Which is why we cannot say of the purloined letter that, like other objects, it must be or not be in a particular place but that unlike them it will be and not be where it is, wherever it goes.
quote by Jacques Lacan
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Book IV - Part 03 - The Senses And Mental Pictures
Bodies that strike the eyes, awaking sight.
From certain things flow odours evermore,
As cold from rivers, heat from sun, and spray
From waves of ocean, eater-out of walls
Around the coasts. Nor ever cease to flit
The varied voices, sounds athrough the air.
Then too there comes into the mouth at times
The wet of a salt taste, when by the sea
We roam about; and so, whene'er we watch
The wormword being mixed, its bitter stings.
To such degree from all things is each thing
Borne streamingly along, and sent about
To every region round; and Nature grants
Nor rest nor respite of the onward flow,
Since 'tis incessantly we feeling have,
And all the time are suffered to descry
And smell all things at hand, and hear them sound.
Besides, since shape examined by our hands
Within the dark is known to be the same
As that by eyes perceived within the light
And lustrous day, both touch and sight must be
By one like cause aroused. So, if we test
A square and get its stimulus on us
Within the dark, within the light what square
Can fall upon our sight, except a square
That images the things? Wherefore it seems
The source of seeing is in images,
Nor without these can anything be viewed.
Now these same films I name are borne about
And tossed and scattered into regions all.
But since we do perceive alone through eyes,
It follows hence that whitherso we turn
Our sight, all things do strike against it there
With form and hue. And just how far from us
Each thing may be away, the image yields
To us the power to see and chance to tell:
For when 'tis sent, at once it shoves ahead
And drives along the air that's in the space
Betwixt it and our eyes. And thus this air
All glides athrough our eyeballs, and, as 'twere,
Brushes athrough our pupils and thuswise
Passes across. Therefore it comes we see
How far from us each thing may be away,
And the more air there be that's driven before,
And too the longer be the brushing breeze
Against our eyes, the farther off removed
Each thing is seen to be: forsooth, this work
With mightily swift order all goes on,
So that upon one instant we may see
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poem by Lucretius
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Epistle to an Orphan after William Mackworth Praed A Letter of Advice
They tell me you're promised a mother,
to cuddle, to cosset, to care.
Take care for she may try to smother,
to cover her inner despair.
The experts agree that another
could just as well clinch the affair, -
and beware that you never discover
the father who's no longer there.
(Parody William Mackworth PRAED - A Letter 31 October 1990)
A Letter to PH from a Disappointed Writer
Dear PH, I leave you this letter
after writing from ten until nine
for a site I'd delight to know better,
for a smile that my heart can't decline.
Yet one finds after wearily pacing,
for replies in the cold, for some sign,
that that heart which with hope had been racing
to darkest despair must incline.
Dear PH from twelve to eleven
each night I would knock at your door
in hope that an angel from heaven
could show me the light, - but no more
will I screed in my need if no answer
effective can echo joy's store -
I can't act as a puppet-stringed dancer,
not even for one I adore!
Dear PH the time have I waited
day in and day out by grief torn,
all write up down written, ill-fated
as my consonants vowed my vowels scorn.
The wonder my dunderhead brought you
tonight may steal thunder at morn,
but the blossoms whose beauty besought you
fade as fast as last season's drenched corn.
As on Thursday applauseless, defeated,
so on Friday all clauseless I'm spurned,
is the cycle of love thus completed,
is this all the thanks that I've earned?
It is hard for a fool to be taken -
its a sign that one's soft in the head, -
but the reason that slept must awaken,
and the spirit, restored, won't be lead!
[...] Read more
poem by Jonathan Robin
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Red Letter Today
Open a red letter an' read...
a life in words I attempt to freeze.
there are fine winds blowing,
heavenly sunset an' towering castles of cloud.
bird's chirping, hers breathing...
can hear them all with mine closed eyes.
welding in the back ground, lying here on the ground.
Many lives lived, sown into the earth...
lovers knot above some blue sky,
African soil where child plays.
a red letter tonight,
enclosed in an envelop delight...
count fingers I might,
grass greener inside.
the face of a beauty an' nature beside.
red letter in my pocket
scene of a match,
T-shirt and blue jeans,
slippers and shoe strings.
soft touch on her skin...
anklet above her feet.
red letter tonight, let it reveal
a soul so deep, an empire within.
Red letter tonight traveled in a flight,
course of wonderful dreams,
on black wings an' heavy heart.
blood rush in veins,
a heart beat heard,
murmurs through this ears...
an' hair through this fingers.
red letter collect thy scent,
keep it through all eternity.
Red letter a rhyme
a rock concert in my head,
chasing cars an' wasting time...
keep this moment, hold this moment
grow flowers on my forehead.
red letter tonight,
what is it about a lady?
make me so complete,
make my lips a beach...
onshore kisses an' tidy gulps...
red letter tonight, wet by the rain
pink panties tether at a lover's vigor.
[...] Read more
poem by Merlin Mwaura
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Red letter tonight...
Open a red letter an' read...
a life in words I attempt to freeze.
there are fine winds blowing,
heavenly sunset an' towering castles of cloud.
bird's chirping, hers breathing...
can hear them all with mine closed eyes.
welding in the back ground, lying here on the ground.
Many lives lived, sown into the earth...
lovers knot above some blue sky,
African soil where child plays.
a red letter tonight,
enclosed in an envelop delight...
count fingers I might,
grass greener inside.
the face of a beauty an' nature beside.
red letter in my pocket
scene of a match,
T-shirt and blue jeans,
slippers and shoe strings.
soft touch on her skin...
anklet above her feet.
red letter tonight, let it reveal
a soul so deep, an empire within.
Red letter tonight traveled in a flight,
course of wonderful dreams,
on black wings an' heavy heart.
blood rush in veins,
a heart beat heard,
murmurs through this ears...
an' hair through this fingers.
red letter collect thy scent,
keep it through all eternity.
Red letter a rhyme
a rock concert in my head,
chasing cars an' wasting time...
keep this moment, hold this moment
grow flowers on my forehead.
red letter tonight,
what is it about a lady?
make me so complete,
make my lips a beach...
onshore kisses an' tidy gulps...
red letter tonight, wet by the rain
pink panties tether at a lover's vigor.
[...] Read more
poem by Merlin Mwaura
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III. The Other Half-Rome
Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!
There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk
[...] Read more
poem by Robert Browning from The Ring and the Book
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VI. Giuseppe Caponsacchi
Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,
[...] Read more
poem by Robert Browning from The Ring and the Book
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In Your Letter
In your letter ooh in your letter
In your letter ooh in your letter
In your letter ooh in your letter
In your letter ooh in your letter
In your letter you said you didnt love me
You said youre gonna leave me
But you couldve said it better
Oh in your letter, you said you couldnt face me
You said you could replace me
But you couldve said it better
You couldve left him only
For an evening let him be lonely
But you hid behind your poison pen and his pride
You couldve told him something
And proved to me you dont love him
But you hid behind your future full of lies
Instrumental bridge
You couldve left him only
For an evening let him be lonely
But you hid behind your poison pen and his pride
You couldve told him something
And proved to me you dont love him
But you hid behind your future full of lies
In your letter you said you didnt love me
You said youre gonna leave me
But you couldve said it better
Oh in your letter, you said you couldnt face me
You said you could replace me
But you couldve said it better
song performed by Reo Speedwagon
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A Love Letter
A love letter from me,
To you;
To say something important.
A love letter from me,
To tell a love story,
About you and me.
A love letter about friendship,
To strengthen our relationship,
And express our special feelship.
A love letter about love,
Love of life partnership,
Love of life friendship.
A love letter from you,
To say that;
You always miss me.
A love letter from you,
To tell that;
You always think of me.
A love letter written
For You, my love,
On this day.
A love letter written,
Sealed With kisses, and
Hug and Smile.
A love letter sends
By hand and
with much Heartfelt.
A love letter to
Say “I love You”;
Say “ I Miss you”;
Say “I think of you”.
A Love letter seals,
With a lot of love, and
Heartfelt.
A love letter written,
About love poem written,
In Remembrance of our sweet memory.
© Lawrence Hiung, January 2012.
poem by Lawrence Hiung
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Grandfather Bridgeman
I
'Heigh, boys!' cried Grandfather Bridgeman, 'it's time before dinner to-day.'
He lifted the crumpled letter, and thumped a surprising 'Hurrah!'
Up jumped all the echoing young ones, but John, with the starch in his throat,
Said, 'Father, before we make noises, let's see the contents of the note.'
The old man glared at him harshly, and twinkling made answer: 'Too bad!
John Bridgeman, I'm always the whisky, and you are the water, my lad!'
II
But soon it was known thro' the house, and the house ran over for joy,
That news, good news, great marvels, had come from the soldier boy;
Young Tom, the luckless scapegrace, offshoot of Methodist John;
His grandfather's evening tale, whom the old man hailed as his son.
And the old man's shout of pride was a shout of his victory, too;
For he called his affection a method: the neighbours' opinions he knew.
III
Meantime, from the morning table removing the stout breakfast cheer,
The drink of the three generations, the milk, the tea, and the beer
(Alone in its generous reading of pints stood the Grandfather's jug),
The women for sight of the missive came pressing to coax and to hug.
He scattered them quick, with a buss and a smack; thereupon he began
Diversions with John's little Sarah: on Sunday, the naughty old man!
IV
Then messengers sped to the maltster, the auctioneer, miller, and all
The seven sons of the farmer who housed in the range of his call.
Likewise the married daughters, three plentiful ladies, prime cooks,
Who bowed to him while they condemned, in meek hope to stand high in his books.
'John's wife is a fool at a pudding,' they said, and the light carts up hill
Went merrily, flouting the Sabbath: for puddings well made mend a will.
V
The day was a van-bird of summer: the robin still piped, but the blue,
As a warm and dreamy palace with voices of larks ringing thro',
Looked down as if wistfully eyeing the blossoms that fell from its lap:
A day to sweeten the juices: a day to quicken the sap.
All round the shadowy orchard sloped meadows in gold, and the dear
Shy violets breathed their hearts out: the maiden breath of the year!
VI
Full time there was before dinner to bring fifteen of his blood,
To sit at the old man's table: they found that the dinner was good.
But who was she by the lilacs and pouring laburnums concealed,
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poem by George Meredith
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Cooked
What's the use?
Give it best;
Cut her loose;
Have a rest.
Hope is dead;
Gloom collects,
Nuff is said
Cook objects.
Moth and rust
Hither lurk;
All is bust,
Knock off work.
Nation's great
Architects,
Clean the slate;
Cook objects.
Oh the schemes
That we planned!
Dreaming dreams
For the land.
All in vain.
Hope neglects
To remain;
Cook objects.
Navy; what?
Army too?
Blessed rot;
All is blue.
It's all one
Who protects.
dropp your gun;
Cook objects.
Let her rip,
All is up.
Have to sip
Bitter cup.
Tear your hair
Woe connects
With despair,
Cook objects.
Fellow Aust
Ralians,
Trouble's crossed
All our plans.
[...] Read more
poem by Clarence Michael James Stanislaus Dennis
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Book IV - Part 02 - Existence And Character Of The Images
But since I've taught already of what sort
The seeds of all things are, and how distinct
In divers forms they flit of own accord,
Stirred with a motion everlasting on,
And in what mode things be from them create,
And since I've taught what the mind's nature is,
And of what things 'tis with the body knit
And thrives in strength, and by what mode uptorn
That mind returns to its primordials,
Now will I undertake an argument-
One for these matters of supreme concern-
That there exist those somewhats which we call
The images of things: these, like to films
Scaled off the utmost outside of the things,
Flit hither and thither through the atmosphere,
And the same terrify our intellects,
Coming upon us waking or in sleep,
When oft we peer at wonderful strange shapes
And images of people lorn of light,
Which oft have horribly roused us when we lay
In slumber- that haply nevermore may we
Suppose that souls get loose from Acheron,
Or shades go floating in among the living,
Or aught of us is left behind at death,
When body and mind, destroyed together, each
Back to its own primordials goes away.
And thus I say that effigies of things,
And tenuous shapes from off the things are sent,
From off the utmost outside of the things,
Which are like films or may be named a rind,
Because the image bears like look and form
With whatso body has shed it fluttering forth-
A fact thou mayst, however dull thy wits,
Well learn from this: mainly, because we see
Even 'mongst visible objects many be
That send forth bodies, loosely some diffused-
Like smoke from oaken logs and heat from fires-
And some more interwoven and condensed-
As when the locusts in the summertime
Put off their glossy tunics, or when calves
At birth drop membranes from their body's surface,
Or when, again, the slippery serpent doffs
Its vestments 'mongst the thorns- for oft we see
The breres augmented with their flying spoils:
Since such takes place, 'tis likewise certain too
That tenuous images from things are sent,
From off the utmost outside of the things.
For why those kinds should drop and part from things,
Rather than others tenuous and thin,
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poem by Lucretius
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Book Eighth: Retrospect--Love Of Nature Leading To Love Of Man
WHAT sounds are those, Helvellyn, that are heard
Up to thy summit, through the depth of air
Ascending, as if distance had the power
To make the sounds more audible? What crowd
Covers, or sprinkles o'er, yon village green?
Crowd seems it, solitary hill! to thee,
Though but a little family of men,
Shepherds and tillers of the ground--betimes
Assembled with their children and their wives,
And here and there a stranger interspersed.
They hold a rustic fair--a festival,
Such as, on this side now, and now on that,
Repeated through his tributary vales,
Helvellyn, in the silence of his rest,
Sees annually, if clouds towards either ocean
Blown from their favourite resting-place, or mists
Dissolved, have left him an unshrouded head.
Delightful day it is for all who dwell
In this secluded glen, and eagerly
They give it welcome. Long ere heat of noon,
From byre or field the kine were brought; the sheep
Are penned in cotes; the chaffering is begun.
The heifer lows, uneasy at the voice
Of a new master; bleat the flocks aloud.
Booths are there none; a stall or two is here;
A lame man or a blind, the one to beg,
The other to make music; hither, too,
From far, with basket, slung upon her arm,
Of hawker's wares--books, pictures, combs, and pins--
Some aged woman finds her way again,
Year after year, a punctual visitant!
There also stands a speech-maker by rote,
Pulling the strings of his boxed raree-show;
And in the lapse of many years may come
Prouder itinerant, mountebank, or he
Whose wonders in a covered wain lie hid.
But one there is, the loveliest of them all,
Some sweet lass of the valley, looking out
For gains, and who that sees her would not buy?
Fruits of her father's orchard are her wares,
And with the ruddy produce she walks round
Among the crowd, half pleased with, half ashamed
Of, her new office, blushing restlessly.
The children now are rich, for the old to-day
Are generous as the young; and, if content
With looking on, some ancient wedded pair
Sit in the shade together; while they gaze,
'A cheerful smile unbends the wrinkled brow,
The days departed start again to life,
And all the scenes of childhood reappear,
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poem by William Wordsworth
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Your Letter
I saw a letter lying on the floor
I couldn't help but look inside
Thought it was something that you must've left
Left there for me to find
All your words were on that page
All my dreams came true that day
I found
[chorus:]
Your letter...
Your letter...
It said you loved me
But you didn't know the words to say
It said you never knew that you could ever feel this way
It said you only wish someday that i would feel the same
In your letter
Your letter
I guess it just never occured to me
That you would feel the way i did
You kept the sweetest secret from my heart
You kept those feelings in
Though you never showed a sign
Give a clue to what i'd find
Inside
[chorus]
I was so happy that i almost cried
To think that you would think of me that way
It's like you took my sweetest dream
And made that dream come true
I would be with you
Always...
I saw a name i didn't recognize
I felt the tears come to my eyes
Seeing that the love that you've been longing for
Was another love, not mine
No, you never showed a sign
But it was right there in the lines
Inside
Your letter
Your letter
It said you loved him
But you didn't know the words to say
It said you never knew that you could ever feel this way
It said you only wish someday that he would feel the same
In your letter
Your letter
I saw a letter lying on the floor...
song performed by 112
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Love Ain't Nothing But A Four Letter Word
She was waiting alone at the station praying for her train to arrive
Thinking bout her destination, the tattered bag had all she had in life
She turned her back on her family, she turned her back on her friends
She turned her back on a married man when she took off that wedding band
She said, Im giving up, silver clouds have turned to grey
Had enough, theres got to be a better way
Giving up, you know youve gotta walk
Theres some things in life still worth fighting for
Aint no big secret so forget all you heard
Love aint nothing but a four-letter word
For some its for better, for some its for worse
Love aint nothing but a four-letter word
Love aint nothing
This time he said was the last time, last time he said just the same
In your heart you know that theyll be a next time
That your battered bones would have to explain
Givin up, nothings changing but the score
Had enough, every night love turns to war
Give it up, gave it all and wanted more
It aint nothing worth dying for
Its no big secret so forget all you heard
Love aint nothing but a four-letter word
For some its a blessing, for some its a curse
Love aint nothing but a four-letter word
Love aint nothing
Forget your mamas rosary beads to get you through this time of need
You know you gotta cross that line
You take it one day at a time
Had enough, the silver clouds all turning grey
Im heading for a better day
No big secret so forget all you heard
Love aint nothing but a four-letter word
For some its for better, for some its for worse
Love aint nothing but a four-letter word
Love aint nothing (it aint nothing now, baby)
Love aint nothing but a four-letter word
Love aint nothing (nothing now, baby)
Love aint nothing but a four-letter word
Love aint nothing (yeah, yeah, yeah, yeah)
Love aint nothing but a four-letter word
Love aint nothing...
Love aint nothing but a four-letter word
song performed by Bon Jovi
Added by Lucian Velea
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Special Delivery
The postman got himself in to a bit of a mess:
And he delivered a letter to the wrong address.
The intended recipient would feel a lot better,
When, in her hand, she was holding the letter.
When she opened that letter, intended for her,
Emotions inside her would soon start to stir.
The letter had travelled across many a mile;
To her face, it would bring a great big smile.
The letter was from a soldier in Afghanistan:
Maybe it bore news from her beloved man?
I am sure that she cried when he was deployed.
Receiving the letter, she would be so overjoyed.
The light blue letter had travelled all that way;
I was sure it would make the young lady's day.
From her boyfriend she would be dying to hear;
Receiving his letter would bring her much cheer.
I imagined the message written from his heart,
Helping to bridge the gap, during their time apart.
I pictured him writing, while rockets flew overhead.
She would re-read many times, all that he had said.
Holding that letter, made me stop and think:
With that soldier, I felt a strange kind of link.
Looking at the envelope, I held in my hands,
Her emotions, I suddenly began to understand.
I thought about the couple's mix of emotions,
During their time, parted by the mighty oceans.
I thought about how he would wish he was here,
And how they had both shed some secret tears.
Hearing from him, she would cry tears of relief.
I bet he signed his name with kisses underneath.
To her, the letter would be a wonderful sight,
And she would sleep well in her bed that night.
poem by Angela Wybrow
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IV. Tertium Quid
True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently
[...] Read more
poem by Robert Browning from The Ring and the Book
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Ninth Book
EVEN thus. I pause to write it out at length,
The letter of the Lady Waldemar.–
'I prayed your cousin Leigh to take you this,
He says he'll do it. After years of love,
Or what is called so,–when a woman frets
And fools upon one string of a man's name,
And fingers it for ever till it breaks,–
He may perhaps do for her such thing,
And she accept it without detriment
Although she should not love him any more
And I, who do not love him, nor love you,
Nor you, Aurora,–choose you shall repent
Your most ungracious letter, and confess,
Constrained by his convictions, (he's convinced)
You've wronged me foully. Are you made so ill,
You woman–to impute such ill to me?
We both had mothers,–lay in their bosom once.
Why, after all, I thank you, Aurora Leigh,
For proving to myself that there are things
I would not do, . . not for my life . . nor him . .
Though something I have somewhat overdone,–
For instance, when I went to see the gods
One morning, on Olympus, with a step
That shook the thunder in a certain cloud,
Committing myself vilely. Could I think,
The Muse I pulled my heart out from my breast
To soften, had herself a sort of heart,
And loved my mortal? He, at least, loved her;
I heard him say so; 'twas my recompence,
When, watching at his bedside fourteen days,
He broke out ever like a flame at whiles
Between the heats of fever . . . 'Is it thou?
'Breathe closer, sweetest mouth!' and when at last
The fever gone, the wasted face extinct
As if it irked him much to know me there,
He said, Twas kind, 'twas good, 'twas womanly,'
(And fifty praises to excuse one love)
'But was the picture safe he had ventured for?'
And then, half wandering . . 'I have loved her well,
Although she could not love me.'–'Say instead,'
I answered, 'that she loves you.'–'Twas my turn
To rave: (I would have married him so changed,
Although the world had jeered me properly
For taking up with Cupid at his worst,
The silver quiver worn off on his hair.)
'No, no,' he murmured, 'no, she loves me not;
'Aurora Leigh does better: bring her book
'And read it softly, Lady Waldemar,
'Until I thank your friendship more for that,
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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Write Me A Letter
Write me a letter
Write me a letter
Write it today
Im goin away (yes it has)
Write me a letter
Write me a letter
Write it today
Im goin away (yes it is)
Well Ive been away forever
Suicides crossin my mind
Well Ill never, never get so far behind
I said, the ways of the night are evil
Without that lord of day
But Ill never, never get so far away
I said write me
Write me
Write me
Write me
I said write me
Write me
Write me
Well theres nothin I can see
Thatd ever make me
Want to be without her
Shes good, she good to me
Said theres no way to explain
The kind of feelin that you get out in the
She good, she good to me
She good, she good to me
I love her
Write me a letter
Write me a letter
Write it today
Im goin away (yes it has)
Write me a letter
Write me a letter
Write it today
Im goin away (yes it is)
Well Ive been away forever
Suicides crossin my mind
Well Ill never, never get so far behind
Well Ive been so many places
Hidin from the wind and the rain
But you could write me a letter
For to save me from goin insane
Write me
Excite me
Write me
Write me
Write me
[...] Read more
song performed by Aerosmith
Added by Lucian Velea
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Book II - Part 04 - Absence Of Secondary Qualities
Now come, this wisdom by my sweet toil sought
Look thou perceive, lest haply thou shouldst guess
That the white objects shining to thine eyes
Are gendered of white atoms, or the black
Of a black seed; or yet believe that aught
That's steeped in any hue should take its dye
From bits of matter tinct with hue the same.
For matter's bodies own no hue the least-
Or like to objects or, again, unlike.
But, if percase it seem to thee that mind
Itself can dart no influence of its own
Into these bodies, wide thou wand'rest off.
For since the blind-born, who have ne'er surveyed
The light of sun, yet recognise by touch
Things that from birth had ne'er a hue for them,
'Tis thine to know that bodies can be brought
No less unto the ken of our minds too,
Though yet those bodies with no dye be smeared.
Again, ourselves whatever in the dark
We touch, the same we do not find to be
Tinctured with any colour.
Now that here
I win the argument, I next will teach
Now, every colour changes, none except,
And every...
Which the primordials ought nowise to do.
Since an immutable somewhat must remain,
Lest all things utterly be brought to naught.
For change of anything from out its bounds
Means instant death of that which was before.
Wherefore be mindful not to stain with colour
The seeds of things, lest things return for thee
All utterly to naught.
But now, if seeds
Receive no property of colour, and yet
Be still endowed with variable forms
From which all kinds of colours they beget
And vary (by reason that ever it matters much
With, what seeds, and in what positions joined,
And what the motions that they give and get),
Forthwith most easily thou mayst devise
Why what was black of hue an hour ago
Can of a sudden like the marble gleam,-
As ocean, when the high winds have upheaved
Its level plains, is changed to hoary waves
Of marble whiteness: for, thou mayst declare,
That, when the thing we often see as black
Is in its matter then commixed anew,
Some atoms rearranged, and some withdrawn,
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poem by Lucretius
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Eighth Book
ONE eve it happened when I sate alone,
Alone upon the terrace of my tower,
A book upon my knees, to counterfeit
The reading that I never read at all,
While Marian, in the garden down below,
Knelt by the fountain (I could just hear thrill
The drowsy silence of the exhausted day)
And peeled a new fig from that purple heap
In the grass beside her,–turning out the red
To feed her eager child, who sucked at it
With vehement lips across a gap of air
As he stood opposite, face and curls a-flame
With that last sun-ray, crying, 'give me, give,'
And stamping with imperious baby-feet,
(We're all born princes)–something startled me,–
The laugh of sad and innocent souls, that breaks
Abruptly, as if frightened at itself;
'Twas Marian laughed. I saw her glance above
In sudden shame that I should hear her laugh,
And straightway dropped my eyes upon my book,
And knew, the first time, 'twas Boccaccio's tales,
The Falcon's,–of the lover who for love
Destroyed the best that loved him. Some of us
Do it still, and then we sit and laugh no more.
Laugh you, sweet Marian! you've the right to laugh,
Since God himself is for you, and a child!
For me there's somewhat less,–and so, I sigh.
The heavens were making room to hold the night,
The sevenfold heavens unfolding all their gates
To let the stars out slowly (prophesied
In close-approaching advent, not discerned),
While still the cue-owls from the cypresses
Of the Poggio called and counted every pulse
Of the skyey palpitation. Gradually
The purple and transparent shadows slow
Had filled up the whole valley to the brim,
And flooded all the city, which you saw
As some drowned city in some enchanted sea,
Cut off from nature,–drawing you who gaze,
With passionate desire, to leap and plunge,
And find a sea-king with a voice of waves,
And treacherous soft eyes, and slippery locks
You cannot kiss but you shall bring away
Their salt upon your lips. The duomo-bell
Strikes ten, as if it struck ten fathoms down,
So deep; and fifty churches answer it
The same, with fifty various instances.
Some gaslights tremble along squares and streets
The Pitti's palace-front is drawn in fire:
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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