For some critics we might be uncool on account of our popularity.
quote by Gavin Rossdale
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An Essay on Criticism
Part I
INTRODUCTION. That it is as great a fault to judge ill as to write ill, and a more dangerous one to the public. That a true Taste is as rare to be found as a true Genius. That most men are born with some Taste, but spoiled by false education. The multitude of Critics, and causes of them. That we are to study our own Taste, and know the limits of it. Nature the best guide of judgment. Improved by Art and rules, which are but methodized Nature. Rules derived from the practice of the ancient poets. That therefore the ancients are necessary to be studied by a Critic, particularly Homer and Virgil. Of licenses, and the use of them by the ancients. Reverence due to the ancients, and praise of them.
'Tis hard to say if greater want of skill
Appear in writing or in judging ill;
But of the two less dangerous is th'offence
To tire our patience than mislead our sense:
Some few in that, but numbers err in this;
Ten censure wrong for one who writes amiss;
A fool might once himself alone expose;
Now one in verse makes many more in prose.
'Tis with our judgments as our watches, none
Go just alike, yet each believes his own.
In Poets as true Genius is but rare,
True Taste as seldom is the Critic's share;
Both must alike from Heav'n derive their light,
These born to judge, as well as those to write.
Let such teach others who themselves excel,
And censure freely who have written well;
Authors are partial to their wit, 'tis true,
But are not Critics to their judgment too?
Yet if we look more closely, we shall find
Most have the seeds of judgment in their mind:
Nature affords at least a glimm'ring light;
The lines, tho' touch'd but faintly, are drawn right:
But as the slightest sketch, if justly traced,
Is by ill col'ring but the more disgraced,
So by false learning is good sense defaced:
Some are bewilder'd in the maze of schools,
And some made coxcombs Nature meant but fools:
In search of wit these lose their common sense,
And then turn Critics in their own defence:
Each burns alike, who can or cannot write,
Or with a rival's or an eunuch's spite.
All fools have still an itching to deride,
And fain would be upon the laughing side.
If Mævius scribble in Apollo's spite,
There are who judge still worse than he can write.
Some have at first for Wits, then Poets pass'd;
Turn'd Critics next, and prov'd plain Fools at last.
Some neither can for Wits nor Critics pass,
As heavy mules are neither horse nor ass.
Those half-learn'd witlings, numerous in our isle,
As half-form'd insects on the banks of Nile;
Unfinish'd things, one knows not what to call,
[...] Read more
poem by Alexander Pope
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1985
Woohoo
Woohoo
Debbie just hit the wall
she never had it all
one Prozac a day
husbands a CPA
her dreams went out the door
when she turned twenty four
only been with one man
what happen to her plans?
She was gonna be an actress
she was gonna be a star
she was gonna shake her ass
on the hood of WhiteSnakes car
her yellow SUV is now the enemy
looks at her average life
and nothing has been all right
Springstein, Madonna
way before Nirvana
there was U2 and Blondie
and music still on MTV
her two kids in high school
they tell her that shes uncool
but she still preoccupied
with 19, 19, 1985
Woohoo
(1985)
Woohoo
Shes seen all the classics
she knows every line
Breakfast Club, Pretty in Pink
even Saint Elmos Fire
she rocked out to wham
not a big Limp Bizkit fan
thought shed get a hand
on a member of Duran Duran
Wheres the mini-skirt made of snake skin
and whos the other guy that's singing in Van Halen
when did reality become T.V.
what ever happened to sitcoms, game shows
(on the radio was)
Springstein, Madonna
way before Nirvana
there was U2 and Blondie
and music still on MTV
her two kids in high school
they tell her that shes uncool
'Cause she still preoccupied
with 19, 19, 1985
Woohoo
[...] Read more
song performed by Bowling For Soup
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Hey
Hey , Im a-gettin that way
Goin out of my mind , out of my mind , its true
Its on account of you , its on account of you
Hey , Im a-feelin so low
Im gettin my heart all mixed up , gettin all mixed up too
Its on account of you , its on account of you
Now , I dont want your troubles and sorrows
Ive got plenty of my own
I dont want to worry about tomorrow
I dont want to live alone
Let me tell ya now ...
(break)
Hey , Im a-gettin that way
Goin out of my mind, out of my mind its true
Its on account of you ,its on account of you
Now I dont want your troubles and sorrows
Ive got plenty of my own
I dont want to worry about tomorrow
I dont want to be alone
Let me tell ya now
(break)
Hey , Im a-gettin that way
Goin out of my mind , out of my mind its true
Its on account of you
Its on account of you
Its on account of you
Its on account of you (fade)
song performed by Bee Gees
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The Cloud Messenger - Part 04
The slender young woman who is there would be the premier creation by the
Creator in the sphere of women, with fine teeth, lips like a ripe bimba fruit, a
slim waist, eyes like a startled gazelle’s, a deep navel, a gait slow on account
of the weight of her hips, and who is somewhat bowed down by her breasts.
You should know that she whose words are few, my second life, is like a
solitary female cakravaka duck when I, her mate, am far away. While these
weary days are passing, I think the girl whose longing is deep has taken on an
altered appearance, like a lotus blighted by frost.
Surely the face of my beloved, her eyes swollen from violent weeping, the
colour of her lower lip changed by the heat of her sighs, resting upon her
hand, partially hidden by the hanging locks of her hair, bears the miserable
appearance of the moon with its brightness obscured when pursued by you.
She will come at once into your sight, either engaged in pouring oblations, or
drawing from memory my portrait, but grown thin on account of separation,
or asking the sweet-voiced sarika bird in its cage, ‘I hope you remember the
master, O elegant one, for you are his favourite’;
Or having placed a lute on a dirty cloth on her lap, friend, wanting to sing a
song whose words are contrived to contain my name, and somehow plucking
the strings wet with tears, again and again she forgets the melody, even
though she composed it herself;
Or engaged in counting the remaining months set from the day of our
separation until the end by placing flowers on the ground at the threshold, or
enjoying acts of union that are preserved in her mind. These generally are the
diversions of women when separated from their husbands.
During the day, when she has distractions, separation will not torment her so
much. I fear that your friend will have greater suffering at night without
distraction. You who carry my message, positioned above the palace roof-top,
see the good woman at midnight, lying on the ground, sleepless, and cheer her
thoroughly.
Grown thin with anxiety, lying on one side on a bed of separation, resembling
the body of the moon on the eastern horizon when only one sixteenth part
remains, shedding hot tears, passing that night, lengthened by separation,
which spent in desired enjoyments in company with me would have passed in
an instant.
Covering with eyelashes heavy with tears on account of her sorrow, her eyes
which were raised to face the rays of the moon, which were cool with nectar
and which entered by way of the lattice, fall again on account of her previous
love, like a bed of land-lotuses on an overcast day, neither open nor closed.
She whose sighs that trouble her bud-like lower lip will surely be scattering
the locks of her hair hanging at her cheek, dishevelled after a simple bath,
thinking how enjoyment with me might arise even if only in a dream, yearning
[...] Read more
poem by Kalidasa
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English Bards and Scotch Reviewers: A Satire
'I had rather be a kitten, and cry mew!
Than one of these same metre ballad-mongers'~Shakespeare
'Such shameless bards we have; and yet 'tis true,
There are as mad, abandon'd critics too,'~Pope.
Still must I hear? -- shall hoarse Fitzgerald bawl
His creaking couplets in a tavern hall,
And I not sing, lest, haply, Scotch reviews
Should dub me scribbler, and denounce my muse?
Prepare for rhyme -- I'll publish, right or wrong:
Fools are my theme, let satire be my song.
O nature's noblest gift -- my grey goose-quill!
Slave of my thoughts, obedient to my will,
Torn from thy parent bird to form a pen,
That mighty instrument of little men!
The pen! foredoom'd to aid the mental throes
Of brains that labour, big with verse or prose,
Though nymphs forsake, and critics may deride,
The lover's solace, and the author's pride.
What wits, what poets dost thou daily raise!
How frequent is thy use, how small thy praise!
Condemn'd at length to be forgotten quite,
With all the pages which 'twas thine to write.
But thou, at least, mine own especial pen!
Once laid aside, but now assumed again,
Our task complete, like Hamet's shall be free;
Though spurn'd by others, yet beloved by me:
Then let us soar today, no common theme,
No eastern vision, no distemper'd dream
Inspires -- our path, though full of thorns, is plain;
Smooth be the verse, and easy be the strain.
When Vice triumphant holds her sov'reign sway,
Obey'd by all who nought beside obey;
When Folly, frequent harbinger of crime,
Bedecks her cap with bells of every clime;
When knaves and fools combined o'er all prevail,
And weigh their justice in a golden scale;
E'en then the boldest start from public sneers,
Afraid of shame, unknown to other fears,
More darkly sin, by satire kept in awe,
And shrink from ridicule, though not from law.
Such is the force of wit! but not belong
To me the arrows of satiric song;
The royal vices of our age demand
A keener weapon, and a mightier hand.
[...] Read more
Letter To... From A Classic Archetypal Dope
Now as I account for myself
I know the fight is over
You made me feel if I was worth saving
I was worth having
And I knew as the man flattered to grow
He also learned the crafts of
Clinging on to his sleazy self
When we have to account for ourselves
When we have to take stock of the unaccountable
When
When we have but ourselves to account for
When all but you and I alone are left
Standing
Amid the crowds that hover at my presence
In your eye
Amid the lashing lolling tongues
Criticising
Amid the squelching claws of distrust
And the deriding press of after thought
What are my lean-throated words
What are my bleating pleas of
What
When we have to account for ourselves
In the awakening stillness of other judgment worlds
What account do we have for ourselves
But the rabid thirst of a search
When we may have met in this or that town
But in this land and in this continent
This world
This incarnation
This temporal crevice
You in the fresh burst of put-up discovery
I in the aftermath of debunking rediscovery
Time was then held alike that summer
Growing only to fruition in our recognition
My senses were growingly numb from blunt use
Burning when the electric fondling
Dared enter and worry the dusty corners
I saw you then
Not as the strapping dash of bubbliness
Nor as the plaitted innocence of schooling youth
Trundling the scenes of covertly revisited crimes
Forming with others the dutiful good habits
Nor as the tall preening blot of shyness
At the hedge of a group picture
Fronting a personality
Dicing friendship
[...] Read more
poem by T. Wignesan
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All The Critics Love U In New York
U can dance if U want 2
All the critics love U in New York
U don't have 2 keep the beat
They'll still think it's neat in New York
U can wear what U want 2
It doesn't matter in New York
U could cut off all your hair
I don't think they'd care in New York
All the critics love U in New York
Why U can play what U want 2
All the critics love U in New York
They won't say that U're naive
If U play what U believe in New York
Purple love-amour is all U're in it 4
But don't show it
The reason that U're cool
Is cuz U're from the old school and they know it
All the critics love U in New York
U can dance if U want 2
All the critics love U in New York
U can dance if U want 2
All the critics love U in New York
All the critics love U
song performed by Prince from 1999
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The Rosciad
Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.
Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,
[...] Read more
poem by Charles Churchill
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Giggle
Giggle.
Giggle if you want to.
But I know its still true.
That hes always gonna love me.
So just laugh out...
If you think Im uncool,
Playin the part of the fool,
cause I love him!
Dont you know how I love him?
Oh, well, I do!
When I see somebody cryin,
Some person whos real mean.
I want to quickly walk right by him,
But Ill stop for you.
Dear lord, but
Must I hug him real tight now?
He smells so bad, Ill faint.
What will my friends think if I kill my pride, I cant.
Well, giggle.
Giggle if you want to.
But I know its still true.
That hes always gonna love me.
So just laugh out...
If you think Im uncool,
Playin the part of the fool,
cause I love him!
Dont you know how I love him?
Oh, well, I do!
When Im in a sticky situation,
Sitting in a class at school,
Everyone is talking evolution,
No one talks of you.
My hand goes up,
I dont want to be too pushy.
My arm, it feels like lead,
But theres such a joy theyre missing saying, God is dead.
So giggle.
Giggle if you want to.
But I know its still true.
That hes always gonna love me.
So just laugh out...
If you think Im uncool,
Always playin the part of the fool,
cause I love him!
Dont you know how I love him?
Oh, well, I do!
song performed by Amy Grant
Added by Lucian Velea
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The critic
The status of critics has changed,
The most important critics were those who stood on street
corners
Full of gossip and finger wagging
Or the busty burly matrons whispering over washing lines
These critics were the slanderers
The little vipers who hung by the school gate
Some still do,
This time they sink a pint or two,
In the pub with a couple of pug nose friends
But there is a class of critics
That whitewash your pale white words
Austere and aloof from the proof,
Scrubbed clean and mean,
They murder sentiment
Mock fools without 'a scene'
Redefining the 'new' 'illiterattii, ' who never went to school'
These critics wear brogues.....? ?
Am I being cruel? [or just ironic? ]
The men drink whisky
The women a gin/ vodka and tonic!
Fifty years ago they would 'parade'
In a uniforn of tweed and plaid
Post public school
But some critics just thumbnail through
[...] Read more
poem by Yvette Smith
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Prince Hohenstiel-Schwangau, Saviour of Society
Epigraph
Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.
I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.
You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:
[...] Read more
poem by Robert Browning (1871)
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Food in store turns poison
I admired her for her popularity
I loved and married for her popularity.
More admirers came close to her
For the very popularity.
I killed her for the same popularity.
One crave for the best
And with it he is with out rest
31.03.2001, Pmdi
poem by Rm. Shanmugam Chettiar
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Think noble, Talk noble and Get Nobel
Noble are those
Who have self evolved
Humane values
And who stand by what they value
Not necessarily nobility
Of a person is assessed
On what they own or acquired
On whether they have power and authority
Any way present day requirement is that
A person needs to be rich and powerful
For he or she to be declared noble
Nobility enhances with popularity
The more popularity the greater nobility
The cumulative effect of
Power and popularity is
Immensely reflected on
The hurry in which one gets into
Noble cadre
Thus a person with
Self evolved humane values
Popularity, fame and power
Assumes greater nobility
In the society
But note the fame one acquires
Through notoriety
Does not and will add to his
Nobility scale
The person may even create
Controversies without, of course,
Affecting the social harmony
And remain noble
What about acting on your noble ideas
It looks from one of the recent
Nobel awardees
That you need not act
On your ideas
Just keep talking about them
In all possible gatherings
But ensure that the crowd accepts
Whatever great things you have to say
To become a Nobel Laureate
You require to do only these
Think noble
[...] Read more
poem by Bashyam Narayanan
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The Apology
ADDRESSED TO THE CRITICAL REVIEWERS.
Tristitiam et Metus.--HORACE.
Laughs not the heart when giants, big with pride,
Assume the pompous port, the martial stride;
O'er arm Herculean heave the enormous shield,
Vast as a weaver's beam the javelin wield;
With the loud voice of thundering Jove defy,
And dare to single combat--what?--A fly!
And laugh we less when giant names, which shine
Establish'd, as it were, by right divine;
Critics, whom every captive art adores,
To whom glad Science pours forth all her stores;
Who high in letter'd reputation sit,
And hold, Astraea-like, the scales of wit,
With partial rage rush forth--oh! shame to tell!--
To crush a bard just bursting from the shell?
Great are his perils in this stormy time
Who rashly ventures on a sea of rhyme:
Around vast surges roll, winds envious blow,
And jealous rocks and quicksands lurk below:
Greatly his foes he dreads, but more his friends;
He hurts me most who lavishly commends.
Look through the world--in every other trade
The same employment's cause of kindness made,
At least appearance of good will creates,
And every fool puffs off the fool he hates:
Cobblers with cobblers smoke away the night,
And in the common cause e'en players unite;
Authors alone, with more than savage rage,
Unnatural war with brother authors wage.
The pride of Nature would as soon admit
Competitors in empire as in wit;
Onward they rush, at Fame's imperious call,
And, less than greatest, would not be at all.
Smit with the love of honour,--or the pence,--
O'errun with wit, and destitute of sense,
Should any novice in the rhyming trade
With lawless pen the realms of verse invade,
Forth from the court, where sceptred sages sit,
Abused with praise, and flatter'd into wit,
Where in lethargic majesty they reign,
And what they won by dulness, still maintain,
Legions of factious authors throng at once,
Fool beckons fool, and dunce awakens dunce.
To 'Hamilton's the ready lies repair--
Ne'er was lie made which was not welcome there--
Thence, on maturer judgment's anvil wrought,
The polish'd falsehood's into public brought.
[...] Read more
poem by Charles Churchill
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Prove Critics Fools
No matter who does what,
Just do.
No matter who does what,
Just do.
No matter who does what,
Just do.
With a doing to be done...
To do.
And...
Deliver to the people to prove,
Critics fools.
Deliver to the people to prove,
Critics fools.
And deliver to the people to prove,
Critics fools.
Just deliver to the people to prove,
Critics fools.
No matter who does what,
Just do.
No matter who does what,
Just do.
No matter who does what,
Just do.
With a doing to be done...
To do.
With a doing to prove critics fools.
poem by Lawrence S. Pertillar
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Fifth Book
AURORA LEIGH, be humble. Shall I hope
To speak my poems in mysterious tune
With man and nature,–with the lava-lymph
That trickles from successive galaxies
Still drop by drop adown the finger of God,
In still new worlds?–with summer-days in this,
That scarce dare breathe, they are so beautiful?–
With spring's delicious trouble in the ground
Tormented by the quickened blood of roots.
And softly pricked by golden crocus-sheaves
In token of the harvest-time of flowers?–
With winters and with autumns,–and beyond,
With the human heart's large seasons,–when it hopes
And fears, joys, grieves, and loves?–with all that strain
Of sexual passion, which devours the flesh
In a sacrament of souls? with mother's breasts,
Which, round the new made creatures hanging there,
Throb luminous and harmonious like pure spheres?–
With multitudinous life, and finally
With the great out-goings of ecstatic souls,
Who, in a rush of too long prisoned flame,
Their radiant faces upward, burn away
This dark of the body, issuing on a world
Beyond our mortal?–can I speak my verse
So plainly in tune to these things and the rest,
That men shall feel it catch them on the quick,
As having the same warrant over them
To hold and move them, if they will or no,
Alike imperious as the primal rhythm
Of that theurgic nature? I must fail,
Who fail at the beginning to hold and move
One man,–and he my cousin, and he my friend,
And he born tender, made intelligent,
Inclined to ponder the precipitous sides
Of difficult questions; yet, obtuse to me,–
Of me, incurious! likes me very well,
And wishes me a paradise of good,
Good looks, good means, and good digestion!–ay,
But otherwise evades me, puts me off
With kindness, with a tolerant gentleness,–
Too light a book for a grave man's reading! Go,
Aurora Leigh: be humble.
There it is;
We women are too apt to look to one,
Which proves a certain impotence in art.
We strain our natures at doing something great,
Far less because it's something great to do,
Than, haply, that we, so, commend ourselves
As being not small, and more appreciable
To some one friend. We must have mediators
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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Fair But So Uncool
Charles stepney & rick giles
Glory seeker, fortune hound, dont you ever,
Break it on down.
Aint you been to school
Aint you learned the rules
Aint you paid them dues
The life you need is fair, fair but so uncool
Rip off artis, shootin down.
If you dig it, youre a clown-
Cant you understand
Cant you lend a hand
Cant you be a man
Greedy joker, slidin by, dealin jones-ses with a high
Doncha see its wrong
Doncha wait too long
Doncha hear this song
Time is passin, time is gone
Meet your mirror, further on
Wont you ever yearn
Ever yearn to learn
Wont ya take ya turn
The life you lead is fair, fair
But so uncool (repeat out)
song performed by Earth Wind And Fire
Added by Lucian Velea
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To Think Of Time
To think of time--of all that retrospection!
To think of to-day, and the ages continued henceforward!
Have you guess'd you yourself would not continue?
Have you dreaded these earth-beetles?
Have you fear'd the future would be nothing to you?
Is to-day nothing? Is the beginningless past nothing?
If the future is nothing, they are just as surely nothing.
To think that the sun rose in the east! that men and women were
flexible, real, alive! that everything was alive!
To think that you and I did not see, feel, think, nor bear our part!
To think that we are now here, and bear our part! 10
Not a day passes--not a minute or second, without an accouchement!
Not a day passes--not a minute or second, without a corpse!
The dull nights go over, and the dull days also,
The soreness of lying so much in bed goes over,
The physician, after long putting off, gives the silent and terrible
look for an answer,
The children come hurried and weeping, and the brothers and sisters
are sent for,
Medicines stand unused on the shelf--(the camphor-smell has long
pervaded the rooms,)
The faithful hand of the living does not desert the hand of the
dying,
The twitching lips press lightly on the forehead of the dying,
The breath ceases, and the pulse of the heart ceases, 20
The corpse stretches on the bed, and the living look upon it,
It is palpable as the living are palpable.
The living look upon the corpse with their eye-sight,
But without eye-sight lingers a different living, and looks curiously
on the corpse.
To think the thought of Death, merged in the thought of materials!
To think that the rivers will flow, and the snow fall, and fruits
ripen, and act upon others as upon us now--yet not act upon us!
To think of all these wonders of city and country, and others taking
great interest in them--and we taking no interest in them!
To think how eager we are in building our houses!
To think others shall be just as eager, and we quite indifferent!
(I see one building the house that serves him a few years, or seventy
or eighty years at most, 30
[...] Read more
poem by Walt Whitman
Added by Poetry Lover
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Youre Just A No Account
S. cahn / s. chaplin
Youre just a no account
You never will amount to nothin at all
When there is work to do and someone yells for you
You dont hear them call
The good lord set aside his sundays
For folks to rest
More that one days rest is wrong
You start restin sunday and rest so hard
Youre tired the whole week long
Youre just a no account
You never will amount to nothin at all
I just cant figure how each time you milk the cow
The tit gets so small
We got machines to do your work for you
But you wont press the button on the wall
Youre just a no account
You never will amount to nothin at all
Youre just a no account
You never will amount to nothinal all
I just cant figure how each time you milk the cow
The tit gets so small
We got machines to do your work for you
But you wont press the button on the wall
Youre just a no account
You never will amount to nothin at all
song performed by Billie Holiday
Added by Lucian Velea
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Halloween Day
My life, just got grim
My life, on account of him
You had a chance
You could have made it again
Are you really gonna marry her on
Halloween day
Halloween day
Your wife is torn apart
Beware of her haunted heart
I thought you had a chance
I thought youd make it again
I never really thought youd marry her on
Halloween day
Halloween day
And somethings spooky in the pit of my heart
And somethings stirring in the trunk of my car
My name(? ) is itching on the roof of my houses(? )
Dont go out
Dont go out
Dont go out after
Go out after dark
After dark
After dark
After dark on
Halloween day
Halloween day
My life, just got grim
My life, on account of him
On account of him
On account of him
On account of him
song performed by Veruca Salt
Added by Lucian Velea
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