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You can reconstruct the picture from chaos and memory's ruins.

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Picture Picture by Tanya Markova

Picture picture ohh...
Picture picture ohh...

Picture picture ohh...
Picture picture ohh...

Picture picture ohh...
Picture picture
Picture picture ohh...
Picture picture ohh...
Picture picture

Picture picture ohh...

Nang gabing masilayan ka...
Dala-dala ko pa
Ang aking lumang camera

Picture picture ohh...
Picture picture

Picture picture ohh...
Picture picture ohh...
Picture picture

Picture picture ohh...

Campus gig noon at nag-aya ang tropa
Maraming bebot ang nagsasayaw
Nang biglang mapansin kita

What a beautiful face
At kinunan kita
What a beautiful face
Angat ka sa iba

Picture picture ohh...
Picture picture

Picture picture ohh...
Picture picture

What a beautiful
What a beautiful face

I saw her face
Mukha syang taga-a a outerspace
Si Mang Roger ako'y kinalabit
Ang sabi
Halika na balot muna

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How I Picture Heaven

How I Picture Heaven by Kenny Davis

How do I picture Heaven?
The great kingdom among clouds
His children, His saints
His angels, rejoicing loud

How do I picture Heaven?
This astonishing, glorious place
Where I pray to have the honor
To gaze upon his majestic face

How do I picture Heaven?
The street paved in gold
Worth more than the richest treasure
Even grander than I was told

How do I picture Heaven?
Beyond light-years away from earth
Beyond mere galaxies away from pain
Even much further away all of the hurt

How do I picture Heaven?
Many mansions made of pearl
Luster brighter than the stars
One that shines across the world

How do I picture Heaven?
Free of worry and strife
No more heartbreak and heart ache
Looking forward to this eternal life

How do I picture Heaven?
On every face, there is a smile
The joy amongst his followers
Can be seen for many miles

How do I picture Heaven?
Land of milk and honey
Sweeter than grain of a sugar cane
And every day is sunny

How do I picture Heaven?
Or should I say, “The land of honey and milk”
With everyone in their marvelous robes
Softer than Egyptian silk
How do I picture Heaven?
Land of joy and bliss
If you are to miss the train
Oh! What a party you would miss!

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As Destiny Unfolds

There is always a choice to make
When two paths merge and life takes a break
For a split second, all things are one
As destiny and chaos collide once more

When two paths merge and life takes a break
No one will warn you that it is already to late
To change the path you have taken
As destiny and chaos collide once more

For a split second, all things are one
In that moment, you realize God will not be outdone
This place and time will no longer exist
As destiny and chaos collide once more

No one will warn you it is already too late
The first man and woman sealed your fate
Nothing can stop what was meant to be
As destiny and chaos collide once more

To change the path you have taken
The original spirit must reawaken
To be forsaken was never part of the master plan
As destiny and chaos collide once more

In that moment, you realize God will not be outdone
By now you realize that life is not a dry run
No second chances are guaranteed
As destiny and chaos collide once more

This place and time will no longer exist
And mankind is summarily dismissed
For failing to exercise discipline and reproof
As destiny and chaos collide once more

The first man and woman sealed your fate
The choice is no longer yours to make
What you do now is fruit of the poisonous tree
As destiny and chaos collide once more

Nothing can stop what was meant to be
Two paths have merged into life’s potpourri
The world is filled with to much hate
As destiny and chaos collide once more

The original spirit must reawaken
Or those waiting for the rapture will not be taken
It will all be for not in the end
As destiny and chaos collide once more

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Picture Book

Picture yourself when youre getting old,
Sat by the fireside a-pondering on[? ].
Picture book, pictures of your mama, taken by your papa a long time ago.
Picture book, of people with each other, to prove they love each other a long ago.
Na, na, na, na, na na.
Na, na, na, na, na na.
Picture book.
Picture book.
A picture of you in your birthday suit,
You sat in the sun on a hot afternoon.
Picture book, your mama and your papa, and fat old uncle charlie out cruising with their friends.
Picture book, a holiday in august, outside a bed and breakfast in sunny southend.
Picture book, when you were just a baby, those days when you were happy, a long time ago.
Na, na, na, na, na na.
Na, na, na, na, na na.
Picture book.
Picture book.
Picture book.
Picture book.
Picture book,
Na, na, na, na na,
Na, na, na, na na,
A-scooby-dooby-doo.
Picture book,
Na, na, na, na na,
Na, na, na, na na,
A-scooby-dooby-doo.
Picture book, pictures of your mama, taken by your papa a long time ago.
Long time ago,
Long time ago,
Long time ago,
Long time ago,
Yeah, yeah, yeah.

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Making Love With Memories

You poked my blurring eye,
Let me lift your mushy breast.

We aged onwards
While you stroked flaccidity –
Recalling decades of
Blood-gorged coming, shuddering to boot.

I kissed a venerable mouth
Crammed with falsities –
Once brilliant keys
Guarded by crimson lips
Washed by a sensual tongue.

And so we writhed in wrinkles,
Tiring effort, and
Memories.


Copyright © Mark R Slaughter 2010

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Cellophane Spirit: Improvisation 10 19 2004

Old men have seen a memory blown by sleeping,
wails of grief kisses sucked up excavated noses
soul stirring psalms to the very top of the lung
energy boasts of a golden but feared recall, I
have seen the fingering of Miles Davis’ trumpet
wail of sex instincts on Stella by Starlight sung
Jesus looking for guileless disciples in the gilded
night I have seen a memory, driven by alleys of
Georgetown fences, noted gentries out-of-the-way
welcome entries, walked to mama’s down at the
very end of towns, P Street’s dead turn onto the
Avenue of murderer’s row in a town’s strip of
social clubs, I have walked sidewalk storm drains
from stoops of filth down to Main & Baltimore
streets, I have seen memory collect in the smaller
towns of Shelbyville, Indiana, Kentucky, Ohio,
Tennessee, and Springfield, Illinois, cellophane
swathes the memory, what’s known of selected
service towns, soldiers never coming home,
where divine earth gardens of herbs, salts, and
sugary loves are grown, I have seen a memory
stripped off every language, a cappella chanting
of soliloquists, ritual Griot and orphaned rappers
of cellophane spirit; porno on sheets of exhibited
joy, I have seen a memory cruising the boulevards
to The Louver and the mall to The Smithsonian, got
down with nightfall song on Martin Luther King Jr.
Avenues with whores pimps of priest and mothers,

LEE MACK
(Cellophane Spirit, Page 2)


memory eyes that burn high with desire set afire
the fricative nature of her cellophane spirit,
I have seen a memory of towns of orphaned sons
bound for locomotive dreams there in old houses on
Rose Street, Spanish laborers now rent overcrowded
dream Tudor houses, mansions of memories now city
neighbors with funeral homes where strange crowds
gather in games of wake, I have seen a memory
for the dead a picnic and a park of spirits set aside
in stone, strange crowds in games of joy a girl’s legs
too young consent to cellophane; raps disown me,

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The Lady Of La Garaye - Prologue

RUINS! A charm is in the word:
It makes us smile, it makes us sigh,
'Tis like the note of some spring bird
Recalling other Springs gone by,
And other wood-notes which we heard
With some sweet face in some green lane,
And never can so hear again!
Ruins! They were not desolate
To us,--the ruins we remember:
Early we came and lingered late,

Through bright July, or rich September;
With young companions wild with glee,
We feasted 'neath some spreading tree--
And looked into their laughing eyes,
And mocked the echo for replies.
Oh! eyes--and smiles--and days of yore,
Can nothing your delight restore?
Return!
Return? In vain we listen;
Those voices have been lost to earth!
Our hearts may throb--our eyes may glisten,
They'll call no more in love or mirth.
For, like a child sent out to play,
Our youth hath had its holiday,
And silence deepens where we stand
Lone as in some foreign land,
Where our language is not spoken,
And none know our hearts are broken.

Ruins! How we loved them then!
How we loved the haunted glen
Which grey towers overlook,
Mirrored in the glassy brook.
How we dreamed,--and how we guessed,
Looking up, with earnest glances,
Where the black crow built its nest,
And we built our wild romances;
Tracing in the crumbled dwelling
Bygone tales of no one's telling!

This was the Chapel: that the stair:
Here, where all lies damp and bare,
The fragrant thurible was swung,
The silver lamp in beauty hung,
And in that mass of ivied shade
The pale nuns sang--the abbot prayed.

This was the Kitchen. Cold and blank
The huge hearth yawns; and wide and high

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If I Resign Today There Will Be Chaos

It was February the 3rd 2011 when
Egyptian President Hosni Mubarak
made his famous scare fear prediction
'If I Resign Today There Will Be Chaos'.

Mubarak claimed he was sincerely troubled?
By violence the world had seen in Liberation
Tahrir Square over preceding days he claimed
his government was innocent not responsible?

Mubarak blamed the Muslim Brotherhood
a banned political party persecuted in Egypt.
But Mubarak supporters violence launched
against anti-government protesters innocent.

Mubarak claimed he 'was very unhappy about
yesterday. [stating] I do not want to see Egyptians
fighting each other.' Mubarak had hoped to rout
humiliate publicly defeat opponent protesters.

When asked what he thought seeing the people
shouting insults about him and wanting him gone
Mubarak said, 'I don't care what people say about
me... I care about my country, I care about Egypt.'

Mubarak claimed he wanted to resign but could not
'for Fear of the Country Falling into Chaos.' Egypt
will sink into chaos if I resign there will be chaos at
least eight people had died hundreds were injured in

violent clashes between his supporters and anti-
government protesters since Wednesday that is chaos

pride comes before a fall was Mubarak the leader
really unfazed by insults being hurled at him by
protesters demanding his immediate resignation?
According to quotes he wavered when asked about

his attitude toward his main ally the US which had been
pushing for him to resign because Washington gives
Egypt about $1.5 billion in mostly military aid annually
in a statement like Gaddafi would soon make he said

'You don't understand the Egyptian culture and what
would happen if I step down now' Mubarak said he told
US President Barack Obama while reportedly he remained
guarded in Cairo in the presidential palace with his family

heavily guarded by troops tanks barbed wire in safety?
Egypt's largest protests in a generation were clearly

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YOUR MEMORY [by Redscar McOdindo K'Oyuga & Muna Moons Ahmed]

YOUR MEMORY
[by Redscar McOdindo K’Oyuga & Muna Moons Ahmed]

Redscar McOdindo:

I’ve tried to forget your cultures
I’ve taken down all of your pictures
I’ve even changed my manners
And tried to get yet another missus…
I’ve cleaned out all of your drawers
I’ve painted over the scratches
From all our little wars
But it has never been a savory
To erase your memory.

Muna Moons:

I live beyond earthly possessions
I, I am your emotions
We have lost directions
Trying to conform to different directions.
You, you come in to ease these confusions
But we are lost. Are we lost in institutions?
Baseless yet holding on to unique fusions?

Redscar McOdindo:

Since you left
I’ve acted swift
To wander away adrift
And widen the rift
Between you and me….
Too hard has it been to shift
But I’ve put away every gift
That you ever gave to me –
Including your flowers and their vase –
And now everything is in its place
Except for one quandary:
Your Memory.

Muna Moons:

Honey, the flower dried
And the vase was then deprived
But its memory can’t be denied
I loved you so much it sighed
You loved me too much it died
And now that we are sidelined
Our memories we can’t hide.

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In the ruins of your game

Im stuck in the ruins of your game.
I remember everthing clear as day.
You told me it would be a fun game.
Fun for you mabey.
It was sheer hell for me.

In the ruins of what you did.
I'm left in an everlasting pain.
It was left within the wake of what you did.
Im left within ruins.

Im in a shell of my self.
Im angry really bloody angry.
It all knaws away at me.
Eating its way through me.

Am I a bad person?
Was it my fault?
Is the unaswered questions.

In the ruins of what happened to me.
In the ruins of what you did.
Its left me me fucked up in the head.
Im a really fucked up person now.

It all in ruins.
Im a mess.
Im a bad person.

You left me in the ruins of your abuse.
Left me to pick up the peices.
You just luaghed at me all the time.

Amy Kerswell

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Picture Show

A young man from a small town
With a very large imagination
Lay alone in his room with his radio on
Looking for another station
When the static from the mouthpiece
Gave way to the sound below
James dean went out to hollywood
And put his picture in a picture show.
James dean went out to hollywood
And put his picture in a picture show.
Chorus:
And its oh daddy get off of your knees
Mamma whyd you have to go
Your darling jim is out a limb
I put my picture in a picture show
Whoa ho! put my picture in a picture show
Hamburgers cheeseburgers
Wilbur and orville wright
John garfield in the afternoon
Montgomery clift at night
When the static hit the mouthpiece
Gave way to the sound below
James dean went out to hollywood
And put his picture in a picture show.
Repeat chorus:
A mocca man in a wigwam sitting on a reservation.
With a big black hole in the belly of his soul
Waiting on an explanation
While the white man sits on his fat can
And takes pictures of the navajo
Every time he clicks his kodak pics
He steals a little bit of soul.
Every time he clicks his kodak pics
He steals a little bit of soul.
Repeat chorus:
Yie hi! put my picture in a picture show
Here we go!
A young man from a small town
With a very large imagination...

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The Tree of Laughing Bells

[A Poem for Aviators]


How the Wings Were Made

From many morning-glories
That in an hour will fade,
From many pansy buds
Gathered in the shade,
From lily of the valley
And dandelion buds,
From fiery poppy-buds
Are the Wings of the Morning made.


The Indian Girl Who Made Them

These, the Wings of the Morning,
An Indian Maiden wove,
Intertwining subtilely
Wands from a willow grove
Beside the Sangamon —
Rude stream of Dreamland Town.
She bound them to my shoulders
With fingers golden-brown.
The wings were part of me;
The willow-wands were hot.
Pulses from my heart
Healed each bruise and spot
Of the morning-glory buds,
Beginning to unfold
Beneath her burning song of suns untold.


The Indian Girl Tells the Hero Where to Go to Get the Laughing Bell

"To the farthest star of all,
Go, make a moment's raid.
To the west — escape the earth
Before your pennons fade!
West! west! o'ertake the night
That flees the morning sun.
There's a path between the stars —
A black and silent one.
O tremble when you near
The smallest star that sings:
Only the farthest star
Is cool for willow wings.

"There's a sky within the west —

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Embrace The Chaos (feat. Common)

f/ Common
*sample of peace rally being broken up*
[Common]
Embrace the chaos
C'mon and embrace the chaos
We like to, embrace the chaos, yeah
*singing*
Yeah
Am I a patriot of the chaos?
Everyday I watch young studs play blocks
In front of buildings, dealing what they gotta
Currency and game exchange (What else?)
Souls bought and talked with the Father of Time
Ask if I'm embracing it
I either wasting it
My mind feel like I'm chasing it
Everyday it gets harder to author a plan
Consult with the gods cuz I know they smarter than man
It's hypnotic how the chaotic harbor the land
Through raw metals, slick women, cars and sedans
Guess we all part of the dance in one way or another
The way a man beat his woman, feeling that he love her
They way five children get killed by their mother
Parts of the universe still to discover
The real uncover fake
Whether love or hate
For revolution, chaos we embrace
*singing*
[Common]
It's like I wrote for freedom
My god sticks in
"You gon' have to tote for freedom"
I awoke in the p.m.
To let my folks know it's gonna
Be a brighter, there's light that shines on the corner
In the dawn of the chaos, I try not to be
A pawn or a player
So nights I stay up
Write words, for me it's like a prayer
Knowing it'll be, I put it in the air
And stare at the emotions of those in the commotion
Hoping its the chaos that we grow from
Opened a cold one, build with warriors that hold gun
For the same prize, our souls run
From they window, they see no sun
I say "Revolution, when he gon' come?"
Yes he came, in way that may seem strange
Only through chaos will we ever see strange
*trumpet solo*
*singing*

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Edmund Spenser

Ruins of Rome, by Bellay

1

Ye heavenly spirits, whose ashy cinders lie
Under deep ruins, with huge walls opprest,
But not your praise, the which shall never die
Through your fair verses, ne in ashes rest;
If so be shrilling voice of wight alive
May reach from hence to depth of darkest hell,
Then let those deep Abysses open rive,
That ye may understand my shreiking yell.
Thrice having seen under the heavens' vail
Your tomb's devoted compass over all,
Thrice unto you with loud voice I appeal,
And for your antique fury here do call,
The whiles that I with sacred horror sing,
Your glory, fairest of all earthly thing.


2

Great Babylon her haughty walls will praise,
And sharpèd steeples high shot up in air;
Greece will the old Ephesian buildings blaze;
And Nylus' nurslings their Pyramids fair;
The same yet vaunting Greece will tell the story
Of Jove's great image in Olympus placed,
Mausolus' work will be the Carian's glory,
And Crete will boast the Labybrinth, now 'rased;
The antique Rhodian will likewise set forth
The great Colosse, erect to Memory;
And what else in the world is of like worth,
Some greater learnèd wit will magnify.
But I will sing above all monuments
Seven Roman Hills, the world's seven wonderments.


3

Thou stranger, which for Rome in Rome here seekest,
And nought of Rome in Rome perceiv'st at all,
These same old walls, old arches, which thou seest,
Old Palaces, is that which Rome men call.
Behold what wreak, what ruin, and what waste,
And how that she, which with her mighty power
Tam'd all the world, hath tam'd herself at last,
The prey of time, which all things doth devour.
Rome now of Rome is th' only funeral,
And only Rome of Rome hath victory;
Ne ought save Tyber hastening to his fall
Remains of all: O world's inconstancy.

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A Day At Tivoli - Prologue

Fair blows the breeze—depart—depart—
And tread with me th' Italian shore;
And feed thy soul with glorious art;
And drink again of classic lore.
Nor sometime shalt thou deem it wrong,
When not in mood too gravely wise,
At idle length to lie along,
And quaff a bliss from bluest skies.

Or, pleased more pensive joy to woo,
At twilight eve, by ruin grey,
Muse o'er the generations, who
Have passed, as we must pass, away.
Or mark o'er olive tree and vine
Steep towns uphung; to win from them
Some thought of Southern Palestine;
Some dream of old Jerusalem.

Come, Pilgrim-Friend! At last our sun outbreaks,
And chases, one by one, dawn's lingering flakes.
Come, Pilgrim-Friend! and downward let us rove
(Thy long-vow'd vow) this old Tiburtian grove.
See where, beneath, the jocund runnels play,
All cheerly brighten'd in the brightening day.
E'en in the far-off years when Flaccus wrote,
('Tis here, I ween, no pedantry to quote,)
Thus led, they gurgled thro' those orchard-bowers
To feed the herb—the fruitage—and the flowers.

Come, then, and snatch Occasion; transient boon!
And sliding into Future all too soon.
That Future's self possession just as brief,
And stolen, soon as given, by Time—the Thief.
Well! if such filching knave we needs must meet,
Let us, as best we may, the Cheater cheat;
And, since the Then, the Now, will flit so fast,
Look back, and lengthen life into the Past.

That Past is here; where old Tiburtus found
Mere mountain-brow, and fenc'd with walls around;
And for his wearied Argives reared a home
Long ere yon seven proud hills had dream'd of Rome.
'Tis here, amid these patriarch olive trees,
Which Flaccus saw, or ancestry of these;
Oft musing, as he slowly strayed him past,
How here his quiet age should close at last.

And here behold them, still! Like ancient seers
They stand; the dwellers of a thousand years.
Deep-furrow'd, strangely crook'd, and ashy-grey,

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Come As You Are (LP Version)

Come As You Are"
Come, as you are. As you were.
As I want you to be. As a friend.
As a friend. As an old enemy. Take your time.
Hurry up. The choice is yours. Don't be late.
Take a rest. As a friend. As a old memory, memory, memory, memory.
Come. Dowsed in mud. Soaked in bleach.
As I want you to be. As a trend. As a friend.
As an old memory, memory, memory, memory.
And I swear that I don't have a gun.
No I don't have a gun. No I don't have a gun.
Memory, memory, memory, memory (don't have a gun).
And I swear that I don't have a gun.
No I don't have a gun. No I don't have a gun.
No I don't have a gun. No I don't have a gun. Memory, memory...

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Byron

Canto the Fourth

I.

I stood in Venice, on the Bridge of Sighs;
A palace and a prison on each hand:
I saw from out the wave her structures rise
As from the stroke of the enchanter’s wand:
A thousand years their cloudy wings expand
Around me, and a dying glory smiles
O’er the far times when many a subject land
Looked to the wingèd Lion’s marble piles,
Where Venice sate in state, throned on her hundred isles!

II.

She looks a sea Cybele, fresh from ocean,
Rising with her tiara of proud towers
At airy distance, with majestic motion,
A ruler of the waters and their powers:
And such she was; her daughters had their dowers
From spoils of nations, and the exhaustless East
Poured in her lap all gems in sparkling showers.
In purple was she robed, and of her feast
Monarchs partook, and deemed their dignity increased.

III.

In Venice, Tasso’s echoes are no more,
And silent rows the songless gondolier;
Her palaces are crumbling to the shore,
And music meets not always now the ear:
Those days are gone - but beauty still is here.
States fall, arts fade - but Nature doth not die,
Nor yet forget how Venice once was dear,
The pleasant place of all festivity,
The revel of the earth, the masque of Italy!

IV.

But unto us she hath a spell beyond
Her name in story, and her long array
Of mighty shadows, whose dim forms despond
Above the dogeless city’s vanished sway;
Ours is a trophy which will not decay
With the Rialto; Shylock and the Moor,
And Pierre, cannot be swept or worn away -
The keystones of the arch! though all were o’er,
For us repeopled were the solitary shore.

V.

[...] Read more

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Byron

Childe Harold's Pilgrimage: A Romaunt. Canto IV.

I.
I stood in Venice, on the Bridge of Sighs;
A palace and a prison on each hand:
I saw from out the wave her structures rise
As from the stroke of the enchanter's wand:
A thousand years their cloudy wings expand
Around me, and a dying Glory smiles
O'er the far times, when many a subject land
Look'd to the winged Lion's marble piles,
Where Venice sate in state, thron'd on her hundred isles!

II.
She looks a sea Cybele, fresh from ocean,
Rising with her tiara of proud towers
At airy distance, with majestic motion,
A ruler of the waters and their powers:
And such she was; her daughters had their dowers
From spoils of nations, and the exhaustless East
Pour'd in her lap all gems in sparkling showers.
In purple was she rob'd, and of her feast
Monarchs partook, and deem'd their dignity increas'd.

III.
In Venice Tasso's echoes are no more,
And silent rows the songless gondolier;
Her palaces are crumbling to the shore,
And music meets not always now the ear:
Those days are gone -- but Beauty still is here.
States fall, arts fade -- but Nature doth not die,
Nor yet forget how Venice once was dear,
The pleasant place of all festivity,
The revel of the earth, the masque of Italy!

IV.
But unto us she hath a spell beyond
Her name in story, and her long array
Of mighty shadows, whose dim forms despond
Above the dogeless city's vanish'd sway;
Ours is a trophy which will not decay
With the Rialto; Shylock and the Moor,
And Pierre, cannot be swept or worn away --
The keystones of the arch! though all were o'er,
For us repeopl'd were the solitary shore.

V.
The beings of the mind are not of clay;
Essentially immortal, they create
And multiply in us a brighter ray
And more belov'd existence: that which Fate
Prohibits to dull life, in this our state

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My City Of Ruins

Theres a blood red circle
On the cold dark ground
And the rain is falling down
The church doors blown open
I can hear the organs song
But the congregations gone
My city of ruins
My city of ruins
Now the sweet veils of mercy
Drift through the evening trees
Young men on the corner
Like scattered leaves
The boarded up windows
The hustlers and thieves
While my brothers down on his knees
My city of ruins
My city of ruins
Come on rise up!
Come on rise up!
Now theres tears on the pillow
Darling where we slept
And you took my heart when you left
Without your sweet kiss
My soul is lost, my friend
Now tell me how do I begin again?
My citys in ruins
My citys in ruins
Now with these hands
I pray lord
With these hands
For the strength lord
With these hands
For the faith lord
With these hands
I pray lord
With these hands
For the strength lord
With these hands
For the faith lord
With these hands
Come on rise up!
Come on rise up!
Rise up

song performed by Bruce SpringsteenReport problemRelated quotes
Added by Lucian Velea
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The Dream

'TWAS summer eve; the changeful beams still play'd
On the fir-bark and through the beechen shade;
Still with soft crimson glow'd each floating cloud;
Still the stream glitter'd where the willow bow'd;
Still the pale moon sate silent and alone,
Nor yet the stars had rallied round her throne;
Those diamond courtiers, who, while yet the West
Wears the red shield above his dying breast,
Dare not assume the loss they all desire,
Nor pay their homage to the fainter fire,
But wait in trembling till the Sun's fair light
Fading, shall leave them free to welcome Night!

So when some Chief, whose name through realms afar
Was still the watchword of succesful war,
Met by the fatal hour which waits for all,
Is, on the field he rallied, forced to fall,
The conquerors pause to watch his parting breath,
Awed by the terrors of that mighty death;
Nor dare the meed of victory to claim,
Nor lift the standard to a meaner name,
Till every spark of soul hath ebb'd away,
And leaves what was a hero, common clay.

Oh! Twilight! Spirit that dost render birth
To dim enchantments; melting Heaven with Earth,
Leaving on craggy hills and rumning streams
A softness like the atmosphere of dreams;
Thy hour to all is welcome! Faint and sweet
Thy light falls round the peasant's homeward feet,
Who, slow returning from his task of toil,
Sees the low sunset gild the cultured soil,
And, tho' such radliance round him brightly glows,
Marks the small spark his cottage window throws.
Still as his heart forestals his weary pace,
Fondly he dreams of each familiar face,
Recalls the treasures of his narrow life,
His rosy children, and his sunburnt wife,

To whom his coming is the chief event
Of simple days in cheerful labour spent.
The rich man's chariot hath gone whirling past,
And those poor cottagers have only cast
One careless glance on all that show of pride,
Then to their tasks turn'd quietly aside;
But him they wait for, him they welcome home,
Fond sentinels look forth to see him come;
The fagot sent for when the fire grew dim,
The frugal meal prepared, are all for him;
For him the watching of that sturdy boy,

[...] Read more

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