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Anna Freud

What I have always wanted for myself is much more primitive. It is probably nothing more than the affection of the people with whom I am in contact, and their good opinion of me.

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Primitive Love

Primitive love
I want what it used to be, primitive love
No modern love, its all a hustle
Whats done is done, now its my turn to have some fun
Youre much to sly, dont give me alibis
I dont want to know, I dont want to know
Primitive love
I want what it used to be
I want it, primitive love
Primitivie love, I want what is used to be
I want what it used to be, primitive love
I want, I need, primtive love
You dont have to worry , I dont want your money
I dont have to think, right now youve got me at the brink
This is good-bye for all the times I cried
Dont want no more, dont want no more
Primitive love
I want what it used to be
I want it, primitive love
Primitivie love, I want what is used to be
I want what it used to be, primitive love
I want, I need, primitive love
Is it right, or is it wrong?
Primitive drums call me backward into stone
Pack up and leave, Im not yours to deceive
Dont want you no more, dont want you no more
Primitive love
I want what it used to be
I want it, primitive love
Primitivie love, I want what is used to be
I want what it used to be, primitive love
I want, I need, primtive love

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I Have The Touch

The time I like is the rush hour, cos I like the rush
The pushing of the people, I like it all so much
Such a mass of motion, do not know where it goes
I move with the movement and ... I have the touch
Im waiting for ignition, Im looking for a spark
Any chance collision and I light up in the dark
There you stand before me, all that fur and all that hair
Oh, do I dare ... I have the touch
Only, only
Wanting contact
Only, only
Im wanting contact
Only, only
Im wanting contact with you
Shake those hands, shake those hands
Give me the thing I understand
Shake those hands, shake those hands
Shake hands, shake hands.
Any social occasion, hello, how do you do
All those introductions, I never miss my cue
So before a question, so before a doubt
My hand moves out and ... I have the touch
Only, only
Wanting contact
Only, only
Im wanting contact
Only, only
Im wanting contact with you
Shake those hands, shake those hands
Give me the thing I understand
Shake those hands, shake those hands
Shake those hands
Pull my chin, stroke my hair, scratch my nose, hug my knees
Try drink, food, cigarette, the tension will not ease
I tap my fingers, fold my arms, breathe in deep, cross my legs
Shrug my shoulders, stretch my back, but nothing seems to please
I need contact
I need contact
Nothing seems to please
I need contact
Tac-tacatac, tac-tacatac
I need contact
Nothing seems to please
I need contact
Tac-tacatac, tac-tacatac
I need contact
Ah, tac-tacatac
I need contact
Nothing seems to please
I need contact

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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Primitive

Primitive feeling, primitive way
Getting closer to the primitive day
Intuition wherever it goes
The primitive day, the primitive way
Primitive feeling, primitive way
Getting closer to the primitive day
Follow the feeling wherever it goes
The primitive day, the primitive way

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Primitive

My heart keeps beating me to death
I see you move and I can't catch my breath
I want to touch you with my lips
I want to touch you with a kiss

My heart keeps pounding like a fist
I see you there and I just can't resist
You make me tremble like this
You make me tremble like a jellyfish

It's primitive
You got me
Oh
It's primitive
You make me feel
Primitive
When you lock me in your arms
You chain me to your heart
...Oh

I hear you calling out my name
And when you talk your words they numb my brain
You make this fire in me start
I want to touch you with my heart

I hear you whisper in the dark
And when you touch me I just come apart
I feel the fever in your hands
We feel things we don't even understand

It's primitive
You got me
Oh
It's primitive
You make me feel
Primitive
When you lock me in your arms
You chain me to your heart
...Oh
It's animal

Like the moon pulls at the tide
I'm at your side
The world in which we live

It's primitive
You got me
Oh
It's primitive
You make me real

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Virginia's Story

Elizabeth Gates-Wooten is my Grand mom.

She was born in Canada with her father and brothers.
They owned a Barber Shoppe.
I don't remember exactly where in Canada.
I believe it was right over the border like Windsor or Toronto.
I never knew exactly where it was.

When she was old enough she got married.

First, she married a man by the name of Frank Gates.
He was from Madagascar.
He fathered my mom and her brother and sister.
The boy's name was Frank Gates, Jr.
Two girls name were Anna and Agnes.

Agnes was my mother.

Frank Gates went crazy after the war
He drank a lot and died
Then grandma Elizabeth married a man by the name of Mr. Wooten.
He had a German name, but I don't think he was German.
She took his last name after they got married.

Then they moved to West Virginia in the United States.

Their son, Frank Gates Jr. Became a delegate in the democratic party.
He use to get into a lot of trouble because he liked to fight.
He was a delegate from the 1940's to 1970's.
He died of gout in the 1970's.

Anna was a maid and cook.

She baked cakes and stuff for people as a side line.
She had a hump on her back (scoliosis) .
She had to walk with a cane.
She could cook good though.
She did this kind of work all of her life, just like her mom, Elizabeth

They were both good cooks

They had a lot of money because they had these skills
Especially when people had parties.
Because they would make all of this food and then they would have left-overs.
We got to eat a lot of stuff we normally wouldn't get because of that.
When they cooked, they didn't use no measuring stuff, they would just use there hand.

My moms name was Agnes Barrie Gates.

She married James Wright and moved to Cleveland.

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Be Good Johnny

Skip de skip, up the road
Off to school we go
Dont you be a bad boy johnny
Dont you slip up
Or play the fool
Oh no ma, oh no da,
Ill be your golden boy
I will obey evry golden rule
Get told by the teacher
Not to day-dream
Told by my mother:
Be good be good
Be good be good be good
Be good be good be good be good (johnny)
Be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good (johnny)
Be good be good.
Are you going to play football this year, john?
No!
Oh, well you must be going to play cricket this year then,
Are you johnny?
No! no! no!
Boy, you sure are a funny kid, johnny, but I like you! so tell me,
What kind of a boy are you, john?
I only like dreaming
All the day long
Where no one is screaming
Be good be good
Be good be good be good
Be good be good be good be good (johnny)
Be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Be good be good be good
Johnny!

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Byron

Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

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Love An Affection

(coverdale/moody)
Well, I love the way you walk
With your skin tight stride,
You got my eyes wide open
An my loose tongue tied
A french kiss mouth
An a smile so bad,
Youre the finest woman
That I ever had
So its alright,
Do anything you wanna do
Nobody had to tell you
How to make a mans heart bleed,
Your mama always knew
You was born to succeed
I can see the honey juice
Dripping off your lips,
Girl, you got the midas touch
Its in your fingertips
But its alright,
Do anything you wanna do
cos after midnight, Ill be alright
Riding on cupids train,
You give me loving, like Ive never had before,
Im back in the saddle again
So give me love an affection,
Love an affection
A little love an affection
Sure nuff goes a long, long way
You put your arms around me
Like a circle round the sun,
Your eyes turn on the hypnotising game
You play for fun
Im caught in your spell
Just like the spider an the fly,
An I cant break away from you
No matter how I try
But, its alright,
Do anything you wanna do
cos after midnight, Ill be alright
Riding on cupids train,
You give me loving, like Ive never had before,
Im back in the saddle again
So give me love an affection,
Love an affection
A little love an affection
Sure nuff goes a long, long way
cos after midnight, Ill be alright
Riding on cupids train,
You give me loving, like Ive never had before,

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Points of contact

We travel and keep moving
Each time you move ahead
You should have stepped at a point
Ensuring the grip of the point
You might have pushed ahead
And you make your next step
After reaching the next point of contact
You push ahead
Exerting the force of the push
On the point of contact

The more frequently you
Meet the points of contact
The faster is your movement and going ahead

The point of contact acts as fulcrum
That ensures your push becomes a movement
Thus, you will agree,
Points of contact
Help you move
Regardless of the direction
And regardless of the destination

Quality of your movement
Depends a lot on the
Quality of the points of contact
A slippery, less firm point of contact
Makes you slip
And end up with failure
Your journey terminating not
Helping you reach the destination
Despite all your skills
And efforts towards pushing ahead

You understand that
Points of contact need your attention
They need nourishment
Maintenance and care

The Point of contact need not be
Just a material or stone
Or a step in a ladder or staircase
It can also be a person
Who helped you in your movement
Some time, some where and some how

It is also a requirement
That you be in touch with them
Demonstrating your care and love for them

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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator

Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!

It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!

Well,
Let others climb the heights o' the court, the camp!

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Good Love

Everytime I get to see you
I get this feelin
Its so fuzzy inside
And as soon as I walk away from you
Im still tasting your kiss
Saving it in my mind
Its not everyday I find
A guy that makes me smile all the time
Not the way that you do
All the guys I thought I used to love
Compared to you they dont match up
They got nothing on you
I think I found a good good good love
The kind that will put it on you
The kind that you wanna hold on to
I think I found a good good good love
We can be lovers and friends too
And theyll do anything for you
A good love
Baby you got somethin special
That has me thinking of settling down
Youre the one my mama told me
Would sooner or later one day finally come around
I think I found a good good good love
The kind that will put it on you
The kind that you wanna hold on to
I think I found a good good good love
We can be lovers and friends too
And theyll do anything for you
A good love
I think I found a good good good love
The kind that will put it on you
The kind that you wanna hold on to
I think I found a good good good love
We can be lovers and friends too
And theyll do anything for you
A good love
You bring me joy
And you bring me much pleasure
I could never see myself leaving you ever
Your soft touch is good and it cant get no better
You have got my mind so caught up
Im drunk off of your good love
I think I found a good good good love
The kind that will put it on you
The kind that you wanna hold on to
I think I found a good good good love
We can be lovers and friends too
And theyll do anything for you
A good love

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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Nothing So Good

Aint nothin so good
As a sunday morning
When the day is dawnin? kinda makes you feel good
There aint nothing so fine
As a lazy weekend
Just hangin out with your best friend
There aint nothing so good
There aint nothing so good as a good time
Theres nothing so right as the right time
I said please ? dont count on me
Said please ? dont count on me
Theres nothing so good as a good time
Maybe there should
There aint nothing so good
Aint nothin so strong
As the strength of a good love
I cant get enough
Cant ever get too much love
There aint nothing so right
As the sound of your voice
Im gonna make it my choice
And get into something good
There aint nothing so good as a good time
There aint nothing so right as the right time
I said please ? dont count on me
Said please ? dont you count on me
Theres nothing so good as a good time
Maybe there should
There aint nothing so good
Sail away
Cant drift too far
Gotta get away
Be where you are
Sail away, sail away
Sail on far
Gotta find a way
Into your heart
Aint nothin so good
As a sunday morning
When the day is dawning
Kinda makes you feel good
There aint nothing so fine
As a lazy weekend
Just hangin out with your best friend
There aint nothing so good
There aint nothing so good as a good time
Aint nothing so right as the right time
I said please ? dont count on me
Said please ? dont count on me
Theres nothing so good as a good time

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Double Ballade Of Primitive Man

He lived in a cave by the seas,
He lived upon oysters and foes,
But his list of forbidden degrees,
An extensive morality shows;
Geological evidence goes
To prove he had never a pan,
But he shaved with a shell when he chose, -
'Twas the manner of Primitive Man.

He worshipp'd the rain and the breeze,
He worshipp'd the river that flows,
And the Dawn, and the Moon, and the trees,
And bogies, and serpents, and crows;
He buried his dead with their toes
Tucked-up, an original plan,
Till their knees came right under their nose, -
'Twas the manner of Primitive Man.

His communal wives, at his ease,
He would curb with occasional blows;
Or his State had a queen, like the bees
(As another philosopher trows):
When he spoke, it was never in prose,
But he sang in a strain that would scan,
For (to doubt it, perchance, were morose)
'Twas the manner of Primitive Man!

On the coasts that incessantly freeze,
With his stones, and his bones, and his bows;
On luxuriant tropical leas,
Where the summer eternally glows,
He is found, and his habits disclose
(Let theology say what she can)
That he lived in the long, long agos,
'Twas the manner of Primitive Man!

From a status like that of the Crees,
Our society's fabric arose, -
Develop'd, evolved, if you please,
But deluded chronologists chose,
In a fancied accordance with Mos
es, 4000 B. C. for the span
When he rushed on the world and its woes, -
'Twas the manner of Primitive Man!

But the mild anthropologist,--HE'S
Not RECENT inclined to suppose
Flints Palaeolithic like these,
Quaternary bones such as those!
In Rhinoceros, Mammoth and Co.'s,

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I Have The Touch

The time I like is the rush hour, cos I like the rush
The pushing of the people - I like it all so much
Such a mass of motion - do not know where it goes
I move with the movement and ... I have the touch
Im waiting for ignition, Im looking for a spark
Any chance collision and I light up in the dark
There you stand before me, all that fur and all that hair
Oh, do I dare ... I have the touch
Wanting contact
Im wanting contact
Im wanting contact with you
Shake those hands, shake those hands
Give me the thing I understand
Shake those hands, shake those hands
Shake those hands, shake those hands
Any social occasion, its hello, how do you do
All those introductions, I never miss my cue
So before a question, so before a doubt
My hand moves out and ... I have the touch
Wanting contact
Im wanting contact
Im wanting contact with you
Shake those hands, shake those hands
Give me the thing I understand
Shake those hands, shake those hands
Pull my chin, stroke my hair, scratch my nose, hug my knees
Try drink, food, cigarette, tension will not ease
I tap my fingers, fold my arms, breathe in deep, cross my legs
Shrug my shoulders, stretch my back - but nothing seems
To please
I need contact
I need contact
Nothing seems to please
I need contact

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The Fyftene Loyes Of Maryage

Somer passed/and wynter well begone
The dayes shorte/the darke nyghtes longe
Haue taken season/and brynghtnes of the sonne
Is lytell sene/and small byrdes songe
Seldon is herde/in feldes or wodes ronge
All strength and ventue/of trees and herbes sote
Dyscendynge be/from croppe in to the rote


And euery creature by course of kynde
For socoure draweth to that countre and place
Where for a tyme/they may purchace and fynde
Conforte and rest/abydynge after grace
That clere Appolo with bryghtnes of his face
Wyll sende/whan lusty ver shall come to towne
And gyue the grounde/of grene a goodly gowne


And Flora goddesse bothe of whyte and grene
Her mantell large/ouer all the erthe shall sprede
Shewynge her selfe/apparayled lyke a quene
As well in feldes/wodes/as in mede
Hauynge so ryche a croune vpon her hede
The whiche of floures/shall be so fayre and bryght
That all the worlde/shall take therof a lyght


So now it is/of late I was desyred
Out of the trenche to drawe a lytell boke
Of .xv. Ioyes/of whiche though I were hyred
I can not tell/and yet I vndertoke
This entrepryse/with a full pyteous loke
Remembrynge well/the case that stode in
Lyuynge in hope/this wynter to begyn


Some Ioyes to fynde that be in maryage
For in my youth/yet neuer acquayntaunce
Had of them but now in myn olde aege
I trust my selfe/to forther and auaunce
If that in me/there lacke no suffysaunce
Whiche may dyspleasyr/clerely set a parte
I wante but all/that longeth to that arte


yet wyll I speke/though I may do no more
Fully purposynge/in all these Ioyes to trete
Accordynge to my purpose made to fore
All be it so/I can not well forgete
The payne/trauayle/besynes and hete

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I Don't Have The Map

When it happens
Youll feel like an islander
Youll see ships and theyll be reminders
That youre on an island
Im on an island
The chances are theres a reason weve been left here
But Im not disappointed
The chances are theres a reason weve been left
The chances are, the chances are
You cant contact, you cant contact
You cant cope without the contact
As it happens
Theres a city in sight
Youre getting confused by local lamplight
By local lamplight
Dont buy local lamplights
The chances are theres a reason weve been left here
But Im not disappointed
The chances are theres a reason weve been left here
The chances are, the chances are
You cant contact, you cant contact
You cant cope without the contact
But what a situation to be in
You and me are keeping in time with my ideas
Keeping in time with my ideas
You cant stop keeping in time
You cant contact, you cant contact
You cant cope without the contact

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Byron

Canto the Third

I
Hail, Muse! et cetera.—We left Juan sleeping,
Pillow'd upon a fair and happy breast,
And watch'd by eyes that never yet knew weeping,
And loved by a young heart, too deeply blest
To feel the poison through her spirit creeping,
Or know who rested there, a foe to rest,
Had soil'd the current of her sinless years,
And turn'd her pure heart's purest blood to tears!

II
Oh, Love! what is it in this world of ours
Which makes it fatal to be loved? Ah, why
With cypress branches hast thou wreathed thy bowers,
And made thy best interpreter a sigh?
As those who dote on odours pluck the flowers,
And place them on their breast—but place to die—
Thus the frail beings we would fondly cherish
Are laid within our bosoms but to perish.

III
In her first passion woman loves her lover,
In all the others all she loves is love,
Which grows a habit she can ne'er get over,
And fits her loosely—like an easy glove,
As you may find, whene'er you like to prove her:
One man alone at first her heart can move;
She then prefers him in the plural number,
Not finding that the additions much encumber.

IV
I know not if the fault be men's or theirs;
But one thing's pretty sure; a woman planted
(Unless at once she plunge for life in prayers)
After a decent time must be gallanted;
Although, no doubt, her first of love affairs
Is that to which her heart is wholly granted;
Yet there are some, they say, who have had none,
But those who have ne'er end with only one.

V
'T is melancholy, and a fearful sign
Of human frailty, folly, also crime,
That love and marriage rarely can combine,
Although they both are born in the same clime;
Marriage from love, like vinegar from wine—
A sad, sour, sober beverage—by time
Is sharpen'd from its high celestial flavour
Down to a very homely household savour.

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poem by from Don Juan (1824)Report problemRelated quotes
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