Since NAFTA was put in place, Mexico has lost 1.9 million jobs and most Mexicans' real wages have fallen.
quote by Stephen F. Lynch
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Fundamental of Liar Chapter CXVI: One in a Million
A million feeling, one story
One feeling, a million story
A million question, one anxiety
One question, a million anxieties
A million smile, one meaning
One smile, a million meaning
A million languages, one will
One language, a million will
A million anger, one reaction
One anger, a million reaction
A million beginning, one ending
One beginning, a million ending
A million face, one heart
One face, a million hearts
A million dream, one happiness
One dream, a million happiness
A million love, one human
One love, a million human
A million trouble, one way
One trouble, a million ways
A million arts, one impression
One art, a million impressions
A million witness, one event
One witness, a million event
A million memories, one fact
One memory, a million facts
A million chance, one choice
One chance, a million choices
A million lives, one hope
One life, a million hope
A million reason, one lie
One reason, a million lie
poem by Maria Sudibyo
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Soccer Under 20
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[...] Read more
poem by Rwetewrt Erwtwer
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Wages Of Sin
When we fight and I wanna talk it out
You wont say nothing, nothing at all
You just sit there, you wont open that pretty mouth
I think you like keeping my back up against the wall
Wages of sin, you keep me paying
Wages of sin for wrongs that Ive done
Wages of sin, you keep me paying
Wages of sin, one by one
I walk in the apartment, theres clothes thrown all over the place
Youre crouched in the corner with makeup running down your face
I dont wanna believe what my heart keeps saying
You keep me on the line so you can keep me paying
Wages of sin, we keep paying
Wages of sin for the wrongs that weve done
Wages of sin, we keep paying
Wages of sin, thats how we have our fun
I remember when I was a little boy out where the cottonwoods grow tall
Trying to make it home through the forest before the darkness falls
Baby all the sounds I heard, even if they werent real
I was running down that broken path with the devil snapping at my heels
I tried so hard, so hard in every way
Swore someday Id grow up, just throw it all away
Cried all the tears, baby, that I could cry
Stomached all my fears till they came rushin up inside
Darlin Im losin and its a mean game
Still I play on and on just the same
Wages of sin, I keep paying
Wages of sin for some wrong that Ive done
Wages of sin, well I keep paying
Wages of sin, one by one
song performed by Bruce Springsteen
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Stays In Mexico
His name was Steve,
Her name was Gina,
(spoken) You've never been here before have you?
They met at a bar called Cabo Wabo Cantina,
He was an insurance salesman from South Dakota,
She was a first grade school teacher Phoenix Arizona,
(Spoken) No, My first time here
They started dancing and it got real hot,
Then it spilled over to the parking lot,
One more tequila they were falling in love,
One more is never enough!
(Chorus)
Don't bite off more than you can chew,
There's things down here the devil himself wouldn't do,
Just remember when you let it all go,
What happens down in Mexico,
Stays in Mexico
He woke up in the morning and he made
a little telephone call,
To check on his wife and his kids back
at home in Souix Falls,
(spoken) hey baby everything ok?
She hopped right in the shower with a heavy heavy mind,
(spoken) What am I doing?
He knew it was the first time Gina
had ever crossed that line,
They walked down to the beach and started drinking again,
Jumped into the ocean for a dirty swim,
One more margarita they were falling in love,
One more is never enough!
Chorus
Don't bite off more than you can chew,
There's things down here the devil himself wouldn't do,
Just remember when you let it all go,
What happens down in Mexico,
Stays in Mexico
Oh Mexico
Waiting at the bar at the terminal gate,
She says 'Steve I gotta go, I'm going to miss my plane'
He said 'One more tequila before you climb on up,'
She said 'one more is never enough!'
Don't bite off more than you can chew,
There's things down here the devil himself wouldn't do,
Just remember when you let it all go,
What happens down in Mexico,
Stays in Mexico
Chorus
Stays in Mexico,
Stays in Mexico,
Stays in Mexico,
[...] Read more
song performed by Toby Keith
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Mexico
By: james taylor
1975
Way down here
Ou need a reason to move
Feel a fool
Running your stateside games
Lose your load
Leave your mind behind
Baby, james
Oooh, mexico
It sounds so simple
I just got to go
The suns so hot
I forgot to go home
I guess Ill have to go now
Americanos got the sleepy eyes
But his bodys still shakin like a live wire
Senorita with her eyes on fire
Dont you know
Oooh, mexico
It sounds so sweet
With the sun sinkin low
The moons so bright
Likes to light up the night
Make everything alright.
Babys hungry and the moneys all gone
The folks back home
Dont want to talk on the phone
She gets a long letter
And sends back a postcard
Times are hard.
Ooohh, down in mexico
Ive never really been
So I dont really know
Oooooh, mexico
I guess Ill have to go now.
Oooh, mexico
Ive never really been
But, Id sure like to go
Whoa, oooh mexico
I guess Ill have to go now.
Talkin bout mexico (mexico)
Little honkeytonk out in mexico (mexico)
South of margaritaville
Ive been told
Spoken:
(? )undele, undele, vaminos
Ahh, yeah, lets load this cast of characters
On that boat and head south
Ahh, yeah we got a wind at our back
[...] Read more
song performed by Jimmy Buffett
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Sobre Horizontes
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poem by Rwetewrt Erwtwer
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Soboba
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poem by Rwetewrt Erwtwer
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They All Went To Mexico
Wheres my pal, wheres my friend
All good things must have an end
Sad things and nothings
On and on they go
I guess he went to mexico
Chorus:
They all went to mexico
Buenas dias, got to go
Tengo que obedecer
Mi corazon
They all went to mexico
Wheres my mule, wheres my dray
Straw hats packed up and gone
Away
Mule dont go north and dray go slow
They both went to mexico
Wheres my sweetie, wheres the face
That lit dark corners every place
She put up with me long time you know
And then she had to go to mexico
Chorus
Wheres my brown dog, wheres my hound
He liked my truck he hung around
But hes a canine romeo
And I guess he went to mexico
Wheres that woman so sweet, so mean
Her heart was cautious her mind was keen
She was always looking for the peccadillo
I hope she went to mexico
Chorus
Wheres decembers happy crew
With german bikes and sidecars too
They take the truck south to st. louis, mo
Motorcycle all the way to mexico
Wheres my luck, wheres my grace
Has it all been just a foolish chase
Every time I hear that rainy chill wind blow
I think it might be time to head to mexico
song performed by Santana
Added by Lucian Velea
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But For Being Lost
As black imbued black, so was rendered the pitch of darkness
That befogged this godforsaken yard of graves -
And too the dank, ‘til now forgotten chapel that
Did little to grace these forlorn grounds.
Yet here stood I, seemingly first to tread this weed-ridden soil
Since times of yore when life had erstwhile blessed this land.
But for being lost in solitude - as does a country wanderer -
Would I not have happened across this morbid landscape.
And though detail rendered barely visible to my naked eye –
For desperately had the moon tried to break through this jet fog –
A sense of something suffused the place.
Was it those tormented spirits desperate for absolution,
Or perhaps the gargoyles teasing me on whether they be of stone or living flesh?
I was drawn to the oak door as it enticingly opened in passage for me.
The organ called from down the nave and through the pale orange of unsteady light
- that which could only be mustered from the few discoloured, moribund candles.
Could I also hear a distant choir of stern voices, as if in effort to scold me?
As I approached, those tarnished pipes came into view.
Standing erect with gothic pride, they bore down on me with patronising air -
Exaggerated by the disjointed sneering of minor chords,
As if to state that insignificant I had henceforth no grant of solace.
In answer, I steadied my rocking legs and racing mind to wonder of this scenario.
And in doing so, I found myself waking from a cramped dream –
Whence the message dawned: mine had been such a claustrophobic life.
Copyright © Mark R Slaughter 2009
[...] Read more
poem by Mark R Slaughter
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Ever Fallen In Love With Someone (lyrics)
You spurn my natural emotions
You make me feel like dirt
And I'm hurt
And if I start a commotion
I run the risk of losing you
And that's worse
Ever fallen in love with someone
Ever fallen in love
In love with someone
Ever fallen in love
In love with someone
You shouldn't've fallen in love with
I can't see much of a future
Unless we find out what's to blame
What a shame
And we won't be together much longer
Unless we realize that we are the same
Ever fallen in love with someone
Ever fallen in love
In love with someone
Ever fallen in love
In love with someone
You shouldn't've fallen in love with
You disturb my natural emotions
You make me feel like dirt
And I'm hurt
And if I start a commotion
I'll only end up losing you
And that's worse
Ever fallen in love with someone
Ever fallen in love
In love with someone
Ever fallen in love
In love with someone
You shouldn't've fallen in love with
Ever fallen in love with someone
Ever fallen in love
In love with someone
Ever fallen in love
In love with someone
You shouldn't've fallen in love with
Fallen in love with
Ever fallen in love with someone
You shouldn't've fallen in love with
poem by Satan's Sibling
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I Could Make A Living Out Of Lovin You
If theres something that needs fixing
Im the man to see
Look me up, Im listed
Just check under b
If youre ever on the spot
Well, Im good with my hands
24-7 Im your handyman
Odd jobs, hard jobs, anything under the sun
Big jobs, small jobs, baby
Chorus:
Id be a rich man, its true
If I could make a living out of lovin you
These two hands know what to do
If I could make a living out of lovin you
I could make a living out of lovin you
Until the work is finished
Well, I dont get paid
I dont mind getting dirty
Thats my middle name
Im in the service business
So I understand
Call me 24-7, Im your handyman
Odd jobs, hard jobs, anything under the sun
Big jobs, small jobs, baby
Chorus:
Id be a rich man, its true
If I could make a living out of lovin you
These two hands know what to do
If I could make a living out of lovin you
If I could make a living out of lovin you
Solo
Tough jobs, rough jobs, say where and when
Ill leave you my card, call when you need me again
Odd jobs, hard jobs, baby
Chorus:
Id be a rich man, its true
If I could make a living out of lovin you
These two hands know what to do
If I could make a living out of lovin you
Id be a rich man, its true
I could make a living out of lovin you
Im a rich man
I could make a living out of lovin you
song performed by Bon Jovi
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If I Could Make A Living Out Of Loving You
If theres something that needs fixing
Im the man to see
Look me up, Im listed
Just check under b
If youre ever on the spot
Well, Im good with my hands
24-7 Im your handyman
Odd jobs, hard jobs, anything under the sun
Big jobs, small jobs, baby
Chorus:
Id be a rich man, its true
If I could make a living out of lovin you
These two hands know what to do
If I could make a living out of lovin you
I could make a living out of lovin you
Until the work is finished
Well, I dont get paid
I dont mind getting dirty
Thats my middle name
Im in the service business
So I understand
Call me 24-7, Im your handyman
Odd jobs, hard jobs, anything under the sun
Big jobs, small jobs, baby
Chorus:
Id be a rich man, its true
If I could make a living out of lovin you
These two hands know what to do
If I could make a living out of lovin you
If I could make a living out of lovin you
Solo
Tough jobs, rough jobs, say where and when
Ill leave you my card, call when you need me again
Odd jobs, hard jobs, baby
Chorus:
Id be a rich man, its true
If I could make a living out of lovin you
These two hands know what to do
If I could make a living out of lovin you
Id be a rich man, its true
I could make a living out of lovin you
Im a rich man
I could make a living out of lovin you
song performed by Bon Jovi
Added by Lucian Velea
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Desperation Samba
Desperation samba (halloween in tijuana)
By: jimmy buffett, will jennings, timothy b. schmit
1985
This song brings to mind two things. first, an image of robert mitchum
Standing in the doorway of a bar in tijuana, and second, a line by
Thomas mcguane, my brother-in-law, from his book, panama,
"the night wrote a check the morning couldn't cash."
- used by permission of author
Halloween in tijuana
Full moon in my eyes
I wonder how in the hell i got here
Without a disguise
Should i take this last step
Or turn myself around
Or follow my intuition into that border town
Yo quiero a bailar en mexico [i want to dance in mexico]
We do the desperation samba con nos amigos [...with our friends]
Yo quiero a bailar en mexico
We do the desperation samba con nos amigos
Pretty girls they beckon
From their rooms above
Skeletons are dancing
In the name of love
Don't know where i'm goin'
I don't like where i've been
There may be no exit
But hell i'm going in
Yo quiero a bailar en mexico
We do the desperation samba con nos amigos
Yo quiero a bailar en mexico
We do the desperation samba con nos amigos
I hear the people singing that same old haunting tune
I drink because i know it's me against the moon
Yo quiero a bailar en mexico
We do the desperation samba con nos amigos
Yo quiero a bailar en mexico
We do the desperation samba con nos amigos
-- spoken:
"tss, tss tss"
"hey, psst amigo!"
Ooh ooh ooh ooh
Ooh ooh ooh ooh
Yo quiero a bailar en mexico
We do the desperation samba con nos amigos
Yo quiero a bailar en mexico
We do the desperation samba con nos amigos
- notes:
Background vocals: timothy b. schmit, harry stinson
Featuring reggie young on gut string guitar and
Harrison ford on the bullwhip
song performed by Jimmy Buffett
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Refried Dreams
(jim foster/mark peterson)
(track 7 - time 2:46)
Last monday mornin you left with no warnin
I started goin insane
Well I headed south out of del rio, texas
With a hell of a load on my brain I kept on goin without even knowin
How much your love really means now Im messed up in mexico
Livin on refried dreams
Im down here in mexico sick as a dog
My head is poundin in this border town fog
Down to my last dime and comin apart at the seams
Im messed up in mexico
Livin on refried dreams
This picture aint pretty Im ragged and dirty
And wonderin what Im doin here
Shootin tequila wantin to kill ya
And wishin to God you were near
So full of your memory but feelin so empty
Ive run out of my self-esteem
Now Im messed up in mexico
Livin on refried dreams
Im down here in mexico sick as a dog
My head is poundin in this border town fog
Down to my last dime and comin apart at the seams
Im messed up in mexico
Livin on refried dreams
Im down here in mexico sick as a dog
My head is poundin in this border town fog
Down to my last dime and comin apart at the seams
Im messed up in mexico
Livin on refried dreams
Oh Im messed up in mexico
Livin on refried dreams
song performed by Tim McGraw
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Dar-Thula
ARGUMENT.
It may not be improper here to give the story which is the foundation of this poem, as it is handed down by tradition. Usnoth, lord of Etha, which is probably that part of Argyleshire which is near Loch Eta, an arm of the sea in Lorn, had three sons, Nathos, Althos, and Ardan, by Slissáma, the daughter of Semo, and sister to the celebrated Cuthullin. The three brothers, when very young, were sent over to Ireland by their father, to learn the use of arms under their uncle Cuthullin, who made a great figure in that kingdom. They were just landed in Ulster, when the news of Cuthullin's death arrived. Nathos, though very young, took the command of Cuthullin's army, made head against Cairbar the usurper, and defeated him in several battles. Cairbar at last, having found means to murder Cormac, the lawful king, the army of Nathos shifted sides, and he himself was obliged to return into Ulster, in order to pass over into Scotland.
Dar-thula, the daughter of Colla, with whom Cairbar was in love, resided at that time in Seláma, a castle in Ulster. She saw, fell in love, and fled with Nathos; but a storm rising at sea, they were unfortunately driven back on that part of the coast of Ulster, where Cairbar was encamped with his army. The three brothers, after having defended themselves for some time with great bravery, were overpowered and slain, and the unfortunate Dar-thula killed herself upon the body of her beloved Nathos.
The poem opens, on the night preceding the death of the sons of Usnoth, and brings in, by way of episode, what passed before. it relates the death of Dar-thula differently from the common tradition. This account, is the most probable, as suicide seems to have been unknown in those early times, for no traces of it are found in the old poetry.
DAUGHTER of heaven, fair art thou! the silence of thy face is pleasant! Thou comest forth in loveliness. The stars attend thy blue course in the east. The clouds rejoice in thy presence, O moon! They brighten their dark-brown sides. Who is like thee in heaven, light of the silent night? The stars are shamed in thy presence. They turn away their sparkling eyes. Whither dost thou retire from thy course when the darkness of thy countenance grows? Hast thou thy hall, like Ossian? Dwellest thou in the shadow of grief? Have thy sisters fallen from heaven? Are they who rejoiced with thee, at night, no more? Yes, they have fallen, fair light! and thou dost often retire to mourn. But thou thyself shalt fail one night and leave thy blue path in heaven. The stars will then lift their heads: they who were ashamed in thy presence, will rejoice. Thou art now clothed with thy brightness. Look from thy gates in the sky. Burst the cloud, O wind! that the daughters of night may look forth; that the shaggy mountains may brighten, and the ocean roll its white waves in light!
Nathos is on the deep, and Althos, that beam of youth! Ardan is near his brothers. They move in the gloom of their course. The sons of Usnoth move in darkness, from the wrath of Cairbar of Erin. Who is that, dim by their side? The night has covered her beauty! Her hair sighs on ocean's wind. Her robe streams in dusky wreaths. She is like the fair spirit of heaven in the midst of the shadowy mist. Who is it but Dar-thula, the first of Erin's maids? She has fled from the love of Cairbar, with blue-shielded Nathos. But the winds deceive thee, O Dar-thula! They deny the woody Etha to thy sails. These are not the mountains of Nathos; nor is that the roar of his climbing waves. The halls of Cairbar are near: the towers of the foe lift their heads! Erin stretches its green head into the sea. Tura's bay receives the ship. Where have ye been, ye southern Winds, when the sons of my love were deceived? But ye have been sporting on the plains, pursuing the thistle's beard. O that ye had been rustling in the sails of Nathos, till the hills of Etha arose! till they arose in their clouds, and saw their returning chief! Long hast thou been absent, Nathos! the day of thy return is past!
But the land of strangers saw thee lovely! thou wast lovely in the eyes of Dar-thula. Thy face was like the light of the morning. Thy hair like the raven's wing. Thy soul was generous and mild, like tho hour of the setting sun. Thy words were the gale of the reeds; the gliding stream of Lora! But when the rage of battle rose, thou wast a sea in a storm. The clang of thy arms was terrible: the host vanished at the sound of thy course. It was then Dar-thula beheld thee, from the top of her mossy tower; from the tower of Seláma, where her fathers dwelt.
"Lovely art thou, O stranger!" she said, for her trembling soul arose. "Fair art thou in thy battles, friend of the fallen Cormac! Why dost thou rush on in thy valor, youth of the ruddy look? Few are thy hands in fight against the dark-brown Cairbar! O that I might be freed from his love, that I might rejoice in the presence of Nathos! Blest are the rocks of Etha! they will behold his steps at the chase; they will see his white bosom, when the winds lift his flowing hair!" Such were thy words, Dar-thula, in Seláma's mossy towers. But now the night is around thee. The winds have deceived thy sails- — the winds have deceived thy sails, Dar-thula! Their blustering sound is high. Cease a little while, O north wind! Let me hear the voice of the lovely. Thy voice is lovely, Dar-thula, between the rustling blasts!
"Are these the rocks of Nathos?" she said, "this the roaring of his mountain streams? Comes that beam of light from Usnoth's nightly hall? The mist spreads around; the beam is feeble and distant far. But the light of Dar-thula's soul dwells in the chief of Etha! Son of the generous Usnoth, why that broken sigh? Are we in the land of strangers, chief of echoing Etha?"
"These are not the rocks of Nathos," he replied, "nor this the roar of his stream. No light comes from Etha's hall, for they are distant far. We are in the land of strangers, in the land of cruel Cairbar. The winds have deceived us, Dar-thula. Erin lifts here her hills. Go towards the north, Althos: be thy steps, Ardan, along the coast; that the foe may not come in darkness, and our hopes of Etha fail. I will go towards that mossy tower, to see who dwells about the beam. Rest, Dar-thula, on the shore! rest in peace, thou lovely light! the sword of Nathos is around thee, like the lightning of heaven!"
He went. She sat alone: she heard the roiling of the wave. The big tear is in her eye. She looks for returning Nathos. Her soul trembles at the bast. She turns her ear towards the tread of his feet. The tread of his feet is not heard. "Where art thou, son of my love! The roar of the blast is around me. Dark is the cloudy night. But Nathos does not return. What detains thee, chief of Etha? Have the foes met the hero in the strife of the night?"
He returned; but his face was dark. He had seen his departed friend! it was the wall of Tura. The ghost of Cuthullin stalked there alone; the sighing of his breast was frequent. The decayed flame of his eyes was terrible! His spear was a column of mist. The stars looked dim through his form. His voice was like hollow wind in a cave: his eye a light seen afar. He told the tale of grief. The soul of Nathos was sad, like the sun in the day of mist, when his face watery and dim.
"Why art thou sad, O Nathos!" said the lovely daughter of Colla. "Thou art a pillow of light to Dar-thula. The joy of her eyes is in Etha's chief. Where is my friend, but Nathos? My father, my brother is fallen! Silence dwells on Seláma. Sadness spreads on the blue streams of my land. My friends have fallen with Cormac. The mighty were slain in the battles of Erin. Hear, son of Usnoth! hear, O Nathos! my tale of grief.
"Evening darkened on the plain. The blue streams failed before mine eyes. The unfrequent blast came rustling in the tops of Seláma's groves. My seat was beneath a tree, on the walls of my fathers. Truthil past before my soul; the brother of my love: he that was absent in battle against the haughty Cairbar! Bending on his spear, the gray-haired Colla came. His downcast face is dark, and sorrow dwells in his soul. His sword is on the side of the hero; the helmet of his fathers on his head. The battle grows in his breast. He strives to hide the tear.
"'Dar-thula, my daughter,' he said, 'thou art the last of Colla's race! Truthil is fallen in battle. The chief of Seláma is no more! Cairbar comes, with his thousands, towards Seláma's walls. Colla will meet his pride, and revenge his son. But where shall I find thy safety, Dar-thula with the dark-brown hair! thou art lovely as the sunbeam of heaven, and thy friends are low!' 'Is the son of battle fallen?' I said, with a bursting sigh. 'Ceased the generous soul of Truthil to lighten through the field? My safety, Colla, is in that bow. I have learned to pierce the deer. Is not Cairbar like the hart of the desert, father of fallen Truthil?'
"The face of age brightened with joy. The crowded tears of his eyes poured down. The lips of Colla trembled. His gray beard whistled in the blast. 'Thou art the sister of Truthil,' he said; 'thou burnest in the fire of his soul. Take, Dar-thula, take that spear, that brazen shield, that burnished helm; they are the spoils of a warrior, a son of early youth! When the light rises on Seláma, we go to meet the car-borne Cairbar. But keep thou near the arm of Colla, beneath the shadow of my shield. Thy father, Dar-thula, could once defend thee; but age is trembling On his hand. The strength of his arm has failed. His soul is darkened with grief.'
"We passed the night in sorrow. The light of morning rose. I shone in the arms of battle. The gray haired hero moved before. The sons of Seláma convened around the sounding shield of Colla. But few were they in the plain, and their locks were gray. The youths had fallen with Truthil, in the battle of car-borne Cormac. 'Friends of my youth,' said Colla, 'it was not thus you have seen me in arms. It was not thus I strode to battle when the great Confaden fell. But ye are laden with grief. The darkness of age comes like the mist of the desert. My shield is worn with years! my sword is fixed in its place! I said to my soul, Thy evening shall be calm; thy departure like a fading light. But the storm has returned. I bend like an aged oak. My boughs are fallen on Seláma. I tremble in my place. Where art thou, with thy fallen heroes, O my beloved Truthil! Thou answerest not from thy rushing blast. The soul of thy father is sad. But I will be sad no more! Cairbar or Colla must fall! I feel the returning strength of my arm. My heart leaps at the sound of war.'
"The hero drew his sword. The gleaming blades of his people rose. They moved along the plain. Their gray hair streamed in the wind. Cairbar sat at the feast, in the silent plain of Lena. He saw the coming of the heroes. He called his chiefs to war. Why should I tell to Nathos how the strife of battle grew? I have seen thee in the midst of thousands, like the beam of heaven's fire: it is beautiful, but terrible; the people fall in its dreadful course. The spear of Colla flew. He remembered the battles of his youth. An arrow came with its sound. It pierced the hero's side. He fell on his echoing shield. My soul started with fear. I stretched my buckler over him: but my heaving breast was seen! Cairbar came with his spear. He beheld Seláma's maid. Joy rose on his dark-brown Taco. He stayed his lifted steel. He raised the tomb of Colla. He brought me weeping to Seláma. He spoke the words of love, but my soul was sad. I saw the shields of my fathers; the sword of car-borne Truthil. I saw the arms of the dead; the tear was on my cheek! Then thou didst come, O Nathos! and gloomy Cairbar fled. He fled like the ghost of the desert before the morning's beam. His host was not near; and feeble was his arm against thy steel! Why art thou sad, O Nathos?" said the lovely daughter of Colla.
"I have met," replied the hero, "the battle in my youth. My arm could not lift the spear when danger first arose. My soul brightened in the presence of war, as the green narrow vale, when the sun pours his streamy beams, before he hides his head in a storm. The lonely traveller feels a mournful joy. He sees the darkness that slowly comes. My soul brightened in danger before I saw Seláma's fair; before I saw thee, like a star that shines on the hill at night; the cloud advances, and threatens the lovely light! We are in the land of foes. The winds have deceived us, Dar-thula! The strength of our friends is not near, nor the mountains of Etha. Where shall I find thy peace, daughter of mighty Colla! The brothers of Nathos are brave, and his own sword has shone in fight. But what are the sons of Usnoth to the host of dark-brown Cairbar! O that the winds had brought thy sails, Oscar king of men! Thou didst promise to come to the battles of fallen Cormac! Then would my hand be strong as the flaming arm of death. Cairbar would tremble in his halls, and peace dwell round the lovely Dar-thula. But why dost thou fall, my soul? The sons of Usnoth may prevail!"
"And they will prevail, O Nathos!" said the rising soul of the maid. "Never shall Dar-thula behold the halls of gloomy Cairbar. Give me those arms of brass, that glitter to the passing meteor. I see them dimly in the dark-bosomed ship. Dar-thula will enter the battles of steel. Ghost of the noble Colla! do I behold thee on that cloud! Who is that dim beside thee? Is it the car-borne Truthil? Shall I behold the halls of him that slew Seláma's chief? No: I will not behold them, spirits of my love!"
Joy rose in the face of Nathos when he heard the white-bosomed maid. "Daughter of Seláma! thou shinest along my soul. Come, with thy thousands, Cairbar! the strength of Nathos is returned! Thou O aged Usnoth! shalt not hear that thy son has fled. I remembered thy words on Etha, when my sails began to rise: when I spread them towards Erin, towards the mossy walls of Tura! 'Thou goest,' he said, 'O Nathos, to the king of shields! Thou goest to Cuthullin, chief of men, who never fled from danger. Let not thine arm be feeble: neither be thy thoughts of flight; lest the son of Semo should say that Etha's race are weak. His words may come to Usnoth, and sadden his soul in the hall.' The tear was on my father's cheek. He gave this shining sword!
"I came to Tura's bay; but the halls of Tara were silent. I looked around, and there was none to tell of the son of generous Semo. I went to the hall of shells, where the arms of his fathers hung. But the arms were gone, and aged Lamhor sat in tears. 'Whence are the arms of steel?' said the rising Lamhor. 'The light of the spear has long been absent from Tura's dusky walls. Come ye from the rolling sea? or from Temora's mournful halls?'
"'We come from the sea,' I said, 'from Usnoth's rising towers. We are the sons of Slissáma, the daughter of car-borne Semo. Where is Tura's chief, son of the silent hall? But why should Nathos ask? for I behold thy tears. How did the mighty fall, son of the lonely Tura?' 'He fell not,' Lamhor replied, 'like the silent star of night, when it flies through darkness and is no more. But he was like a meteor that shoots into a distant land. Death attends its dreary course. Itself is the sign of wars. Mournful are the banks of Lego; and the roar of streamy Lara! There the hero fell, son of the noble Usnoth!' 'The hero fell in the midst of slaughter,' I said with a bursting sigh. 'His hand was strong in war. Death dimly sat behind his sword.'
"We came to Lego's sounding banks. We found his rising tomb. His friends in battle are there: his bards of many songs. Three days we mourned over the hero: on the fourth I struck the shield of Caithbat. The heroes gathered around with joy, and shook their beamy spears. Corlath was near with his host, the friend of car-borne Cairbar. We came like a stream by night. His heroes fell before us. When the people of the valley rose, they saw their blood with morning's light. But we rolled away, like wreaths of mist, to Cormac's echoing hall. Our swords rose to defend the king. But Temora's halls were empty. Cormac had fallen in his youth. The king of Erin was no more!
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poem by James Macpherson
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Kahlo-Christ Conjunctions - Sacrificed Flesh, Broken Bread, Emmaus Vision
[The curious or, better, interested reader may view the images alluded to in this essay at this website: http: //falconwarren.blogspot.com/2011/01/kahlo-christ- conjunctions-sacrificed.html]
Kahlo Strophes
As with love, also the bellows.
Calavera*, the Future stands
hand to mouth, fingers to forehead
unfolding before still instatic shapes.
Hold desperately to frames before
these quaking perceptions.
She could not stop there,
had to flare out, dry paint,
and the dryer flesh peel down
to bone, a sexless esqueleto**,
skull no longer mustached,
a calavera, nothing more,
curved calcium reliant forever
upon canvas, what is congealed
there to fan and burn,
a 'cauda pavonis'***.
- the author, from the text below
*Skull
**Skeleton
***Peacock's Tail (an image in alchemy) .
'Poetry such as this attempts not just a new syntax of the word. Its revolution is aimed at the syntax of the mind itself. Its structuring of experience is purposive, not dreamlike. We are dealing with a self-induced, or naturally or mysteriously come by, creative state from which two of the most fundamental human activities diverge, the aesthetic and the mystic act. The creative matrix is the same in both, and it is that state of being that is most peculiarly and characteristically human, as the resulting aesthetic and mystic experience is the purist form of human act. There is a great deal of overlapping, today especially, when art is all the religion most people have and when they demand of it experiences that few people of the past demanded of religion....A visionary poem is not a vision. The religious experience is necessitated and ultimate.' - Kenneth Rexroth, World Outside the Window, the Selected Essays of Kenneth Rexroth, pg.255-256
Rexroth's words are pertinent to the images used in this essay, Kahlo's painting above is visionary, Grunewald's are religious, and several photos are both, and all are 'aimed at the syntax of the mind itself.. Its restructuring of experience is purposive, not dreamlike.' The images included in this essay, which is more a prose poem than regular prose, are meant to convey equally or more, at least as as much as, the words in their incantatory formations which may induce entrance into 'imaginal' spaces where word and image meet in a practical magic, inspire a felt understanding and perhaps gain a view or actual entrance into what ecstatic poet, Rainer Maria Rilke, calls 'the Greater Relation.'
I've decided to publish this piece-in-progress as it unwinds in spirals 'aimed at the syntax of the mind itself...its restructuring of experience' with the understanding that it may later appear in greatly altered form. In a real sense this writing writes itself; I try to heed, copy, then hone to the bone what might be wanting to be sung, for what is below, and often what I write, is more akin to music, a vocal/verbal lilt beyond a particular solid tilt of view of a world absolute, static logos.
Heraclitus noted thousands of years ago, 'All is flux.'
To this I would only add, and perhaps this is what all of my writing amounts to,
'All is reflux.'
Selah. WF
NYC,1/31/11
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poem by Warren Falcon
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A Womans Worth
You could buy me diamonds , you could buy me pearls
Take me on a cruise around the world
Baby you know Im worth it
Dinner lit by candles, run my bubble bath
Make love tenderly to last and last
Baby you know Im worth it
Wanna please wanna keep wanna treat your woman right
Not just told but to show she is worth your time
You will lose if you choose to refuse to put her first
She will if she cant find a man who knows her worth, mhmn
Cuz a real man knows a real woman when he sees her
And a real woman knows a real man aint afraid to please her
And a real woman knows a real man always comes first
And a real man just cant deny a womans worth
If you treat me fairly Ill give you all my goods
Treat you like a real woman should
Baby I know your worth it
If you never play me , promise not to bluff
Ill hold it down when it gets ruff
Baby I know your worth it
She rolls the mile makes you smile all the while being true
Dont take for granted the passion that she has for you
You will lose if you choose to refuse to put her first
She will if she cant find a man who knows her worth. oh
Cuz a real man knows a real woman when he sees her
And a real woman knows a real man aint afraid to please her
And a real woman knows a real man always comes first
And a real man just cant deny a womans worth
No need to read between the lines, spell it out for you
Just hear this song cuz you cant go wrong when you value
A woman,woman,woman, a womans worth
Cuz a real man knows a real woman when he sees her
And a real woman knows a real man aint fraid to please her
And a real woman knows a real man always comes first
And a real man just cant deny a womans worth
Cuz a real man knows a real woman when he sees her
And a real woman knows a real man aint fraid to please her
And a real woman knows a real man always comes first
And a real man just cant deny a womans worth
Mhmn mhmn mhmn mhmn mhmn mhmn
song performed by Alicia Keys
Added by Lucian Velea
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Million Dollar Face
You were hungry for the lights,
You spent your nights with socialites
Youre a million-dollar baby
With the million dollar blues
And you only gave your time to people you could use
Million dollar face with million dollar grace
You got off to a real bad start
Million dollar face in million dollar lace
You wound with a two cent heart
You were mine for just a little while
But true to style and with a smile you said,
I have to leave you, baby, hold me one more time
cause I know where I should be and its a long hard climb
Million dollar face with million dollar grace
You got off to a real bad start
Million dollar face in million dollar lace
You wound with a two cent heart
Million dollar face with million dollar grace
You got off to a real bad start
Million dollar face in million dollar lace
You wound with a two cent heart
song performed by Rick Springfield
Added by Lucian Velea
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Thats Why God Made Mexico
Margie said, roy you aint listening to me
And Ive got a whole lot more to say
Roy just crossed the floor and picked up his car keys
And she aint seen or heard from him to this day
And thats why God made mexico
A place where we can lay low
And the cuervo goes down nice and slow
And the warm wind blows
Thats why God made mexico
And betty fixed joe dinner every night
At half past six
Cause thats when he rolled through that door
For sixteen years and not a thank you from his lips
She dont fix him dinner no more
And thats why God made mexico
A place where we can lay low
Where the cuervo goes down nice and slow
And the warm winds blow
Thats why God made mexico
Cause life is sweet in a border town
You learn to let your hair down
And you dont make trouble
You learn to dance the fandango
You change your name, maybe change your face
Get used to beans chili paste
And you learn to live and love
Life in the slow lane
And thats why God made mexico
A place where we can lay low
Maybe monterey or acapulco
Anywhere the warm winds blow
Dont you know
Thats why God made mexico
Thats why God made
Made mexico
song performed by Tim McGraw
Added by Lucian Velea
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