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When there were fears about the future of this nation's older cities... when a few of the cities teetered on the brink of bankruptcy, all eyes were focused on Chicago for contrast.

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Social Insecurity

Strapped Seniors use credit cards ‘stead of cash
To stay afloat, after losing their stocks n’ bonds
Yet more victims of another Wall Street crash
“Let them eat cake” is what the Fed responds

ROTMS


From Reuters Article 10/23/2010
Retired and broke: Why retirees are declaring bankruptcy

For more and more seniors, retirement doesn’t mean a debt-free life of leisure. An increasing number of Americans aged 65 and older are declaring bankruptcy, according to a recent study by John Pottow, professor of law at the University of Michigan Law School.
Those aged 65 and older represented seven percent of bankruptcy filers in 2007, a mind-boggling jump from 1991. They are the “fastest-growing age demographic, ” according to Pottow’s study.
What’s the culprit for so much debt? Credit cards. Two-thirds of Americans who filed for bankruptcy said credit cards were the key reason for their financial problems, according to Pottow’s research. Besides having more credit card debt compared with younger bankruptcy filers,44.8 percent of those aged 65 and older also had more plastic in their wallets. “They’re using credit cards as a maladaptive coping mechanism, ” Pottow says.
Stephanie Osterland, a supervisor in the bankruptcy department at GreenPath debt solutions, sees an increasing number of seniors living beyond their means. Says Osterland: “They’re just trying to live off of a fixed income, and that’s usually Social Security. Maybe they have a small pension. We find they’ve used credit cards to supplement that income and expenses or they just end up getting into a lot of medical debt.”
In addition to escalating medical expenses, seniors have seen their portfolios hit hard by the lagging stock market. Carolyn Rodi of Saving Your American Dream says those considering bankruptcy should see a credit counselor at a non-profit organization to get their finances in order.
Credit counselors, such as those at GreenPath, help the elderly deal with a stressful situation. “We try to help them focus on what it’s going to look like” after they get out of debt, Osterland says.
Rodi also recommends that potential bankruptcy filers seek out pro-bono legal aid. “There are a lot of elderly people that are being taken advantage of by bankruptcy attorneys and mortgage brokers who are advising them improperly to pay for the bankruptcy, take out a reverse mortgage or to do things that aren’t in their best interest, ” she says. ”If you have no income, why should you borrow to pay someone when you can get free legal aid? ”
What are the chances of a senior paying off his or her debts? It’s difficult to determine, especially because seniors tend to be on a fixed income. And while finding a job — such as a WalMart greeter — seems like a viable option, it is not necessarily feasible for all seniors to work.
In addition, whether or not a person declares Chapter 7 (which involves the liquidation of one’s assets) or Chapter 13 (which allows debt restructuring) bankruptcy can be a significant factor in determining what one’s lifestyle will be. “If you have to file for Chapter 7 bankruptcy, you may be able to find affordable housing that allows you to just get by, ” says Rodi. “Chapter 13 lets you keep your house and doesn’t touch your retirement savings.”
Regardless, filing for bankruptcy is very stressful for anyone. “A lot of our clients in that post-retirement age have a hard time coming to grips with their situation, ” Osterland says. “It’s very emotional for them. We try to focus on the future and see if this debt can be lifted off their shoulders.”

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If I Was Older

you should have seen her she was about 17 and knew that i was to young but I knew she was the oneand if I was oldershe would be my girl and i would be her man there's no doubt I knew ther's no doubt
cause if i could be so older to her and give her everything that she wants everything that she wants but until then imma keep on thinking of ways to let this girl really know i gotta let her know
if I was older she would be my girl if I was older I'd give her the world ifnI was older I'd treat her like a queen if I was older always take her out if I was older always ice her out if I was older treat her like a queen if I was older
Now listenshe's so pretty (yea) If I was only (yea) a little bit older (yea) I would tell her (yea) that i like her (that I like her) really like her (really like her) and to me she's just a dime piece all of my friends think my friends think that im crazy to be in love with her the way that i do but they don't know what i do so until them i keep thinking of ways to let this girl really no i gotta let her know if I was older (if I was older) I'd treat her like a queen If I was older (older) if I was older (eyy)
If I was older I would always take her out if I was older always ice her out If I was older (older) and i gotta let her know (i gotta let her know) How i feel (how I feel)and i gotta let her know that love is real (and i gotta let her know its real) ohh ohh yea yea ohh ohh ohh un hun If I was older say she would be my girl
If I wsa older I'd treat her like a queen if I was older (older) If i was older I'd treat her like a queen If I was older always take her out (always take her out) If I was older always ice her out (keep her iced out)
If i was older treat her like a queen (treat her like a queen) If i was older say only If i was older only If i was older

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Contrast

R- ray a- anita
A: theres no limitation to what this beat can do
You better get the feeling before the night is through
R: contrast
Contrast
Contrast
Contrast
A: theres no limitation to waht this beat can do
You better get the feeling before the night is through
R: break the beat while Im coming up strong
A: theres no limitation to what this beat can do
You better get the feeling before the night is through
R: contrast
Contrast
Contrast
Contrast
R: break the beat while Im coming up strong
R: contrast
Contrast
A: theres no limitation to what this beat can do
You better get the feeling before the night is through
R: contrast
Contrast
Contrast
Contrast
R: break the beat while Im coming up strong

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Take Me Back To Chicago

Take me back to chicago
Lay my soul to rest
Where my life was free and easy
Remember me at my best
Take me back to chicago
Where music was all I had
I tried to be good as I could
And sometimes that made me sad
Take me back to chicago, to chicago
Why dont you take me back
Take me back, take me back
To chicago
I still dream of the lake of peacefulness
The warm summer breeze
cause my life was so much simpler then
Street corners and tastee freeze
Take me back to chicago
cause hustlins not my style
L.a. was just a bit too hard
I wish I could be a child
Livin back in chicago, in chicago
Why dont you take me back
Take me back, take me back
To chicago
Take me back to chicago
Lay my soul to rest
Where my life was free and easy
Remember me at my best
Take me back to chicago
cause hustlins not my style
L.a. was just a bit too hard
I wish I could be a child
Livin back in chicago, in chicago
Why dont you take me back
Take me back, take me back
To chicago
Take me back, take me back....

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Chicago

Chicago, chicago, that toddlin town
Chicago, chicago, Ill show you around (youll stay around)
Bet your bottom dollar you lose the blues in
Chicago, chicago, the folks who visit
All wanna settle down. (all wanna settle down in my hometown)
On state street, that great street, I just wanna say,
They do things they dont do on broadway,
Youll have the time, the time of your life
Bring all your friends, all your kids and your wife to
Chicago, chicago my hometown. (hey now baby--)
(oooh baby)
Youll have the time, the time of your life
Bring all your friends, all your kids and your wife to
Chicago, chicago my hometown.
Oh, to chicago, chicago my hometown (yeah)

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Future Babies

A flower stands erect upon the stem.

Odd:
It bears the naked flesh of many men –
Pulsing, writhing, arteries humming;
Androgenic fluids chase their channels
To the ground, caking at a mound
Of naked girls, who pout in doubt and
Hurl their rabid glares from eyes
That catch the light of want
And desperation.

Sighs:
They know the separation
Stays their open legs
From bursting cocks.

Masturbation of the mind
Is all they need –
They’re in the docks of
Fate:
The evil Overpopulation’s out to feed
Their thund’rous urge to procreate!

Forget the conjugation, just for once?
Bag the bulbous tits in bras.
I know they want the tongue on c*nts;

But focus! Where’s the room to live?
And think about the future babies.

THINK:

You know they won’t forgive
Your selfish drive to suck, to shag.
The Dying Age of Man will drag
Him down to disappear.

So keep the girls away from sperm –
Don’t let the men up there!

Copyright © Mark R Slaughter 2011


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My Kind Of Town

My kind of town, Chicago is
My kind of town, Chicago is
My kind of people too
People who,smile at you
And each time I leave, Chicago is
Tugging my sleave, Chicago is
One town that won't let you down
It's my kind of town
My kind of town, Chicago is
My kind of town, Chicago is
My kind of razzmatazz
And it has, all that jazz
And each time I rome, Chicago is
Calling me home, Chicago is
One town that won't let you down
It's my kind of town
Chicago is
The Wrigley Building, Chicago is
The Union stock yard, Chicago is
One town that won't let you down
It's my
My kind of town

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Modern Girl

Once a beautiful miss america married mr. right
Had a little baby girl, born on a stormy night
But that was once upon a time, now its a brand new world
Gimme the future, gimme the future, gimme the future with a modern girl
Gimme the future, gimme the future, gimme the future with a modern girl
Somewhere just between the past and somethin dawnin new
Theres a break in the chain, theres a skip in the clock
Girl thats where Im gonna find you
Between the boy I was before and what Im gonna be
Theres a clash on the border, a flame in the sky
Girl thats where youre gonna find me
Cant you hear the planet groanin like a broken down machine
Rusted with the guilty tears of fallen kings and queens
But you and I stand innocent, baby its a brand new world
Gimme the future, gimme the future, gimme the future with a modern girl
Gimme the future, gimme the future, gimme the future with a modern girl
(gimme the future, gimme the future, gimme the future with a modern girl)
Bridge:
Were the son and the daughter on a new freeway
(gimme the future, gimme the future)
Laughin while the road maps blow away
(gimme the future with a modern girl)
Were the son and the daughter and we aint afraid
(gimme the future, gimme the future)
Wont be makin the mistakes our fathers made
(gimme the future with a modern girl)
(gimme the future, gimme the future) oh, gimme the future with a modern girl
(gimme the future, gimme the future) oh, gimme the future with a modern girl
Once a beautiful miss america married mr. right
Had a little baby boy, born on a stormy night
But that was once upon a time, now its a brand new world
Gimme the future, gimme the future - gimme the future with a modern girl...
(repeats out)
(bridge)

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The Columbiad: Book IX

The Argument


Vision suspended. Night scene, as contemplated from the mount of vision. Columbus inquires the reason of the slow progress of science, and its frequent interruptions. Hesper answers, that all things in the physical as well as the moral and intellectual world are progressive in like manner. He traces their progress from the birth of the universe to the present state of the earth and its inhabitants; asserts the future advancement of society, till perpetual peace shall be established. Columbus proposes his doubts; alleges in support of them the successive rise and downfal of ancient nations; and infers future and periodical convulsions. Hesper, in answer, exhibits the great distinction between the ancient and modern state of the arts and of society. Crusades. Commerce. Hanseatic League. Copernicus. Kepler. Newton, Galileo. Herschel. Descartes. Bacon. Printing Press. Magnetic Needle. Geographical discoveries. Federal system in America. A similar system to be extended over the whole earth. Columbus desires a view of this.


But now had Hesper from the Hero's sight
Veil'd the vast world with sudden shades of night.
Earth, sea and heaven, where'er he turns his eye,
Arch out immense, like one surrounding sky
Lamp'd with reverberant fires. The starry train
Paint their fresh forms beneath the placid main;
Fair Cynthia here her face reflected laves,
Bright Venus gilds again her natal waves,
The Bear redoubling foams with fiery joles,
And two dire dragons twine two arctic poles.
Lights o'er the land, from cities lost in shade,
New constellations, new galaxies spread,
And each high pharos double flames provides,
One from its fires, one fainter from the tides.

Centred sublime in this bivaulted sphere,
On all sides void, unbounded, calm and clear,
Soft o'er the Pair a lambent lustre plays,
Their seat still cheering with concentred rays;
To converse grave the soothing shades invite.
And on his Guide Columbus fixt his sight:
Kind messenger of heaven, he thus began,
Why this progressive laboring search of man?
If men by slow degrees have power to reach
These opening truths that long dim ages teach,
If, school'd in woes and tortured on to thought,
Passion absorbing what experience taught,
Still thro the devious painful paths they wind,
And to sound wisdom lead at last the mind,
Why did not bounteous nature, at their birth,
Give all their science to these sons of earth,
Pour on their reasoning powers pellucid day,
Their arts, their interests clear as light display?
That error, madness and sectarian strife
Might find no place to havock human life.

To whom the guardian Power: To thee is given
To hold high converse and inquire of heaven,
To mark untraversed ages, and to trace
Whate'er improves and what impedes thy race.
Know then, progressive are the paths we go
In worlds above thee, as in thine below
Nature herself (whose grasp of time and place
Deals out duration and impalms all space)

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Lycus the Centaur

FROM AN UNROLLED MANUSCRIPT OF APOLLONIUS CURIUS


(The Argument: Lycus, detained by Circe in her magical dominion, is beloved by a Water Nymph, who, desiring to render him immortal, has recourse to the Sorceress. Circe gives her an incantation to pronounce, which should turn Lycus into a horse; but the horrible effect of the charm causing her to break off in the midst, he becomes a Centaur).


Who hath ever been lured and bound by a spell
To wander, fore-doomed, in that circle of hell
Where Witchery works with her will like a god,
Works more than the wonders of time at a nod,—
At a word,—at a touch,—at a flash of the eye,
But each form is a cheat, and each sound is a lie,
Things born of a wish—to endure for a thought,
Or last for long ages—to vanish to nought,
Or put on new semblance? O Jove, I had given
The throne of a kingdom to know if that heaven,
And the earth and its streams were of Circe, or whether
They kept the world's birthday and brighten'd together!
For I loved them in terror, and constantly dreaded
That the earth where I trod, and the cave where I bedded,
The face I might dote on, should live out the lease
Of the charm that created, and suddenly cease:
And I gave me to slumber, as if from one dream
To another—each horrid,—and drank of the stream
Like a first taste of blood, lest as water I quaff'd
Swift poison, and never should breathe from the draught,—
Such drink as her own monarch husband drain'd up
When he pledged her, and Fate closed his eyes in the cup.
And I pluck'd of the fruit with held breath, and a fear
That the branch would start back and scream out in my ear;
For once, at my suppering, I plucked in the dusk
An apple, juice-gushing and fragrant of musk;
But by daylight my fingers were crimson'd with gore,
And the half-eaten fragment was flesh at the core;
And once—only once—for the love of its blush,
I broke a bloom bough, but there came such a gush
On my hand, that it fainted away in weak fright,
While the leaf-hidden woodpecker shriek'd at the sight;
And oh! such an agony thrill'd in that note,
That my soul, startling up, beat its wings in my throat,
As it long'd to be free of a body whose hand
Was doom'd to work torments a Fury had plann'd!


There I stood without stir, yet how willing to flee,
As if rooted and horror-turn'd into a tree,—
Oh! for innocent death,—and to suddenly win it,
I drank of the stream, but no poison was in it;

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Moses

To grace those lines wch next appear to sight,
The Pencil shone with more abated light,
Yet still ye pencil shone, ye lines were fair,
& awfull Moses stands recorded there.
Lett his repleat with flames & praise divine
Lett his the first-rememberd Song be mine.
Then rise my thought, & in thy Prophet find
What Joy shoud warm thee for ye work designd.
To that great act which raisd his heart repair,
& find a portion of his Spirit there.

A Nation helpless & unarmd I view,
Whom strong revengefull troops of warr pursue,
Seas Stop their flight, their camp must prove their grave.
Ah what can Save them? God alone can save.
Gods wondrous voice proclaims his high command,
He bids their Leader wave the sacred wand,
& where the billows flowd they flow no more,
A road lyes naked & they march it o're.
Safe may the Sons of Jacob travell through,
But why will Hardend Ægypt venture too?
Vain in thy rage to think the waters flee,
& rise like walls on either hand for thee.
The night comes on the Season for surprize,
Yet fear not Israel God directs thine eyes,
A fiery cloud I see thine Angel ride,
His Chariot is thy light & he thy guide.
The day comes on & half thy succours fail,
Yet fear not Israel God will still prevail,
I see thine Angel from before thee go,
To make the wheeles of ventrous Ægypt slow,
His rolling cloud inwraps its beams of light,
& what supplyd thy day prolongs their night.
At length the dangers of the deep are run,
The Further brink is past, the bank is won,
The Leader turns to view the foes behind,
Then waves his solemn wand within the wind.
O Nation freed by wonders cease thy fear,
& stand & see the Lords salvation here.

Ye tempests now from ev'ry corner fly,
& wildly rage in all my fancyd Sky.
Roll on ye waters as ye rolld before,
Ye billows of my fancyd ocean roar,
Dash high, ride foaming, mingle all ye main.
Tis don—& Pharaoh cant afflict again.
The work the wondrous work of Freedomes don,
The winds abate, the clouds restore ye Sun,
The wreck appears, the threatning army drownd
Floats ore ye waves to strow the Sandy ground.

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David

My thought, on views of admiration hung,
Intently ravish'd and depriv'd of tongue,
Now darts a while on earth, a while in air,
Here mov'd with praise and mov'd with glory there;
The joys entrancing and the mute surprize
Half fix the blood, and dim the moist'ning eyes;
Pleasure and praise on one another break,
And Exclamation longs at heart to speak;
When thus my Genius, on the work design'd
Awaiting closely, guides the wand'ring mind.

If while thy thanks wou'd in thy lays be wrought,
A bright astonishment involve the thought,
If yet thy temper wou'd attempt to sing,
Another's quill shall imp thy feebler wing;
Behold the name of royal David near,
Behold his musick and his measures here,
Whose harp Devotion in a rapture strung,
And left no state of pious souls unsung.

Him to the wond'ring world but newly shewn,
Celestial poetry pronounc'd her own;
A thousand hopes, on clouds adorn'd with rays,
Bent down their little beauteous forms to gaze;
Fair-blooming Innocence with tender years,
And native Sweetness for the ravish'd ears,
Prepar'd to smile within his early song,
And brought their rivers, groves, and plains along;
Majestick Honour at the palace bred,
Enrob'd in white, embroider'd o'er with red,
Reach'd forth the scepter of her royal state,
His forehead touch'd, and bid his lays be great;
Undaunted Courage deck'd with manly charms,
With waving-azure plumes, and gilded arms,
Displaid the glories, and the toils of fight,
Demanded fame, and call'd him forth to write.
To perfect these the sacred spirit came,
By mild infusion of celestial flame,
And mov'd with dove-like candour in his breast,
And breath'd his graces over all the rest.
Ah! where the daring flights of men aspire
To match his numbers with an equal fire;
In vain they strive to make proud Babel rise,
And with an earth-born labour touch the skies.
While I the glitt'ring page resolve to view,
That will the subject of my lines renew;
The Laurel wreath, my fames imagin'd shade,
Around my beating temples fears to fade;
My fainting fancy trembles on the brink,
And David's God must help or else I sink.

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I Keep Focused

Whether I am on your list...
Or do not make an appearance at all.
Guest what?
Not a footprint on this path I have made,
Belongs to anyone else....
Who can claim a doing with little assistance.

I keep focused!

And guest what...?
You can compare me to anyone you please.
But I have never been impressed,
By your ability to stretch an imagination.

Why?

I keep focused!

And I try...
To stay focused.

And I choose not to guess how or when...
You have managed to do what you've done,
Without sweat or eyes dried,
As if a tear you have never cried.

Why?

I keep focused!

And I try...
To stay focused.

But I do believe the path you have chosen,
Has been repaved over so many times,
As to accomodate those who have found their way to go...
Much easier than the one I pioneered.
And I know it shows,
I am focused.

And I try...
To stay focused.

Yes I try...
To stay focused.

Whether I am on your list...
Or do not make an appearance at all.
Guest what?
Not a footprint on this path I have made,

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The Four Seasons : Summer

From brightening fields of ether fair disclosed,
Child of the Sun, refulgent Summer comes,
In pride of youth, and felt through Nature's depth:
He comes attended by the sultry Hours,
And ever fanning breezes, on his way;
While, from his ardent look, the turning Spring
Averts her blushful face; and earth, and skies,
All-smiling, to his hot dominion leaves.
Hence, let me haste into the mid-wood shade,
Where scarce a sunbeam wanders through the gloom;
And on the dark-green grass, beside the brink
Of haunted stream, that by the roots of oak
Rolls o'er the rocky channel, lie at large,
And sing the glories of the circling year.
Come, Inspiration! from thy hermit-seat,
By mortal seldom found: may Fancy dare,
From thy fix'd serious eye, and raptured glance
Shot on surrounding Heaven, to steal one look
Creative of the Poet, every power
Exalting to an ecstasy of soul.
And thou, my youthful Muse's early friend,
In whom the human graces all unite:
Pure light of mind, and tenderness of heart;
Genius, and wisdom; the gay social sense,
By decency chastised; goodness and wit,
In seldom-meeting harmony combined;
Unblemish'd honour, and an active zeal
For Britain's glory, liberty, and Man:
O Dodington! attend my rural song,
Stoop to my theme, inspirit every line,
And teach me to deserve thy just applause.
With what an awful world-revolving power
Were first the unwieldy planets launch'd along
The illimitable void! thus to remain,
Amid the flux of many thousand years,
That oft has swept the toiling race of men,
And all their labour'd monuments away,
Firm, unremitting, matchless, in their course;
To the kind-temper'd change of night and day,
And of the seasons ever stealing round,
Minutely faithful: such the All-perfect hand!
That poised, impels, and rules the steady whole.
When now no more the alternate Twins are fired,
And Cancer reddens with the solar blaze,
Short is the doubtful empire of the night;
And soon, observant of approaching day,
The meek'd-eyed Morn appears, mother of dews,
At first faint-gleaming in the dappled east:
Till far o'er ether spreads the widening glow;
And, from before the lustre of her face,

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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

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Gebir

FIRST BOOK.

I sing the fates of Gebir. He had dwelt
Among those mountain-caverns which retain
His labours yet, vast halls and flowing wells,
Nor have forgotten their old master's name
Though severed from his people here, incensed
By meditating on primeval wrongs,
He blew his battle-horn, at which uprose
Whole nations; here, ten thousand of most might
He called aloud, and soon Charoba saw
His dark helm hover o'er the land of Nile,
What should the virgin do? should royal knees
Bend suppliant, or defenceless hands engage
Men of gigantic force, gigantic arms?
For 'twas reported that nor sword sufficed,
Nor shield immense nor coat of massive mail,
But that upon their towering heads they bore
Each a huge stone, refulgent as the stars.
This told she Dalica, then cried aloud:
'If on your bosom laying down my head
I sobbed away the sorrows of a child,
If I have always, and Heaven knows I have,
Next to a mother's held a nurse's name,
Succour this one distress, recall those days,
Love me, though 'twere because you loved me then.'
But whether confident in magic rites
Or touched with sexual pride to stand implored,
Dalica smiled, then spake: 'Away those fears.
Though stronger than the strongest of his kind,
He falls-on me devolve that charge; he falls.
Rather than fly him, stoop thou to allure;
Nay, journey to his tents: a city stood
Upon that coast, they say, by Sidad built,
Whose father Gad built Gadir; on this ground
Perhaps he sees an ample room for war.
Persuade him to restore the walls himself
In honour of his ancestors, persuade -
But wherefore this advice? young, unespoused,
Charoba want persuasions! and a queen!'
'O Dalica!' the shuddering maid exclaimed,
'Could I encounter that fierce, frightful man?
Could I speak? no, nor sigh!'
'And canst thou reign?'
Cried Dalica; 'yield empire or comply.'
Unfixed though seeming fixed, her eyes downcast,
The wonted buzz and bustle of the court
From far through sculptured galleries met her ear;
Then lifting up her head, the evening sun
Poured a fresh splendour on her burnished throne-

[...] Read more

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Finding Chicago

I wanted to write poetry like Carl Sandburg.
I wanted to write about big cities and small towns,
about open prairies and rivers in the sky.
I wanted to write about the people:
plumbers, politicians, poets,
but I’d never been east of Tucson.
So I quit my dead end job,
closed out my savings account, all 600 dollars,
and went to Chicago in search of a poem.

Chicago—City of the Big Shoulders, wrote Sandburg.
But I couldn’t find it.
I found Chicago falling down around an old black man
leaning on his battered bass case, the way you lean
on a friend when you’re in need. And Thomas Jefferson
Brown was a man in need, shoulders sagging under
the weight of six decades of back alley blues bars
and his thirst for blended whiskey.

Chicago—Player with Railroads and the Nations Freight Handler,
wrote Sandburg.
But I couldn’t find it.
I found Chicago in a rusted heap of railroad cars, twisted
tracks and 55 gallon drums where bums built their fires.
Factories and warehouses empty, workers sitting in nearby
bars drinking beer, expecting checks at the end of the week.

Chicago—Stormy, husky, brawling, wrote Sandburg.
But I couldn’t find it.
I found Chicago shimmering in the shadows of towering
concrete, steel and glass along 32nd Street, poets reading
in bookstores and coffee houses, children marching
to museums, women with slim hips in black silk gowns,
men in tuxedos and Italian shoes, dressed for the theater.

I wanted to write poetry like Sandburg.
But I couldn’t find his Chicago.

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Tough Streets Of Chicago

Tough streets of Chicago, you made me who I am.
Tough streets of Chicago, for me you had a plan.
You forced me to observe, what kids my age did not.
You taught me to look and see, always looking for a plot.
You taught me to react, and kept me on my toes.
You taught me to examine, the actions of my foes.
You forced me to react, in situations dire.
You made sure I would function, when I came under fire.
You made sure I was tough, made sure I'd understand,
the skills that I would need, when I joined uncle Sam.

Tough streets of Chicago, I almost went insane.
Tough streets of Chicago, you caused me so much pain.
You made me grow up fast, always dodging death.
You made me run from danger, could hardly catch my breath.
You took most of my friends, why, I'll never understand.
You made it possible to count, all my friends on one hand.
You took them in their teens, you took them very young.
You took them way before, to live they had begun.

Tough streets of Chicago, my tour is almost up.
Tough streets of Chicago, with your gangster posting up.
Tough streets of Chicago, can't get you off my mind.
Tough streets of Chicago, I miss those streets of mine.
Tough streets of Chicago...............................

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Older

Youre older that youve ever been
And now youre even older
And now youre even older
And now youre even older
Youre older that youve ever been
And now youre even older
And now youre older still
Time - is marching on
And time - is still marching on
This day will soon be at an end
And now its even sooner
And now its even sooner
And now its even sooner
This day will soon be at an end
And now its even sooner
And now its sooner still
Youre older that youve ever been
And now youre even older
And now youre even older
And now youre even older
Youre older that youve ever been
And now youre even older
And now youre older still

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Fears For Fears

Death promises nothing for me
And I don't expect nothing from death
Either than pain and sorrows
Fears for fears
Live in me
When I walk late at night on the road
Because I never know what can happen to me
But I believe that God is always on my side
Fears for fears
I will never trust the promises of a lazy man
Fears for fears
I will drink the one
With my food
So that I can give gheers to my God
Fears for fears
I don't fear the thunder or lightning
Fears for fears
The pond is home to all ducks
Because all the ducks lives in the pond
Swimming away
Fears for fears
What more can I give to God
Than myself
Fears for fears
The paths are not clear of the snow
In the winter
In the city where I live
Fears for fears
The harbour is so quiet during the winter
Because no boats are in the harbour during the winter
And everything sleeps away in the harbour
Also the night comes early during the winter months
But summer is different
Because the light shines all day
Fears for fears
Our bodies are made of water
And we need water to survive in this heat

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