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Whoever degrades another degrades me, And whatever is done or said returns at last to me.

quote by Walt Whitman
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When The Poem Returns Life Returns

WHEN THE POEM RETURNS LIFE RETURNS

When the poem returns life returns
There is enthusiasm and exuberance again
There is something to live for
And dreams are dreams
And hopes give hope-

When the poem returns life returns
And I begin again here
As if there is some sense after all
In writing and living again.

poem by Shalom Freedman
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When the Lavender Returns

As cold as ice
Wrapped round your brain
And darkness unfolds
You’re breathing in pain

It’s been freezing here
In this Land of Shattered Dreams
It’s been freezing here
This corrupted winter stings

It’s been freezing here
(Où est la Lavande?)
Your body can’t stay warm
(Où est la Lavande?)
It’s been freezing here
(Où est la Lavande?)
This cruel and criminal storm
(Où est la Lavande?)

But don’t give up
Don’t despair
Taste the hope
Floating through the air

When the lavender returns
It’ll warm your frozen bones
Vivid violet clothes
In their candy overtones

When the lavender returns
It’ll race across the land
Rebel flower grows
In the palm of your free hand

If you look out your window
The ground’s parched and bare
If you call for your lover
She’s no longer there
If you ponder your life
Well, it feels like a wreck
And your failures are scars
You can never forget

As leaves turn brown
Sky fades to grey
You’re feeling the drought
The end of the day

It’s been lonely here
In this World of Fallen Souls

[...] Read more

poem by Catman Cohen
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Ballade Of Autumn

We built a castle in the air,
In summer weather, you and I,
The wind and sun were in your hair, -
Gold hair against a sapphire sky:
When Autumn came, with leaves that fly
Before the storm, across the plain,
You fled from me, with scarce a sigh -
My Love returns no more again!

The windy lights of Autumn flare:
I watch the moonlit sails go by;
I marvel how men toil and fare,
The weary business that they ply!
Their voyaging is vanity,
And fairy gold is all their gain,
And all the winds of winter cry,
'My Love returns no more again!'

Here, in my castle of Despair,
I sit alone with memory;
The wind-fed wolf has left his lair,
To keep the outcast company.
The brooding owl he hoots hard by,
The hare shall kindle on thy hearth-stane,
The Rhymer's soothest prophecy,--
My Love returns no more again!

ENVOY.

Lady, my home until I die
Is here, where youth and hope were slain:
They flit, the ghosts of our July,
My Love returns no more again!

poem by Andrew Lang
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Does The Lotus Shrink Away For Everyone?

(after A.G. Visser)

Early every evening after I see my neighbour driving away
an expensive car stops on the sidewalk,
there’s an old legend that returns to me

when the sultan Mirza Khan goes on a pilgrimage
with many knights
on his way to Ispahan with his caravan

and he’s just left when the neighbour’s wife rushes past
without loosing a moment.
Early every evening after I see my neighbour driving away

where in the darkness of night he leaves
to be involved with his commitments
with many knights,

while the winter wind cuts through me,
the gaze of the neighbour’s wife chills the leaving car,
there’s an old legend that returns to me

where in the palace Fatima made herself lovely
and the sultan had just left
to be involved with his commitments,

the neighbour’s wife hurries and do not want to avoid her lover
and I read insubordination, pleasure and rebellion on her face,
early every evening after I see my neighbour driving away.

When a horseman appears as the emir of the Badewyn
Fatima is naked, young and slender
and the sultan had just left

and the neighbour is really dedicated
exemplary, friendly and he wears glasses,
there’s an old legend that returns to me

where they meet each other and make love for hours
when the purple iris blooms in the cup of the holy lotus
and Fatima is naked, young and slender

and the neighbour is with other knights when his wife is wooed
while she is begging for other attention.
Early every evening after I see my neighbour driving away,
there’s an old legend that returns to me:

Does the lotus shrink away for everyone, does it wither
when the sultan Mirza Khan goes on a pilgrimage
when the purple iris blooms in the cup of the holy lotus

[...] Read more

poem by Gert Strydom
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Tell Me That Love Returns

Tell me that love returns
to break the silent waves of pain;
those large imperious waves of pain
in the vast ocean of sorrow.

Tell me that love returns
to catch the falling stars;
those bright imperious sparks of stars
withing the vast sky of sorrow.

Tell me that love returns
to mend this broken heart;
this shattered, broken, wounded heart
in the vast soul of sorrow.

poem by Jessel Jane Tevar
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Many Happy Returns

When I accepted this job
I was resigned to my fate
When I got there early
Shed arrive late
You can say shes gone forever
Or just sit tight and wait
She said I was unprincipled
That I was not the first
Like the phoenix coming back
From the ashes, uh-huh
I know whats good,
But I know what trash is
In the head-lights,
In the highlights of her hair...
Hit the head lines
But shes not there:
_ chorus:
Many happy returns
Many happy returns
These are the lessons I could have learned
Return. many happy returns
And these are the letters I should have burned
Okay, Im sad, not blue
Okay, remember
All that matters to me now
Is the message I sent her
Like the world, spinning round
On its axis, uh-huh
I know democracy
But I know whats fascist
When shes gone, all I got to learn
Is the law of diminishing return
When shes here, one thing Ive found
Things get better second time around
_ chorus
Okay Im sad, not blue
Okay, remember
All that matters to me now
Is the message I sent her
Now shes gone, shes gone away
Now shes gone forget her
Coming back another day
If youd only let her
Now shes gone, shes gone away
But shes gone forget her
Coming back another day
So why resurrect her?
_ chorus

song performed by Abc
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When He Returns

The iron hand it aint no match for the iron rod,
The strongest wall will crumble and fall to a mighty god.
For all those who have eyes and all those who have ears
It is only he who can reduce me to tears.
Dont you cry and dont you die and dont you burn
For like a thief in the night, hell replace wrong with right
When he returns.
Truth is an arrow and the gate is narrow that it passes through,
He unleashed his power at an unknown hour that no one knew.
How long can I listen to the lies of prejudice?
How long can I stay drunk on fear out in the wilderness?
Can I cast it aside, all this loyalty and this pride?
Will I ever learn that therell be no peace, that the war wont cease
Until he returns?
Surrender your crown on this blood-stained ground, take off your mask,
He sees your deeds, he knows your needs even before you ask.
How long can you falsify and deny what is real?
How long can you hate yourself for the weakness you conceal?
Of every earthly plan that be known to man, he is unconcerned,
Hes got plans of his own to set up his throne
When he returns.

song performed by Bob Dylan
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The Boy From The Chemist Is Here To See You

Every day of every year you live your life in hope and fear,
That each small sin and imperfection is buried deep beyond detection.
But one by one the ghosts return, and each selects its place to burn,
Into your soft and breaking heart, and this is how the aching starts.
The jokes about the ugly kid.
The things you said but never did.
The people torn and crushed and battered.
The ones you broke but shouldve flattered.
Oh, you should have run whilst you had time.
Oh, you should have left the past behind.
The boy from the chemist is here to see you.
The laughing stops cause hes too near you.
The girl you left that always loved you.
Returns to earth from miles above you now.
So wash away the dirty skin, theres always worse remains within.
The tangled web and bitter mesh, but each shall have their pound of flesh.
No sympathy, no charity, no false pleas of humility.
No money back, no guarantee, no great escape for you and me.
Oh, you should have run whilst you had time.
Oh, you should have left the past behind.
The boy from the chemist is here to see you.
The laughing stops cause hes too near you.
The girl you left that always loved you.
Returns to earth from miles above you now.
And everyone thats ever suffered, friend or foe or wives or lovers.
Theyll come back to have their day.
In time you find your mind has no escape.
Dont believe that you can hide, dont believe theyll be denied.
Theyll come knocking at your door, this is what theyve waited for.
The chance to even up the score.
The boy from the chemist is here to see you.
The laughing stops cause hes too near you.
The girl you left that always loved you.
Returns to earth from miles above you now.
And everyone thats ever suffered, friend or foe or wives or lovers.
Theyll come back to have their day.
In time you find your mind has no escape.

song performed by Omd
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Counterpoint: Two Rooms

He, in the room above, grown old and tired;
She, in the room below, his floor her ceiling,
Pursue their separate dreams. He turns his light,
And throws himself on the bed, face down, in laughter.
She, by the window, smiles at a starlight night.

His watch—the same he has heard these cycles of ages—
Wearily chimes at seconds beneath his pillow.
The clock upon her mantelpiece strikes nine.
The night wears on. She hears dull steps above her.
The world whirs on. New stars come up to shine.

His youth—far off—he sees it brightly walking
In a golden cloud .... wings flashing about it....
Darkness
Walls it around with dripping enormous walls.
Old age, far off—or death—what do they matter?
Down the smooth purple night a streaked star falls.

She hears slow steps in the street; they chime like music,
They climb to her heart, they break and flower in beauty,
Along her veins they glisten and ring and burn.
He hears his own slow steps tread down to silence.
Far off they pass. He knows they will never return.

Far off, on a smooth dark road, he hears them faintly.
The road, like a sombre river, quietly flowing,
Moves among murmurous walls. A deeper breath
Swells them to sound: he hears his steps more clearly.
And death seems nearer to him; or he to death.

What's death?—she smiles. The cool stone hurts her elbow,
The last few raindrops gather and fall from elm-boughs,
She sees them glisten and break. The arc-lamp sings,
The new leaves dip in the warm wet air and fragrance,
A sparrbw whirs to the eaves and shakes its wings.

What's death—what's death ? The spring returns like music ;
The trees are like dark lovers who dream in starlight;
The soft grey clouds go over the stars like dreams.
The cool stone wounds her arms to pain, to pleasure.
Under the lamp a circle of wet street gleams.
And death seems far away—a thing of roses,
A golden portal where golden music closes,
Death seems far away;
And spring returns, the countless singing of lovers,
And spring returns to stay....

He, in the room above, grown old and tired,
Flings himself on the bed, face down, in laughter,

[...] Read more

poem by Conrad Potter Aiken
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The House Of Dust: Part 04: 04: Counterpoint: Two Rooms

He, in the room above, grown old and tired,
She, in the room below—his floor her ceiling—
Pursue their separate dreams. He turns his light,
And throws himself on the bed, face down, in laughter. . . .
She, by the window, smiles at a starlight night,

His watch—the same he has heard these cycles of ages—
Wearily chimes at seconds beneath his pillow.
The clock, upon her mantelpiece, strikes nine.
The night wears on. She hears dull steps above her.
The world whirs on. . . .New stars come up to shine.

His youth—far off—he sees it brightly walking
In a golden cloud. . . .Wings flashing about it. . . . Darkness
Walls it around with dripping enormous walls.
Old age—far off—her death—what do they matter?
Down the smooth purple night a streaked star falls.

She hears slow steps in the street—they chime like music;
They climb to her heart, they break and flower in beauty,
Along her veins they glisten and ring and burn. . . .
He hears his own slow steps tread down to silence.
Far off they pass. He knows they will never return.

Far off—on a smooth dark road—he hears them faintly.
The road, like a sombre river, quietly flowing,
Moves among murmurous walls. A deeper breath
Swells them to sound: he hears his steps more clearly.
And death seems nearer to him: or he to death.

What's death?—She smiles. The cool stone hurts her elbows.
The last of the rain-drops gather and fall from elm-boughs,
She sees them glisten and break. The arc-lamp sings,
The new leaves dip in the warm wet air and fragrance.
A sparrow whirs to the eaves, and shakes his wings.

What's death—what's death? The spring returns like music,
The trees are like dark lovers who dream in starlight,
The soft grey clouds go over the stars like dreams.
The cool stone wounds her arms to pain, to pleasure.
Under the lamp a circle of wet street gleams. . . .
And death seems far away, a thing of roses,
A golden portal, where golden music closes,
Death seems far away:
And spring returns, the countless singing of lovers,
And spring returns to stay. . . .

He, in the room above, grown old and tired,
Flings himself on the bed, face down, in laughter,
And clenches his hands, and remembers, and desires to die.

[...] Read more

poem by Conrad Potter Aiken
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The Ballad of St. Barbara

(St Barbara is the patron saint of gunners, and those in danger
of sudden death.)

When the long grey lines came flooding upon Paris in the plain,
We stood and drank of the last free air we never could taste again:
They had led us back from the lost battle, to halt we knew not where
And stilled us: and our gaping guns were dumb with our despair.
The grey tribes flowed for ever from the infinite lifeless lands
And a Norman to a Breton spoke, his chin upon his hands.

'There was an end to Ilium; and an end came to Rome;
And a man plays on a painted stage in the land that he calls home;
Arch after arch of triumph, but floor beyond falling floor,
That lead to a low door at last; and beyond that is no door.'

And the Breton to the Norman spoke, like a small child spoke he,
And his sea-blue eyes were empty as his home beside the sea:
'There are more windows in one house than there are eyes to see,
There are more doors in a man's house, but God has hid the key:
Ruin is a builder of windows; her legend witnesseth
Barbara, the saint of gunners, and a stay in sudden death.'

It seemed the wheel of the world stood still an instant in its turning,
More than the kings of the earth that turned with the turning of Valmy mill:
While trickled the idle tale and the sea-blue eyes were burning,
Still as the heart of a whirlwind the heart of the world stood still.

'Barbara the beautiful
Had praise of tongue and pen:
Her hair was like a summer night
Dark and desired of men.

Her feet like birds from far away
That linger and light in doubt;
And her face was like a window
Where a man's first love looked out.

Her sire was master of many slaves,
A hard man of his hands;
They built a tower about her
In the desolate golden lands,

Sealed as the tyrants sealed their tombs,
Planned with an ancient plan,
And set two windows in the tower
Like the two eyes of a man.'

Our guns were set towards the foe; we had no word for firing.
Grey in the gateway of St Gond the Guard of the tyrant shone;
Dark with the fate of a falling star, retiring and retiring,

[...] Read more

poem by Gilbert Keith Chesterton
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Temora - Book III

ARGUMENT.

Morning coming on, Fingal, after a speech to his people, devolved the command on Gaul, the son of Morni; it being the custom of the times, that the king should not engage, till the necessity of affairs required his superior valor and conduct. The king and Ossian retire to the hill of Cormul, which overlooked the field of battle. The bards sing the war-song. The general conflict is described. Gaul, the son of Morni, distinguishes himself; kills Tur-lathon, chief of Moruth, and other chiefs of lesser name. On the other hand, Foldath, who commanded the Irish army (for Cathmor, after the example of Fingal, kept himself from battle,) fights gallantly; kills Connal, chief of Dun-lora, and advances to engage Gaul himself. Gaul, in the mean time, being wounded in the hand, by a random arrow, is covered by Fillan the son of Fingal, who performs prodigies of valor. Night comes on. The horn of Fingal recalls his army. The bards meet them with a congratulatory song, in which the praises of Gaul and Fillan are particularly celebrated. The chiefs sit down at a feast; Fingal misses Connal. The episode of Connal and Duth-caron is introduced; which throws further light on the ancient history of Ireland. Carril is despatched to raise the tomb of Connal. The action of this book takes up the second day from the opening of the poem.

"Who is that at blue-streaming Lubar? Who, by the bending hill of roes? Tall he leans on an oak torn from high, by nightly winds. Who but Comhal's son, brightening in the last of his fields? His gray hair is on the breeze. He half unsheathes the sword of Luno. His eyes are turned to Moi-lena, to the dark moving of foes. Dost thou hear the voice of the king? it is like the bursting of a stream in the desert, when it comes, between its echoing rocks, to the blasted field of the sun!

Wide-skirted comes down the foe! Sons of woody Selma, arise! Be ye like the rocks of our land, in whose brown sides are the rolling of streams. A beam of joy comes on my soul. I see the foe mighty before me. It is when he is feeble, that the sighs of Fingal are heard: lest death should come without renown, and darkness dwell on his tomb. Who shall lead the war, against the host of Alnecma? It is only when danger grows, that my sword shalt shine. Such was the custom, heretofore, of Trenmor the ruler of winds! and thus descended to battle the blue-shielded Trathal!"

The chiefs bend towards the king. Each darkly seems to claim the war. They tell, by halves, their mighty deeds. They turn their eyes on Erin. But far before the rest the son of Morni stands. Silent he stands, for who had not heard of the battles of Gaul They rose within his soul. His hand, in secret, seized the sword. The sword which he brought from Strumon, when the strength of Morni failed. On his spear leans Fillan of Selma, in the wandering of his locks. Thrice he raises his eyes to Fingal: his voice thrice fails him as he speaks. My brother could not boast of battles: at once he strides away. Bent over a distant stream he stands: the tear hangs in his eye. He strikes, at times, the thistle's head, with his inverted spear. Nor is he unseen of Fingal. Sidelong he beholds his son. He beholds him with bursting joy; and turns, amid his crowded soul. In silence turns the king towards Mora of woods. He hides the big tear with his locks. At length his voice is heard.

"First of the sons of Morni! Thou rock that defiest the storm! Lead thou my battle for the race of low-laid Cormac. No boy's staff is thy spear: no harmless beam of light thy sword. Son of Morni of steeds, behold the foe! Destroy! Fillan, observe the chief! He is not calm in strife: nor burns he, heedless in battle. My son, observe the chief! He is strong as Lubar's stream, but never foams and roars. High on cloudy Mora, Fingal shall behold the war. Stand, Ossian, near thy father, by the falling stream. Raise the voice, O bards! Selma, move beneath the sound. It is my latter field. Clothe it over with light."

As the sudden rising of winds; or distant rolling of troubled seas, when some dark ghost in wrath heaves the billows over an isle: an isle the seat of mist on the deep, for many dark-brown years! So terrible is the sound of the host, wide moving over the field. Gaul is tall before them. The streams glitter within his strides. The bards raise the song by his side. He strikes his shield between. On the skirts of the blast the tuneful voices rise.

"On Crona," said the bards, "there bursts a stream by night. It swells in its own dark course, till morning's early beam. Then comes it white from the hill, with the rocks and their hundred groves. Far be my steps from Crona. Death is tumbling there. Be ye a stream from Mora, sons of cloudy Morven!

"Who rises, from his car, on Clutha? The hills are troubled before the king! The dark woods echo round, and lighten at his steel. See him amidst the foe, like Colgach's sportful ghost: when he scatters the clouds and rides the eddying winds! It is Morni of bounding steeds! Be like thy father, O Gaul!

"Selma is opened wide. Bards take the trembling harps. Ten youths bear the oak of the feast. A distant sunbeam marks the hill. The dusky waves of the blast fly over the fields of grass. Why art thou silent, O Selma? The king returns with all his fame. Did not the battle roar? yet peaceful is his brow! It roared, and Fingal overcame. Be like thy father, O Fillan!"

They move beneath the song. High wave their arms, as rushy fields beneath autumnal winds. On Mora stands the king in arms. Mist flies round his buckler abroad; as aloft it hung on a bough, on Cormul's mossy rock. In silence I stood by Fingal, and turned my eyes on Cromla's wood: lest I should behold the host, and rush amid my swelling soul. My foot is forward on the heath. I glittered, tall in steel: like the falling stream of Tromo, which nightly winds bind over with ice. The boy sees it on high gleaming to the early beam: towards it he turns his ear, wonders why it is so silent.

Nor bent over a stream is Cathmor, like a youth in a peaceful field. Wide he drew forward the war, a dark and troubled wave. But when he beheld Fingal on Mora, his generous pride arose. "Shall the chief of Atha fight, and no king in the field? Foldath, lead my people forth, thou art a beam of fire."

Forth issues Foldath of Moma, like a cloud, the robe of ghosts. He drew his sword, a flame from his side. He bade the battle move. The tribes, like ridgy waves, dark pour their strength around. Haughty is his stride before them. His red eye rolls in wrath. He calls Cormul, chief of Dun-ratho; and his words were heard.

"Cormul, thou beholdest that path. It winds green behind the foe. Place thy people there; lest Selma should escape from my sword. Bards of green-valleyed Erin, let no voice of yours arise. The sons of Morven must fall without song. They are the foes of Cairbar. Hereafter shall the traveller meet their dark, thick mist, on Lena, where it wanders with their ghosts, beside the reedy lake. Never shall they rise, without song, to the dwelling of winds."

Cormul darkened as he went. Behind him rushed his tribe. They sunk beyond the rock. Gaul spoke to Fillan of Selma; as his eye pursued the course of the dark-eyed chief of Dun-ratho. "Thou beholdest the steps of Cormul! Let thine arm be strong! When he is low, son of Fingal, remember Gaul in war. Here I fall forward into baffle, amid the ridge of shields!"

The sign of death ascends: the dreadful sound of Morni's shield. Gaul pours his voice between. Fingal rises on Mora. He saw them from wing to wing, bending at once in strife. Gleaming on his own dark hill, stood Cathmor, of streamy Atha. The kings were like two spirits of heaven, standing each on his gloomy cloud: when they pour abroad the winds, and lift the roaring seas. The blue tumbling of waves is before them, marked with the paths of whales. They themselves are calm and bright. The gale lifts slowly their locks of mist.

What beam of light hangs high in air? What beam but Morni's dreadful sword? Death is strewed on thy paths, O Gaul! Thou foldest them together in thy rage. Like a young oak falls Tur-lathon, with his branches round him. His high-bosomed spouse stretches her white arms, in dreams, to the returning chief, as she sleeps by gurgling Moruth, in her disordered locks. It is his ghost, Oichoma. The chief is lowly laid. Hearken not to the winds for Tur-lathon's echoing shield. It is pierced, by his streams. Its sound is passed away.

Not peaceful is the hand of Foldath. He winds his course in blood. Connal met him in fight. They mixed their clanging steel. Why should mine eyes behold them? Connal, thy locks are gray! Thou wert the friend of strangers, at the moss-covered rock of Dun-Ion. When the skies were rolled together: then thy feast was spread. The stranger heard the winds without; and rejoiced at thy burning oak. Why, son of Duth-caron, art thou laid in blood? the blasted tree bends above thee. Thy shield lies broken near. Thy blood mixes with the stream, thou breaker of the shields!

Ossian took the spear, in his wrath. But Gaul rushed forward on Foldath. The feeble pass by his side: his rage is turned on Moma's chief. Now they had raised their deathful spears: unseen an arrow came. it pierced the hand of Gaul. His steel fell sounding to earth. Young Fillan came, with Cormul's shield! lie stretched it large before the chief. Foldath sent his shouts abroad, and kindled all the field: as a blast that lifts the wide-winged flame over Lumon's echoing groves.

"Son of blue-eyed Clatho," said Gaul, "O Fillan! thou art a beam from heaven; that, coming on the troubled deep, binds up the tempest's wing. Cormul is fallen before thee. Early art thou in the fame of thy fathers. Rush not too far, my hero. I cannot lift the spear to aid. I stand harmless in battle: but my voice shall be poured abroad. The sons of Selma shall hear, and remember my former deeds."

His terrible voice rose on the wind. The host bends forward in fight. Often had they heard him at Strumon, when he called them to the chase of the hinds. He stands tall amid the war, as an oak in the skins of a storm, which now is clothed on high, in mist: then shows its broad waving head. The musing hunter lifts his eye, from his own rushy field!

My soul pursues thee, O Fillan! through the path of thy fame. Thou rollest the foe before thee. Now Foldath, perhaps, may fly: but night comes down with its clouds. Cathmor's horn is heard on high. The sons of Selma hear the voice of Fingal, from Mora's gathered mist. The bards pour their song, like den, on the returning war.

"Who comes from Strumon," they said, "amid her wandering locks? She is mournful in her steps, and lifts her blue eyes towards Erin. Why art thou sad, Evir-choma? Who is like thy chief in renown? He descended dreadful to battle; he returns, like a light from a cloud. He raised the sword in wrath: they shrunk before blue-shielded Gaul!

"Joy, like the rustling gale, comes on the soul of the king. He remembers the battles of old; the days wherein his fathers fought. The days of old return on Fingal's mind, as he beholds the renown of his sons. As the sun rejoices, from his cloud, over the tree his beams have raised, as it shades its lonely head on the heath; so joyful is the king over Fillan!

[...] Read more

poem by James Macpherson
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Orlando Furioso Canto 12

ARGUMENT
Orlando, full of rage, pursues a knight
Who bears by force his lady-love away,
And comes where old Atlantes, by his sleight
Had raised a dome, Rogero there to stay.
Here too Rogero comes; where getting sight
Of his lost love, the County strives in fray
With fierce Ferrau, and, after slaughter fell
Amid the paynim host, finds Isabel.

I
Ceres, when from the Idaean dame in haste
Returning to the lonely valley, where
Enceladus the Aetnaean mountain placed
On his bolt-smitten flanks, is doomed to bear,
Her girl she found not, on that pathless waste,
By her late quitted, having rent her hair,
And marked cheeks, eyes, and breast, with livid signs,
At the end of her lament tore up two pines,

II
And lit at Vulcan's fire the double brand,
And gave them virtue never to be spent;
And, afterwards, with one in either hand,
Drawn by two dragons, in her chariot went,
Searching the forest, hill, and level land,
Field, valley, running stream, or water pent,
The land and sea; and having searched the shell
Of earth above, descended into hell.

III
Had Roland of Eleusis' deity
The sovereign power possessed no less than will,
He for Angelica had land and sea
Ransacked, and wood and field, and pool and rill,
Heaven, and Oblivion's bottom: but since he
Had not, his pressing purpose to fulfil,
Her dragon and her car, the unwearied knight
Pursued the missing maid as best he might.

IV
Through France he sought her, and will seek her through
The realms of Italy and of Almayn,
And thence through the Castiles, both old and new,
So passing into Libya out of Spain.
While bold Orlando has this plan in view,
He hears, or thinks he hears, a voice complain:
He forward spurs, and sees on mighty steed
A warrior trot before him on the mead;

[...] Read more

poem by Ludovico Ariosto
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Sun's Autumn Homecoming!

Autumn’s meek sun returns, like a bird given away in spring,
Without her pomp and festivity, only the burden she brings
A brief spell, a light echo of spring, a little of that mischief and mirth,
She arrives for the first time to the dwelling of her birth.

Wiping away mists that cloud those memories of bygone days,
Unlike those warm tears, spring showers, when parting with the bride,
The jingle of her bridal jewels, bird’s songs in their caress,
All left behind in the casket with her coquettishness.

Garrulous streams, she bathed in, floated jewels meant to burn,
Now a mere trickle sends cold showers, to allay that thirst,
Like the grass beneath her feet, pinning away to a colorless fringe,
She brings gifts for everyone, loaded fruits, plump hazels flowered in spring.

Charlatan clouds roam in guile, with no rain under their wings,
Once her bridal cavalcade, now vanish like curtains drawn aside,
Under clouds awnings draping her modesty, she lowers her fierce gaze,
Being the one pined at, she returns to arrest winter’s pride

Dew that hailed her early morn, is now frosted to eat the farmer’s corn
No whistles fluted through leaves, but tamed wind greets in euphoric hum
Tree parasols dropped their sprays, to tread the path of the butterflies,
Now embrace her like old wives, their witch’s head ungroomed and grim.

Vines she planted, in blissful disarray, await her return,
Once watered by her dreams; remind of him, who did toy,
And revel in the shade of her flowing hair that lover’s rejoice,
With the pain in the full memory of the living joy.

Her garden path strewn with petals, breathing passions, once bewitched suitors,
Now, blooms return for a quiet reunion, with reveries wrapped in their skirts,
Languor in her limbs, retires, clothes trapping left at her bed,
Like peeling leaves, shed, closest to the ground,
She returns to sleep in her own bed.

Not a rose did she gather, not a fruit did she pluck,
Or trim the garden hedge, allowed leaves to crumble to dust,
For wind shall hurry to brush away all traces of her return,
With tasks to attend in the house of her beloved, come spring
For she is here to refresh, for in this house she is just a guest.

Ah! If every sparrow is remembered for the spring it brings,
Shouldn’t autumn be remembered for that lone one’s quiet return?

[source-JohnKeats-''Ode to Autumn'']

poem by Seema joglekar
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The Sleepers

I WANDER all night in my vision,
Stepping with light feet, swiftly and noiselessly stepping and
stopping,
Bending with open eyes over the shut eyes of sleepers,
Wandering and confused, lost to myself, ill-assorted, contradictory,
Pausing, gazing, bending, and stopping.

How solemn they look there, stretch'd and still!
How quiet they breathe, the little children in their cradles!

The wretched features of ennuyés, the white features of
corpses, the livid faces of drunkards, the sick-gray faces of
onanists,
The gash'd bodies on battle-fields, the insane in their strong-door'd
rooms, the sacred idiots, the new-born emerging from gates, and
the dying emerging from gates,
The night pervades them and infolds them. 10

The married couple sleep calmly in their bed--he with his palm on the
hip of the wife, and she with her palm on the hip of the
husband,
The sisters sleep lovingly side by side in their bed,
The men sleep lovingly side by side in theirs,
And the mother sleeps, with her little child carefully wrapt.

The blind sleep, and the deaf and dumb sleep,
The prisoner sleeps well in the prison--the run-away son sleeps;
The murderer that is to be hung next day--how does he sleep?
And the murder'd person--how does he sleep?

The female that loves unrequited sleeps,
And the male that loves unrequited sleeps, 20
The head of the money-maker that plotted all day sleeps,
And the enraged and treacherous dispositions--all, all sleep.

I stand in the dark with drooping eyes by the worst-suffering and the
most restless,
I pass my hands soothingly to and fro a few inches from them,
The restless sink in their beds--they fitfully sleep.

Now I pierce the darkness--new beings appear,
The earth recedes from me into the night,
I saw that it was beautiful, and I see that what is not the earth is
beautiful.

I go from bedside to bedside--I sleep close with the other sleepers,
each in turn,
I dream in my dream all the dreams of the other dreamers, 30
And I become the other dreamers.

[...] Read more

poem by Walt Whitman
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Junk is the ultimate merchandise. The junk merchant does not sell his product to the consumer, he sells the consumer to the product. He does not improve and simplify his merchandise, he degrades and simplifies the client.

quote by William S. Burroughs
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Civilization degrades the many to exalt the few.

Amos Bronson Alcott in Table Talk
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Civilization degrades the many to exalt the few.

quote by Amos Bronson Alcott
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Junk is the ultimate merchandise. The junk merchant does not sell his product to the consumer, he sells the consumer to the product. He does not improve and simplify his merchandise, he degrades and simplifies the client.

quote by William Seward Burroughs
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A wrong concept misleads the understanding; a wrong deed degrades the whole man, and may eventually demolish the structure of the human ego.

quote by Muhammed Iqbal
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