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You marvel at the economy and this choice of words. How many ways can you describe the sky and the moon? After Sylvia Plath, what can you say?

quote by Toni Morrison
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Sister Songs-An Offering To Two Sisters - Part The First

The leaves dance, the leaves sing,
The leaves dance in the breath of the Spring.
I bid them dance,
I bid them sing,
For the limpid glance
Of my ladyling;
For the gift to the Spring of a dewier spring,
For God's good grace of this ladyling!
I know in the lane, by the hedgerow track,
The long, broad grasses underneath
Are warted with rain like a toad's knobbed back;
But here May weareth a rainless wreath.
In the new-sucked milk of the sun's bosom
Is dabbled the mouth of the daisy-blossom;
The smouldering rosebud chars through its sheath;
The lily stirs her snowy limbs,
Ere she swims
Naked up through her cloven green,
Like the wave-born Lady of Love Hellene;
And the scattered snowdrop exquisite
Twinkles and gleams,
As if the showers of the sunny beams
Were splashed from the earth in drops of light.
Everything
That is child of Spring
Casts its bud or blossoming
Upon the stream of my delight.

Their voices, that scents are, now let them upraise
To Sylvia, O Sylvia, her sweet, feat ways!
Their lovely mother them array,
And prank them out in holiday,
For syllabling to Sylvia;
And all the birds on branches lave their mouths with May,
To bear with me this burthen,
For singing to Sylvia.

2.

While thus I stood in mazes bound
Of vernal sorcery,
I heard a dainty dubious sound,
As of goodly melody;
Which first was faint as if in swound,
Then burst so suddenly
In warring concord all around,
That, whence this thing might be,
To see
The very marrow longed in me!
It seemed of air, it seemed of ground,

[...] Read more

poem by Francis Thompson
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Nestling

When to summon the sky
Little nestling?
When to summon the sky?

And suffer the risk - abscond in dread -
The knowledge of sort that you'll be dead
Upon a calamitous fall;

Or taken in flight - a hawkish pounce -
Demolished as prey; your fate pronounce
You gone, and to never recall.

O when to summon the sky
Little nestling?
When to summon the sky?

Aborting a den with
Feathered bed,
Unwavering mother who
Saw you fed -
Surrendering all so
You may spread
Your reach of tentative wings!

‘Tis only instinct -
E'er the reason -
Forging life:
The Nesting Season
And the trials it brings.

So up and summon the sky
Little nestling,
Up! and summon the sky!

Copyright © Mark R Slaughter 2011

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poem by Mark R Slaughter
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[9] O, Moon, My Sweet-heart!

O, Moon, My Sweet-heart!
[LOVE POEMS]

POET: MAHENDRA BHATNAGAR

POEMS

1 Passion And Compassion / 1
2 Affection
3 Willing To Live
4 Passion And Compassion / 2
5 Boon
6 Remembrance
7 Pretext
8 To A Distant Person
9 Perception
10 Conclusion
10 You (1)
11 Symbol
12 You (2)
13 In Vain
14 One Night
15 Suddenly
16 Meeting
17 Touch
18 Face To Face
19 Co-Traveller
20 Once And Once only
21 Touchstone
22 In Chorus
23 Good Omens
24 Even Then
25 An Evening At ‘Tighiraa’ (1)
26 An Evening At ‘Tighiraa’ (2)
27 Life Aspirant
28 To The Condemned Woman
29 A Submission
30 At Midday
31 I Accept
32 Who Are You?
33 Solicitation
34 Accept Me
35 Again After Ages …
36 Day-Dreaming
37 Who Are You?
38 You Embellished In Song

[...] Read more

poem by Mahendra Bhatnagar
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His Sweetheart

Sylvia's lattices were dark­
Roses made them narrow.
In the dawn there came a Spark,
Armèd with an arrow:
Blithe he burst by dewy spray,
Winged by bud and blossom,
All undaunted urged his way
Straight to Sylvia's bosom.
'Sylvia! Sylvia! Sylvia!' he
Like a bee kept humming,
'Wake, my sweeting; waken thee,
For thy Soldier's coming!'
Sylvia sleeping in the dawn,
Dreams that Cupid's trill is
Roses singing on the lawn,
Courting crested lilies.
Sylvia smiles and Sylvia sleeps,
Sylvia weeps and slumbers;
Cupid to her pink ear creeps,
Pipes his pretty numbers.
Sylvia dreams that bugles play,
Hears a martial drumming;
Sylvia springs to meet the day
With her Soldier coming.

Happy Sylvia, on thee wait
All the gracious graces!
Venus mild her cestus plait
Round thy lawns and laces!
Flora fling a flower most fair,
Hope a rainbow lend thee!
All the nymphs to Cupid dear
On this day befriend thee!
'Sylvia! Sylvia! Sylvia!' hear
How he keeps a-humming,
Laughing in her jewelled ear,
'Sweet, thy Soldier's coming!'

poem by Isabella Valancy Crawford
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Sylvia's Mother

Sylvia's mother says Sylvia's busy,
too busy to come to the phone .
Sylvia's mother says Sylvia's trying
to start a new life of her own.
Sylvia's mother says 'Sylvia's happy...
So why don't you leave her alone?'

And the operator says
'Forty cents more, for the next three minutes.'
Please Mrs. Avery, I've just got to talk to her
I'll only keep her a while
Please Mrs. Avery, just want to tell her
Goodbye !

Sylvia's mother says Sylvia's packing,
she's gonna be leaving today.
Sylvia's mother says Sylvia's marrying
a fellah down Galveston way .
Sylvia's mother says 'Please don't say nothing
to make her start crying and stay.'

And the operator says
'Forty cents more, for the next three minutes.'
Please Mrs. Avery, I've just got to talk to her
I'll only keep her a while
Please Mrs. Avery, just want to tell her
Goodbye !

Sylvia's mother says Sylvia's hurrying,
she's catching the nine'o'clock train.
Sylvia's mother says:'Take your umbrella,
cause Sylvie it's starting to rain.'
And Sylvia's mother says 'Thank you for calling
and Sir won't you come back again ?'

And the operator says
'Forty cents more, for the next three minutes.'
Please Mrs. Avery, I've just got to talk to her
I'll only keep her a while
Please Mrs. Avery, just want to tell her
Goodbye !

poem by Sheldon Allan Silverstein
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Sylvia Plath

I wish I had a sylvia plath
Busted tooth and a smile
And cigarette ashes in her drink
The kind that goes out and then sleeps for a week
The kind that goes out on her
To give me a reason, for well, I dunno
And maybe shed take me to france
Or maybe to spain and shed ask me to dance
In a mansion on the top of a hill
Shed ash on the carpets
And slip me a pill
Then shed get pretty loaded on gin
And maybe shed give me a bath
How I wish I had a sylvia plath
And she and I would sleep on a boat
And swim in the sea without clothes
With rain falling fast on the sea
While she was swimming away, shed be winking at me
Telling me it would all be okay
Out on the horizon and fading away
And Id swim to the boat and Id laugh
I gotta get me a sylvia plath
And maybe shed take me to france
Or maybe to spain and shed ask me to dance
In a mansion on the top of a hill
Shed ash on the carpets
And slip me a pill
Then shed get pretty loaded on gin
And maybe shed give me a bath
How I wish I had a sylvia plath
I wish I had a sylvia plath

song performed by Ryan Adams
Added by Lucian Velea
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Escaping Into Solitude

Escaping into solitude,
avoiding hunters’ need to roam,
I long for the latitude
to find my longitude, my home,
where the goddess who presides
over hearth and in the kitchen
born one week before the Ides,
lets me worship her and richen.

Michiko Kakutani reviews Diane Middlebrooks’ “Her Husband: Hughes and Plath: A Marriage” (Viking) in The New York Times, October 14,2003:

The portrait that emerges is that of a selfish artist who 'lived for poetry, with single-mindedness of the sort he had long ago discerned in W. B. Yeats, the first poet who ever seized his imagination.' Together, he wrote in a letter quoted in this book, Plath and he found a way to 'sacrifice everything to writing.' Without each other, he contended, he would probably have wandered off to Australia, and she would have become a professor and written books on the side. He told a friend that the marriage had been 'marvelously creative' for him for half a dozen years.
But he found it surprisingly easy to move on then, leaving Plath and their two children, when he 'wanted to be out from under her watchfulness, ' in Ms. Middlebrook's words. Because the marriage was an emotionally fraught and artistically productive relationship, the narrative of 'Her Husband' cannot help but fascinate, providing new tidbits of information and insight to anyone who has followed the melodrama of the poets' relationship and the scholarly deconstruction of their art and their lives.
The problem is that Ms. Middlebrook insists on subjecting Hughes's life to a relentlessly Freudian and often highly speculative reading, not dissimilar to that in her 1991 biography of Anne Sexton. And in placing Hughes on the couch she demonstrates an unfortunate tendency to overemphasize the autobiographical elements in his poems (at the expense of his imaginative transactions) and to gloss his actions and choices with a thick patina of psychological determinism.
She writes that the Hughes poem 'Song' is 'quite evidently a poem about the impact of Sylvia Plath on Ted Hughes, even if it was inspired by another woman and written more than half a dozen years before Hughes met Plath.' And she predicts that 'Hughes's access to poetic inspiration was eventually going to require two specific forms of rebellion against domesticity.' Both 'would be enacted against the women in his life, selfishly and sometimes cruelly': the first being an 'escape into solitude, ' the second being what she calls 'the hunter's freedom to roam, ' a need nourished, she contends, in his childhood, when he would escape his mother's suffocating hold by going out on the moors to hunt with his older brother, Gerald.
Hughes was a devotee of Robert Graves's book 'The White Goddess, ' which held that poetry evolved from masculine rituals of devotion to the Goddess thereby preserving humanity's connection to nature's cycles of birth and destruction. It is Ms. Middlebrook's theory that he found his muse in Sylvia Plath and that he saw their marriage as 'the doing of the White Goddess, ' which he was powerless to resist.

10/14/03

poem by Gershon Hepner
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Moon, Moon, Crazy Moon

moon, moon, crazy moon
natural moon
torn apart and snoozing moon;
lovely moon, romantic moon
poor poor moon
the romance
plucked out of its drab surface;
moon moon going wild
moon moon running away
from the earth -
O moon, why do you run away from the earth?
does earth touch you in the wrong places
and you've got no Body
to which one could lodge
a complaint about sexual harassment? ?
ah, moon moon, temperamental moon
dark moon
glowing moon;
sexy moon
and old-woman hag of a moon;
moon moon with the best views of the earth
moon moon moon
puts me to sleep and wakes me up
in the middle of nights;
and one day we'll sleep in the moon
and produce babies there
and we'll have the first moon-ish boys and girls
and moon-ly families;
but meanwhile
moon moon driving fanatics
and inspiring love and romance and myths
moon moon eerie moon
moon moon that presides over love and horrors
and evil and good
and naked witches dancing in moonlit groves;
pooor moon moon the earth moon
not as interesting and dramatic as other moons;
don't get too friendly and dropp in -
oh, never dropp in, no one invited you
silly mooonn, no no, you're not invited home to earth
moon moon cheese moon eaten by mice;
but still our dear moon darling moon
moon mooon
our very own earth's moon
as we moo moo like cows
moo moo moo mooo
at our own moon moon moon

poem by Raj Arumugam
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Heavenly Arms

Heavenly arms reach out to hold me
Heavenly arms entice you to dance
In a world of ill will, the dancers are still
Heavenly arms reach out to me
Heavenly arms soft as a love song
Heavenly arms bring a kiss to your ear
In a world that seems mad, all the dancers seem sad
Heavenly arms reach out to me
Sylvia
Sylvia
Sylvia
Sylvia
Heavenly arms come to my rescue
Only a woman can love a man
In a world full of hate, love should never wait
Heavenly arms reach out to me
Heavenly arms strong as a sunset
Heavenly arms pure as the rain
Lovers stand warned of the worlds impending storm
Heavenly arms reach out to me
Sylvia
Sylvia
Sylvia
Sylvia
Ohhh-wohhh, oh-oh-oh-oh-oh
Ooohhh-ooohhh-ooohhh-ooohhh-ooohhh, oh-woh-woh
Ooohhh-ooohhh-ooohhh-ooohhh, ohh-woh-woh
(heavenly arms reach out to hold me)
(sylvia, you mean so much to me)
(heavenly arms reach out to hold me)
(sylvia, you mean so much to me)
(heavenly arms reach out to hold me)
(sylvia, you mean so much to me)
(heavenly arms reach out to hold me)

song performed by Lou Reed
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Sylvia

(words & music by g. stephens - l. reed)
These long lonely evenings
Here I am on the phone
Wondering if she will call
She said she would write me
cause she knows Im alone
But I hear nothing at all
Im waiting for a word of love from sylvia.
You think shed never heard of love my sylvia,
But when Im with her lord, I forgive her
cause shes more than the whole world to me
Theres nothing like a word of love from sylvia
The only one Im thinking of is sylvia
Feeling so sad now, Ill be so glad now
If I just had my sylvia with me
That old weepin willow
Seems to whisper her name
Why did she go away
The tears on my pillow
Theyre not hard to explain
Theres nothing else I can say
Im waiting for a word of love from sylvia.
You think shed never heard of love my sylvia,
But when Im with her lord, I forgive her
cause shes more than the whole world to me
Theres nothing in the world like sylvia
The only one Im thinking of is sylvia
Feeling so sad now, Ill be so glad now
If I just had my sylvia with me

song performed by Elvis Presley
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Sylvia's Death

For Sylvia Plath

O Sylvia, Sylvia,
with a dead box of stones and spoons,
with two children, two meteors
wandering loose in a tiny playroom,
with your mouth into the sheet,
into the roofbeam, into the dumb prayer,
(Sylvia, Sylvia
where did you go
after you wrote me
from Devonshire
about raising potatoes
and keeping bees?)
what did you stand by,
just how did you lie down into?
Thief -
how did you crawl into,
crawl down alone
into the death I wanted so badly and for so long,
the death we said we both outgrew,
the one we wore on our skinny breasts,
the one we talked of so often each time
we downed three extra dry martinis in Boston,
the death that talked of analysts and cures,
the death that talked like brides with plots,
the death we drank to,
the motives and the quiet deed?
(In Boston
the dying
ride in cabs,
yes death again,
that ride home
with our boy.)
O Sylvia, I remember the sleepy drummer
who beat on our eyes with an old story,
how we wanted to let him come
like a sadist or a New York fairy
to do his job,
a necessity, a window in a wall or a crib,
and since that time he waited
under our heart, our cupboard,
and I see now that we store him up
year after year, old suicides
and I know at the news of your death
a terrible taste for it, like salt,
(And me,
me too.
And now, Sylvia,
you again

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poem by Anne Sexton
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Mr. Moon: A Song of the Little People

O MOON, Mr. Moon,
When you comin' down?
Down on the hilltop,
Down in the glen,
Out in the clearin',
To play with little men?
Moon, Mr. Moon,
When you comin' down?

O Mr. Moon,
Hurry up your stumps!
Don't you hear Bullfrog
Callin' to his wife,
And old black Cricket
A-wheezin' at his fife?
Hurry up your stumps,
And get on your pumps!
Moon, Mr. Moon,
When you comin' down?

O Mr. Moon,
Hurry up along!
The reeds in the current
Are whisperin' slow;
The river's a-wimplin'
To and fro.
Hurry up along,
Or you'll miss the song!
Moon, Mr. Moon,
When you comin' down?

O Mr. Moon,
We're all here!
Honey-bug, Thistledrift,
White-imp, Weird,
Wryface, Billiken,
Quidnunc, Queered;
We're all here,
And the coast is clear!
Moon, Mr. Moon,
When you comin' down?

O Mr. Moon,
We're the little men!
Dewlap, Pussymouse,
Ferntip, Freak,
Drink-again, Shambler,
Talkytalk, Squeak;
Three times ten
Of us little men!

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poem by Bliss William Carman
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C Moon

C moon c moon c moon is she.
C moon c moon c moon to me.
How come no one older than me
Ever seems to understand the things I wanna to do?
It will be l7 and Id never get to heaven
If I filled my head with glue
Whats it all to you?
C moon, c moon, c moon is she
C moon, c moon, c moon to me
Bobby lived with patty
But they never told her daddy
What their love was all about
She could tell her lover that he thought but
She never was the type to let it out
Whats it all about?
C moon, c moon, oh c moon are we
C moon, c moon, c moon are we
How come no one older than me
Ever seems to understand the things I wanna to do?
It will be l7 and Id never get to heaven
If I filled my head with glue
Whats it all to you?
C moon, c moon, c moon is she
C moon, c moon, c moon to me
Bobby lived with patty
But they never told her daddy
What their love was all about
She could tell her lover that he thought but
She never wanted to let it out
Whats it all about?
C moon, c moon, c moon are we
C moon, c moon, c moon are we
Well whats it all about?
C moon, c moon, c moon are we
C moon are we

song performed by Paul McCartney
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Sylvia

Whoa, oh, oh, yeah
Mmm, hmm sylvia
You know youre getting to me now
Mmm, mmm, mmm, sylvia
You gently touched my heart somehow
Yesterday you made me happy as a child at play
Just like the summer sun that warms my heart
And move on, now you are gone
Whoa, oh, oh, sylvia
Youre everything that I adore
That sweet song, that caught a spark in me more
Tenderly thats how you whisper that you loved me
As if a raindrop kissed my ear and disappeared, now you are gone
Oh, oh, oh, yeah
You know I love my little sylvia
Whoa, oh, oh, yeah
And yesterday I feel in love with you all the way
Tenderly you lit a spark in my heart, now you are gone
Mmm, hmm, sylvia
I gently miss sylvia
Im crazy bout ya, sylvia
You know I love my little sylvia

song performed by Stevie Wonder
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Lara. A Tale

The Serfs are glad through Lara's wide domain,
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord--
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.

II.
The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself;--that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest!--
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.

III.
And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
'Yet doth he live!' exclaims the impatient heir,
And sighs for sables which he must not wear.
A hundred scutcheons deck with gloomy grace
The Laras' last and longest dwelling-place;
But one is absent from the mouldering file,
That now were welcome to that Gothic pile.

IV.
He comes at last in sudden loneliness,
And whence they know not, why they need not guess;

[...] Read more

poem by Byron
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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Moon, We Look to You.

Moon, you have a shade of blue tonight –
Is it something that you saw or heard?
Only yesterday, your tone was proud and bright,
Yellow silver, full, and so assured.

Moon, despite the clarity of sky,
Metaphors of cloud that fluff with grey
Drift across your rounded face to spy;
Feeding back, there's awfully much to say.

Moon, you have a role to play up there –
We below must bear the earthly pain.
Duty bound, we shoulder sorrows fair –
You are free from our grotesque disdain.

Moon, we depend on you to shine
When the sun retires down below.
Add to that your grandest role divine:
Tidal Lord, to keep the seas in tow!

Moon, I hope you take to heart our plea –
Needless is the reason for your blue.
Beaming, you should give the night its glee:
We're despairing – so we look to you.

Copyright © Mark R Slaughter 2009

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poem by Mark R Slaughter
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The Moon I possessed

The moon in the sky was obliterated by a cluster of ashen Grey clouds,
While the moon standing before me; was as immaculate as freshly extracted milk.

The moon in the sky possessed disdainful blotches of dispersed powder,
While the moon standing abreast my heart; was bereft of even a solitary spot
of dirt on its body.

The moon in the sky was often invaded by a fleet of alien spaceships,
While the moon I held in close proximity; was obsessively mine.

The moon in the sky bestowed its tenacious radiance only in nocturnal hours
of the night,
While the moon caressing my lips; shone brilliantly all sweltering day; as well
as in perpetual dark.

The moon in the sky was often overshadowed by flaming rays of the sun,
While the moon lying down on my toes; stood prominently as the lone survivor
amidst infinite contestants of beauty.

The moon in the sky offered partial relief from the monotonous heat prevailing
in the air,
While the moon smiling parallel to my eyes; pacified all turbulence that arose
in my body.

The moon in the sky changed its shape with the unleashing hour,
While the moon whispering in my intricate ear; harbored the same
silhouette for marathon numbers of years.

The moon in the sky remained impassive as an obdurate stone; even when I
cried,
While the moon nestling beside me in the languid grass; wiped my tears with
sumptuous empathy.

The moon in the sky segregated its love; amongst millions of people residing
on the globe,
While the moon dwelling with me in my house; loved me as much as it feared to
abruptly die.

The moon in the sky didn’t breathe a fraction of air,
While the moon staring at me in due adulation for countless hours; breathed
heavily down my neck.

And did you; know that the moon in the sky was as intangible as the
withered leaf;
While the moon I possessed in entirety in my perception; was living; being the most beautiful girl on this earth.

poem by Nikhil Parekh
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Pearl

Pearl of delight that a prince doth please
To grace in gold enclosed so clear,
I vow that from over orient seas
Never proved I any in price her peer.
So round, so radiant ranged by these,
So fine, so smooth did her sides appear
That ever in judging gems that please
Her only alone I deemed as dear.
Alas! I lost her in garden near:
Through grass to the ground from me it shot;
I pine now oppressed by love-wound drear
For that pearl, mine own, without a spot.

2
Since in that spot it sped from me,
I have looked and longed for that precious thing
That me once was wont from woe to free,
To uplift my lot and healing bring,
But my heart doth hurt now cruelly,
My breast with burning torment sting.
Yet in secret hour came soft to me
The sweetest song I e'er heard sing;
Yea, many a thought in mind did spring
To think that her radiance in clay should rot.
O mould! Thou marrest a lovely thing,
My pearl, mine own, without a spot.

3
In that spot must needs be spices spread
Where away such wealth to waste hath run;
Blossoms pale and blue and red
There shimmer shining in the sun;
No flower nor fruit their hue may shed
Where it down into darkling earth was done,
For all grass must grow from grains that are dead,
No wheat would else to barn be won.
From good all good is ever begun,
And fail so fair a seed could not,
So that sprang and sprouted spices none
From that precious pearl without a spot.

4
That spot whereof I speak I found
When I entered in that garden green,
As August's season high came round
When corn is cut with sickles keen.
There, where that pearl rolled down, a mound
With herbs was shadowed fair and sheen,
With gillyflower, ginger, and gromwell crowned,
And peonies powdered all between.

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poem by Anonymous Olde English
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Lara

LARA. [1]

CANTO THE FIRST.

I.

The Serfs are glad through Lara's wide domain, [2]
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord —
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.

II.

The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself; — that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest! —
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.

III.

And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
"Yet doth he live!" exclaims the impatient heir,
And sighs for sables which he must not wear.

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poem by Byron
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