The Manchurian Candidate was the most important movie I was in, let's face it.
quote by Angela Lansbury
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Related quotes
Candidate
Inside every teenage girl there's a fountain
Inside every young pair of pants there's a mountain
Inside every mother's eyes is tommy tinkrem's bed
Inside every candidate waits a grateful dead
I make it a thing, when i'm on my own to relieve myself
I make it a thing, when i gazelle on stage to believe in myself
I make it a thing, to glance in window panes and look pleased with myself
Yeah, and pretend i'm walking home
I took it so bad, i sat in the correction room
Took me a fag, and a kick in the moon
Well, i ain't gonna suck no radar wing
Because inside this tin is tin
Would you like to techno-plate cause i'm your candidate
Oh yeah
It's a matter of life
And the way you walk, you've got a brylcream queen
It's a matter of tact
In the things you talk, that keeps his passport clean
A matter of fact
That a cock ain't a cock on a twelve inch screen
So i'll pretend i'm walking home
You don't have to scream a lot to keep an age in tune
You don't have to scream a lot to predict monsoons
You don't have to paint my contact black
Now i've hustled a pair of jeans
Do i have to give your money back when i'm the fuhrerling
I'll make you a deal
I'll say i came from from earth and my tongue is taped
I'll make you a deal
You can get your kicks on the candidate
I'll make you a deal
For your future's sake, i'm the candidate
Let's pretend we're walking home
Uh-huh, uh-huh
I'm the candidate
I'm the candidate
Vote now for the candidate
song performed by David Bowie
Added by Lucian Velea
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Face To Face
We never talk to one another
We just disagree
Im the one who runs for cover
And you turn your back on me
They say nothings gonna last forever
But some things are worth fighting for
Yeah, well love could bring us back together
But love dont come round here no more
The words unspoken in the night
Locked away in my heart
And Im feeling out of place
But if love is the key
Let it open the door
So well be standing -- face to face
You never want to see me face to face
Think it over
Face to face
If only it could be just face to face
Baby you and me
Face to face
I may be better off without it
I cant go on this way
Time has come to talk about it
This is our judgement day
You know we swore it would last forever
Always felt so sure it would
But its looking like now or never
Time to turn a bad thing into good
The words that echo in the night
Theyre fading away
And theyre gone without a trace
Now its up to you and me
Lets open the door
And meet each other -- face to face
Its time we saw each other face to face
To talk it over
Face to face
You know its gotta be just face to face
Baby you and me
Face to face
We gotta see each other -- face to face
And talk about it
Face to face
Hope it aint too late to meet face to face
Just you and me
(solo)
Face to face
Its time we saw each other face to face
To talk it over
Face to face
[...] Read more
song performed by Foreigner
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Silent Movie
(corky laing/ian hunter)
Well the school bell rings
I carried your things
Getting on the yellow bus
With the whole world watching us
And our love was like a silent movie
Aint got nothing to say
Our love was like a silent movie
I wish we could have kept it that way
Now the door bell rings
Im gonna get my things
Take another bright (? )
At the lions side
Cause our love was like a silent movie
Aint got nothing to say
Our love was like a silent movie
Thats the all-american way
Silent movie
And our love was like a silent movie
Theres nothing to say
Our love was like a silent movie
And thats the all-american way
And our love was like a silent movie
Theres nothing to say
Our love was like a silent movie
I wish we could have kept it that way
Our love was like a silent movie
Silent movie
Our love was like a silent movie
I wish we could have kept it that way
song performed by Ian Hunter
Added by Lucian Velea
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If It's Love!
It's important that unshown love,
Comes directly shown from you.
To say it...
Doesn't make,
That-love-be-true!
It's important that unshown love,
Is a thing one wants to do...
Just to prove what is said,
Is absolutely true.
A hug,
And maybe a kiss.
A touch,
That has been missed.
A show of thoughtfulness...
Can go a very long distance.
A call,
Every once in a while...
Will go further than a mile.
If love is there to be shared...
Show someone they are cared for!
And doubts will come no more.
It's important that unshown love,
Comes directly shown from you.
To say it...
Doesn't make,
That-love-be-true!
It's important it's directly shown,
If it's love.
Yes!
It's important it's directly shown,
If it's love.
Yes!
It's important it's directly shown.
It's important it's directly shown.
It's important it's directly shown,
If it's love!
It shoos a boo-hooin'...
Known.
It's important it's directly shown.
It's important it's directly shown.
It's important it's directly shown,
[...] Read more
poem by Lawrence S. Pertillar
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Sixth Book
THE English have a scornful insular way
Of calling the French light. The levity
Is in the judgment only, which yet stands;
For say a foolish thing but oft enough,
(And here's the secret of a hundred creeds,–
Men get opinions as boys learn to spell,
By re-iteration chiefly) the same thing
Shall pass at least for absolutely wise,
And not with fools exclusively. And so,
We say the French are light, as if we said
The cat mews, or the milch-cow gives us milk:
Say rather, cats are milked, and milch cows mew,
For what is lightness but inconsequence,
Vague fluctuation 'twixt effect and cause,
Compelled by neither? Is a bullet light,
That dashes from the gun-mouth, while the eye
Winks, and the heart beats one, to flatten itself
To a wafer on the white speck on a wall
A hundred paces off? Even so direct,
So sternly undivertible of aim,
Is this French people.
All idealists
Too absolute and earnest, with them all
The idea of a knife cuts real flesh;
And still, devouring the safe interval
Which Nature placed between the thought and act,
They threaten conflagration to the world
And rush with most unscrupulous logic on
Impossible practice. Set your orators
To blow upon them with loud windy mouths
Through watchword phrases, jest or sentiment,
Which drive our burley brutal English mobs
Like so much chaff, whichever way they blow,–
This light French people will not thus be driven.
They turn indeed; but then they turn upon
Some central pivot of their thought and choice,
And veer out by the force of holding fast.
–That's hard to understand, for Englishmen
Unused to abstract questions, and untrained
To trace the involutions, valve by valve,
In each orbed bulb-root of a general truth,
And mark what subtly fine integument
Divides opposed compartments. Freedom's self
Comes concrete to us, to be understood,
Fixed in a feudal form incarnately
To suit our ways of thought and reverence,
The special form, with us, being still the thing.
With us, I say, though I'm of Italy
My mother's birth and grave, by father's grave
And memory; let it be,–a poet's heart
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Give Your Heart To The Hawks
1 he apples hung until a wind at the equinox,
That heaped the beach with black weed, filled the dry grass
Under the old trees with rosy fruit.
In the morning Fayne Fraser gathered the sound ones into a
basket,
The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.
Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.
Fayne snatched for it and missed;
Michael stood by rejoicing, his rather small
Finely cut features in a dance of delight;
Fayne with one sweep flung at his face
All the bruised and half-spoiled apples in the pan,
[...] Read more
poem by Robinson Jeffers
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Face To Face
Now I've got a chick who will be with me
Anytime, day or night
But I won't put up with no runnin' around
You know it just ain't right
I'm going down...
To the town -
Out to go drink with the clowns
You stay at home...
All alone -
And don't you talk on the phone
You're comin' face to face with the guy that's gonna knock you dead
Face to face with the guy that's gonna bust your head
I'm gonna knock you on the floor
You'll beg me for no more
You're comin' face to face with me, like it or not
When I got to town
The words going 'round
That you've been seen on your back
I open the door and you were on the floor
Spreadin' for the clowns in my pack
Now you were wrong...
If you thought -
I'd take it lyin' down like a dog
I put a match...
In her snatch
She thinks she's such a hot little vamp
You're comin' face to face with the guy that's gonna knock you dead
Face to face with the guy that's gonna bust your head
I'm gonna knock you on the floor
You'll beg me for no more
You comn' face to face with me, like it or not
Tear your face apart
Waste you in the dark
Rip you like a shark
Won't think you're so smart
Face to face (face to face) you disgrace
Face to face (face to face) you disgrace
Face to face (face to face) you disgrace
Face to face
Face to face
Face to face with the guy that's gonna knock you dead
Your're comin' face to face with the guy that's gonna bust your head
I'm gonna knock you on the floor
You'll beg me for no more
You're comin' face to face with me, like it or not
You're cominc12
song performed by Quiet Riot
Added by Lucian Velea
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Sentimental Movie
You better change your attitude
Cause you know you want it to
You bring me all your pride
But I know you hold it too
I can feed your bounty, yeah
If you feed my head as well
And I wont give you empty promises, yeah
When the quarters in the wishing well
But this ain't no sentimental movie
Where dreams collect like dust
You talk to me with innocence in your eyes
So now, who can you trust?
You think you look so cool
Yes you do
You take me for your fool, yeah
Itching' for your... of the hug
Baby I want a new start, but dont you be true, yeah
I can see through your door
You put my head into these walls
You take my heart to the dockside, yeah
You put me in the car
And take me for another ride
But this ain't no sentimental movie
Where dreams collect like dust
You talk to me with innocence in your eyes
So now, who can you trust?
Trust
Trust
Put a path on to your veins
And antique and old whore's our new pain, yeah
The tears you cried
All the tears you cried tonight
Yeah
You put me down
But you can't get out of sight
And this aint no sentimental movie
You push it on
You grab it on
But I dont see the TV?
This ain't no sentimental movie
Yeah, see the screen
Youre startin to scream
Abusin confusin
Your programs over?
This aint no sentimental movie
Yeah, you look so cool
Dont take me for another one of your scenes?
This aint no sentimental movie
This aint no sentimental movie
The tears you cried
[...] Read more
song performed by Guns N' Roses
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Lancelot And Elaine
Elaine the fair, Elaine the loveable,
Elaine, the lily maid of Astolat,
High in her chamber up a tower to the east
Guarded the sacred shield of Lancelot;
Which first she placed where the morning's earliest ray
Might strike it, and awake her with the gleam;
Then fearing rust or soilure fashioned for it
A case of silk, and braided thereupon
All the devices blazoned on the shield
In their own tinct, and added, of her wit,
A border fantasy of branch and flower,
And yellow-throated nestling in the nest.
Nor rested thus content, but day by day,
Leaving her household and good father, climbed
That eastern tower, and entering barred her door,
Stript off the case, and read the naked shield,
Now guessed a hidden meaning in his arms,
Now made a pretty history to herself
Of every dint a sword had beaten in it,
And every scratch a lance had made upon it,
Conjecturing when and where: this cut is fresh;
That ten years back; this dealt him at Caerlyle;
That at Caerleon; this at Camelot:
And ah God's mercy, what a stroke was there!
And here a thrust that might have killed, but God
Broke the strong lance, and rolled his enemy down,
And saved him: so she lived in fantasy.
How came the lily maid by that good shield
Of Lancelot, she that knew not even his name?
He left it with her, when he rode to tilt
For the great diamond in the diamond jousts,
Which Arthur had ordained, and by that name
Had named them, since a diamond was the prize.
For Arthur, long before they crowned him King,
Roving the trackless realms of Lyonnesse,
Had found a glen, gray boulder and black tarn.
A horror lived about the tarn, and clave
Like its own mists to all the mountain side:
For here two brothers, one a king, had met
And fought together; but their names were lost;
And each had slain his brother at a blow;
And down they fell and made the glen abhorred:
And there they lay till all their bones were bleached,
And lichened into colour with the crags:
And he, that once was king, had on a crown
Of diamonds, one in front, and four aside.
And Arthur came, and labouring up the pass,
All in a misty moonshine, unawares
[...] Read more
poem by Alfred Lord Tennyson
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The House Of Dust: Complete
I.
The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.
And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.
'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.
We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .
Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.
Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.
Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.
II.
[...] Read more
poem by Conrad Potter Aiken
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Notes On An Unadorned Night
after Rene Char
Let's agree that the night is a blank canvas, a station
break, a bridge of a song.
Let's agree further that activities at night—movies,
campfires, reading by a lamp—are all
basically an homage to the day.
I have come to regard these two statements as
contradictory. Let me explain.
First, set aside that one could see a movie, torch a fire,
and read with the sun blazing over us.
The in-between aspect of night need not spark a flurry of
activity, is all I'm saying.
You could do nothing at night! Just lay and sleep!
A Cézanne sketch I looked at last night bears
mentioning.
A big Gallic face, reclining upwards, looks up at three
boxcars on train tracks.
The man's eyes are wide open and unfulfilled.
The two disemboweled deer I saw the night before also
bear mentioning.
The torsos of both deer were connected to faces, both
looking up.
I assumed they were struck by trains near the house
where I was sleeping.
Anyway, it occurred to me that as I looked into these
two dead deer's eyes that so much has fallen at
me, rather than simply by me.
I want to be among people. I do.
But I just want the easy parts skipped, for bodies to rub
up against each other, to always feel as new flesh
touches new flesh.
Those deer weren't an emblem of anything. I'm not like that.
I don't need dead animals to mirror my own interior world.
[...] Read more
poem by Daniel Nester
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Face Up Face Down
Welcome all my honored guests
To the utimate duel of the best of the best
At my invitation you come to compete
For the honor of suffering the final defeat
Isn't it grand what I've managed to do
By kidnapping those closest to you
I've taken their souls to lay on the line
In a winner take all duel for all time
Let's play the game
I'm sure you all know how
But watch yourselves my foolish friends
You're all in my world now
Face up, Face down. Attack or Defend
Face up, Face down. This battle's to the end
Face up, Face down. Stay on guard
Face up, Face down. Play your strongest card
My arena waits us all
I built it myself, it is just down the hall
I wish this day hadn't come so fast
You see I truly wanted your pain to last
Face up, Face down. Attack or Defend
Face up, Face down. This battle's to the end
Face up, Face down. Stay on guard
Face up, Face down. Play your strongest card
All your cunning strategies, all the tricks you try
Look like merely child's play to my Millennium Eye
Ha, ha, ha, ha! Your turn Yugi-boy
What's wrong now you look so sad?
Losing your soul doesn't feel that bad
Those you love have told me so
And soon my friends, you too will know
Let's play the game
I'm sure you all know how
But watch yourselves my foolish friends
You're all in my world now
Face up, Face down. Attack or Defend
Face up, Face down. This battle's to the end
Face up, Face down. Stay on guard
Face up, Face down. Play your strongest card
Face up, Face down. Attack or Defend
Face up, Face down. This battle's to the end
Face up, Face down. Stay on guard
Face up, Face down. Play your strongest card
song performed by Yu-Gi-Oh
Added by Lucian Velea
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Allegany Camp
amazing grace circus camp
amazing grace day camp
amazing grace hallelujah jeremy camp
amazing grace jeremy camp
amazing love jeremy camp
amazing place chalet pigeon forge
amazing race church camp
amazing race games for camps
amazing race girl scout camp
amazon camp dutch lodge oven
amazon camp in sweetwater missouri
amazon cast iron dutch lodge camp
amazon dutch oven camp
amazon lodge dutch oven camp
ambassador camp at lake waccamaw nc
ambassador camp inc
ambassador chalet
ambassador chalet at doral
ambassador chalet wgc
amber bowers
amber camp lazlo
amber pow camp
amberg germany dp camp
ambition camp hockey pro
ambler baseball camp
ambleside scotland school camp
ambon pow camp
ambor island pow camp
ambor pow camp
ambulance bower
amc camp dodge
amc camp movie summer
amc camp summer theater
amc little lyford camps
amc movie camp
amc movie camps
amc north west camp bear mountain
amc pinkham notch camp
amc summer camp for s
amc summer camp for s 2007
amc summer camp movies
amc summer movie camp
amc summer movie camp 2007
amc summer movie camp 2008
amc summer movie camp arlington
amc summer movie camp ontario california
amc theater camp hill
amc theatres summer camp
amcmovie camps
amelia earhart in japanese war camp
[...] Read more
poem by Rwetewrt Erwtwer
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You're A Movie
I fearlessly walk into battle
With a shine on my boots and my teeth
Never flinch, never blink, never rattle
My blood is like ice underneath
Oh, I'm the reincarnation of Patton
And I've got Hannibal's heart in my chest
God told me I would have rivalled
Alexander the Great at his best
(You're a movie)
Quite
(You're a movie)
Yes
(The exception)
That's right
(You're the final kind)
(You're a movie)
More of an epic
(Please include me, send us to the line)
Mm, that's right
Very good
Bullets repel off my medals
And my men are in awe when I speak
All chaos my strategy settles
My mere presence gives strength to the weak
For me it seems really alarming
I'm really just only a man
With five million sheep in this army
I seem to be the only one fit to command
(You're a movie)
I'm quite aware
(You're a movie)
Yeah
(The exception)
Oh, you've noticed
(You're the final kind)
(You're a movie)
Hey, very true
(Please include me, send us to the line)
Mm, if you're lucky
I must go now and save the world
Move aside mere drop of water, let the ocean pass
(You're a movie)
Quite right
(You're a movie)
(The exception)
(You're the final kind)
(You're a movie)
(Please include me)
Mm hmm
(Please include me)
[...] Read more
song performed by Alice Cooper
Added by Lucian Velea
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A Wonderful Beetle——Shi Xiaoqun
Beetles, beetles beautiful movie star,
Shi Xiaoqun is the emperor's lover of Ir star,
Beetles, beetles beautiful movie star,
How I wonder who you are.
Up above the world so high,
Like an empress in the star,
Beetles, beetles beautiful movie star,
How I wonder who you are.
Beetles, beetles beautiful movie star,
Shi Xiaoqun is the emperor's lover of Ir star,
Beetles, beetles beautiful movie star,
How I wonder who you are.
Up above the world so high,
Like an empress in the star,
Beetles, beetles beautiful movie star,
How I wonder who you are.
When the world loses love and tolerance,
When I no more love you,
When you no more love me,
Then you know what will happen!
Beetles, beetles beautiful movie star,
How I wonder who you are.
Beetles, beetles beautiful movie star,
Shi Xiaoqun is the emperor's lover of Ir star,
Beetles, beetles beautiful movie star,
How I wonder who you are.
poem by Zhijian Jiang
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Face To Face
Key:-
A - anita
R - ray
A: face to face and eye to eye
Face to face and eye to eye
Face to face and eye to eye
Face to face and eye to eye
R: leaves from the tree, fall down on the floor
Life comes and goes, you cant ignore
Touch your soul when you finally realize
Youve heard it all before all the lies
Youre on a mission, no time for wishing
It can be magic, like a magician
Face to face and eye to eye
This is your last and final try
A: face to face and eye to eye
We look the world right in the eye
Face to face and eye to eye
Youve one last chance and baby, so will i
R: will we all succeed or is it over soon?
Nobody around just stars and the moon
A race against the clock, is there some time?
Just wait for the light, wait for the sign
You made the same mistakes that you made in the past
Didnt help you out, didnt make you last
Face to face and eye to eye
This was your last and final try
A: face to face and eye to eye
We look the world right in the eye
Face to face and eye to eye
Youve one last chance and baby, so have i
R: face to face and eye to eye
This is you last and final try
A: face to face and eye to eye
We look the world right in the eye
Face to face and eye to eye
Youve one last chance and baby, so will i
A: face to face and eye to eye
We look the world right in the eye
Face to face and eye to eye
Youve one last chance and baby, so have i
song performed by 2 Unlimited
Added by Lucian Velea
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Race
Lie down, [fair 1//pheromone], and come away
Till the rain is over and gone
G-g-gimme the beat now (face the music)
Lead line (face the music)
If the air is a little thick in this room 2nite
I reckon its the result of an onslaught of separatist rookies
Overcome by this colorful sight
Talkin so fast that even they
Talkin so fast that even they
Dont know what they mean
Of all the things that base a rhyme
How is it that u everytime
Regurgitate the racist lines that keep us apart?
Thank God this aint monopoly
Ud make us all go back 2 start
Race
In the space I mark human (face the music)
Race
Face the music
We all bones when we dead
Race
In the space I mark human (face the music)
Cut me, cut u
Both the blood is red
I gotcha
Race
Race
Check it
Three seats over theres a lady black
Entrusted 2 her care is a little white girl
And the fact of the matter is
Before her momma or another kid at school
Tells her about the fallacy that 1 race rules over the other
Shed be a much-better-off-left fool (face the music)
If we never heard about the evils that those before us committed
Then how my dear, tell me now how my dear, tell me now how now would we know
And then the band say
Race
In the space I mark human (face the music)
Race
Face the music
We all bones when we dead
Race
In the space I mark human (face the music)
Cut me, cut u
Both the blood is red
I gotcha
Race
Race
(face the music)
[...] Read more
song performed by Prince
Added by Lucian Velea
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Faces
SAUNTERING the pavement, or riding the country by-road--lo! such
faces!
Faces of friendship, precision, caution, suavity, ideality;
The spiritual, prescient face--the always welcome, common, benevolent
face,
The face of the singing of music--the grand faces of natural lawyers
and judges, broad at the back-top;
The faces of hunters and fishers, bulged at the brows--the shaved
blanch'd faces of orthodox citizens;
The pure, extravagant, yearning, questioning artist's face;
The ugly face of some beautiful Soul, the handsome detested or
despised face;
The sacred faces of infants, the illuminated face of the mother of
many children;
The face of an amour, the face of veneration;
The face as of a dream, the face of an immobile rock; 10
The face withdrawn of its good and bad, a castrated face;
A wild hawk, his wings clipp'd by the clipper;
A stallion that yielded at last to the thongs and knife of the
gelder.
Sauntering the pavement, thus, or crossing the ceaseless ferry,
faces, and faces, and faces:
I see them, and complain not, and am content with all.
Do you suppose I could be content with all, if I thought them their
own finale?
This now is too lamentable a face for a man;
Some abject louse, asking leave to be--cringing for it;
Some milk-nosed maggot, blessing what lets it wrig to its hole.
This face is a dog's snout, sniffing for garbage; 20
Snakes nest in that mouth--I hear the sibilant threat.
This face is a haze more chill than the arctic sea;
Its sleepy and wobbling icebergs crunch as they go.
This is a face of bitter herbs--this an emetic--they need no label;
And more of the drug-shelf, laudanum, caoutchouc, or hog's-lard.
This face is an epilepsy, its wordless tongue gives out the unearthly
cry,
Its veins down the neck distended, its eyes roll till they show
nothing but their whites,
Its teeth grit, the palms of the hands are cut by the turn'd-in
nails,
The man falls struggling and foaming to the ground while he
speculates well.
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poem by Walt Whitman
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VI. Giuseppe Caponsacchi
Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Thurso’s Landing
I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.
II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,
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poem by Robinson Jeffers
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