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I seem to smell the stench of appeasement in the air.

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Adrienne Vittadini

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Fitration Bags

2.5 gallon shopvac bags
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Trash Bag

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That Smell

Whiskey bottles, and brand new cars
Oak tree you're in my way
There's too much coke and too much smoke
Look what's going on inside you
Ooooh that smell
Can't you smell that smell
Ooooh that smell
The smell of death surrounds you
Angel of darkness is upon you
Stuck a needle in your arm
So take another toke, have a blow for your nose
One more drink fool, will drown you
Ooooh that smell
Can't you smell that smell
Ooooh that smell
The smell of death surrounds you
Now they call you Prince Charming
Can't speak a word when you're full of 'ludes
Say you'll be all right come tomorrow
But tomorrow might not be here for you
Ooooh that smell
Can't you smell that smell
Ooooh that smell
The smell of death surrounds you
Hey, you're a fool you
Stick them needles in your arm
I know I been there before
One little problem that confronts you
Got a monkey on your back
Just one more fix, Lord might do the trick
One hell of a price for you to get your kicks
Ooooh that smell
Can't you smell that smell
Ooooh that smell
The smell of death surrounds you
Ooooh that smell
Can't you smell that smell
Ooooh that smell
The smell of death surrounds you

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That Smell

(allen collins - ronnie vanzant)
Whiskey bottles, and brand new cars
Oak tree youre in my way
Theres too much coke and too much smoke
Look whats going on inside you
Ooooh that smell
Cant you smell that smell
Ooooh that smell
The smell of death surrounds you
Angel of darkness is upon you
Stuck a needle in your arm
So take another toke, have a blow for your nose
One more drink fool, will drown you
Ooooh that smell
Cant you smell that smell
Ooooh that smell
The smell of death surrounds you
Now they call you prince charming
Cant speak a word when youre full of ludes
Say youll be all right come tomorrow
But tomorrow might not be here for you
Ooooh that smell
Cant you smell that smell
Ooooh that smell
The smell of death surrounds you
Hey, youre a fool you
Stick them needles in your arm
I know I been there before
One little problem that confronts you
Got a monkey on your back
Just one more fix, lord might do the trick
One hell of a price for you to get your kicks
Ooooh that smell
Cant you smell that smell
Ooooh that smell
The smell of death surrounds you
Ooooh that smell
Cant you smell that smell
Ooooh that smell
The smell of death surrounds you

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Appeasement For Adolf Hitler

The price of peace
appeasement
appeasing Adolf Hitler
will never work.

Was Neville Chamberlain
falling on his held sword
stalling an act to buy time;
or naive guillible ready...
to buy peace at any cost?

The British Prime Minister
left Munich believing
that in appeasing Hitler;
“he had assured
'peace for our time'”?

Both Britain and France
pursued a foreign policy
of political appeasement;
in their desperate hope
that Hitler would not drag
Europe into a new world war.

What was appeasement?

Appeasement expressed
a consensus widespread
collective British desire;
to heal the horrific wounds
of raw recent World War I.

Appeasement expressed
a consensus widespread
collective British desire;
to correct what many
British officials regarded;
as the injustices of
punitive reparations;
in the Versailles Treaty.

Remember their were
officials who regarded
a powerful Germany;
as a necessary desirable
bulwark against communism;
a feared rising Soviet Union.

Heartbreaking growing anxiety;
“horrible, fantastic, incredible”

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Book IV - Part 03 - The Senses And Mental Pictures

Bodies that strike the eyes, awaking sight.
From certain things flow odours evermore,
As cold from rivers, heat from sun, and spray
From waves of ocean, eater-out of walls
Around the coasts. Nor ever cease to flit
The varied voices, sounds athrough the air.
Then too there comes into the mouth at times
The wet of a salt taste, when by the sea
We roam about; and so, whene'er we watch
The wormword being mixed, its bitter stings.
To such degree from all things is each thing
Borne streamingly along, and sent about
To every region round; and Nature grants
Nor rest nor respite of the onward flow,
Since 'tis incessantly we feeling have,
And all the time are suffered to descry
And smell all things at hand, and hear them sound.
Besides, since shape examined by our hands
Within the dark is known to be the same
As that by eyes perceived within the light
And lustrous day, both touch and sight must be
By one like cause aroused. So, if we test
A square and get its stimulus on us
Within the dark, within the light what square
Can fall upon our sight, except a square
That images the things? Wherefore it seems
The source of seeing is in images,
Nor without these can anything be viewed.

Now these same films I name are borne about
And tossed and scattered into regions all.
But since we do perceive alone through eyes,
It follows hence that whitherso we turn
Our sight, all things do strike against it there
With form and hue. And just how far from us
Each thing may be away, the image yields
To us the power to see and chance to tell:
For when 'tis sent, at once it shoves ahead
And drives along the air that's in the space
Betwixt it and our eyes. And thus this air
All glides athrough our eyeballs, and, as 'twere,
Brushes athrough our pupils and thuswise
Passes across. Therefore it comes we see
How far from us each thing may be away,
And the more air there be that's driven before,
And too the longer be the brushing breeze
Against our eyes, the farther off removed
Each thing is seen to be: forsooth, this work
With mightily swift order all goes on,
So that upon one instant we may see

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Change Your Deodorant, Oh God!

Change my heart O God
Make it ever true
Change my heart O God
May I be like you

Change my heart O God
Make it ever true
Change my heart O God
May I be like you

You are the potter and I am the clay
Mold me and make me
This is what I pray

Change my heart O God
Make it ever true
Change my heart O God
May I be like you

You are the potter and I am the clay
Mold me and make me
This is what I pray

Change my heart O God
Make it ever true
Change my heart O God
May I be like you

Change my heart O God
Make it ever true
Change my heart O God
May I be like you

1982 Eddie Espinosa Mercy Publishing

My rewrite of the song above, Change My Heart O God, by Eddie Espinosa

Change your deodorant, oh God!
'Cause you stink to high heaven
Oh baby, you know that it's true
You just gotta
Gotta change your deodorant, oh God!
'Cause I really really can't stand anymore
The rotting stench of you

Change your deodorant, oh God!
'Cause you stink to high heaven
Oh baby, you know that it's true
You just gotta
Gotta change your deodorant, oh God!

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Stick Up

Let's go
I've been loving you for years
I know that I was never clear
But I have no fear today
Cause I'm gonna say
What I gotta say
I don't wanna play no more
I'm busting through the door
I'm gonna take your heart for sure
Put your hands up in the air
It's a stick up
I'm go'n take your heart from here
Now let's fix up
Put your hands in the air, in the air, in the air
I'm gonna play my cards from here
and take this gamble
sure, my words are gonna fumble
but this being hard and humble
Ain't got me nowhere
Sure I'm scared but my life's a dare
And baby you just got so much flare
We'd be the perfect pair
I'm gonna share my mind with you
You've been blind and my life's blue
I'm taking you, I'm taking you
Put your hands up in the air
It's a stick up
I'm go'n take your heart from here
Now let's fix up
Put your hands in the air, in the air, in the air
Put your hands up in the air
It's a stick up
I'm gone take your heart from here
Now let's fix up
Put your hands in the air, in the air, in the air
In the air, in the air, in the air
When I first met you, I wanted to wet you
Not a gun, but a different content sexual
You try to run I still get you
Steel metal, not needed
A whole nother meaning
Don't want your gold, want your soul
Control ya heartbeating
Cause when I start squeezing that muscle
That's the trigger then I got you nigga
In your drop with spinners
Got your bodyguards with you
Diamond dog tag chain swinging
I have them thangs ringing
This is a robbery, and no one's getting free

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Henry Wadsworth Longfellow

Evangeline: A Tale of Acadie

This is the forest primeval. The murmuring pines and the hemlocks,
Bearded with moss, and in garments green, indistinct in the twilight,
Stand like Druids of eld, with voices sad and prophetic,
Stand like harpers hoar, with beards that rest on their bosoms.
Loud from its rocky caverns, the deep-voiced neighboring ocean
Speaks, and in accents disconsolate answers the wail of the forest.

This is the forest primeval; but where are the hearts that beneath it
Leaped like the roe, when he hears in the woodland the voice of the huntsman
Where is the thatch-roofed village, the home of Acadian farmers,--
Men whose lives glided on like rivers that water the woodlands,
Darkened by shadows of earth, but reflecting an image of heaven?
Waste are those pleasant farms, and the farmers forever departed!
Scattered like dust and leaves, when the mighty blasts of October
Seize them, and whirl them aloft, and sprinkle them far o'er the ocean
Naught but tradition remains of the beautiful village of Grand-Pre.

Ye who believe in affection that hopes, and endures, and is patient,
Ye who believe in the beauty and strength of woman's devotion,
List to the mournful tradition still sung by the pines of the forest;
List to a Tale of Love in Acadie, home of the happy.

PART THE FIRST

I

In the Acadian land, on the shores of the Basin of Minas,
Distant, secluded, still, the little village of Grand-Pre
Lay in the fruitful valley. Vast meadows stretched to the eastward,
Giving the village its name, and pasture to flocks without number.
Dikes, that the hands of the farmers had raised with labor incessant,
Shut out the turbulent tides; but at stated seasons the flood-gates
Opened, and welcomed the sea to wander at will o'er the meadows.
West and south there were fields of flax, and orchards and cornfields
Spreading afar and unfenced o'er the plain; and away to the northward
Blomidon rose, and the forests old, and aloft on the mountains
Sea-fogs pitched their tents, and mists from the mighty Atlantic
Looked on the happy valley, but ne'er from their station descended
There, in the midst of its farms, reposed the Acadian village.
Strongly built were the houses, with frames of oak and of hemlock,
Such as the peasants of Normandy built in the reign of the Henries.
Thatched were the roofs, with dormer-windows; and gables projecting
Over the basement below protected and shaded the doorway.
There in the tranquil evenings of summer, when brightly the sunset
Lighted the village street and gilded the vanes on the chimneys,
Matrons and maidens sat in snow-white caps and in kirtles
Scarlet and blue and green, with distaffs spinning the golden
Flax for the gossiping looms, whose noisy shuttles within doors

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Tannhauser

The Landgrave Hermann held a gathering
Of minstrels, minnesingers, troubadours,
At Wartburg in his palace, and the knight,
Sir Tannhauser of France, the greatest bard,
Inspired with heavenly visions, and endowed
With apprehension and rare utterance
Of noble music, fared in thoughtful wise
Across the Horsel meadows. Full of light,
And large repose, the peaceful valley lay,
In the late splendor of the afternoon,
And level sunbeams lit the serious face
Of the young knight, who journeyed to the west,
Towards the precipitous and rugged cliffs,
Scarred, grim, and torn with savage rifts and chasms,
That in the distance loomed as soft and fair
And purple as their shadows on the grass.
The tinkling chimes ran out athwart the air,
Proclaiming sunset, ushering evening in,
Although the sky yet glowed with yellow light.
The ploughboy, ere he led his cattle home,
In the near meadow, reverently knelt,
And doffed his cap, and duly crossed his breast,
Whispering his 'Ave Mary,' as he heard
The pealing vesper-bell. But still the knight,
Unmindful of the sacred hour announced,
Disdainful or unconscious, held his course.
'Would that I also, like yon stupid wight,
Could kneel and hail the Virgin and believe!'
He murmured bitterly beneath his breath.
'Were I a pagan, riding to contend
For the Olympic wreath, O with what zeal,
What fire of inspiration, would I sing
The praises of the gods! How may my lyre
Glorify these whose very life I doubt?
The world is governed by one cruel God,
Who brings a sword, not peace. A pallid Christ,
Unnatural, perfect, and a virgin cold,
They give us for a heaven of living gods,
Beautiful, loving, whose mere names were song;
A creed of suffering and despair, walled in
On every side by brazen boundaries,
That limit the soul's vision and her hope
To a red hell or and unpeopled heaven.
Yea, I am lost already,-even now
Am doomed to flaming torture for my thoughts.
O gods! O gods! where shall my soul find peace?'
He raised his wan face to the faded skies,
Now shadowing into twilight; no response
Came from their sunless heights; no miracle,
As in the ancient days of answering gods.

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Amy Lowell

Spring Day

Bath

The day is fresh-washed and fair, and there is a smell of tulips and narcissus
in the air.

The sunshine pours in at the bath-room window and bores through the water
in the bath-tub in lathes and planes of greenish-white. It cleaves the water
into flaws like a jewel, and cracks it to bright light.

Little spots of sunshine lie on the surface of the water and dance, dance,
and their reflections wobble deliciously over the ceiling; a stir of my finger
sets them whirring, reeling. I move a foot, and the planes of light
in the water jar. I lie back and laugh, and let the green-white water,
the sun-flawed beryl water, flow over me. The day is almost
too bright to bear, the green water covers me from the too bright day.
I will lie here awhile and play with the water and the sun spots.

The sky is blue and high. A crow flaps by the window, and there is
a whiff of tulips and narcissus in the air.


Breakfast Table

In the fresh-washed sunlight, the breakfast table is decked and white.
It offers itself in flat surrender, tendering tastes, and smells,
and colours, and metals, and grains, and the white cloth falls over its side,
draped and wide. Wheels of white glitter in the silver coffee-pot,
hot and spinning like catherine-wheels, they whirl, and twirl - and my eyes
begin to smart, the little white, dazzling wheels prick them like darts.
Placid and peaceful, the rolls of bread spread themselves in the sun to bask.
A stack of butter-pats, pyramidal, shout orange through the white, scream,
flutter, call: 'Yellow! Yellow! Yellow!' Coffee steam rises in a stream,
clouds the silver tea-service with mist, and twists up into the sunlight,
revolved, involuted, suspiring higher and higher, fluting in a thin spiral
up the high blue sky. A crow flies by and croaks at the coffee steam.
The day is new and fair with good smells in the air.


Walk

Over the street the white clouds meet, and sheer away without touching.

On the sidewalks, boys are playing marbles. Glass marbles,
with amber and blue hearts, roll together and part with a sweet
clashing noise. The boys strike them with black and red striped agates.
The glass marbles spit crimson when they are hit, and slip into the gutters
under rushing brown water. I smell tulips and narcissus in the air,
but there are no flowers anywhere, only white dust whipping up the street,
and a girl with a gay Spring hat and blowing skirts. The dust and the wind
flirt at her ankles and her neat, high-heeled patent leather shoes. Tap, tap,

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Metamorphoses: Book The Eighth

NOW shone the morning star in bright array,
To vanquish night, and usher in the day:
The wind veers southward, and moist clouds arise,
That blot with shades the blue meridian skies.
Cephalus feels with joy the kindly gales,
His new allies unfurl the swelling sails;
Steady their course, they cleave the yielding main,
And, with a wish, th' intended harbour gain.
The Story of Mean-while King Minos, on the Attick strand,
Nisus and Displays his martial skill, and wastes the land.
Scylla His army lies encampt upon the plains,
Before Alcathoe's walls, where Nisus reigns;
On whose grey head a lock of purple hue,
The strength, and fortune of his kingdom, grew.
Six moons were gone, and past, when still from
far
Victoria hover'd o'er the doubtful war.
So long, to both inclin'd, th' impartial maid
Between 'em both her equal wings display'd.
High on the walls, by Phoebus vocal made,
A turret of the palace rais'd its head;
And where the God his tuneful harp resign'd.
The sound within the stones still lay enshrin'd:
Hither the daughter of the purple king
Ascended oft, to hear its musick ring;
And, striking with a pebble, wou'd release
Th' enchanted notes, in times of happy peace.
But now, from thence, the curious maid beheld
Rough feats of arms, and combats of the field:
And, since the siege was long, had learnt the name
Of ev'ry chief, his character, and fame;
Their arms, their horse, and quiver she descry'd,
Nor cou'd the dress of war the warriour hide.
Europa's son she knew above the rest,
And more, than well became a virgin breast:
In vain the crested morion veils his face,
She thinks it adds a more peculiar grace:
His ample shield, embost with burnish'd gold,
Still makes the bearer lovelier to behold:
When the tough jav'lin, with a whirl, he sends,
His strength and skill the sighing maid commends;
Or, when he strains to draw the circling bow,
And his fine limbs a manly posture show,
Compar'd with Phoebus, he performs so well,
Let her be judge, and Minos shall excell.
But when the helm put off, display'd to sight,
And set his features in an open light;
When, vaulting to his seat, his steed he prest,
Caparison'd in gold, and richly drest;
Himself in scarlet sumptuously array'd,

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Drown

Drown, drown
Drown, drown
Drown, drown, suffocating no air, underwater no air
Drown, drown, suffocating no air, underwater no air
And you know that I need you
So give me something I can do
But you just take and rip away, until its over
Ive been waiting for so long
Finally found out what went wrong
Listen closely and you will hear, that it is over, right now
She ties you down, down, down, down, down, down, down
Wasted!!
You made me love you
Drown, drown, suffocating no air, underwater no air
Drown, drown, suffocating no air, underwater no air
Lie your head down thoughts consume
On a blanket in your room
Wraps into fire and comes so clear
Face head over
Drifting out, out into sea
Looking glass, cleared for me
Glancing slowly for some room
To bang a nail solidly through
Its all over cant you see
Ive given you all of me
So scratch until you dig away, all of the venom from your vein
I cant help you, cant you see, that it is over
Dont you know its over, dont you know its over
Drown, drown, suffocating no air, underwater no air
Drown, drown, suffocating no air, underwater no air
Drown, drown, suffocating no air, underwater no air
Drown, drown, suffocating no air, underwater no air
Sacrifice my soul to you
Disappearing in thin air

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The Source

the Source of ‘Crab Nebula'

'The greats molder in their graves
Their words collect as dust upon their spines
Their hearts do not beat in time with today
and yet, the Spirit calls & you answer
What more can a ‘writer' do'?

(poetic writers are compelled to write
& seldom know why)


Ninth Street

There is a cold water'd house
On a bleak winter'd street
With stale musty stink
Of unwashed sock and sheet
Dirty dishes left still
Standing there in the sink.
Memories drenched in scent
Of kerosene and coal
Christmases without trees
Colored paper or ribbon bows.
Yet ___ there was laughter, warm
and yes ___ love
Her making toast over-done
and coffee too thin for him.
Poverty of wage and things
Cannot suppress the hope
Of loves gentle kiss
As passions
Became a foggy mist
Of what could have been
Instead of what is.


(Genetic Memory of Life before I was)

Curmudgeon

(I did not ask to be born)

Knowing why, doesn't make the search go away
Knowing how, doesn't mean you can stop
There are alternative ways, different days
No one gets to stay forever

There are traps
There are walls

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Alexander Pope

The Rape of the Lock

Part 1

WHAT dire Offence from am'rous Causes springs,
What mighty Contests rise from trivial Things,
I sing -- This Verse to C---, Muse! is due;
This, ev'n Belinda may vouchfafe to view:
Slight is the Subject, but not so the Praise,
If She inspire, and He approve my Lays.
Say what strange Motive, Goddess! cou'd compel
A well-bred Lord t'assault a gentle Belle?
Oh say what stranger Cause, yet unexplor'd,
Cou'd make a gentle Belle reject a Lord?
And dwells such Rage in softest Bosoms then?
And lodge such daring Souls in Little Men?

Sol thro' white Curtains shot a tim'rous Ray,
And op'd those Eyes that must eclipse the Day;
Now Lapdogs give themselves the rowzing Shake,
And sleepless Lovers, just at Twelve, awake:
Thrice rung the Bell, the Slipper knock'd the Ground,
And the press'd Watch return'd a silver Sound.
Belinda still her downy Pillow prest,
Her Guardian Sylph prolong'd the balmy Rest.
'Twas he had summon'd to her silent Bed
The Morning-Dream that hover'd o'er her Head.
A Youth more glitt'ring than a Birth-night Beau,
(That ev'n in Slumber caus'd her Cheek to glow)
Seem'd to her Ear his winning Lips to lay,
And thus in Whispers said, or seem'd to say.

Fairest of Mortals, thou distinguish'd Care
Of thousand bright Inhabitants of Air!
If e'er one Vision touch'd thy infant Thought,
Of all the Nurse and all the Priest have taught,
Of airy Elves by Moonlight Shadows seen,
The silver Token, and the circled Green,
Or Virgins visited by Angel-Pow'rs,
With Golden Crowns and Wreaths of heav'nly Flowers,
Hear and believe! thy own Importance know,
Nor bound thy narrow Views to Things below.
Some secret Truths from Learned Pride conceal'd,
To Maids alone and Children are reveal'd:
What tho' no Credit doubting Wits may give?
The Fair and Innocent shall still believe.
Know then, unnumbered Spirits round thee fly,
The light Militia of the lower Sky;
These, tho' unseen, are ever on the Wing,
Hang o'er the Box, and hover round the Ring.
Think what an Equipage thou hast in Air,
And view with scorn Two Pages and a Chair.

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Ralph Waldo Emerson

May-Day

Daughter of Heaven and Earth, coy Spring,
With sudden passion languishing,
Maketh all things softly smile,
Painteth pictures mile on mile,
Holds a cup with cowslip-wreaths,
Whence a smokeless incense breathes.
Girls are peeling the sweet willow,
Poplar white, and Gilead-tree,
And troops of boys
Shouting with whoop and hilloa,
And hip, hip three times three.
The air is full of whistlings bland;
What was that I heard
Out of the hazy land?
Harp of the wind, or song of bird,
Or clapping of shepherd's hands,
Or vagrant booming of the air,
Voice of a meteor lost in day?
Such tidings of the starry sphere
Can this elastic air convey.
Or haply 't was the cannonade
Of the pent and darkened lake,
Cooled by the pendent mountain's shade,
Whose deeps, till beams of noonday break,
Afflicted moan, and latest hold
Even unto May the iceberg cold.
Was it a squirrel's pettish bark,
Or clarionet of jay? or hark,
Where yon wedged line the Nestor leads,
Steering north with raucous cry
Through tracts and provinces of sky,
Every night alighting down
In new landscapes of romance,
Where darkling feed the clamorous clans
By lonely lakes to men unknown.
Come the tumult whence it will,
Voice of sport, or rush of wings,
It is a sound, it is a token
That the marble sleep is broken,
And a change has passed on things.

Beneath the calm, within the light,
A hid unruly appetite
Of swifter life, a surer hope,
Strains every sense to larger scope,
Impatient to anticipate
The halting steps of aged Fate.
Slow grows the palm, too slow the pearl:
When Nature falters, fain would zeal
Grasp the felloes of her wheel,

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William Shakespeare

Venus and Adonis

Even as the sun with purple-colour'd face
Had ta'en his last leave of the weeping morn,
Rose-cheek'd Adonis tried him to the chase;
Hunting he lov'd, but love he laugh'd to scorn;
Sick-thoughted Venus makes amain unto him,
And like a bold-fac'd suitor 'gins to woo him.
'Thrice fairer than myself,' thus she began,
'The field's chief flower, sweet above compare,
Stain to all nymphs, more lovely than a man,
More white and red than doves or roses are;
Nature that made thee, with herself at strife,
Saith that the world hath ending with thy life.
'Vouchsafe, thou wonder, to alight thy steed,
And rein his proud head to the saddle-bow;
If thou wilt deign this favour, for thy meed
A thousand honey secrets shalt thou know:
Here come and sit, where never serpent hisses;
And being set, I'll smother thee with kisses:
'And yet not cloy thy lips with loath'd satiety,
But rather famish them amid their plenty,
Making them red and pale with fresh variety;
Ten kisses short as one, one long as twenty:
A summer's day will seem an hour but short,
Being wasted in such time-beguiling sport.'
With this she seizeth on his sweating palm,
The precedent of pith and livelihood,
And, trembling in her passion, calls it balm,
Earth's sovereign salve to do a goddess good:
Being so enrag'd, desire doth lend her force
Courageously to pluck him from his horse.
Over one arm the lusty courser's rein
Under her other was the tender boy,
Who blush'd and pouted in a dull disdain,
With leaden appetite, unapt to toy;
She red and hot as coals of glowing fire
He red for shame, but frosty in desire.
The studded bridle on a ragged bough
Nimbly she fastens;--O! how quick is love:--
The steed is stalled up, and even now
To tie the rider she begins to prove:
Backward she push'd him, as she would be thrust,
And govern'd him in strength, though not in lust.
So soon was she along, as he was down,
Each leaning on their elbows and their hips:
Now doth she stroke his cheek, now doth he frown,
And 'gins to chide, but soon she stops his lips;
And kissing speaks, with lustful language broken,
'If thou wilt chide, thy lips shall never open.'
He burns with bashful shame; she with her tears
Doth quench the maiden burning of his cheeks;

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Nazim Hikmet

Poems For Piraye (9 To 10 O’Clock Poems)

Remembering you is good
in prison
amid the news
of victory and death
as my fortieth year passes...

Remembering you is good
your hand
forgotten upon a blue dress
your hair
with the grave softness
of the earth of my beloved Istanbul.
This joy of loving you
is like a second person inside me...
The smell of geranium leaves
on your fingertips
warm and comforting
The invitation of your flesh
a hot
intense darkness
scored by vivid red lines...

Remembering you is good
or writing about you
as I lie on my back
in prison
thinking of such and such a day
at such and such a place
of some words you said
not of the words so much
but of the world and you within them...

Remembering you is good
I must carve some things for you again
a jewel box
a ring
I must weave a length of thin silk
then jump up
and clutching the window bars
shout what I have written for you
to the innocent blue
of freedom.

Remembering you is good
in prison
amid the news
of victory and death
as my fortieth year passes...
1942

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The Tower Beyond Tragedy

I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.

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