There is a slowness in affairs which ripens them, and a slowness which rots them.
quote by Joseph Roux
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Sad State Of Affairs
It’s a sad state of affairs
When you start to loose your friends
No one there to show they care
You even miss them driving you round the bend
It’s a sad state of affairs
When your ego is your compadre
He whispers in your ear 'you’re right and fair
You don’t need them, pay attention to what I say'
It’s a sad state of affairs
To know your smarter then those around you
What’s the point me going to your lair?
You speak nonsense but to you it sounds true
It’s a sad state of affairs
To have nothing going on in your life
Inside you’re dying to get up off the chair
But lack of motivation is your new strife
It’s a sad state of affairs
When you can’t even pay your bills
But to be honest do you even care?
Give me alcohol, shrooms and more pills
It’s a sad state of affairs
To not remember the years growing up
Except the fights between your family and your frère
Makes you think 'I could jump into that slowing truck'
It’s a sad state of affairs
When your writing is what you confide in
Teenage angst mixed with an adults raging stare
On this mountain of life I see people climbing
It’s a sad state of affairs
When you realise you’re the one slipping and sliding
poem by Kaspa Richards
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A Striving After Wind
- All things are full of weariness; a man cannot utter it.
(Ecclesiastes)
Malaise stamped on evenings like this ripens romance:
Wisdom becomes our sad bohemia, and we are clowns.
We laugh at what night disgorges - the gilded askance -
But night defines shadows twixt dancer and the dance;
We are cynics grown old, now satyrs of the lounge
Malaise-stamped on evenings like this. Ripens romance
When we, Simon-like, doubt wine and whore’s relevance?
They, too, have time who walk the streets, liven towns
We laugh at. What night disgorges (the gilded askance)
Hounds us, we them, arguing the grip of night and trance
Makes of us involuntary heroes but our bravura drowns,
Malaise-stamped, into evenings like this. Ripens romance.
Romance is talk of God and lady’s drink, a dash of Launce-
Lot, which, too, has time as we have time for cups and daunce
We laugh at. What night disgorges (the gilded askance)
This painful laughter? This wastefulness of remembrance?
We have become martyrs of meaning yet must be clowns
Malaise-stamped on evenings like this. Ripens romance.
We laugh at what night disgorges: the gilded askance.
poem by Albert B. Casuga
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Tale III
THE GENTLEMAN FARMER.
Gwyn was a farmer, whom the farmers all,
Who dwelt around, 'the Gentleman' would call;
Whether in pure humility or pride,
They only knew, and they would not decide.
Far different he from that dull plodding tribe
Whom it was his amusement to describe;
Creatures no more enliven'd than a clod,
But treading still as their dull fathers trod;
Who lived in times when not a man had seen
Corn sown by drill, or thresh'd by a machine!
He was of those whose skill assigns the prize
For creatures fed in pens, and stalls, and sties;
And who, in places where improvers meet,
To fill the land with fatness, had a seat;
Who in large mansions live like petty kings,
And speak of farms but as amusing things;
Who plans encourage, and who journals keep,
And talk with lords about a breed of sheep.
Two are the species in this genus known;
One, who is rich in his profession grown,
Who yearly finds his ample stores increase,
From fortune's favours and a favouring lease;
Who rides his hunter, who his house adorns;
Who drinks his wine, and his disbursements scorns;
Who freely lives, and loves to show he can, -
This is the Farmer made the Gentleman.
The second species from the world is sent,
Tired with its strife, or with his wealth content;
In books and men beyond the former read
To farming solely by a passion led,
Or by a fashion; curious in his land;
Now planning much, now changing what he plann'd;
Pleased by each trial, not by failures vex'd,
And ever certain to succeed the next;
Quick to resolve, and easy to persuade, -
This is the Gentleman, a farmer made.
Gwyn was of these; he from the world withdrew
Early in life, his reasons known to few;
Some disappointments said, some pure good sense,
The love of land, the press of indolence;
His fortune known, and coming to retire,
If not a Farmer, men had call'd him 'Squire.
Forty and five his years, no child or wife
Cross'd the still tenour of his chosen life;
Much land he purchased, planted far around,
And let some portions of superfluous ground
To farmers near him, not displeased to say
'My tenants,' nor 'our worthy landlord,' they.
[...] Read more
poem by George Crabbe
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Last Instructions to a Painter
After two sittings, now our Lady State
To end her picture does the third time wait.
But ere thou fall'st to work, first, Painter, see
If't ben't too slight grown or too hard for thee.
Canst thou paint without colors? Then 'tis right:
For so we too without a fleet can fight.
Or canst thou daub a signpost, and that ill?
'Twill suit our great debauch and little skill.
Or hast thou marked how antic masters limn
The aly-roof with snuff of candle dim,
Sketching in shady smoke prodigious tools?
'Twill serve this race of drunkards, pimps and fools.
But if to match our crimes thy skill presumes,
As th' Indians, draw our luxury in plumes.
Or if to score out our compendious fame,
With Hooke, then, through the microscope take aim,
Where, like the new Comptroller, all men laugh
To see a tall louse brandish the white staff.
Else shalt thou oft thy guiltless pencil curse,
Stamp on thy palette, not perhaps the worse.
The painter so, long having vexed his cloth--
Of his hound's mouth to feign the raging froth--
His desperate pencil at the work did dart:
His anger reached that rage which passed his art;
Chance finished that which art could but begin,
And he sat smiling how his dog did grin.
So mayst thou pérfect by a lucky blow
What all thy softest touches cannot do.
Paint then St Albans full of soup and gold,
The new court's pattern, stallion of the old.
Him neither wit nor courage did exalt,
But Fortune chose him for her pleasure salt.
Paint him with drayman's shoulders, butcher's mien,
Membered like mules, with elephantine chine.
Well he the title of St Albans bore,
For Bacon never studied nature more.
But age, allayed now that youthful heat,
Fits him in France to play at cards and treat.
Draw no commission lest the court should lie,
That, disavowing treaty, asks supply.
He needs no seal but to St James's lease,
Whose breeches wear the instrument of peace;
Who, if the French dispute his power, from thence
Can straight produce them a plenipotence..
Nor fears he the Most Christian should trepan
Two saints at once, St Germain, St Alban,
But thought the Golden Age was now restored,
When men and women took each other's word.
[...] Read more
poem by Andrew Marvell
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When You're In Love
When you're in love
You don't know much about it
Not in your mind
Romantic love
Rots the brain, no doubt about it
You're out of your mind, you're out of your mind
Seeing things like your heart with wings
Then you hear violin strings playing
Feel all the things that you feel you should
You would lie, you would kill, you would die
At least that's what you're saying
The worst thing is that you really would
When you're in love
You don't know much about it
Not in your mind
Romantic love
Rots the brain, no doubt about it
You're out of your mind, you're out of your mind
Six thousand million people in the world
And you say there's just one
The only one, and you must be together
And if they love you the pain is so sweet
And it just gets better and better
And if they don't
You want them more than ever
When you're in love
You don't know much about it
Not in your mind
Romantic love
Rots the brain, no doubt about it
You're out of your mind, you're out of your mind
song performed by Proclaimers
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Book V - Part 07 - Beginnings Of Civilization
Afterwards,
When huts they had procured and pelts and fire,
And when the woman, joined unto the man,
Withdrew with him into one dwelling place,
Were known; and when they saw an offspring born
From out themselves, then first the human race
Began to soften. For 'twas now that fire
Rendered their shivering frames less staunch to bear,
Under the canopy of the sky, the cold;
And Love reduced their shaggy hardiness;
And children, with the prattle and the kiss,
Soon broke the parents' haughty temper down.
Then, too, did neighbours 'gin to league as friends,
Eager to wrong no more or suffer wrong,
And urged for children and the womankind
Mercy, of fathers, whilst with cries and gestures
They stammered hints how meet it was that all
Should have compassion on the weak. And still,
Though concord not in every wise could then
Begotten be, a good, a goodly part
Kept faith inviolate- or else mankind
Long since had been unutterably cut off,
And propagation never could have brought
The species down the ages.
Lest, perchance,
Concerning these affairs thou ponderest
In silent meditation, let me say
'Twas lightning brought primevally to earth
The fire for mortals, and from thence hath spread
O'er all the lands the flames of heat. For thus
Even now we see so many objects, touched
By the celestial flames, to flash aglow,
When thunderbolt has dowered them with heat.
Yet also when a many-branched tree,
Beaten by winds, writhes swaying to and fro,
Pressing 'gainst branches of a neighbour tree,
There by the power of mighty rub and rub
Is fire engendered; and at times out-flares
The scorching heat of flame, when boughs do chafe
Against the trunks. And of these causes, either
May well have given to mortal men the fire.
Next, food to cook and soften in the flame
The sun instructed, since so oft they saw
How objects mellowed, when subdued by warmth
And by the raining blows of fiery beams,
Through all the fields.
And more and more each day
Would men more strong in sense, more wise in heart,
Teach them to change their earlier mode and life
[...] Read more
poem by Lucretius
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The Bellaires
The good Bellaires
Do not understand the conduct of this world's affairs.
In fact they understood them so badly
That they have had to cross the Channel.
Nine lawyers, four counsels, five judges and three
proctors of the King,
Together with the respective wives, husbands, sisters
and heterogeneous connections of the good Bellaires,
Met to discuss their affairs;
But the good Bellaires have so little understood their
affairs
That now there is no one at all
Who can understand any affair of theirs. Yet
Fourteen hunters still eat in the stables of
The good Squire Bellaire;
But these may not suffer attainder,
For they may not belong to the good Squire Bellaire
But to his wife.
On the contrary, if they do not belong to his wife,
He will plead
A 'freedom from attainder'
For twelve horses and also for twelve boarhounds
From Charles the Fourth;
And a further freedom for the remainder
Of horses, from Henry the Fourth.
But the judges,
Being free of mediaeval scholarship,
Will pay no attention to this,
And there will be only the more confusion,
Replevin, estoppel, espavin and what not.
Nine lawyers, four counsels, etc.,
Met to discuss their affairs,
But the sole result was bills
From lawyers to whom no one was indebted,
And even the lawyers
Were uncertain who was supposed to be indebted to
them.
Wherefore the good Squire Bellaire
Resides now at Agde and Biaucaire,
To Carcassonne, Pui, and Alais
He fareth from day to day,
Or takes the sea air
Between Marseilles
And Beziers.
And for all this I have considerable regret,
For the good Bellaires
Are very charming people.
poem by Ezra Pound
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Book IV - Part 03 - The Senses And Mental Pictures
Bodies that strike the eyes, awaking sight.
From certain things flow odours evermore,
As cold from rivers, heat from sun, and spray
From waves of ocean, eater-out of walls
Around the coasts. Nor ever cease to flit
The varied voices, sounds athrough the air.
Then too there comes into the mouth at times
The wet of a salt taste, when by the sea
We roam about; and so, whene'er we watch
The wormword being mixed, its bitter stings.
To such degree from all things is each thing
Borne streamingly along, and sent about
To every region round; and Nature grants
Nor rest nor respite of the onward flow,
Since 'tis incessantly we feeling have,
And all the time are suffered to descry
And smell all things at hand, and hear them sound.
Besides, since shape examined by our hands
Within the dark is known to be the same
As that by eyes perceived within the light
And lustrous day, both touch and sight must be
By one like cause aroused. So, if we test
A square and get its stimulus on us
Within the dark, within the light what square
Can fall upon our sight, except a square
That images the things? Wherefore it seems
The source of seeing is in images,
Nor without these can anything be viewed.
Now these same films I name are borne about
And tossed and scattered into regions all.
But since we do perceive alone through eyes,
It follows hence that whitherso we turn
Our sight, all things do strike against it there
With form and hue. And just how far from us
Each thing may be away, the image yields
To us the power to see and chance to tell:
For when 'tis sent, at once it shoves ahead
And drives along the air that's in the space
Betwixt it and our eyes. And thus this air
All glides athrough our eyeballs, and, as 'twere,
Brushes athrough our pupils and thuswise
Passes across. Therefore it comes we see
How far from us each thing may be away,
And the more air there be that's driven before,
And too the longer be the brushing breeze
Against our eyes, the farther off removed
Each thing is seen to be: forsooth, this work
With mightily swift order all goes on,
So that upon one instant we may see
[...] Read more
poem by Lucretius
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Book IV - Part 04 - Some Vital Functions
In these affairs
We crave that thou wilt passionately flee
The one offence, and anxiously wilt shun
The error of presuming the clear lights
Of eyes created were that we might see;
Or thighs and knees, aprop upon the feet,
Thuswise can bended be, that we might step
With goodly strides ahead; or forearms joined
Unto the sturdy uppers, or serving hands
On either side were given, that we might do
Life's own demands. All such interpretation
Is aft-for-fore with inverse reasoning,
Since naught is born in body so that we
May use the same, but birth engenders use:
No seeing ere the lights of eyes were born,
No speaking ere the tongue created was;
But origin of tongue came long before
Discourse of words, and ears created were
Much earlier than any sound was heard;
And all the members, so meseems, were there
Before they got their use: and therefore, they
Could not be gendered for the sake of use.
But contrariwise, contending in the fight
With hand to hand, and rending of the joints,
And fouling of the limbs with gore, was there,
O long before the gleaming spears ere flew;
And Nature prompted man to shun a wound,
Before the left arm by the aid of art
Opposed the shielding targe. And, verily,
Yielding the weary body to repose,
Far ancienter than cushions of soft beds,
And quenching thirst is earlier than cups.
These objects, therefore, which for use and life
Have been devised, can be conceived as found
For sake of using. But apart from such
Are all which first were born and afterwards
Gave knowledge of their own utility-
Chief in which sort we note the senses, limbs:
Wherefore, again, 'tis quite beyond thy power
To hold that these could thus have been create
For office of utility.
Likewise,
'Tis nothing strange that all the breathing creatures
Seek, even by nature of their frame, their food.
Yes, since I've taught thee that from off the things
Stream and depart innumerable bodies
In modes innumerable too; but most
Must be the bodies streaming from the living-
Which bodies, vexed by motion evermore,
Are through the mouth exhaled innumerable,
[...] Read more
poem by Lucretius
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Hudibras: Part 3 - Canto II
THE ARGUMENT
The Saints engage in fierce Contests
About their Carnal interests;
To share their sacrilegious Preys,
According to their Rates of Grace;
Their various Frenzies to reform,
When Cromwel left them in a Storm
Till, in th' Effigy of Rumps, the Rabble
Burns all their Grandees of the Cabal.
THE learned write, an insect breeze
Is but a mungrel prince of bees,
That falls before a storm on cows,
And stings the founders of his house;
From whose corrupted flesh that breed
Of vermin did at first proceed.
So e're the storm of war broke out,
Religion spawn'd a various rout
Of petulant Capricious sects,
The maggots of corrupted texts,
That first run all religion down,
And after ev'ry swarm its own.
For as the Persian Magi once
Upon their mothers got their sons,
That were incapable t' enjoy
That empire any other way;
So PRESBYTER begot the other
Upon the good old Cause, his mother,
Then bore then like the Devil's dam,
Whose son and husband are the same.
And yet no nat'ral tie of blood
Nor int'rest for the common good
Cou'd, when their profits interfer'd,
Get quarter for each other's beard.
For when they thriv'd, they never fadg'd,
But only by the ears engag'd:
Like dogs that snarl about a bone,
And play together when they've none,
As by their truest characters,
Their constant actions, plainly appears.
Rebellion now began, for lack
Of zeal and plunders to grow slack;
The Cause and covenant to lessen,
And Providence to b' out of season:
For now there was no more to purchase
O' th' King's Revenue, and the Churches,
But all divided, shar'd, and gone,
That us'd to urge the Brethren on;
Which forc'd the stubborn'st for the Cause,
[...] Read more
poem by Samuel Butler
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Bible in Poetry: 1 Corinthians 7
Marriage:
1’Tis good for man, not to marry.
2 With so much immorality,
Each man should have his own, one wife,
And each woman, own, one husband.
3 The husband should fulfill to wife,
His marital duty always;
And likewise, wife to her husband.
4 Wife's body doesn’t belong to her
Alone, but to her husband too.
In the same way, husband's body
Does not belong to him alone
But also to his wife as well.
5 Do not deprive each other then,
Except by mutual consent and
For just sometime, so that you may
Devote yourselves to some prayer.
Then come again together for
As Satan will not tempt you for
Your lack of self-control in life.
6 I say this as a concession,
And this is not a command then.
7 I wish all men were as I am.
Each man has his own gift from God;
One has this gift, another, that.
8 Now to unmarried and widows:
’Tis good to stay unmarried too.
9 If they can’t control themselves then,
’Tis better they should get married
Than, burn with passion in your life.
10 Lord’s command to the married ones:
A wife must not separate from husband.
11 But if she does, she must stay unmarried,
Or else be reconciled to her husband.
A husband mustn’t divorce his wife.
12 To rest I say (I, not the Lord) :
If any brother has a wife,
Who isn’t a believer but then,
She is willing to live with him,
He must not divorce her, as yet.
13 And if a woman has husband,
Who isn’t a believer as yet,
But is willing to live with her,
She must not divorce him as well.
14 For the unbelieving husband
Has been sanctified through his wife,
And the unbelieving wife too,
[...] Read more
poem by John Celes
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EPISTLE II: TO A LADY (Of the Characters of Women )
NOTHING so true as what you once let fall,
"Most Women have no Characters at all."
Matter too soft a lasting mark to bear,
And best distinguish'd by black, brown, or fair.
How many pictures of one Nymph we view,
All how unlike each other, all how true!
Arcadia's Countess, here, in ermin'd pride,
Is, there, Pastora by a fountain side.
Here Fannia, leering on her own good man,
And there, a naked Leda with a Swan.
Let then the Fair one beautifully cry,
In Magdalen's loose hair and lifted eye,
Or drest in smiles of sweet Cecilia shine,
With simpering Angels, Palms, and Harps divine;
Whether the Charmer sinner it, or saint it,
If Folly grow romantic, I must paint it.
Come then, the colours and the ground prepare!
Dip in the Rainbow, trick her off in Air;
Choose a firm Cloud, before it fall, and in it
Catch, ere she change, the Cynthia of this minute.
Rufa, whose eye quick-glancing o'er the Park,
Attracts each light gay meteor of a Spark,
Agrees as ill with Rufa studying Locke,
As Sappho's diamonds with her dirty smock;
Or Sappho at her toilet's greasy task,
With Sappho fragrant at an evening Masque:
So morning Insects that in muck begun,
Shine, buzz, and flyblow in the setting sun.
How soft is Silia! fearful to offend;
The Frail one's advocate, the Weak one's friend:
To her, Calista prov'd her conduct nice;
And good Simplicius asks of her advice.
Sudden, she storms! she raves! You tip the wink,
But spare your censure; Silia does not drink.
All eyes may see from what the change arose,
All eyes may see--a Pimple on her nose.
Papillia, wedded to her amorous spark,
Sighs for the shades--"How charming is a Park!"
A Park is purchas'd, but the Fair he sees
All bath'd in tears--"Oh odious, odious Trees!"
Ladies, like variegated Tulips, show;
'Tis to their Changes half their charms we owe;
Fine by defect, and delicately weak,
Their happy Spots the nice admirer take,
[...] Read more
poem by Alexander Pope
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The Lotos-eaters
"Courage!" he said, and pointed toward the land,
"This mounting wave will roll us shoreward soon."
In the afternoon they came unto a land
In which it seemed always afternoon.
All round the coast the languid air did swoon,
Breathing like one that hath a weary dream.
Full-faced above the valley stood the moon;
And like a downward smoke, the slender stream
Along the cliff to fall and pause and fall did seem.
A land of streams! some, like a downward smoke,
Slow-dropping veils of thinnest lawn, did go;
And some thro' wavering lights and shadows broke,
Rolling a slumbrous sheet of foam below.
They saw the gleaming river seaward flow
From the inner land: far off, three mountain-tops,
Three silent pinnacles of aged snow,
Stood sunset-flush'd: and, dew'd with showery drops,
Up-clomb the shadowy pine above the woven copse.
The charmed sunset linger'd low adown
In the red West: thro' mountain clefts the dale
Was seen far inland, and the yellow down
Border'd with palm, and many a winding vale
And meadow, set with slender galingale;
A land where all things always seem'd the same!
And round about the keel with faces pale,
Dark faces pale against that rosy flame,
The mild-eyed melancholy Lotos-eaters came.
Branches they bore of that enchanted stem,
Laden with flower and fruit, whereof they gave
To each, but whoso did receive of them,
And taste, to him the gushing of the wave
Far far away did seem to mourn and rave
On alien shores; and if his fellow spake,
His voice was thin, as voices from the grave;
And deep-asleep he seem'd, yet all awake,
And music in his ears his beating heart did make.
They sat them down upon the yellow sand,
Between the sun and moon upon the shore;
And sweet it was to dream of Fatherland,
Of child, and wife, and slave; but evermore
Most weary seem'd the sea, weary the oar,
Weary the wandering fields of barren foam.
Then some one said, "We will return no more";
And all at once they sang, "Our island home
Is far beyond the wave; we will no longer roam."CHORIC SONGI
[...] Read more
poem by Alfred Lord Tennyson
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Hermann And Dorothea - IV. Euterpe
MOTHER AND SON.
THUS the men discoursed together; and meanwhile the mother
Went in search of her son,--at first in front of the dwelling
On the bench of stone, for he was accustom'd to sit there.
When she found him not there, she went to look in the stable,
Thinking perchance he was feeding his splendid horses, the stallions
Which he had bought when foals, and which he entrusted to no one.
But the servant inform'd her that he had gone to the garden.
Then she nimbly strode across the long double courtyard,
Left the stables behind, and the barns all made of good timber,
Enter'd the garden which stretch'd far away to the walls of the borough,
Walk'd across it, rejoicing to see how all things were growing,
Carefully straighten'd the props, on which the apple-tree's branches,
Heavily loaded, reposed, and the weighty boughs of the pear-tree,
Took a few caterpillars from off the strong-sprouting cabbage;
For a bustling woman is never idle one moment.
In this manner she came to the end of the long-reaching garden,
Where was the arbour all cover'd with woodbine: she found not her son there,
Nor was he to be seen in any part of the garden.
But she found on the latch the door which out of the arbour
Through the wall of the town had been made by special permission
During their ancestor's time, the worthy old burgomaster.
So she easily stepp'd across the dry ditch at the spot where
On the highway abutted their well-inclosed excellent vineyard.
Rising steeply upwards, its face tow'rd the sun turn'd directly.
Up the hill she proceeded, rejoicing, as farther she mounted,
At the size of the grapes, which scarcely were hid by the foliage.
Shady and well-cover'd in, the middle walk at the top was,
Which was ascended by steps of rough flat pieces constructed.
And within it were hanging fine chasselas and muscatels also,
And a reddish-blue grape, of quite an exceptional bigness,
All with carefulness planted, to give to their guests after dinner.
But with separate stems the rest of the vineyard was planted,
Smaller grapes producing, from which the finest wine made is.
So she constantly mounted, enjoying in prospect the autumn.
And the festal day, when the neighbourhood met with rejoicing,
Picking and treading the grapes, and putting the must in the wine-vats,
Every corner and nook resounding at night with the fireworks,
Blazing and cracking away, due honour to pay to the harvest.
But she uneasy became, when she in vain had been calling
Twice and three times her son, and when the sole answer that reach'd her
Came from the garrulous echo which out of the town towers issued.
Strange it appear'd to have to seek him; he never went far off,
(As he before had told her) in order to ward off all sorrow
From his dear mother, and her forebodings of coming disaster.
But she still was expecting upon the highway to find him,
For the doors at the bottom, like those at the top, of the vineyard
Stood wide open; and so at length she enter'd the broad field
Which, with its spreading expanse, o'er the whole of the hill's back extended.
[...] Read more
poem by Johann Wolfgang von Goethe
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The Collective: The Ripening Apple
Suspended in the lovely bough
It enchants in a pallid gossamer
The streak of sun gives an effulgent glow
A veil to deem the sun less warmer
Inveigling with a dreamy-saccharine tow
Is the resilience for any hunger
Up, the heaven is more supreme
Below, the gazes fell shorter
But when it ripens in time and vim;
An escalation to fall and crash in slivers
Nevertheless, the ripening should be prim
If down yonder is a patient lover
Succulence it brew and serenity too
For season taught the fair barter
Fair to the nursing land it grew
Is the long haul for the apple pickers
And the righteous one may have a chew
Of the modest bliss it can shower
The unwearied weather and vicissitude, the moderate
Ripens the brightest of red too delicate
poem by Norman Santos
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All Day The Sun
All day the sun ripens the grape;
all night the wine ripens the cup,
a carrying forth into a carrying forth
of fruit into fruit, sun to grape,
grape to cup, cup to mouth,
life into death, you into me,
and everything drunk with transformation,
and everything crazed with flame and fury
as if the lips of the night were bleeding
as if there were eyes on the limbs of trees
that were nudged by the wind
to let go of their chandeliers
and the fire wanted a creek bed of its own
that could weep its way to the sea
and the wind shook the window
it wanted to be. And there are shoes
that were once the barges of men,
and roads that mistook themselves
for a journey, and hearts in the grass,
hardly distinguishable from other boundary stones
that once were blazing meteors,
gashes of demonic iron that could change the earth
in the reflex of their igneous agony,
and faces in the orchards
that admired them for their blossoming,
now, all, utterly changed, transformed,
like the reasons for water or God.
And night after night it goes on like this,
swans in the ashes of burnt guitars,
and women with hysterectomies,
and a pearl on the tongue of the eloquent oysters,
and fire hydrants coming home from war
like amputees, and the lovers
behind the auroral curtains over the hills,
clouds in an hourglass
with lifeboats of sand for mouths,
and floral yokes of bright farewells
on the spinal wharves of their longing.
The sea became waves
and the waves became snakes
and the snakes washed up on the tide
scaled the ladder into feathers
and flew. One can become two, but zero
never empowers anything to change
except to be more of itself,
that's why it's cool to be nothing
and enlarge without limit
the infinities in the grain
of a human heart into a silo for the multiverse.
There's enough space
[...] Read more
poem by Patrick White
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The Ballad Of The Brand
'Twas up in a land long famed for gold, where women were far and rare,
Tellus, the smith, had taken to wife a maiden amazingly fair;
Tellus, the brawny worker in iron, hairy and heavy of hand,
Saw her and loved her and bore her away from the tribe of a Southern land;
Deeming her worthy to queen his home and mother him little ones,
That the name of Tellus, the master smith, might live in his stalwart sons.
Now there was little of law in the land, and evil doings were rife,
And every man who joyed in his home guarded the fame of his wife;
For there were those of the silver tongue and the honeyed art to beguile,
Who would cozen the heart from a woman's breast and damn her soul with a smile.
And there were women too quick to heed a look or a whispered word,
And once in a while a man was slain, and the ire of the King was stirred;
So far and wide he proclaimed his wrath, and this was the law he willed:
"That whosoever killeth a man, even shall he be killed."
Now Tellus, the smith, he trusted his wife; his heart was empty of fear.
High on the hill was the gleam of their hearth, a beacon of love and cheer.
High on the hill they builded their bower, where the broom and the bracken meet;
Under a grave of oaks it was, hushed and drowsily sweet.
Here he enshrined her, his dearest saint, his idol, the light of his eye;
Her kisses rested upon his lips as brushes a butterfly.
The weight of her arms around his neck was light as the thistle down;
And sweetly she studied to win his smile, and gently she mocked his frown.
And when at the close of the dusty day his clangorous toil was done,
She hastened to meet him down the way all lit by the amber sun.
Their dove-cot gleamed in the golden light, a temple of stainless love;
Like the hanging cup of a big blue flower was the topaz sky above.
The roses and lilies yearned to her, as swift through their throng she pressed;
A little white, fragile, fluttering thing that lay like a child on his breast.
Then the heart of Tellus, the smith, was proud, and sang for the joy of life,
And there in the bronzing summertide he thanked the gods for his wife.
Now there was one called Philo, a scribe, a man of exquisite grace,
Carved like the god Apollo in limb, fair as Adonis in face;
Eager and winning in manner, full of such radiant charm,
Womenkind fought for his favor and loved to their uttermost harm.
Such was his craft and his knowledge, such was his skill at the game,
Never was woman could flout him, so be he plotted her shame.
And so he drank deep of pleasure, and then it fell on a day
He gazed on the wife of Tellus and marked her out for his prey.
Tellus, the smith, was merry, and the time of the year it was June,
So he said to his stalwart helpers: "Shut down the forge at noon.
Go ye and joy in the sunshine, rest in the coolth of the grove,
Drift on the dreamy river, every man with his love."
Then to himself: "Oh, Beloved, sweet will be your surprise;
To-day will we sport like children, laugh in each other's eyes;
Weave gay garlands of poppies, crown each other with flowers,
[...] Read more
poem by Robert William Service
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Of the four Humours in Mans Constitution.
The former four now ending their discourse,
Ceasing to vaunt their good, or threat their force.
Lo other four step up, crave leave to show
The native qualityes that from them flow:
But first they wisely shew'd their high descent,
Each eldest daughter to each Element.
Choler was own'd by fire, and Blood by air,
Earth knew her black swarth child, water her fair:
All having made obeysance to each Mother,
Had leave to speak, succeeding one the other:
But 'mongst themselves they were at variance,
Which of the four should have predominance.
Choler first hotly claim'd right by her mother,
Who had precedency of all the other:
But Sanguine did disdain what she requir'd,
Pleading her self was most of all desir'd.
Proud Melancholy more envious then the rest,
The second, third or last could not digest.
She was the silentest of all the four,
Her wisdom spake not much, but thought the more
Mild Flegme did not contest for chiefest place,
Only she crav'd to have a vacant space.
Well, thus they parle and chide; but to be brief,
Or will they, nill they, Choler will be chief.
They seing her impetuosity
At present yielded to necessity.
Choler.
To shew my high descent and pedegree,
Your selves would judge but vain prolixity;
It is acknowledged from whence I came,
It shall suffice to shew you what I am,
My self and mother one, as you shall see,
But shee in greater, I in less degree.
We both once Masculines, the world doth know,
Now Feminines awhile, for love we owe
Unto your Sisterhood, which makes us render
Our noble selves in a less noble gender.
Though under Fire we comprehend all heat,
Yet man for Choler is the proper seat:
I in his heart erect my regal throne,
Where Monarch like I play and sway alone.
Yet many times unto my great disgrace
One of your selves are my Compeers in place,
Where if your rule prove once predominant,
The man proves boyish, sottish, ignorant:
But if you yield subservience unto me,
I make a man, a man in th'high'st degree:
Be he a souldier, I more fence his heart
Then iron Corslet 'gainst a sword or dart.
What makes him face his foe without appal,
[...] Read more
poem by Anne Bradstreet
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What ripens quickly, rots quickly.
Ganda proverbs
Added by Lucian Velea
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Love: To A Little Girl
When we all lie still
Where churchyard pines their funeral vigil keep,
Thou shalt rise up early
While the dews are deep;
Thee the earliest bird shall rouse
From thy maiden sleep,
Thy white bed in the old house
Where we all, in our day,
Lived and loved so cheerly.
And thou shalt take thy way
Where the nodding daffodil
Tells thee he is near;
Where the lark above the corn
Sings him to thine ear;
Where thine own oak, fondly grim,
Points to more than thou canst spy;
And the beckoning beechen spray
Beckons, beckons thee to him,
Thee to him and him to thee;
Him to thee, who, coy and slow,
Stealest through dim paths untrod
Step by step, with doubtful glance,
Taking witness quick and shy
Of each bud and herb and tree
If thou doest well or no.
Haste thee, haste thee, slow and coy!
What! art doubting still, though even
The white tree that shakes with fear
When no other dreams of ill,
The girl-tree whom best thou knowest,
Waves the garlands of her joy,
And, by something more than chance,
Of all paths in one path only
The primroses where thou goest
Thicken to thy feet, as though
Thou already wert in heaven
And walking in the galaxy.
Do those stars no longer glisten
To thy steps, ah! shivering maid,
That, where upper light doth fade
At yon gnarled and twisted gate,
Thou dost pause and tremble and so,
Listening stir, and stirring listen?
Not a blossom will illume
That chill grove of cambering yew
Wherein Night seems to vegetate,
And, through bats and owls, a dew
Of darkness fills the mortal gloom.
Haste thee, haste thee, gaze not back!
Of all hours since thou wert born,
[...] Read more
poem by Sydney Thompson Dobell
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