I think the relation between the monarchy and the press is very much a two-way street.
quote by Anthony Holden
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John Adams Monarchical Ideas
SIR:- You complain that I have asserted that a partiality for monarchy appeared in your conduct. This fact you deny, and entreat me to bring forward the evidences which I suppose will warrant the assertion. The assertion was not founded on vague rumor, nor was it the result of any scattered and dubious expressions through your Defence of the American Constitutions that might warrant such a suspicion, but from my own judgment and observation soon after your return from Europe in the year 1788. There certainly was then an observable alteration in your whole deportment and conversation. Many of your best friends saw, felt, and regretted it. If time has not weakened your memory you will recollect many instances of yourself. I will remind you of a few. Do you not remember an interview at Cambridge soon after your return from England, when his lady and myself met you walking up to Mr. Gerry's? We stopped the carriage, and informed you that Mrs. Gerry and myself were engaged to take tea with Madam Winthrop. You returned and took tea with us at the house of that excellent lady. You will remember that Mr. Gerry's carriage was sent for me in the edge of the evening. You took a seat with me, and returned to Mr. Gerry's. Do you not recollect, sir, that in the course of conversation on the way you replied thus to something that I had observed?-'It does not signify, Mrs. Warren, to talk much of the virtue of Americans. more We are like all other people, and shall do like other nations, where all wellregulated governments are monarchic.' I well remember my own reply, 'That a limited monarchy might be the best government, but that it would be long before Americans would be reconciled to the idea of a king.' Do you not recollect that, a very, short time after this, Mr. Warren and myself made you a visit at Braintree? The previous conversation, in the evening, I do not so distinctly remember; but in the morning, at breakfast at Mercy your own table, the conversation on the subject of monarchy was resumed. Your ideas appeared to be favorable to monarchy, and to an order of nobility in your own country. Mr. Warren replied, 'I am thankful that I am a plebeian.' You answered: 'No, sir, you are one of the nobles. There has been a national aristocracy here ever since the country was settled,-your family at Plymouth, Mrs. Warren's at Barnstable, and many others in very many places that have kept up a distinction similar to nobility.' This conversation subsided by a little mirth. Do you not remember that, after breakfast, you and Mr. Warren stood up by the window, and conversed on the situation of the country, on the Southern States, and some principal characters there? You, with a degree of passion, exclaimed, 'They must have a master; ' and added, by a stamp with your foot, 'By God, they shall have a master.' In the course of the same evening you observed that you 'wished to see a monarchy in this country and an hereditary one too.' To this you say I replied as quick as lightning, 'And so do I too.' If I did, which I do not remember, it must have been with some additional stroke which rendered it a sarcasm. You added with a considerable degree of emotion that you hated frequent elections, that they were the ruin of the morals of the people, that when a youth you had seen iniquity practised at a town meeting for the purpose of electing officers, than you had ever seen in any of the courts in Europe. These conversations were not disseminated by me,-we were too much hurt by the apparent change of sentiment and manner; they were concealed in our own bosoms until time should develop the result of such a change in such a man. Is not the above sufficient to warrant everything that I have said relative to your monarchic opinions ? Had you recollected the conversations alluded to above, you would not I have asserted on your faith and honor that every sentiment in a paragraph you refer to is 'totally unfounded.' On your return from Europe it was generally thought that you looked coldly on your Republican friends and their families, and that you united yourself with the party in Congress who were favorers of monarchy; that the old Tories, denominating themselves Federalists, gathered round you. And did not your administration while in the presidential chair evince that you had no aversion to the usages of monarchic governments? Sedition, stamp, and alien laws, a standing army, house and land taxes, and loans of money at an enormous interest were alarming symptoms in the American Republic. Your removal from the chair by the free suffrages of a majority of the people of the United States sufficiently evinces that I was not mistaken when I asserted that 'a large portion' of the inhabitants of America from New Hampshire to Georgia viewed your political opinions in the same point of light in which I have exhibited them, and considered their liberties in imminent danger, without an immediate change of the Chief Magistrate. However, I never supposed that you had a wish to submit again to the monarchy of Great Britain, or to become subjugated to any foreign sovereign. An American monarchy with an American character at its head would, doubtless, have been more pleasing to yourself. The veracity of an historian is his strongest base; and I am sure I have recorded nothing but what I thought I had the highest reason to believe. If I have been mistaken I shall be forgiven; and, if there are errors, they will be candidly viewed by liberal-minded and generous readers. PLYMOUTH, MASS., 28 July, 1807.
poem by Mercy Warren
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Street Fighting Man
Everywhere I hear the sound of marching, charging feet, boy
cause summers here and the time is right for fighting in the street, boy
Tell me what can a poor boy do
cept for sing for a rock n roll band
cause in this sleepy l.a. town
Theres just no place for a street fighting man
A street fighting man
A street fighting man
A street fighting man
Do you think the time is right for a palace revolution
Where I live the game to play is compromise solution
Well then what can a poor boy
cept for sing for a rock n roll band
cause in this sleepy l.a. town
Theres just no place for a street fighting man
A street fighting man
A street fighting man
A street fighting man
Well what else can a poor boy do?
Well what else can a poor boy do?
Well what else can a poor boy do?
Well what else can a poor boy do?
Hey my name is called disturbance
Ill shout and scream, Ill kill the king, Ill rail at all his servants
Well what can a poor boy do
For sing for a rock n roll band
In this sleepy l.a. town
Theres just no place for
For a street fighting man
A street fighting man
For a street fighting man
A street fighting man
For a street fighting man
A street fighting man
For a street fighting man
A street fighting man
For a street fighting man
A street fighting man
A street fighting man
A street fighting man
A street fighting man
A street fighting man
A street fighting man
A street fighting man
A street fighting man
song performed by Rage Against The Machine
Added by Lucian Velea
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Faces In The Street
They lie, the men who tell us in a loud decisive tone
That want is here a stranger, and that misery's unknown;
For where the nearest suburb and the city proper meet
My window-sill is level with the faces in the street --
Drifting past, drifting past,
To the beat of weary feet --
While I sorrow for the owners of those faces in the street.
And cause I have to sorrow, in a land so young and fair,
To see upon those faces stamped the marks of Want and Care;
I look in vain for traces of the fresh and fair and sweet
In sallow, sunken faces that are drifting through the street --
Drifting on, drifting on,
To the scrape of restless feet;
I can sorrow for the owners of the faces in the street.
In hours before the dawning dims the starlight in the sky
The wan and weary faces first begin to trickle by,
Increasing as the moments hurry on with morning feet,
Till like a pallid river flow the faces in the street --
Flowing in, flowing in,
To the beat of hurried feet --
Ah! I sorrow for the owners of those faces in the street.
The human river dwindles when 'tis past the hour of eight,
Its waves go flowing faster in the fear of being late;
But slowly drag the moments, whilst beneath the dust and heat
The city grinds the owners of the faces in the street --
Grinding body, grinding soul,
Yielding scarce enough to eat --
Oh! I sorrow for the owners of the faces in the street.
And then the only faces till the sun is sinking down
Are those of outside toilers and the idlers of the town,
Save here and there a face that seems a stranger in the street,
Tells of the city's unemployed upon his weary beat --
Drifting round, drifting round,
To the tread of listless feet --
Ah! My heart aches for the owner of that sad face in the street.
And when the hours on lagging feet have slowly dragged away,
And sickly yellow gaslights rise to mock the going day,
Then flowing past my window like a tide in its retreat,
Again I see the pallid stream of faces in the street --
Ebbing out, ebbing out,
To the drag of tired feet,
While my heart is aching dumbly for the faces in the street.
And now all blurred and smirched with vice the day's sad pages end,
For while the short `large hours' toward the longer `small hours' trend,
[...] Read more
poem by Henry Lawson
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The House Of Dust: Complete
I.
The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.
And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.
'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.
We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .
Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.
Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.
Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.
II.
[...] Read more
poem by Conrad Potter Aiken
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The Aeneid of Virgil: Book 11
SCARCE had the rosy Morning rais’d her head
Above the waves, and left her wat’ry bed;
The pious chief, whom double cares attend
For his unburied soldiers and his friend,
Yet first to Heav’n perform’d a victor’s vows: 5
He bar’d an ancient oak of all her boughs;
Then on a rising ground the trunk he plac’d,
Which with the spoils of his dead foe he grac’d.
The coat of arms by proud Mezentius worn,
Now on a naked snag in triumph borne, 10
Was hung on high, and glitter’d from afar,
A trophy sacred to the God of War.
Above his arms, fix’d on the leafless wood,
Appear’d his plumy crest, besmear’d with blood:
His brazen buckler on the left was seen; 15
Truncheons of shiver’d lances hung between;
And on the right was placed his corslet, bor’d;
And to the neck was tied his unavailing sword.
A crowd of chiefs inclose the godlike man,
Who thus, conspicuous in the midst, began: 20
“Our toils, my friends, are crown’d with sure success;
The greater part perform’d, achieve the less.
Now follow cheerful to the trembling town;
Press but an entrance, and presume it won.
Fear is no more, for fierce Mezentius lies, 25
As the first fruits of war, a sacrifice.
Turnus shall fall extended on the plain,
And, in this omen, is already slain.
Prepar’d in arms, pursue your happy chance;
That none unwarn’d may plead his ignorance, 30
And I, at Heav’n’s appointed hour, may find
Your warlike ensigns waving in the wind.
Meantime the rites and fun’ral pomps prepare,
Due to your dead companions of the war:
The last respect the living can bestow, 35
To shield their shadows from contempt below.
That conquer’d earth be theirs, for which they fought,
And which for us with their own blood they bought;
But first the corpse of our unhappy friend
To the sad city of Evander send, 40
Who, not inglorious, in his age’s bloom,
Was hurried hence by too severe a doom.”
Thus, weeping while he spoke, he took his way,
Where, new in death, lamented Pallas lay.
Acoetes watch’d the corpse; whose youth deserv’d 45
The father’s trust; and now the son he serv’d
With equal faith, but less auspicious care.
Th’ attendants of the slain his sorrow share.
A troop of Trojans mix’d with these appear,
And mourning matrons with dishevel’d hair. 50
[...] Read more
poem by Publius Vergilius Maro
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Dead End Street
Theres a crack up in the ceiling,
And the kitchen sink is leaking.
Out of work and got no money,
A sunday joint of bread and honey.
What are we living for?
Two-roomed apartment on the second floor.
No money coming in,
The rent collectors knocking, trying to get in.
We are strictly second class,
We dont understand,
(dead end!)
Why we should be on dead end street.
(dead end!)
People are living on dead end street.
(dead end!)
Gonna die on dead end street.
Dead end street (yeah)
Dead end street (yeah)
On a cold and frosty morning,
Wipe my eyes and stop me yawning.
And my feet are nearly frozen,
Boil the tea and put some toast on.
What are we living for?
Two-roomed apartment on the second floor.
No chance to emigrate,
Im deep in debt and now its much too late.
We both want to work so hard,
We cant get the chance,
(dead end!)
People live on dead end street.
(dead end!)
People are dying on dead end street.
(dead end!)
Gonna die on dead end street.
Dead end street (yeah)
Dead end street (yeah)
(dead end!)
People live on dead end street.
(dead end!)
People are dying on dead end street.
(dead end!)
Gonna die on dead end street.
Dead end street (yeah)
Dead end street (yeah)
Dead end street (yeah)
Head to my feet (yeah)
Dead end street (yeah)
Dead end street (yeah)
Dead end street (yeah)
Hows it feel? (yeah)
[...] Read more
song performed by Kinks
Added by Lucian Velea
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The Third Monarchy, being the Grecian, beginning under Alexander the Great in the 112. Olympiad.
Great Alexander was wise Philips son,
He to Amyntas, Kings of Macedon;
The cruel proud Olympias was his Mother,
She to Epirus warlike King was daughter.
This Prince (his father by Pausanias slain)
The twenty first of's age began to reign.
Great were the Gifts of nature which he had,
His education much to those did adde:
By art and nature both he was made fit,
To 'complish that which long before was writ.
The very day of his Nativity
To ground was burnt Dianaes Temple high:
An Omen to their near approaching woe,
Whose glory to the earth this king did throw.
His Rule to Greece he scorn'd should be confin'd,
The Universe scarce bound his proud vast mind.
This is the He-Goat which from Grecia came,
That ran in Choler on the Persian Ram,
That brake his horns, that threw him on the ground
To save him from his might no man was found:
Philip on this great Conquest had an eye,
But death did terminate those thoughts so high.
The Greeks had chose him Captain General,
Which honour to his Son did now befall.
(For as Worlds Monarch now we speak not on,
But as the King of little Macedon)
Restless both day and night his heart then was,
His high resolves which way to bring to pass;
Yet for a while in Greece is forc'd to stay,
Which makes each moment seem more then a day.
Thebes and stiff Athens both 'gainst him rebel,
Their mutinies by valour doth he quell.
This done against both right and natures Laws,
His kinsmen put to death, who gave no cause;
That no rebellion in in his absence be,
Nor making Title unto Sovereignty.
And all whom he suspects or fears will climbe,
Now taste of death least they deserv'd in time,
Nor wonder is t if he in blood begin,
For Cruelty was his parental sin,
Thus eased now of troubles and of fears,
Next spring his course to Asia he steers;
Leavs Sage Antipater, at home to sway,
And through the Hellispont his Ships made way.
Coming to Land, his dart on shore he throws,
Then with alacrity he after goes;
And with a bount'ous heart and courage brave,
His little wealth among his Souldiers gave.
And being ask'd what for himself was left,
Reply'd, enough, sith only hope he kept.
[...] Read more
poem by Anne Bradstreet
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Out In The Street
Put on your best dress baby
And darlin, fix your hair up right
Cause theres a party, honey
Way down beneath the neon lights
All day youve been working that hard line
Now tonight youre gonna have a good time
I work five days a week girl
Loading crates down on the dock
I take my hard earned money
And meet my girl down on the block
And monday when the foreman calls time
Ive already got friday on my mind
When that whistle blows
Girl, Im down the street
Im home, Im out of my work clothes
When Im out in the street
I walk the way I wanna walk
When Im out in the street
I talk the way I wanna talk
When Im out in the street
When Im out in the street
When Im out in the street, girl
Well, I never feel alone
When Im out in the street, girl
In the crowd I feel at home
The black and whites they cruise by
And they watch us from the corner of their eye
But there aint no doubt girl, down here
We aint gonna take what theyre handing out
When Im out in the street
I walk the way I wanna walk
When Im out in the street
I talk the way I wanna talk
Baby, out in the street I dont feel sad or blue
Baby, out in the street Ill be waiting for you
When the whistle blows
Girl, Im down the street
Im home, Im out of my work clothes
When Im out in the street
I walk the way I wanna walk
When Im out in the street
I talk the way I wanna talk
When Im out in the street
Pretty girls, theyre all passing by
When Im out in the street
From the corner, we give them the eye
Baby, out in the street I just feel all right
Meet me out in the street, little girl, tonight
Meet me out in the street
Meet me out in the street
song performed by Bruce Springsteen
Added by Lucian Velea
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The four Monarchyes, the Assyrian being the first, beginning under Nimrod, 131. Years after the Floo
When time was young, & World in Infancy,
Man did not proudly strive for Soveraignty:
But each one thought his petty Rule was high,
If of his house he held the Monarchy.
This was the golden Age, but after came
The boisterous son of Chus, Grand-Child to Ham,
That mighty Hunter, who in his strong toyles
Both Beasts and Men subjected to his spoyles:
The strong foundation of proud Babel laid,
Erech, Accad, and Culneh also made.
These were his first, all stood in Shinar land,
From thence he went Assyria to command,
And mighty Niniveh, he there begun,
Not finished till he his race had run.
Resen, Caleh, and Rehoboth likewise
By him to Cities eminent did rise.
Of Saturn, he was the Original,
Whom the succeeding times a God did call,
When thus with rule, he had been dignifi'd,
One hundred fourteen years he after dy'd.
Belus.
Great Nimrod dead, Belus the next his Son
Confirms the rule, his Father had begun;
Whose acts and power is not for certainty
Left to the world, by any History.
But yet this blot for ever on him lies,
He taught the people first to Idolize:
Titles Divine he to himself did take,
Alive and dead, a God they did him make.
This is that Bel the Chaldees worshiped,
Whose Priests in Stories oft are mentioned;
This is that Baal to whom the Israelites
So oft profanely offered sacred Rites:
This is Beelzebub God of Ekronites,
Likewise Baalpeor of the Mohabites,
His reign was short, for as I calculate,
At twenty five ended his Regal date.
Ninus.
His Father dead, Ninus begins his reign,
Transfers his seat to the Assyrian plain;
And mighty Nineveh more mighty made,
Whose Foundation was by his Grand-sire laid:
Four hundred forty Furlongs wall'd about,
On which stood fifteen hundred Towers stout.
The walls one hundred sixty foot upright,
So broad three Chariots run abrest there might.
Upon the pleasant banks of Tygris floud
This stately Seat of warlike Ninus stood:
This Ninus for a God his Father canonized,
To whom the sottish people sacrificed.
[...] Read more
poem by Anne Bradstreet
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On The Street
On the street
On the street
O, O, On the street
On the street
O, O, On the street
[Everybody dance]
[Watch for the difference]
On the street
{Breaking on broadway]
O, O, On the street
[Shaking on sunset strip]
On the street
[Like nobody booming supporting that]
Da, da, da, da, da ...
On the street
On the street
Dancing
On the street
On the street
Dancing
Dancing
On the street
On the street
[Twisting on the turnpipe]
Dancing
On the street
On the street
On the street ...
Da, da, da, da, ...
Dance on the street ...
song performed by Madonna
Added by Lucian Velea
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Love Street
Yeah, yeah, yeah, yeah, yeah, yeah
Ohh...ho...
Yeah, yeah, yeah, yeah
Ohh...ho...
It seems we've lost our touch
Used to be so in love, yeah, uh
But somehow we've gotten off-track
And we never really got it back, no, yeah
I think we better find a way, yeah
And get right back to them good old days, good old days
Wanna make it to Heaven's gate, yeah (oh)
And we need to escalate, I need
I need direction (whoo, I need direction)
To that street called love (to that street called love, yeah)
Lead me to that road (trying to get home, yeah)
Trying to get home (oh take me to love street, yeah)
Now life is gone and skipped a beat
Tell me where are all the dancing feet? Yeah
Boy I tell you there's always something going wrong
Tell me why can't we all just get along
Keep struggling (yeah) just to get by, oh (oh yeah)
So many hills, mountains to climb, yeah
We should all be ashamed of ourselves
'Cause if we don't love ourselves
Tell me how can we love somebody else?
I need direction (whoo, we need direction)
To that street called love (to that street called love yeah)
Lead me to that road (I'm trying to get home)
Trying to get home (come on and take me to love street)
Easter Sunday morning (yeah)
We weredressed up (yeah)
Ready to go and have some... Church
(And I remember feeling so joyful)
Whether East side or the West side
Or the North side or the South side
You were at... Church
(So tell me what is all this fighting for?)
So what is all this pouting about? (and whoa)
What is all this hating about? (whoa)
(We have got to figure out how to get right back to love street)
I need directions (we need direction, whoa)
To that street called love (to that street called love, yeah)
Lead me to that road (trying to get home)
Trying to get home (would you take me straight to love street, yeah)
I need directions (I need some direction yeah) (ohh)
To that street called love (yes I do, yes I do) (yes I do, yeah)
Lead me to that road (please let me lead me to that road) (yeah)
Trying to get home
Heard somebody say (Toot-toot, beep-beep)
Heard somebody say (Tell me how to get to love street) yeah
[...] Read more
song performed by R. Kelly
Added by Lucian Velea
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A Blood Relation
They argue it as syndrome of blood relation
Is it matter of convenience or though elevation?
It is not difficult to understand in simple context
We let it pass of ignorantly as mere pretext
There is definite push and pull mechanism
It is equally good to have bond in humanism
It least somewhere we show some kind of attachment
There is long list of hierachy and goes on as movement
There is restriction at each and every level
It goes on and to develop and exceedingly marvel
How loosely we remain to be connected in sphere
It is always peaceful, harmonious and I healthy atmosphere
How parents rear their children in responsible manner
They may grow in full adulthood later or sooner
There is complete love in the eyes of every member
Proper care is taken in all the aspects and closely remembered
Time and tide change with the advent or passage
The strong bond or relation remains only message
Everybody loves to remain under one shield
Family as such remains one identity and only field
Children unduly demand and expect something more
They often enter into clash and go for the possibilities to explore
Sometimes it turns into battle field and unruly scene is created
Relation turn sour and all the niceties is cremated
Brother to brother act as sworn enemy
The relation goes on vane simply for money
Parents watch helplessly and condemn the move
They often curse the luck but unable to prove
The entire relation hangs on bare thread
No one bothers to understand or read
Elders try for patch and plead
Elders go in different direction and try to lead
It is happening everywhere and no one is exception
There is different dimension in relation since inception
No one can claim free from any diversion or friction
Still family bond remains as complete addiction
Had there been complete transparency in relation?
It should have excelled in all the direction
Of late it has developed visible cracks
The complete theory is thrown out of tracks
[...] Read more
poem by Hasmukh Amathalal
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The Street Only Knew Your Name
Your street, rich street or poor
You should always be sure of your street
There's a place in your heart,
When you know from the start
And you can't be complete without a street
Keep movin' on, just like a train
Sometimes you gotta look back to the street again
Would you prefer all those castles in spain
Or a view of the street from your window pane
When you were young, so young
So very very young
When you were young, so young
So very very young
And the street only knew your name
And the street only knew your name
And the street only knew your name, oh your precious name, precious name
There was walter and joy, kate and roy
All hung around the corner lamplight
Get together sing some songs
Like boppin' the blues - you make me feel alright
That was long before fortune and fame
No such thing as a star when you've played that game
Everyone knew who everyone was
There was no preference in the street no, no
When you were young, so young
So very very young
When you were young, so young
So very very young
And the street only knew your name
And the street only knew your name
And the street only knew your name, oh your precious name
And you walked around in the heart of town
Listening for that sound
And you walk around in the heart of town
Listening for that sound
Blue suede shoes, it was the blue suede shoes
When you were young, so young
So very very young
When you were young, so young
So very very young
And the street only knew your name
And the street only knew your name
And the street only knew your name
And the street only knew your name
song performed by Van Morrison
Added by Lucian Velea
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Trivia ; or, the Art of Walking the Streets of London : Book II.
Of Walking the Streets by Day.
Thus far the Muse has trac'd in useful lays
The proper implements for wintry ways;
Has taught the walker, with judicious eyes,
To read the various warnings of the skies.
Now venture, Muse, from home to range the town,
And for the public safety risk thy own.
For ease and for dispatch, the morning's best;
No tides of passengers the street molest.
You'll see a draggled damsel, here and there,
From Billingsgate her fishy traffic bear;
On doors the sallow milk-maid chalks her gains;
Ah! how unlike the milk-maid of the plains!
Before proud gates attending asses bray,
Or arrogate with solemn pace the way;
These grave physicians with their milky cheer,
The love-sick maid and dwindling beau repair;
Here rows of drummers stand in martial file,
And with their vellum thunder shake the pile,
To greet the new-made bride. Are sounds like these
The proper prelude to a state of peace?
Now industry awakes her busy sons,
Full charg'd with news the breathless hawker runs:
Shops open, coaches roll, carts shake the ground,
And all the streets with passing cries resound.
If cloth'd in black, you tread the busy town
Or if distinguish'd by the rev'rend gown,
Three trades avoid; oft in the mingling press,
The barber's apron soils the sable dress;
Shun the perfumer's touch with cautious eye,
Nor let the baker's step advance too nigh;
Ye walkers too that youthful colours wear,
Three sullying trades avoid with equal care;
The little chimney-sweeper skulks along,
And marks with sooty stains the heedless throng;
When small-coal murmurs in the hoarser throat,
From smutty dangers guard thy threaten'd coat:
The dust-man's cart offends thy clothes and eyes,
When through the street a cloud of ashes flies;
But whether black or lighter dyes are worn,
The chandler's basket, on his shoulder borne,
With tallow spots thy coat; resign the way,
To shun the surly butcher's greasy tray,
Butcher's, whose hands are dy'd with blood's foul stain,
And always foremost in the hangman's train.
Let due civilities be strictly paid.
The wall surrender to the hooded maid;
Nor let thy sturdy elbow's hasty rage
Jostle the feeble steps of trembling age;
[...] Read more
poem by John Gay
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Depot Street
I live on the west side, by the county reservoir
And she lives down on depot street, behind the city hall
Behind the city hall
Her fathers name is macintosh, her mothers name is pearl
And they live down on depot street, shes my little girl
Shes my little girl
Down on depot street, Im gonna see my baby
Depot street, Im gonna see my girl
Depot street, baby, baby, baby
Depot street, behind the city hall
We aint got no money, we dont have no car
We stay down on depot street, just dancin in the park
Dancin in the park
And her sister doesnt like me, but I dont really care
I know the only reason is she wants me for herself
She wants me for herself
Down on depot street, Im gonna see my baby
Depot street, Im gonna see my girl
Depot street, baby, baby, baby
Depot street, behind the city hall
Shes my baby, shes my girl
And we aint been to college, we both quit high school
There was way too many people there makin way too many rules
Makin way too many rules
So we got no education, but we dont care at all
Cause it dont mean much on depot street, behind the city hall
Behind the city hall
Down on depot street, Im gonna see my baby
Depot street, Im gonna see my girl
Depot street, baby, baby, baby
Depot street, behind the city hall
song performed by Tom Petty
Added by Lucian Velea
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I don't accept at all the quite popular argument that the press is responsible for the monarchy's recent troubles. The monarchy's responsible for the monarchy's recent troubles. To blame the press is the old thing of blaming the messenger for the message.
quote by Anthony Holden
Added by Lucian Velea
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Stranger On A Quiet Street
When all the thrills have been forgotten
The chill of night can call them home
And all the dreams that you left stranded
Will slowly start to come along
I felt it as she slipped away, slipped away
I didnt have the words to say
When I saw the stranger
A stranger on a quiet street
Stranger on a quiet street
You can go straight as an arrow
You can go straight as you dare
Walkin the old straight and narrow
Dont always get you there
The sun was shining when I saw it all
She was moving to a different beat
When I met a stranger
A stranger on a quiet street
Stranger on a quiet street
It came to me out of the blue, out of the blue
There came the moment that I really knew
When I met a stranger
A stranger on a quiet street
Stranger on a quiet street
Stranger on a quiet street
Stranger on a quiet street
Stranger on a quiet street
Stranger on a quiet street
Stranger on a quiet street, on a quiet street
Stranger on a quiet street
Stranger on a quiet street
Stranger on a quiet street
song performed by Electric Light Orchestra
Added by Lucian Velea
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English Bards and Scotch Reviewers: A Satire
'I had rather be a kitten, and cry mew!
Than one of these same metre ballad-mongers'~Shakespeare
'Such shameless bards we have; and yet 'tis true,
There are as mad, abandon'd critics too,'~Pope.
Still must I hear? -- shall hoarse Fitzgerald bawl
His creaking couplets in a tavern hall,
And I not sing, lest, haply, Scotch reviews
Should dub me scribbler, and denounce my muse?
Prepare for rhyme -- I'll publish, right or wrong:
Fools are my theme, let satire be my song.
O nature's noblest gift -- my grey goose-quill!
Slave of my thoughts, obedient to my will,
Torn from thy parent bird to form a pen,
That mighty instrument of little men!
The pen! foredoom'd to aid the mental throes
Of brains that labour, big with verse or prose,
Though nymphs forsake, and critics may deride,
The lover's solace, and the author's pride.
What wits, what poets dost thou daily raise!
How frequent is thy use, how small thy praise!
Condemn'd at length to be forgotten quite,
With all the pages which 'twas thine to write.
But thou, at least, mine own especial pen!
Once laid aside, but now assumed again,
Our task complete, like Hamet's shall be free;
Though spurn'd by others, yet beloved by me:
Then let us soar today, no common theme,
No eastern vision, no distemper'd dream
Inspires -- our path, though full of thorns, is plain;
Smooth be the verse, and easy be the strain.
When Vice triumphant holds her sov'reign sway,
Obey'd by all who nought beside obey;
When Folly, frequent harbinger of crime,
Bedecks her cap with bells of every clime;
When knaves and fools combined o'er all prevail,
And weigh their justice in a golden scale;
E'en then the boldest start from public sneers,
Afraid of shame, unknown to other fears,
More darkly sin, by satire kept in awe,
And shrink from ridicule, though not from law.
Such is the force of wit! but not belong
To me the arrows of satiric song;
The royal vices of our age demand
A keener weapon, and a mightier hand.
[...] Read more
Closeness
Hello and little smile brings us so close
Reddishness on cheeks and ready for pose
Exchange of promises and trust to repose
All on sound basis and nothing to suppose
Relation mushroom with development of intimacy
It is genuine feeling and doesn’t involve hypocrisy
How best to die for each other is order of the day
Search for genuine relationship in honourable way
It is not limited or confined to gender feeling
Relation is built up purely on honest dealing
What matters more is utmost will and good faith
Slight compromise leads to break up or death
It is unbearable pain when comes separation
It doesn’t matter or count what the duration (was)
Life doesn’t end with break up, failure or sordid affair
It has happy ending with means always fair
If you have resolve to sail in rough weather
Adding sweetness and glory to your feather
Nobody can storm or vitiate the relation
Life is full of joy with happiness and sensation
To cast doubt means end of cordiality
Halt in warmth relation and start of hostility
Hurling of abuses and accusing to each other
May sour the relation with more to bother
Closeness may add to strengthening the bond
New intimate relation and better relation fond
Better understanding to over come and excel in field
Complement to each other not to course or yield
Lovely life is reflected in every mode or corner
Flame is coming out clean and bright from burner
What actually you need is sincere cleansing
Presentation of real show without any mincing
Not hollowness in action but holistic approach
Swing in action without any help from coach
May ultimately lead to and bring happiness
Intimacy is after all………………………..
poem by Hasmukh Amathalal
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Press Intrusion
The World’s Press are often extremely intrusive,
Just so they can obtain a ‘world exclusive.’
When a celebrity pops out to buy a new pair of shoes,
It’s really not that thrilling or potential headline news.
We also see photos of celebs with spots on their faces,
And sweat patches under their arm pits, in some cases.
With really pointless pictures, they fill column space,
And, of everyone’s time and effort, it really is a waste.
The same old celebrities are pictured time and time again,
And it’s increasingly becoming a really annoying pain.
The Press are making themselves a real laughing stock.
And I feel on some of their activities, there should be a block.
They don’t care about anyone, who their actions may affect.
They hone in on the tiniest shred of emotion they can detect.
When celebs are doing normal things or are just on the phone,
The Press really need to just butt out and leave them all alone.
They often set up camp outside celebs private homes,
And this type of behaviour, I really can’t condone.
When people are at one of the lowest points of their entire lives,
The last thing they really want is the Press sticking in the knives.
If a member of the press was at an all time low,
Would they like the whole wide world to know?
I really don’t wish to see photos of people lying around dead,
Or of people upset and injured with blood bespattered heads.
If someone is obviously upset or wincing in severe agony or pain,
Then, from sticking a camera in their face, the Press should refrain.
When a famous footballer breaks their little toe,
The Press seem to think the whole world wants to know.
People often break bones. It happens every single day.
But their injuries aren’t reported to everyone in this way.
There were photos of the lovely Princess Kate in Waitrose,
But, when she’s off-duty, I don’t really care where she goes.
They timed her trip and listed all the items which she bought.
For her personal privacy, they never gave a second thought.
When the Press take photos, they really should ask for permission.
Not just consider that the taking of a photo is their rightful decision.
The Press do not seem to have a shred of respect for anyone.
They see what they do as business, or, in some cases, a bit of fun.
The situation really is becoming more than just a little strange,
And I truly believe that there are things which need to change.
poem by Angela Wybrow
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