His huff arrived and he departed in it.
quote by Alexander Woollcott
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Evangeline: A Tale of Acadie
This is the forest primeval. The murmuring pines and the hemlocks,
Bearded with moss, and in garments green, indistinct in the twilight,
Stand like Druids of eld, with voices sad and prophetic,
Stand like harpers hoar, with beards that rest on their bosoms.
Loud from its rocky caverns, the deep-voiced neighboring ocean
Speaks, and in accents disconsolate answers the wail of the forest.
This is the forest primeval; but where are the hearts that beneath it
Leaped like the roe, when he hears in the woodland the voice of the huntsman
Where is the thatch-roofed village, the home of Acadian farmers,--
Men whose lives glided on like rivers that water the woodlands,
Darkened by shadows of earth, but reflecting an image of heaven?
Waste are those pleasant farms, and the farmers forever departed!
Scattered like dust and leaves, when the mighty blasts of October
Seize them, and whirl them aloft, and sprinkle them far o'er the ocean
Naught but tradition remains of the beautiful village of Grand-Pre.
Ye who believe in affection that hopes, and endures, and is patient,
Ye who believe in the beauty and strength of woman's devotion,
List to the mournful tradition still sung by the pines of the forest;
List to a Tale of Love in Acadie, home of the happy.
PART THE FIRST
I
In the Acadian land, on the shores of the Basin of Minas,
Distant, secluded, still, the little village of Grand-Pre
Lay in the fruitful valley. Vast meadows stretched to the eastward,
Giving the village its name, and pasture to flocks without number.
Dikes, that the hands of the farmers had raised with labor incessant,
Shut out the turbulent tides; but at stated seasons the flood-gates
Opened, and welcomed the sea to wander at will o'er the meadows.
West and south there were fields of flax, and orchards and cornfields
Spreading afar and unfenced o'er the plain; and away to the northward
Blomidon rose, and the forests old, and aloft on the mountains
Sea-fogs pitched their tents, and mists from the mighty Atlantic
Looked on the happy valley, but ne'er from their station descended
There, in the midst of its farms, reposed the Acadian village.
Strongly built were the houses, with frames of oak and of hemlock,
Such as the peasants of Normandy built in the reign of the Henries.
Thatched were the roofs, with dormer-windows; and gables projecting
Over the basement below protected and shaded the doorway.
There in the tranquil evenings of summer, when brightly the sunset
Lighted the village street and gilded the vanes on the chimneys,
Matrons and maidens sat in snow-white caps and in kirtles
Scarlet and blue and green, with distaffs spinning the golden
Flax for the gossiping looms, whose noisy shuttles within doors
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poem by Henry Wadsworth Longfellow
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What Becomes Of The Broken Hearted
As I walk this land of broken dreams
I have visions of many things
But happiness is just an illusion
Filled with sadness and confusion
What becomes of the brokenhearted
Who had love thats now departed
I know Ive got to find
Some kind of peace of mind
Maybe
The roots of love grow all around
But for me they come a tumbling down
Every day heartaches grow a little stronger
I cant stand this pain much longer
I walk in shadows searching for light
Cold and alone no comfort in sight
Hoping and praying for someone who cares
Always moving and going nowhere
What becomes of the brokenhearted
Who had love thats now departed
I know Ive got to find
Some kind of peace of mind
Help me, please
Im searching though I dont succeed
For someones love theres a growing need
All is lost theres no place for beginning
All thats left is an unhappy ending
Now what becomes of the brokenhearted
Who had love thats now departed
I know Ive got to find
Some kind of peace of mind
Ill be searching everywhere
Just to find someone to care
Ill be looking every day
I know Im gonna find a way
Nothings going to stop me now
Ill find a way somehow
What becomes of the broken hearted
Who had love thats now departed
I know Ive got to find
Some kind of peace of mind, maybe
Oh yeah
What becomes of the broken hearted
Who had love thats now departed
What becomes of the broken hearted
Who had love thats now departed
What becomes of the broken hearted
song performed by Westlife
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Infinitely, Before You Arrived
You can not borrow from my time,
Infinitely.
Infinitely.
Infinitely...You can not borrow from my time,
Infinitely.
Infinitely.
Infinitely...To take,
And try to make your mission my condition.
To leave me in suspicion wishing,
For your absence I was missing...
Before you arrived.
You can not borrow my time to take...
And try to make your mission,
My condition.
Before you arrived.
You can not borrow from my time,
Infinitely.
Infinitely.
Infinitely...To take,
And try to make your mission my condition.
To leave me in suspicion wishing,
For your absence I was missing...
Before you arrived.
To lie and scheme by my side.
Infinitely.
Before you arrived.
Infinitely.
To lie and scheme by my side.
Infinitely.
Before you arrived.
Infinitely.
To lie and scheme by my side.
Infinitely.
Before you arrived.
Infinitely.
To lie and scheme by my side.
Infinitely.
Infinitely.
Infini tely...
To lie and scheme by my side.
Infinitely.
Infinitely.
Infinitely.
poem by Lawrence S. Pertillar
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Orlando Furioso Canto 17
ARGUMENT
Charles goes, with his, against King Rodomont.
Gryphon in Norandino's tournament
Does mighty deeds; Martano turns his front,
Showing how recreant is his natural bent;
And next, on Gryphon to bring down affront,
Stole from the knight the arms in which he went;
Hence by the kindly monarch much esteemed,
And Gryphon scorned, whom he Martano deemed.
I
God, outraged by our rank iniquity,
Whenever crimes have past remission's bound,
That mercy may with justice mingled be,
Has monstrous and destructive tyrants crowned;
And gifted them with force and subtlety,
A sinful world to punish and confound.
Marius and Sylla to this end were nursed,
Rome with two Neros and a Caius cursed;
II
Domitian and the latter Antonine;
And, lifted from the lowest rabble's lees,
To imperial place and puissance, Maximine:
Hence Thebes to cruel Creon bent her knees,
Mezentius ruled the subject Agiline,
Fattening his fields with blood. To pests like these
Our Italy was given in later day,
To Lombard, Goth, and Hun a bleeding prey.
III
What shall I of fierce Attila, what say
Of wicked Ezzeline, and hundreds more?
Whom, because men still trod the crooked way,
God sent them for their pain and torment sore.
Of this ourselves have made a clear assay,
As well as those who lived in days of yore;
Consigned to ravening wolves, ordained to keep
Us, his ill-nurturing and unuseful sheep;
IV
Who, as if having more than served to fill
Their hungry maw, invite from foreign wood
Beyond the mountain, wolves of greedier will,
With them to be partakers of their food.
The bones which Thrasymene and Trebbia fill,
And Cannae, seem but few to what are strewed
On fattened field and bank, where on their way
Adda and Mella, Ronco and Tarro stray.
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poem by Ludovico Ariosto
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Berrathah
ARGUMENT.
Fingal, in his voyage to Lochlin, whither he had been invited by Starno, the father of Agandecca, touched at Berrathon an island of Scandinavia, where he was kindly entertained by Larthmor, the petty king of the place, who was a vassal of the supreme kings of Lochlin. The hospitality of Larthmor gained him Fingal's friendship, which that hero manifested, after the imprisonment of Larthmor by his own son, by sending Ossian and Toscar, the father of Malvina, so often mentioned, to rescue Larthmor, and to punish the unnatural behavior of Uthal. Uthal was handsome, and, by the ladies, much admired. Nina-thoma, the beautiful daughter of Tor-thoma, a neighboring prince, fell in love and fled with him. He proved inconstant; for another lady, whose name is not mentioned, gaining his affections, he confined Nina-thoma to a desert island, near the coast of Berrathon. She was relieved by Ossian, who, in company with Toscar, landing on Berrathon, defeated the forces of Uthal, and killed him in single combat. Nina-thoma, whose love not all the bad behavior of Uthal could erase, hearing of his death, died of grief. In the mean time Larthmor is restored, and Ossian and Toscar return in triumph to Fingal.
The poem opens with an elegy on the death of Malvina, the daughter of Toscar, and closes with the presages of Ossian's death.
BEND thy blue course, O stream! round the narrow plain of Lutha. Let the green woods hang over it, from their hills; the sun look on it at noon. The thistle is there on its rock, and shakes its beard to the wind. The flower hangs its heavy head, waving, at times, to the gale. "Why dost thou awake me, O gale?" it seems to say: "I am covered with the drops of heaven. The time of my fading is near, the blast that shall scatter my leaves. To-morrow shall the traveller come; he that saw me in my beauty shall come. His eyes will search the field, but they will not find me." So shall they search in vain for the voice of Cona, after it has failed in the field. The hunter shall come forth in the morning, and thee vote a of my harp shall not be heard. "Where is the son of car-borne Fingal?" The tear will be on his cheek! Then come thou, O Malvina! with all thy music, come! Lay Ossian in the plain of Lutha: let his tomb rise in the lovely field.
Malvina! where art thou, with thy songs; with the soft sound of thy steps? Son of Alpin, art thou near? where is the daughter of Toscar? "I passed, O son of Fingal, by Torlutha's mossy walls. The smoke of the hall was ceased. Silence was among the trees of the hill. The voice of the chase was over. I saw the daughters of the bow. I asked about Malvina, but they answered not. They turned their faces away: thin darkness covered their beauty. They were like stars, on a rainy hill, by night, each looking faintly through the mist!"
Pleasant be thy rest, O lovely beam! soon hast thou set on our hills! The steps of thy departure were stately, like the moon, on the blue-trembling wave. But thou hast left us in darkness, first of the maids of Lutha! We sit, at the rock, and there is no voice; no light but the meteor of fire! Soon hast thou set, O Malvina, daughter of generous Toscar! But thou risest, like the beam of the east, among the spirits of thy friends, where they sit, in their stormy halls, the chambers of the thunder! A cloud hovers over Cona. Its blue curling sides are high. The winds are beneath it, with their wings. Within it is the dwelling of Fingal. There the hero sits in darkness. His airy spear is in his hand. His shield, half covered with clouds, is like the darkened moon; when one half still remains in the wave, and the other looks sickly on the field!
His friends sit round the king, on mist! They hear the songs of Ullin; he strikes the half-viewless harp. He raises the feeble voice. The lesser heroes, with a thousand meteors, light the airy hall. Malvina rises in the midst: a blush is on her cheek. She beholds the unknown faces of her fathers. She turns aside her humid eyes. "An thou come so soon," said Fingal, "daughter of generous Toscar! Sadness dwells in the halls of Lutha. My aged son is sad! I hear the breeze of Cona, that was wont to lift thy heavy locks. It comes to the hall, but thou art not there. Its voice is mournful among the arms of thy fathers! Go, with thy rustling wing, O breeze! sigh on Malvina's tomb. It rises yonder beneath the rock, at the blue stream of Lutha. The maids are departed to their place. Thou alone, O breeze, mournest there!"
But who comes from the dusky west, supported on a cloud? A smile is on his gray, watery face. His locks of mist fly on wind. He bends forward on his airy spear. It is thy father, Malvina! "Why shinest thou, so soon, on our clouds," he says, "O lovely light of Lutha? But thou wert sad, my daughter. Thy friends had passed away. The sons of little men were in the hail. None remained of the heroes, but Ossian, king of spears!"
And dost thou remember Ossian, car-borne Toscar, son of Conloch? The battles of our youth were many. Our swords went together to the field. They saw us coming like two falling rocks. The sons of the stranger fled. "There come the warriors of Cona!" they said. "Their steps are in the paths of the flying!" Draw near, son of Alpin, to the song of the aged. The deeds of other times are in my soul. My memory beams on the days that are past: on the days of mighty Toscar, when our path was in the deep. Draw near, son of Alpin, to the last sound of the voice of Cona!
The king of Morven commanded. I raised my sails to the wind. Toscar, chief of Lutha, stood at my side: I rose on the dark-blue wave. Our course was to sea-surrounded Berrathon, the isle of many storms. There dwelt, with his locks of age, the stately strength of Larthmor. Larthmor, who spread the feast of shells to Fingal, when he went to Starno's halls, in the days of Agandecca. But when the chief was old, the pride of his son arose; the pride of fair-haired Uthal, the love of a thousand maids. He bound the aged Larthmor, and dwelt in his sounding halls!
Long pined the king in his cave, beside his rolling sea. Day did not come to his dwelling: nor the burning oak by night. But the wind of ocean was there, and the parting beam of the moon. The red star looked on the king, when it trembled on the western wave. Snitho came to Selma's hall; Snitho, the friend of Larthmor's youth. He told of the king of Berrathon: the wrath of Fingal arose. Thrice he assumed the spear, resolved to stretch his hand to Uthal. But the memory of his deeds rose before the king. He sent his son and Toscar. Our joy was great on the rolling sea. We often half unsheathed our swords. For never before had we fought alone, in battles of the spear.
Night came down on the ocean. The winds departed on their wings. Cold and pale is the moon. The red stars lift their heads on high. Our course is slow along the coast of Berrathon. The white waves tumble on the rocks. "What voice is that," said Toscar, "which comes between the sounds of the waves? It is soft hut mournful, like the voice of departed bards. But I behold a maid. She sits on the rock alone. Her head bends on her arms of snow. Her dark hair is in the wind. Hear, son of Fingal, her song; it is smooth as the gliding stream. We came to the silent bay, and heard the maid of night.
"How long will ye roll round me, blue-tumbling waters of ocean? My dwelling was not always in caves, nor beneath the whistling tree. The feast was spread in Tor-thoma's hall. My father delighted in my voice. The youths beheld me in the steps of my loveliness. They blessed the dark-haired Nina-thoma. It was then thou didst come, O Uthal! like the sun €4 heaven! The souls of the virgins are thine, son of generous Larthmor! But why dost thou leave me alone, in the midst of roaring waters? Was my soul dark with thy death? Did my while hand lift the sword? Why then hast thou left me alone, king of high Fin-thormo?"
The tear started from my eye, when I heard the voice of the maid. I stood before her in my arms. I spoke the words of peace! "Lovely dweller of the cave! what sigh is in thy breast? Shall Ossian lift his sword in thy presence, the destruction of thy foes? Daughter of Tor-thoma, rise! I have heard the words of thy grief. The race of Morven are around thee, who never injured the weak. Come to our dark bosomed ship, thou brighter than the setting moon! Our course is to the rocky Berrathon, to the echoing walls of Fin-thormo." She came in her beauty; she came with all her lovely steps. Silent joy brightened in her face; as when the shadows fly from the field of spring; the blue stream is rolling in brightness, and the green bush bends over its course!
The morning rose with its beams. We came to Rothma's bay. A boar rushed from the wood: my spear pierced his side, and he fell. I rejoiced over the blood. I foresaw my growing fame. But now the sound of Uthal's train came, from the high Fin-thormo. They spread over the heath to the chase of the boar. Himself comes slowly on, in the pride of his strength. He lifts two pointed spears. On his side is the hero's sword. Three youths carry his polished bows. The bounding of five dogs is before him. His heroes move on, at a distance, admiring the steps of the king. Stately was the son of Larthmor! but his soul was dark! Dark as the troubled face of the moon, when it foretells the storms.
We rose on the heath before the king. He stopped in the midst of his course. His heroes gathered around. A. gray-haired bard advanced. "Whence are the sons of the strangers?" began the bard of song. "The children of the unhappy come to Berrathon: to the sword of car-borne Uthal. He spreads no feast in his hall. The blood of strangers is on his streams. If from Selma's walls ye come, from the mossy walls of Fingal, choose three youths to go to your king to tell of the fall of his people. Perhaps the hero may come and pour his blood on Uthal's sword. So shall the fame of Fin-thormo arise; like the growing tree of the vale!"
"Never, will it rise, O bard!" I said, in the pride of my wrath. "He would shrink from the presence of Fingal, whose eyes are the flames of death. The son of Comhal comes, and kings vanish before him. They are rolled together, like mist, by the breath of his rage. Shall three tell to Fingal, that his people fell? Yes! they may tell it, bard! but his people shall fall with fame!"
I stood in the darkness of my strength. Toscar drew his sword at my side. The foe came on like a stream. The mingled sound of death arose. Man took man; shield met shield; steel mixed its beams with steel. Darts hiss through air. Spears ring on mails. Swords on broken bucklers bound. All the noise of an aged grove beneath the roaring wind, when a thousand ghosts break the trees by night, such was the din of arms! But Uthal fell beneath my sword. The sons of Berrathon fled. It was then I saw him in his beauty, and the tear hung in my eye! "Thou art fallen, young tree, I said, with all thy beauty round thee. Thou art fallen on thy plains, and the field is bare. The winds come from the desert! there is no sound in thy leaves! Lovely art thou in death, son of car-borne Larthmor"
Nina-thoma sat on the shore. She heard the sound of battle. She turned her red eyes on Lethmal, the gray-haired bard of Selma. He alone had remained on the coast with the daughter of Tor-thoma. "Son of the times of old!" she said, "I hear the noise of death. Thy friends have met with Uthal, and the chief is low! O that I had remained on the rock, enclosed with the tumbling waves? Then would my soul be sad, but his death would not reach my ear. Art thou fallen on the heath, O son of high Fin-thormo? Thou didst leave me on a rock, but my soul was full of thee. Son of high Fin-thormo! art thou fallen on thy heath?"
She rose pale in her tears. She saw the bloody shield of Uthal. She saw it in Ossian's hand. Her steps were distracted on the heath. She flew. She found him. She fell. Her soul came forth in a sigh. Her hair is spread on her face. My bursting tears descend. A tomb arose on the unhappy. My song of wo was heard. "Rest, hapless children of youth! Rest at the noise of that mossy stream! The virgins will see your tomb, at the chase, and turn away their weeping eyes. Your fame will be in song. The voice of the harp will be heard in your praise. The daughters of Selma shall hear it: your renown shall be in other lands. Rest, children of youth, at the noise of the mossy stream!"
Two days we remained on the coast. The heroes of Berrathon convened. We brought Larthmor to his halls. The feast of shells is spread. The joy of the aged was great. He looked to the arms of his fathers; the arms which he left in his hall, when the pride of Uthal rose. We were renowned before Larthmor. He blessed the chiefs of Morven. He knew not that his son was low, the stately strength of Uthal! They had told, that he had retired to the woods, with the tears of grief. They had told it, but he was silent in the tomb of Rothma's heath.
On the fourth day we raised our sails, to the roar of the northern wind. Larthmor came to the coast. His bards exalted the song. The joy of the king was great; he looked to Rothma's gloomy heath. He saw the tomb of his son. The memory of Uthal rose. "Who of my heroes," he said, "lies there? he seems to have been of the kings of men. Was he renowned in my halls before the pride of Uthal rose? Ye are silent, sons of Berrathon! is the king of heroes low? My heart melts for thee, O Uthal! though thy hand was against thy father. O that I had remained in the cave! that my son had dwelt in Fin-thormo! I might have heard the tread of his feet, when he went to the chase of the boar. I might have heard his voice on the blast of my cave. Then would my soul be glad; but now darkness dwells in my halls."
Such were my deeds, son of Alpin, when the arm of my youth was strong. Such the actions of Toscar, the car-borne son of Conloch. But Toscar is on his flying cloud. I am alone at Lutha. My voice is like the last sound of the wind, when it forsakes the woods. But Ossian shall not be long alone. He sees the mist that shall receive his ghost. He beholds the mist that shall form his robe, when he appears on his hills. The Sons of feeble men shall behold me, and admire the stature of the chiefs of old. They shall creep to their caves. They shall look to the sky with fear: for my steps shall be in the clouds. Darkness shall roll on my side.
Lead, son of Alpin, lead the aged to his woods. The winds begin to rise. The dark wave of the lake resounds. Bends there not a tree from Mora with its branches bare? It bends, son of Alpin, in the rustling blast. My harp hangs on a blasted branch. The sound of its strings is mournful. Does the wind touch thee, O harp, or is it some passing ghost? It is the hand of Malvina! Bring me the harp, son of Alpin. Another song shall rise. My soul shall depart in the sound. My fathers shall hear it in their airy hail. Their dim faces shall hang, with joy, from their clouds; and their hands receive their son. The aged oak bends over the stream. It sighs with all its moss. The withered fern whistles near, and mixes, as it waves, with Ossian's hair.
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poem by James Macpherson
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After The Funeral
The Past departed with the last forced mourners, whose facial expressions, with their tremolo of tics, - tell-tale suppressions, - told of fear. Tension in tightened corners of mouth and eyes. terror, surprise, trembling, cries, each would disguise anguish masked, questions unanswered here, unwelcome intimations of mortality.
The Past departed, partly of its own accord, parts, shut out, ignored, roles played out as few could yet afford to flout morality. Time’s uncertainties by Time itself underscored. Departure leaving absence of feeling, - absence of feeling hermetically sealing from mind and face all trace of childhood innocence.
In place of innocence and grace, - Loss, emptiness! Emptiness here an imperfect vacuum open unto wilderness of self-delusion of strength, which, all the more fragile for its brave face, is self-defeating. A vacuum is strong, can do no wrong, being internally self sufficient.
The Past departed; at first sight seeming to ease out emotion. threat squeezing, freezing, unappeasingly diseasing. The surface calm afforded no balm, no outlet for the lotion that soothes the spirit, dowsing suffering and pain, incorporating the magic potion which to love and light restores the soul through tears. Tears, in childhood and advancing years, cleanse fears.
Superficial calm masks the rampant tiger of repression whose fire eyes prowl through the layers of sensation to plough the deep recesses of the mind, exploding the barriers which we, in our blindness, instinctively erect. Too soon we lose the key to unlock them, thus we restrain Love’s passage to the world.
Yet, although fears increase, prevent release, distort the soul, fragment the whole, there too are feeling forces, secret sources which well up and chart twin courses down the cheeks from which the heart’s resources spring, may bring relief, sing peace.
The Past departed with the last forced mourners, Their dark impressions cold and drear, conscience unclear. Unwelcome intimations of mortality pervasively intruded, could not disappear. Release was a luxury few could afford. Terror, surprise, tension in tightened corners of mouth and eyes. The dreaded shadow loomed as surface distress, masking primal self-pity, angrily welled up, and, for the living, shed a tear.
Part of its own accord, part shut out, ignored, the Past departed with the last forced mourners. Their drawn expressions, torn by tics, told of fear. Unwelcome intimations of mortality suddenly intruded, and would not disappear. Release was a luxury few could afford. Terror, surprise, tension in tightened corners of mouth and eyes. The dreaded shadow loomed near, as surface distress, masking primal self-pity, angrily welled up, and, for the living, shed a tear.
poem by Jonathan Robin
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Orlando Furioso Canto 12
ARGUMENT
Orlando, full of rage, pursues a knight
Who bears by force his lady-love away,
And comes where old Atlantes, by his sleight
Had raised a dome, Rogero there to stay.
Here too Rogero comes; where getting sight
Of his lost love, the County strives in fray
With fierce Ferrau, and, after slaughter fell
Amid the paynim host, finds Isabel.
I
Ceres, when from the Idaean dame in haste
Returning to the lonely valley, where
Enceladus the Aetnaean mountain placed
On his bolt-smitten flanks, is doomed to bear,
Her girl she found not, on that pathless waste,
By her late quitted, having rent her hair,
And marked cheeks, eyes, and breast, with livid signs,
At the end of her lament tore up two pines,
II
And lit at Vulcan's fire the double brand,
And gave them virtue never to be spent;
And, afterwards, with one in either hand,
Drawn by two dragons, in her chariot went,
Searching the forest, hill, and level land,
Field, valley, running stream, or water pent,
The land and sea; and having searched the shell
Of earth above, descended into hell.
III
Had Roland of Eleusis' deity
The sovereign power possessed no less than will,
He for Angelica had land and sea
Ransacked, and wood and field, and pool and rill,
Heaven, and Oblivion's bottom: but since he
Had not, his pressing purpose to fulfil,
Her dragon and her car, the unwearied knight
Pursued the missing maid as best he might.
IV
Through France he sought her, and will seek her through
The realms of Italy and of Almayn,
And thence through the Castiles, both old and new,
So passing into Libya out of Spain.
While bold Orlando has this plan in view,
He hears, or thinks he hears, a voice complain:
He forward spurs, and sees on mighty steed
A warrior trot before him on the mead;
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poem by Ludovico Ariosto
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The Moment You Arrived
The moment you arrived,
I knew you too.
Your eyes penetrated through,
My inhabitions hidden.
And free I felt to be myself.
With a flow between us,
Growing unrestricted...
To dissolve blocking walls,
Easily.
The moment you arrived...
To recognize you and I,
Could provide...
Communicated conversation,
No longer waiting with a patience to connect.
We knew what to expect would be accepted,
Next.
And we knew,
Anticipated steps directed...
Without the benefit of a single guess,
Would never again be neglected.
The moment you arrived,
I knew you too.
Your eyes penetrated through,
My inhabitions hidden.
And free I felt to be myself.
With a flow between us,
Growing unrestricted...
To dissolve blocking walls,
Easily.
The moment you arrived,
I...
Cried with joy,
Inside.
I...
Cried with joy,
I attempted to hide...
The moment you arrived.
poem by Lawrence S. Pertillar
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I Was There
In this world when you first arrived
I was there at your mothers side,
Holding her hand, I was filled with pride,
I was there when you first arrived.
It was I alone who rubbed your hair
It was I who counted your fingers and toes,
And I was I who proudly held you first
And it was I alone who rubbed your nose.
When you first arrived in this world
It was I, who was thinking is it a boy or a girl
But then to myself, I really didn't care,
As long as you arrived, to answer my prayer.
I was there with you every step of the way
I watched your birth, and your coming of age
And what I say now, I say with both a vigor and pride,
That I was there, when you first arrived.
Randy L. McClave
poem by Randy McClave
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The Restoration Of The Works Of Art In Italy
LAND of departed fame! whose classic plains
Have proudly echo'd to immortal strains;
Whose hallow'd soil hath given the great and brave
Daystars of life, a birth-place and a grave;
Home of the Arts! where glory's faded smile
Sheds lingering light o'er many a mouldering pile;
Proud wreck of vanish'd power, of splendour fled,
Majestic temple of the mighty dead!
Whose grandeur, yet contending with decay,
Gleams through the twilight of thy glorious day;
Though dimm'd thy brightness, riveted thy chain,
Yet, fallen Italy! rejoice again!
Lost, lovely realm! once more 'tis thine to gaze
On the rich relics of sublimer days.
Awake, ye Muses of Etrurian shades,
Or sacred Tivoli's romantic glades;
Wake, ye that slumber in the bowery gloom
Where the wild ivy shadows Virgil's tomb;
Or ye, whose voice, by Sorga's lonely wave,
Swell'd the deep echoes of the fountain's cave,
Or thrill'd the soul in Tasso's numbers high,
Those magic strains of love and chivalry:
If yet by classic streams ye fondly rove,
Haunting the myrtle vale, the laurel grove;
Oh ! rouse once more the daring soul of song,
Seize with bold hand the harp, forgot so long,
And hail, with wonted pride, those works revered
Hallow'd by time, by absence more endear'd.
And breathe to Those the strain, whose warrior-might
Each danger stemm'd, prevail'd in every fight;
Souls of unyielding power, to storms inured,
Sublimed by peril, and by toil matured.
Sing of that Leader, whose ascendant mind
Could rouse the slumbering spirit of mankind:
Whose banners track'd the vanquish'd Eagle's flight
O'er many a plain, and dark sierra's height;
Who bade once more the wild, heroic lay
Record the deeds of Roncesvalles' day;
Who, through each mountain-pass of rock and snow,
An Alpine huntsman chased the fear-struck foe;
Waved his proud standard to the balmy gales,
Rich Languedoc ! that fan thy glowing vales,
And 'midst those scenes renew'd the achievements high,
Bequeath'd to fame by England's ancestry.
Yet, when the storm seem'd hush'd, the conflict past,
One strife remain'd–the mightiest and the last!
Nerved for the struggle, in that fateful hour
[...] Read more
poem by Felicia Dorothea Hemans
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Souls Of The Departed
On the road to basra stood young lieutenant jimmy bly
Detailed to go through the clothes of the soldiers who died
At night in dreams he sees their souls rise
Like dark geese into the oklahoma skies
Well this is a prayer for the souls of the departed
Those whove gone and left their babies brokenhearted
This is a prayer for the souls of the departed
Now raphael rodriguez was just seven years old
Shot down in a schoolyard by some east compton cholos
His mamma cried my beautiful boy is dead
In the hills the self-made men just sighed and shook their heads
This is a prayer for the souls of the departed
Those whove gone and left their babies brokenhearted
Young lives over before they got started
This is a prayer for the souls of the departed
Tonight as I tuck my own son in bed
All I can think of is what if it wouldve been him instead
I want to build me a wall so high nothing can burn it down
Right here on my own piece of dirty ground
Now I ply my trade in the land of king dollar
Where you get paid and your silence passes as honor
And all the hatred and dirty little lies
Been written off the books and into decent mens eyes
song performed by Bruce Springsteen
Added by Lucian Velea
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After the Funeral II - 0208
The Past departed with the last forced mourners, whose facial expressions, with their tremolo of tics, tell-tale suppressions, told of fear. Tension in tightened corners of mouth and eyes. terror, surprise, trembling, cries, each would disguise anguish masked, questions unanswered here, unwelcome intimations of mortality.
The Past departed, partly of its own accord, parts, shut out, ignored, roles played out as few could yet afford to flout morality. Time's uncertainties by Time itself underscored. Departure leaving absence of feeling, absence of feeling hermetically sealing from mind and face all trace of childhood innocence.
In place of innocence and grace, Loss, emptiness! Emptiness here an imperfect vacuum open unto wilderness of self-delusion of strength, which, all the more fragile for its brave face, is self-defeating. A vacuum is strong, can do no wrong, being internally self sufficient.
The Past departed; at first sight seeming to ease out emotion. threat squeezing, freezing, unappeasingly diseasing. The surface calm afforded no balm, no outlet for the lotion that soothes the spirit, dowsing suffering and pain, incorporating the magic potion which to love and light restores the soul through tears. Tears, in childhood and advancing years, cleanse fears.
Superficial calm masks the rampant tiger of repression whose fire eyes prowl through the layers of sensation to plough the deep recesses of the mind, exploding the barriers which we, in our blindness, instinctively erect. Too soon we lose the key to unlock them, thus we restrain Love's passage to the world.
Yet, although fears increase, prevent release, distort the soul, fragment the whole, there too are feeling forces, secret sources which well up and chart twin courses down the cheeks from which the heart's resources spring, may bring relief, sing peace.
The Past departed with the last forced mourners, Their dark impressions cold and drear, conscience unclear. Unwelcome intimations of mortality pervasively intruded, could not disappear. Release was a luxury few could afford. Terror, surprise, tension in tightened corners of mouth and eyes. The dreaded shadow loomed as surface distress, masking primal self-pity, angrily welled up, and, for the living, shed a tear.
(10 January 2010)
poem by Jonathan Robin
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The Ghosts
Never stoops the soaring vulture
On his quarry in the desert,
On the sick or wounded bison,
But another vulture, watching
From his high aerial look-out,
Sees the downward plunge, and follows;
And a third pursues the second,
Coming from the invisible ether,
First a speck, and then a vulture,
Till the air is dark with pinions.
So disasters come not singly;
But as if they watched and waited,
Scanning one another's motions,
When the first descends, the others
Follow, follow, gathering flock-wise
Round their victim, sick and wounded,
First a shadow, then a sorrow,
Till the air is dark with anguish.
Now, o'er all the dreary North-land,
Mighty Peboan, the Winter,
Breathing on the lakes and rivers,
Into stone had changed their waters.
From his hair he shook the snow-flakes,
Till the plains were strewn with whiteness,
One uninterrupted level,
As if, stooping, the Creator
With his hand had smoothed them over.
Through the forest, wide and wailing,
Roamed the hunter on his snow-shoes;
In the village worked the women,
Pounded maize, or dressed the deer-skin;
And the young men played together
On the ice the noisy ball-play,
On the plain the dance of snow-shoes.
One dark evening, after sundown,
In her wigwam Laughing Water
Sat with old Nokomis, waiting
For the steps of Hiawatha
Homeward from the hunt returning.
On their faces gleamed the firelight,
Painting them with streaks of crimson,
In the eyes of old Nokomis
Glimmered like the watery moonlight,
In the eyes of Laughing Water
Glistened like the sun in water;
And behind them crouched their shadows
In the corners of the wigwam,
And the smoke In wreaths above them
Climbed and crowded through the smoke-flue.
Then the curtain of the doorway
[...] Read more
poem by Henry Wadsworth Longfellow
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The Song Of Hiawatha XIX: The Ghosts
Never stoops the soaring vulture
On his quarry in the desert,
On the sick or wounded bison,
But another vulture, watching
From his high aerial look-out,
Sees the downward plunge, and follows;
And a third pursues the second,
Coming from the invisible ether,
First a speck, and then a vulture,
Till the air is dark with pinions.
So disasters come not singly;
But as if they watched and waited,
Scanning one another's motions,
When the first descends, the others
Follow, follow, gathering flock-wise
Round their victim, sick and wounded,
First a shadow, then a sorrow,
Till the air is dark with anguish.
Now, o'er all the dreary North-land,
Mighty Peboan, the Winter,
Breathing on the lakes and rivers,
Into stone had changed their waters.
From his hair he shook the snow-flakes,
Till the plains were strewn with whiteness,
One uninterrupted level,
As if, stooping, the Creator
With his hand had smoothed them over.
Through the forest, wide and wailing,
Roamed the hunter on his snow-shoes;
In the village worked the women,
Pounded maize, or dressed the deer-skin;
And the young men played together
On the ice the noisy ball-play,
On the plain the dance of snow-shoes.
One dark evening, after sundown,
In her wigwam Laughing Water
Sat with old Nokomis, waiting
For the steps of Hiawatha
Homeward from the hunt returning.
On their faces gleamed the firelight,
Painting them with streaks of crimson,
In the eyes of old Nokomis
Glimmered like the watery moonlight,
In the eyes of Laughing Water
Glistened like the sun in water;
And behind them crouched their shadows
In the corners of the wigwam,
And the smoke In wreaths above them
Climbed and crowded through the smoke-flue.
Then the curtain of the doorway
[...] Read more
poem by Henry Wadsworth Longfellow
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Conflicted In Mind
You come in a huff expecting confrontation.
And when you notice none appears,
This clearly upsets your wishes.
And when I tell you,
What you expect is not here...
This angers your mission to see it.
You come in a huff expecting confrontation.
And when you notice none appears,
This clearly upsets your wishes.
And when I tell you,
What you expect is not here...
This angers your mission to see it.
And you say I am the one conflicted in mind.
But that attitude you carry around,
Stays with you all the time in view!
poem by Lawrence S. Pertillar
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Is Your Mama Gonna Miss Ya?
I might as well bin blind
Thought I owned this world and all its time
Made up my mind not to love again
Live my life a single man
Lady luck she came my way
Turned my night into day
She went huff and blew my little house down
She went puff ya she spun me around
She played rough ya she took me to town
All I did was fool around
And my whole world came tumblin' down
Is your mama gonna miss ya now you're gone?
Is your mama gonna miss her little rollin' stone?
Is mama gonna cry now she's alone?
Cause mama's little girl ain't goin' home!
Ya-she's goin' with me
I couldn't be found - couldn't be heard
You couldn't trap this free bird
I loved to fly shoulda heard me sing
You came along and flapped your wings
Had my eyes on the road foot on the floor
Tell me "hey who's that knockin' at my door?"
She went huff and blew my little house down
She went puff ya she spun me around
She played rough ya she took me to town
All I did was fool around
And my whole world came crumblin' down
Is your mama gonna miss ya now you're gone?
Is your mama gonna miss her little rollin' stone?
Is mama gonna cry now she's alone?
Cause mama's little girl ain't goin' home!
I said stop and she said go
Looks so good I can't say no
Now we've gone and lost control.
song performed by Bryan Adams from Waking Up The Neighbours
Added by Lucian Velea
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Stranger In My Own House
(a capella: she said: boy, your luck is running out...she make me feel like a stranger...in my own house)
I come stumbling in at a quarter to three
To the sound of my own dog growlin at me
Im scared to move or turn on a light
Youve got me creepin around in the dark
Like a thief in the night
Ive got no excuse, I should have known
Ive got no place to live
I never feel at home
I walk into the kitchen to see whats there
Im tired and Im hungry but the cupboards bare
Ive been working all day and all night too
I cant believe this is all I have to come back to
I guess Ill take a look upstairs, in the danger zone
I wonder what Im doing here
When I never feel at home
Im a stranger in my own house
Ive got the keys to the door
But Im still locked out
Im a stranger in my own house
Ill huff and Ill puff and Ill blow this house down
Cant be a stranger in my own house
I see the do not disturb sign on my bedroom door
What is this sheet and pillow laying on the floor
I wore out my welcome
I hear you loud and clear
Its time to get a few things straight around here
Ive got no excuse, I should have known
Ive got a place to live but I never feel at home
Im just a stranger in my own house
Ive got the keys to the door
But Im still locked out
Stranger in my own house
Ill huff and Ill puff and Ill blow this house down
Cant be a stranger in my own house
Ive got no excuse, I should have known
With a woman like you Im better off alone
Im a stranger in my own house
Ive got the keys to the door
But Im still locked out
Im just a stranger in my own house
Oh, honey Im home
Im just a stranger in my own house
Im just a stranger in my own house
You got a lion on your hands girl, not a mouse!
Im just a stranger in my own house
Im just a stranger in my own house
Well, somebodys got to go...
Stranger
Stranger
song performed by Foreigner
Added by Lucian Velea
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Clowns & Jugglers
Trip to heave and ho, up down, to and fro
You have no word
Trip, trip to a dream dragon
Hide your wings in a ghost tower
Sails cackling at every plate we break
Was cracked by scattered needles
The little minute gong
Coughs and clears his throat
Madam you see before you stand
Hey ho, never be still
The old original favorite grand
Grasshoppers green herbarian band
And the tune they play is in us confide
So trip to heave and ho, up down, to and fro
You have no word
Please leave us here
Close our eyes to the octopus ride!
Isnt it good to be lost in the wood
Isnt it bad so quiet there, in the wood
Meant even less to me than I thought
With a honey plough of yellow prickly seeds
Clover honey pots and mystic shining feed...
The madcap laughed at the man on the border
Hey ho, huff the talbot
The winds they blew and the leaves did wag
Theyll never put me in their bag
The raging seas will always seep
So high you go, so low you creep
The wind it blows in tropical heat
The drones they throng on mossy seats
The squeaking door will always squeak
Two up, two down well never meet
Please leave us here
Close our eyes to the octopus ride!
Sit up, touching hips
To a madcap galloping chase
Cheat he cried shouting kangaroo
Its true in their tree they cried
Please leave us here
Close our eyes to the octopus ride!
The madcap laughed at the man on the border
Hey ho, huff the talbot
song performed by Pink Floyd
Added by Lucian Velea
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Octopus
Trip to heave and ho, up down, to and fro
You have no word
Trip, trip to a dream dragon
Hide your wings in a ghost tower
Sails cackling at every plate we break
Cracked by scattered needles
The little minute gong
Coughs and clears his throat
Madam you see before you stand
Hey ho, never be still
The old original favorite grand
Grasshoppers green herbarian band
And the tune they play is in us confide
So trip to heave and ho, up down, to and fro
You have no word
Please leave us here
Close our eyes to the octopus ride!
Isnt it good to be lost in the wood
Isnt it bad so quiet there, in the wood
Meant even less to me than I thought
With a honey plough of yellow prickly seeds
Clover honey pots and mystic shining feed...
Well, the madcap laughed at the man on the border
Hey ho, huff the talbot
Cheat he cried shouting kangaroo
Its true in their tree they cried
Please leave us here
Close our eyes to the octopus ride!
The madcap laughed at the man on the border
Hey ho, huff the talbot
The winds they blew and the leaves did wag
Theyll never put me in their bag
The seas will reach and always seep
So high you go, so low you creep
The wind it blows in tropical heat
The drones they throng on mossy seats
The squeaking door will always squeak
Two up, two down well never meet
So merrily trip forgo my side
Please leave us here
Close our eyes to the octopus ride!
song performed by Pink Floyd
Added by Lucian Velea
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Nuff Of The Ruff Stuff
Get funky with it
[ verse 1 ]
I told you before: you burn when you play with fire
So take off your hats, matter of fact hail the new sire
Youre hungry as hell, so Im cookin up the chowder
Its laced with ingredients, gon come on like gunpowder
Pom-pom! lick a shot, then I got to order
Im runnin for the border for causin disorder
Pom-pom! lick a shot, got on my defenses
Im runnin for the fences, of course Im relentless
The particular name of this queen is latifah
Ive often been classified as a feminine teacher
Collectively capture the heart of a nation
Love my culture and show appreciation
Youre lookin for the black influ?
I do want too give it to you
What are you mad?
Give me some of what you had!
You can huff-huff, puff-puff and bluff-bluff
But I got nuff of the ruff stuff
(ruff and tuff)
(and all that stuff)
[ verse 2 ]
Now nuff of the ruff stuff, thats what I do, and I do it well
The proof is in the puddin, I show and prove, not show and tell
Talk tales, you get caught up in a crossfire
Buckshot must be what you want and desire
I write concepts, I dont be frontin or be buggin
I solely write the rhymes for the beats that you be lovin
Its a love thang, the queen doin her thang
If I was a liquid, you would drink me like tanq
You think Im kickin things that I myself dont even heed?
I rap not for the love of music, but for greed?
Latifahs booty, yo, she could never succeed
Shiiit...
You watch me do it and boom it, the flavor unit will snap necks
You a-fi listen a likkle, you fi go buy the cassette
Youre starvin, cause you aint had enough
Thats right, nuff of the ruff stuff
(ruff and tuff)
(and all that stuff)
[ verse 3 ]
You talk about flavor...
I got enough flavor to make a grapefruit sweet
Get old ladies jumpin out of their seats
Change a peach to a pear to a plum with a little sun n rays
I got flavor for days
Now Im the type that the fellas call a honey, and
>from me you know you get a worth for your money, and
This is no meaningless attack, I gave you a chance
[...] Read more
song performed by Queen Latifah
Added by Lucian Velea
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