A novelist has a specific poetic license which also applies to his own life.
quote by Jerzy Kosinski
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License To Chill
(Jimmy Buffett)
Work, work, work
Big pile of it and the boss is a jerk.
I just want to disappear
Wishin' I was somewhere other than here.
Livin' for the weekend,
Jumpin' off the deep end,
With just enough money to buy
A license to chill
And I believe I will
Let the rat race run, roll around in the sun until
Trouble turns funny, songs get sung
A little bit of money, the night's still young
Leave me alone I've got a license,
A license to chill
(Kenny Chesney)
Girls, girls, girls
Ain't nothin' like them in the whole wide world.
So damn smart and cute,
And it's amazing what they pass off as a bathing suit.
Winners and losers
Sailors and cruisers
We're all qualified, for a license to chill
And I believe I will
Let the rat race run, roll around in the sun until
Trouble turns funny, songs get sung
A little bit of money, the night's still young
Leave me alone I've got a license,
A license to chill
(Both)
License to chill
And I believe I will
Let the rat race run, roll around in the sun until
Trouble turns funny, songs get sung
One good samba lasts all night long
Leave me alone I've got a license,
A license to chill
A license to chill
(Jimmy spoken)
Ramos go rent me a coupe deville
Hey KL, where's that barbecue grill
Head on down to Margaritaville
Have me a cheeseburger with a big pickle dill
Jesus, I sound kinda mentally ill
I guess I better go turn on Dr Phil
song performed by Jimmy Buffett
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School Boy Heart
[transcribed by chris w]
School boy heart
By: jimmy buffett & matt betton
1996
I got a school boy heart, a novelist eye
Stout sailors legs and a license to fly
I came with nomad feet and some wandering toes
That walk up my longboard and hang off the nose
I suppose
The need to focus never arose
So something like a swiss army knife
Thats my life
Frankenstein had nothing on this body of mine
The villagers still flockin to see, to see me
Breaking free, breaking free
Cause I got a school boy heart, a novelist eye
Stout sailors legs and a license to fly
I got a bartenders ear and beachcombers style
Piratical nerve and a vaudevillian style
I suspect I died in some cosmic shipwreck
With all hands spread all over the deck
What the heck
Then some kind of obscene and unscrupulous mind
Began to pick up what he could find
Added ice, shook me twice, rolled the dice
Now I got a school boy heart, a novelist eye
A sailors legs and a license to fly
I got a native tongue from way down south
It sits in the cheek of my gulf coastal mouth
I got a school boy heart, a novelist eye
Stout sailors legs and a license to fly
I came with nomad feet and some wandering toes
That glide up my longboard and hang off the nose
[in case theres any interest, right before banana wind, jimmy sez
Meetcha at the end meetcha at the end.]
song performed by Jimmy Buffett
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Poetic Standard
Poetic Standard
Poetic inspiration must supply
Open sourced resourcefulness, may not
Exist in half-light, cuts the gordian knot
That holds back harmony from inner eye.
Insidious compromise can't satisfy
Creative impulse that rejects as blot
Secondary lot where, half forgot,
Tired lines block, lock life's vista, dreams deny.
All hesitation acts out living lie
None should accept to temper daily rot,
Dread time-trap snapped shut once one bolt is shot.
Aloft soar, draw from intuitions, fly!
Read much, hunch heed, rise from rant's rubbish vent,
Dare to revise, creative dance invent.
Skein poetic weaves life's leaves. Flash wink
Turns think through ink to stage fulfilling page
As insight mixes music, words wild, sage.
No Tao is tainted that cues tone-true link
Descriptive and instructive, scanned in sync.
Although some self-styled poets feel form's cage,
Review Stravinsky's words, all doubts assuage.
Deny blank prose poetic rose crown. Drink
Pierian deep, sip not lip-service brink,
Or compensate for feelings trapped to wage
Ego war against injustice guaged,
To ease maimed spirit's claims of unfair stink.
Inside poetic process progress make,
Craft well, rewrite, reword from second take.
6 September 2009 robi3_1908_robi3_0845 ASX_IXX
Acrostic Sonnet POETIC STANDARD STANDARD POETIC
See notes and related poems below
__________________
Pierian Spring
The Pierian Spring from greek mythology is held the metaphorical source of knowledge about the arts and science. Pieria, ancient Macedonia, was the location of Mount Olympus, the seat of worship of Orpheus and the Muses. The spring is believed to be a fountain of knowledge that inspires whoever drinks from it.
Alexander Pope - Essay on Criticism
A little learning is a dangerous thing;
Drink deep, or taste not the Pierian spring;
There shallow draughts intoxicate the brain,
[...] Read more
poem by Jonathan Robin
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It Is Poetic And Prophetic
It is poetic and prophetic,
With some tongue in cheek stuff.
It is poetic and prophetic,
With some tongue in cheek stuff.
It is poetic and prophetic,
With some tongue in cheek stuff.
And...
This could be interpreted,
As comments from a cynic.
'I see the holes in shoes.'
And...
This could be interpreted,
As comments from a cynic.
'Those shoes have not been used.
Since many are afraid of walking.
But talk about nonsense,
They choose to do.'
It is poetic and prophetic,
With some tongue in cheek stuff.
It is poetic and prophetic,
With some tongue in cheek stuff.
It is poetic and prophetic,
With some tongue in cheek stuff.
And...
It could be interpreted,
As comments from a cynic.
'Lips flap flip flop so much.'
And...
This could be interpreted,
As comments from a cynic.
'Flipping lips lick ears to touch,
With venom spiced and nothing nice to say...
Yet quick to pick from empty pockets.'
It is poetic and prophetic,
With some tongue in cheek stuff.
It is poetic and prophetic,
With some tongue in cheek stuff.
'Woe goes the mogul to spend from thieving.
Wishing to steal more.
To take and not to give.
Or...
[...] Read more
poem by Lawrence S. Pertillar
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Z. Comments
CRYSTAL GLOW
Madhur Veena Comment: Who is she? ? ? ? ? ? ? ? ? ? ? ....You write good!
Margaret Alice Comment: Beautiful, it stikes as heartfelt words and touches the heart, beautiful sentiments, sorry, I repeat myself, but I am delighted. Your poem is like the trinkets I collect to adorn my personal space, pure joy to read, wonderful! Only a beautiful mind can harbour such sentiments, you have a beautiful mind. I am glad you have found someone that inspires you to such heights and that you share it with us, you make the world a mroe wonderful place.
Margaret Alice Comment: Within the context set by the previous poem, “Cosmic Probe”, the description of a lover’s adoration for his beloved becomes a universal ode sung to the abstract values of love, joy and hope personified by light, colours, fragrance and beauty, qualities the poet assigns to his beloved, thus elevating her to the status of an uplifting force because she brings all these qualities to his attention. The poet recognises that these personified values brings him fulfilment and chose the image of a love relationship to illustrate how this comes about; thus a love poem becomes the vehicle to convey spiritual epiphany.
FRAGRANT JASMINE
Margaret Alice Comment: Your words seem to be directed to a divine entity, you seem to be addressing your adoration to a divinity, and it is wonderful to read of such sublime sentiments kindled in a human soul. Mankind is always lifted up by their vision and awareness of divinity, thank you for such pure, clear diction and sharing your awareness of the sublime with us, you have uplifted me so much by this vision you have created!
Margaret Alice Comment: The poet’s words seem to be directed to a divine entity, express adoration to a divinity who is the personification of wonderful qualities which awakens a sense of the sublime in the human soul. An uplifting vision and awareness of uplifting qualities of innocence represented by a beautiful person.
I WENT THERE TO BID HER ADIEU
Kente Lucy Comment: wow great writing, what a way to bid farewell
Margaret Alice Comment: Sensory experience is elevated by its symbolical meaning, your description of the scene shows two souls becoming one and your awareness of the importance of tempory experience as a symbol of the eternal duration of love and companionship - were temporary experience only valid for one moment in time, it would be a sad world, but once it is seen as a symbol of eternal things, it becomes enchanting.
I’M INCOMPLETE WITHOUT YOU
Margaret Alice Comment: You elevate the humnan experience of longing for love to a striving for sublimity in uniting with a beloved person, and this poem is stirring, your style of writing is effective, everything flows together perfectly.
Margaret Alice Comment:
'To a resplendent glow of celestial flow
And two split halves unite never to part.'
Reading your fluent poems is a delight, I have to tear myself away and return to the life of a drudge, but what a treasure trove of jewels you made for the weary soul who needs to contemplate higher ideals from time to time!
IN CELESTIAL WINGS
Margaret Alice Comment: When you describe how you are strengthened by your loved one, it is clear that your inner flame is so strong that you need not fear growing old, your spirit seems to become stronger, you manage to convey this impression by your striking poetry. It is a privilege to read your work.
Obed Dela Cruz Comment: wow.... i remembered will shakespeare.... nice poem!
Margaret Alice Comment: The poet has transcended the barriers of time and space by becoming an image of his beloved and being able to find peace in the joy he confers to his beloved.
'You transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.'
Margaret Alice Comment: You are my peace and solace, I know, I am, yours too; A mere flash of your thoughts Enlivens my tired soul And fills me with light, peace and solace, A giant in new world, I become, I rise to divine heights in celestial wings. How I desire to reciprocate To fill you with light and inner strength raise you to divine heights; I must cross over nd hold you in arms, light up your soul, Fill you with strength from my inner core, Wipe away your tears burst out in pure joy How I yearn to instill hope and confidence in you we never part And we shall wait, till time comes right. the flame in my soul always seeks you, you transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.
RAGING FIRE
[...] Read more
poem by Praveen Kumar
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My Mind Is In a Poetic Meter
Lit with verse and profound imaginings.
Clear of limits and in boundless flight.
My mind is in a poetic meter.
Fixed within rhythmic thoughts combined.
And racing to attach themselves to the proper lines.
Picked with a selected taste to find,
Just the right mixture to release at the right time.
To capture a comprehension that is mutually shared.
And creating an understanding that before was not there.
Until it was produce to seduce,
To make aware.
My mind is in a poetic meter.
Can you feel it?
My mind is in a poetic meter.
Can you feel it?
My mind is in a poetic meter.
Can you feel it?
Can you can you feel it?
Can you can you feel it?
Can you can you feel it?
Can you can you feel it?
My mind is in a poetic meter.
Lit with verse and profound imaginings.
Clear of limits and in boundless flight.
Can you feel it?
Can you feel it?
Can you can you feel it?
Can you can you feel it?
Can you can you feel it?
Fixed within rhythmic thoughts combined.
And racing to attach themselves to the proper lines.
Can you feel it?
Can you feel it?
Can you feel it?
Can you feel it?
Can you feel it?
My mind is in a poetic meter.
Picked with a selected taste to find,
Just the right mixture to release at the right time.
To capture a comprehension that is mutually shared.
And creating an understanding that before was not there.
[...] Read more
poem by Lawrence S. Pertillar
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[9] O, Moon, My Sweet-heart!
O, Moon, My Sweet-heart!
[LOVE POEMS]
POET: MAHENDRA BHATNAGAR
POEMS
1 Passion And Compassion / 1
2 Affection
3 Willing To Live
4 Passion And Compassion / 2
5 Boon
6 Remembrance
7 Pretext
8 To A Distant Person
9 Perception
10 Conclusion
10 You (1)
11 Symbol
12 You (2)
13 In Vain
14 One Night
15 Suddenly
16 Meeting
17 Touch
18 Face To Face
19 Co-Traveller
20 Once And Once only
21 Touchstone
22 In Chorus
23 Good Omens
24 Even Then
25 An Evening At ‘Tighiraa’ (1)
26 An Evening At ‘Tighiraa’ (2)
27 Life Aspirant
28 To The Condemned Woman
29 A Submission
30 At Midday
31 I Accept
32 Who Are You?
33 Solicitation
34 Accept Me
35 Again After Ages …
36 Day-Dreaming
37 Who Are You?
38 You Embellished In Song
[...] Read more
poem by Mahendra Bhatnagar
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Bad Side Of The Moon
(bernie taupin/elton john)
Published by songs of polygram international - bmi
Seems as though Ive lived my life on the bad side of the moon
To stir your dregs, and sittin still, without a rustic spoon
Now come on people, live with me, where the light has never shone
And the harlots flock like hummingbirds, speakin in a foreign tongue
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
It seems as though Ive lived my life on the bad side of the moon
To stir your dregs, and sittin still, without a rustic spoon
Now come on people, live with me, where the light has never shone
And the harlots flock like hummingbirds, speakin in a foreign tongue
Im a light world away, from the people who make me stay
Sittin on the bad side of the moon
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
There aint no need for watchdogs here, to justify our ways
We lived our lives in manacles, the main cause of our stay
And exiled here from other worlds, my sentence comes to soon
Why should I be made to pay on the bad side of the moon
Im a light world away, from the people who make me stay
Sittin on the bad side of the moon
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
song performed by April Wine
Added by Lucian Velea
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The novelist and the poet
the difference between
the poet and the novelist
the former invites you
straight into his world
a canvas that takes
words for paint
humour for techniques
realism for images
the novelist
on the other hand
flatters you with
his intelligence
but takes the liberty
to hide behind
each of his creation/character
hard it would be to
find the man in
the maze of his words
you would gain more
hunting for him in town
the novelist is a
calculative trader
seizing any idea that could
help him sell his words
the humble poet though has
to sniff out his real self, his own god-instilled rhythm,
to let us share his adventures, colours, dreams
the novelist craft words for money
the poet craft words - to find himself and shares it with those -
who wish to find their own selves
poem by John Tiong Chunghoo
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Double Helix Abecedarian - Xylophonic Resonance He Licks Enigmatic
XYLOPHONIC RESONANCE HE LICKS ENIGMATIC
Kindly refer to notes. and see Temptations and Poetic Pizza Extravaganza below :)
Xylophonic Resonance
double helix abecedarian
The first line begins with A and ends with Z
the next line begins with Z and ends with A
The next line begins with B and ends with Y
The next line begins with Y and ends with B
The next line begins with C and ends with X
The next line begins with X and ends with C
A to Z top down A to Z bottom up
All fizzle, finish frazzled, launched with fizZ.
Zero dreams teem when spirit seems at seA
Because most adepts of philosophY
Yearn for zenith seldom dwell on ebB,
Carpe diem value, seeking sea, sun, seX.
Xylem tree of life’s cannibalistiC
Desires corrupt deeds most men seW,
With survival’s urge soon lost indeeD.
Events churn causal patterns, AsimoV
Viewed clearly, took as starship journey cuE
Finding worlds which may appeal to yoU,
Unknown reader from beyond Time’s gulF -
Great divide between those past, those lefT -
Time travellers peruse these lines to sinG
High praise of poets who’ll know no more springS.
Spontaneousl prose poem picks pensive patH
In patter pattern, feet dance to empoweR.
Rhythm harmonious, need no alibI,
Joins sense, style versatile, from mind's H.Q.,
Questions seeks, finds answers. Soujourn’s hadJ
Knowledge acquires to share more than to keeP,
Pipes clear to others drifting through the darK.
Lark sings dawn’s welcome song, and each man’s taO
Opens connections, on life’s sea a-saiL
Ma d, sad, glad, bad, for threescore years and teN
Never certain of his mortal aiM,
Nor sure to gain posthumous fame, acclaiM,
Making ends meet in hope to rise agaiN
On judgement day should trust and faith prevaiL.
Life-spans increase but trite hullabaloO
Prepares too few for winding sheet, corpse starK,
[...] Read more
poem by Jonathan Robin
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License To Thrill
Breath of life
For which a man must grieve
Blood of love
Into my heart
Tonight well dream
A license to thrill
Ill sing you on girl
Ill make you high world
Lovers turn again to dreams
Oh tonight
A license to thrill
I hear voices
Screaming louder
Seem to break a spell
Watcha gonna do
I hear voices
Singing louder
Oh yeah oh yeah
Breathe tonight
And slowly come down
Into my heart
Tonight well dream
A license to thrill
Oh sleeper
Yes, restless dreamer,
She comes, face her
Untie your lips
Ill turn you on girl
You make me high world
Turn again to dreams
Untie your hips
And with
Animal grace
Embrace her
Oh the taste
A license to thrill
I hear voices
Screaming louder
Seem to break a spell
Watcha gonna do
I hear voices
Screaming louder
Sing a farewell
Watcha gonna do
I hear voices
Screaming louder
Screaming louder into the night
Try to break a spell
I say yeah
Sing a last farewell
[...] Read more
song performed by Billy Idol
Added by Lucian Velea
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Kitsch Object
Just like every lichen, how you stick to me
If your luck is dying, go and plant a tree
With artistic license, always comes for free
Just like every lichen, how you stick to me
Snook your way backstage
Paris sets the rage
Coursing on your brain
So now I slip away
Just like every lichen, how you stick to me
If your luck is dying, go and plant a tree
With artistic license, always comes for free
Just like every lichen, how you stick to me
Weightless.. bare.. faithless... scared
Know that bitches face? ?
All seen better days
So quick to blow your fuse
But thats the life you choose
Just like every lichen, how you stick to me
If your luck is dying, go and plant a tree
With artistic license, always comes for free
Just like every lichen, how you stick to me
Weightless.. bare.. faithless... scared
Snook yourself backstage
Paris sets the rage
Coursing on your brain
So now I slip away
Just like every lichen, how you stick to me
If your luck is dying now, go and plant a tree
With poetic license, always comes for free
Just like every lichen, how you stick to me
Weightless.. bare.. faithless... scared
song performed by Placebo
Added by Lucian Velea
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Kitsch Object (live)
Just like every lichen, how you stick to me
If your luck is dying, go and plant a tree
With artistic license, always comes for free
Just like every lichen, how you stick to me
Snook your way backstage
Paris sets the rage
coursing on your brain
so now I slip away
Just like every lichen, how you stick to me
If your luck is dying, go and plant a tree
With artistic license, always comes for free
Just like every lichen, how you stick to me
Weightless.. Bare.. Faithless... Scared
Know that bitches face??
All seen better days
So quick to blow your fuse
But that's the life you choose
Just like every lichen, how you stick to me
If your luck is dying, go and plant a tree
With artistic license, always comes for free
Just like every lichen, how you stick to me
Weightless.. Bare.. Faithless... Scared
Snook yourself backstage
Paris sets the rage
coursing on your brain
so now I slip away
Just like every lichen, how you stick to me
If your luck is dying now, go and plant a tree
With poetic license, always comes for free
Just like every lichen, how you stick to me
Weightless.. Bare.. Faithless... Scared
[Posted by Erez
song performed by Placebo
Added by Lucian Velea
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First Book
OF writing many books there is no end;
And I who have written much in prose and verse
For others' uses, will write now for mine,–
Will write my story for my better self,
As when you paint your portrait for a friend,
Who keeps it in a drawer and looks at it
Long after he has ceased to love you, just
To hold together what he was and is.
I, writing thus, am still what men call young;
I have not so far left the coasts of life
To travel inland, that I cannot hear
That murmur of the outer Infinite
Which unweaned babies smile at in their sleep
When wondered at for smiling; not so far,
But still I catch my mother at her post
Beside the nursery-door, with finger up,
'Hush, hush–here's too much noise!' while her sweet eyes
Leap forward, taking part against her word
In the child's riot. Still I sit and feel
My father's slow hand, when she had left us both,
Stroke out my childish curls across his knee;
And hear Assunta's daily jest (she knew
He liked it better than a better jest)
Inquire how many golden scudi went
To make such ringlets. O my father's hand,
Stroke the poor hair down, stroke it heavily,–
Draw, press the child's head closer to thy knee!
I'm still too young, too young to sit alone.
I write. My mother was a Florentine,
Whose rare blue eyes were shut from seeing me
When scarcely I was four years old; my life,
A poor spark snatched up from a failing lamp
Which went out therefore. She was weak and frail;
She could not bear the joy of giving life–
The mother's rapture slew her. If her kiss
Had left a longer weight upon my lips,
It might have steadied the uneasy breath,
And reconciled and fraternised my soul
With the new order. As it was, indeed,
I felt a mother-want about the world,
And still went seeking, like a bleating lamb
Left out at night, in shutting up the fold,–
As restless as a nest-deserted bird
Grown chill through something being away, though what
It knows not. I, Aurora Leigh, was born
To make my father sadder, and myself
Not overjoyous, truly. Women know
The way to rear up children, (to be just,)
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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V. Count Guido Franceschini
Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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An Essay on Criticism
Part I
INTRODUCTION. That it is as great a fault to judge ill as to write ill, and a more dangerous one to the public. That a true Taste is as rare to be found as a true Genius. That most men are born with some Taste, but spoiled by false education. The multitude of Critics, and causes of them. That we are to study our own Taste, and know the limits of it. Nature the best guide of judgment. Improved by Art and rules, which are but methodized Nature. Rules derived from the practice of the ancient poets. That therefore the ancients are necessary to be studied by a Critic, particularly Homer and Virgil. Of licenses, and the use of them by the ancients. Reverence due to the ancients, and praise of them.
'Tis hard to say if greater want of skill
Appear in writing or in judging ill;
But of the two less dangerous is th'offence
To tire our patience than mislead our sense:
Some few in that, but numbers err in this;
Ten censure wrong for one who writes amiss;
A fool might once himself alone expose;
Now one in verse makes many more in prose.
'Tis with our judgments as our watches, none
Go just alike, yet each believes his own.
In Poets as true Genius is but rare,
True Taste as seldom is the Critic's share;
Both must alike from Heav'n derive their light,
These born to judge, as well as those to write.
Let such teach others who themselves excel,
And censure freely who have written well;
Authors are partial to their wit, 'tis true,
But are not Critics to their judgment too?
Yet if we look more closely, we shall find
Most have the seeds of judgment in their mind:
Nature affords at least a glimm'ring light;
The lines, tho' touch'd but faintly, are drawn right:
But as the slightest sketch, if justly traced,
Is by ill col'ring but the more disgraced,
So by false learning is good sense defaced:
Some are bewilder'd in the maze of schools,
And some made coxcombs Nature meant but fools:
In search of wit these lose their common sense,
And then turn Critics in their own defence:
Each burns alike, who can or cannot write,
Or with a rival's or an eunuch's spite.
All fools have still an itching to deride,
And fain would be upon the laughing side.
If Mævius scribble in Apollo's spite,
There are who judge still worse than he can write.
Some have at first for Wits, then Poets pass'd;
Turn'd Critics next, and prov'd plain Fools at last.
Some neither can for Wits nor Critics pass,
As heavy mules are neither horse nor ass.
Those half-learn'd witlings, numerous in our isle,
As half-form'd insects on the banks of Nile;
Unfinish'd things, one knows not what to call,
[...] Read more
poem by Alexander Pope
Added by Poetry Lover
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License To Kill
Man thinks cause he rules the earth he can do with it as he please
And if things dont change soon, he will.
Oh, man has invented his doom,
First step was touching the moon.
Now, theres a woman on my block,
She just sit there as the night grows still.
She say who gonna take away his license to kill?
Now, they take him and they teach him and they groom him for life
And they set him on a path where hes bound to get ill,
Then they bury him with stars,
Sell his body like they do used cars.
Now, theres a woman on my block,
She just sit there facin the hill.
She say who gonna take away his license to kill?
Now, hes hell-bent for destruction, hes afraid and confused,
And his brain has been mismanaged with great skill.
All he believes are his eyes
And his eyes, they just tell him lies.
But theres a woman on my block,
Sitting there in a cold chill.
She say who gonna take away his license to kill?
Ya may be a noisemaker, spirit maker,
Heartbreaker, backbreaker,
Leave no stone unturned.
May be an actor in a plot,
That might be all that you got
til your error you clearly learn.
Now he worships at an altar of a stagnant pool
And when he sees his reflection, hes fulfilled.
Oh, man is opposed to fair play,
He wants it all and he wants it his way.
Now, theres a woman on my block,
She just sit there as the night grows still.
She say who gonna take away his license to kill?
song performed by Bob Dylan
Added by Lucian Velea
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License To Kill
Man thinks 'cause he rules the earth he can do with it as he please
And if things don't change soon, he will.
'Cause man has invented his doom,
The first step was touching the moon.
Now, there's a woman on my block,
She just sits there as the night gets still.
She says who will take away his license to kill?
Now, they take him and they teach him and they groom him for life
And they set him on a path where he's bound to get ill,
And they bury him with stars,
Sell his body like they do used cars.
But there's a woman on my block,
She just sits there facin' the hill.
She says who will take away his license to kill?
Now, he's hell-bent for destruction, he's afraid and confused,
And his brain has been mismanaged with great skill.
Until all he believes are his eyes
And his eyes just tell him lies.
But there's a woman on my block,
Sitting there in a cold chill.
She says who will take away his license to kill?
Now he worships at an altar of a stagnant pool
And when he sees his reflection, he's fulfilled.
Oh, man wants it all his own way,
And he is opposed to fair play.
But there's a woman on my block,
She just sits there as the night grows still.
She say who will take away his license to kill?
song performed by Waterboys
Added by Lucian Velea
Comment! | Vote! | Copy!
License To Kill
Man thinks 'cause he rules the earth he can do with it as he please
And if things don't change soon, he will.
'Cause man has invented his doom,
The first step was touching the moon.
Now, there's a woman on my block,
She just sits there as the night gets still.
She says who will take away his license to kill?
Now, they take him and they teach him and they groom him for life
And they set him on a path where he's bound to get ill,
And they bury him with stars,
Sell his body like they do used cars.
But there's a woman on my block,
She just sits there facin' the hill.
She says who will take away his license to kill?
Now, he's hell-bent for destruction, he's afraid and confused,
And his brain has been mismanaged with great skill.
Until all he believes are his eyes
And his eyes just tell him lies.
But there's a woman on my block,
Sitting there in a cold chill.
She says who will take away his license to kill?
Now he worships at an altar of a stagnant pool
And when he sees his reflection, he's fulfilled.
Oh, man wants it all his own way,
And he is opposed to fair play.
But there's a woman on my block,
She just sits there as the night grows still.
She say who will take away his license to kill?
song performed by Waterboys
Added by Lucian Velea
Comment! | Vote! | Copy!