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Actually, my favourite roles have been in theatre, but on TV, my faves were Slap Maxwell and Larry Sanders.

quote by Megan Gallagher
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No One Else In The Room (feat. Maxwell)

[Maxwell]
Oooooooooooh!
[Nas]
Maxwell go and sing
[Maxwell]
Ooohh, this for the ladies
[Nas]
M-A-X
[Maxwell]
Doin' it
[Nas]
N-A-S
[Maxwell]
I'm back again (who's back)
Again, again, I'm back again (who's back)
Ooh, tell me (who's back)
I'm back again (who's back)
Again, again, I'm back again
[Nas]
Uh, yeah the booty is the bass
The highs, the beauty in ya eyes
First glance I became alive
She went through a lot of dangerous guys, surprise
Now she went to side on Nas
Cause I ain't choose her, she chose me
In the party, it was a early day a March
When I first had ya legs arched
In the park, wasn't even dark
We was in the zone, we ain't care who watch
Baby was ??? though the trees was sparked
She said till you get enough, please don't stop
So I played wit it, got the moist spot hot
If I ain't hittin' the bottom, I'm getting some top
My hair cut look air brushed
Whatever I wear is straight plush from the ears to chucks
As we ??? across the dance floor
Just, me and you no one else but us to
[Maxwell]
No other girl in the room
No other girl in the room but you
(There's no other girl lookin' as good as you)
There's nobody but you
(They can try, they can try)
No other girl in the room
(But you know, you know, you know)
No other girl in the room
(Oh, oh, ooo ooo)
No other girl in the room but you
(There's no other girl, no)
There's nobody but you

[...] Read more

song performed by Nas
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The Night Before Larry Was Stretched

The night before larry was stretched
Oh, the night before larry was stretched
Well the boys they all paid him a visit
A bit in their sacks too they fetched
For they sweated their duds till they ris it
For larry was always the lad
When a boy was condemned to the squeezer
Would fence all the duds that he had
For to help his poor friend to a sneezer--
-- and warm his ol gob fore he died
Well the boys they came crowding in fast
And they threw all their stools round about him
Six glims round his trap-case was placed
For he couldnt be well-waked without them
When one of them asked, could he die
Without having duly repented?
Said larry, thats all in me eye
And first by the clergy invented--
--for to get a fat bit for themselves
Oh and Ill be cut up like a pie:
And me nob from me body be parted.
Youre in the wrong box, then, says i,
For blast me if theyre so hard-hearted
A chalk on the back of your neck
Is all that jack catch dares to give you
Then mind not such trifles affect
Oh why should the likes of them grieve you? --
--and now boys, come tip us the deck.
Well the cards being called for they played
Until larry found one of them cheated
A point in his napper was made
For the boy hed been easily heated
Oh, hold me the hokey, you thief!
Ill scuttle your knob with me dodle!
You cheat me because Im in grief
Ah, but soon Ill demolish your noddle--
--and leave you your claret to drink
Then the clergy came in with his book
And he spoke him so smooth and so civil
Larry tipped him kill-sour look
And he pitched his big wig to the devil
Then sighing he threw back his head
For to get a sweet drop of the bottle
And dutiful sighing he said,
Oh the hempt twill be soon round me throttle--
--and choke me poor windpipe to death.
Oh then sure its the best way to die
Oh the dead are no better the living
For now when the gallows is high
Our journey is shorter to heaven.

[...] Read more

song performed by Elvis Costello
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Slap That Bass

Zoom zoom zoom zoom
The world is in a mess
With politics and taxes
And people grinding axes
Theres no happiness
Zoom zoom zoom zoom
Rhythm lead your ace
The future doesnt fret me
If I can only get me
Someone to slap that bass
Happiness is not a riddle
When Im listening to that
Big bass fiddle
Slap that bass
Slap it till its dizzy
Slap that bass
Keep the rhythm busy
Zoom zoom zoom
Misery, youve got to go
Slap that bass
Use it like a tonic
Slap that bass
Keep your philharmonic
Zoom zoom zoom
And the milk and honeyll flow
Dictators would be better off
If they zoom zoom now and then
Today, you can see that the happiest men
All got rhythm
In which case
If you want a bauble
Slap that bass
Slap away your trouble
Learn to zoom zoom zoom
Slap that bass
(bridge)
Dictators would be better off
If they zoom zoom now and then
Today, you can see that the happiest men
All got rhythm
In which case
If you want a bauble
Slap that bass
Slap away your trouble
Learn to zoom zoom zoom
Slap that bass
Zoom zoom zoom zoom
Zoom zoom zoom zoom
Zoom zoom zoom zoom

song performed by Ella Fitzgerald
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In Your Room

In your room
Where time stands still
Or moves at your will
Will you let the morning come soon
Or will you leave me lying here
In your favourite darkness
Your favourite half-light
Your favourite consciousness
Your favourite slave
In your room
Where souls disappear
Only you exist here
Will you lead me to your armchair
Or leave me lying here
Your favourite innocence
Your favourite prize
Your favourite smile
Your favourite slave
I'm hanging on your words
living on your breath
feeling with your skin
Will I always be here
In your room
Your burning eyes
Cause flames to arise
Will you let the fire die down soon
Or will I always be here
Your favourite passion
Your favourite game
Your favourite mirror
Your favourite slave
I'm hanging on your words
living on your breath
feeling with your skin
Will I always be here

song performed by Zeraphine
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Lines in Defence of the Stage

Good people of high and low degree,
I pray ye all be advised by me,
And don't believe what the clergy doth say,
That by going to the theatre you will be led astray.

No, in the theatre we see vice punished and virtue rewarded,
The villain either hanged or shot, and his career retarded;
Therefore the theatre is useful in every way,
And has no inducement to lead the people astray.

Because therein we see the end of the bad men,
Which must appall the audience - deny it who can
Which will help to retard them from going astray,
While witnessing in a theatre a moral play.

The theatre ought to be encouraged in every respect,
Because example is better than precept,
And is bound to have a greater effect
On the minds of theatre-goers in every respect.

Sometimes in theatres, guilty creatures there have been
Struck to the soul by the cunning of the scene;
By witnessing a play wherein murder is enacted,
They were proven to be murderers, they felt so distracted,

And left the theatre, they felt so much fear,
Such has been the case, so says Shakespeare.
And such is my opinion, I will venture to say,
That murderers will quake with fear on seeing murder in a play.

Hamlet discovered his father's murderer by a play
That he composed for the purpose, without dismay,
And the king, his uncle, couldn't endure to see that play,
And he withdrew from the scene without delay.

And by that play the murder was found out,
And clearly proven, without any doubt;
Therefore, stage representation has a greater effect
On the minds of the people than religious precept.

We see in Shakespeare's tragedy of Othello, which is sublime,
Cassio losing his lieutenancy through drinking wine;
And, in delirium and grief, he exclaims -
"Oh, that men should put an enemy in their mouths to steal away their brains!"

A young man in London went to the theatre one night
To see the play of George Barnwell, and he got a great fright;
He saw George Barnwell murder his uncle in the play,
And he had resolved to murder his uncle, but was stricken with dismay.

[...] Read more

poem by William Topaz McGonagall
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Intro-the Legend Of Norman Paperman/kinja

By jimmy buffett, 1996
Jimmy buffett explores new creative ground here, putting the two-hundred year history of amerigo, a fictitious caribbean island, into a calypso number, and framing it into another song, the lege
Norman paperman, the theme of the show. the principal singer is the governor of the island, and the key characters of the show sing verses about the history.
Narrator
Kinja was the name of the island when it was british. the actual name was king george the third island, but the islanders shortened that to kinja. now the name in the maps and the guidebooks is
Go, but everybody who still lives there still calls it kinja. the united states acquired the island peaceably in 1940 as part of the shuffling of old destroyers and caribbean real estate that we
Between mr. roosevelt and mr. churchill. the details of the transaction were and are vague to the inhabitants. the west indian is not exactly hostile to change, but hes not much inclined to be
In it. meantime in a fashion amerigo is getting americanized. the inflow of cash is making everyone more prosperous. most kinjans go along cheerily with this explosion of american energy in the
Bbean. to them it seems like a new harmless and apparently endless carnival.
Sanders
Have you ever dreamed of escaping from your dull existence to a new life on a tropical island? our story is about a man who did it - a real person, whose true adventure has become a legend here
E caribbean. welcome one and all to the legend of norman paperman.
Ensemble
Dis is the legend of norman papuhman
Tale from the islands well share
Chasin illusions can get quite confusin
Is it a dream or a nightmare
Women
Dis is the legend of norman papuhman
Tale from the islands well tell
Men
Chasin illusions can get quite confusin
Cause heaven can turn into hell.
Sanders [sings]
Kinjas the name of the island
Its been kinja for over two hundred years
But remember paradise
Doesnt come without a price
Let me make that abundantly clear
Kinja, our beautiful island
In a windward archipeligo
Weve been english, french and dutch
Never seemed to matter much
Now were officially amerigo
Ensemble
Were kinja
Still kinja
Our kinja
Sanders
(sheila, chef at the gull reef club)
Sheila
Our ancestors came in the slave ships
To work for the privileged few
Who wore paris fashions
And lived in pink mansions
While we huddled in shacks of bamboo
Den da sugar beet bring us our freedom
With the help of our God we got through
Insurrection, beheadins, funerals and weddins
Hurricanes and a world war or two

[...] Read more

song performed by Jimmy Buffett
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I Remember Larry

Say, do you remember that guy larry next door
Well, he always was the neighborhood clown
Like the time he pulled my pants off
And he took those color pictures
And posted copies all over town
Or the time that he dumped toxic waste on my lawn
Or those wacky prank phone calls from midnight till dawn
What a crazy kid larry was, always foolin around
Boy, what a joker
What a funny, funny guy
Ill never forget about larry
No matter how I try
Say, do you remember when I lost all my hair
cause lar gave me that nair shampoo
And hey, how bout the day he put ben gay inside my jockstrap
And filled my toothpaste tube up glue
All those wedgies he gave
All those shoestrings he tied
All those brownies he made with the ex-lax inside
Oh, lar, I swear, it was a laugh a minute with you
Boy, what a joker
What a funny, funny guy
Ill never forget about larry
No matter how I try
You know I couldnt help but laugh
Even though he treated me like slime
Remember when he cut my car in half?
Well, he really got me good that time!
Say, do you remember when I broke in larrys house
Late at night and tied his mouth with a rag
Then I dragged him by his ankles to the middle of the forest
And stuffed him in a big plastic bag
If the cops ever find him, who knows what theyd say
But Im sure if ol lar were still with us today
He would have to agree with me
It was a pretty good gag
Oh boy, what a joker
What a funny, funny guy
Ill never forget about larry
No matter how I try
Oh boy, what a joker
What a funny, funny guy
Ill never forget about larry
No matter how I try
No matter how I try
Oh, I remember larry

song performed by Weird Al Yankovic
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Turning Into Something Wild

Key:-
A - anita
R - ray
A: tuning into something wild
A: like a comet from space
Like a slap in the face
You can feel it coming
Like a push in the back
Turning white into black
Youre feeling something wild now!
A: youre feeling something wild now!
R: hey precious, hey burning child
Time to tune to something wild
Its new, its hot, its all youre not
Dont turn back, its all weve got
Youre breathless, youre out of step
Time to learn just what is hip
If you think youre in a jumble
Thats the way the cookie crumbles
A: tuning into something wild
Tuning into something
A: like a comet from space
Like a slap in the face
You can feel it coming
Like a push in the back
Turning white into black
Youre feeling something wild now!
R: wilder and wilder
A; you can feel it coming!
R: well, maybe so-- were in a mess
World gone wrong but dont forget
Theres a groove that makes you wonder
How the hell they sample thunder
Its glorious, its boom, boom, boom
Bless the noise that shakes the room
If you think were getting milder
Brace yourself for something wilder
A: tuning into something wild
Tuning into something
A: like a comet from space
Like a slap in the face
You can feel it coming
Like a push in the back
Turning white into black
Youre feeling something wild now!
A: like a comet from space
Like a slap in the face
You can feel it coming
Like a push in the back
Turning white into black

[...] Read more

song performed by 2 Unlimited
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Tuning Into Something Wild

Key:-
"a" - anita
"r" - ray
A: tuning into something wild
A: like a comet from space
Like a slap in the face
You can feel it coming
Like a push in the back
Turning white into black
You're feeling something wild now!
A: you're feeling something wild now!
R: hey precious, hey burning child
Time to tune to something wild
It's new, it's hot, it's all you're not
Don't turn back, it's all we've got
You're breathless, you're out of step
Time to learn just what is hip
If you think you're in a jumble
That's the way the cookie crumbles
A: tuning into something wild
Tuning into something
A: like a comet from space
Like a slap in the face
You can feel it coming
Like a push in the back
Turning white into black
You're feeling something wild now!
R: wilder and wilder
A; you can feel it coming!
R: well, maybe so-- we're in a mess
World gone wrong but don't forget
There's a groove that makes you wonder
How the hell they sample thunder
It's glorious, it's boom, boom, boom
Bless the noise that shakes the room
If you think we're getting milder
Brace yourself for something wilder
A: tuning into something wild
Tuning into something
A: like a comet from space
Like a slap in the face
You can feel it coming
Like a push in the back
Turning white into black
You're feeling something wild now!
A: like a comet from space
Like a slap in the face
You can feel it coming
Like a push in the back
Turning white into black

[...] Read more

song performed by 2 Unlimited
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Happy Birthday Daddy Larry

86 years old,
Today my Daddy Larry...
Would have celebrated on this day.

He and I had a unique relationship.
We weren't particularly close.
And yet,
A closeness existed.

He and I were so much alike.
But he never did scold me,
Since my mother Edna did that...
To keep my steps on a path walking right.

When I was young,
My daddy was called Lawrence.
I was then Larry junior...
With my own presence known.

Then when I became of age,
He wanted to be called 'Larry'.
And I thought, 'How could he do this to me?
Moving in to claim 'my' territory.

I became Lawrence 'S'...
Back in 1971.
And when I discovered on his birth certificate,
He was Lawrence 'A'?
I had not known that up until that day.

And AS I grew...
Knowing my daddy would soon pass away?
I told him I loved him.
And he looked at me as if to say,
'I wish I had more time! '

That was back in 1988,
Days before my Daddy Larry...
Would from us pass away.

And on this day, December 11th 2010...
I miss my daddy very much.
With a more understanding of him,
And who he was.
Feeling his presence is near.
And we are closer now than ever.
Just because...
That is the way it is!

Happy Birthday, Daddy Larry!

[...] Read more

poem by Lawrence S. Pertillar
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Curb Your Inner Larry

When humor is combined with inconsideration,
as it so often is in “Curb
Enthusiasm, ” men are like a hostile nation,
Arabs versus Jews and Serb
against the Croat. If you’re trying to be funny,
suppress your cruel proclivity
to sound embittered. Sweeten words like honey
to show your sensitivity.
Ignore the fact that being rude is lots of fun. Your hon-
esty is not a Stradivari
which people might enjoy to hear you playing on,
so always curb your inner Larry.
Martin Miller writes about the reunion of Larry David with the cast o the Seinfelds on a forthcoming episode of “Curb Your Enthusiasm (LA Times, October 3,2009) : :
He knows he has issues. When asked about Dr. Phil's brief appearance on 'Curb's' second episode this season, he declares: 'I like him. I would definitely go to Dr. Phil if I could. You know what? I'm putting this out there right now that if he would take me, I'm going. Does he still have patients? I don't know if my problems are big enough for what he's used to.' A more immediate problem surfaces, and Dr. Phil is nowhere in sight. Larry spots something in his salad.”Is that a scallion? ' he frowns. 'I've got a date tonight.'
When informed he's probably one of the most eligible bachelors in town, he laughs. 'I wouldn't go that far, ' he said. You're rich, you're famous - you got a great sense of humor. 'Women don't like the humor when it's combined with inconsideration and insensitivity, ' he corrects. In real life, to some, his actions may be taken for inconsideration and insensitivity, but in the world of 'Curb' it's always hilarious and, to Larry, completely authentic. 'This show is the only chance that I have to be honest about anything, ' Larry said. 'Your life generally is so dishonest. Your dealings with your fellow human beings are so dishonest, everything is so dishonest, to have this opportunity to be honest is very refreshing to me.' Later, in the parking lot, the farewells are said. No handshake. 'Yeah, this was fun, ' Larry said

10/3/09

poem by Gershon Hepner
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The Interpretation of Nature and

I.

MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.


II.

Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.

III.

Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.

IV.

Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.

V.

The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.

VI.

It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.

VII.

The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.

VIII.

Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.

IX.

The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.

X.

The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.

XI.

As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.

XII.

The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.

XIII.

[...] Read more

poem by Sir Francis Bacon
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How Im Comin

Boom bash, wake up, I set it off right
Look around and turn your wet dream to fright night
You can call me r&b homeys, which stands for rough brother
Word to my grandmother
I buck you in the head just to let ya know
Stick you for ya dough, spit on the flo
Drag it out of ya, bring it on
I smack him back down, yo dope word is bond
I know you want a piece of the champ
But you roll too weak, you couldnt make it in my camp
You thought I went for the flip
But Im bustin off hip-hop clip after clip
I kept you out there, ripped you for your wear
Jump inside your video, bust you with a chair
Smack slap smack slap smack slap smack
Just to make it worse and hurt your pride Ill run it back
Smack slap smack slap smack slap smack
Click click boom, stop dead in your tracks
Stick the steel in your mouth
Buck buck buck buck buck, lights out
[chorus]
(Im comin)
How ya comin baby?
(Im comin)
This is how Im comin
The album that Im comin with is rough, the flavors mean
(ooooh) kickin you for real in the guillatine
Fourteen shots to your dome kid
Im doin time in the game like a bid
Movin rhymes like a package
So stigetty step up and get your nostrils damaged
Shootin, lickin, bustin, sprayin, all of that
And then some, dead dead dead, one by one
Never step to a real man
cause your rhymes only work on a playground program
They impress your little friends, bring you a little ends
But you still you gotta ride in your mans benz
Word to hip-hop, Im a blast ya
Gotta set you on fire cause I gassed ya
Boom, blow, batman, bang, pow
Unh (what) unh (what), thats the way its goin down
My new album aint no joke
You wanna take me out, how many bunch ya smoke?
Ill never slack again, Im off the job like the mob
Hey, no prob, many solved, on the knob, make em soft drob
What you gotta deal with is real, made of steel
You can feel it comin, burnin, buildin, flowin like an eel
Movin, killin, breakin, servin you just like a meal
Take off your clothes and taste the steel
[chorus]

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song performed by LL Cool J
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My Favorite Things

Buy me diamonds and rubies
I'm crazy 'bout bentleys
Gucci dresses and drop top compresses
Wine me and dine me
Bring those platinum rings
Those are a few of our favourite things
Buy me diamonds and rubies
I'm crazy bout bentleys
Gucci dresses and drop top compresses
Wine me and dine me
Bring those platinum rings
Those are a few of our favourite things
What i need is a gentleman
Who does the best he can
There to hold my hand
I want you to understand
Of course i want diamonds and expensive things
Cause a girl's gotta have her favourite things
Oh, that's what you like nice type of life
Platinum at night flat diamond light
Well that's so bright
You looking right ass kinda tight
Don't spend the night
Roll with the g, oh we could be right you and me
Like fantasy i'll make you real
So what de deal
Girl tell Randy just how u feel
Buy me diamonds and rubies
I'm crazy bout bentleys
Gucci dresses and drop top compresses
Wine me and dine me
Bring those platinum rings
Those are a few of our favourite things
I would like a man who would
Take care of business
And still have the time to
Take me on a shopping spree
What's mine is yours and what's yours is mine.
With what we have lets put it together and we can shine
I know what you want
And i got what you need
I believe you should be rolling with me
I take you around, out on the town
And show you the way that a boy liquors down
Whenever you're ready girl we can go now
And we can do things you don't even know how
I know that you know that i'm feeling your style
So tell me what you do just to make you go wow uh
Buy me diamonds and rubies
I'm crazy bout bentleys

[...] Read more

song performed by Outkast
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Flick-Knife Incident

After the argument

'Helen said'. 'Granny said'.

'Paul said'. 'Granny said'.

'Larry asked'.

Granny,
Who is Mrs Devereux,
Pulled out a flick-knife.

'! ', 'Helen said'.

'Helen asked'. Granny (lengthily replied) .
'Helen asked'. Granny (abruptly replied) .
'Helen asked'. 'Her grandmother said'.
'Larry said'. 'Paul said'.
'Larry asked', 'Does Declan know? '
'Granny said'.
'Larry said', 'I must go and tell.'

Lily 'addressed Paul'.
'Larry said'. 'Mrs Devereux said'. 'Paul said'.
'Lily said', 'Declan's getting sick...'
'Paul asked'. 'Helen said'. 'Paul said'.

Enough said.

poem by Douglas Scotney
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Magic Dance

You remind me of the baby
What baby? baby with the power
What power? power of voodoo
Who do? you do
Do what? remind me of the baby
I saw my baby, crying hard as babe could cry
What could I do
My babys love had gone
And left my baby blue
Nobody knew
What kind of magic spell to use
Slime and snails
Or puppy dogs tails
Thunder or lightning
Then baby said
Dance magic, dance (dance magic, dance)
Dance magic, dance (dance magic, dance)
Put that baby spell on me
Jump magic, jump (jump magic, jump)
Jump magic, jump (jump magic, jump)
Put that magic jump on me
Slap that baby, make him free
I saw my baby, trying hard as babe could try
What could I do
My babys fun had gone
And left my baby blue
Nobody knew
What kind of magic spell to use
Slime and snails
Or puppy dogs tails
Thunder or lightning
Then baby said
Dance magic, dance (dance magic, dance)
Dance magic, dance (dance magic, dance)
Put that baby spell on me
Jump magic, jump (jump magic, jump)
Jump magic, jump (jump magic, jump)
Put that magic jump on me
Slap that baby, make him free
Dance magic, dance (dance magic, dance)
Dance magic, dance (dance magic, dance)
Dance magic, dance (dance magic, dance)
Dance magic, dance (dance magic, dance)
Jump magic, jump (jump magic, jump)
Jump magic, jump (jump magic, jump)
Put that baby spell on me (ooh)
You remind me of the baby
What baby? the baby with the power
What power? power of voodoo
Who do? you do

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song performed by David Bowie
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Tale XV

ADVICE; OR THE 'SQUIRE AND THE PRIEST.

A wealthy Lord of far-extended land
Had all that pleased him placed at his command;
Widow'd of late, but finding much relief
In the world's comforts, he dismiss'd his grief;
He was by marriage of his daughters eased,
And knew his sons could marry if they pleased;
Meantime in travel he indulged the boys,
And kept no spy nor partner of his joys.
These joys, indeed, were of the grosser kind,
That fed the cravings of an earthly mind;
A mind that, conscious of its own excess,
Felt the reproach his neighbours would express.
Long at th' indulgent board he loved to sit,
Where joy was laughter, and profaneness wit;
And such the guest and manners of the hall,
No wedded lady on the 'Squire would call:
Here reign'd a Favourite, and her triumph gain'd
O'er other favourites who before had reign'd;
Reserved and modest seemed the nymph to be,
Knowing her lord was charm'd with modesty;
For he, a sportsman keen, the more enjoy'd,
The greater value had the thing destroyed.
Our 'Squire declared, that from a wife released,
He would no more give trouble to a Priest;
Seem'd it not, then, ungrateful and unkind
That he should trouble from the priesthood find?
The Church he honour'd, and he gave the due
And full respect to every son he knew;
But envied those who had the luck to meet
A gentle pastor, civil and discreet;
Who never bold and hostile sermon penned,
To wound a sinner, or to shame a friend;
One whom no being either shunn'd or fear'd:
Such must be loved wherever they appear'd.
Not such the stern old Rector of the time,
Who soothed no culprit, and who spared no crime;
Who would his fears and his contempt express
For irreligion and licentiousness;
Of him our Village Lord, his guests among,
By speech vindictive proved his feelings stung.
'Were he a bigot,' said the 'Squire, 'whose zeal
Condemn'd us all, I should disdain to feel:
But when a man of parts, in college train'd,
Prates of our conduct, who would not be pain'd?
While he declaims (where no one dares reply)
On men abandon'd, grov'ling in the sty
(Like beasts in human shape) of shameless luxury.
Yet with a patriot's zeal I stand the shock

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poem by George Crabbe
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Reverse Reality

when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision

poem by Nyein Way
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An Abc Of Inner Peace

inner peace: a to z (© Raj Arumugam, September 2008)

Inner peace is effortless, as it’s always there within.
One just has to see it.

And once one truly sees this inner peace – not with words or just
intellectually, but actually see this inner peace within – it is one’s, always;
no one takes away that…

Nothing and no evil and no violent force or even the most difficult
of circumstances in one’s life can remove that inner peace that one
sees within; but let one see this not as a word, or as a phrase
but as an actuality.

Feel that peace, see that inner peace and let it radiate always – for it is
the harmony within each and it is always one’s own.

A


Let amity be your constant companion….Be at peace with all beings, equally at peace with those near and those far, and thus walk hand in hand with amity as in a bounteous garden…





B


Be mindful of your blessings always…To be alive, to breathe in fresh air;
and to be with the family and the companionship of good fellow-human
beings; and the kindness of strangers; and the creatures of this world
and the flowers that bloom, and to have a place in this marvelous planet
of ours….all these too are blessings….

There is a life of the body in the domain of the physical, and
the legitimate needs of the body are just as important as
one’s inner needs…

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poem by Raj Arumugam
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Theatre Of The Absurd

(ian hunter)
My tea turned seven shades darker
As I sit n write these words
And londons gettin paler
In my theatre of the absurd.
You figured for an evening
And you made it all worthwile.
Its seldom people have a job
And even rarer that I smile.
Play me some, play me some,
Play me brixton power.
Teach your children to be them
And never ever ours.
Play me some, play me some,
Play me brixton power.
Someone took the park away
But they left a lonely flower.
And if your songs be classics,
Throw them to the hurd.
Truth is where they came from
And not this theatre of the absurd.
Some say you wanted to play for me
But its only what youve heard
That made you want to capture me
In your theatre of the absurd.
It was not me, I said myself
And you must do so, too.
I hope you have the strength to stay
When Ill be watchin you.
So baby,
Play me some, play me some,
Play me brixton power.
Teach your children to be them
And never ever ours.
Play me some, play me some,
Play me brixton power.
Someone took the park away
But they left a lonely flower.
Oh when I got here back home tonight
Something within me stirred.
Oh it must have been a different kind of play
That touched my theatre of the absurd.
Now Ill be on my way alone
But an interesting thing occurred
See nobody ever shared too much
In my theatre of the absurd.
And there I was back in london,
Thought about history.
It was just like being in school again
But I felt something movin in me.

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song performed by Ian Hunter
Added by Lucian Velea
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