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We shall all die, and our lives will be irrelevant then.

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Afrikaans: Sterregordels, Stilsonjare, Tydsbroekspypdinge, Haarsliert

Sterregordels

Cosmology in Afrikaans is an ode to joy, the
terms form sing-song strings with delightful
sounds “ewigbewegende elektron”
continuously spinning electron

“elektron in die hart van die atoomkorrel”
electron in the centre of the atom particle
- what a song!

“Triljoene Melkwegstelsels waaromheen ons
Melkweg elke tweehonderdmiljoenjaar
wentel – ‘n mallemeule van sterregordels…”

“Dobberende patrone, mesone en elektrone,
'n konfigurasie van konvekse novae”…

- these terms are singing to me!

A merry-go-round of star systems

Quotes from Adriaan Snyman “Die Messias Kode” (The Messiah Code) pp.9,10


Bombardement Van Frekwensies (English Explanation)

Waarmee sal ek hierdie leë oomblikke,
ankerloos, betekenisloos; aan die ewigheid
vasmaak - die gevoelsruimte in my hart

Is leeg, alle gevoel en denke het gesamentlik
in die donker duisternis van my brein ingeval
‘n laserbrein wat die hologramwêreld

Self moet konsituteer uit ‘n bombardement
van betekenislose frekwensies – maar
vandag is die ligstraalfokus uit

My pendulumgedagtes swaai ongefokus rond
die opgerolde, ingevoude ses-en-twintig of
meer dimensies van die virtuele werklikheid

Wil nie vir my oopgaan nie…


All thought and feeling fell into the black hole in my brain and the twenty-six or more rolled-up frequencies of reality does not want to open for me today…


Geloof In Liefde - Faith In Love

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Die Schwalbenhode

1.

weh unser guter kaspar ist tot
wer trägt nun die brennende fahne im zopf wer dreht die
kaffeemühle
wer lockt das idyllische reh
auf dem meer verwirrte er die schiffe mit dem wörtchen
parapluie und die winde nannte er bienenvater
weh weh weh unser guter kaspar ist tot heiliger bimbam
kaspar ist tot
die heufische klappern in den glocken wenn man seinen vornamen
ausspricht darum seufze ich weiter kaspar
kaspar kaspar
warum bist du ein stern geworden oder eine kette aus wasser
an einem heißen wirbelwind oder ein euter aus
schwarzem licht oder ein durchsichtiger Ziegel an der
stöhnenden trommel des felsigen wesens
jetzt vertrocknen unsere scheitel und sohlen und die feen
liegen halbverkohlt auf den scheiterhaufen

2.

jetzt donnert hinter der sonne
die schwarze kegelbahn und keiner zieht mehr die kompasse
und die räder der schiebkarren auf
wer ißt nun mit der ratte am einsamen tisch wer verjagt den
teufel wenn er die pferde verführen will wer erklärt uns
die monogramme in den sternen
seine büste wird die kamine aller wahrhaft edlen menschen
zieren doch das ist kein trost und schnupftabak für einen
totenkopf

3.

auf den wasserkanzeln bewegten die kaskadeure ihre
fähnchen wie figura 5 zeigt
die abenteurer mit falschen bärten und diamantenen hufen
bestiegen vermittels aufgeblasener walfischhäute
schneiend das podium
der große geisterlöwe harun al raschid sprich harung al radi
gähnte dreimal und zeigte seine vom rauchen schwarz
gewordenen zähne
die merzerisierten klapperschlangen wickelten sich von ihren
spulen mähten ihr getreide und verschlossen es in steine
aus dem saum des todes traten die augen der jungen sterne
nach der geißelung auf der sonnenbacke tanzten die hufe des
esels auf flaschenköpfen
die toten fielen wie flocken von den ledernen türmen
wieviel totengerippe drehten die räder der tore
als der wasserfall dreimal gekräht hatte erblich seine tapete bis

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Collection of Poems 2009-2011

Lullaby

Butterfly, sing to me a lullaby
Of the wonders I placed in a box
I am in the middle of time
In the middle of theft and crime
Take me away to the fantasy
Of living in truth and honesty
I'll listen to your whisper
Carefully and attentively
Why would I do otherwise?
You know I try to be wise
I am open to your lullaby
Dear butterfly
Can you see it in the depth of my eyes?
Sing to me about the place I dreamt of
Bring me the true message of love
Take with you a message of my own
To the skies you fly in
That I expected my wings to have grown
By this time in my life
How come I feel glued to the ground?
With hungry wolves all around
They want to take everything
Even your beautiful sound

In Four Walls

In the pit of my stomach…
I hold my chest
My hands hold nothing else
I go forward with my bed ready
To embrace me when I pull back
I know I can't make it
My tank has been emptied
The love and care and understanding
Somehow flew out the windows
And now I keep them shut
I can't stay with myself anymore
I've seen too much of how I am
And too much of who they are
Nothing but a big bore
Being either rich or poor
Everyone seems to fly carelessly
Into the soft clouds
They smile so endlessly
My voices are too loud
Maybe yours is too

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Die Die My Darling

(originally recorded by the misfits)
Ah
Yeah
Die, die, die my darling
Dont utter a single word
Die, die, die my darling
Just shut your pretty eyes
Ill be seeing you again
Yeah, Ill be seeing you, in hell
So dont cry to me oh baby
Your futures in an oblong box
Dont cry to me oh baby
You should have seen it a-coming on
Dont cry to me oh baby
I dont know it was in your card
Dont cry to me oh baby
Dead-end soul for a dead-end girl
Dont cry to me oh baby
And now your life drains on the floor
Dont cry to me oh baby
Die, die, die my darling
Dont utter a single word
Die, die, die my darling
Just shut your pretty mouth
Ill be seeing you again, yeah-yeah
Ill be seeing you, in hell
Dont cry to me oh baby
Your futures in an oblong box
Dont cry to me oh baby
You should have seen it a-coming on
Dont cry to me oh baby
I dont know it was in your card
Dont cry to me oh baby
Dead-end soul for a dead-end girl
Dont cry to me oh baby
And now your life drains on the floor
Dont cry to me oh baby
Die, die, die my darling
Dont utter a single word
Die, die, die my darling
Shut your pretty mouth
Ill be seeing you again
Ill be seeing you, in hell
Die-die-die
Die-die-die
Die-die-die
Die

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I Believe I'm Gonna Die

Dark rewrite of R Kelly's I Believe I Can Fly

I now know
I've been told that no longer can I go on
All because against God I committed such an awful wrong
Thought I knew the meaning of true love
Too late I discovered
It was just the devil's lust
Found in the wrong one's arms
If only I had't rode it then maybe I would't have caught it
If only I had't let myself fall for it then maybe I would't be having to live through it

Chorus

I believe I'm gonna die
I believe it because of all the unprotected things
All the naughty, unprotected things I did with that last guy
I suffer for it every night and day
I believe he's the one who made me this way
He's the one who made me feel so sore
'Cause I let him pound it so hard through my wide open door
I believe I'm gonna die
I believe I'm gonna die
I believe I'm gonna die

So alone
Feels like I'm on the cusp
On the verge of breaking down
Sometimes the silence in this room is so loud
I feel as if there's nothing, no miracle left in this life that I can achieve
As ever stronger, the weakness grows inside of me
If only I had't rode it then maybe I would't have caught it
If only I had't let myself fall for it then maybe I would't be having to live through it

I believe I'm gonna die
I believe it because of all the unprotected things
All the naughty, unprotected things I did with that last guy
I suffer for it every night and day
I believe he's the one who made me this way
He's the one who made me feel so sore
'Cause I let him pound it so hard through my wide open door
I believe I'm gonna die
I believe I'm gonna die
I believe I'm gonna die

Hey, Markus, 'cause I fell so blindly in love with you
Oh.....

If only I had't rode it then maybe I would't have caught it
If only I had't let myself fall for it then maybe I would't be having to live through it

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Seasonable Retour-Knell

SEASONABLE RETOUR KNELL
Variations on a theme...
SEASONABLE ROUND ROBIN ROLE REVERSALS

Author notes

A mirrored Retourne may not only be read either from first line to last or from last to first as seen in the mirrors, but also by inverting the first and second phrase of each line, either rhyming AAAA or ABAB for each verse. thus the number of variations could be multiplied several times.- two variations on the theme have been included here but could have been extended as in SEASONABLE ROUND ROBIN ROLE REVERSALS robi03_0069_robi03_0000

In respect of SEASONABLE ROUND ROBIN ROLE REVERSALS
This composition has sought to explore linguistic potential. Notes and the initial version are placed before rather than after the poem.
Six variations on a theme have been selected out of a significant number of mathematical possibilities using THE SAME TEXT and a reverse mirror for each version. Mirrors repeat the seasons with the lines in reverse order.

For the second roll the first four syllables of each line are reversed, and sense is retained both in the normal order of seasons and the reversed order as well... The 3rd and 4th variations offer ABAB rhyme schemes retaining the original text. The 5th and 6th variations modify the text into rhyming couplets.

Given the linguistical structure of this symphonic composition the score could be read in inversing each and every line and each and every hemistitch. There are minor punctuation differences between versions.

One could probably attain sonnet status for each of the four seasons and through partioning in 3 groups of 4 syllables extend the possibilites ad vitam.

Seasonable Round Robin Roll Reversals
robi03_0069_robi03_0000 QXX_DNZ
Seasonable Retour-Knell
robi03_0070_robi03_0069 QXX_NXX
26 March 1975 rewritten 20070123
lllllllllllllllllllllllllllllllllllll lllllllllllllllllll
For previous version see below
_______________________________________
SPRING SUMMER


Life is at ease Young lovers long
Land under plough; To hold their dear;
Whispering trees, Dewdrops among,
Answering cow. Bold, know no fear.

Blossom, the bees, Life full of song,
Burgeoning bough; Cloudless and clear;
Soft-scented breeze, Days fair and long,
Spring warms life now. Summer sends cheer.


AUTUMN WINTER


Each leaf decays, Harvested sheaves
Each life must bow; And honeyed hives;
Our salad days Trees stripped of leaves,
Are ending now. Jack Frost has knives.

Fruit heavy lays Time, Prince of thieves,
Bending the bough, - Onward he drives,

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Oenone

There lies a vale in Ida, lovelier
Than all the valleys of Ionian hills.
The swimming vapour slopes athwart the glen,
Puts forth an arm, and creeps from pine to pine,
And loiters, slowly drawn. On either hand
The lawns and meadow-ledges midway down
Hang rich in flowers, and far below them roars
The long brook falling thro' the clov'n ravine
In cataract after cataract to the sea.
Behind the valley topmost Gargarus
Stands up and takes the morning: but in front
The gorges, opening wide apart, reveal
Troas and Ilion's column'd citadel,
The crown of Troas. Hither came at noon
Mournful Œnone, wandering forlorn
Of Paris, once her playmate on the hills.
Her cheek had lost the rose, and round her neck
Floated her hair or seem'd to float in rest.
She, leaning on a fragment twined with vine,
Sang to the stillness, till the mountain-shade
Sloped downward to her seat from the upper cliff.

"O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
For now the noonday quiet holds the hill:
The grasshopper is silent in the grass:
The lizard, with his shadow on the stone,
Rests like a shadow, and the winds are dead.
The purple flower droops: the golden bee
Is lily-cradled: I alone awake.
My eyes are full of tears, my heart of love,
My heart is breaking, and my eyes are dim,
And I am all aweary of my life.

"O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
Hear me, O Earth, hear me, O Hills, O Caves
That house the cold crown'd snake! O mountain brooks,
I am the daughter of a River-God,
Hear me, for I will speak, and build up all
My sorrow with my song, as yonder walls
Rose slowly to a music slowly breathed,
A cloud that gather'd shape: for it may be
That, while I speak of it, a little while
My heart may wander from its deeper woe.

"O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
I waited underneath the dawning hills,
Aloft the mountain lawn was dewy-dark,

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Œnone

. There lies a vale in Ida, lovelier
Than all the valleys of Ionian hills.
The swimming vapour slopes athwart the glen,
Puts forth an arm, and creeps from pine to pine,
And loiters, slowly drawn. On either hand
The lawns and meadow-ledges midway down
Hang rich in flowers, and far below them roars
The long brook falling thro' the clov'n ravine
In cataract after cataract to the sea.
Behind the valley topmost Gargarus
Stands up and takes the morning: but in front
The gorges, opening wide apart, reveal
Troas and Ilion's column'd citadel,
The crown of Troas. Hither came at noon
Mournful Œnone, wandering forlorn
Of Paris, once her playmate on the hills.
Her cheek had lost the rose, and round her neck
Floated her hair or seem'd to float in rest.
She, leaning on a fragment twined with vine,
Sang to the stillness, till the mountain-shade
Sloped downward to her seat from the upper cliff.

'O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
For now the noonday quiet holds the hill:
The grasshopper is silent in the grass:
The lizard, with his shadow on the stone,
Rests like a shadow, and the winds are dead.
The purple flower droops: the golden bee
Is lily-cradled: I alone awake.
My eyes are full of tears, my heart of love,
My heart is breaking, and my eyes are dim,
And I am all aweary of my life.

'O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
Hear me, O Earth, hear me, O Hills, O Caves
That house the cold crown'd snake! O mountain brooks,
I am the daughter of a River-God,
Hear me, for I will speak, and build up all
My sorrow with my song, as yonder walls
Rose slowly to a music slowly breathed,
A cloud that gather'd shape: for it may be
That, while I speak of it, a little while
My heart may wander from its deeper woe.

'O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
I waited underneath the dawning hills,
Aloft the mountain lawn was dewy-dark,

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My Love Will Never Die

I was so good
I felt like this
I want everything
Now it likes me
My love will never die
My love will never die
And I felt it like your so depressed
And my whole buzz broke like nothing
My love will never die
My love will never die
My love will never die
My love will never die
Couldnt fit in an hour
Like never saw
I was hell in in a moment
I couldnt live at all
Love will never die
My love will never die
My so look to feel so good, I want everything now it likes me
My love will never die
My love will never die
And my so good I felt so bad
Like hell maybe
Come quick and I know that
My love will never die
My love will never die
My love will never die
Cant do in an hour
You gotta figure it all
My love is over and I dont know
Like never going under
Love will never die
Love will never die
And I felt like I could not live I said no hey, make it not mine
My love will never die
My love will never die
My love will never die
My love will never die
My love will never die
My love will never die
My love will never die
My love will never die

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OBIIT MDCCCXXXIII (Entire)

Strong Son of God, immortal Love,
Whom we, that have not seen thy face,
By faith, and faith alone, embrace,
Believing where we cannot prove;
Thine are these orbs of light and shade;
Thou madest Life in man and brute;
Thou madest Death; and lo, thy foot
Is on the skull which thou hast made.

Thou wilt not leave us in the dust:
Thou madest man, he knows not why,
He thinks he was not made to die;
And thou hast made him: thou art just.

Thou seemest human and divine,
The highest, holiest manhood, thou:
Our wills are ours, we know not how;
Our wills are ours, to make them thine.

Our little systems have their day;
They have their day and cease to be:
They are but broken lights of thee,
And thou, O Lord, art more than they.

We have but faith: we cannot know;
For knowledge is of things we see;
And yet we trust it comes from thee,
A beam in darkness: let it grow.

Let knowledge grow from more to more,
But more of reverence in us dwell;
That mind and soul, according well,
May make one music as before,

But vaster. We are fools and slight;
We mock thee when we do not fear:
But help thy foolish ones to bear;
Help thy vain worlds to bear thy light.

Forgive what seem’d my sin in me;
What seem’d my worth since I began;
For merit lives from man to man,
And not from man, O Lord, to thee.

Forgive my grief for one removed,
Thy creature, whom I found so fair.
I trust he lives in thee, and there
I find him worthier to be loved.

Forgive these wild and wandering cries,

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Freedom Fighters

Today I heard what them people say
Dem want to live free greedily, with everyone to pay.
You play under the sun while others fight and dies away
but I say if you don't like it this way, then why stay? Go away
Freedom Fighters
Ignite Jah
Freedom Fighters
Shine Jah
Live free, Be free, Die free
Freedom Fighters
Live free, Be free, Die free
Ignite Jah
Live free, Be free, Die free
Freedom Fighters
Live free, Be free, Die free
Shine Jah
Today I heard what them people say
Them say "The Man came in and he took our choice away"
You portray selfishness and hate
While some prepare to die today
I say you fade away, appreciate life and liberate
Freedom Fighters
Ignite Jah
Freedom Fighters
Shine Jah
Live free, Be free, Die free
Freedom Fighters
Live free, Be free, Die free
Ignite Jah
Live free, Be free, Die free
Freedom Fighters
Live free, Be free, Die free
Shine Jah
We have the right - to live in peace
and you must fight - for what you keep
If what you keep - holds truth inside
Stand up, defend - lay down and die
We have the right to live in peace
You must fight for what you keep
If what you keep holds truth inside
Stand up, defend, or lay down and die
Freedom Fighters
Ignite Jah
Freedom Fighters
Shine Jah
Live free, Be free, Die free
Freedom Fighters
Live free, Be free, Die free
Ignite Jah
Live free, Be free, Die free

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Tom Zart's 52 Best Of The Rest America At War Poems

SONS AND DAUGHTERS OF WORLD WAR III

The White House
Washington
Tom Zart's Poems


March 16,2007
Ms. Lillian Cauldwell
President and Chief Executive Officer
Passionate Internet Voices Radio
Ann Arbor Michigan

Dear Lillian:
Number 41 passed on the CDs from Tom Zart. Thank you for thinking of me. I am thankful for your efforts to honor our brave military personnel and their families. America owes these courageous men and women a debt of gratitude, and I am honored to be the commander in chief of the greatest force for freedom in the history of the world.
Best Wishes.

Sincerely,

George W. Bush


SONS AND DAUGHTERS OF WORLD WAR III


Our sons and daughters serve in harm's way
To defend our way of life.
Some are students, some grandparents
Many a husband or wife.

They face great odds without complaint
Gambling life and limb for little pay.
So far away from all they love
Fight our soldiers for whom we pray.

The plotters and planners of America's doom
Pledge to murder and maim all they can.
From early childhood they are taught
To kill is to become a man.

They exploit their young as weapons of choice
Teaching in heaven, virgins will await.
Destroying lives along with their own
To learn of their falsehoods too late.

The fearful cry we must submit
And find a way to soothe them.
Where defenders worry if we stand down
The future for America is grim.

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Every Day I Die (reworked By Andy Gray)

Gary Numan's Tubeway Army
"Everyday I Die".
problems of need i need you
obscene dreams in rusty beds
no one came here tonight
i pulled on me i need to
i unstick pages and read
i look at pictures of you
i smell the lust in my hands
everyday i die
her favorite trick was to suck me inside
oh so very art nouveau
completely false feelings of love i don't
no one knows but that died years ago
i unstick pages and read
i look at pictures of you
i smell the lust in my hands
everyday i die
die die die die die die die die die die die die die die die die die die
---------------------------------------------------------------------------
remember that the french term for "orgasm" translates to "the little death".

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He Lives In You

(mark a. mancina/jay rifkin/lebohang morake)
Ingonyama nengw enamabala
Ingonyama nengw enamabala
Night and the spirit of life calling
Oh, oh, iyo mamela oh, oh, iyo
And the voice with the fear of a child answers
Oh, oh, iyo iyo mamela
Wait! theres no mountain too great
Hear these words and have faith
Oh, oh, iyo
Have faith
Hela hey mamela, hela hey mamela
Hela hey mamela, hela hey mamela
He lives in you, he lives in me (hela hey mamela)
He watches over everything we see
Into the waters, into the truth
In your reflection, he lives in you
Dream, and the voice in the wind whispers
Oh, oh, iyo, iyo mamela oh, oh, iyo
Wait! theres no mountain too great
Hear these words and have faith
Oh, oh, iyo
He lives in you, he lives in me
He watches over everything we see
Into the waters, into the truth
In your reflection, he lives in you
Ingonyama nengw enamabala
Ingonyama nengw enamabala
He lives in you, he lives in me
He watches over everything we see
Into the water, into the truth
In your reflection, he lives in you
He lives in you (oh yeah), he lives in me
He watches over everything we see
Into the water, into the truth
In your reflection, he lives, he lives, he lives, he lives in you
He lives, he lives, he lives in you
He watches over everything we see

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The Undying One- Canto III

'THERE is a sound the autumn wind doth make
Howling and moaning, listlessly and low:
Methinks that to a heart that ought to break
All the earth's voices seem to murmur so.
The visions that crost
Our path in light--
The things that we lost
In the dim dark night--
The faces for which we vainly yearn--
The voices whose tones will not return--
That low sad wailing breeze doth bring
Borne on its swift and rushing wing.
Have ye sat alone when that wind was loud,
And the moon shone dim from the wintry cloud?
When the fire was quench'd on your lonely hearth,
And the voices were still which spoke of mirth?

If such an evening, tho' but one,
It hath been yours to spend alone--
Never,--though years may roll along
Cheer'd by the merry dance and song;
Though you mark'd not that bleak wind's sound before,
When louder perchance it used to roar--
Never shall sound of that wintry gale
Be aught to you but a voice of wail!
So o'er the careless heart and eye
The storms of the world go sweeping by;
But oh! when once we have learn'd to weep,
Well doth sorrow his stern watch keep.
Let one of our airy joys decay--
Let one of our blossoms fade away--
And all the griefs that others share
Seem ours, as well as theirs, to bear:
And the sound of wail, like that rushing wind
Shall bring all our own deep woe to mind!

'I went through the world, but I paused not now
At the gladsome heart and the joyous brow:
I went through the world, and I stay'd to mark
Where the heart was sore, and the spirit dark:
And the grief of others, though sad to see,
Was fraught with a demon's joy to me!

'I saw the inconstant lover come to take
Farewell of her he loved in better days,
And, coldly careless, watch the heart-strings break--
Which beat so fondly at his words of praise.
She was a faded, painted, guilt-bow'd thing,
Seeking to mock the hues of early spring,
When misery and years had done their worst

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Were All Gonna Die

Feat. cee lo
We all gonna die, we all gonna die
When I was a very young boy, momma told me were all gonna die
Momma said son love cant be trusted
Its just another weakness, were all gonna die
(chorus)
Baby dont cry, praise the most high
I tell you no lie, were all gonna die
Baby dont cry, praise the most high
I tell you no lie, were all gonna die
Now Im alone, seen the night livin
Made a new friend, gonna get high
Dont take more than Im givin
Judgment day comin, were all gonna die
If my wings should fail me lord
Meet me with another pair
(chorus)
Baby dont cry, praise the most high
I tell you no lie, were all gonna die
Baby dont cry, praise the most high
I tell you no lie, were all gonna die
Baby gettin born, old man dyin
Young lady laughin, old women cryin
Leavin like a lamb comin back like a lion
Babylon to zion, were all gonna die
Praise the most high, were all gonna die
When I was a very young boy momma told me we all gonna die
Momma said son love cant be trusted its just another weakness
Were all gonna die, praise the most high, were all gonna die
If my wings should fail me lord
Meet me with another pair
(chorus)
Baby, dont cry, praise the most high
I tell you no lie, were all gonna die
Baby, dont cry, praise the most high
We all gonna die, we all gonna die
Baby, dont cry, praise the most high
I tell you know lie, were all gonna die
Baby, dont cry, praise the most high
We all gonna die, we all gonna die

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Do Or Die

Those cocky little fires you started in the night
The independent claims that just meant hold me tight
The bruises on your body that you swore were from a fight
Ill pass at your insistence
Alsatians fall unconscious at the shadow of your call
One glance from your direction and the government will fall
Whole continents of misery dont bother you at all
But for me you have persistence
Run all day, run all night
Do or die, do or die
Got to run for your life
Do or die, do or die
Id like to leave so would you kindly look the other way
You tell me to be honest but Ive nothing left to say
Just like your feet my goddess, my brain has turned to clay
An end to all resistance
Run all day, run all night
Do or die, do or die
Got to run for your life
Do or die, do or die
Run all day, run all night
Do or die, do or die
Got to run for your life
Do or die, do or die
Run all day, run all night
Do or die, do or die
Got to run for your life
Do or die, do or die
Run all day, run all night
Do or die, do or die
Got to run for your life
Do or die, do or die

song performed by Human LeagueReport problemRelated quotes
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Westöliche Rosen

1

die rosen werden an die hüte gekreuzigt, die lippen
der rosen fliegen fort.
die blutigen organe tropfen auf den sichtbaren
thron des halbwüchsigen westöstlichen steines und
auf die weißen totenköpfe.
die drei rasierten sommer und die drei rasierten
kreuze wackeln wie der mai auf krücken fort.
der leierleib erzählt von blutigen schlachten gegen
behaarte steine. der leierleib schießt giftigen schaum
steinerne krücken blutige nasen behaarte steine gegen
die rasierten totenköpfe.

2

der leierleib tropft blut auf die weißen vorhemden
wie in einer unverpackten schlacht und wirft seine
drei schneeballen hinter seine drei sommer.
aus den retorten rollen die totenköpfe der Itosen.
die lippen der hüte kommen auf krücken zurück.
die handschuhe werden an die hüte gekreuzigt.
die kreuze lehnen aneinander wie der halbe mann
vom bräutigam am anderen halben manne vom
bräutigam.

3

der leierleib erzählt der schaumgeburt von einem
halbwüchsigen westöstlichen stein der beileibe und
heiseele auf einem sichtbaren thron sitzt und von
den wagehalsigen und wagenasigen die blutige teile
5e,oen den mai werfen. da schießt die schaumgeburt
giftige akzentvögel gegen die signaturorgane des
leierleibes hängt sich klöppel an ihre geballten flügel
und läutet und fliegt fort zu den geflügelten worten.
die flügel rasieren die behaarten herzen.
das stückchen luft wackelt und ruft qui vive.
so geht es hinauf und hinab wie in einem brief.

4

es läutet in den herzen.
die schaumgeburt packt weiße mailuft in einen
schneebrief.
der halbwüchsige westöstliche stein wirft seine
drei handschuhe hinter seine drei hüte und hängt
sich an den rosen auf.
der leierleib rasiert seine schlachtenklöppel.
geflügelte rosen fliegen zu der schneeleier.

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Sir Peter Harpdon's End

In an English Castle in Poictou. Sir Peter Harpdon, a Gascon knight in the English service, and John Curzon, his lieutenant.

John Curzon

Of those three prisoners, that before you came
We took down at St. John's hard by the mill,
Two are good masons; we have tools enough,
And you have skill to set them working.


Sir Peter

So-
What are their names?


John Curzon

Why, Jacques Aquadent,
And Peter Plombiere, but-


Sir Peter

What colour'd hair
Has Peter now? has Jacques got bow legs?


John Curzon

Why, sir, you jest: what matters Jacques' hair,
Or Peter's legs to us?


Sir Peter

O! John, John, John!
Throw all your mason's tools down the deep well,
Hang Peter up and Jacques; they're no good,
We shall not build, man.


John Curzon


going.

Shall I call the guard
To hang them, sir? and yet, sir, for the tools,
We'd better keep them still; sir, fare you well.

[...] Read more

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Das Schlauraffen Landt.

Ain gegent haist Schlauraffen land,
Den faulen leuten wol bekant,
Das ligt drey meyl hinder Weyhnachten.
Vnd welcher darein wölle trachten,
5
Der muß sich grosser ding vermessn
Vnd durch ein Berg mit Hirßbrey essn,
Der ist wol dreyer Meylen dick.
Als dann ist er im augenblick
Inn den selbing Schlauraffen Landt,
10
Da aller Reychthumb ist bekant.
Da sind die Heuser deckt mit Fladn,
Leckuchen die Haußthür vnd ladn,
Von Speckuchen Dielen vnd wend,
Die Tröm von Schweynen braten send.
15
Vmb yedes Hauß so ist ein Zaun,
Geflochten von Bratwürsten braun.
Von Maluasier so sindt die Brunnen,
Kommen eim selbs ins maul gerunnen.
Auff den Tannen wachssen Krapffen,
20
Wie hie zu Land die Tannzapffen.
Auff Fichten wachssen bachen schnittn.
Ayrpletz thut man von Pircken schüttn.
Wie Pfifferling wachssen die Fleckn,
Die Weyntrauben inn Dorenheckn.
25
Auff Weyden koppen Semel stehn,
Darunter Pech mit Milich gehn;
Die fallen dann inn Pach herab,
Das yederman zu essen hab.
Auch gehen die Visch inn den Lachn
30
Gsotten, Braten, Gsulzt vnd pachn
Vnd gehn bey dem gestat gar nahen,
Lassen sich mit den henden fahen.
Auch fliegen vmb (müget jr glaubn)
Gebraten Hüner, Genß vnd Taubn.
35
Wer sie nicht facht vnd ist so faul,
Dem fliegen sie.selbs in das maul.
Die Sew all Jar gar wol geratn,
Lauffen im Land vmb, sind gebratn.
Yede eyn Messer hat im rück
40
Darmit eyn yeder schneydt eyn stück
Und steckt das Messer wider dreyn.
Die Creutzkeß wachssen wie die steyn.

[...] Read more

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