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There are readers who want every point to be clearly and unambiguously set forth, and there are those who want to pry ideas and meanings out for themselves.

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A Map Of Culture

Culture


Contents

What is Culture?

The Importance of Culture

Culture Varies

Culture is Critical

The Sociobiology Debate

Values, Norms, and Social Control

Signs and Symbols

Language

Terms and Definitions

Approaches to the Study of Culture

Are We Prisoners of Our Culture?



What is Culture?


I prefer the definition used by Ian Robertson: 'all the shared products of society: material and nonmaterial' (Our text defines it in somewhat more ponderous terms- 'The totality of learned, socially transmitted behavior. It includes ideas, values, and customs (as well as the sailboats, comic books, and birth control devices) of groups of people' (p.32) .

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Ideas For Walls

So many things in my head, Ive always had them before
No reason to be upset, theyre just ideas for walls
Now Im standing inside, outside, which is the right side
Im standing, demanding that the nightlife be called the right life
Like putting paint on my feet & walking sideways in rows
My walls could be so complete, complete with patterns of toes
Now Im standing inside, outside, which is the right side
Im standing the left side, right side, which is the right side
Now-ideas
Ideas for walls
Ideas for walls
Ideas for walls
A little m for the mirror, a double u for the wall
To make things perfectly clear, a great big h in the hall
Now Im standing inside, outside, which is the right side
Im standing, demanding that the nightlife be called the right life
Is everybody confused? (no) Im making no sense at all
You want a room with a view you need ideas for walls
Now Im standing inside, outside, which is the right side
Im standing inside, outside, outside, right side
Inside, outside, which is the right side
Now -- ideas
Ideas for walls
Ideas for walls
Ideas for walls
Ideas
Theyre just ideas for walls
Ideas for walls
Ideas for walls
Ideas for walls
Ideas for walls

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No Point

J. spinks
This aint working out
Its not worth the time I spent on it
When Ive been next to you
Its not the way you want it
And all I wanna do
Is get away and as far away from it
Theres no point cos Im not winning
Theres no point going back to the beginning
Theres no point to keep on waiting
Theres no point in talking it over
Theres no point in getting any closer
If it was up to you
Wed go around in circles forever
Theres nothing left to do
I go around - around in you
Ive tried to see it through
All Ive seen is the stormy weather
Theres no point in still pretending
Theres no point cos this is never ending
Theres no point in keep on trying
Theres no point to carry on lying
Theres no point acting like children
Theres no point cos this time Im gone
Theres no point in talking it over
Theres no point in getting any close
Theres no point in still pretending
Theres no point cos this is never ending
Theres no point in keep on trying
Theres no point to carry on lying
Theres no point in talking it over
Theres no point in getting any closer
Theres no point cos Im not winning
Theres no point going back to the beginning
Theres no point in hesitating
Theres no point tonight
Theres no point at all

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Set Me Free

You operate and motivate on synthetic fuel
you're Mother Nature and an atom bomb
As long as you're kept full of pretty bodies
your little secret will be safe with me
around again insane again
it somes again it sets me free
so set me free
set me free
'cause I think you need my soul
set me free
set me free
Your kept alive and polarized with one thing in mind,
metabolizin' everything that you see
but now and then or a little later
now I'm gonna take you down with me
Around again insane again
she comes again it sets me free
so set me free
set me free
'cause I think you need my soul
set me free
set me free
so set me free
set me free
'cuase I think you need my soul
set me free
set me free
So, take me down
take me down, down, down, down
take me down, take me down
So, take me down
take me down, down, down, down
take me down, take me down
So set me free
set me free
'cause I think you need my soul
set me free
set me free
So set me free
set me free
'cause I think you need my soul
set me free
set me free
So set me free
set me free
'cause I think you need my soul
set me free
set me free
So set me free
set me free

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Edward Lear

Teapots and Quails

Teapots and Quails,
Snuffers and Snails,
Set him a sailing
and see how he sails!
..
Mitres and Beams,
Thimbles and Creams,
Set him a screaming
and hark! how he screams!
..
Houses and Kings,
Whiskers and Swings,
Set him a stinging
and see how he stings!
..
Ribands and Pigs,
Helmets and Figs,
Set him a jigging
and see how he jigs!
..
Rainbows and Knives,
Muscles and Hives,
Set him a driving
and see how he drives!
..
Tadpoles and Tops,
Teacups and Mops,
Set him a hopping
and see how he hops!
..
Herons and Sweeps,
Turbans and Sheeps,
Set him a weeping
and see how he weeps!
Lobsters and Owls,
Scissors and Fowls,
Set him a howling
and hark how he howls!
..
Eagles and Pears,
Slippers and Bears,
Set him a staring
and see how he stares!
..
Sofas and Bees,
Camels and Keys,
Set him a sneezing
and see how he'll sneeze!
..
Wafers and Bears,

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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Ill Never Set You Free

Theres nothing I can say
Theres nothing I can do
To show you the love
That I got for you
Theres nothing in this world
That could ever take your place
When I look into your eyes
I see a sweet face
Ill never set you free
till you give your love to me
cos I love you (Ill never set, set you free)
And I need you (Ill never set, set you free)
Yes I want you (Ill never set, set you free)
cos I love you (Ill never set, set you free)
Will you open up your heart
So love could make a start
I know that if you do
Dreams will come true
Ill never set you free
till you give your love to me
cos I love you (Ill never set, set you free)
And I need you (Ill never set, set you free)
Yes I want you (Ill never set, set you free)
cos I love you (Ill never set, set you free)
Ill never set you free
till you give your love to me
Theres nothing you can do
To stop my love for you
cos I love you (Ill never set, set you free)
And I need you (Ill never set, set you free)
Yes I want you (Ill never set, set you free)
cos I love you (Ill never set, set you free)
[repeat / fade]

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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James Russell Lowell

A Fable For Critics

Phoebus, sitting one day in a laurel-tree's shade,
Was reminded of Daphne, of whom it was made,
For the god being one day too warm in his wooing,
She took to the tree to escape his pursuing;
Be the cause what it might, from his offers she shrunk,
And, Ginevra-like, shut herself up in a trunk;
And, though 'twas a step into which he had driven her,
He somehow or other had never forgiven her;
Her memory he nursed as a kind of a tonic,
Something bitter to chew when he'd play the Byronic,
And I can't count the obstinate nymphs that he brought over
By a strange kind of smile he put on when he thought of her.
'My case is like Dido's,' he sometimes remarked;
'When I last saw my love, she was fairly embarked
In a laurel, as _she_ thought-but (ah, how Fate mocks!)
She has found it by this time a very bad box;
Let hunters from me take this saw when they need it,-
You're not always sure of your game when you've treed it.
Just conceive such a change taking place in one's mistress!
What romance would be left?-who can flatter or kiss trees?
And, for mercy's sake, how could one keep up a dialogue
With a dull wooden thing that will live and will die a log,-
Not to say that the thought would forever intrude
That you've less chance to win her the more she is wood?
Ah! it went to my heart, and the memory still grieves,
To see those loved graces all taking their leaves;
Those charms beyond speech, so enchanting but now,
As they left me forever, each making its bough!
If her tongue _had_ a tang sometimes more than was right,
Her new bark is worse than ten times her old bite.'

Now, Daphne-before she was happily treeified-
Over all other blossoms the lily had deified,
And when she expected the god on a visit
('Twas before he had made his intentions explicit),
Some buds she arranged with a vast deal of care,
To look as if artlessly twined in her hair,
Where they seemed, as he said, when he paid his addresses,
Like the day breaking through, the long night of her tresses;
So whenever he wished to be quite irresistible,
Like a man with eight trumps in his hand at a whist-table
(I feared me at first that the rhyme was untwistable,
Though I might have lugged in an allusion to Cristabel),-
He would take up a lily, and gloomily look in it,
As I shall at the--, when they cut up my book in it.

Well, here, after all the bad rhyme I've been spinning,
I've got back at last to my story's beginning:
Sitting there, as I say, in the shade of his mistress,
As dull as a volume of old Chester mysteries,

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Getting To The Point

Its out of control (out of control)
And theres nothing I can do now
Out of control (out of control)
Spinning softly through the blue now
And look beyond these walls
As the meaning starts to dawn
Its getting to the point
Getting to the point.
Its out of control (nothing I can do)
Like a fire that keeps on burning
And nobody knows (what Im going through)
And the thoughts just keep returning
And all you had to say
Was that you were gonna stay
Its getting to the point
Getting to the point.
Chorus:
Its getting to the point
Where nobody can stop it now
Its getting to the point
Of no return
And all that I can do
Is stand and watch it now
Watch it burn, burn, burn
Its getting to the point
Where reasons are forgotten
Its getting to the point
Where no one knows
And all that I can do
Is say Im sorry
But thats the way it goes...
Getting to the point.
Forever
Is a long, long way
Forever
Takes your breath away
Id like to talk about it, try to understand
Its getting to the point
Getting to the point.
Repeat chorus
Its getting to the point (getting to the point)
Getting to the point (getting to the point)
Its getting to the point (getting to the point)
Getting to the point.

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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator

Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!

It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
—The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!

Well,
Let others climb the heights o' the court, the camp!

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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Confessio Amantis. Explicit Prologus

Incipit Liber Primus

Naturatus amor nature legibus orbem
Subdit, et vnanimes concitat esse feras:
Huius enim mundi Princeps amor esse videtur,
Cuius eget diues, pauper et omnis ope.
Sunt in agone pares amor et fortuna, que cecas
Plebis ad insidias vertit vterque rotas.
Est amor egra salus, vexata quies, pius error,
Bellica pax, vulnus dulce, suaue malum.

I may noght strecche up to the hevene
Min hand, ne setten al in evene
This world, which evere is in balance:
It stant noght in my sufficance
So grete thinges to compasse,
Bot I mot lete it overpasse
And treten upon othre thinges.
Forthi the Stile of my writinges
Fro this day forth I thenke change
And speke of thing is noght so strange,
Which every kinde hath upon honde,
And wherupon the world mot stonde,
And hath don sithen it began,
And schal whil ther is any man;
And that is love, of which I mene
To trete, as after schal be sene.
In which ther can noman him reule,
For loves lawe is out of reule,
That of tomoche or of tolite
Welnyh is every man to wyte,
And natheles ther is noman
In al this world so wys, that can
Of love tempre the mesure,
Bot as it falth in aventure:
For wit ne strengthe may noght helpe,
And he which elles wolde him yelpe
Is rathest throwen under fote,
Ther can no wiht therof do bote.
For yet was nevere such covine,
That couthe ordeine a medicine
To thing which god in lawe of kinde
Hath set, for ther may noman finde
The rihte salve of such a Sor.
It hath and schal ben everemor
That love is maister wher he wile,
Ther can no lif make other skile;
For wher as evere him lest to sette,
Ther is no myht which him may lette.
Bot what schal fallen ate laste,

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Thoughts and ideas - (Talking through my hat)

Break and husk
thoughts and ideas that,
without reason,
I smashing them like nuts
into my head – mortar with pig iron pestle.

Lay and hatch
thoughts and ideas,
and younglings,
instead of fly,
I keep them under latch
in my head – cage of neurons,
dendrites and axons.

Knead and raise
thoughts and ideas
but let me tempted,
and without reason,
instead of bake them, I play
“of thieves and bobbies”
with bullets of dough
shot from my head – automatic gun.

Pull kernels out of
thoughts and ideas
but I put not them to spring
and hundredfold harvest to bring,
I chain them necklace
that my poor mind
who walks nomad
through my head – ballad
to put it neck
in a night with moon
and than to catch
in a fairies dance
and hungry of blue
to soar in the stars.

***

Thoughts and ideas
are shrieking through my mind
as lost migratory birds
in an autumn of rains.
Thoughts and ideas
- arrow-shaped cranes with wet wings -
fall all at once
in my head – moorland
of thistle and mud.

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An Essay On The Different Stiles Of Poetry

To Henry, Lord Viscount Bolingbroke.


I hate the Vulgar with untuneful Mind,
Hearts uninspir'd, and Senses unrefin'd.
Hence ye Prophane, I raise the sounding String,
And Bolingbroke descends to hear me sing.

When Greece cou'd Truth in Mystick Fable shroud,
And with Delight instruct the list'ning Crowd,
An ancient Poet (Time has lost his Name)
Deliver'd Strains on Verse to future Fame.
Still as he sung he touch'd the trembling Lyre,
And felt the Notes a rising Warmth inspire.
Ye sweet'ning Graces in the Musick Throng,
Assist my Genius, and retrieve the Song
From dark Oblivion. See, my Genius goes
To call it forth. 'Twas thus the Poem rose.

Wit is the Muses Horse, and bears on high
The daring Rider to the Muses Sky:
Who, while his strength to mount aloft he tries,
By Regions varying in their Nature, flies.

At first he riseth o'er a Land of Toil,
A barren, hard, and undeserving Soil,
Where only Weeds from heavy Labour grow,
Which yet the Nation prune, and keep for show.
Where Couplets jingling on their Accent run,
Whose point of Epigram is sunk to Pun.
Where Wings by Fancy never feather'd fly,
Where Lines by measure form'd in Hatchets lie;
Where Altars stand, erected Porches gape,
And Sense is cramp'd while Words are par'd to shape;
Where mean Acrosticks labour'd in a Frame,
On scatter'd Letters raise a painful Scheme;
And by Confinement in their Work controul
The great Enlargings of the boundless Soul.
Where if a Warriour's elevated Fire
Wou'd all the brightest Strokes of Verse require,
Then streight in Anagram a wretched Crew
Will pay their undeserving Praises too;
While on the rack his poor disjointed Name
Must tell its Master's Character to Fame.
And (if my Fire and Fears aright presage)
The lab'ring Writers of a future Age
Shall clear new ground, and Grotts and Caves repair,
To civilize the babbling Ecchoes there.
Then while a Lover treads a lonely Walk,
His Voice shall with its own Reflection talk,

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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus

Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—

Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse

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Point Blank

Do you still say your prayers little darlin do you go to bed at night
Prayin that tomorrow, everything will be alright
But tommorows fall in number in number one by one
You wake up and youre dying you dont even know what from
Well they shot you point blank you been shot in the back
Baby point blank you been fooled this time little girl thats a fact
Right between the eyes baby, point blank right between the pretty lies that
They tell
Little girl you fell
You grew up where young girls they grow up fast
You took what you were handed and left behind what was asked
But what they asked baby wasnt right you didnt have to live that life,
I was gonna be your romeo you were gonna be my juliet
These days you dont wait on romeos you wait on that welfare check and on all the pretty things that you cant ever have and on all the promises
That always end up point blank, shot between the eyes
Point blank like little white lies you tell to ease the pain
Youre walkin in the sights, girl of point blank
And its one false move and baby the lights go out
Once I dreamed we were together again baby you and me
Back home in those old clubs the way we used to be
We were standin at the bar it was hard to hear
The band was playin loud and you were shoutin somethin in my ear
You pulled my jacket off and as the drummer counted four
You grabbed my hand and pulled me out on the floor
You just stood there and held me, then you started dancin slow
And as I pulled you tighter I swore Id never let you go
Well I saw you last night down on the avenue
Your face was in the shadows but I knew that it was you
You were standin in the doorway out of the rain
You didnt answer when I called out your name
You just turned, and then you looked away like just another stranger waitin to get blown away
Point blank, right between the eyes
Point blank, right between the pretty lies you fell
Point blank, shot right through the heart
Yea point blank, youve been twisted up till youve become just another part of it
Point blank, youre walkin in the sights
Point blank, livin one false move just one false move away
Point blank, they caught you in their sights
Point blank, did you forget how to love, girl, did you forget how to fight.
Point blank they must have shot you in the head
Cause point blank, bang bang baby youre dead.

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The Brus Book X

[Preparations for battle against John of Lorn]
Quhen Thomas Randell on this wis
Wes takyn as Ik her devys
And send to dwell in gud keping
For spek that he spak to the king,
The gud king that thocht on the scaith
The dispyt and felny bath
That Jhone off Lorne had till him doyn
His ost assemblyt he then sone
And towart Lorn he tuk the way
With his men intill gud aray.
Bot Jhone off Lorn off his cummyng
Lang or he come had wittering,
And men on ilk sid gadryt he
I trow twa thousand thai mycht be
And send thaim for to stop the way
Quhar the gud king behovyt away,
And that wes in an evill plas
That sa strayt and sa narow was
That twasum samyn mycht nocht rid
In sum place off the hillis sid.
The nethyr halff was peralous
For schor crag hey and hydwous
Raucht to the se doun fra the pas,
On athyr halff the montane was
Sua combrous hey and stay
That it was hard to pas that way.
I trow nocht that in all Bretane
Ane heyar hill may fundyn be.
Thar Jhone off Lorne gert his menye
Enbuschyt be abovyn the way,
For giff the king held thar away
He thocht he suld sone vencussyt be,
And himselff held him apon the se
Weill ner the pais with his galayis.
Bot the king that in all assayis
Wes fundyn wys and avisé
Persavyt rycht weill thar sutelte,
And that he neid that gait suld ga.
His men departyt he in twa
And till the gud lord off Douglas
Quham in herbryd all worschip was
He taucht the archerys everilkane
And this gud lord with him has tane
Schyr Alysander Fraser the wycht,
And Wylyam Wysman a gud knycht
And with thaim syne Schyr Androw Gray.
Thir with thar mengne held thar way
And clamb the hill deliverly
And or thai off the tother party

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Soccer Under 20

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