Citatepedia^®.com

My personal life and my artistic life do not interfere with each other.

quote by Stephen Sondheim
Added by Lucian Velea
Comment! | Vote! | Copy!

Personal

Anything you want from me
Ill do
But first
Lets get personal
Personal
Personal
Personal
Lets get personal
Personal
Personal
Personal
Personal with you
Were sittin havin dinner at your parents home
Some of the finest food Ive ever known
But I need some sweetness on my tongue
And it aint a type of sugar oh no
So maybe we can go somewhere
Neighbour room girl I dont care
Wheres the bedroom
(its upstairs)
Ill meet you there in a minute
Girl so we can get
Lets get personal (ooh yeah)
Personal (tight baby)
Personal (maybe we can get)
Personal (just a little, just a little bit)
Lets get personal (ooh yay)
Personal (I wanna get personal)
Personal (come on baby, just trust me)
Personal (I wanna get)
Personal with you
Im behind you in your bedroom with your hands against the wall
But keeping one eye on the door
Got your t-shirt and your panties on
Ooh I feel so right, cant be wrong, no
I know you like it when I touch you there
Girl just keep it quiet or theyll hear
Feel the tremblin all down your leg
Id love to head to your bed
So that we can get
Personal
Shhh
Should I take off my clothes (no)
Put the lock on the door
Let go of your deepest inhibitions
Let me fulfil your fantasies girl
Like me touching you there (yeah)
The way that I play with your hair
Emotions running wild until we stop
Yeah

[...] Read more

song performed by Craig David
Added by Lucian Velea
Comment! | Vote! | Copy!

Washed Away Under Work Loads

artists feel frustrated
when achieving not
when producing art not
not realizing images
in shifting vision mind

artists should
be producing art
no time for cooking
no time for cleaning
no time for hair cut

artists should not
not be able to keep up
with fermenting ideas
rain weather changes
haunting wake up calls

not creating art
is wasting artistic souls
is wasting artistic lives
in dry season droughts
withering artistic minds

work income human activities
life necessity farming for wages
dependent on salary climates
fifty sixty wage slave hours
is change devastating for artists

this drought no time for artistic activities
is crop failure starvation of artistic minds
leading to artistic suffering on massive scales
droughts are caused by lack of fertility rains
extended over long periods of wage slave times

slight brief rains slight artistic showers
is normality artistic not enough spring rains
to ground absorb artistic evaporated minds
artist is dehydrated lacking soul rejuvenations
plants animals need sustaining life waters

artists need self generated creativity waters
least art dies death of artistic dehydrations
art is main ingredient in artistic food chains
plants die from lack of water therefore animals
eating these plants will also die in drought cycles

artists true artists deprived of art wither drought dies
in mind soul lacking artistic flowering rejuvenations

[...] Read more

poem by Terence George Craddock
Added by Poetry Lover
Comment! | Vote! | Copy!

Artistic

Artistic
It's artistic
Grace in your movement
Is artistic.

Artistic
It's artistic
Sweetness in your voice
Is artistic.

Artistic
It's artistic
Gleam in your eye
Is artistic.

I'm filled with inspiration
In my dormant artistic pursuit...

With brush in hand
I'll paint your every move

With hidden treasure of words
I'll weave poems of what you say

And I'll move as you command
By the gleam of your eye.

poem by Tirupathi Chandrupatla
Added by Poetry Lover
Comment! | Vote! | Copy!

Bang Your Pans If You Wish

Bang your pans,
If you wish...
With empty cans,
If you wish...
And then demand,
If you wish...

To make your situation,
Like a personal damnation.

Bang your pans,
If you wish...
With empty cans,
If you wish...
And then demand,
If you wish...

To make your situation,
Like a personal damnation.

You're not the only one,
Who has loaded shoulders.
Today the young and older ones...
Have little to eat.

You're not the only one,
Whose shoulders are bent over.
Who needs to lay their head somewhere,
And get some sleep!

Bang your pans,
If you wish...
With empty cans,
If you wish...
And then demand,
If you wish...

To make your situation,
Like a personal damnation.

Bang your pans,
If you wish...
With empty cans,
If you wish...
And then demand,
If you wish...

To make your situation,
Like a personal damnation.

[...] Read more

poem by Lawrence S. Pertillar
Added by Poetry Lover
Comment! | Vote! | Copy!

Too Personal

Youre to to to too personal
Youre to to to too personal
Well you keep talking about love -
Well what do you want
We have fun alright - so what do you want
The idea of fate its all in the mind
We are the ones who control our own time
Look dont get me wrong
But if you keep on Im gonna go
Youre to to to too personal
Youre to to to too personal
You say everyones lonely and insecure
All because of living in hate and fear
Well if love is possession baby you better change
No ones gonna keep me in those chains
Look dont get me wrong
But if you keep on Im gonna go
Forget your personal problems
Think about somebody else
Im gonna think about them - right now
Youre to to to too personal
Youre to to to too personal
Youre to to to too personal
Youre to to to too personal

song performed by Billy Idol
Added by Lucian Velea
Comment! | Vote! | Copy!

Captain Nemo

Captain nemo is too good for you and me
Take a voyage to the bottom of the sea
Hes a riddle you will see in the middle of the sea
If you ask him things about life, then he will say:
Oh no, Im far too continental for mankind
I dont interfere in your life
See me as a searcher with the answers
To your world from under the sea
Captain nemo knows the world be we dont know
What control of light and darkness means
Hell show
If we come in peace at heart
He may help us to restart what went wrong
So long ago from down below
Oh no, Im far too continental for mankind
I dont interfere in your life
See me as a searcher with the answers
To your world from under the sea
See him as a searcher with the answers to mankind
Hes far too continental
Though hes wiser than all man
He is curious about the plan
Violated by the man, the master plan
Oh no, hes far too continental for mankind
He doesnt interfere in your life
See him as a searcher with the answers
To your world from under the sea
Oh no, hes far too continental for mankind
He doesnt interfere in your life
See him as a searcher with the answers
To your world from under the sea
Oh no, hes far too continental for mankind
Under the sea

song performed by Ace Of Base
Added by Lucian Velea
Comment! | Vote! | Copy!

Personal Attention

Personal attention
a gifted child leads
Personal attention
an average child needs

Personal attention
at risk child pleads
Personal attention
an autistic child deeds

Personal attention
a parent plants the seeds
Personal attention
is what every child needs

Thus..Personal attention
is what every teacher heeds

poem by Robert John Meehan
Added by Poetry Lover
Comment! | Vote! | Copy!

Second Book

TIMES followed one another. Came a morn
I stood upon the brink of twenty years,
And looked before and after, as I stood
Woman and artist,–either incomplete,
Both credulous of completion. There I held
The whole creation in my little cup,
And smiled with thirsty lips before I drank,
'Good health to you and me, sweet neighbour mine
And all these peoples.'
I was glad, that day;
The June was in me, with its multitudes
Of nightingales all singing in the dark,
And rosebuds reddening where the calyx split.
I felt so young, so strong, so sure of God!
So glad, I could not choose be very wise!
And, old at twenty, was inclined to pull
My childhood backward in a childish jest
To see the face of't once more, and farewell!
In which fantastic mood I bounded forth
At early morning,–would not wait so long
As even to snatch my bonnet by the strings,
But, brushing a green trail across the lawn
With my gown in the dew, took will and way
Among the acacias of the shrubberies,
To fly my fancies in the open air
And keep my birthday, till my aunt awoke
To stop good dreams. Meanwhile I murmured on,
As honeyed bees keep humming to themselves;
'The worthiest poets have remained uncrowned
Till death has bleached their foreheads to the bone,
And so with me it must be, unless I prove
Unworthy of the grand adversity,–
And certainly I would not fail so much.
What, therefore, if I crown myself to-day
In sport, not pride, to learn the feel of it,
Before my brows be numb as Dante's own
To all the tender pricking of such leaves?
Such leaves? what leaves?'
I pulled the branches down,
To choose from.
'Not the bay! I choose no bay;
The fates deny us if we are overbold:
Nor myrtle–which means chiefly love; and love
Is something awful which one dare not touch
So early o' mornings. This verbena strains
The point of passionate fragrance; and hard by,
This guelder rose, at far too slight a beck
Of the wind, will toss about her flower-apples.
Ah–there's my choice,–that ivy on the wall,
That headlong ivy! not a leaf will grow

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
Comment! | Vote! | Copy!

Joseph's Gloss On God

When Joseph tells his brothers: “I
am not God, ” he perhaps implies
that unlike God he sometimes lies,
and unlike Him, is doomed to die.

The words that Joseph never said
are wrong, as we find out when burned;
God often lies, a lesson learned
from history, and God is dead.

Inspired by a review by Paul Buhle of R. Crumb’s The Whole Book of Genesis, in Forward, October 10,2009 (“In the Image of God: The Ambition of R. Crumb’s Graphic Genesis”:

To say this book is a remarkable volume or even a landmark volume in comic art is somewhat of an understatement. It doesn’t hurt that excerpts of the book appeared during the summer in the New Yorker and that the Hammer Museum in Los Angeles is opening an exhibit of the original drawings from which the book’s contents were adapted. “The Book of Genesis, ” Robert Crumb’s version, nevertheless stands on its own as one of this century’s most ambitious artistic adaptations of the West’s oldest continuously told story.
No comic artist has been more influential than Crumb. In terms of sales, his work is dwarfed by the superheroes and, in comic art prestige. Art Spiegelman, and a short list of others including Alison Bechdel and Marjane Sartrapi may have displaced Crumb. But Crumb’s influence abides and endures in his occasional LP/CD covers, in his volumes of collected work (16 volumes so far and counting) , his artistic prizes and a generation of artists who have incorporated his particular view of humanity.
Surprisingly, his best work in 20 years has actually been in the genre of adaptation, specifically an adaptation of Franz Kafka, dating to the mid 1990s. On that highly curious point, any consideration of this “Genesis, ” as a highly personal comic art, properly begins. Notoriously, Crumb is a gentile who fled from his deeply dysfunctional Delaware family to the Cleveland neighborhood of Harvey Pekar and the arms of the first of two Jewish wives. “Crumb, ” the 1994 film documentary, was in many ways about emotional pain (including a brother doomed to suicide) and his craving for a certain kind of woman, who, although possibly any female with a bemuscled backside, was in fact most likely to be Jewish. She, reality and image, was his consolation. The strips that he drew of Jewish-American life, nevertheless, reworked stereotypes, some funny (he visits Florida with his second wife, and holds a tiny grandfather on his knee) , and some, doubtless, insulting to many readers.
In the pages of “Introducing Kafka, ” Crumb became his fictional protagonist with such depth of insight into the logic of the doomed writer, as well as of Kafka’s famed works, that many readers were simply astonished, this reviewer among them. Kafka is the exemplar par excellence of a type of ambiguous, tortured mittel European Jewish personality as it hovered between faith and uncertainty, shortly before the Holocaust. Not Spiegelman, not Ben Katchor, nor Sharon Rudahl, nor others who drew historical or quasi-historical strips about Jewish history, had taken the characterization as far as Crumb. An earlier escape from Middle American culture had propelled Crumb toward his satirical protagonist Mister Natural, a Zen-like, robed quasi-prophet of the 1970s-80s. Three decades later, Crumb’s robed prophets are far from Zen.
Crumb’s “Genesis” is then perfectly serious and the author wants us to know it. As he says on the cover, “Nothing Left Out! ” Every “beget” from the King James Bible can be found here, along with plenty of scenes censored from previous graphic adaptations. And more prose, in the final “Commentary” segment of the book, than non-writer Crumb may have put on the page anywhere, aside from his published letters. More striking for anyone but the seasoned Crumb fan: unlike previous Biblical comic adaptations, including some published and drawn by Jews, Crumb’s characters actually look Jewish, the women even more than the men. The contrast to the classic work, EC Comics’ “Picture Stories from the Bible” (1945) in that respect is most illuminating. But more recent works like the best-selling “Manga Bible” (2000) are not much different (nor was the “The Wolverton Bible” by one of the strangest of comic artists Basil Wolverton) . Close readers will see Crumb’s wife Aline Kominsky, to whom the book is dedicated, again and again, in various guises; perhaps only Chagall drew his beloved wife so often and with such varied imagination.
Not only are the characters Jewish here, they are all ages and sizes. If, for instance, there are more drawings of Jewish elders in any single volume of comic art anywhere, I have never seen them. The women here are beautiful when young, heavily busted with large, muscular thighs. The men are strong, their beards full and noble. The deity has a really big beard and retains his notoriously bad temper, as well as his commanding presence, and absolute demand for loyalty. The animals of Genesis (in Noah’s ark and elsewhere) may be where Crumb is most similar to earlier comic art adaptations of Biblical texts, but they are drawn, like everything else, with such loving care that they are special and demand repeated viewing.
In those extensive notes at the end, Crumb comes as close as he is ever likely to revealing the sources and depth of his commitment to the text. He had been puzzling, no doubt under a wave of feminist criticism, about the gender struggle, until Torah scholar Savina Teubel’s “Sarah the Priestess” (1984) gave him new insight: a matriarchal background, female deities and actual female power, in a society turning toward patriarchy but retaining some elements of women’s prehistorical strength and centrality to the direction of early civilization. If anything is reinterpreted purposefully in “Genesis, ” it is in gender, and Crumb does so not by scoring points but by rearranging the visual subtext. Gender issues also help him reframe somewhat the class dimension of tribal society, which endures not through brute force but because of the strength of its women.
The commentary on his visual choices and his broader interpretations explores and explains his few intentional deviations, not only in the name of narrative clarity but artistic intent. Mainly, his notes drive home how he struggled to interpret the text in suitable graphic form, chapter by chapter, sometimes even character by character. There is no doubting the artist’s integrity or hard work, in no small part because he redrew again and again, trying to find historically accurate clothing and scenery. The Old Testament of cinematic Charlton Heston, so to speak, became the Genesis of lived and perceived experience, socially real and super-real. Clues are provided with translations of specific Hebrew names within the visual text, essentially metaphorical in meaning. These clues may be the closest to footnotes that Crumb has ever provided.
Comics scholar Jeet Heer, has noted in “Bookforum” that Crumb’s biblical characters, with the exception of the deity, have no internal lives: only the deity has depth and personality. As with the original text, much more is implied in Crumb’s visual text than can be stated, because scenes rush by so fast and because the artist forever works out, pen or brush in hand, a unique meaning that escapes easy interpretation. Even closer to the mark, Heer argues that above all, this is a book about bodies, the natural expression of an artist whose work has, possibly more than any other master of comic art, been concerned with body structure and expression.
And offending the deity? Crumb treads with a caution all the more remarkable for an artist, who, short decades ago, allowed himself the full run of his imagination, heedless of the consequences. Crumb’s innovation might be summed up in his characterization of Joseph, brilliant in subjugating Egypt but weary of his own powers. In the final phrases of the book, the artist suggests a radical view several thousand years previous to Jewish Karl Marx. “In the very last chapter, when his obstreperous brothers fling themselves at this feet and proclaim, ‘Here we are, your slaves, ’ he says to them, “I am not God, am I’ Joseph has learned a much finer humility than the fear-driven kind shown by his barbaric brothers.” So says a humble Crumb.

10/22/09

poem by Gershon Hepner
Added by Poetry Lover
Comment! | Vote! | Copy!

The Personal Trainer

husband
didn't pay attention when she started to change her look,
after all, she'd been saying how she wanted to for a while &
it seemed to make sense,
what with her going back to the gym full time,
after a period of time away
when they first had been married-
husband just went about his days
working more hours than he knew what to do with,
business was good &
with all the business around him seeming to fail,
he'd been putting away for the life he imagined in the future,
with or without
her-
but her time spent at the gym seemed to increase &
thought her body began to get trimmer, sexier, tighter, stronger &
she seemed to walk around the house with a new zest for life
(when he was there to see her) ,
he still didn't notice that
the personal trainer had moved in-
she had said something to him,
but he was listening less & less
as he had more & more to worry about at work,
for it was all part of building his empire.

the personal trainer was a less successful man
by the standard that money can by,
but he listened to her
as he traced her curves with his fingers in the gym
with palms of his hand smoothly gliding over her muscles
making her body quiver &
it wasn't long before in the car outside the gym
they consummated the professional relationship
again &
again &
again &
again.

as she began to show less interest in sex with her husband,
he wrote it off as a side-effect of marriage &
found himself a main squeeze on the side,
a 20 something who needed money to get her through college
with a perkiness that made him feel young again &
a body that wouldn't quit-
as he grew more distant from the wife,
she grew closer to the personal trainer,
until the day when she brought him home to the house,
when she swore the husband would be gone.

husband found out the way a husband will

[...] Read more

poem by Andrew Delapruch
Added by Poetry Lover
Comment! | Vote! | Copy!

My Personal Possession

(charles singleton, rose marie mccoy)
You are my personal possession,
Youre mine alone
You are my personal possession,
My very own.
Nobody else must kiss you but me,
Nobody else must miss you but me.
Nobody must dream of you but me,
And nobody else must love you but me.
Youre my personal possession,
Thats what you are.
Youre my magnificent obsession,
My lucky star.
I own you exclusively,
Darling, you belong to me.
Youre my personal possession,
My precious love!
(background vocals:)
(nobody else must kiss you but me,
Nobody else must miss you but me.
Nobody must dream of you but me)
(nat:)
And nobody else must love you but me.
Youre my personal possession,
Thats what you are.
Youre my magnificent obsession,
My lucky star.
I own you exclusively,
Darling, you belong to me.
Youre my personal possession,
My precious love!

song performed by Nat King Cole
Added by Lucian Velea
Comment! | Vote! | Copy!

Personal

Its not personal
You didnt let me down at all
No, its not personal
Its how the world goes round, is all
Ive got some loving but it aint for sale
- give it free to you, my friend
Somewhere further down the trail
Il be pulling out again
Its not personal
Dont let it underneath your skin
No, its not personal
Im only breathing out and in
Im just moving on
Because the groove has gone
Im just stealing down the line
And its fine
Woke up this morning, I was all alone
Instead of her I found a note
I guess my bluebird just came home
For these are all the words she wrote...
Its not personal
You didnt let me down at all
No, its not personal
Its how the world goes round is all
Its how the world goes round

song performed by Waterboys
Added by Lucian Velea
Comment! | Vote! | Copy!

Urgent

Urgent...
To leave philosophies,
That survival is a personal need to feed.
It's urgent...
That we all now see,
Dependency on others we must all heed.
Yes it's urgent...
That a greed and gluttony be released.
So urgent...
Is the writing on the wall,
No one must ignore at all!

It's urgent...
To leave philosophies,
That survival is a personal need to feed.
It's urgent...
That we all now see,
Dependency on others we must all heed.
So urgent...
That a greed and gluttony be released,
The writing's on the wall for all to see!
The writing's on the wall for all to see!

It's urgent...
To leave philosophies,
That survival is a personal need to feed.
It's urgent...
To leave philosophies,
That survival is a personal need to feed.
So urgent...
To leave philosophies,
That survival is a personal need to feed.
And we must leave philosphies,
That survival is a personal need to feed.
While others are starving as we feed greed.
While others are starving as we feed greed.
Thinking of others is the urgency!

Urgent IS the emergency,
That we START to think of others...
And STOP our greed.

Urgent IS the emergency,
That we START to think of others...
And STOP our greed.

Urgent IS the emergency,
That we START to think of others...
And STOP our greed.

[...] Read more

poem by Lawrence S. Pertillar
Added by Poetry Lover
Comment! | Vote! | Copy!

XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
Comment! | Vote! | Copy!

VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
Comment! | Vote! | Copy!

Artistic Consummations Unending

Man when it comes to romance
commitment to long term courtship
speak not of rocking artistic me;
and my constant consistent courtship
with my dated loose laying poetry.

In more than twenty
predominantly neglected years
I’ve never been through them all;
caught up with my neglected years
my dated draft diary entries.

I’ve got so many
loose lines lines lines
hanging heavy in my restless head;
I can never get them lines
all laid down right.

There’s too many
to save, for, a rainy day.
Multiple droplets; in their hundreds trillions;
adorn, all objects; visible on rainy days.
Hang from, transformed, rain dewed trees.

But even when the sun is still shining.
I’m still two timing, multiple poetic pieces.
I’m still too time starved; for catch up poetic binding.
I’m afraid I’m never, going to get written pieces,
through; to that last eternally unwritten line.

Hanging out waiting around for me
in expectation, of artistically, desired pick up.
When will such a courtship; finally end?
When the muse may, no longer, dances up,
her dazzling; or simplistic lines entwining me.

When I’m too tired to write my nights
my days, my artistic life, poetically away.
Then poetry will find; another poet to daze;
for days, for nights; to artistic life write away.
Then poetry will find, another poet, to courtship bard.

Copyright © Terence George Craddock
Written in July 1999 on the 17.7.99.

poem by Terence George Craddock
Added by Poetry Lover
Comment! | Vote! | Copy!

Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

poem by Robert Browning (1871)
Added by Veronica Serbanoiu
Comment! | Vote! | Copy!

Kitsch Object

Just like every lichen, how you stick to me
If your luck is dying, go and plant a tree
With artistic license, always comes for free
Just like every lichen, how you stick to me
Snook your way backstage
Paris sets the rage
Coursing on your brain
So now I slip away
Just like every lichen, how you stick to me
If your luck is dying, go and plant a tree
With artistic license, always comes for free
Just like every lichen, how you stick to me
Weightless.. bare.. faithless... scared
Know that bitches face? ?
All seen better days
So quick to blow your fuse
But thats the life you choose
Just like every lichen, how you stick to me
If your luck is dying, go and plant a tree
With artistic license, always comes for free
Just like every lichen, how you stick to me
Weightless.. bare.. faithless... scared
Snook yourself backstage
Paris sets the rage
Coursing on your brain
So now I slip away
Just like every lichen, how you stick to me
If your luck is dying now, go and plant a tree
With poetic license, always comes for free
Just like every lichen, how you stick to me
Weightless.. bare.. faithless... scared

song performed by Placebo
Added by Lucian Velea
Comment! | Vote! | Copy!

Kitsch Object (live)

Just like every lichen, how you stick to me
If your luck is dying, go and plant a tree
With artistic license, always comes for free
Just like every lichen, how you stick to me
Snook your way backstage
Paris sets the rage
coursing on your brain
so now I slip away
Just like every lichen, how you stick to me
If your luck is dying, go and plant a tree
With artistic license, always comes for free
Just like every lichen, how you stick to me
Weightless.. Bare.. Faithless... Scared
Know that bitches face??
All seen better days
So quick to blow your fuse
But that's the life you choose
Just like every lichen, how you stick to me
If your luck is dying, go and plant a tree
With artistic license, always comes for free
Just like every lichen, how you stick to me
Weightless.. Bare.. Faithless... Scared
Snook yourself backstage
Paris sets the rage
coursing on your brain
so now I slip away
Just like every lichen, how you stick to me
If your luck is dying now, go and plant a tree
With poetic license, always comes for free
Just like every lichen, how you stick to me
Weightless.. Bare.. Faithless... Scared
[Posted by Erez

song performed by Placebo
Added by Lucian Velea
Comment! | Vote! | Copy!

Walking Seed Own Time Lines

creative soul quite out of sorts
are you really source defined
by what you past have done?
remembered by what you have written?

does not forest, lakes, rivers,
windswept beaches, ocean tides,
ebb flow in kiwi artistic souls?

do you not hunger starve feel
beginnings are glory dawn chorus
with an eternal day sun bean streams
birth begging come write me?

past writes be they haka or poi songs
lilting lullaby soft night whispered blessings
stretching dark far back to jaw thigh bones
stretch dark far back to ancestor jaw thigh bones

ancestor blessings running sleeping
dream running in waking
eye infant sleep listening...
eye infant ancient sleep listening...

artistic walking time lines
artistic walking seed own time lines
hooks fishing catch spirit minds
wear colour cloak rainbow bird feathers...

to be an artist and deny art
is to deny self decades
may be devoted invested

into deep wound near fever social causes
delving into tunnels lighting candles
holding lamps high warming other hands

but art denied crucifies poetic souls
song of self is wine sung trodden in life caverns
art is not mainstream commercials remix copycat dance routines

gaga sales pitch rip offs
never climb stairways
to heaven sung unique songs

are tuned in distempered souls
mānuka honey is kiwi wild
wind clover flax fibre twist plait knot

ropes pull waka

[...] Read more

poem by Terence George Craddock
Added by Poetry Lover
Comment! | Vote! | Copy!