Round numbers are always false.
quote by Samuel Johnson
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When Numbers Get Serious
I have a number in my head
Though I dont know why its there
When numbers get serious
You see their shape everywhere
Dividing and multiplying
Exchanging with ease
When times are mysterious
Serious numbers are easy to please
Take my address
Take my phone
Call me if you can
Heres my address
Heres my phone
Please dont give it to some madman
Hey hey, whoa whoa
Complicated life
Numbers swirling thick and curious
You can cut them with a knife
You can cut them with a knife
Two times two is twenty-two
Four times four is forty-four
When numbers get serious
They leave a mark on your door
Urgent. urgent.
A telephone is ringing in the hallways
When times are mysterious
Serious numbers will speak to us always
That is why a man with numbers
Can put your mind at ease
Weve got numbers by the trillions
Here and overseas
Hey hey, whoa whoa
Look at the stink about japan
All those numbers waiting patiently
Dont you understand?
Dont you understand?
So wrap me
Wrap me
Wrap me do
In the shelter of your arms
I am ever your volunteer
I wont do you any harm
I will love innumerably
You can count on my word
When times are mysterious
Serious numbers
Will always be heard
When times are mysterious
Serious numbers will always be heard
And after all is said and done
[...] Read more
song performed by Paul Simon
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Numerical Tyranny
Who conspired
this needless need for
the numbers?
Now we all live in fear of
the numbers
tremble at the feet of
the numbers
live our lives according to the demands of
the numbers
Identify ourselves by
the numbers
we've sold ourselves short with
the numbers
locked ourselves in a cell with
the numbers
no one believes they can escape
the numbers
our status our worth
our health our happiness
all dictated by
the numbers
Who are you?
Are you just another
number?
For if only we could see the truth behind
the numbers:
the truth being
there is only one number
that number is one
and that one stretches on
through infinitude.
poem by Gregory Allen Uhan
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The Magic of Numbers
The Magic of Numbers—1
How strange it was to hear the furniture being moved around in the apartment upstairs!
I was twenty-six, and you were twenty-two.
The Magic of Numbers—2
You asked me if I wanted to run, but I said no and walked on.
I was nineteen, and you were seven.
The Magic of Numbers—3
Yes, but does X really like us?
We were both twenty-seven.
The Magic of Numbers—4
You look like Jerry Lewis (1950).
The Magic of Numbers—5
Grandfather and grandmother want you to go over to their house for dinner.
They were sixty-nine, and I was two and a half.
The Magic of Numbers—6
One day when I was twenty-nine years old I met you and nothing happened.
The Magic of Numbers—7
No, of course it wasn’t I who came to the library!
Brown eyes, flushed cheeks, brown hair. I was twenty-nine, and you were sixteen.
The Magic of Numbers—8
After we made love one night in Rockport I went outside and kissed the road
I felt so carried away. I was twenty-three, and you were nineteen.
The Magic of Numbers—9
I was twenty-nine, and so were you. We had a very passionate time.
Everything I read turned into a story about you and me, and everything I did was turned into a poem.
[...] Read more
poem by Kenneth Koch
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Confessio Amantis. Explicit Liber Primus
Incipit Liber Secundus
Inuidie culpa magis est attrita dolore,
Nam sua mens nullo tempore leta manet:
Quo gaudent alii, dolet ille, nec vnus amicus
Est, cui de puro comoda velle facit.
Proximitatis honor sua corda veretur, et omnis
Est sibi leticia sic aliena dolor.
Hoc etenim vicium quam sepe repugnat amanti,
Non sibi, set reliquis, dum fauet ipsa Venus.
Est amor ex proprio motu fantasticus, et que
Gaudia fert alius, credit obesse sibi.
Now after Pride the secounde
Ther is, which many a woful stounde
Towardes othre berth aboute
Withinne himself and noght withoute;
For in his thoght he brenneth evere,
Whan that he wot an other levere
Or more vertuous than he,
Which passeth him in his degre;
Therof he takth his maladie:
That vice is cleped hot Envie.
Forthi, my Sone, if it be so
Thou art or hast ben on of tho,
As forto speke in loves cas,
If evere yit thin herte was
Sek of an other mannes hele?
So god avance my querele,
Mi fader, ye, a thousend sithe:
Whanne I have sen an other blithe
Of love, and hadde a goodly chiere,
Ethna, which brenneth yer be yere,
Was thanne noght so hot as I
Of thilke Sor which prively
Min hertes thoght withinne brenneth.
The Schip which on the wawes renneth,
And is forstormed and forblowe,
Is noght more peined for a throwe
Than I am thanne, whanne I se
An other which that passeth me
In that fortune of loves yifte.
Bot, fader, this I telle in schrifte,
That is nowher bot in o place;
For who that lese or finde grace
In other stede, it mai noght grieve:
Bot this ye mai riht wel believe,
Toward mi ladi that I serve,
Thogh that I wiste forto sterve,
[...] Read more
poem by John Gower
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A Poem in Maths
Count your blessings, God-given;
Add them one by one, each day;
Subtract your pessimism;
Divide time for all your works;
Multiply your joys in life;
Get success in earthly stay,
By praying to the Lord.
Numbers are infinitesimal;
Numbers are so magical;
Numbers can have decimal;
Numbers rule the modern world.
Numbers are abstract / real;
Numbers can amuse us all;
Numbers are the ‘bricks’ of Maths!
Numberless, world is dismal.
They can count your hair, these days;
They can count the stars, some ways;
Man’s progression in Maths is base,
For putting man on Moon, or Mars?
Numbers make computers work;
Hypotheses form the science;
Integers are wonders too;
A genius in mathematics
Is a MATHEMAGICIAN!
Copyright by Dr John Celes 7-22-2007
poem by John Celes
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An Essay on Criticism
Part I
INTRODUCTION. That it is as great a fault to judge ill as to write ill, and a more dangerous one to the public. That a true Taste is as rare to be found as a true Genius. That most men are born with some Taste, but spoiled by false education. The multitude of Critics, and causes of them. That we are to study our own Taste, and know the limits of it. Nature the best guide of judgment. Improved by Art and rules, which are but methodized Nature. Rules derived from the practice of the ancient poets. That therefore the ancients are necessary to be studied by a Critic, particularly Homer and Virgil. Of licenses, and the use of them by the ancients. Reverence due to the ancients, and praise of them.
'Tis hard to say if greater want of skill
Appear in writing or in judging ill;
But of the two less dangerous is th'offence
To tire our patience than mislead our sense:
Some few in that, but numbers err in this;
Ten censure wrong for one who writes amiss;
A fool might once himself alone expose;
Now one in verse makes many more in prose.
'Tis with our judgments as our watches, none
Go just alike, yet each believes his own.
In Poets as true Genius is but rare,
True Taste as seldom is the Critic's share;
Both must alike from Heav'n derive their light,
These born to judge, as well as those to write.
Let such teach others who themselves excel,
And censure freely who have written well;
Authors are partial to their wit, 'tis true,
But are not Critics to their judgment too?
Yet if we look more closely, we shall find
Most have the seeds of judgment in their mind:
Nature affords at least a glimm'ring light;
The lines, tho' touch'd but faintly, are drawn right:
But as the slightest sketch, if justly traced,
Is by ill col'ring but the more disgraced,
So by false learning is good sense defaced:
Some are bewilder'd in the maze of schools,
And some made coxcombs Nature meant but fools:
In search of wit these lose their common sense,
And then turn Critics in their own defence:
Each burns alike, who can or cannot write,
Or with a rival's or an eunuch's spite.
All fools have still an itching to deride,
And fain would be upon the laughing side.
If Mævius scribble in Apollo's spite,
There are who judge still worse than he can write.
Some have at first for Wits, then Poets pass'd;
Turn'd Critics next, and prov'd plain Fools at last.
Some neither can for Wits nor Critics pass,
As heavy mules are neither horse nor ass.
Those half-learn'd witlings, numerous in our isle,
As half-form'd insects on the banks of Nile;
Unfinish'd things, one knows not what to call,
[...] Read more
poem by Alexander Pope
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Japanese Jabberwocky
Jabberworky, Jabberworky tale
lone night walk on Onitaka
(tall ghost in Japanese)
Shimousa Nakayama, Chibaken
back to the haunted house
- we did not know until told -
where we lived with them
for two quiet years - japanese
jabberworky ghosts - an old man and woman -
penniless - killing themselves
and we were sleeping on where
they had laid, as they bade
the world goodbye, cold like stones,
but did they leave, fly away, jabberworkies?
they were there. the two who kept the days
in numbers, who even foretold my life -
two lives which had ended - or did they? -
telling the living how his life would be?
what a Jabberworky dream it was?
stretching their hands and fingers
into my life - but then how accurate they were -
-i wouldnt amount to much....almost a stamp,
their words turn out to be after 30 years
japanese jabberworkies using numbers
to get to the nitty gritty of my life
and how good their prediction was!
two hair raising japanese jabberworkies
how easy they had worked to tell this
fragile poet he would not have
the numbers to boast about and they had
surely meant the savings account -
japan where when you have no money
your legs and feet cannot take you anywhere
even two jabberworkies who had gone away
from the world were still caught up with
figures - the all important notes and yen
the two jabberworkies - they were discovered
when they were rotting, hadnt eaten for
days. Jabberworkies they were,
numerologist of the excellent kind....
a table like the one you do your word puzzle
only that they have more squares, and each
with a number, criss crossing
numbers, an ocean of life pinned down
to its very penny's worth
the very art that could have seen the
jabberworkies through the cold damp winter
[...] Read more
poem by John Tiong Chunghoo
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Life Is Like A Number Line
Life Is Like a number Line,
Between negative infinity to positive infinity,
At the middle have that zero,
All are finite numbers,
Zero stands for nothing,
Infinity for everything,
But zero is some how useful,
When it is with numbers on proper side,
Infinity is useless as it engulf all!
Numbers are special on their own,
Some are positives, have mirror images in negatives,
May be integers or fractions,
May be rational or irrational,
Some are real and some are imaginary,
These make number of life complex,
Polynomaials with complex roots,
Or with complex coefficients,
If we take them on XY plane, they act and interact with one another,
Some make us laugh, as we find the answer,
Some brings us to sober, as they remain as mystery!
But life Is not to dimensional,
Multi dimensional it is,
So multidimensional space of life make it wonderful,
A wonder out of reach of all!
But modular sets can draw some with some similarities
If you want to become mathematician,
Learn to play with them, bearing all headache they cause!
Otherwise either multiply all numbers by zero,
And yourself too, become zero,
Or merge all in infinity to wash your dirty hands,
If you want to know what is life,
Become a mathematician to play with numbers,
Life Is nothing but interaction of real with real or real with imaginary, positive with positive,
Negative with negative,
Or positive with negative,
Rational with rational,
irrational with irrational, most of time a rational with irrational,
But noone is perfect like zero among finite,
And no one can't say anything about the infinite!
The Soul is that space on which all numbers play according to the karma and thoughts!
Oops this interactions of numbers is life!
poem by Ramdas Bhandarkar
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Gotham - Book II
How much mistaken are the men who think
That all who will, without restraint may drink,
May largely drink, e'en till their bowels burst,
Pleading no right but merely that of thirst,
At the pure waters of the living well,
Beside whose streams the Muses love to dwell!
Verse is with them a knack, an idle toy,
A rattle gilded o'er, on which a boy
May play untaught, whilst, without art or force,
Make it but jingle, music comes of course.
Little do such men know the toil, the pains,
The daily, nightly racking of the brains,
To range the thoughts, the matter to digest,
To cull fit phrases, and reject the rest;
To know the times when Humour on the cheek
Of Mirth may hold her sports; when Wit should speak,
And when be silent; when to use the powers
Of ornament, and how to place the flowers,
So that they neither give a tawdry glare,
'Nor waste their sweetness in the desert air;'
To form, (which few can do, and scarcely one,
One critic in an age, can find when done)
To form a plan, to strike a grand outline,
To fill it up, and make the picture shine
A full and perfect piece; to make coy Rhyme
Renounce her follies, and with Sense keep time;
To make proud Sense against her nature bend,
And wear the chains of Rhyme, yet call her friend.
Some fops there are, amongst the scribbling tribe,
Who make it all their business to describe,
No matter whether in or out of place;
Studious of finery, and fond of lace,
Alike they trim, as coxcomb Fancy brings,
The rags of beggars, and the robes of kings.
Let dull Propriety in state preside
O'er her dull children, Nature is their guide;
Wild Nature, who at random breaks the fence
Of those tame drudges, Judgment, Taste, and Sense,
Nor would forgive herself the mighty crime
Of keeping terms with Person, Place, and Time.
Let liquid gold emblaze the sun at noon,
With borrow'd beams let silver pale the moon;
Let surges hoarse lash the resounding shore,
Let streams meander, and let torrents roar;
Let them breed up the melancholy breeze,
To sigh with sighing, sob with sobbing trees;
Let vales embroidery wear; let flowers be tinged
With various tints; let clouds be laced or fringed,
They have their wish; like idle monarch boys,
Neglecting things of weight, they sigh for toys;
[...] Read more
poem by Charles Churchill
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You're No God
Dark rewrite of the Linda Ronstadt classic You're No Good
Written for the antichrist whoever they may be
Feeling bitter, now that you know to me you'll never get through
Feeling bitter 'cause I just won't
I just won't give in to you
I learned my real savior's lesson
I gladly bear the scars of his cross
Turning my back on you
Just like he ask me to
Cause through my faith in him
I've seen you for who you really are
You're no God
You're no God
You're no God
False prophet, you're no God
I'm gonna sing it again
Till this whole falling apart world knows
You're no God
You're no God
You're no God
False prophet, you're no God
No God
No God of mine
You wanna steal away a lamb from his flock that's good and pure
Well, I won't throw my soul away
No, not over a devil like you
Someday forced to repent
Repent for your sins
You'll be forced to beg his forgivness on bended knee
Oh, I would't blame him if he ask me to sing
Ask me to sing to you
You're no God
You're no God
You're no God
False prophet, you're no God
I'm gonna sing it again
Till all turn away from your dark light
You're no God
You're no God
You're no God
False prophet, you're no God
I'm telling you now, false messiah
As I'm sending you away
Far, far away from me
[...] Read more
poem by Ramona Thompson
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Tale XXI
The Learned Boy
An honest man was Farmer Jones, and true;
He did by all as all by him should do;
Grave, cautious, careful, fond of gain was he,
Yet famed for rustic hospitality:
Left with his children in a widow'd state,
The quiet man submitted to his fate;
Though prudent matrons waited for his call,
With cool forbearance he avoided all;
Though each profess'd a pure maternal joy,
By kind attention to his feeble boy;
And though a friendly Widow knew no rest,
Whilst neighbour Jones was lonely and distress'd;
Nay, though the maidens spoke in tender tone
Their hearts' concern to see him left alone,
Jones still persisted in that cheerless life,
As if 'twere sin to take a second wife.
Oh! 'tis a precious thing, when wives are dead,
To find such numbers who will serve instead;
And in whatever state a man be thrown,
'Tis that precisely they would wish their own;
Left the departed infants--then their joy
Is to sustain each lovely girl and boy:
Whatever calling his, whatever trade,
To that their chief attention has been paid;
His happy taste in all things they approve,
His friends they honour, and his food they love;
His wish for order, prudence in affairs,
An equal temper (thank their stars!), are theirs;
In fact, it seem'd to be a thing decreed,
And fix'd as fate, that marriage must succeed:
Yet some, like Jones, with stubborn hearts and
hard,
Can hear such claims and show them no regard.
Soon as our Farmer, like a general, found
By what strong foes he was encompass'd round,
Engage he dared not, and he could not fly,
But saw his hope in gentle parley lie;
With looks of kindness then, and trembling heart,
He met the foe, and art opposed to art.
Now spoke that foe insidious--gentle tones,
And gentle looks, assumed for Farmer Jones:
'Three girls,' the Widow cried, 'a lively three
To govern well--indeed it cannot be.'
'Yes,' he replied, 'it calls for pains and care:
But I must bear it.'--'Sir, you cannot bear;
Your son is weak, and asks a mother's eye:'
'That, my kind friend, a father's may supply.'
[...] Read more
poem by George Crabbe
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An Essay On The Different Stiles Of Poetry
To Henry, Lord Viscount Bolingbroke.
I hate the Vulgar with untuneful Mind,
Hearts uninspir'd, and Senses unrefin'd.
Hence ye Prophane, I raise the sounding String,
And Bolingbroke descends to hear me sing.
When Greece cou'd Truth in Mystick Fable shroud,
And with Delight instruct the list'ning Crowd,
An ancient Poet (Time has lost his Name)
Deliver'd Strains on Verse to future Fame.
Still as he sung he touch'd the trembling Lyre,
And felt the Notes a rising Warmth inspire.
Ye sweet'ning Graces in the Musick Throng,
Assist my Genius, and retrieve the Song
From dark Oblivion. See, my Genius goes
To call it forth. 'Twas thus the Poem rose.
Wit is the Muses Horse, and bears on high
The daring Rider to the Muses Sky:
Who, while his strength to mount aloft he tries,
By Regions varying in their Nature, flies.
At first he riseth o'er a Land of Toil,
A barren, hard, and undeserving Soil,
Where only Weeds from heavy Labour grow,
Which yet the Nation prune, and keep for show.
Where Couplets jingling on their Accent run,
Whose point of Epigram is sunk to Pun.
Where Wings by Fancy never feather'd fly,
Where Lines by measure form'd in Hatchets lie;
Where Altars stand, erected Porches gape,
And Sense is cramp'd while Words are par'd to shape;
Where mean Acrosticks labour'd in a Frame,
On scatter'd Letters raise a painful Scheme;
And by Confinement in their Work controul
The great Enlargings of the boundless Soul.
Where if a Warriour's elevated Fire
Wou'd all the brightest Strokes of Verse require,
Then streight in Anagram a wretched Crew
Will pay their undeserving Praises too;
While on the rack his poor disjointed Name
Must tell its Master's Character to Fame.
And (if my Fire and Fears aright presage)
The lab'ring Writers of a future Age
Shall clear new ground, and Grotts and Caves repair,
To civilize the babbling Ecchoes there.
Then while a Lover treads a lonely Walk,
His Voice shall with its own Reflection talk,
[...] Read more
poem by Thomas Parnell
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Orlando Furioso Canto 5
ARGUMENT
Lurcanio, by a false report abused,
Deemed by Geneura's fault his brother dead,
Weening the faithless duke, whom she refused,
Was taken by the damsel to her bed;
And her before the king and peers accused:
But to the session Ariodantes led,
Strives with his brother in disguise. In season
Rinaldo comes to venge the secret treason.
I
Among all other animals who prey
On earth, or who unite in friendly wise,
Whether they mix in peace or moody fray,
No male offends his mate. In safety hies
The she bear, matched with hers, through forest gray:
The lioness beside the lion lies:
Wolves, male and female, live in loving cheer;
Nor gentle heifer dreads the wilful steer.
II
What Fury, what abominable Pest
Such poison in the human heart has shed,
That still 'twixt man and wife, with rage possessed,
Injurious words and foul reproach are said?
And blows and outrage hase their peace molest,
And bitter tears still wash the genial bed;
Not only watered by the tearful flood,
But often bathed by senseless ire with blood?
III
Not simply a rank sinner, he appears
To outrage nature, and his God to dare,
Who his foul hand against a woman rears,
Or of her head would harm a single hair.
But who what drug the burning entrail sears,
Or who for her would knife or noose prepare,
No man appears to me, though such to sight
He seem, but rather some infernal sprite.
IV
Such, and no other were those ruffians two,
Whom good Rinaldo from the damsel scared,
Conducted to these valleys out of view,
That none might wot of her so foully snared.
I ended where the damsel, fair of hue,
To tell the occasion of her scathe prepared,
To the good Paladin, who brought release;
And in conclusion thus my story piece.
[...] Read more
poem by Ludovico Ariosto
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Through the eyes of a Field Coronet (Epic)
Introduction
In the kaki coloured tent in Umbilo he writes
his life’s story while women, children and babies are dying,
slowly but surely are obliterated, he see how his nation is suffering
while the events are notched into his mind.
Lying even heavier on him is the treason
of some other Afrikaners who for own gain
have delivered him, to imprisonment in this place of hatred
and thoughts go through him to write a book.
Prologue
The Afrikaner nation sprouted
from Dutchmen,
who fought decades without defeat
against the super power Spain
mixed with French Huguenots
who left their homes and belongings,
with the revocation of the Edict of Nantes.
Associate this then with the fact
that these people fought formidable
for seven generations
against every onslaught that they got
from savages en wild animals
becoming marksmen, riding
and taming wild horses
with one bullet per day
to hunt a wild antelope,
who migrated right across the country
over hills in mass protest
and then you have
the most formidable adversary
and then let them fight
in a natural wilderness
where the hunter,
the sniper and horseman excels
and any enemy is at a lost.
Let them then also be patriotic
into their souls,
believe in and read
out of the word of God
[...] Read more
poem by Gert Strydom
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David
My thought, on views of admiration hung,
Intently ravish'd and depriv'd of tongue,
Now darts a while on earth, a while in air,
Here mov'd with praise and mov'd with glory there;
The joys entrancing and the mute surprize
Half fix the blood, and dim the moist'ning eyes;
Pleasure and praise on one another break,
And Exclamation longs at heart to speak;
When thus my Genius, on the work design'd
Awaiting closely, guides the wand'ring mind.
If while thy thanks wou'd in thy lays be wrought,
A bright astonishment involve the thought,
If yet thy temper wou'd attempt to sing,
Another's quill shall imp thy feebler wing;
Behold the name of royal David near,
Behold his musick and his measures here,
Whose harp Devotion in a rapture strung,
And left no state of pious souls unsung.
Him to the wond'ring world but newly shewn,
Celestial poetry pronounc'd her own;
A thousand hopes, on clouds adorn'd with rays,
Bent down their little beauteous forms to gaze;
Fair-blooming Innocence with tender years,
And native Sweetness for the ravish'd ears,
Prepar'd to smile within his early song,
And brought their rivers, groves, and plains along;
Majestick Honour at the palace bred,
Enrob'd in white, embroider'd o'er with red,
Reach'd forth the scepter of her royal state,
His forehead touch'd, and bid his lays be great;
Undaunted Courage deck'd with manly charms,
With waving-azure plumes, and gilded arms,
Displaid the glories, and the toils of fight,
Demanded fame, and call'd him forth to write.
To perfect these the sacred spirit came,
By mild infusion of celestial flame,
And mov'd with dove-like candour in his breast,
And breath'd his graces over all the rest.
Ah! where the daring flights of men aspire
To match his numbers with an equal fire;
In vain they strive to make proud Babel rise,
And with an earth-born labour touch the skies.
While I the glitt'ring page resolve to view,
That will the subject of my lines renew;
The Laurel wreath, my fames imagin'd shade,
Around my beating temples fears to fade;
My fainting fancy trembles on the brink,
And David's God must help or else I sink.
[...] Read more
poem by Thomas Parnell
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Rhythm Nation
with music by our side
to break the color lines
let's work together
to improve our way of life
join voices in protest
to social injustice
ageneration full of courage
come forth with me
people of the world today
are we lookink for a better way of life(sing)
we are a part of the rhythm nation
people of the world unite
strength in numbers we can get it right(sing it)
we are a part of the rhythm nation
this is the test
no struggle no progress
lend a hand to help
your brother do his best
thinds are getting worse
we have to make them better
it's time to give a damn
let's work together...come on...
people of the world today
are we lookink for a better way of life(sing)
we are a part of the rhythm nation(people)
people of the world unite
strength in numbers we can get it right(sing it)
we are a part of the rhythm nation
people of the world today
are we lookink for a better way of life(sing it)
we are a part of the rhythm nation
people of the world unite
strength in numbers we can get it right
we are a part of the rhythm nation
say it people
say it to me
say it to me if you want a better way of life
say it people
say it to me
say it to me if you want a better way of life
people of the world today
are we lookink for a better way of life(sing)
we are a part of the rhythm nation
people of the world unite
[...] Read more
song performed by Janet Jackson from Rhythm Nation 1814
Added by Lucian Velea
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The Natural Numbers
My numbers never ending
Stretching to infinity
But never ever reaching there
And always further off than me
Are those strange transfinite numbers
Whose names sound like some odd code
Like aleph and omega
And, as Mr Godel showed
We need these abstract artefacts
Even if imaginary
To prove all higher theorems
And ensure consistency
But there are further mysteries
That from my numbers do arise
Like never ending decimals
Irrational numbers in disguise
They too are quite invented
Just convenient in use
When my simple natural numbers
Do not serve to make a proof
Oh the mysteries of numbers!
Oh the madness of all that!
When what started off as counting
Becomes higher abstract maths.
poem by David Keig
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An Account Of The Greatest English Poets
Since, dearest Harry, you will needs request
A short account of all the Muse possest,
That, down from Chaucer's days to Dryden's Times,
Have spent their Noble Rage in British Rhimes;
Without more Preface, wrote in Formal length,
To speak the Undertakers want of strength,
I'll try to make they're sev'ral Beauties known,
And show their Verses worth, tho' not my Own.
Long had our dull Fore-Fathers slept Supine,
Nor felt the Raptures of the Tuneful Nine;
Till Chaucer first, the merry Bard, arose;
And many a Story told in Rhime and Prose.
But Age has Rusted what the Poet writ,
Worn out his Language, and obscur'd his Wit:
In vain he jests in his unpolish'd strain,
And tries to make his Readers laugh in vain.
Old Spencer next, warm'd with Poetick Rage,
In Antick Tales amus'd a Barb'rous Age;
An Age that yet uncultivate and Rude,
Where-e'er the Poet's Fancy led, pursu'd
Through pathless Fields, and unfrequented Floods,
To Dens of Dragons and Enchanted Woods.
But now the Mystick Tale, that pleas'd of Yore,
Can Charm an understanding Age no more;
The long-spun Allegories fulsom grow,
While the dull Moral lies too plain below.
We view well-pleas'd at distance all the sights
Of Arms and Palfreys, Battle's, Fields, and Fights,
And Damsels in Distress, and Courteous Knights.
But when we look too near, the Shades decay,
And all the pleasing Lan-skip fades away.
Great Cowley then (a mighty Genius) wrote;
O'er-run with Wit, and lavish of his Thought:
His Turns too closely on the Reader press;
He more had pleas'd us, had he pleas'd us less.
One glitt'ring Thought no sooner strikes our Eyes
With silent wonder, but new wonders rise.
As in the Milky way a shining White,
O'er-flows the Heav'ns, with one continu'd Light;
That not a single Star can shew his Rays,
Whilst joyntly all promote the Common-Blaze.
Pardon, Great Poet, that I dare to name
Th' unnumber'd Beauties of thy Verse with blame;
Thy fault is only Wit in its Excess,
But Wit like thine in any shape will please.
What Muse but thine cou'd equal Hints inspire,
And fit the Deep-Mouth'd Pindar to thy Lyre:
[...] Read more
poem by Joseph Addison
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Paradise Lost: Book 09
No more of talk where God or Angel guest
With Man, as with his friend, familiar us'd,
To sit indulgent, and with him partake
Rural repast; permitting him the while
Venial discourse unblam'd. I now must change
Those notes to tragick; foul distrust, and breach
Disloyal on the part of Man, revolt,
And disobedience: on the part of Heaven
Now alienated, distance and distaste,
Anger and just rebuke, and judgement given,
That brought into this world a world of woe,
Sin and her shadow Death, and Misery
Death's harbinger: Sad talk!yet argument
Not less but more heroick than the wrath
Of stern Achilles on his foe pursued
Thrice fugitive about Troy wall; or rage
Of Turnus for Lavinia disespous'd;
Or Neptune's ire, or Juno's, that so long
Perplexed the Greek, and Cytherea's son:
If answerable style I can obtain
Of my celestial patroness, who deigns
Her nightly visitation unimplor'd,
And dictates to me slumbering; or inspires
Easy my unpremeditated verse:
Since first this subject for heroick song
Pleas'd me long choosing, and beginning late;
Not sedulous by nature to indite
Wars, hitherto the only argument
Heroick deem'd chief mastery to dissect
With long and tedious havock fabled knights
In battles feign'd; the better fortitude
Of patience and heroick martyrdom
Unsung; or to describe races and games,
Or tilting furniture, imblazon'd shields,
Impresses quaint, caparisons and steeds,
Bases and tinsel trappings, gorgeous knights
At joust and tournament; then marshall'd feast
Serv'd up in hall with sewers and seneshals;
The skill of artifice or office mean,
Not that which justly gives heroick name
To person, or to poem. Me, of these
Nor skill'd nor studious, higher argument
Remains; sufficient of itself to raise
That name, unless an age too late, or cold
Climate, or years, damp my intended wing
Depress'd; and much they may, if all be mine,
Not hers, who brings it nightly to my ear.
The sun was sunk, and after him the star
Of Hesperus, whose office is to bring
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poem by John Milton
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Annus Mirabilis, The Year Of Wonders, 1666
1
In thriving arts long time had Holland grown,
Crouching at home and cruel when abroad:
Scarce leaving us the means to claim our own;
Our King they courted, and our merchants awed.
2
Trade, which, like blood, should circularly flow,
Stopp'd in their channels, found its freedom lost:
Thither the wealth of all the world did go,
And seem'd but shipwreck'd on so base a coast.
3
For them alone the heavens had kindly heat;
In eastern quarries ripening precious dew:
For them the Idumaean balm did sweat,
And in hot Ceylon spicy forests grew.
4
The sun but seem'd the labourer of the year;
Each waxing moon supplied her watery store,
To swell those tides, which from the line did bear
Their brimful vessels to the Belgian shore.
5
Thus mighty in her ships, stood Carthage long,
And swept the riches of the world from far;
Yet stoop'd to Rome, less wealthy, but more strong:
And this may prove our second Punic war.
6
What peace can be, where both to one pretend?
(But they more diligent, and we more strong)
Or if a peace, it soon must have an end;
For they would grow too powerful, were it long.
7
Behold two nations, then, engaged so far
That each seven years the fit must shake each land:
Where France will side to weaken us by war,
Who only can his vast designs withstand.
8
See how he feeds the Iberian with delays,
To render us his timely friendship vain:
And while his secret soul on Flanders preys,
He rocks the cradle of the babe of Spain.
9
Such deep designs of empire does he lay
[...] Read more
poem by John Dryden
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