast done on one side
And you can hear it in my accent when I talk
Im an englishman in new york
See me walking down fifth avenue
A walking cane here at my side
I take it everywhere I walk
Im an englishman in new york
Im an alien Im a legal alien
Im an englishman in new york
Im an alien Im a legal alien
Im an englishman in new york
If, manners maketh man as someone said
Then hes the hero of the day
It takes a man to suffer ignorance and smile
Be yourself no matter what they say
Im an alien Im a legal alien
Im an englishman in new york
Im an alien Im a legal alien
Im an englishman in new york
Modesty, propriety can lead to notoriety
You could end up as the only one
Gentleness, sobriety are rare in this society
At night a candles brighter than the sun
Takes more than combat gear to make a man
Takes more than a license for a gun
Confront your enemies, avoid them when you can
A gentleman will walk but never run
If, manners maketh man as someone said
Then hes the hero of the day
It takes a man to suffer ignorance and smile
Be yourself no matter what they say
Im an alien Im a legal alien
Im an englishman in new york
Im an alien Im a legal alien
Im an englishman in new york
song performed by Sting
Added by Lucian Velea
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A view of the queue...............
I'm sitting outside a café
as my feet are killing me
from walking too much,
I've heavy bags and it's hot.
I watch a queue for Vue - Cinema,
they're showing Avatar.
The queue is getting longer
and people start to sweat.
A couple of guys down the front
start making whooping noises,
loudly, like they're apes.
I don't get it, at first,
but then I notice they're behind
a black man and they're
gesticulating to him.
I begin to feel uneasy.
The black man is big and stocky,
he ignores the thugs
but they won't stop.
People in the queue do nothing.
There's an old couple standing
next to the black guy.
The old lady starts to fidget,
she moves towards her husband.
The queue still does nothing
and the black guy stands stock still,
like a ship that's sailed into harbor
big and grand and masterful.
His invisible flag is flying high
and he stands there proud and firm.
The little old lady is still fidgeting
and the thugs are making ape noises.
The black man does nothing
and the queue does nothing.
Me, I watch from the café
and I do nothing, I'm scared.
People passing by start to gawp
start to stare and the queue does nothing
The little old lady starts to shake,
she's looking pale. She fidgets.
[...] Read more
poem by Ruth Walters
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0266 This one's only for those who like it
Did Jesus, as a baby, cry?
For was there aught to cry for?
Or were His tears from God’s own holy font,
knowing, what He was here for?
The story speaks of one
who’s seldom seen in Christmas cribs –
one of the first of animals to make praise:
the inn’s pet tabby cat, who, woken strangely
by the faintest sound – yet, not a mouse who stirred –
yawned, stretched, strolled slowly down to check
that in the stable, all was peace…
and it was peace, as peace was ever known.
What could a tabby do but purr?
The Christ Child woke; his lips seemed almost
to form some first and holy word;
gazed at the tabby cat, strange creature
of this strange new world; saw it was good;
and smiled.. and Mary, seeing this, and
hearing in that purr, Creation’s praise,
leant down and with her hands, till then
pressed in her world-bearing humility -
and on the tabby’s forehead
as some mark of christenings yet to come,
fingered the initial ‘M’ – not as some believe,
her name – though happy coincidence, but
the nearest human beings may come
to praising godly human, human God,
with perfect purr of peace. And so and ever since
the tabby bears upon its forehead that sacred
M. You didn’t know? Well, take a look…
And you may wonder why
this god or goddess of the hearth
is not so honoured in the Christmas crib?
Not as some unimaginative people think,
in case it smothered inadvertently
the Christ Child – well, is that likely?
No – it was as peaceful messenger
outside the stable, marshalling in its holy role
the birds and animals who’d first picked up
even perhaps before the shepherds, that
cosmic sound: ‘The stable’s full right now – please form
an orderly queue’ – and I’m sure
I needn’t tell you that this orderly queue, of two by two,
followed the same order as they embarked
and later, disembarked, from – yes, you guessed it -
The Ark.
[...] Read more
poem by Michael Shepherd
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Dead End Job
Words and music by The Police
I don't want no dead end job
I don't wanna be no number
I don't want no dead end job
I don't wanna be no number
The queue gets longer everyday
I just ain't no time to stay
I ain't gonna run away
All I want to do is play
Don't wanna be no teacher
I don't wanna be no slave
I don't wanna work no assembly line
A' like my uncle Dave
The queue gets longer everyday
I just ain't got time to stay
I ain't gonna run away
All I wanna do is play
I don't want no dead end job
I don't want no dead end job
I don't want no dead end job
I don't want no dead end job
I don't want no dead end job
I don't wanna be no number
I don't want no dead end job
I don't wanna be no number
The queue gets longer everyday
All I wanna do is play
I just ain't got time to stay
But I ain't gonna run away
Don't wanna be no millionaire
Don't wanna own no mint
I don't wanna be no tax exile
And I don't mind being skint
The queue gets longer every day
I just ain't got time to stay
I ain't gonna run away
All I wanna do is play
I don't want no dead end job
I don't want no dead end job
I don't want no dead end job
I don't want no dead end job
I don't want no dead end job
I don't wanna be no number
I don't want no dead end job
I don't wanna be no number
The queue gets longer everyday
I just ain't no time to stay
I ain't gonna run away
All I want to do is play
Don't wanna be no millionaire
[...] Read more
song performed by Police
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The Interpretation of Nature and
I.
MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.
II.
Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.
III.
Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.
IV.
Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.
V.
The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.
VI.
It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.
VII.
The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.
VIII.
Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.
IX.
The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.
X.
The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.
XI.
As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.
XII.
The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.
XIII.
[...] Read more
poem by Sir Francis Bacon
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The Pleasures of Imagination: Book The First
With what attractive charms this goodly frame
Of nature touches the consenting hearts
Of mortal men; and what the pleasing stores
Which beauteous imitation thence derives
To deck the poet's, or the painter's toil;
My verse unfolds. Attend, ye gentle powers
Of musical delight! and while i sing
Your gifts, your honours, dance around my strain.
Thou, smiling queen of every tuneful breast,
Indulgent Fancy! from the fruitful banks
Of Avon, whence thy rosy fingers cull
Fresh flowers and dews to sprinkle on the turf
Where Shakespeare lies, be present: and with thee
Let Fiction come, upon her vagrant wings
Wafting ten thousand colours through the air,
Which, by the glances of her magic eye,
She blends and shifts at will, through countless forms,
Her wild creation. Goddess of the lyre,
Which rules the accents of the moving sphere,
Wilt thou, eternal Harmony! descend
And join this festive train? for with thee comes
The guide, the guardian of their lovely sports,
Majestic Truth; and where Truth deigns to come,
Her sister Liberty will not be far.
Be present all ye Genii, who conduct
The wandering footsteps of the youthful bard,
New to your springs and shades: who touch his ear
With finer sounds: who heighten to his eye
The bloom of nature, and before him turn
The gayest, happiest attitude of things.
Oft have the laws of each poetic strain
The critic-verse imploy'd; yet still unsung
Lay this prime subject, though importing most
A poet's name: for fruitless is the attempt,
By dull obedience and by creeping toil
Obscure to conquer the severe ascent
Of high Parnassus. Nature's kindling breath
Must fire the chosen genius; nature's hand
Must string his nerves, and imp his eagle-wings
Impatient of the painful steep, to soar
High as the summit; there to breathe at large
Æthereal air: with bards and sages old,
Immortal sons of praise. These flattering scenes
To this neglected labour court my song;
Yet not unconscious what a doubtful task
To paint the finest features of the mind,
And to most subtile and mysterious things
Give colour, strength, and motion. But the love
Of nature and the muses bids explore,
[...] Read more
poem by Mark Akenside
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Epilogue (Nothing 'Bout Me)
I don't drink coffee, I take tea my dear.
I like my toast done on one side,
and you can hear it in my accent when I talk.
I'm an Englishman in New York.
You see me walking down Fifth Avenue,
a walking cane here at my side;
I take it ev'rywhere I walk.
I'm an Englishman in New York.
Whoa
I'm an alien,
I'm a legal alien;
I'm an Englishman in New York.
Whoa
I'm an alien,
I'm a legal alien;
I'm an Englishman in New York.
If
song performed by Sting
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The Englishman
He is an Englishman!
For he himself has said it,
And it's greatly to his credit,
That he is an Englishman!
For he might have been a Roosian,
A French, or Turk, or Proosian,
Or perhaps Itali-an!
But in spite of all temptations,
To belong to other nations,
He remains an Englishman!
Hurrah!
For the true-born Englishman!
poem by William Schwenck Gilbert
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The Shut-Eye Sentry
Sez the Junior Orderly Sergeant
To the Senior Orderly Man:
"Our Orderly Orf'cer's ~hokee-mut~,
You 'elp 'im all you can.
For the wine was old and the night is cold,
An' the best we may go wrong,
So, 'fore 'e gits to the sentry-box,
You pass the word along."
So it was "Rounds! What Rounds?" at two of a frosty night,
'E's 'oldin' on by the sergeant's sash, but, sentry, shut your eye.
An' it was "Pass! All's well!" Oh, ain't 'e drippin' tight!
'E'll need an affidavit pretty badly by-an'-by.
The moon was white on the barricks,
The road was white an' wide,
An' the Orderly Orf'cer took it all,
An' the ten-foot ditch beside.
An' the corporal pulled an' the sergeant pushed,
An' the three they danced along,
But I'd shut my eyes in the sentry-box,
So I didn't see nothin' wrong.
Though it was "Rounds! What Rounds?" O corporal, 'old 'im up!
'E's usin' 'is cap as it shouldn't be used, but, sentry, shut your eye.
An' it was "Pass! All's well!" Ho, shun the foamin' cup!
'E'll need, etc.
'Twas after four in the mornin';
We 'ad to stop the fun,
An' we sent 'im 'ome on a bullock-cart,
With 'is belt an' stock undone;
But we sluiced 'im down an' we washed 'im out,
An' a first-class job we made,
When we saved 'im, smart as a bombardier,
For six-o'clock parade.
It 'ad been "Rounds! What Rounds?" Oh, shove 'im straight again!
'E's usin' 'is sword for a bicycle, but, sentry, shut your eye.
An' it was "Pass! All's well!" 'E's called me "Darlin' Jane"!
'E'll need, etc.
The drill was long an' 'eavy,
The sky was 'ot an' blue,
An' 'is eye was wild an' 'is 'air was wet,
But 'is sergeant pulled 'im through.
Our men was good old trusties --
They'd done it on their 'ead;
But you ought to 'ave 'eard 'em markin' time
To 'ide the things 'e said!
[...] Read more
poem by Rudyard Kipling
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The Restoration Of The Works Of Art In Italy
LAND of departed fame! whose classic plains
Have proudly echo'd to immortal strains;
Whose hallow'd soil hath given the great and brave
Daystars of life, a birth-place and a grave;
Home of the Arts! where glory's faded smile
Sheds lingering light o'er many a mouldering pile;
Proud wreck of vanish'd power, of splendour fled,
Majestic temple of the mighty dead!
Whose grandeur, yet contending with decay,
Gleams through the twilight of thy glorious day;
Though dimm'd thy brightness, riveted thy chain,
Yet, fallen Italy! rejoice again!
Lost, lovely realm! once more 'tis thine to gaze
On the rich relics of sublimer days.
Awake, ye Muses of Etrurian shades,
Or sacred Tivoli's romantic glades;
Wake, ye that slumber in the bowery gloom
Where the wild ivy shadows Virgil's tomb;
Or ye, whose voice, by Sorga's lonely wave,
Swell'd the deep echoes of the fountain's cave,
Or thrill'd the soul in Tasso's numbers high,
Those magic strains of love and chivalry:
If yet by classic streams ye fondly rove,
Haunting the myrtle vale, the laurel grove;
Oh ! rouse once more the daring soul of song,
Seize with bold hand the harp, forgot so long,
And hail, with wonted pride, those works revered
Hallow'd by time, by absence more endear'd.
And breathe to Those the strain, whose warrior-might
Each danger stemm'd, prevail'd in every fight;
Souls of unyielding power, to storms inured,
Sublimed by peril, and by toil matured.
Sing of that Leader, whose ascendant mind
Could rouse the slumbering spirit of mankind:
Whose banners track'd the vanquish'd Eagle's flight
O'er many a plain, and dark sierra's height;
Who bade once more the wild, heroic lay
Record the deeds of Roncesvalles' day;
Who, through each mountain-pass of rock and snow,
An Alpine huntsman chased the fear-struck foe;
Waved his proud standard to the balmy gales,
Rich Languedoc ! that fan thy glowing vales,
And 'midst those scenes renew'd the achievements high,
Bequeath'd to fame by England's ancestry.
Yet, when the storm seem'd hush'd, the conflict past,
One strife remain'd–the mightiest and the last!
Nerved for the struggle, in that fateful hour
[...] Read more
poem by Felicia Dorothea Hemans
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Q
I join the queue
We move up nicely.
I ask the lady in front
What are we queuing for.
'To join another queue,'
She explains.
'How pointless,' I say,
'I'm leaving.' She points
To another long queue.
'Then you must get in line.'
I join the queue.
We move up nicely.
poem by Roger McGough
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The Pleasures of Imagination: Book The Third
What wonder therefore, since the indearing ties
Of passion link the universal kind
Of man so close, what wonder if to search
This common nature through the various change
Of sex, and age, and fortune, and the frame
Of each peculiar, draw the busy mind
With unresisted charms? The spacious west,
And all the teeming regions of the south
Hold not a quarry, to the curious flight
Of knowledge, half so tempting or so fair,
As man to man. Nor only where the smiles
Of love invite; nor only where the applause
Of cordial honour turns the attentive eye
On virtue's graceful deeds. For since the course
Of things external acts in different ways
On human apprehensions, as the hand
Of nature temper'd to a different frame.
Peculiar minds; so haply where the powers
Of fancy neither lessen nor enlarge
The images of things, but paint in all
Their genuine hues, the features which they wore
In nature; there opinion will be true,
And action right. For action treads the path
In which opinion says he follows good,
Or flies from evil; and opinion gives
Report of good or evil, as the scene
Was drawn by fancy, lovely or deform'd:
Thus her report can never there be true
Where fancy cheats the intellectual eye,
With glaring colours and distorted lines.
Is there a man, who at the sound of death
Sees ghastly shapes of terror conjur'd up,
And black before him; nought but death-bed groans
And fearful prayers, and plunging from the brink
Of light and being, down the gloomy air,
An unknown depth? Alas! in such a mind,
If no bright forms of excellence attend
The image of his country; nor the pomp
Of sacred senates, nor the guardian voice
Of justice on her throne, nor aught that wakes
The conscious bosom with a patriot's flame;
Will not opinion tell him, that to die,
Or stand the hazard, is a greater ill
Than to betray his country? And in act
Will he not chuse to be a wretch and live?
Here vice begins then. From the inchanting cup
Which fancy holds to all, the unwary thirst
Of youth oft swallows a Circæan draught,
That sheds a baleful tincture o'er the eye
Of reason, till no longer he discerns,
[...] Read more
poem by Mark Akenside
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Satan Absolved
(In the antechamber of Heaven. Satan walks alone. Angels in groups conversing.)
Satan. To--day is the Lord's ``day.'' Once more on His good pleasure
I, the Heresiarch, wait and pace these halls at leisure
Among the Orthodox, the unfallen Sons of God.
How sweet in truth Heaven is, its floors of sandal wood,
Its old--world furniture, its linen long in press,
Its incense, mummeries, flowers, its scent of holiness!
Each house has its own smell. The smell of Heaven to me
Intoxicates and haunts,--and hurts. Who would not be
God's liveried servant here, the slave of His behest,
Rather than reign outside? I like good things the best,
Fair things, things innocent; and gladly, if He willed,
Would enter His Saints' kingdom--even as a little child.
[Laughs. I have come to make my peace, to crave a full amaun,
Peace, pardon, reconcilement, truce to our daggers--drawn,
Which have so long distraught the fair wise Universe,
An end to my rebellion and the mortal curse
Of always evil--doing. He will mayhap agree
I was less wholly wrong about Humanity
The day I dared to warn His wisdom of that flaw.
It was at least the truth, the whole truth, I foresaw
When He must needs create that simian ``in His own
Image and likeness.'' Faugh! the unseemly carrion!
I claim a new revision and with proofs in hand,
No Job now in my path to foil me and withstand.
Oh, I will serve Him well!
[Certain Angels approach. But who are these that come
With their grieved faces pale and eyes of martyrdom?
Not our good Sons of God? They stop, gesticulate,
Argue apart, some weep,--weep, here within Heaven's gate!
Sob almost in God's sight! ay, real salt human tears,
Such as no Spirit wept these thrice three thousand years.
The last shed were my own, that night of reprobation
When I unsheathed my sword and headed the lost nation.
Since then not one of them has spoken above his breath
Or whispered in these courts one word of life or death
Displeasing to the Lord. No Seraph of them all,
Save I this day each year, has dared to cross Heaven's hall
And give voice to ill news, an unwelcome truth to Him.
Not Michael's self hath dared, prince of the Seraphim.
Yet all now wail aloud.--What ails ye, brethren? Speak!
Are ye too in rebellion? Angels. Satan, no. But weak
With our long earthly toil, the unthankful care of Man.
Satan. Ye have in truth good cause.
Angels. And we would know God's plan,
His true thought for the world, the wherefore and the why
Of His long patience mocked, His name in jeopardy.
[...] Read more
poem by Wilfrid Scawen Blunt
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An Englishman In The Usa
Writers: leo sayer & les davidson
Rambling round your city streets
I feel no earth beneath my feet
And I feel my life
Is crumbling into, into the sea
But I cant swim
Three thousand miles
So all I have is lonely nights
Im an englishman
Lost in the usa
And its a long way back home
Such a long way back home
And Im wondering
Where am I gonna go
Lines dead -- operators gone
And now the fear is coming on
And I hear my love
Wondering where have I gone
So Im gambling bucks for pounds
Yeah, but lady luck
Just wont come around
For an englishman
Who is stuck in the usa
And its a long way back home
Such a long way back home
And Im wondering
Will I ever get away
So here I am and there are you
Where wishful thoughts
Dont serve no use
And all the worrying in the world
Wont pull me through
So I think of love that
Might have been
And an airline ticket
Thats like a dream
For an englishman
Who is lost in the usa
Such a long way back home
Such a long way back home
And Im wondering
Will I ever get to go
And Im waiting for you
To take me home
song performed by Leo Sayer
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The True Born Englishman (excerpt)
...
Thus from a mixture of all kinds began,
That het'rogeneous thing, an Englishman:
In eager rapes, and furious lust begot,
Betwixt a painted Britain and a Scot.
Whose gend'ring off-spring quickly learn'd to bow,
And yoke their heifers to the Roman plough:
From whence a mongrel half-bred race there came,
With neither name, nor nation, speech nor fame.
In whose hot veins new mixtures quickly ran,
Infus'd betwixt a Saxon and a Dane.
While their rank daughters, to their parents just,
Receiv'd all nations with promiscuous lust.
This nauseous brood directly did contain
The well-extracted blood of Englishmen.
Which medly canton'd in a heptarchy,
A rhapsody of nations to supply,
Among themselves maintain'd eternal wars,
And still the ladies lov'd the conquerors.
The western Angles all the rest subdu'd;
A bloody nation, barbarous and rude:
Who by the tenure of the sword possest
One part of Britain, and subdu'd the rest
And as great things denominate the small,
The conqu'ring part gave title to the whole.
The Scot, Pict, Britain, Roman, Dane, submit,
And with the English-Saxon all unite:
And these the mixture have so close pursu'd,
The very name and memory's subdu'd:
No Roman now, no Britain does remain;
Wales strove to separate, but strove in vain:
The silent nations undistinguish'd fall,
And Englishman's the common name for all.
Fate jumbled them together, God knows how;
What e'er they were they're true-born English now.
The wonder which remains is at our pride,
To value that which all wise men deride.
For Englishmen to boast of generation,
Cancels their knowledge, and lampoons the nation.
A true-born Englishman's a contradiction,
In speech an irony, in fact a fiction.
A banter made to be a test of fools,
Which those that use it justly ridicules.
A metaphor invented to express
A man a-kin to all the universe.
For as the Scots, as learned men ha' said,
[...] Read more
poem by Daniel Defoe
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The Englishman
Born in the flesh, and bred in the bone,
Some of us harbour still
A New World pride: and we flaunt or hide
The Spirit of Bunker Hill.
We claim our place, as a separate race,
Or a self-created clan:
Till there comes a day when we like to say,
'We are kin of the Englishman.'
For under the front that seems so cold,
And the voice that is wont to storm,
We are certain to find a big, broad mind
And a heart that is soft and warm.
And he carries his woes in a lordly way,
As only the great souls can:
And it makes us glad when in truth we say,
'We are kin of the Englishman.'
He slams his door in the face of the world,
If he thinks the world too bold.
He will even curse; but he opens his purse
To the poor, and the sick, and the old.
He is slow in giving to woman the vote,
And slow to pick up her fan;
But he gives her room in an hour of doom,
And dies-like an Englishman.
poem by Ella Wheeler Wilcox
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The Dream Ring of the Desert
THE MERCHANT Abu Khan shunned the customs of his race,
And sought the cultured wisdom of the West.
His daughter fair Leola had the desert’s supple grace,
With an English education of the best.
The suitors for her hand were as grains of desert sand
But the merchant bade the Arab swarm begone:
And he swore a mighty oath, she should only make troth
With an Englishman an Englishman or none!
The chieftain Ben Kamir, tho’ rejected, stayed to plead,
But Abu Khan replied, ‘Thy suit is vain.
I cast aside my kinsmen and I scorn the prophet’s creed;
So get thee to thy tents, across the plain.’
‘Enough,’ the Chief replied, ‘Thine eyes are blind with pride,
But Allah hears my prayers and guides my star,
With patience I shall wait till I am called by Fate,
And then I shall return to Akabar.’
The right man came at last in the month of Ramadhan,
An Englishman who learned to love her soon.
His suit was proudly sanctioned by the merchant Abu Khan,
And the wedding was to be at the full moon.
The merchant, in his pride, thought the news too good to hide,
And it circled round the desert near and far:
Circled round and caught the ear of the chieftain Ben Kamir,
And he turned his camel’s head to Akabar.
The chieftain wore his robe of green, an emblem of his rank.
And many bowed in honour of the man.
But heedless of their reverence he beat his camel’s flank,
And rode on to the house of Abu Khan.
The merchant, from his roof, saw the chief, but held aloof
A suitor twice dismissed was one to shun
But Kamir declared his ride was in homage to the bride,
And the merchant’s fears vanished one by one.
‘Leola,’ said the Arab, as she came to greet the guests
‘Thy praises are beyond what I can sing,
But let this little token bring the fortune of the best.’
And he placed upon her hand an opal ring.
‘’Tis more than what it seems, and its spell shall gild thy dreams,
For ’twas carried by Mahomet, Allah’s Priest.’
Then the chieftain said goodbye, and she watched him with a sigh,
As he rode across the desert to the East.
Leola dreamt a dream most strange, and nightly ’twas the same,
[...] Read more
poem by John Milton Hayes
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Solving Mysteries
SOLVING MYSTERIES
Deep mysteries may be solved by analytic clarities,
but then dissolve as you dismantle their disparities,
their solution, if not leading to their dissolution,
depleting them of mystery which has suffered diminution.
Andrew Miller, whose latest novel Pure is about to be published, reviews Peter Carey's The Chemistry of Tears (NYTBR,5/27/10) :
In Peter Carey's 12th novel, much depends on two voices. The first belongs to Catherine Gehrig, an horologist working at the (fictional) Swinburne Museum in London. We join her — she begins to speak to us — at the very moment she learns of the sudden death of her lover, Matthew Tindall, Head Curator of Metals at the same institution. For 13 years, Catherine has been Tindall's mistress. He was older, married, a father, but the pair of them lived a blissful, secret life together. Now Tindall is gone — felled by a heart attack on the Underground — and gone with him, in Catherine's mind, is all good, all possibility of happiness….
Her boss gives her a project, which involves reading a pile of antique notebooks:
The notebooks introduce us to the novel's second voice, that of a wealthy mid-19th-century Englishman, Henry Brandling. As a voice, a narrator, Henry is not, at least at the start, much easier to be with than Catherine. He is fulsome, sentimental, the doting father of an ailing son, a boy whom Henry's wife, still mourning the death of another child, will neither nurse nor comfort. Henry seeks to keep the boy alive by continually exciting his interest in the world, but each success is temporary, and the next focus of interest, of enchantment, must always be more thrilling. So he decides to commission the building of an automaton, and not just any old automaton but a duck — he has seen a picture of it somewhere — that will eat grain, apparently digest it and then, with a whirring of springs, excrete the residue. To get it made he travels to Germany, to the Black Forest, and to the "mighty race of clockmakers" who live there. The notebooks are the journal of his travels, his search for a master technician.
Catherine, reading in the annex or (breaking all museum protocols) at home in her flat, calls Henry's narrative "intriguing, " but the diaries are often dense, awkward to read, somewhat dull. There is at first a type of comedy — the bumptious Englishman abroad, continually misunderstood by or misunderstanding his hosts. But then the tone darkens and takes on the feel of a fairy story by the Brothers Grimm, or something out of those monstrous cautionary tales in Hoffmann's "Straw Peter."
Henry finds his master clockmaker, a large, physically threatening man called Sumper, but Sumper isn't interested in a fecal duck. He has something much grander in mind for Henry and his son, and he teases Henry, torments him, hinting at mechanical wonders of an order the Englishman has not the wit to imagine. He recounts his adventures in Queen Victoria's England, where he worked as assistant to an inventor called Cruickshank, a character clearly modeled on the great Charles Babbage (whose prototype computer, the Difference Engine, has been reconstructed at the Science Museum in London) .
It is here, perhaps, in the watchmaker's hallucinogenic parable, that we come to what Carey is playing with in this novel: the illusory versus the actual, the mechanical versus the organic. The gap, if any, between that which, in its complexity, imitates life, and that which is living and may possess something else, something that isn't simply part of the works. A soul! Carey, of course, isn't going to come down on one side or the other of this venerable debate. Instead, he puts into the mouth of Catherine's boss the still persuasive Romantic plea for ambiguity, for the power and beauty of mysteries, for defending these from "analytical clarities." The closing scenes, in which Catherine and her young assistant finally recreate what Henry Brandling brought back from the forest, are among the best in the book, and the moment when it — the not-a-duck — is set in motion is thrilling.
5/28/12 #10340
poem by Gershon Hepner
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