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I marvel at the resilience of the Jewish people. Their best characteristic is their desire to remember. No other people has such an obsession with memory.

quote by Elie Wiesel
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I remember, I remember - Past and Present after Thomas Hood and William Wordsworth - Lucy

I remember, I remember
the house where I was born
before foreclosure took away
the homestead I had sworn
in good faith, all attest 'tis true,
to leave grandchildren three: -
times change, leave little rest, I rue
that difference to me!

It seems so very long ago
the liberating Yanks
found welcome everywhere they'd go -
though some were pita swanks,
but since the Shah announced 'I ran'
our bearings all at sea
became - time reeled again would ban
all difference for me!

I remember, I remember
the sun porch, now in pawn,
proud flag a flying red, white, blue,
which now hangs so forlorn
Sun, moon spun round each priceless day,
or so I seemed to see,
four bucks a gallon gas I pay -
what difference to me!

My mind thought then nostalgic ease
eternally could last,
all my desires, priorities
seemed sated very fast,
The fever on my brow shoots higher
now Sheiks of Araby,
up ante for crude imports, tire -
what difference to me!

I remember, I remember
before Alaskan oil
had spilled upon once pristine shore,
polluting fauna, soil.
With climate change I'm feeling sore,
note each commodity
continues rising more and more -
what difference to me!

Back then I'd travel aimlessly,
cared not I ran Iraq,
from dawn till dark, from sea to sea
could, rising with the lark,
ignore the cost of gasoline

[...] Read more

poem by Jonathan Robin
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Picture Of Perfect Youth

Left out in the sun to dry again, washed up on a shore line south of spain
Gazing up with telescopic eyes, planetary life above the skies
Oh my god, shes my obsession, my obsession (my obsession)
Here she comes, shes a picture of perfect youth
Here she comes, lifting me up to the moon
Drifting on a boat in emerald seas, pulling on the strings inside of me
Tasting salt as waves dive over me, twisting on a rope of memories
Oh my god, shes my obsession, my obsession
Here she comes, shes a picture of perfect youth
Here she comes, lifting me up to the moon
Here she comes, shes a picture of perfect youth
Here she comes
If you could only see, that Im sinking like a stone
The sea is getting colder, every second as I go
Its like breathing underwater, but I just cant let you go
My obsession, shes my obsession, my obsession
Oh my god, shes my obsession, my obsession (my obsession)
Here she comes, shes a picture of perfect youth
Here she comes, lifting me up to the moonoh my god, shes my obsession, my obsession (my obsession)
Here she comes, shes a picture of perfect youth
Here she comes, lifting me up to the moon
Here she comes

song performed by Feeder
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What Is A Jewish Poem?

WHAT IS A JEWISH POEM?

What is a Jewish poem?
‘Shema’ is a Jewish poem
Perhaps the Jewish poem-
'Shmoneh Esreh' is comprised of Jewish poems
Nineteen prayers as one-
Our history is filled with Jewish poems-
From the beginning with Abraham and Sarah
Those who have given so much beyond our understanding -
Jewish poems everywhere -

Is each Jewish life a poem and a story also?
Or is it only those who give something to our people and history
Who are worthy of Poetry?

I have known many Jewish poems
People the great world will not know the names of
People who whether they walked humbly or not
Made the lives of others better in some way –

Kindness is perhaps the ultimate Jewish poem
And Justice also-
And Jewish poems are not without their contradictions –

As I write this poem in Jerusalem in the land of Israel
I think of the small Jewish world of Troy New York where I came from so many years ago
And miss so many people no longer of that and this world –

Longing for Israel for two thousand years was the Jewish poem
Living here now is a blessing and a gift
I thank God for.

poem by Shalom Freedman
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A Dying Brain

Do you recall how I was once your fire –?
And we, a regal cloud of unity
Meandering through the closing blues of night,
Commanding stars to glitter;
Dawn to blush?

Your answer comes in ever-blanking stares:
A wall that blocks the know,
Damping down the glow that used to emanate
From clear and lucid eyes.
They've lost the will to recognise.

But hear! We are fifty years together –
And once we writhed in pleasure –
Drowning in emotion,
That which was our prime.

You don't recall.
You only lie as vegetation
Scattered on the ground:
A living mound of flesh,
Devoid of any neural mesh
To let you say 'I'm sound.'

Don't worry Dear,
For I'm aware with memory!
I'll tell you how we were.
We have our right of history!

If you could just concur.

Copyright Mark R Slaughter 2009

[...] Read more

poem by Mark R Slaughter
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I Remember You

I remember you
I remember me
I remember
I remember how things used to be
I remember every word that you said
I remember, how could I forget
I remember, I remember you
(I remember, I remember)
I remember you
I remember your old address
And I remember
How could I forget
I remember thinking how my luck changed
I remember being so amazed
I remember, I remember you
(I remember, I remember)
I remember, I remember you
(I remember, I remember)
I remember you
I remember me
I remember
The way things used to be
I remember how it was that we met
I remember, I will never forget
I remember, I remember you
(I remember, I remember)
I remember, I remember you
(I remember, I remember)
I remember, I remember you
(I remember, I remember)
I remember, I remember you
(I remember, I remember)
I remember, I remember you
...

song performed by Lou Reed
Added by Lucian Velea
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Remember The Time

Do you remember
When we fell in love
We were young
And innocent then
Do you remember
How it all began
It just seemed like heaven
So why did it end?
Do you remember
Back in the fall
Wed be together
All day long
Do you remember
Us holding hands
In each others eyes
Wed stare
(tell me)
Do you remember the time
When we fell in love
Do you remember the time
When we first met
Do you remember the time
When we fell in love
Do you remember the time
Do you remember
How we used to talk
(ya know)
Wed stay on the phone
At night till dawn
Do you remember
All the things we said like
I love you so
Ill never let you go
Do you remember
Back in the spring
Every morning birds would sing
Do you remember
Those special times
Theyll just go on and on
In the back of my mind
Do you remember the time
When we fell in love
Do you remember the time
When we first met girl
Do you remember the time
When we fell in love
Do you remember the time
Those sweet memories
Will always be dear to me
And girl no matter what was said

[...] Read more

song performed by Michael Jackson
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Virginia's Story

Elizabeth Gates-Wooten is my Grand mom.

She was born in Canada with her father and brothers.
They owned a Barber Shoppe.
I don't remember exactly where in Canada.
I believe it was right over the border like Windsor or Toronto.
I never knew exactly where it was.

When she was old enough she got married.

First, she married a man by the name of Frank Gates.
He was from Madagascar.
He fathered my mom and her brother and sister.
The boy's name was Frank Gates, Jr.
Two girls name were Anna and Agnes.

Agnes was my mother.

Frank Gates went crazy after the war
He drank a lot and died
Then grandma Elizabeth married a man by the name of Mr. Wooten.
He had a German name, but I don't think he was German.
She took his last name after they got married.

Then they moved to West Virginia in the United States.

Their son, Frank Gates Jr. Became a delegate in the democratic party.
He use to get into a lot of trouble because he liked to fight.
He was a delegate from the 1940's to 1970's.
He died of gout in the 1970's.

Anna was a maid and cook.

She baked cakes and stuff for people as a side line.
She had a hump on her back (scoliosis) .
She had to walk with a cane.
She could cook good though.
She did this kind of work all of her life, just like her mom, Elizabeth

They were both good cooks

They had a lot of money because they had these skills
Especially when people had parties.
Because they would make all of this food and then they would have left-overs.
We got to eat a lot of stuff we normally wouldn't get because of that.
When they cooked, they didn't use no measuring stuff, they would just use there hand.

My moms name was Agnes Barrie Gates.

She married James Wright and moved to Cleveland.

[...] Read more

poem by Talile Ali
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Remember

Remember
Remember
Remember
Remember
"walking in the sand"
Seems like the other day
My baby went away
She went away across the sea
It's been two years or so
Since i saw my baby go
And then this letter came for me
Oh it said that we were through
She's found somebody new
Oh baby's gone what can i do
Remember
Remember
Remember
Remember
"walking in the sand"
(remember)
Hey i remember
("walking in the sand")
"walking in the sand"
(remember remember)
("walking in the sand")
Walking hand in hand
("walking in the sand")
"walking in the sand"
(remember remember)
("walking in the sand")
Walking hand in hand
("walking in the sand")
Ahhhhh
Ahhhhhhh
Ahhhhhhhhh
Ahhhhhhhhh
I want to know
What ever happened to
The little girl i once knew
She said that she'd be true
(remember)
(remember)
Remember
Hey i remember
("walking in the sand")
"walking in the sand"
(remember remember)
("walking in the sand")
Walking hand in hand
(remember remember)

[...] Read more

song performed by Beach Boys
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Remember "Walking In The Sand"

Remember
Remember
Remember
Remember
"Walking In The Sand"
Seems like the other day
My baby went away
She went away across the sea
It's been two years or so
Since I saw my baby go
And then this letter came for me
Oh it said that we were through
She's found somebody new
Oh baby's gone what can I do
Remember
Remember
Remember
Remember
"Walking In The Sand"
(Remember)
Hey I remember
("Walking In The Sand")
"Walking In The Sand"
(Remember remember)
("Walking In The Sand")
Walking hand in hand
("Walking In The Sand")
"Walking In The Sand"
(Remember remember)
("Walking In The Sand")
Walking hand in hand
("Walking In The Sand")
Ahhhhh
Ahhhhhhh
Ahhhhhhhhh
Ahhhhhhhhh
I want to know
What ever happened to
The little girl I once knew
She said that she'd be true
(Remember)
(Remember)
Remember
Hey I remember
("Walking In The Sand")
"Walking In The Sand"
(Remember remember)
("Walking In The Sand")
Walking hand in hand
(Remember remember)

[...] Read more

song performed by Beach Boys
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Joseph's Gloss On God

When Joseph tells his brothers: “I
am not God, ” he perhaps implies
that unlike God he sometimes lies,
and unlike Him, is doomed to die.

The words that Joseph never said
are wrong, as we find out when burned;
God often lies, a lesson learned
from history, and God is dead.

Inspired by a review by Paul Buhle of R. Crumb’s The Whole Book of Genesis, in Forward, October 10,2009 (“In the Image of God: The Ambition of R. Crumb’s Graphic Genesis”:

To say this book is a remarkable volume or even a landmark volume in comic art is somewhat of an understatement. It doesn’t hurt that excerpts of the book appeared during the summer in the New Yorker and that the Hammer Museum in Los Angeles is opening an exhibit of the original drawings from which the book’s contents were adapted. “The Book of Genesis, ” Robert Crumb’s version, nevertheless stands on its own as one of this century’s most ambitious artistic adaptations of the West’s oldest continuously told story.
No comic artist has been more influential than Crumb. In terms of sales, his work is dwarfed by the superheroes and, in comic art prestige. Art Spiegelman, and a short list of others including Alison Bechdel and Marjane Sartrapi may have displaced Crumb. But Crumb’s influence abides and endures in his occasional LP/CD covers, in his volumes of collected work (16 volumes so far and counting) , his artistic prizes and a generation of artists who have incorporated his particular view of humanity.
Surprisingly, his best work in 20 years has actually been in the genre of adaptation, specifically an adaptation of Franz Kafka, dating to the mid 1990s. On that highly curious point, any consideration of this “Genesis, ” as a highly personal comic art, properly begins. Notoriously, Crumb is a gentile who fled from his deeply dysfunctional Delaware family to the Cleveland neighborhood of Harvey Pekar and the arms of the first of two Jewish wives. “Crumb, ” the 1994 film documentary, was in many ways about emotional pain (including a brother doomed to suicide) and his craving for a certain kind of woman, who, although possibly any female with a bemuscled backside, was in fact most likely to be Jewish. She, reality and image, was his consolation. The strips that he drew of Jewish-American life, nevertheless, reworked stereotypes, some funny (he visits Florida with his second wife, and holds a tiny grandfather on his knee) , and some, doubtless, insulting to many readers.
In the pages of “Introducing Kafka, ” Crumb became his fictional protagonist with such depth of insight into the logic of the doomed writer, as well as of Kafka’s famed works, that many readers were simply astonished, this reviewer among them. Kafka is the exemplar par excellence of a type of ambiguous, tortured mittel European Jewish personality as it hovered between faith and uncertainty, shortly before the Holocaust. Not Spiegelman, not Ben Katchor, nor Sharon Rudahl, nor others who drew historical or quasi-historical strips about Jewish history, had taken the characterization as far as Crumb. An earlier escape from Middle American culture had propelled Crumb toward his satirical protagonist Mister Natural, a Zen-like, robed quasi-prophet of the 1970s-80s. Three decades later, Crumb’s robed prophets are far from Zen.
Crumb’s “Genesis” is then perfectly serious and the author wants us to know it. As he says on the cover, “Nothing Left Out! ” Every “beget” from the King James Bible can be found here, along with plenty of scenes censored from previous graphic adaptations. And more prose, in the final “Commentary” segment of the book, than non-writer Crumb may have put on the page anywhere, aside from his published letters. More striking for anyone but the seasoned Crumb fan: unlike previous Biblical comic adaptations, including some published and drawn by Jews, Crumb’s characters actually look Jewish, the women even more than the men. The contrast to the classic work, EC Comics’ “Picture Stories from the Bible” (1945) in that respect is most illuminating. But more recent works like the best-selling “Manga Bible” (2000) are not much different (nor was the “The Wolverton Bible” by one of the strangest of comic artists Basil Wolverton) . Close readers will see Crumb’s wife Aline Kominsky, to whom the book is dedicated, again and again, in various guises; perhaps only Chagall drew his beloved wife so often and with such varied imagination.
Not only are the characters Jewish here, they are all ages and sizes. If, for instance, there are more drawings of Jewish elders in any single volume of comic art anywhere, I have never seen them. The women here are beautiful when young, heavily busted with large, muscular thighs. The men are strong, their beards full and noble. The deity has a really big beard and retains his notoriously bad temper, as well as his commanding presence, and absolute demand for loyalty. The animals of Genesis (in Noah’s ark and elsewhere) may be where Crumb is most similar to earlier comic art adaptations of Biblical texts, but they are drawn, like everything else, with such loving care that they are special and demand repeated viewing.
In those extensive notes at the end, Crumb comes as close as he is ever likely to revealing the sources and depth of his commitment to the text. He had been puzzling, no doubt under a wave of feminist criticism, about the gender struggle, until Torah scholar Savina Teubel’s “Sarah the Priestess” (1984) gave him new insight: a matriarchal background, female deities and actual female power, in a society turning toward patriarchy but retaining some elements of women’s prehistorical strength and centrality to the direction of early civilization. If anything is reinterpreted purposefully in “Genesis, ” it is in gender, and Crumb does so not by scoring points but by rearranging the visual subtext. Gender issues also help him reframe somewhat the class dimension of tribal society, which endures not through brute force but because of the strength of its women.
The commentary on his visual choices and his broader interpretations explores and explains his few intentional deviations, not only in the name of narrative clarity but artistic intent. Mainly, his notes drive home how he struggled to interpret the text in suitable graphic form, chapter by chapter, sometimes even character by character. There is no doubting the artist’s integrity or hard work, in no small part because he redrew again and again, trying to find historically accurate clothing and scenery. The Old Testament of cinematic Charlton Heston, so to speak, became the Genesis of lived and perceived experience, socially real and super-real. Clues are provided with translations of specific Hebrew names within the visual text, essentially metaphorical in meaning. These clues may be the closest to footnotes that Crumb has ever provided.
Comics scholar Jeet Heer, has noted in “Bookforum” that Crumb’s biblical characters, with the exception of the deity, have no internal lives: only the deity has depth and personality. As with the original text, much more is implied in Crumb’s visual text than can be stated, because scenes rush by so fast and because the artist forever works out, pen or brush in hand, a unique meaning that escapes easy interpretation. Even closer to the mark, Heer argues that above all, this is a book about bodies, the natural expression of an artist whose work has, possibly more than any other master of comic art, been concerned with body structure and expression.
And offending the deity? Crumb treads with a caution all the more remarkable for an artist, who, short decades ago, allowed himself the full run of his imagination, heedless of the consequences. Crumb’s innovation might be summed up in his characterization of Joseph, brilliant in subjugating Egypt but weary of his own powers. In the final phrases of the book, the artist suggests a radical view several thousand years previous to Jewish Karl Marx. “In the very last chapter, when his obstreperous brothers fling themselves at this feet and proclaim, ‘Here we are, your slaves, ’ he says to them, “I am not God, am I’ Joseph has learned a much finer humility than the fear-driven kind shown by his barbaric brothers.” So says a humble Crumb.

10/22/09

poem by Gershon Hepner
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Baby Love

Whoa whoa...you you yeah.
Whoa whoa...yeah yeah yeah yeah yeah. whoa!
Seen your picture.
Called your name.
Cover story teenage magazine.
Wish I could phone you.
Wish you well.
And tell our secrets like we used to tell.
My baby love.
Do you remember me?
My baby love.
I remember.
Baby love.
Do you remember me?
My baby love.
Ummmmm
Youre a star now.
Celebrity.
Have you forgotten how it used to be?
Wed play doctor
In the sand.
Do you remember back in childhood land?
Wish I could hold you
In my arms.
I miss your candy kisses and your charms.
Nobody loves you
The way I do.
Ill never find another girl like you.
My baby love.
Do you remember me?
My baby love.
I remember.
Baby love.
Do you remember me?
My baby love.
Ummmmm
When Im lonely,
I can hear your voice inside,
Inside, cant hide.
And when I look up
Youre not anywhere.
I love you. you know it.
Wish that I could show it to
You you you.
My baby love.
Do you remember me?
My baby love.
I remember.
Baby love.
Do you remember me?

[...] Read more

song performed by New Edition
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Tears For The Dying (d0 You Remember)

“Do you remember? ”

I have come to realize that you don’t have a clue
You have not a clue to why I’ve stopped talking to you
It is simply for I have no choice
The pain is too great when I hear your voice
Inside the hunger and the pain is killing me
Knowing you and I will never more be

The mails you write brings me grief
For the hurt there is just no relief
Without you life is too unfulfilling
Distancing now myself I am now willing
Please to these words do not deserve responding
For I cannot stand the thought of us never belonging

This morning I awoke in tears
For me now no one cares
Me lying with arms open wide
Dreaming you were by my side
Reaching out to give you an embrace
But you vanished without even a trace

No longer now can I kiss your face
Between us now such distance and too much space
Sadden eyes dies lacking an opinion
Chances gone now of any chanced reunion
So I try to hide the pain that’s calling
But the tears I cry descends like hurricanes falling

Wishing you were here with me
For all I have now are memories
Thoughts of the time we once shared
Thoughts of the times you once cared
Two birds of the same feather thoughts of us being
Visions of you were all I was ever seeing

How you have forgotten how I stayed with you in the hospital all night
You have forgotten how I held your hands till the morning light
You have forgotten how I prayed that you would feel better
You have forgotten how my love would stand all inclement weather
You have forgotten how to me you were my one and only treasure

Remember how by your side I stayed
Remember how it matter not to me how much you weighted
Remember how I said I loved you the way you are
Remember how I said you were my shining star
Remember how I said you’re beautiful with or without glasses
Remember I attended with you all the lama’s classes

[...] Read more

poem by Wilfred Mellers
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Mosque of Omar and Jewish Temple

The Dome of the Rock was erected by the Muslim ruler Abd el-Malik in 688-691 A.D. It sits where the old Jewish temple mount was. The Roman General Titus destroyed the last Jewish temple around 70 A.D. This mosque is considered very sacred and would cause an international stir and possible war if it were destroyed.
The Jewish people begin to come back to their original homeland and after World War Two and the holocaust became the country of Israel again in 1948 under Jewish rule. They always have wanted to rebuild their temple. The city of Jerusalem went under their control during the six-day war in 1967. Jerusalem is a main point of any peace between Israel and the Palestinians. Everyone dealing with the volatile peace process in the world knows peace in the mid-east involves Jerusalem and the temple mount area.
Solomon’s Temple was the first temple built in Jerusalem and was completed around 953 BC and was destroyed by Nebuchadnezzar and the Babylonians and burned with fire in 586 BC. Zerubbabel and the returning exiles built the second temple, completing it in 516 BC. This temple was later embellished greatly by King Herod and was the temple Jesus Christ was dedicated in and preached in. Titus and the Romans destroyed this Temple in 70 AD.
Scholars such as Asher Kauffman are now saying Solomon’s original temple and the second temple built by Zerubbabel after the 70 year captivity to Babylon was aligned with the Eastern Gate and the temple was north of the Dome of the Rock mosque.
The Eastern Gate was the gate the Lord Jesus came riding thru on a donkey or what many Christians call Palm Sunday. This gate is now closed. The Golden Gate (Eastern Gate) in the eastern wall of Jerusalem gave access to the courtyards of the temple from the Kidron valley. The East gate was walled up by its Muslim conquerors (the Ottoman Turks) with great stones in 1530 A.D. The Prophet Ezekiel by a vision seen the Eastern Gate shut…Ezekiel 44: 1-3 'Then he brought me back to the outer gate of the sanctuary, which faces east; and it was shut. And he said to me, 'This gate shall remain shut; it shall not be opened, and no one shall enter by it; for the LORD, the God of Israel, has entered by it; therefore it shall remain shut. Only the prince may sit in it to eat bread before the LORD; he shall enter by way of the vestibule of the gate, and shall go out by the same way.'
I remember starring at this gate when I was at the Mount of Olives knowing when Christ touches the Mount of Olives at the end of the Tribulation this gate will be open. Ezekiel seen this vision around 600 BC This alignment of the future Jewish temple with the Eastern Gate would only be appropriate. The architectural layout of the temple would surely have been to allow the Messiah to come through the eastern gate and go straight ahead into the Holy City. He would not be doing any turning left and then right or any 'jigs'. He would enter the city and go straight ahead and up into the temple.
This will allow the third temple to be built while co-existing for a while with the mosque now there.
As we look now at the present situation we see that the Dome of the Rock occupies the center of the temple mount. The future third temple could therefore be rebuilt to the north of the Dome. It would be on the same site as the former temple. There would be room to provide an acceptable easement between the two buildings. There would, in fact, be a clearance of 150 feet. This certainly would take an international agreement.
When Ariel Sharon presumptuously decided to take a stroll on the temple mount some years ago the result was bloody mayhem. There was a huge outcry throughout the Islamic world. For the Jewish temple to be built next to the Dome of the Rock mosque will take a peace covenant of world magnitude and import.
We also see in the book of Revelation 11: 2 KJV 'But the court which is without the temple leave out, and measure it not; for it is given unto the Gentiles: and the holy city shall they tread under foot forty and two months'. Many believe this is a reference to the Dome of the Rock being there. Some say that later when the earthquake comes in
Zechariah 11 and Ezekiel 38 at the end of the Tribulation that this temple and mosque will destroyed as Christ touches the Mount of Olives preparing the way for the millennial temple of Ezekiel 40.
This would mean the third temple during Jacobs’ trouble and the Great Tribulation will not be the final temple.
It is uncanny that Jerusalem is a center of three major religions, Judaism, Christianity and Islam. The oil in the area is of major economic and political concern to the entire world. The whole region is now involved with international politics and the Israeli Palestinian conflict is paramount..
We Christians believe in a second coming of Christ when he will open the Jewish peoples eyes showing them he was their Messiah. We think it is prophecy that they are back from the nations. Mathew 24: 15 lets us know the temple will be rebuilt and defiled. We believe the gentile church age will end and many prophecies written in the Old Testament concerning Israel and the region and the world will be fulfilled
The more I see the picture unfold with prophecy the more I feel that the Mosque of Omar called the Dome of the Rock will not be destroyed but will stay there next to the rebuilt Jewish temple and will be a sign of peace between Israel and moderate Islam brokered by the man of peace from Europe. Jerusalem will be given to both sides and an agreement will be reached.
The false liberal church will help broker the situation as well. Radical Islam will seem to dissipate and the anti christ will use the false prophet of the false church and this very liberal so called church of eclectic faith will seem to respect all faiths allowing the temple in Jerusalem to coexist with the Mosque of Omar.
This covenant will be broken after three and one half years when Russia will come down as written about in Ezekiel 38. The peace will be broken with the Jews and the anti Christ will turn against them and also give a mark where by no man will be able to buy or sell.
I totally believe we are soon to come to these days and we are in the last days of the church age and the times of the gentiles mentioned in Luke 21: 24. We are now in the time of sorrows and distress amongst nations (Math 24: 6-8) and soon will go into the Great Tribulation when all this will happen. Math.24: 21
The Apostle Paul said in Romans 11: 25 that blindness in part has happened to Israel until the fullness of the Gentiles become in”. This dispensation of the gospel to the gentile nations is ending and there will also be a great falling away towards liberalism that will accept gay life styles and various religions.
The false church will not be based on the Bible but theology, psychology, philosophy and the wisdom of man and so called reason. It will use religious rhetoric and talk about liberation and peace, it will appear to many as good but it really is a wolf in sheep clothing and eventually will back up the anti christ and be destroyed in the tribulation period. Many a person already talks about Jesus Christ separate from the Holy Scriptures. This false church will help lead to a unified Europe and extend its hand to the mid east peace process.
I always thought that the Mosque of Omar would be destroyed but even if it was the Arabs and Islam would want it immediately rebuilt. In order to really broker a peace this Temple and Mosque problem has to be settled.
Recently all kinds of Orthodox Jews are buying up East Jerusalem and tunneling and digging. There was a segment concerning this on 60 minutes. Many are also saying the Mosque and Temple can co-exist along side one another. Israel would never give up the temple area and Islam would never give up the Mosque of Omar. The peace process that will be started by the anti christ who will come to power in the west will settle this question.
We are in the times of prophecy. Hold on to your Bible faith and never let it go for some liberal church system that doesn’t preach Jesus Christ according to the Scriptures and revelation. We need twenty-four hour prayer going up in our churches and real praise and worship and Bible teaching

poem by Joseph Narusiewicz
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A moment missed

Remember when I asked you out?
And how you shed a tear.
Remember how I told you.
That I'd stay for all those years.

Remember our first kiss?
Under a moonlit sky.
Remember the fireworks.
That shone in your eyes.

A smeared kiss.
A moment missed.

Remember all the promises?
That we never seemed to keep.
Remember all the times.
I held you when you'd weep.

Remember all the walks we took?
On the beach at midnight.
Remember when we were perfect?
And everything felt right.

A smeared kiss.
A moment missed.

Remember that rose I sent you?
For our schools winter dance.
Remember when we broke up?
And I begged for a second chance.

Remember when you got pregant.
And I stayed right by your side.
Remember how I bought that ring?
And took your hand in mine.

A smeared kiss.
A moment missed.

Remember when I became a dad?
And held my baby girl.
Remember how we fought for names.
And ended up with Pearl.

Remember her first birthday?
And that pretty teddy bear.
Remember her old blankie?
That she carried everywhere.

A smeared kiss.

[...] Read more

poem by Silence Dogood
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Lara

LARA. [1]

CANTO THE FIRST.

I.

The Serfs are glad through Lara's wide domain, [2]
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord —
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.

II.

The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself; — that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest! —
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.

III.

And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
"Yet doth he live!" exclaims the impatient heir,
And sighs for sables which he must not wear.

[...] Read more

poem by Byron
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Lara. A Tale

The Serfs are glad through Lara's wide domain,
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord--
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.

II.
The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself;--that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest!--
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.

III.
And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
'Yet doth he live!' exclaims the impatient heir,
And sighs for sables which he must not wear.
A hundred scutcheons deck with gloomy grace
The Laras' last and longest dwelling-place;
But one is absent from the mouldering file,
That now were welcome to that Gothic pile.

IV.
He comes at last in sudden loneliness,
And whence they know not, why they need not guess;

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poem by Byron
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The Rain Song

I dont think about us much anymore.
Frankly, the topic has become a bore.
And you dont come up much in my conversations.
And I dont think about you on vacation.
Oh, but when it rains.
When it rains. when it rains.
Thats when I remember. (I remember)
Thats when I remember. (I remember)
I remember you. (oh, I remember you)
I remember you.
I dont think about you when Im sleeping.
Oh, it doesnt even cross my dream-like mind. (oh)
And I dont think I see your face through the curtain.
Hell, I dont even miss you half the time. (half the time)
Oh, when it rains. when it rains. when it rains.
Thats when I remember. (I remember)
Yeah, thats when I remember. (I remember)
I remember you. (oh, I remember you)
I remember you.
Rain, rain, go away.
Im doing fine as long as you stay locked up inside a cloud of grey.
Rain, rain. rain, rain, rain. rain, rain. rain. rain!
cause when it rains. yeah, when it rains. when it rains.
Thats when I remember. (I remember)
Yeah, thats when I remember. (I remember)
I remember you. (I remember)
I remember you. (I remember you)
Thats when I remember. (I remember)
The only time I remember. (I remember)
I remember you. (oh, I remember you) I remember you.

song performed by Hootie & The Blowfish
Added by Lucian Velea
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Making Love With Memories

You poked my blurring eye,
Let me lift your mushy breast.

We aged onwards
While you stroked flaccidity –
Recalling decades of
Blood-gorged coming, shuddering to boot.

I kissed a venerable mouth
Crammed with falsities –
Once brilliant keys
Guarded by crimson lips
Washed by a sensual tongue.

And so we writhed in wrinkles,
Tiring effort, and
Memories.

Copyright © Mark R Slaughter 2010

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poem by Mark R Slaughter
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Cellophane Spirit: Improvisation 10 19 2004

Old men have seen a memory blown by sleeping,
wails of grief kisses sucked up excavated noses
soul stirring psalms to the very top of the lung
energy boasts of a golden but feared recall, I
have seen the fingering of Miles Davis’ trumpet
wail of sex instincts on Stella by Starlight sung
Jesus looking for guileless disciples in the gilded
night I have seen a memory, driven by alleys of
Georgetown fences, noted gentries out-of-the-way
welcome entries, walked to mama’s down at the
very end of towns, P Street’s dead turn onto the
Avenue of murderer’s row in a town’s strip of
social clubs, I have walked sidewalk storm drains
from stoops of filth down to Main & Baltimore
streets, I have seen memory collect in the smaller
towns of Shelbyville, Indiana, Kentucky, Ohio,
Tennessee, and Springfield, Illinois, cellophane
swathes the memory, what’s known of selected
service towns, soldiers never coming home,
where divine earth gardens of herbs, salts, and
sugary loves are grown, I have seen a memory
stripped off every language, a cappella chanting
of soliloquists, ritual Griot and orphaned rappers
of cellophane spirit; porno on sheets of exhibited
joy, I have seen a memory cruising the boulevards
to The Louver and the mall to The Smithsonian, got
down with nightfall song on Martin Luther King Jr.
Avenues with whores pimps of priest and mothers,

LEE MACK
(Cellophane Spirit, Page 2)

memory eyes that burn high with desire set afire
the fricative nature of her cellophane spirit,
I have seen a memory of towns of orphaned sons
bound for locomotive dreams there in old houses on
Rose Street, Spanish laborers now rent overcrowded
dream Tudor houses, mansions of memories now city
neighbors with funeral homes where strange crowds
gather in games of wake, I have seen a memory
for the dead a picnic and a park of spirits set aside
in stone, strange crowds in games of joy a girl’s legs
too young consent to cellophane; raps disown me,

[...] Read more

poem by Lee B. Mack
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Canto the First

I.

The Serfs are glad through Lara's wide domain,
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord —
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.

II.

The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself; — that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest! —
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.

III.

And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
"Yet doth he live!" exclaims the impatient heir,
And sighs for sables which he must not wear.
A hundred scutcheons deck with gloomy grace
The Laras' last and longest dwelling-place;
But one is absent from the mouldering file,
That now were welcome to that Gothic pile.

[...] Read more

poem by Byron from Lara (1815)
Added by Veronica Serbanoiu
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