Luck is a matter of preparation meeting opportunity.
I feel that luck is preparation meeting opportunity.
Luck is what happens when preparation meets opportunity.
Luck is what happens when preparation meets opportunity.
Be ready when opportunity comes...Luck is the time when preparation and opportunity meet.
The meeting of preparation with opportunity generates the offspring we call luck.
Luck is when preparation meets opportunity.
Luck, that's when preparation and opportunity meet.
On life boat
I am on calm river water with life boat
It is on surface and can be called simply afloat
It may cross many turns along with dashing the bank
No fear of running aground or to be called sank
So long it runs smooth life seems to be beautiful
Lots of joy and happiness with enjoyment plentiful
One may not come to know the quick passing of days
Yet it will be almost there to be enjoyed in number of ways
The critical days may not allow you to feel at home
You will be hunter from pillar to post and unwelcome
Not even luck would favor you at the nick of the time
People may think it otherwise to be with you as curse and crime
As saying goes little further “No one prefers setting of the sun”
They will hide the face and will make you unnecessary run
You will be shown the door and hurled with derogatory words
You may think of falling back with no intention of going forward
Many a times it is said the tide also favor speeding wind
You may clearly observe rhythms and nice tunes to find
This all finds favor with rising sun and outer shining
In absence of all this you may find all stars declining
It is advisable also to travel in favorable condition
You should enough of preparation and ammunition
The simple battle is lost only for the want of good preparation
The opportunity is not availed and the initiative is lost in question
Life is not certain and can be evaluated as such
You can not extract any meaningful out of it as much
You will have to shape it as per your need and requirement
Even though there is no limit to your aspirations and movement
All avenues and scopes are open and can be had with little effort
You can expect all the ships to land at your destination or port
So long it favors you; there can be no difficulty at all
Little negligence or miss of events can push you towards fall
So it is perception angle you take into account
There may be lot many worries which awaits to mount
It will be your sheer alertness that may anchor your ship
There won’t be any let up later on to shed tears or weep
Make it certain that you are in to face it with courage
You are in full control and likely to manage
Nothing can stop you for organizing it well
There will be then altogether different story to tell
Good luck is a residue of preparation.
Success is where preparation and opportunity meet.
As fast as each opportunity presents itself, use it! No matter how tiny an opportunity it may be, use it!
I believe success is preparation, because opportunity is going to knock on your door sooner or later but are you prepared to answer that?
I think luck is the sense to recognize an opportunity and the ability to take advantage of it... The man who can smile at his breaks and grab his chances gets on.
So Many Silences
it is no longer that question
whether one is happy or not
it is a matter of just meeting moments
using the eye
feeling those hands
and then as usual making goodbyes
it is a routine repeating one after the other
meanings rubbing elbows with other elbows
useless chatter empty promises rolling stones
nothing mossy temporary wetness
sunny days cool shades eyeopening
washing out letting go
social cliches drained brains
broken hearts repairing visions
living more making more beginnings
candle lights and then the pretenses of
so many silences.
An Instant In Time...
An instant in time, ever so evanescent, altered my forever!
One miraculous moment; explicate its significance-never!
Bound are we, both by chance and by circumstance,
Captivated am I evermore, by its luminosity and radiance!
Adoration anew, yet, dichotomously, built upon precedent!
Heightened perceptions now, of the most minute of events,
Glimpses once of normalcy, transmogrified to beauteous!
Ne'er affixed, ever emergent- blossoming, though a flower-amatorious!
Empowering and inspiring as naught I have ever known,
More alluring and transmittable than all before has shown!
Symbiotic and unrivaled, nary a comparable emotion has ever dwelt!
No matter of preparation would have sufficed for what my heart felt!
Lacking the influence which, from it I am proffered,
I surely would be lost, thus in my heart, shall it ever be coffered!
Maurice Harris,17 July 2006
Forgive Me Lord
Make my world a better place to be
Remove these chains and set me free
Give my life one reason to begin
Forgive me lord for I have sinned
Take my hand and lead me as you choose
It seems we aint got much to lose
Give this place one season without shame
Forgive me lord Ive sinned again
I been down on my luck, as a matter of fact
Ive even been chaste
Drifting along, singing a song
For the whole human race
I been caught in the act, as a matter of fact
Im even well known
Floating on by with a laugh and a sigh
On the road that leads home
I got no more time left to roam, if you love me
Take this world and build it as you please
With a little help from the likes of me
Keep it safe from harm and make it pure
Forgive the rich and save the poor
Like the dust on the wind Ive been taken again by my foolish pride
Drifting along, singing a song, thats how I get by
I been caught in the act, as a matter of fact Ive even been chased
Floating on by with a laugh and a sigh for the whole human race
I got no more time left to waste, if you love me
Make my world a better place to be
Remove these chains and set me free
Give my face a different point of view
Forgive us lord if we run to you
If you love me
Make my world a better place to be
Remove these chains and set me free
Give my life one reason to begin
Forgive me lord for I have sinned
Give my life one reason to begin
Forgive me lord for I have sinned
Know It Well
Not knowing fully well what we are doing
Not realizing what ultimately we may be inviting
Nothing comes without doing hard work
No good end is possible without noble start
Timely or untimely success my blind
That may force you to become arrogant and unkind
Yet remember no short cut is allowed
Tragic and pathetic end if unmindfully followed
Beware always, nothing come before time
You may have little gain sometimes
It has far reaching consequences
You can’t draw wrong inferences
You may pick favorable quotes and act
Seek refuge and solace under false pretext and react
That won’t cut much ice for practical purpose
You know it gracefully that almighty may dispose
At no stage some hasty action is required
Get into right action before you are tired
Slow and steady may find the fruits of labor
Wealth earned with hard work may only land at harbor
You can expect only grace and blessings
Nothing should go on your part as missing
What you get back in any form is simple reward!
Nothing comes in life with only luck as award
Have patience, wait for opportunity and strike
Carve out the path saw the seeds when dark clouds are in sky
You may then be confident of overcoming any stress
The real gain and happiness will be seen on face
Have short cut only when there is no other go
Find no alternative and no option to forgo
Avail whatever means open and easily sought
This may make it little favorable without being caught
A Map Of Culture
What is Culture?
The Importance of Culture
Culture is Critical
The Sociobiology Debate
Values, Norms, and Social Control
Signs and Symbols
Terms and Definitions
Approaches to the Study of Culture
Are We Prisoners of Our Culture?
What is Culture?
I prefer the definition used by Ian Robertson: 'all the shared products of society: material and nonmaterial' (Our text defines it in somewhat more ponderous terms- 'The totality of learned, socially transmitted behavior. It includes ideas, values, and customs (as well as the sailboats, comic books, and birth control devices) of groups of people' (p.32) .
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The Importance of Culture
The concepts, culture and society are closely related. Culture is defined as all the products of society- material and nonmaterial; Society consists of interacting people living in the same territory who share a common culture. We really can't have one without the other (unless you want to call archaeological remains and historical records 'culture') . People in society create culture; culture shapes the way people interact and understand the world around them.
Culture determines what we know- the sum of all the angles in a triangle; what a screw driver is used for; how to use a computer to find out where Peloponnesians are...
Culture also determines what we don't know- how to catch a fish by hand; how to build a dugout canoe and navigate the South Seas without chart or compass.
Culture determines what we want to be- lawyer; dairy farmer; computer programmer; doctor; shaman; pearl diver
It varies with the physical setting or geography: (A good example here is music. Think of all the differences in music that are related to geography. We're a mixed society in the United States, but think of the regional origins of much of our our music: Clogging in Tennessee; Cajun music (Zydeko) in Louisiana; City music vs. Country/Western Music, etc.)
It also varies with time: Have you ever tried to read Beowulf; Shakespeare; work a slide rule; drive a buggy; understand Victorian morality and ethics? I asked my young daughter if she wanted to go to a record store. 'What's a record? ', she asked. (Her generation has been exposed only to tapes and CDs) .
Think of culture as a stream flowing down through the centuries from one generation to another. Each generation contributes something to this stream, but in each generation something is left behind, some sediment drops to the bottom and is lost to society, (Bierstedt) . Examples of things lost to society the art of stained glass window making, violin making (The greatest violins ever produced by man were made in Cremona, Northern Italy in the mid 16th century) . (Science 84 5: 2 pp 3643) .
Culture is Critical to the Survival of Human Race
Because of the nature of the animal that we are. Unlike most animals that are specially adapted to the environment in which they live, we lack special physical characteristics such as long fangs, sharp teeth, claws, fur, feathers, or scales; or even physiological behavior patterns such as hibernation, to enable us to survive in a hostile environment. But, like the higher primates, (which we are one type of) , we share a number of important characteristics:
Characteristics of all primates:
Sociable: (Primates are gregarious and like to be in groups)
Smart: (large brain/body weight ratio) Humans' brains are most complex.
Sensitive hands: (All primates have an opposing thumb) .
Sound: (Primates are extremely vocal) .
Stand: (All primates can assume an erect posture which frees the hands):
Biological characteristics possessed by humans, alone:
Sex and Mating: (Year around mating- Unlike other primates, we lack a special breeding season. This, has important implications for gender roles) .
Schooling: (The young have a long period of dependence on adults. This also has implications for gender roles) .
Symbolic Speech: (Although there are numerous examples of chimpanzees being taught to use symbols to communicate, humans alone have developed a highly complex system of symbolic speech) .
Locomotion: (Humans alone, walk erect) .
Humans possess a highly developed, complex brain, which allows us to communicate symbolically, to learn quickly, and to innovate. We lack instincts (or if they do exist they are not readily apparent) . It is our culture that enables us to survive as a species. Culture provides answers to such basic problems as finding shelter, food, and clothing. Culture provides guidance for our every day lives; social organization which keeps us from tearing each other apart.
Every generation has to learn from scratch the culture of its society or it will perish. All the basic institutions of society that we discussed earlier; the economy, education, religion, recreation, politics represent needs that society must meet. Ways of meeting these needs are handed down from one generation to the next. They represent our culture. What we lack in physical attributes and strength, we make up for in our ability to communicate and learn culture from one generation to the next.
This, in my opinion, is precisely why Sociology is so important. It's humankind's almost total reliance upon socially transmitted patterns of behavior that enable it to survive. Society and culture are the subject matter of Sociology.
The Sociobiology Debate
There is a school of thought, Sociobiology, which sees much of human behavior as being instinctual. Sociologists generally hold that culture evolved (or developed) due to the influence of values (ideas) or due to changes in the material base of society (technology fire, the wheel, the computer) . They usually argue that biology (genetic programming) has a limited role. Sociobiologists, claim that human culture and social behavior derive from a process of natural selection and genetic transmission. Our genes predispose us to certain patterns of behavior unique from other animals. Sociobiologists support their argument by citing a number of 'cultural universals' found in all societies. They say that this is evidence of the influence of genetic factors. Examples have been drawn from the work of anthropologist, George Murdock (1945) who argued that all societies demonstrated some form of the following:
cooking (meal preparation)
Sociobiologists argue that human behavior ultimately is derived from our biology rather than learning. According to Murdock, all societies have incest taboos. Why? One biological argument would be that in-breeding can produce genetic defects, or that it may reinforce undesirable traits (such as hemophilia or mental instability) . Incest taboos force a group to broaden its gene pool which reduces the probability of passing along 'dysfunctional' traits. One could apply this argument to the Catholic Church: By forbidding priests and nuns to marry, it forced the recruitment of individuals from outside the church to keep the gene pool fresh. (This would prevent the formation of 'religious royal families' and the decline of the faith when a feeble minded monarch emerged) .
But there are problems with this argument. Referring to incest: Why is incest defined differently from one society to another? The range of variation is tremendous! Some societies have allowed marriage between brothers and sisters. Others forbid it between relatives closer than first cousins. Still others have restrictions going out even further; requiring individuals to marry outside the tribe. If there is a genetic basis for the incest taboo, why is there so much variation? Another point is that just as 'dysfunctional traits' can be reinforced through inbreeding; so can 'desirable' characteristics. (Dog breeders and horse breeders do this very thing) .
If everything were programmed genetically, we would expect to see little variation across societies in the way people handled the affairs of their everyday lives. But there are tremendous differences in...
the sports that we play and the way we play them
the families that we form and the ways we form them
the various ways in which we court our spouses
the friends we make and the way we make them
the tools we make and how we use them
the languages we invent and the way we speak them
the food we eat and how we eat it
the religions we form and how we practice them
the laws and customs we make and how we observe them.
The key point is that this behavior is learned. Humans can change culture without changing genes. Biology sets the stage by giving us unique capabilities that distinguish us from other species; culture determines how we use those unique capabilities.
Values, Norms, and Social Control
Values are socially shared ideas about what is 'right' and 'wrong; ' 'good' and 'bad' in society. Values are general ideas- broad and abstract. They vary from one society to another and one way to study society is to examine the values held by its members. Values are important because it is from them that we derive the norms or rules that govern our everyday lives. Values help guide conduct in unfamiliar situations and may lead to the formation of specific norms. Generally speaking, we tend to hold on to our values and are unlikely to compromise them. American values have been intensively studied by numerous scholars:
American values (Robin Williams) :
achievement and success
activity and work
American values (Talcott Parsons) :
maximization of opportunity for individuals and sub collectives
pragmatic acceptance of authority
objection to pretensions of generalized superiority of status
technology and science
Individuals as well as entire societies may experience value conflict. A great example of value conflict at the individual level is provided by the 1941 movie, 'Sergeant York, ' (starring Gary Cooper) . The movie tells the story of Alvin Cullum York, regarded as one of the outstanding heroes of World War I, who was awarded the Congressional Medal of Honor for killing 20 enemy soldiers and capturing over 100 prisoners. At first, York was a conscientious objector who held deep religions convictions against killing. The value conflict in this case involved the Sixth Commandment's prohibition against killing and what he felt were his duties as a patriotic American- to answer his country's call. Cooper, who won an Oscar for his portrayal of Sgt. York, did a wonderful job showing how individuals 'freeze up' and are unable to do anything until they resolve these kinds of internal value conflicts.
One very powerful example of a value conflict at the societal level is the current debate over abortion. Values are not readily compromised and it is often impossible to find 'common ground' in these kinds of disputes. The debate over slavery and states' rights in the 1850s is an example of a value conflict that was eventually resolved through war- the bloodiest war in this nation's history. The deplorable state of affairs we are now observing in what was formerly Yugoslavia, is essentially another value conflict.
Norms are derived from a society's overall values. Values determine norms. Remember, norms are classified into several types.
Folkways (weak norms customs, etiquette; three meals a day, wearing shoes to class, tipping after a meal, taking same seat in class)
Mores (strong norms considered vital to our well-being, values, morals; cheating on spouse, child abuse and murder)
Laws (Norms established and punished by the state with punishments fixed in advance: written or encoded mores, folkways, and taboos; from traffic laws to laws against rape and murder) .
Taboos (Very strong norms whose violation is considered loathsome and disgusting)
Social Control is the means by which society ensures that its members follow approved norms. Norms are supported by sanctions- positive and negative; formal and informal; which are used to bring people into line.
Positive (informal) sanction: give child a candy bar for behaving
Negative (informal) sanction: give a child a stern look for talking in church
Positive (formal) sanction: combat soldier gets Congressional Medal of Honor for heroism
Negative (formal) sanction: person gets speeding ticket for doing 56 mph in a 55 mph zone
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Signs and Symbols
There is an important difference between signs and symbols that you should know. Symbols set man apart from animals. Animals use signs.
Signs are representational: There is a direct connection between the sign and the reality it refers to. The meaning is clear and unambiguous. Sort of like stimulus and response. There is no need to interpret meanings.
Smoke indicates that fire is present (or will soon be present)
The family dog scratches the door to the back yard- It wants to go outside. It gets its bowl- It wants food. (The bowl is directly related to food) . It lays down belly-up- It displays submission.
Symbols are interpretative:
A symbol is an object, gesture, sound, color, or design which stands for something other than itself. We humans give meaning to these things. Examples- wedding band; leather jacket; sports car; the length and color of a person's hair; (punk rockers; T.V. ministries where people are neatly dressed; flag burnings) . Symbols may have multiple meanings. Example- the cross on a church steeple; a burning cross; a red cross on the side of an ambulance. (A smile can take on many different meanings) . Symbols can change meaning over time. Example- 'V' sign was once obscene. It stood for victory in World War II. During the Vietnam War it meant peace. Symbols are capable of stirring up deep emotions. In the debate over abortion, individuals don't classify themselves as 'pro' or 'anti' abortion. Rather, they use the terms 'pro-choice', or 'pro-life'- 'choice' and 'life' are two important values in U.S. society. People often disagree over whether or not a symbol is appropriate for a given place or circumstance. Several years ago, there was much debate over whether or not McDonalds' 'golden arches, ' an internationally recognized symbol in its own right, should be displayed so prominently over the VCU Student Commons' entrances. Eventually, the arches were taken down.
Most people feel that language is unique to human beings. Other species use signs with genetically fixed meanings and can learn to respond to specified stimuli- (Pavlov's dogs salivating at the ring of a bell) - but only humans can be said to have language. Language consists primarily of verbal and written symbols with rules for putting them together. (Language also consists of the nonverbal expressions which accompany speech in face-to-face interaction. Raising an eyebrow or winking an eye often relays more meaning than a hundred words. We can therefore modify our definition to include 'verbal, visual, and written symbols and their associated rules for putting them together.'
Is language really unique to humans? There are a number of very interesting studies that suggest that certain animals have a highly developed capacity for language. Click on the links, below for some serious and scholarly references on animal communication.
This next site has some interesting material on
§ Dolphins and Whales
Language is truly the 'keystone to culture' for without it, we could not pass on the collective experience of society and the lessons it teaches for survival. It is the primary way that we pass on our culture from one generation to the next. It enables us to store meanings so we don't have to relearn everything with each generation.
Language allows us to create worlds we've never seen and develop new ideas to explain the world around us. A good example is atomic theory. Before the advent of the scanning electron microscope men had predicted the existence of atoms and molecules using the symbols of language. Language also allows us to develop new ideas to apply to the future.
George Orwell realized the importance of language in his epic work,1984. Why did the rulers of Oceania develop 'Newspeak'? They wanted to restrict the creative ability of humankind so they wouldn't have the concepts of freedom, free enterprise, individuality. 'The purpose of newspeak was not only to provide a medium of expression for the worldview and mental habits proper to devotees of Ingsoc, but to make all other modes of thought impossible.' (Orwell, p.246)
The SapirWhorf Hypothesis states that language not only reproduces our ideas, but it also shapes the way we think. It orders our reality. It may prevent people from being aware of things in the environment and focuses our attention on certain things. Examples:
Sexist language shapes our thinking about women. Coaches who ridiculed male players when they weren't playing well by calling them ladies? Language that treats women as objects; 'chick, fox, babe, hot cakes, skirts, etc. will tend to make us think of women as objects, not people.
Racist language, ethnic language; Micks, Spicks, Whops, Pollocks, Degos, Ollies, etc. tend to lower our image of people.
Color: The human eye can discern thousands of different shades of color, yet in our society we identify only 6 to 8 particular ones. A tribe in New Guinea breaks colors into categories of 'warm' and 'cold' (so much for the science of spectroscopy in that society) !
The Eskimos have many different words for snow. Unless we ski a lot, most of us use one- 'snow.'
Christian missionaries in Hawaii were shocked to find no word or concept for sin.
In (North) American society, we tend to treat physical objects as if they had wills of their own. If a pen rolls off a table, we'll say 'It fell off.' or 'It rolled off the table and fell on the floor.' The Russian culture works differently. Their response would be something like 'They did it.' or 'They caused it to fall on the floor.'
Are we slaves to our language? The language we speak predisposes us to see the world in certain ways, but language is extremely flexible. As we find ourselves lacking words to describe new ideas, machines, processes, and technologies, we coin new terms and phrases. 'Black holes, ' 'Quarks, ' and even 'Supply side economics, ' are all creations of the mind and examples showing where language has lagged behind conceptual ideas in the mind.
Terms and Definitions
Related terms and definitions:
Cultural universals: These imply practices common to every culture. We've already discussed the Anthropologist, George Murdock's proposed list of general traits found in every culture. It seems that there are a large number of very general traits common to all cultures, but no specific ones like what, exactly, defines murder, incest, etc. in a society?
Ethnocentrism: This is the tendency to judge other cultures by the standards of our own. ('Body Ritual Among the Nacirema') .
Cultural relativism: The recognition that one culture cannot be arbitrarily judged by the standards of another. We need to adopt this stance when studying other cultures.
Cultural Integration: Culture is not a random assemblage of skills, customs, values, and beliefs. These elements are woven into a definite pattern and are somehow related to one another.
Cultural Diversity: Common culture gives us a sense of identity but there is a great deal of variation among groups. We witness cultural diversity on both the international and national levels. We've already talked about regional differences when we compared the North with the South in the United States.
Subcultures: Within a culture there may exist groups of people who have their own distinct sets of values, customs, and lifestyles. (Italian Americans, African Americans, Catholics, Protestants, Jews, the young, the middle-aged, the old, etc.) . We can even say that there is a subculture of college life.
Countercultures: a counterculture that is fundamentally at odds with the dominant culture. (The youth movement of the 1960's, for example) .
Real and Ideal culture: Ideal culture is what the values say we believe in, what we should practice, while real culture is what actually exists. Often there is a discrepancy between the two resulting in cultural strain.
Approaches to the Study of Culture
There are several approaches to the study of culture. Here are two examples:
Functionalism looks at the roles that components of culture play in maintaining the social order as a whole. What are the consequences for a society if we remove or change one element of its culture? (i.e. in America, the computer) . The problem with this approach is that it tends to overlook change when stressing the functional relationships between variables. It also has a pejorative or negative view of unbalance in the system, even when such unbalance may mean social improvement.
The Ecological approach examines the culture of a given society in relation to the total environment in which it exists. For example, why do people in India let sacred cows roam the streets by the millions (100 million) when so many people are hungry? One reason is that cows are needed to produce the oxen which Indian farmers must have to plow the fields. Without them, even more people will starve. Also, the cows produce over 700 million tons of manure each year. Half of it is used for fertilizer; the other half is used for fuel. When the cows die, they are eaten by the untouchables or outcasts who are the hungriest people in the population. The cows' hides are used in the leather industry.
Are we prisoners of our Culture?
No. Culture does make humans what they are, but humans also make culture. We constantly make changes to our culture. It guides us through life, but we also change and modify it to our needs and desires. If we could not do this, everything would be the same from generation to generation just like the bees and termites. It's hard for 2. Processes of cultural change: Cultural change is usually slow and deliberate. When changes occur in one cultural element (the economy) changes can be expected elsewhere (politics) . Things generally tend to be linked together.
There are three mechanisms by which cultural change occurs:
Discovery the perception or recognition of something that already exists- fire, the New World.
Invention combining old knowledge to produce something that did not exist before, the compass, for example.
Diffusion the spread of cultural elements from one culture to another. i.e. gun powder from China to the West. Most cultural change occurs in this manner- (Linton's 'One hundred Percent American' article) .
- quotes about language
- quotes about genetics
- quotes about mother language
- quotes about United States of America
- quotes about biology
- quotes about students
- quotes about development
- quotes about monkeys
- quotes about chimpanzees
Quatrains Of Life
What has my youth been that I love it thus,
Sad youth, to all but one grown tedious,
Stale as the news which last week wearied us,
Or a tired actor's tale told to an empty house?
What did it bring me that I loved it, even
With joy before it and that dream of Heaven,
Boyhood's first rapture of requited bliss,
What did it give? What ever has it given?
'Let me recount the value of my days,
Call up each witness, mete out blame and praise,
Set life itself before me as it was,
And--for I love it--list to what it says.
Oh, I will judge it fairly. Each old pleasure
Shared with dead lips shall stand a separate treasure.
Each untold grief, which now seems lesser pain,
Shall here be weighed and argued of at leisure.
I will not mark mere follies. These would make
The count too large and in the telling take
More tears than I can spare from seemlier themes
To cure its laughter when my heart should ache.
Only the griefs which are essential things,
The bitter fruit which all experience brings;
Nor only of crossed pleasures, but the creed
Men learn who deal with nations and with kings.
All shall be counted fairly, griefs and joys,
Solely distinguishing 'twixt mirth and noise,
The thing which was and that which falsely seemed,
Pleasure and vanity, man's bliss and boy's.
So I shall learn the reason of my trust
In this poor life, these particles of dust
Made sentient for a little while with tears,
Till the great ``may--be'' ends for me in ``must.''
My childhood? Ah, my childhood! What of it
Stripped of all fancy, bare of all conceit?
Where is the infancy the poets sang?
Which was the true and which the counterfeit?
I see it now, alas, with eyes unsealed,
That age of innocence too well revealed.
The flowers I gathered--for I gathered flowers--
Were not more vain than I in that far field.
Self was my god, the self I most despise,
Blind in its joys and swine--like gluttonies,
The rule of the brute beast that in us is,
Its heaven a kitchen and a gorge its prize.
No other pleasures knew I but of sense,
No other loves but lusts without pretence.
Oh, childhood is but Nature unredeemed,
Blind in desire, unshamed in ignorance.
I was all vanity and greed, my hand
Uncaring, as a panther's, whom it pained,
My nurse, my sisters, the young birds my prey.
I saw them grieve nor stopped to understand.
My mother loved me. Did I love her? Yes,
When I had need of her to soothe distress
Or serve my wants. But when the need was by,
Others were there more dear in idleness.
These coaxed and flattered me. Their wit afforded
Edge to my wit, and I would strut and lord it
Among them a young god--for god I seemed--
Or goose--for goose I was--they still encored it.
Alas, poor mother! What a love was yours!
How little profit of it all endures!
What wasted vigils, what ill--omened prayers;
What thankless thanks for what disastrous cures!
Why did you bind yourself in such harsh fetter,
To serve a heart so hard? It had been better
Surely to take your rest through those long nights,
Than watching on to leave me thus your debtor.
I heard but heeded not her warning voice;
I grudged her face its sadness in my joys,
And when she looked at me I did not guess
The secret of her sorrow and my loss.
They told me she was dying, but my eyes
Brimmed not with tears. I hardly felt surprise,
Nay, rather anger at their trouble when
I asked them ``what it was one does who dies.''
She threw her weak arms round me, and my face
Pressed to her own in one supreme embrace;
I felt her tears upon my cheeks all wet,
And I was carried frightened from the place.
I lost her thus who was indeed my all,
Lost her with scarce a pang whom now I call
Aloud to in the night a grieving man,
Hoar in his sins, and only clasp the wall.
This the beginning. Next my boyhood came,
Childhood embittered, its brute joys the same,
Only in place of kindness cruelty,
For courage fear, and for vain--glory shame.
Here now was none to flatter or to sue.
My lords were of the many, I the few;
These gave command nor heeded my vain prayers.
It was their will, not mine, my hands must do.
I was their slave. My body was the prey
Of their rude sports, more savage still than they,
My every sense the pastime of their whim,
My soul a hunted thing by night and day.
Pain was my portion, hunger, wakefulness,
And cold more bitter still, and that distress
Which is unnamed of tears that dare not fall,
When the weak body grieves and none may guess.
There was no place where I might lay my head,
No refuge from the world which was my dread,
No shrine inviolate for me from my foes,
No corner quite my own, not even my bed.
I would have changed then with the meanest thing
Which has its home in the free fields in Spring,
And makes its lair in the Earth's secret dells,
Or hides in her dark womb by burrowing.
I used to gaze into the depths of Earth,
And watch the worms and beetles that have birth
Under the stones secure from outer ills,
And envy them their loneliness in mirth.
One treasure had I, one thing that I loved,
A snail with shell most delicately grooved,
And a mute patient face which seemed to see,
And horns which moved towards me as I moved.
It was like me a creature full of fear,
But happier far for its strong household gear,
The living fortress on its back wherein
Its griefs could shrink away and disappear.
I kept it in a nest, the hollow bole
Of a dead elm, and for its daily dole,
And my own comfort in its luckier state,
Brought it a lettuce I in secret stole.
It waited for my coming each new noon,
When from my fellows I could steal so soon,
And there I fed it and arranged its cell,
All through a single happy month of June.
And then--ah, then--who even now shall tell,
The terror of that moment, when with yell
Of triumph on their prize they broke and me,
And crushed it 'neath their heels, those hounds of Hell!
Even yet the thought of it makes my blood rush
Back to my temples with an angry flush;
And for an instant, if Man's race could be
Crushed with it, God forgive me, I would crush.
Ay, God forgive me! 'Tis an evil thought,
And thus it is that wrong on wrong is wrought,
Vengeance on vengeance by a single deed
Of violent ill or idleness untaught.
Nay, rather let me love. I will not be
Partner with Man even thus in cruelty
For one least instant, though the prize should stand,
Hate slain for ever and the Nations free.
Thus for four years I lived of slaves the slave,
Too weak to fight, too beaten to be brave.
Who mocks at impotence and coward fear
Knows little of the pangs mute creatures have.
Yet wherefore grieve? Perhaps of all my days
This is the thing I mostly need to praise,
My chiefest treasure to have suffered wrong,
For God is cunning in His works and ways.
The sense of justice which He gives to Man
Is his own suffering, and His pity's plan
Man's own great need of pity which brims o'er
In alms to Africa and Hindostan.
And he who has not suffered nothing knows;
Therefore I chide not at these ancient woes,
But keep them as a lesson to my pride,
Lest I should smite the meanest of my foes.
And it is ended. Kindly Death drew near
And warned them from me with his face of fear.
I did not fear him, but the rest stood awed,
As at the frown of some dread minister.
I passed out of their sight, one living still,
But dead to sense who knows not good or ill,
Their blessings were the last thing that I heard
In that dark house. I wish them only well.
What next befell me was as some have found,
Peace to their wounds upon a battle ground,
Who sleep through days of pain and nights of fear,
Conscious of nothing but their dream profound.
My dream was of a convent with smooth floors,
And whitewashed walls, a place of corridors,
Where the wind blew in summer all day long,
And a shut garden filled with altar flowers.
Here lived in piety a score of men,
Who, having found the world a place of pain,
Or fearing it ere yet they knew it well,
Sought in God's service their eternal gain.
With these it was my privilege to be
The pensioner of their great pity's fee,
Nor favoured less for my dim soul's dark ways,
Awhile 'twixt boyhood and maturity.
My sorrow to their zeal was fruitful soil,
My wounds their pride as needing wine and oil;
All knowledge had they to redeem and save,
Mirth, silence, prayer, and that best opiate, toil.
The garden was my task. I learned to dig,
To nail the fruit--trees, pear, and peach, and fig;
To trim the grass plots and the box make good,
And keep the gravel smooth from leaf or twig.
Dear blessed garden! In this night of days
I see it still with its fair formal face,
Where even the flowers looked prim, as who should ask
Pardon for beauty in so pure a place.
This for the summer. But when winter fell,
A gentler service called me from my cell,
As suited to the frailty of my needs,
To serve the mass and ring the chapel bell.
Mine was the sacristy, the care of copes,
Albs, censers, pyxes, gifts of kings and popes,
Of lace and linen and the lamps which hung
For ever lit with oil of human hopes.
There on the altar steps, as one at home,
I hourly knelt the servant of old Rome,
And learned her ritual, and assuaged my soul
With the high lessons of her martyrdom.
Not seldom in those hours the dream was mine
Of voices speaking and a call divine.
God in all ages thus has shown to men
His secret will, and I too sought a sign.
The voice that called me was a voice of good.
It spoke of feasts less vain than the world's food,
And showed me my place set a guest for aye
Of heavenly things in that calm brotherhood.
Why did I shrink? What profit to my soul
Has the world proved that I must yield it toll?
What its ambitions that for these my zeal
Turned backward then from its eternal goal?
Yet thus it is. Our fallen human blood
Is ever a mixed stream 'twixt bad and good;
And mine, perhaps, worse mingled than the rest,
Flowed in a baser, a more prurient flood.
And so it might not be. There came a day
When I must grasp my fate and choose my way,
And when my will was weaker than a child's,
And pride stood in rebellion and said nay.
There in the garden, while the thrushes sang,
I listened to his prayer with a mute pang.
That man of God who argued with my soul,
And still the vesper chorus rang and rang.
Below us a pool lay with depths profound,
And in its face I gazed as if to sound
His reason's meaning, while the rain of grace
Was shed on all things but my heart around.
``For lo,'' he said, ``thus near us lies the end;
A step--no more--may mar our lives or mend.
This side a little, and Hell gapes for us;
On that side Heaven holds out strong hands, a friend.
``And he who fears is wise. Oh look,'' he cried,
``Here in this pool lies Death with its arms wide.
Speak. Shall I buy you life at cost of mine?
Nay; I would drown, though in my sin I died.''
Thus Moses argued with his people, these
Than I less stubborn and less hard to please.
God on that night spoke loudly to my soul,
And I refused Him--weeping--on my knees.
Here my dream ended. From that hidden life
I went out hungry to a world of strife,
The world of pleasure, and with heart keen set
For human joy as having felt the knife.
What is the root of pleasure in Man's heart?
The need to know made practical in part,
The shaping of the thing the soul has dreamed,
In gold or clay, with art or little art.
Youth knows not how to fashion its own pleasure;
It deals with Fortune without scale or measure.
And so is cheated of the gold life holds,
A treasure house of hope without the treasure.
The need is there, as swallows need to fly,
The strength of wing which longs for liberty;
The courage of the soul which upward tends,
And the eye's light, a truth which is no lie.
Behind us the past sinks, too tedious night,
Whose shadows brighter show the world of light.
And who shall say that laughter is not good,
When the blood pulses in the veins aright?
An April morning with the birds awake;
The sound of waters lapping by a lake;
The scent of flowers, the rhyme of dancing feet;
The breath of midnight with the heart aquake.
These are the moods of pleasure. And no less
The soul itself has need of wantonness.
The thirst of knowledge fired not only Eve,
And youth grieves still to guess and only guess.
We ask for wisdom. Knowledge first of all
Demands our vows from her high pedestal.
We wish ourselves in act as wise as gods,
Nor even in age dare quite our oath recall.
The truth !--to hold the actual thing and be
Bound by no law but hers and liberty.
Such was my youth's ambition, the fruit fair
And good for food of the forbidden tree.
Two things I was resolved my soul should know;
The physical meaning of the Earth below,
With its dumb forces armed for good and ill,
And its blind fires which in their cycles go;
This, and the power of Love. Here doubly set,
The riddle stood which holds life's alphabet.
What of a very truth were God and Man?
I dared not die till I had answered it.
And first of God. What Quixote on what steed
Of foundered folly urged to headlong speed,
Ere chose his path more madly, or fell down
Proner on life's least lenient stones to bleed?
Striding my horse of reason with loose rein,
I tilted at all shadows in disdain.
To each eternal I my question put,
``What art thou, for Man's pleasure or his pain?''
The Maker I had worshipped, where was He,
In the Earth's fields, or the circumfluent sea?
The footsteps of His presence on the wind,
How should I trace them through infinity?
The huge world in its naked shape unclad,
Mocked me with silence, as a thing gone mad.
A brainless virgin, passionless and blind,
Reeling through space, unsentient--yet how sad!
The stars of heaven! Their voices once went out
Through all a firmament in psalm and shout.
What word have they to--night? Nay, Jesse's son
Had only mocked in our new world of doubt.
I searched them, and I numbered, and I came
To numbers only, flame evolved of flame,
Orb wheeled on orb, a meaningless machine,
A handless clock without the maker's name.
Where was my God the Father? Not in space,
Which needs no god for glory or disgrace,
Being itself eternal. He I sought
Knew not the stars but smiled with human face.
Darkly the night looked at me; darker still
The inner Earth with its tumultuous will,
Its legion of destroyers and destroyed,
Its law of hunger and the need to kill.
In this too was no god, or--monstrous thought--
A god of endless wrong, of treason wrought
Through countless ages still against the weak.
Out on such truth if this be all it taught!
Out on such reason! From that cave of dread
Like one despoiled of thieves I naked fled,
My thirst for knowledge slaked in bitterness,
And Earth's blank riddle all too sternly read.
What has my youth been that I love it thus?
The love of Woman? Ah, thou virtuous
Dear face of wisdom which first filled my heaven,
How art thou fled from life's deserted house!
I see thee pure and noble as a vision,
Rapt in the joy of thy sublime derision
Of all things base, yet tender to the pain
Of him that loved thee spite of love's misprision.
Joyous thou wert as a Spring morning filled
With mirth of birds which strive and wive and build,
A presence of all pleasure on the Earth
Transformed through thee and with thy laughter thrilled.
True were thy eyes and pitiful thy voice,
The colour of thy cheeks how rare a choice,
The smiling of thy lips how strangely dear
When thy wit moved and made our souls rejoice!
Few years thou countedst to thy wisdom's score,
But more than mine and than thy pleasure more
I deemed thee roof and crown of womanhood,
Framed for all fame to blazon and adore.
Why wert thou fashioned thus for Earth and Man,
If only Heaven was to possess thy plan?
Why wert thou beautiful as God to me,
If only God should see thee and should scan?
Oh, thou wert cruel in thy ignorance,
Thou first beloved of my time's romance.
The love within thee was a light of death,
Set for a snare and luring to mischance.
What didst thou think of him, the boy untried,
To whom thou spakest of Heaven as speaks a bride?
The love of Heaven! Alas, thou couldst not guess
The fires he nursed or surely thou hadst lied.
His secret springs of passion had no art,
Nor loosed his tongue to any counterpart
Of mastering words. You neither feared nor knew
The rage of cursing hidden in his heart.
If thou hadst seen it, wouldst thou not have said
A soul by Satan tortured and misled?
Thou didst not guess the truth, that in thy hand
The scourges lay, the pincers, and the lead.
Or haply didst thou love me? Not so heaven
Possessed thee then but sometimes there were given
Glimpses which, to my later eyes of light,
Have shown new worlds as if by lightnings riven.
How had it been if I had ventured quite
That first enchanted, unforgotten night,
When I surprised thee weeping and in fear
Forbore the wrong that should have proved me right?
How had it been if youth had been less weak,
And love's mute hand had found the wit to speak.
If thou hadst been less valiant in thy tears,
And I had touched the heaven which was thy cheek?
Would life have been to me what now it is,
A thing of dreams half wise and half unwise,
A web unpatterned where each idler's hand
Has woven his thoughts, flowers, scrolls, and butterflies?
Or rather, had it not, redeemed of bliss,
Grasped at new worlds less impotent than this,
And made of love a heaven? for depths of fate
Lie in the issue of a woman's kiss.
Alas, it was not, and it may not be
Now, though the sun were melted in the sea,
And though thou livedst, and though I still should live,
Searching thy soul through all Eternity.
The ideal love, how fondly it gives place
To loves all real--alas, and flavourless.
The heart in hunger needs its meat to live,
And takes what dole it finds of happiness.
Then are strange spectacles of treason seen,
Earthquakes and tempests and the wars of men,
Shipwrecks of faith, ungodly interludes
And pagan rites to Moloch on the green.
Lust travestied as love goes nightly forth,
Preaching its creed unclean from South to North,
Using the very gestures of true love,
Its words, its prayers, its vows--how little worth!
Where are ye now, ye poor unfortunates,
Who once my partners were in these mad gaits,
Sad souls of women half unsexed by shame,
In what dire clutches of what felon fates?
Dark--eyed I see her, her who caused my fall,
Nay, caused it not who knew it not at all.
I hear her babble her fool's creed of bliss,
While I lie mute, a swine--like prodigal.
Her chamber redolent of unctuous glooms
Prisons me yet with its profane perfumes,
A cell of follies used and cast aside,
Painted in pleasure's likeness--and a tomb's.
Oh, those dead flowers upon her table set,
How loud they preach to me of wisdom yet,
Poor slaughtered innocents there parched in Hell,
Which Heaven had seen at dawn with dewdrops wet!
Littered they lay, those maidenheads of saints,
Mid pots of fard and powder--puffs and paints,
Egregious relics of lost purity
Tortured on wires with all that mars and taints.
Beneath, upon the floor her slippers lay
Who was the queen of all that disarray,
Left where she dropped them when she fled the room
To speed her latest gallant on his way.
The pictures on the wall--by what strange chance--
Showed sacred scenes of Biblical romance;
Among them Pilate on his judgment--seat
Washing before the multitude his hands.
Smiling he sat while in reproachful mood
He they led forth to crucifixion stood.
``Innocent am I,'' thus the legend ran
Inscribed beneath it, ``of this just One's blood.''
Innocent! Ah, the sad forgotten thought
Of that mute face my convent dreams had sought.
And while I sighed, behold the arms of sin
In my own arms enlatticed and enwrought.
A life of pleasure is a misnamed thing,
Soulless at best, an insect on the wing,
But mostly sad with its unconquered griefs,
The noise that frets, the vanities that sting.
The weapons of youth's armoury are these--
The chase, the dance, the gambler's ecstasies.
Each in its turn I handled with the rest,
And drained my cup of folly to the lees.
What days I murdered thus without design,
What nights deflowered in madness and lewd wine!
The ghosts of those lost hours are with me still,
Crying, ``Give back my life, and mine, and mine!''
Yet was it glorious on the scented morn
To wake the woods with clamouring hound and horn,
To ride red--coated where the red fox ran,
And shout with those who laughed to see him torn.
Glorious to lie 'neath the tall reeds in wait
For the swift fowl at flight returning late,
And pull them from their path with lightning shot,
The bolt of Jove less certain in its fate.
Glorious to battle with the crested wave
For the full nets engulphed in the sea's grave,
And see the fishes flash entangled there,
With only courage and strong arms to save.
And glorious more, with sword high--poised and still,
To meet the bull's rush with o'ermastering skill,
And watch the stricken mass in anger die,
Tamed by the potency of human will.
All glorious and vain--glorious and most sad,
Because of the dark death their doing made,
And of the nothingness that swept the track,
Leaving no footprint or of good or bad.
The light--heeled love of laughter and the dance
Held me, yet held not, in its transient trance.
The hours were few when, fired with love and wine,
I trod the Bacchanalian maze of France.
Yet do I mind me of one afternoon
In Meudon wood, when night came all too soon;
And then again the morning, and unstayed
We pranced our measure out from noon to noon.
That day of dancing in my memory stands
A thing apart and almost of romance,
A day of pleasure physical and strong,
Unwearied and unwearying, feet, lips, hands.
The ``Coq de Bruyère'' was the fortunate sign
Of the lone inn where we had met to dine,
And found a score companions light as we
To turn our rustic hostel to a shrine.
If it still stands, how strangely it must view
This older world with hopes of paler hue!
Or was it youth so painted the grass green,
The apple--blossoms pink, the heavens blue?
Alas! I know not, nor remember yet
Her name with whom those foolish hours seemed sweet,
Only that she laughed on and danced with me,
And that my fingers just could span her feet.
How far away! And Meudon, too, how far!
And all those souls of women lost in care,
And even fair France herself how merged in pain!
It was the Spring before the Prussian war.
One day, one only day, and then the light
Waned in the place and hid our faces white,
And, our score paid, we left the empty room
And met no more on this side of the night.
Who speaks of play speaks treason to youth's state.
Youth is the heir to passion, love and hate,
The passion of the body in its strength,
The passion of the soul commensurate.
Nought needs it in its force of whip or goad,
Say rather a strong bridle for the road.
He who would spur it to a fiercer heat
Is an ill rider whom no fortunes bode.
Shame is it that the glory of youth's eyes
Should be lack--lustred with the grape's disguise,
And doubly shame its vast desires should swoon
In maniac clutchings at a vagrant prize.
Gold is the last least noble stake of life,
When all is gone, friends, fashion, fame, love's strife,
The thing men still can chase when dotage stings
And joy is dead and gout is as the knife.
Youth, seeking gold at Fortune's hand, goes bare
Of its best weapons with the humblest there,
As impotent to win a smile from fate
As the least valiant, the most cursed with care.
Watch well the doors of Fortune. Who goes in?
The prince, the peasant, the gay child of sin,
The red--cheeked soldier, the mad crook--backed crone,
Which shall prevail with Fortune? Which shall win?
Nay, who shall tell? Luck levels all pretence,
Manhood's high pride, youth's first concupiscence.
The arbiter of fame it stands and wit,
The judge supreme of sense and lack of sense.
The gambler's heaven is Youth's untimely Hell.
And I, who dwelt there as lost spirits dwell,
There touched the bottom of the pit. Even yet
I dare not nakedly its secrets tell.
What saved me from the gulf? All ye who preach
Art the physician and consoling leech
Of fallen souls, if but a single spark
Of genius lives, behold the text you teach.
In Art's high hall for whoso holds the key
Honour does service on a suppliant knee,
Virtue his handmaid is, to work his will,
And beauty crowns him, be he bond or free.
His sad soul's raiment from his shoulders fall,
Light pure is given, and he is clothed withal,
His eye grows single and his madness parts
As once in song the raging mood of Saul.
What saved me from the gulf? Thrice generous hand,
A king's in gifts, a prophet's in command,
All potent intellect designed to guide,
Transforming grief as with a master's wand!
This life, if it be worthy grown, is thine;
These tears made sweet once bitter with such brine,
This impotence of will to purpose fired,
This death fenced out with mine and countermine.
For I insensate had resolved to fly
From life's despairs and sick pride's misery,
A craven braggart to the arms of death,
And die dishonoured as the wretched die.
Thou stoodst, how oft, between me and my fate,
Bidding me cheer, or, if I dared not, wait,
From morn to night and then from night to morn
Pointing to Fame as to an open gate;
Till Time, the healer, had half closed the wound,
And Spring in the year's mercy came back crowned
With leaves and blossoms, and I could not choose
To lie unknown forgotten underground.
If there be aught of pleasure worth the living
'Tis to be loved when trouble has done grieving,
And the sick soul, resigned to her mute state,
Forgets the pain forgiven and forgiving.
With wan eyes set upon life's door ajar
She waits half conscious of the rising star,
And lo! 'tis Happiness on tip--toe comes
With fruits and flowers and incense from afar.
Scarcely she heeds him as he stops and smiles.
She does not doubt his innocent lips' wiles.
She lies in weakness wondering and half won,
While beauty cunningly her sense beguiles.
Then at her feet he sets his stores unrolled
Of spice and gums and treasure manifold.
All kingdoms of the Earth have tribute paid
To heap the myrrh and frankincense and gold.
These are his gifts, and tenderly he stands
With eyes of reverence and mute folded hands,
Pleading her grace, and lo! her heaven is filled
With music as of archangelic bands.
What saved me from the gulf? A woman's prayer
Sublimely venturing all a soul might dare,
A saint's high constancy outwitting Fate
And dowered with love supreme in its despair.
I had done naught to merit such high lot,
Given naught in hostage and adventured naught.
The gift was free as heaven's own copious rains,
And came like these unseeking and unsought.
O noble heart of woman! On life's sea
Thou sailedst bravely, a proud argosy,
Freighted with wisdom's wealth and ordered well,
Defiant of all storms--since storms must be.
On thy high way thou passedst pursuant only
Of Virtue's purpose and Truth's instinct thronely.
Strength's symbol wert thou, self--contained and free,
Lone in thy path of good but never lonely.
What glory of the morning lit thy shrouds!
What pure thought limned thee white on thunder--clouds!
I from my shattered raft afar in pain
Kneeled to thy form and prayed across the floods.
In godlike patience, to my soul's surprise,
Thou paused and parleyed wise with me unwise.
Ah, dearest soul seraphic! Who shall paint
The heaven revealed of pity in thine eyes?
She took me to her riches. All the gladness
Of her great joy she gave to cure my sadness,
All her soul's garment of unearthly hopes
To ease the ache which fructified to madness.
She took me to her pleasure, wealth long stored
Of silent thought and fancy in full hoard,
Treasures of wisdom and discerning wit,
And dreams of beauty chaste and unexplored.
She took me to her heart,--and what a heart,
Vast as all heaven and love itself and art!
She gave it royally as monarchs give
Who hold back nothing when they give a part.
A king I rose who had knelt down a slave,
A soul new born who only sought a grave,
A victor from the fight whence I had fled,
A hero crowned with bays who was not brave.
Blest transformation! Circe's ancient curse
See here interpreted in plain reverse.
Love, generous love, in me devised a spell
Ennobling all and subtler far than hers.
Thus was I saved. Yet, mark how hardly Fate
Deals with its victors vanquished soon or late.
The ransomed captive of his chains goes free.
She pines in durance who has paid the debt.
Behold this woman of all joy the heir,
Robed in high virtue and worth's worthiest wear,
A saint by saints esteemed, a matron wise
As Rome's Cornelia chastely debonnaire.
Behold her touched with my own soul's disease,
Grieving in joy and easeless still in ease,
The gall of sorrow and the thorn of shame
Twined ever in the wreaths love framed to please.
Behold her languishing for honour's loss,
Her pride nailed daily to a nameless cross,
Her vesture sullied with the dust of sin,
Her gold of purity transfused with dross.
The echo of her voice has tones that thrill:
I hear her weeping with a blind wild will.
A name she speaks to the dim night, his name
Her virtue spared not yet remembered still.
``Say, shall I comfort thee?'' ``O soul of mine,
Thy comfort slays me with its joys like wine.
Thy love is dear to me--then let me go.
Bid me fare forth for aye from thee and thine.''
``Is there no pleasure?'' ``Pleasure is not sweet
When doors are shut and veiled Man's mercy--seat.
My heaven thou wert, but heaven itself is pain
When God is dumb and angels turn their feet.''
``Is there no beauty? See, the sun is fair
And the world laughs because the Spring is there.
Hast thou no laughter?'' ``Ay, I laugh as Eve
Laughed with her lord the night of their despair.''
``The past is passed.'' ``Nay, 'tis a ghost that lives.''
``Grief dies.'' ``We slew it truly and it thrives.
Pain walks behind us like a murdered man
Asking an alms of joy which vainly gives.
``Give me thy tears: their bitterness is true.
Give me thy patience: it is all my due.
Give me thy silence, if thou wilt thy scorn,
But spare thy kisses, for they pierce me through.''
I saw her perish, not at once by death,
Which has an edge of mercy in its sheath.
No bodily pleadings heralded decay;
No violence of pity stopped her breath.
Only the eternal part which was her mind
Had withered there as by a breath unkind.
Only the reason of her eyes was mute;
Their meaning vanished, leaving naught behind.
``No bells shall ring my burial hour,'' she said.
``No prayers be sung, no requiem for the dead.
Only the wind shall chaunt in its wild way,
And be thou there to lay flowers on my head.''
I laid them on her grave. Alas! dear heart,
What love can follow thee where now thou art?
Sleep on. My youth sleeps with thee--and the rest
Would but disturb. We are too far apart.
What has my life been? What life has the wind
Wandering for ever on in change of mind
Winter and summer, chasing hopes as vain
And seeking still the rest it may not find?
When she was dead I rose up in my place,
Like Israel's king, and smiled and washed my face.
My grief had died in me with her long tears,
And I was changed and maimed and passionless.
I said, ``There are griefs wider than this grief,
Hopes broader harvested, of ampler sheaf.
Man may not live the caged bird of his pride,
And he who wends afar shall win relief.''
The world of sea and mountain shape high browed
Lured me to dreams of nobler solitude,
Fair plains beyond the limits of the dawn,
And desert places lawless and untrod.
Beyond youth's lamp of bitter--sweet desires
And manhood's kindling of less lawful fires
A star I sought should lead me to my dream
Of a new Bethlehem and angelic choirs.
This passionate England with its wild unrest,
How has it straitened us to needs unblest!
Need is that somewhere in the world there be
A better wisdom, seek it East or West.
I sought it first on that great Continent
Which is the eldest born of man's intent.
All that the race of Japhet has devised
Of wit to live lives there pre--eminent.
The record of the ages proudly stand
Revealed in constancy and close at hand,
Man's march triumphant against natural foes,
His conquest of the air and sea and land,
From that far day when, wielding shafts of stone,
He drove the bear back from the banks of Rhone,
And built his dwelling on the fair lake's shore
He earliest learned to love and call his own,
On thro' the generations of wild men,
The skin--clad hunters of the field and fen,
At war with life, all life than theirs less strong
Less fenced with cunning in its lawless den,
Until the dawn broke of a larger age,
With milder fortunes and designs more sage,
And men raised cities on the naked plains
With wine and corn and oil for heritage.
Etruscan Italy! Pelasgic Greece!
How did they labour in the arts of peace!
If strong men were before the time of Troy,
What of the wise who planned their palaces?
The men of cunning who, ere letters came
To hand their learning down from fame to fame,
Dealt with Titanic square and basalt slab
And found the law of parallelogram?
Unnamed discoverers, or of those who gave
Its rule to beauty, line and curve and wave,
Smelters of bronze, artificers in gold,
Painters of tear--cups for the hero's grave?
Or those, the last, who of Man's social state
Devised the code his lusts to mitigate,
Who set a bridle on his jaws of pride,
And manacled with law his limbs of hate,
Till each fair town its separate polity
Enjoyed in its own walls well--fenced and free,
With king and court and poet and buffoon
And burgess roll inscribed of chivalry?
This was the old world's golden age renowned
Shown thro' dim glimpses of a past spell--bound.
Some shadow of it lives in Homer's story.
In vain we search. Its like shall not be found.
It vanished in the impatient march of Man
When Empires rose, with Cyrus in the van,
The Assyrian tyranny, the Persian scourge,
And his the all--conquering boy of Macedon.
Then were the little freedoms swept aside,
The household industries for fields more wide.
With heavy hand Rome weighed upon the world
A blind Colossus, order classified.
And what of the new world, the world that is?
Ah, Europe! What a tragedy there lies!
Thy faiths forgotten and thy laws made void,
Hunger and toil thy sole known destinies.
The sombre livery of thy bastard races
Proclaims thee slave and their ignoble faces,
Gaul, Teuton, Serb, all fortunes merged in one,
All bloods commingled in thy frail embraces.
No type, no image of the God in thee,
No form survives of nobler ancestry,
No mark is on thy brow, even that of Cain,
By which to learn thy soul's lost pedigree.
Thou toilest blindly in thy central hive
Of the world's hopes impatient and alive,
Waiting the reason which shall light thy years
To a new gospel of initiative,
Rueful, unconscious, to thy labour bound
And dumb to love, above or underground.
He were the Sage of the new discipline
Who first should wake thy silence into sound.
Where is the poet who shall sing of Man
In his new world, a better Caliban,
And show him Heaven? What nobler Prospero
To cure his ache on an Eternal plan?
The voice that should arouse that slumbering clod
Must echo boldly as to steps unshod
Of angels heralding the advent day
Of a new Saviour and a latest God.
But whose the voice? And where the listeners?
I sought and found not. Rather in my ears
The discord grew of that ungodly host
Whose laughter mocks the music of the Spheres.
``Glory of glories!'' Thus it was they chaunted,
But not to Heaven for which men blindly panted,
Rather to that Hell's master who hath held
Their backs to pain in labour covenanted.
To him the honour and obedience due
Of their lost Moab where the bluebells blew,
Now the sad washpot of his engines' slime,
Their childhood's Edom darkened by his shoe.
Through that dim murk no glimpse of the Divine
Shall pierce with song where the sun dares not shine,
No praise of beauty in a land all bleared
With poison--smoke and waters aniline?
Better they died unchronicled. Their room
Would then be for each weed that wreathed their tomb,
More beautiful than they with all their love
It is not worth a spray of butcher's broom.
All this I read as in an open book
Wandering in bye paths with my pilgrim's crook,
Through Alp and Apennine and Eastward on
To where the Balkans on the Danube look.
On Trajan's wall I lay in the tall grass
And watched the Tartar shepherds wandering pass.
A boy was blowing in his flute below;
Afar the river shone, a sea of glass.
This was the world's once boundary; and beyond
What terrors reigned for fearful hearts and fond,
The Scythian wilderness, where were--wolves were
And night for ever lay in frozen bond!
The subtle wonder of the desert came
And touched my longing with its breath of flame.
I too, methought, sad child of a new age,
Would learn its mystery and inscribe my name,
Clothed in the garments of its ancient past,
My race forgotten and my creed outcast,
On some lone pile whence centuries look down
On days unchanged the earliest with the last.
As Abraham was at Mamre on the leas,
I too would be, or Ur of the Chaldees,
Feeding my flocks in patience at God's hand,
Guided by signs and girt with mysteries.
With staff in hand and wallet for all need,
Footing the goat--tracks or with ass for steed,
Clad in mean raiment, with attendants none,
And fed on locusts as the prophets feed.
Climbing the dunes each morning to behold
The world's last miracle of light enfold
The Eastern heaven, and see the victor sun
Press back the darkness with his spears of gold.
The fair Earth, pure in her sweet nakedness,
Should smile for me each day with a new face,
Her only lover; and her virgin sands
Should be my daily sacrilege to press.
The deep blue shadows of the rocks at noon
My tent should be from a burnt world in swoon,
Rocks scored with what dead names of worshippers,
Of Gods as dead, the sun and stars and moon.
There would I stand in prayer, with unshod feet
And folded arms, at Time's true mercy seat,
Making my vows to the one God of gods
Whose praise the Nations of the East repeat.
Haply some wonder of prophetic kind
My eyes should see to the world's reason blind,
Some ladder to the Heaven, or a face
Speaking in thunder to me from the wind.
I lay in the tall grass, and overhead
The ravens called who once Elisha fed.
It was a message meet for my desires,
And I arose and followed where they led,
Arose and followed;--and behold, at hand,
With tinkling bells and tread as if on sand,
Toward me spectral from the Orient came
The pilgrim camels of that holy Land.
The rock of Horeb is the holiest place
Of all Earth's holies. In the wilderness
It stands with its gaunt head bare to the heaven
As when God spake with Moses face to face.
Red in the eternal sunset of the years,
Crowned with a glory the world's evening wears,
Where evening is with morning a first day
Unchanged in the mute music of the Spheres.
From base to top the boulder crags high thrown
Fortress the plain which Israel camped upon,
A living presence in the unliving waste,
A couchant lion with a mane of stone.
Aloft in the dread shadow of his brows
And shut from summer suns and winter snows,
When snows there be in the parched wilderness,
A cell I found and of it made my house.
A single hewn stone chamber, carved of old
By hermits' hands, of rocks with labour rolled,
Undoored, unwindowed, with the earth for floor,
Within, an altar where their beads they told.
Without, a rood of soil and a scant spring,
Their garden once, where deep in the vast ring
Of those grave granite domes they delved and prayed,
One thorn tree its sole life left blossoming.
There laid I down the burden of my care
And dwelt a space in the clean upper air.
I dwelt, how many days or months or years
I know not, for I owned no calendar;
Only the rising of the winter's sun
Daily more northward as the months moved on,
Only the sun's return along his ways
When summer slackened his first rage outrun;
Only the bee--birds passing overhead
With their Spring twitter and eyes crimson red,
The storks and pelicans in soldier bands,
The purple doves that stayed to coo and wed;
These and the shepherds of the waste, the few
Poor Bedouin clansmen, with their weak flocks, who
Strayed through the valleys at appointed days,
As water failed them or the herbage grew,
Lean hungry--eyed wild sons of Ishmael
Who climbed the rocks and sought me in my cell
With their poor wares of butter, dates and corn
And almond--cake in skins and hydromel,
Unwise in the world's learning, yet with gleams
Of subtler instinct than the vain world deems,
Glimpses of faiths transmitted from afar
In signs and wonders and revealed in dreams.
They taught me their strange knowledge, how to read
The forms celestial ordered to Man's need,
To count on sand the arrow heads of fate
And mark the bird's flight and the grey hare's speed.
The empty waste informed with their keen eyes
Became a scroll close writ with mysteries
Unknown to reason yet compelling awe
With that brave folly which confounds the wise.
Nor less the faith was there of the revealed
God of their fathers, Ishmael's sword and shield,
Their own, the Merciful, the Compassionate,
By martyrs witnessed in the stricken field.
His name was on their lips, a living name.
His law was in their hearts, their pride in shame.
His will their fortitude in hours of ill
When the skies rained not and the locusts came.
I learned their creed in this as in the rest,
Making submission to God's ways as best.
What matter if in truth the ways were His,
So I should abdicate my own unblest!
And thus I might have lived--and died, who knows,
A Moslem saint, on those high mountain brows,
Prayed to by alien lips in alien prayer
As intercessor for their mortal woes,
Lived, died, and been remembered for some good
In the world's chronicle of brotherhood,
Nor yet through strife with his own Bedlam kind,
The Hydra--headed Saxon multitude.
But for the clamour of untimely war,
The sound of Nations marching from afar.
Their voice was on the tongue of winds and men,
Their presaging in sun and moon and star.
I dreamed a dream of our fair mother Earth
In her first beauty, ere mankind had birth,
Peopled with forms how perfect in design,
How rich in purpose, of what varied worth,
Birds, four--foot beasts and fishes of the Sea
Each in its kind and order and degree
Holding their place unchid, her children all,
And none with right to strain her liberty.
Her deep green garment of the forest glade
Held monsters grim, but none was there afraid.
The lion and the antelope lay down
In the same thicket for their noon--day shade.
The tyranny of strength was powerless all
To break her order with unseemly brawl.
No single kind, how stout soe'er of limb,
Might drive her weakest further than the wall.
All was in harmony and all was true
On the green Earth beneath her tent of blue.
When lo, the advent of her first born lie,
The beast with mind from which her bondage grew.
O woeful apparition! what a shape
To set the world's expectancy agape,
To crown its wonders! what lewd naked thing
To wreck its Paradise! The human ape!
Among the forms of dignity and awe
It moved a ribald in the world of law,
In the world's cleanness it alone unclean,
With hairless buttocks and prognathous jaw.
Behold it in that Eden once so fair,
Pirate and wanton, a blind pillager,
With axe and fire and spade among the trees
Blackening a league to build itself a lair.
Behold it marshalling its court,--soft kine,
And foolish sheep and belly--lorded swine,
Striding the horse anon, high--mettled fool,
And fawned on by the dog as one divine.
Outrage on sense and decent Nature's pride!
Feast high of reason--nay of Barmecide,
Where every guest goes hungry but this one,
The Harpy--clawed, too foul to be denied!
I saw it, and I blushed for my Man's race,
And once again when in the foremost place
Of human tyranny its latest born
Stood threatening conquest with an English face.
Chief of the sons of Japhet he, with hand
Hard on the nations of the sea and land,
Intolerant of all, tongues, customs, creeds,
Too dull to spare, too proud to understand.
I saw them shrink abashed before his might,
Like tropic birds before the sparrow's flight.
The world was poorer when they fled. But he
Deemed he had done ``God'' service and ``his right.''
I saw it and I heard it and I rose
With the clear vision of a seer that knows.
I had a message to the powers of wrong
And counted not the number of my foes.
I stood forth in the strength of my soul's rage
And spoke my word of truth to a lewd age.
It was the first blow struck in that mad war,
My last farewell to my fair hermitage.
O God of many battles! Thou that art
Strong to withstand when warriors close and part,
That art or wast the Lord of the right cause!
How has thy hand grown feeble in its smart!
How are the vassals of thy power to--day
Set in rebellion mastering the fray!
Blaspheming Thee they smite with tongues obscene,
While these Thy saints lie slaughtered where they pray.
How is the cauldron of thy wrath the deepest,
Cold on its stones? No fire for it thou heapest.
Thou in the old time wert a jealous God.
Thieves have dishonoured Thee. And lo, Thou sleepest!
Between the camps I passed in the still night,
The breath of heaven how pure, the stars how bright.
On either hand the life impetuous flowed
Waiting the morrow which should crown the fight.
How did they greet it? With what voice, what word,
What mood of preparation for the sword?
On this side and on that a chaunt was borne
Faint on the night--wind from each hostile horde.
Here lay the camps. The sound from one rose clear,
A single voice through the thrilled listening air.
``There is no God but God,'' it cried aloud.
``Arise, ye faithful, 'tis your hour of prayer.''
And from the other? Hark the ignoble chorus,
Strains of the music halls, the slums before us.
Let our last thought be as our lives were there,
Drink and debauchery! The drabs adore us.
And these were proved the victors on that morrow,
And those the vanquished, fools, beneath war's harrow.
And the world laughed applauding what was done,
And if the angels wept none heard their sorrow.
What has my life been in its last best scene
Stripped of Time's violence, its one serene
Experience of things fair without a flaw,
Its grasp of Heaven's own paradisal green?
After the storm the clouds white laughters fly;
After the battle hark the children's cry!
After the stress of pain, if God so will,
We too may taste our honey ere we die.
What little secret 'tis we need discover!
How small a drop to make the cup brim over!
A single word half spoken between two,
And Heaven is there, the loved one and the lover.
Tell me not, thou, of youth as Time's last glory.
Tell not of manhood when it strikes its quarry.
The prime of years is not the prime of pleasure.
Give me life's later love when locks are hoary,
Love, when the hurry and the rush are past,
Love when the soul knows what will fade what last,
The worth of simple joys youth trampled on,
Its pearl of price upon the dunghill cast.
Time was, I mocked, I too, at life's plain blisses,
The rustic treasure of connubial kisses,
The bourgeois wealth of amorous maid and man
Made man and wife in legal tendernesses.
Time was, but is not, since the scales of pride
Fell from my eyes and left me glorified.
Now 'tis the world's turn. Let it laugh at me,
Who care not, having Love's self on my side.
How came I by this jewel, this sweet friend,
This best companion of my lone life's end?
So young she was, so fair, of soul so gay,
And I with only wisdom to commend.
I looked into her eyes and saw them seek
My own with questions, roses on her cheek.
One sign there is of love no words belie,
The soul's wide windows watching where lips speak.
What wouldst thou with me, thou dear wise one, say?
My face is withered, my few locks are grey.
Time has dealt with me like a dolorous Jew.
My gold he holds; in silver now I pay.
How shall I serve thee? Shall I be thy priest,
To read thy dear sins to the last and least?
I have some knowledge of the ways of men,
Some too of women. Wilt thou be confessed?
Nay, but thou lovest? A gay youth and fair?
Is he less kind to thee than lovers are?
Shall I chastise him for his backward ways,
Teach him thy whole worth and his own despair?
Thou dost deny? Thou lovest none? To thee
Youth, sayest thou, is void, mere vanity.
Yet how to build up life and leave out love,
The corner stone of all its joys to be?
Thou wouldst be wise. Thou swearest to me this.
Know then, all wisdom is but happiness.
So thou art happy, there is none more sage
Than thou of the wise seven famed of Greece.
She did not answer me, but heaved a sigh
And raised her eyes, where tears stood, silently.
I kissed her hands, the outside and the in,
``Child, dost thou love me?'' And she whispered ``Ay.''
Thus the thing happened. And between us two
Was now a secret beautiful and new.
We hid it from all eyes as fearing ill,
And cherished it in wonder, and it grew.
Some say that Heaven is but to be with God,
Hell--but without God--the same blest abode.
How wide the difference only those may know
Whose eyes have seen the glory and the cloud.
We two beheld the glory. Every morn
We rose to greet it with the day new born;
No laggards we when Love was in the fields
Waiting to walk there with us in the corn.
O those first hours of the yet folded day,
While Man still sleeps and Nature has its play,
When beast and bird secure from death and him
Wander and wanton in their own wild way.
These were our prize untroubled by the whim
Of slugging fools still wrapped in dreamings dim.
In these we lived a whole life ere their day
And heard the birds chaunt and the seraphim.
How good it was to see her through the grass,
Pressing to meet me with her morning face
Wreathed in new smiles by the sweet thought within
Triumphant o'er the world and worldlings base!
How good to mark her beauty decked anew
With leaf and blossom, crimson, white and blue!
The beechen spray fresh gathered in her hand
Was her queen's sceptre diamonded with dew.
I heard her young voice long ere she was near,
Calling her call--note of the wood dove clear.
It was our signal. And I answered low
In the same note, ``Beloved, I am here.''
And then the meeting. Who shall count the bliss
Of sweet words said and sweeter silences.
It was agreed between us we should wed
Some happy day nor yet forestall a kiss.
Sublime convention by true lovers made
To try their joy more nearly in the shade.
``Not yet, dear love! Thy mad lips take from mine,
Lest thou shouldst harm me and the world upbraid.''
Who says a wedding day is not all white
From dawn to dusk, nay far into the night?
The man who makes not that one day divine
Dullard is he and dastard in Love's sight.
First day of the new month, the honeymoon,
Last of the old life naked and alone.
The apparent heirship come to actual reign,
The entrance in possession of a throne.
Why grudge rejoicings? The vain world is there.
It sees the feast spread that it may not share.
God's angels envy thee; then why not these?
Let them make merry with thy wealth to spare.
Nay, join it thou. The foolish old life waits,
A slave discharged, to see thee to the gates.
Give it thy bounty, though it claim thy all,
Thy clothes, thy bed, thy empty cups and plates.
The world hath loved thee, or it loved thee not,
What matter now! Thou needest raise no doubt.
All smile on thee to--day, the false, the true.
The new king pardons. Shout then with their shout.
Thy friends surround thee, sceptics of thy reason.
They ply thee gaily in and out of season.
Thou in thy heart the while art far away
True to thy god. Thou heedest not their treason.
Proud in the face of all thou vowest thy vow,
Love in thine eyes and glory on thy brow,
Thou hast sworn to cherish her, to have, to hold,
``Till death us twain do part.'' Ah she! Ah thou!
What has my life been? Nay, my life is good.
Dear life, I love thee, now thou art subdued.
Thou hast fled the battle, cast thine arms away,
And so art victor of the multitude.
Thou art forgotten wholly of thy foes,
Of thy friends wholly, these alike with those.
One garden of the world thy kingdom is
Walled from the wicked, and there blooms thy rose.
She that I love lives there and lives with me.
Enough, kind heaven, I make my terms with thee.
Worth, wealth, renown, power, honour--shadows all!
This is the substance, this reality.
O world that I have known! how well, things, men,
Glories of vanity, the sword, the pen!
Fair praise of kings, applause of crowds--nay more,
Saints' pure approval of the loss and gain!
High deeds of fame which made the eyelids brim
With tears of pride grief's anguish could not dim,
The day of triumph crowning all the days,
The harvest of the years brought home by Time!
What are you to Man's heart, his soul, his sense
Prouder than this, more robed in incidence?
The cry of the first babe, his own, and hers,
Thrilling to joy? Ah matchless eloquence!
The wisdom of all Time is in that cry,
The knowledge of Life's whence, at last, and why,
The root of Love new grafted in the tree,
Even as it falls, which shall not wholly die.
To rest in a new being! Here it stands
The science of all ages in all lands,
The joy which makes us kin with the Earth's life,
And knits us with all Nature joining hands,
Till we forget our heritage of gloom,
Our dark humanity how near its doom.
Away! Man's soul was a disease. 'Tis fled
Scared by this infant face of perfect bloom.
And so, farewell, poor passionate Life, the past.
I close thy record with this word, ``Thou wast.''
Why wait upon the Future? Lo To--day
Smiles on our tears, Time's toy, his best and last.
IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus
Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—
Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse
That poseth? (be the phrase accorded me!)
Each feminine delight of florid lip,
Eyes brimming o'er and brow bowed down with love,
Marmoreal neck and bosom uberous,—
Glad on the paper in a trice they go
To help his notion of the Mother-maid:
Methinks I see it, chalk a little stumped!
Yea and her babe—that flexure of soft limbs,
That budding face imbued with dewy sleep,
Contribute each an excellence to Christ.
Nay, since he humbly lent companionship,
Even the poor ass, unpanniered and elate
Stands, perks an ear up, he a model too;
While clouted shoon, staff, scrip and water-groud,—
Aught may betoken travel, heat and haste,—
No jot nor tittle of these but in its turn
Ministers to perfection of the piece:
Till now, such piece before him, part by part,—
Such prelude ended,—pause our painter may,
Submit his fifty studies one by one,
And in some sort boast "I have served my lords."
But what? And hath he painted once this while?
Or when ye cry "Produce the thing required,
"Show us our picture shall rejoice its niche,
"Thy Journey through the Desert done in oils!"—
What, doth he fall to shuffling 'mid his sheets,
Fumbling for first this, then the other fact
Consigned to paper,—"studies," bear the term!—
And stretch a canvas, mix a pot of paste,
And fasten here a head and there a tail,
(The ass hath one, my Judges!) so dove-tail
Or, rather, ass-tail in, piece sorrily out—
By bits of reproduction of the life—
The picture, the expected Family?
I trow not! do I miss with my conceit
The mark, my lords?—not so my lords were served!
Rather your artist turns abrupt from these,
And preferably buries him and broods
(Quite away from aught vulgar and extern)
On the inner spectrum, filtered through the eye,
His brain-deposit, bred of many a drop,
E pluribus unum: and the wiser he!
For in that brain,—their fancy sees at work,
Could my lords peep indulged,—results alone,
Not processes which nourish such results,
Would they discover and appreciate,—life
Fed by digestion, not raw food itself,
No gobbets but smooth comfortable chyme
Secreted from each snapped-up crudity,—
Less distinct, part by part, but in the whole
Truer to the subject,—the main central truth
And soul o' the picture, would my Judges spy,—
Not those mere fragmentary studied facts
Which answer to the outward frame and flesh—
Not this nose, not that eyebrow, the other fact
Of man's staff, woman's stole or infant's clout,
But lo, a spirit-birth conceived of flesh,
Truth rare and real, not transcripts, fact and false.
The studies—for his pupils and himself!
The picture be for our eximious Rome
And—who knows?—satisfy its Governor,
Whose new wing to the villa he hath bought
(God give him joy of it) by Capena, soon
('T is bruited) shall be glowing with the brush
Of who hath long surpassed the Florentine,
The Urbinate and … what if I dared add,
Even his master, yea the Cortonese,—
I mean the accomplished Ciro Ferri, Sirs!
(—Did not he die? I'll see before I print.)
End we exordium, Phoebus plucks my ear!
Thus then, just so and no whit otherwise,
Have I,—engaged as I were Ciro's self,
To paint a parallel, a Family,
The patriarch Pietro with his wise old wife
To boot (as if one introduced Saint Anne
By bold conjecture to complete the group)
And juvenile Pompilia with her babe,
Who, seeking safety in the wilderness,
Were all surprised by Herod, while outstretched
In sleep beneath a palm-tree by a spring,
And killed—the very circumstance I paint,
Moving the pity and terror of my lords—
Exactly so have I, a month at least,
Your Fiscal, made me cognizant of facts,
Searched out, pried into, pressed the meaning forth
Of every piece of evidence in point,
How bloody Herod slew these innocents,—
Until the glad result is gained, the group
Demonstrably presented in detail,
Their slumber and his onslaught,—like as life.
Yea and, availing me of help allowed
By law, discreet provision lest my lords
Be too much troubled by effrontery,—
The rack, law plies suspected crime withal—
(Law that hath listened while the lyrist sang
"Lene tormentum ingenio admoves,"
Gently thou joggest by a twinge the wit,
"Plerumque duro," else were slow to blab!)
Through this concession my full cup runs o'er:
The guilty owns his guilt without reserve.
Therefore by part and part I clutch my case
Which, in entirety now,—momentous task,—
My lords demand, so render them I must,
Since, one poor pleading more and I have done.
But shall I ply my papers, play my proofs,
Parade my studies, fifty in a row,
As though the Court were yet in pupilage,
Claimed not the artist's ultimate appeal?
Much rather let me soar the height prescribed
And, bowing low, proffer my picture's self!
No more of proof, disproof,—such virtue was,
Such vice was never in Pompilia, now!
Far better say "Behold Pompilia!"—(for
I leave the family as unmanageable,
And stick to just one portrait, but life-size.)
Hath calumny imputed to the fair
A blemish, mole on cheek or wart on chin,
Much more, blind hidden horrors best unnamed?
Shall I descend to prove you, point by point,
Never was knock-knee known nor splay-foot found
In Phryne? (I must let the portrait go,
Content me with the model, I believe)—
—I prove this? An indignant sweep of hand,
Dash at and doing away with drapery,
And,—use your eyes, Athenians, smooth she smiles!
Or,—since my client can no longer smile,
And more appropriate instances abound,—
What is this Tale of Tarquin, how the slave
Was caught by him, preferred to Collatine?
Thou, even from thy corpse-clothes virginal,
Look'st the lie dead, Lucretia!
Thus at least
I, by the guidance of antiquity,
(Our one infallible guide) now operate,
Sure that the innocence thus shown is safe;
Sure, too, that, while I plead, the echoes cry
(Lend my weak voice thy trump, sonorous Fame!)
"Monstrosity the Phrynean shape shall mar,
"Lucretia's soul comport with Tarquin's lie,
"When thistles grow on vines or thorns yield figs,
"Or oblique sentence leave this judgment-seat!"
A great theme: may my strength be adequate!
For—paint Pompilia, dares my feebleness?
How did I unaware engage so much
—Find myself undertaking to produce
A faultless nature in a flawless form?
What's here? Oh, turn aside nor dare the blaze
Of such a crown, such constellation, say,
As jewels here thy front, Humanity!
First, infancy, pellucid as a pearl;
Then childhood—stone which, dew-drop at the first,
(An old conjecture) sucks, by dint of gaze,
Blue from the sky and turns to sapphire so:
Yet both these gems eclipsed by, last and best,
Womanliness and wifehood opaline,
Its milk-white pallor,—chastity,—suffused
With here and there a tint and hint of flame,—
Desire,—the lapidary loves to find.
Such jewels bind conspicuously thy brow,
Pompilia, infant, child, maid, woman, wife—
Crown the ideal in our earth at last!
What should a faculty like mine do here?
Close eyes, or else, the rashlier hurry hand!
Which is to say,—lose no time but begin!
Sermocinando ne declamem, Sirs,
Ultra clepsydram, as our preachers smile,
Lest I exceed my hour-glass. Whereupon,
As Flaccus prompts, I dare the epic plunge—
Begin at once with marriage, up till when
Little or nothing would arrest your love,
In the easeful life o' the lady; lamb and lamb,
How do they differ? Know one, you know all
Manners of maidenhood: mere maiden she.
And since all lambs are like in more than fleece,
Prepare to find that, lamb-like, she too frisks—
O' the weaker sex, my lords, the weaker sex!
To whom, the Teian teaches us, for gift,
Not strength,—man's dower,—but beauty, nature gave,
"Beauty in lieu of spears, in lieu of shields!"
And what is beauty's sure concomitant,
Nay, intimate essential character,
But melting wiles, deliciousest deceits,
The whole redoubted armoury of love?
Therefore of vernal pranks, dishevellings
O' the hair of youth that dances April in,
And easily-imagined Hebe-slips
O'er sward which May makes over-smooth for foot—
These shall we pry into?—or wiselier wink,
Though numerous and dear they may have been?
For lo, advancing Hymen and his pomp!
Discedunt nunc amores, loves, farewell!
Maneat amor, let love, the sole, remain!
Farewell to dewiness and prime of life!
Remains the rough determined day: dance done,
To work, with plough and harrow! What comes next?
'T is Guido henceforth guides Pompilia's step,
Cries "No more friskings o'er the foodful glebe,
"Else, 'ware the whip!" Accordingly,—first crack
O' the thong,—we hear that his young wife was barred,
Cohibita fuit, from the old free life,
Vitam liberiorem ducere.
Demur we? Nowise: heifer brave the hind?
We seek not there should lapse the natural law,
The proper piety to lord and king
And husband: let the heifer bear the yoke!
Only, I crave he cast not patience off,
This hind; for deem you she endures the whip,
Nor winces at the goad, nay, restive, kicks?
What if the adversary's charge be just,
And all untowardly she pursue her way
With groan and grunt, though hind strike ne'er so hard?
If petulant remonstrance made appeal,
Importunate challenge taxed the public ear
When silence more decorously had served
For protestation,—if Pompilian plaint
Wrought but to aggravate Guidonian ire,—
Why, such mishaps, ungainly though they be,
Ever companion change, are incident
To altered modes and novelty of life:
The philosophic mind expects no less,
Smilingly knows and names the crisis, sits
Waiting till old things go and new arrive.
Therefore, I hold a husband but inept
Who turns impatient at such transit-time,
As if this running from the rod would last!
Since, even while I speak, the end is reached:
Success awaits the soon-disheartened man.
The parents turn their backs and leave the house,
The wife may wail but none shall intervene:
He hath attained his object, groom and bride
Partake the nuptial bower no soul can see,
Old things are passed and all again is new,
Over and gone the obstacles to peace,
Novorum—tenderly the Mantuan turns
The expression, some such purpose in his eye—
Nascitur ordo! Every storm is laid,
And forth from plain each pleasant herb may peep,
Each bloom of wifehood in abeyance late:
(Confer a passage in the Canticles.)
But what if, as 't is wont with plant and wife,
Flowers,—after a suppression to good end,
Still, when they do spring forth,—sprout here, spread there,
Anywhere likelier than beneath the foot
O' the lawful good-man gardener of the ground?
He dug and dibbled, sowed and watered,—still
'T is a chance wayfarer shall pluck the increase.
Just so, respecting persons not too much,
The lady, foes allege, put forth each charm
And proper floweret of feminity
To whosoever had a nose to smell
Or breast to deck: what if the charge be true?
The fault were graver had she looked with choice,
Fastidiously appointed who should grasp,
Who, in the whole town, go without the prize!
To nobody she destined donative,
But, first come was first served, the accuser saith.
Put case her sort of … in this kind … escapes
Were many and oft and indiscriminate—
Impute ye as the action were prepense,
The gift particular, arguing malice so?
Which butterfly of the wide air shall brag
"I was preferred to Guido"—when 't is clear
The cup, he quaffs at, lay with olent breast
Open to gnat, midge, bee and moth as well?
One chalice entertained the company;
And if its peevish lord object the more,
Mistake, misname such bounty in a wife,
Haste we to advertise him—charm of cheek,
Lustre of eye, allowance of the lip,
All womanly components in a spouse,
These are no household-bread each stranger's bite
Leaves by so much diminished for the mouth
O' the master of the house at supper-time:
But rather like a lump of spice they lie,
Morsel of myrrh, which scents the neighbourhood
Yet greets its lord no lighter by a grain.
Nay, even so, he shall be satisfied!
Concede we there was reason in his wrong,
Grant we his grievance and content the man!
For lo, Pompilia, she submits herself;
Ere three revolving years have crowned their course,
Off and away she puts this same reproach
Of lavish bounty, inconsiderate gift
O' the sweets of wifehood stored to other ends:
No longer shall he blame "She none excludes,"
But substitute "She laudably sees all,
"Searches the best out and selects the same."
For who is here, long sought and latest found,
Waiting his turn unmoved amid the whirl,
"Constans in levitate,"—Ha, my lords?
Calm in his levity,—indulge the quip!—
Since 't is a levite bears the bell away,
Parades him henceforth as Pompilia's choice.
'T is no ignoble object, husband! Doubt'st?
When here comes tripping Flaccus with his phrase
"Trust me, no miscreant singled from the mob,
"Crede non illum tibi de scelesta
"Plebe delectum," but a man of mark,
A priest, dost hear? Why then, submit thyself!
Priest, ay and very phoenix of such fowl,
Well-born, of culture, young and vigorous,
Comely too, since precise the precept points—
On the selected levite be there found
Nor mole nor scar nor blemish, lest the mind
Come all uncandid through the thwarting flesh!
Was not the son of Jesse ruddy, sleek,
Pleasant to look on, pleasant every way?
Since well he smote the harp and sweetly sang,
And danced till Abigail came out to see,
And seeing smiled and smiling ministered
The raisin-cluster and the cake of figs,
With ready meal refreshed the gifted youth,
Till Nabal, who was absent shearing sheep,
Felt heart sink, took to bed (discreetly done—
They might have been beforehand with him else)
And died—woudl Guido have behaved as well!
But ah, the faith of early days is gone,
Heu prisca fides! Nothing died in him
Save courtesy, good sense and proper trust,
Which, when they ebb from souls they should o'erflow,
Discover stub, weed, sludge and ugliness.
(The Pope, we know, is Neapolitan
And relishes a sea-side simile.)
Deserted by each charitable wave,
Guido, left high and dry, shows jealous now!
Jealous avouched, paraded: tax the fool
With any peccadillo, he responds
"Truly I beat my wife through jealousy,
"Imprisoned her and punished otherwise,
"Being jealous: now would threaten, sword in hand,
"Now manage to mix poison in her sight,
"And so forth: jealously I dealt, in fine."
Concede thus much, and what remains to prove?
Have I to teach my masters what effect
Hath jealousy, and how, befooling men,
It makes false true, abuses eye and ear,
Turns mere mist adamantine, loads with sound
Silence, and into void and vacancy
Crowds a whole phalanx of conspiring foes?
Therefore who owns "I watched with jealousy
"My wife," adds "for no reason in the world!"
What need that, thus proved madman, he remark
"The thing I thought a serpent proved an eel"?—
Perchance the right Comacchian, six foot length,
And not an inch too long for that rare pie
(Master Arcangeli has heard of such)
Whose succulence makes fasting bearable;
Meant to regale some moody splenetic
Who, pleasing to mistake the donor's gift,
Spying I know not what Lernæan snake
I' the luscious Lenten creature, stamps forsooth
The dainty in the dust.
Such lunes announced, for downright lunacy!
Insanit homo, threat succeeds to threat,
And blow redoubles blow,—his wife, the block.
But, if a block, shall not she jar the hand
That buffets her? The injurious idle stone
Rebounds and hits the head of him who flung.
Causeless rage breeds, i' the wife now, rageful cause,
Tyranny wakes rebellion from its sleep.
Rebellion, say I?—rather, self-defence,
Laudable wish to live and see good days,
Pricks our Pompilia now to fly the fool
By any means, at any price,—nay, more,
Nay, most of all, i' the very interest
O' the fool that, baffled of his blind desire
At any price, were truliest victor so.
Shall he effect his crime and lose his soul?
No, dictates duty to a loving wife!
Far better that the unconsummate blow,
Adroitly baulked by her, should back again,
Correctively admonish his own pate!
Crime then,—the Court is with me?—she must crush:
How crush it? By all efficacious means;
And these,—why, what in woman should they be?
"With horns the bull, with teeth the lion fights;
"To woman," quoth the lyrist quoted late,
"Nor teeth, nor horns, but beauty, Nature gave.
Pretty i' the Pagan! Who dares blame the use
Of armoury thus allowed for natural,—
Exclaim against a seeming-dubious play
O' the sole permitted weapon, spear and shield
Alike, resorted to i' the circumstance
By poor Pompilia? Grant she somewhat piled
Arts that allure, the magic nod and wink,
The witchery of gesture, spell of word,
Whereby the likelier to enlist this friend,
Yea stranger, as a champion on her side?
Such man, being but mere man, ('t was all she knew),
Must be made sure by beauty's silken bond,
The weakness that subdues the strong, and bows
Wisdom alike and folly. Grant the tale
O' the husband, which is false, were proved and true
To the letter—or the letters, I should say,
Abominations he professed to find
And fix upon Pompilia and the priest,—
Allow them hers—for though she could not write,
In early days of Eve-like innocence
That plucked no apple from the knowledge-tree,
Yet, at the Serpent's word, Eve plucks and eats
And knows—especially how to read and write:
And so Pompilia,—as the move o' the maw,
Quoth Persius, makes a parrot bid "Good day!"
A crow salute the concave, and a pie
Endeavour at proficiency in speech,—
So she, through hunger after fellowship,
May well have learned, though late, to play the scribe:
As indeed, there's one letter on the list
Explicitly declares did happen here.
"You thought my letters could be none of mine,"
She tells her parents—"mine, who wanted skill;
"But now I have the skill, and write, you see!"
She needed write love-letters, so she learned,
"Negatas artifex sequi voces"—though
This letter nowise 'scapes the common lot,
But lies i' the condemnation of the rest,
Found by the husband's self who forged them all.
Yet, for the sacredness of argument,
For this once an exemption shall it plead—
Anything, anything to let the wheels
Of argument run glibly to their goal!
Concede she wrote (which were preposterous)
This and the other epistle,—what of it?
Where does the figment touch her candid fame?
Being in peril of her life—"my life,
"Not an hour's purchase," as the letter runs,—
And having but one stay in this extreme,
Out of the wide world but a single friend—
What could she other than resort to him,
And how with any hope resort but thus?
Shall modesty dare bid a stranger brave
Danger, disgrace, nay death in her behalf—
Think to entice the sternness of the steel
Yet spare love's loadstone moving manly mind?
—Most of all, when such mind is hampered so
By growth of circumstance athwart the life
O' the natural man, that decency forbids
He stoop and take the common privilege,
Say frank "I love," as all the vulgar do.
A man is wedded to philosophy,
Married to statesmanship; a man is old;
A man is fettered by the foolishness
He took for wisdom and talked ten years since;
A man is, like our friend the Canon here,
A priest, and wicked if he break his vow:
Shall he dare love, who may be Pope one day?
Despite the coil of such encumbrance here,
Suppose this man could love, unhappily,
And would love, dared he only let love show!
In case the woman of his love, speaks first,
From what embarrassment she sets him free!
"'T is I who break reserve, begin appeal,
"Confess that, whether you love me or no,
"I love you!" What an ease to dignity,
What help of pride from the hard high-backed chair
Down to the carpet where the kittens bask,
All under the pretence of gratitude!
From all which, I deduce—the lady here
Was bound to proffer nothing short of love
To the priest whose service was to save her. What?
Shall she propose him lucre, dust o' the mine,
Rubbish o' the rock, some diamond, muckworms prize,
Some pearl secreted by a sickly fish?
Scarcely! She caters for a generous taste.
'T is love shall beckon, beauty bid to breast,
Till all the Samson sink into the snare!
Because, permit the end—permit therewith
Means to the end!
How say you, good my lords?
I hope you heard my adversary ring
The changes on this precept: now, let me
Reverse the peal! Quia dato licito fine,
Ad illum assequendum ordinata
Non sunt damnanda media,—licit end
Enough was found in mere escape from death,
To legalize our means illicit else
Of feigned love, false allurement, fancied fact.
Thus Venus losing Cupid on a day,
(See that Idyllium Moschi) seeking help,
In the anxiety of motherhood,
Allowably promised "Who shall bring report
"Where he is wandered to, my winged babe,
"I give him for reward a nectared kiss;
"But who brings safely back the truant's self,
"His be a super-sweet makes kiss seem cold!"
Are not these things writ for example-sake?
To such permitted motive, then, refer
All those professions, else were hard explain,
Of hope, fear, jealousy, and the rest of love!
He is Myrtillus, Amaryllis she,
She burns, he freezes,—all a mere device
To catch and keep the man, may save her life,
Whom otherwise nor catches she nor keeps!
Worst, once, turns best now: in all faith, she feigns:
Feigning,—the liker innocence to guilt,
The truer to the life in what she feigns!
How if Ulysses,—when, for public good
He sunk particular qualms and played the spy,
Entered Troy's hostile gate in beggar's garb—
How if he first had boggled at this clout,
Grown dainty o'er that clack-dish? Grime is grace
To whoso gropes amid the dung for gold.
Hence, beyond promises, we praise each proof
That promise was not simply made to break,
Mere moonshine-structure meant to fade at dawn:
We praise, as consequent and requisite,
What, enemies allege, were more than words,
Deeds—meetings at the window, twilight-trysts,
Nocturnal entertainments in the dim
Old labyrinthine palace; lies, we know—
Inventions we, long since, turned inside out.
Must such external semblance of intrigue
Demonstrate that intrigue there lurks perdue?
Does every hazel-sheath disclose a nut?
He were a Molinist who dared maintain
That midnight meetings in a screened alcove
Must argue folly in a matron—since
So would he bring a slur on Judith's self,
Commended beyond women, that she lured
The lustful to destruction through his lust.
Pompilia took not Judith's liberty,
No faulchion find you in her hand to smite,
No damsel to convey in dish the head
Of Holophernes,—style the Canon so—
Or is it the Count? If I entangle me
With my similitudes,—if wax wings melt,
And earthward down I drop, not mine the fault:
Blame your beneficence, O Court, O sun,
Whereof the beamy smile affects my flight!
What matter, so Pompilia's fame revive
I' the warmth that proves the bane of Icarus?
Yea, we have shown it lawful, necessary
Pompilia leave her husband, seek the house
O' the parents: and because 'twixt home and home
Lies a long road with many a danger rife,
Lions by the way and serpents in the path,
To rob and ravish,—much behoves she keep
Each shadow of suspicion from fair fame,
For her own sake much, but for his sake more,
The ingrate husband's. Evidence shall be,
Plain witness to the world how white she walks
I' the mire she wanders through ere Rome she reach.
And who so proper witness as a priest?
Gainsay ye? Let me hear who dares gainsay!
I hope we still can punish heretics!
"Give me the man" I say with him of Gath,
"That we may fight together!" None, I think:
The priest is granted me.
Then, if a priest,
One juvenile and potent: else, mayhap,
That dragon, our Saint George would slay, slays him.
And should fair face accompany strong hand,
The more complete equipment: nothing mars
Work, else praiseworthy, like a bodily flaw
I' the worker: as 't is said Saint Paul himself
Deplored the check o' the puny presence, still
Cheating his fulmination of its flash,
Albeit the bolt therein went true to oak.
Therefore the agent, as prescribed, she takes,—
Both juvenile and potent, handsome too,—
In all obedience: "good," you grant again.
Do you? I would you were the husband, lords!
How prompt and facile might departure be!
How boldly would Pompilia and the priest
March out of door, spread flag at beat of drum,
But that inapprehensive Guido grants
Neither premiss nor yet conclusion here,
And, purblind, dreads a bear in every bush!
For his own quietude and comfort, then,
Means must be found for flight in masquerade
At hour when all things sleep.—"Save jealousy!"
Right, Judges! Therefore shall the lady's wit
Supply the boon thwart nature baulks him of,
And do him service with the potent drug
(Helen's nepenthe, as my lords opine)
Which respites blessedly each fretted nerve
O' the much-enduring man: accordingly,
There lies he, duly dosed and sound asleep,
Relieved of woes or real or raved about.
While soft she leaves his side, he shall not wake;
Nor stop who steals away to join her friend,
Nor do him mischief should he catch that friend
Intent on more than friendly office,—nay,
Nor get himself raw head and bones laid bare
In payment of his apparition!
Would I defend the step,—were the thing true
Which is a fable,—see my former speech,—
That Guido slept (who never slept a wink)
Through treachery, an opiate from his wife,
Who not so much as knew what opiates mean.
Now she may start: or hist,—a stoppage still!
A journey is an enterprise of cost!
As in campaigns, we fight but others pay,
Suis expensis, nemo militat.
'T is Guido's self we guard from accident,
Ensuring safety to Pompilia, versed
Nowise in misadventures by the way,
Hard riding and rough quarters, the rude fare,
The unready host, What magic mitigates
Each plague of travel to the unpractised wife?
Money, sweet Sirs! And were the fiction fact
She helped herself thereto with liberal hand
From out her husband's store,—what fitter use
Was ever husband's money destined to?
With bag and baggage thus did Dido once
Decamp,—for more authority, a queen!
So is she fairly on her route at last,
Prepared for either fortune: nay and if
The priest, now all a-glow with enterprise,
Cool somewhat presently when fades the flush
O' the first adventure, clouded o'er belike
By doubts, misgivings how the day may die,
Though born with such auroral brilliance,—if
The brow seem over pensive and the lip
'Gin lag and lose the prattle lightsome late,—
Vanquished by tedium of a prolonged jaunt
In a close carriage o'er a jolting road,
With only one young female substitute
For seventeen other Canons of ripe age
Were wont to keep him company in church,—
Shall not Pompilia haste to dissipate
The silent cloud that, gathering, bodes her bale?—
Prop the irresoluteness may portend
Suspension of the project, check the flight,
Bring ruin on them both? Use every means,
Since means to the end are lawful! What i' the way
Of wile should have allowance like a kiss
Sagely and sisterly administered,
Sororia saltem oscula? We find
Such was the remedy her wit applied
To each incipient scruple of the priest,
If we believe,—as, while my wit is mine
I cannot,—what the driver testifies,
Borsi, called Venerino, the mere tool
Of Guido and his friend the Governor,—
Avowal I proved wrung from out the wretch,
After long rotting in imprisonment,
As price of liberty and favour: long
They tempted, he at last succumbed, and lo
Counted them out full tale each kiss and more,
"The journey being one long embrace," quoth he.
Still, though we should believe the driver's lie,
Nor even admit as probable excuse,
Right reading of the riddle,—as I urged
In my first argument, with fruit perhaps—
That what the owl-like eyes (at back of head!)
O' the driver, drowsed by driving night and day,
Supposed a vulgar interchange of lips,
This was but innocent jog of head 'gainst head,
Cheek meeting jowl as apple may touch pear
From branch and branch contiguous in the wind,
When Autumn blusters and the orchard rocks:—
That rapid run and the rough road were cause
O' the casual ambiguity, no harm
I' the world to eyes awake and penetrative.
Say,—not to grasp a truth I can release
And safely fight without, yet conquer still,—
Say, she kissed him, say, he kissed her again!
Such osculation was a potent means,
A very efficacious help, no doubt:
Such with a third part of her nectar did
Venus imbue: why should Pompilia fling
The poet's declaration in his teeth?—
Pause to employ what,—since it had success,
And kept the priest her servant to the end,—
We must presume of energy enough,
No whit superfluous, so permissible?
The goal is gained: day, night and yet a day
Have run their round: a long and devious road
Is traversed,—many manners, various men
Passed in view, what cities did they see,
What hamlets mark, what profitable food
For after-meditation cull and store!
Till Rome, that Rome whereof—this voice
Would it might make our Molinists observe,
That she is built upon a rock nor shall
Their powers prevail against her!—Rome, I say,
Is all but reached; one stage more and they stop
Saved: pluck up heart, ye pair, and forward, then!
Ah, Nature—baffled she recurs, alas!
Nature imperiously exacts her due,
Spirit is willing but the flesh is weak:
Pompilia needs must acquiesce and swoon,
Give hopes alike and fears a breathing-while.
The innocent sleep soundly: sound she sleeps,
So let her slumber, then, unguarded save
By her own chastity, a triple mail,
And his good hand whose stalwart arms have borne
The sweet and senseless burthen like a babe
From coach to coach,—the serviceable strength!
Nay, what and if he gazed rewardedly
On the pale beauty prisoned in embrace,
Stooped over, stole a balmy breath perhaps
For more assurance sleep was not decease—
"Ut vidi," "how I saw!" succeeded by
"Ut perii," "how I sudden lost my brains!"
—What harm ensued to her unconscious quite?
For, curiosity—how natural!
Importunateness—what a privilege
In the ardent sex! And why curb ardour here?
How can the priest but pity whom he saved?
And pity is so near to love, and love
So neighbourly to all unreasonableness!
As to love's object, whether love were sage
Or foolish, could Pompilia know or care,
Being still sound asleep, as I premised?
Thus the philosopher absorbed by thought,
Even Archimedes, busy o'er a book
The while besiegers sacked his Syracuse,
Was ignorant of the imminence o' the point
O' the sword till it surprised him: let it stab,
And never knew himself was dead at all.
So sleep thou on, secure whate'er betide!
For thou, too, hast thy problem hard to solve-
How so much beauty is compatible
With so much innocence!
Fit place, methinks,
While in this task she rosily is lost,
To treat of and repel objection here
Which,—frivolous, I grant,—my mind misgives,
May somehow still have flitted, gadfly-like,
And teased the Court at times—as if, all said
And done, there seemed, the Court might nearly say,
In a certain acceptation, somewhat more
Of what may pass for insincerity,
Falsehood, throughout the course Pompilia took,
Than befits Christian. Pagans held, we know,
Man always ought to aim at good and truth,
Not always put one thing in the same words:
Non idem semper dicere sed spectare
Debemus. But the Pagan yoke was light;
"Lie not at all," the exacter precept bids:
Each least lie breaks the law,—is sin, we hold.
I humble me, but venture to submit—
What prevents sin, itself is sinless, sure:
And sin, which hinders sin of deeper dye,
Softens itself away by contrast so.
Conceive me! Little sin, by none at all,
Were properly condemned for great: but great,
By greater, dwindles into small again.
Now, what is greatest sin of womanhood?
That which unwomans it, abolishes
The nature of the woman,—impudence.
Who contradicts me here? Concede me, then,
Whatever friendly fault may interpose
To save the sex from self-abolishment
Is three-parts on the way to virtue's rank!
And, what is taxed here as duplicity,
Feint, wile and trick,—admitted for the nonce,—
What worse do one and all than interpose,
Hold, as it were, a deprecating hand,
Statuesquely, in the Medicean mode,
Before some shame which modesty would veil?
Who blames the gesture prettily perverse?
Thus,—lest ye miss a point illustrative,—
Admit the husband's calumny—allow
That the wife, having penned the epistle fraught
With horrors, charge on charge of crime she heaped
O' the head of Pietro and Violante—(still
Presumed her parents)—having despatched the same
To their arch-enemy Paolo, through free choice
And no sort of compulsion in the world—
Put case she next discards simplicity
For craft, denies the voluntary act,
Declares herself a passive instrument
I' the husband's hands; that, duped by knavery,
She traced the characters she could not write,
And took on trust the unread sense which, read,
And recognized were to be spurned at once:
Allow this calumny, I reiterate!
Who is so dull as wonder at the pose
Of our Pompilia in the circumstance?
Who sees not that the too-ingenuous soul,
Repugnant even at a duty done
Which brought beneath too scrutinizing glare
The misdemeanours,—buried in the dark,—
Of the authors of her being, as believed,—
Stung to the quick at her impulsive deed,
And willing to repair what harm it worked,
She—wise in this beyond what Nero proved,
Who when folk urged the candid juvenile
To sign the warrant, doom the guilty dead,
"Would I had never learned to write," quoth he!
—Pompilia rose above the Roman, cried
"To read or write I never learned at all!"
O splendidly mendacious!
But time fleets:
Let us not linger: hurry to the end,
Since flight does end and that, disastrously.
Beware ye blame desert for unsuccess,
Disparage each expedient else to praise,
Call failure folly! Man's best effort fails.
After ten years' resistance Troy succumbed:
Could valour save a town, Troy still had stood.
Pompilia came off halting in no point
Of courage, conduct, her long journey through:
But nature sank exhausted at the close,
And as I said, she swooned and slept all night.
Morn breaks and brings the husband: we assist
At the spectacle. Discovery succeeds.
Ha, how is this? What moonstruck rage is here?
Though we confess to partial frailty now,
To error in a woman and a wife,
Is 't by the rough way she shall be reclaimed?
Who bursts upon her chambered privacy?
What crowd profanes the chaste cubiculum?
What outcries and lewd laughter, scurril gibe
And ribald jest to scare the ministrant
Good angels that commerce with souls in sleep?
Why, had the worst crowned Guido to his wish,
Confirmed his most irrational surmise,
Yet there be bounds to man's emotion, checks
To an immoderate astonishment.
'T is decent horror, regulated wrath,
Befit our dispensation: have we back
The old Pagan license? Shall a Vulcan clap
His net o' the sudden and expose the pair
To the unquenchable universal mirth?
A feat, antiquity saw scandal in
So clearly, that the nauseous tale thereof—
Demodocus his nugatory song—
Hath ever been concluded modern stuff
Impossible to the mouth of the grave Muse,
So, foisted into that Eighth Odyssey
By some impertinent pickthank. O thou fool,
Count Guido Franceschini, what didst gain
By publishing thy secret to the world?
Were all the precepts of the wise a waste—
Bred in thee not one touch of reverence?
Admit thy wife—admonish we the fool,—
Were falseness' self, why chronicle thy shame?
Much rather should thy teeth bite out thy tongue,
Dumb lip consort with desecrated brow,
Silence become historiographer,
And thou—thine own Cornelius Tacitus!
But virtue, barred, still leaps the barrier, lords!
—Still, moon-like, penetrates the encroaching mist
And bursts, all broad and bare, on night, ye know!
Surprised, then, in the garb of truth, perhaps,
Pompilia, thus opposed, breaks obstacle,
Springs to her feet, and stands Thalassian-pure,
Confronts the foe,—nay, catches at his sword
And tries to kill the intruder, he complains.
Why, so she gave her lord his lesson back,
Crowned him, this time, the virtuous woman's way,
With an exact obedience; he brought sword,
She drew the same, since swords are meant to draw.
Tell not me 't is sharp play with tools on edge!
It was the husband chose the weapon here.
Why did not he inaugurate the game
With some gentility of apophthegm
Still pregnant on the philosophic page,
Some captivating cadence still a-lisp
O' the poet's lyre? Such spells subdue the surge,
Make tame the tempest, much more mitigate
The passions of the mind, and probably
Had moved Pompilia to a smiling blush.
No, he must needs prefer the argument
O' the blow: and she obeyed, in duty bound,
Returned him buffet ratiocinative—
Ay, in the reasoner's own interest,
For wife must follow whither husband leads,
Vindicate honour as himself prescribes,
Save him the very way himself bids save!
No question but who jumps into a quag
Should stretch forth hand and pray us "Pull me out
"By the hand!" such were the customary cry:
But Guido pleased to bid "Leave hand alone!
"Join both feet, rather, jump upon my head:
"I extricate myself by the rebound!"
And dutifully as enjoined she jumped—
Drew his own sword and menaced his own life,
Anything to content a wilful spouse.
And so he was contented—one must do
Justice to the expedient which succeeds,
Strange as it seem: at flourish of the blade,
The crowd drew back, stood breathless and abashed,
Then murmured "This should be no wanton wife,
"No conscience-stricken sinner, caught i' the act,
"And patiently awaiting our first stone:
"But a poor hard-pressed all-bewildered thing,
"Has rushed so far, misguidedly perhaps,
"Meaning no more harm than a frightened sheep.
"She sought for aid; and if she made mistake
"I' the man could aid most, why—so mortals do:
"Even the blessed Magdalen mistook
"Far less forgiveably: consult the place—
"Supposing him to be the gardener,
"'Sir,' said she, and so following." Why more words?
Forthwith the wife is pronounced innocent:
What would the husband more than gain his cause,
And find that honour flash in the world's eye,
His apprehension was lest soil had smirched?
So, happily the adventure comes to close
Whereon my fat opponent grounds his charge
Preposterous: at mid-day he groans "How dark!"
Listen to me, thou Archangelic swine!
Where is the ambiguity to blame,
The flaw to find in our Pompilia? Safe
She stands, see! Does thy comment follow quick
"Safe, inasmuch as at the end proposed;
"But thither she picked way by devious path—
"Stands dirtied, no dubiety at all!
"I recognize success, yet, all the same,
"Importunately will suggestion prompt—
"Better Pompilia gained the right to boast
"'No devious path, no doubtful patch was mine,
"'I saved my head nor sacrificed my foot:'
"Why, being in a peril, show mistrust
"Of the angels set to guard the innocent?
"Why rather hold by obvious vulgar help
"Of stratagem and subterfuge, excused
"Somewhat, but still no less a foil, a fault,
"Since low with high, and good with bad is linked?
"Methinks I view some ancient bas-relief.
"There stands Hesione thrust out by Troy,
"Her father's hand has chained her to a crag,
"Her mother's from the virgin plucked the vest,
"At a safe distance both distressful watch,
"While near and nearer comes the snorting orc.
"I look that, white and perfect to the end,
"She wait till Jove despatch some demigod;
"Not that,—impatient of celestial club
"Alcmena's son should brandish at the beast,—
'She daub, disguise her dainty limbs with pitch,
"And so elude the purblind monster! Ay,
"The trick succeeds, but 't is an ugly trick,
"Where needs have been no trick!"
My answer? Faugh;
Nimis incongrue! Too absurdly put!
Sententiam ego teneo contrariam,
Trick, I maintain, had no alternative.
The heavens were bound with brass,—Jove far at feast
(No feast like that thou didst not ask me to,
Arcangeli,—I heard of thy regale!)
With the unblamed Æthiop,—Hercules spun wool
I' the lap of Omphale, while Virtue shrieked—
The brute came paddling all the faster. You
Of Troy, who stood at distance, where's the aid
You offered in the extremity? Most and least,
Gentle and simple, here the Governor,
There the Archbishop, everywhere the friends,
Shook heads and waited for a miracle,
Or went their way, left Virtue to her fate.
Just this one rough and ready man leapt forth!
—Was found, sole anti-Fabius (dare I say)
Who restored things, with no delay at all,
Qui haud cunctando rem restituit! He,
He only, Caponsacchi 'mid a crowd,
Caught Virtue up, carried Pompilia off
Through gaping impotence of sympathy
In ranged Arezzo: what you take for pitch,
Is nothing worse, belike, than black and blue,
Mere evanescent proof that hardy hands
Did yeoman's service, cared not where the gripe
Was more than duly energetic: bruised,
She smarts a little, but her bones are saved
A fracture, and her skin will soon show sleek.
How it disgusts when weakness, false-refined,
Censures the honest rude effective strength,—
When sickly dreamers of the impossible
Decry plain sturdiness which does the feat
With eyes wide open!
Did occasion serve,
I could illustrate, if my lords allow;
Quid vetat, what forbids I aptly ask
With Horace, that I give my anger vent,
While I let breathe, no less, and recreate,
The gravity of my Judges, by a tale?
A case in point—what though an apologue
Graced by tradition?—possibly a fact:
Tradition must precede all scripture, words
Serve as our warrant ere our books can be:
So, to tradition back we needs must go
For any fact's authority: and this
Hath lived so far (like jewel hid in muck)
On page of that old lying vanity
Called "Sepher Toldoth Yeschu:" God be praised,
I read no Hebrew,—take the thing on trust:
But I believe the writer meant no good
(Blind as he was to truth in some respects)
To our pestiferous and schismatic … well,
My lords' conjecture be the touchstone, show
The thing for what it is! The author lacks
Discretion, and his zeal exceeds: but zeal,—
How rare in our degenerate day! Enough!
Here is the story: fear not, I shall chop
And change a little, else my Jew would press
All too unmannerly before the Court.
It happened once,—begins this foolish Jew,
Pretending to write Christian history,—
That three, held greatest, best and worst of men,
Peter and John and Judas, spent a day
In toil and travel through the country-side
On some sufficient business—I suspect,
Suppression of some Molinism i' the bud.
Foot-sore and hungry, dropping with fatigue,
They reached by nightfall a poor lonely grange,
Hostel or inn: so, knocked and entered there.
"Your pleasure, great ones?"—"Shelter, rest and food!"
For shelter, there was one bare room above;
For rest therein, three beds of bundled straw:
For food, one wretched starveling fowl, no more—
Meat for one mouth, but mockery for three.
"You have my utmost." How should supper serve?
Peter broke silence: "To the spit with fowl!
"And while 't is cooking, sleep!—since beds there be,
"And, so far, satisfaction of a want.
"Sleep we an hour, awake at supper-time,
"Then each of us narrate the dream he had,
"And he whose dream shall prove the happiest, point
"The clearliest out the dreamer as ordained
"Beyond his fellows to receive the fowl,
"Him let our shares be cheerful tribute to,
"His the entire meal, may it do him good!"
Who could dispute so plain a consequence?
So said, so done: each hurried to his straw,
Slept his hour's sleep and dreamed his dream, and woke.
"I," commenced John, "dreamed that I gained the prize
"We all aspire to: the proud place was mine,
"Throughout the earth and to the end of time
"I was the Loved Disciple: mine the meal!"
"But I," proceeded Peter, "dreamed, a word
"Gave me the headship of our company,
"Made me the Vicar and Vice-gerent, gave
"The keys of heaven and hell into my hand,
"And o'er the earth, dominion: mine the meal!"
"While I," submitted in soft under-tone
The Iscariot—sense of his unworthiness
Turning each eye up to the inmost white—
With long-drawn sigh, yet letting both lips smack,
"I have had just the pitifullest dream
"That ever proved man meanest of his mates,
"And born foot-washer and foot-wiper, nay
"Foot-kisser to each comrade of you all!
"I dreamed I dreamed; and in that mimic dream
"(Impalpable to dream as dream to fact)
"Methought I meanly chose to sleep no wink
"But wait until I heard my brethren snore;
"Then stole from couch, slipped noiseless o'er the planks,
"Slid downstairs, furtively approached the hearth,
"Found the fowl duly brown, both back and breast,
"Hissing in harmony with the cricket's chirp,
"Grilled to a point; said no grace but fell to,
"Nor finished till the skeleton lay bare.
"In penitence for which ignoble dream,
"Lo, I renounce my portion cheerfully!
"Fie on the flesh—be mine the ethereal gust,
"And yours the sublunary sustenance!
"See that whate'er be left ye give the poor!"
Down the two scuttled, one on other's heel,
Stung by a fell surmise; and found, alack,
A goodly savour, both the drumstick bones,
And that which henceforth took the appropriate name
O' the Merry-thought, in memory of the fact
That to keep wide awake is man's best dream.
So,—as was said once of Thucydides
And his sole joke, "The lion, lo, hath laughed!"—
Just so, the Governor and all that's great
I' the city, never meant that Innocence
Should quite starve while Authority sat at meat;
They meant to fling a bone at banquet's end:
Wished well to our Pompilia—in their dreams,
Nor bore the secular sword in vain—asleep.
Just so the Archbishop and all good like him
Went to bed meaning to pour oil and wine
I' the wounds of her, next day,—but long ere day,
They had burned the one and drunk the other, while
Just so, again, contrariwise, the priest
Sustained poor Nature in extremity
By stuffing barley-bread into her mouth,
Saving Pompilia (grant the parallel)
By the plain homely and straightforward way
Taught him by common sense. Let others shriek
"Oh what refined expedients did we dream
"Proved us the only fit to help the fair!"
He cried "A carriage waits, jump in with me!"
And now, this application pardoned, lords,—
This recreative pause and breathing-while,—
Back to beseemingness and gravity!
For Law steps in: Guido appeals to Law,
Demands she arbitrate,—does well for once.
O Law, of thee how neatly was it said
By that old Sophocles, thou hast thy seat
I' the very breast of Jove, no meanlier throned!
Here is a piece of work now, hitherto
Begun and carried on, concluded near,
Without an eye-glance cast thy sceptre's way;
And, lo the stumbling and discomfiture!
Well may you call them "lawless" means, men take
To extricate themselves through mother-wit
When tangled haply in the toils of life!
Guido would try conclusions with his foe,
Whoe'er the foe was and whate'er the offence;
He would recover certain dowry-dues:
Instead of asking Law to lend a hand,
What pother of sword drawn and pistol cocked,
What peddling with forged letters and paid spies,
Politic circumvention!—all to end
As it began—by loss of the fool's head,
First in a figure, presently in a fact.
It is a lesson to mankind at large.
How other were the end, would men be sage
And bear confidingly each quarrel straight,
O Law, to thy recipient mother-knees!
How would the children light come and prompt go,
This with a red-cheeked apple for reward,
The other, peradventure red-cheeked too
I' the rear, by taste of birch for punishment.
No foolish brawling murder any more!
Peace for the household, practise for the Fisc,
And plenty for the exchequer of my lords!
Too much to hope, in this world: in the next,
Who knows? Since, why should sit the Twelve enthroned
To judge the tribes, unless the tribes be judged?
And 't is impossible but offences come:
So, all's one lawsuit, all one long leet-day!
Forgive me this digression—that I stand
Entranced awhile at Law's first beam, outbreak
O' the business, when the Count's good angel bade
"Put up thy sword, born enemy to the ear,
"And let Law listen to thy difference!"
And Law does listen and compose the strife,
Settle the suit, how wisely and how well!
On our Pompilia, faultless to a fault,
Law bends a brow maternally severe,
Implies the worth of perfect chastity,
By fancying the flaw she cannot find.
Superfluous sifting snow, nor helps nor harms:
'T is safe to censure levity in youth,
Tax womanhood with indiscretion, sure!
Since toys, permissible to-day, become
Follies to-morrow: prattle shocks in church:
And that curt skirt which lets a maiden skip,
The matron changes for a trailing robe.
Mothers may aim a blow with half-shut eyes
Nodding above their spindles by the fire,
And chance to hit some hidden fault, else safe.
Just so, Law hazarded a punishment—
If applicable to the circumstance,
Why, well! if not so apposite, well too.
"Quit the gay range o' the world," I hear her cry,
"Enter, in lieu, the penitential pound:
"Exchange the gauds of pomp for ashes, dust!
"Leave each mollitious haunt of luxury!
"The golden-garnished silken-couched alcove,
"The many-columned terrace that so tempts
"Feminine soul put foot forth, extend ear
"To fluttering joy of lover's serenade,—
"Leave these for cellular seclusion! mask
"And dance no more, but fast and pray! avaunt—
"Be burned, thy wicked townsman's sonnet-book!
"Welcome, mild hymnal by … some better scribe!
"For the warm arms were wont enfold thy flesh,
"Let wire-shirt plough and whipcord discipline!"
If such an exhortation proved, perchance,
Inapplicable, words bestowed in waste,
What harm, since Law has store, can spend nor miss?
And so, our paragon submits herself,
Goes at command into the holy house,
And, also at command, comes out again:
For, could the effect of such obedience prove
Too certain, too immediate? Being healed,
Go blaze abroad the matter, blessed one!
Art thou sound forthwith? Speedily vacate
The step by pool-side, leave Bethesda free
To patients plentifully posted round,
Since the whole need not the physician! Brief,
She may betake her to her parents' place.
Welcome her, father, with wide arms once more,
Motion her, mother, to thy breast again!
For why? Since Law relinquishes the charge,
Grants to your dwelling-place a prison's style,
Rejoice you with Pompilia! golden days,
Redeunt Saturnia regna. Six weeks slip,
And she is domiciled in house and home
As though she thence had never budged at all.
And thither let the husband,—joyous, ay,
But contrite also—quick betake himself,
Proud that his dove which lay among the pots
Hath mued those dingy feathers,—moulted now,
Shows silver bosom clothed with yellow gold!
So shall he tempt her to the perch she fled,
Bid to domestic bliss the truant back.
But let him not delay! Time fleets how fast,
And opportunity, the irrevocable,
Once flown will flout him! Is the furrow traced?
If field with corn ye fail preoccupy,
Darnel for wheat and thistle-beards for grain,
Infelix lolium, carduus horridus,
Will grow apace in combination prompt,
Defraud the husbandman of his desire.
Already—hist—what murmurs 'monish now
The laggard?—doubtful, nay, fantastic bruit
Of such an apparition, such return
Interdum, to anticipate the spouse,
Of Caponsacchi's very self! 'T is said,
When nights are lone and company is rare,
His visitations brighten winter up.
If so they did—which nowise I believe—
(How can I?—proof abounding that the priest,
Once fairly at his relegation-place,
Never once left it) still, admit he stole
A midnight march, would fain see friend again,
Find matter for instruction in the past,
Renew the old adventure in such chat
As cheers a fireside! He was lonely too,
He, too, must need his recreative hour.
Shall it amaze the philosophic mind
If he, long wont the empurpled cup to quaff,
Have feminine society at will,
Being debarred abruptly from all drink
Save at the spring which Adam used for wine,
Dreads harm to just the health he hoped to guard,
And, trying abstinence, gains malady?
Ask Tozzi, now physician to the Pope!
"Little by little break"—(I hear he bids
Master Arcangeli my antagonist,
Who loves good cheer, and may indulge too much:
So I explain the logic of the plea
Wherewith he opened our proceedings late)—
"Little by little break a habit, Don,
"Become necessity to feeble flesh!"
And thus, nocturnal taste of intercourse
(Which never happened,—but, suppose it did)
May have been used to dishabituate
By sip and sip this drainer to the dregs
O' the draught of conversation,—heady stuff,
Brewage which, broached, it took two days and nights
To properly discuss i' the journey, Sirs!
Such power has second-nature, men call use,
That undelightful objects get to charm
Instead of chafe: the daily colocynth
Tickles the palate by repeated dose,
Old sores scratch kindly, the ass makes a push
Although the mill-yoke-wound be smarting yet,
For mill-door bolted on a holiday:
Nor must we marvel here if impulse urge
To talk the old story over now and then,
The hopes and fears, the stoppage and the haste,—
Subjects of colloquy to surfeit once.
"Here did you bid me twine a rosy wreath!"
"And there you paid my lips a compliment!"
"Here you admired the tower could be so tall!"
"And there you likened that of Lebanon
"To the nose of the beloved!" Trifles! still,
"Forsan et hæc olim,"—such trifles serve
To make the minutes pass in winter-time.
Husband, return then, I re-counsel thee!
For, finally, of all glad circumstance
Should make a prompt return imperative,
What in the world awaits thee, dost suppose?
O' the sudden, as good gifts are wont befall,
What is the hap of our unconscious Count?
That which lights bonfire and sets cask a-tilt,
Dissolves the stubborn'st heart in jollity.
O admirable, there is born a babe,
A son, an heir, a Franceschini last
And best o' the stock! Pompilia, thine the palm!
Repaying incredulity with faith,
Ungenerous thrift of each marital debt
With bounty in profuse expenditure,
Pompilia scorns to have the old year end
Without a present shall ring in the new—
Bestows on her too-parsimonious lord
An infant for the apple of his eye,
Core of his heart, and crown completing life,
True summum bonum of the earthly lot!
"We," saith ingeniously the sage, "are born
"Solely that others may be born of us."
So, father, take thy child, for thine that child,
Oh nothing doubt! In wedlock born, law holds
Baseness impossible: since "filius est
"Quem nuptiæ demonstrant," twits the text
Whoever dares to doubt.
Yet doubt he dares!
O faith, where art thou flown from out the world?
Already on what an age of doubt we fall!
Instead of each disputing for the prize,
The babe is bandied here from that to this.
Whose the babe? "Cujum pecus?" Guido's lamb?
"An Meliboei?" Nay, but of the priest!
"Non sed Ægonis!" Someone must be sire:
And who shall say, in such a puzzling strait,
If there were not vouchsafed some miracle
To the wife who had been harassed and abused
More than enough by Guido's family
For non-production of the promised fruit
Of marriage? What if Nature, I demand,
Touched to the quick by taunts upon her sloth,
Had roused herself, put forth recondite power,
Bestowed this birth to vindicate her sway,
Like the strange favour, Maro memorized
As granted Aristæus when his hive
Lay empty of the swarm? not one more bee—
Not one more babe to Franceschini's house!
And lo, a new birth filled the air with joy,
Sprung from the bowels of the generous steer,
A novel son and heir rejoiced the Count!
Spontaneous generation, need I prove
Were facile feat to Nature at a pinch?
Let whoso doubts, steep horsehair certain weeks
In water, there will be produced a snake;
Spontaneous product of the horse, which horse
Happens to be the representative—
Now that I think on't—of Arezzo's self,
The very city our conception blessed:
Is not a prancing horse the City-arms?
What sane eye fails to see coincidence?
Cur ego, boast thou, my Pompilia, then,
Desperem fieri sine conjuge
Mater—how well the Ovidian distich suits!—
Et parere intacto dummodo
Casta viro? Such miracle was wrought!
Note, further, as to mark the prodigy,
The babe in question neither took the name
Of Guido, from the sire presumptive, nor
Giuseppe, from the sire potential, but
Gaetano—last saint of our hierarchy,
And newest namer for a thing so new!
What other motive could have prompted choice?
Therefore be peace again: exult, ye hills!
Ye vales rejoicingly break forth in song!
Incipe, parve puer, begin, small boy,
Risu cognoscere patrem, with a laugh
To recognize thy parent! Nor do thou
Boggle, oh parent, to return the grace!
Nec anceps hære, pater, puero
Cognoscendo—one may well eke out the prayer!
In vain! The perverse Guido doubts his eyes,
Distrusts assurance, lets the devil drive.
Because his house is swept and garnished now,
He, having summoned seven like himself,
Must hurry thither, knock and enter in,
And make the last worse than the first, indeed!
Is he content? We are. No further blame
O' the man and murder! They were stigmatized
Befittingly: the Court heard long ago
My mind o' the matter, which, outpouring full,
Has long since swept like surge, i' the simile
Of Homer, overborne both dyke and dam,
And whelmed alike client and advocate:
His fate is sealed, his life as good as gone,
On him I am not tempted to waste word.
Yet though my purpose holds,—which was and is
And solely shall be to the very end,
To draw the true effigies of a saint,
Do justice to perfection in the sex,—
Yet let not some gross pamperer of the flesh
And niggard in the spirit's nourishment,
Whose feeding hath offuscated his wit
Rather than law,—he never had, to lose—
Let not such advocate object to me
I leave my proper function of attack!
"What 's this to Bacchus?"—(in the classic phrase,
Well used, for once) he hiccups probably.
O Advocate o' the Poor, thou born to make
Their blessing void—beati pauperes!
By painting saintship I depicture sin:
Beside my pearl, I prove how black thy jet,
And, through Pompilia's virtue, Guido's crime.
Back to her, then,—with but one beauty more,
End we our argument,—one crowning grace
Pre-eminent 'mid agony and death.
For to the last Pompilia played her part,
Used the right means to the permissible end,
And, wily as an eel that stirs the mud
Thick overhead, so baffling spearman's thrust,
She, while he stabbed her, simulated death,
Delayed, for his sake, the catastrophe,
Obtained herself a respite, four days' grace,
Whereby she told her story to the world,
Enabled me to make the present speech,
And, by a full confession, saved her soul.
Yet hold, even here would malice leer its last,
Gurgle its choked remonstrance: snake, hiss free!
Oh, that 's the objection? And to whom?—not her
But me, forsooth—as, in the very act
Of both confession and (what followed close)
Subsequent talk, chatter and gossipry,
Babble to sympathizing he and she
Whoever chose besiege her dying bed,—
As this were found at variance with my tale,
Falsified all I have adduced for truth,
Admitted not one peccadillo here,
Pretended to perfection, first and last,
O' the whole procedure—perfect in the end,
Perfect i' the means, perfect in everything,
Leaving a lawyer nothing to excuse,
Reason away and show his skill about!
—A flight, impossible to Adamic flesh,
Just to be fancied, scarcely to be wished,
And, anyhow, unpleadable in court!
"How reconcile," gasps Malice, "that with this?"
Your "this," friend, is extraneous to the law,
Comes of men's outside meddling, the unskilled
Interposition of such fools as press
Out of their province. Must I speak my mind?
Far better had Pompilia died o' the spot
Than found a tongue to wag and shame the law,
Shame most of all herself,—could friendship fail
And advocacy lie less on the alert:
But no, they shall protect her to the end!
Do I credit the alleged narration? No!
Lied our Pompilia then, to laud herself?
Still, no! Clear up what seems discrepancy?
The means abound: art 's long, though time is short;
So, keeping me in compass, all I urge
Is—since, confession at the point of death,
Nam in articulo mortis, with the Church
Passes for statement honest and sincere,
Nemo presumitur reus esse,—then,
If sure that all affirmed would be believed,
'T was charity, in her so circumstanced,
To spend the last breath in one effort more
For universal good of friend and foe:
And,—by pretending utter innocence,
Nay, freedom from each foible we forgive,—
Re-integrate—not solely her own fame,
But do the like kind office for the priest
Whom telling the crude truth about might vex,
Haply expose to peril, abbreviate
Indeed the long career of usefulness
Presumably before him: while her lord,
Whose fleeting life is forfeit to the law,—
What mercy to the culprit if, by just
The gift of such a full certificate
Of his immitigable guiltiness,
She stifled in him the absurd conceit
Of murder as it were a mere revenge
—Stopped confirmation of that jealousy
Which, did she but acknowledge the first flaw,
The faintest foible, had emboldened him
To battle with the charge, baulk penitence,
Bar preparation for impending fate!
Whereas, persuade him that he slew a saint
Who sinned not even where she may have sinned,
You urge him all the brisklier to repent
Of most and least and aught and everything!
Still, if this view of mine content you not,
Lords, nor excuse the genial falsehood here,
We come to our Triarii, last resource:
We fall back on the inexpugnable,
Submitting,—she confessed before she talked!
The sacrament obliterates the sin:
What is not,—was not, therefore, in a sense.
Let Molinists distinguish, "Souls washed white
"But red once, still show pinkish to the eye!"
We say, abolishment is nothingness,
And nothingness has neither head nor tail,
End nor beginning! Better estimate
Exorbitantly, than disparage aught
Of the efficacity of the act, I hope!
Solvuntur tabulæ? May we laugh and go?
Well,—not before (in filial gratitude
To Law, who, mighty mother, waves adieu)
We take on us to vindicate Law's self!
For,—yea, Sirs,—curb the start, curtail the stare!—
Remains that we apologize for haste
I' the Law, our lady who here bristles up
"Blame my procedure? Could the Court mistake?
"(Which were indeed a misery to think)
"Did not my sentence in the former stage
"O' the business bear a title plain enough?
"Decretum"—I translate it word for word—
"'Decreed: the priest, for his complicity
"'I' the flight and deviation of the dame,
"'As well as for unlawful intercourse,
"'Is banished three years: crime and penalty,
"Declared alike. If he be taxed with guilt,
"How can you call Pompilia innocent?
"If both be innocent, have I been just?"
Gently, O mother, judge men—whose mistake
Is in the mere misapprehensiveness!
The Titulus a-top of your decree
Was but to ticket there the kind of charge
You in good time would arbitrate upon.
Title is one thing,—arbitration's self,
Probatio, quite another possibly.
Subsistit, there holds good the old response,
Responsio tradita, we must not stick,
Quod non sit attendendus Titulus,
To the Title, sed Probatio, but the Proof,
Resultans ex processu, the result
O' the Trial, and the style of punishment,
Et poena per sententiam imposita.
All is tentative, till the sentence come:
An indication of what men expect,
But nowise an assurance they shall find.
Lords, what if we permissibly relax
The tense bow, as the law-god Phoebus bids,
Relieve our gravity at labour's close?
I traverse Rome, feel thirsty, need a draught,
Look for a wine-shop, find it by the bough
Projecting as to say "Here wine is sold!"
So much I know,—"sold:" but what sort of wine?
Strong, weak, sweet, sour, home-made or foreign drink?
That much must I discover by myself.
"Wine is sold," quoth the bough, "but good or bad,
"Find, and inform us when you smack your lips!"
Exactly so, Law hangs her title forth,
To show she entertains you with such case
About such crime. Come in! she pours, you quaff.
You find the Priest good liquor in the main,
But heady and provocative of brawls:
Remand the residue to flask once more,
Lay it low where it may deposit lees,
I' the cellar: thence produce it presently,
Three years the brighter and the better!
Law's son, have I bestowed my filial help,
And thus I end, tenax proposito;
Point to point as I purposed have I drawn
Pompilia, and implied as terribly
Guido: so, gazing, let the world crown Law—
Able once more, despite my impotence,
And helped by the acumen of the Court,
To eliminate, display, make triumph truth!
What other prize than truth were worth the pains?
There's my oration—much exceeds in length
That famed panegyric of Isocrates,
They say it took him fifteen years to pen.
But all those ancients could say anything!
He put in just what rushed into his head:
While I shall have to prune and pare and print.
This comes of being born in modern times
With priests for auditory. Still, it pays.