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I don't like drum solos, to be honest with you, but if anybody ever told me he didn't like Buddy Rich I'd right away say go and see him, at least the once.

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William Makepeace Thackeray

The Chronicle Of The Drum

Part I.

At Paris, hard by the Maine barriers,
Whoever will choose to repair,
Midst a dozen of wooden-legged warriors
May haply fall in with old Pierre.
On the sunshiny bench of a tavern
He sits and he prates of old wars,
And moistens his pipe of tobacco
With a drink that is named after Mars.

The beer makes his tongue run the quicker,
And as long as his tap never fails,
Thus over his favorite liquor
Old Peter will tell his old tales.
Says he, 'In my life's ninety summers
Strange changes and chances I've seen,—
So here's to all gentlemen drummers
That ever have thump'd on a skin.

'Brought up in the art military
For four generations we are;
My ancestors drumm'd for King Harry,
The Huguenot lad of Navarre.
And as each man in life has his station
According as Fortune may fix,
While Conde was waving the baton,
My grandsire was trolling the sticks.

'Ah! those were the days for commanders!
What glories my grandfather won,
Ere bigots, and lackeys, and panders
The fortunes of France had undone!
In Germany, Flanders, and Holland,—
What foeman resisted us then?
No; my grandsire was ever victorious,
My grandsire and Monsieur Turenne.

'He died: and our noble battalions
The jade fickle Fortune forsook;
And at Blenheim, in spite of our valiance,
The victory lay with Malbrook.
The news it was brought to King Louis;
Corbleu! how his Majesty swore
When he heard they had taken my grandsire:
And twelve thousand gentlemen more.

'At Namur, Ramillies, and Malplaquet
Were we posted, on plain or in trench:
Malbrook only need to attack it

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Hik-Tee-Dik!

THE WAR-CRY OF BILLY AND BUDDY


When two little boys--renowned but for noise--
Hik-tee-dik! Billy and Buddy!--
May hurt a whole school, and the head it employs,
Hik-tee-dik! Billy and Buddy!
Such loud and hilarious pupils indeed
Need learning--and yet something further they need,
Though fond hearts that love them may sorrow and bleed.
Hik-tee-dik! Billy and Buddy!

O the schoolmarm was cool, and in no wise a fool;
Hik-tee-dik! Billy and Buddy!
And in ruling her ranks it was _her_ rule to _rule_;
Hik-tee-dik! Billy and Buddy!
So when these two pupils conspired, every day,
Some mad piece of mischief, with whoop and hoo-ray,
That hurt yet defied her,--how happy were they!--
Hik-tee-dik! Billy and Buddy!

At the ring of the bell they 'd rush in with a yell--
Hik-tee-dik! Billy and Buddy!
And they'd bang the school-door till the plastering fell,
Hik-tee-dik! Billy and Buddy!
They'd clinch as they came, and pretend not to see
As they knocked her desk over--then, _My!_ and _O-me!_
How awfully sorry they'd both seem to be!
Hik-tee-dik! Billy and Buddy!

This trick seemed so neat and so safe a conceit,--
Hik-tee-dik! Billy and Buddy!--
They played it three times--though the third they were beat;
Hik-tee-dik! Billy and Buddy!
For the teacher, she righted her desk--raised the lid
And folded and packed away each little kid--
Closed the incident so--yes, and locked it, she did--
Hik-tee-dik! Billy and Buddy!

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

[...] Read more

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Beat Of Your Drum

Photograph king, watches you go
Now fashions may change, heaven knows, but you
Still leave a stain on me
Only to go colours may fade
The seasons may change, weather blows, but you still leave a mark on me
Wrong-negative fades-never the twain, reckless and tame
I like the beat of your drum
I like to look in your eyes
I like to look thru your things
Id like to beat on your drum
I like the smell of your flesh
I like the dirt that you dish
I like the clothes that you wear
Id like to beat on your drum
I beat it I beat I beat it
I feel it
Disco brat-follow the pack
Watching you peel, heaven knows, prison cant hold all this greedy intention
Only to go-i picture you now
Music may change-hi-di-ho keen to follow your nose
Wrong-love out of tune
Sweet is the night, bright light destroys me
I like the beat of your drum
I like to look in your eyes
I like to look thru your things
Id like to beat on your drum
I like the smell of your flesh
I like the dirt that you dish
I like the clothes that you wear
Id like to beat on your drum
I beat it I beat cant beat it
I feel it
I like to beat on your drum
I like to beat on your drum
I like your face in the crowd
I like to beat on your drum
I beat it I beat cant beat it
I feel it
Cant beat it
I feel it
Ho beat it
I beat it
Oh yeah
Id like to beat on your drum
Id like to beat on your drum
Id like to yell it out loud
Id like to beat on your drum
Cant beat it cant beat it
I feel it I feel it
Id like to beat on your drum

[...] Read more

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Make Me Rich

Purchase purchase buy buy
Purchase purchase buy buy
Purchase purchase buy buy
Purchase purchase buy buy.

Make me rich
(Purchase purchase buy buy)
Make me rich
(Purchase purchase buy buy)
Make me rich
(Purchase purchase buy buy)
Make me rich
(Purchase purchase buy buy)
Make me rich
(Purchase purchase buy buy)
Make me rich
(Purchase purchase buy buy)
Make me rich
(Purchase purchase buy buy)
Make me rich
(Purchase purchase buy buy)
Make me rich
(Purchase purchase buy buy)

'Horns and tambourines'

Make me rich
(Purchase purchase buy buy)
Make me rich
(Purchase purchase buy buy)
Make me rich
(Purchase purchase buy buy)
Make me rich
(Purchase purchase buy buy)

'Congas'

Make me rich
(Purchase purchase buy buy)
Make me rich
(Purchase purchase buy buy)
Make me rich
(Purchase purchase buy buy)
Make me rich
(Purchase purchase buy buy)

' And to the bridge'

Purchase purchase buy buy
Purchase purchase buy buy

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Jack Honest, or the Widow and Her Son

Jack Honest was only eight years of age when his father died,
And by the death of his father, Mrs Honest was sorely tried;
And Jack was his father's only joy and pride,
And for honesty Jack couldn't be equalled in the country-side.

So a short time before Jack's father died,
'Twas loud and bitterly for Jack he cried,
And bade him sit down by his bedside,
And then told him to be honest whatever did betide.

John, he said, looking him earnestly in the face,
Never let your actions your name disgrace,
Remember, my dear boy, and do what's right,
And God will bless you by day and night.

Then Mr Honest bade his son farewell, and breathed his last,
While the hot tears from Jack's eyes fell thick and fast;
And the poor child did loudly sob and moan,
When he knew his father had left him and his mother alone.

So, as time wore on, Jack grew to be a fine boy,
And was to his mother a help and joy;
And, one evening, she said, Jack, you are my only prop,
I must tell you, dear, I'm thinking about opening a shop.

Oh! that's a capital thought, mother, cried Jack,
And to take care of the shop I won't be slack;
Then his mother said, Jackey, we will try this plan,
And look to God for his blessing, and do all we can.

So the widow opened the shop and succeeded very well,
But in a few months fresh troubles her befell--
Alas! poor Mrs Honest was of fever taken ill,
But Jack attended his mother with a kindly will.

But, for fear of catching the fever, her customers kept away,
And once more there wasn't enough money the rent to pay;
And in her difficulties Mrs Honest could form no plan to get out,
But God would help her, she had no doubt.

So, one afternoon, Mrs Honest sent Jack away
To a person that owed her some money, and told him not to stay,
But when he got there the person had fled,
And to return home without the money he was in dread.

So he saw a gentleman in a carriage driving along at a rapid rate,
And Jack ran forward to his mansion and opened the lodge-gate,
Then the gentleman opened his purse and gave him, as he thought, a shilling
For opening the lodge-gate so cleverly and so willing.

[...] Read more

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Walt Whitman

Salut Au Monde

O TAKE my hand, Walt Whitman!
Such gliding wonders! such sights and sounds!
Such join'd unended links, each hook'd to the next!
Each answering all--each sharing the earth with all.

What widens within you, Walt Whitman?
What waves and soils exuding?
What climes? what persons and lands are here?
Who are the infants? some playing, some slumbering?
Who are the girls? who are the married women?
Who are the groups of old men going slowly with their arms about each
other's necks?
What rivers are these? what forests and fruits are these?
What are the mountains call'd that rise so high in the mists?
What myriads of dwellings are they, fill'd with dwellers?

Within me latitude widens, longitude lengthens;
Asia, Africa, Europe, are to the east--America is provided for in the
west;
Banding the bulge of the earth winds the hot equator,
Curiously north and south turn the axis-ends;
Within me is the longest day--the sun wheels in slanting rings--it
does not set for months;
Stretch'd in due time within me the midnight sun just rises above the
horizon, and sinks again;
Within me zones, seas, cataracts, plants, volcanoes, groups,
Malaysia, Polynesia, and the great West Indian islands.

What do you hear, Walt Whitman?

I hear the workman singing, and the farmer's wife singing;
I hear in the distance the sounds of children, and of animals early
in the day;
I hear quick rifle-cracks from the riflemen of East Tennessee and
Kentucky, hunting on hills;
I hear emulous shouts of Australians, pursuing the wild horse;
I hear the Spanish dance, with castanets, in the chestnut shade, to
the rebeck and guitar;
I hear continual echoes from the Thames;
I hear fierce French liberty songs;
I hear of the Italian boat-sculler the musical recitative of old
poems;
I hear the Virginia plantation-chorus of negroes, of a harvest night,
in the glare of pine-knots;
I hear the strong baritone of the 'long-shore-men of Mannahatta;
I hear the stevedores unlading the cargoes, and singing;
I hear the screams of the water-fowl of solitary north-west lakes;
I hear the rustling pattering of locusts, as they strike the grain
and grass with the showers of their terrible clouds;
I hear the Coptic refrain, toward sundown, pensively falling on the

[...] Read more

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Booth's Drum [1]

They were “ratty” they were hooted by the meanest and the least,
When they woke the Drum of Glory long ago in London East.
They were often mobbed by hoodlums—they were few, but unafraid—
And their Lassies were insulted, but they banged the drumand prayed.
Prayed in public for the sinners, prayed in private for release,
Till they saved some brawny lumpers—then they banged the drum in peace.
(Saved some prize-fighter and burglars)—and they banged the drum in peace.
Booth’s Drum.
He was hook-nosed, he was “scrawny,”
He was nothing of a Don.
And his business ways seemed Yiddish,
And his speeches “kid”—or kiddish;
And we doubted his “convictions”—
But his drum is going on.

Oh, they drummed it ever onward with old Blood-and-Fire unfurled,
And they drummed it ever outward to the corners of the world.
Till they banged the drum in Greenland and they banged in Ispahan,
And they banged it round to India and China and Japan.
And they banged it through the Islands where each seasoned Son of Rum
Took them for new-fangled Jim Jams when he heard the Army Drum.
(For a bran’ new brand of Horrors, when he saw the Army come.)
So they banged it in the desert, and they banged in the snow—
They’d have banged the Drum to Mecca! with the shadow of a “show.”
(But Mohammed cut their heads off, so they had to let it go.)

Somewhere in the early eighties they had banged the drum to Bourke,
Where the job of fighting Satan was white-hot and dusty work.
Oh, the Local Lass was withered in the heat that bakes and glares,
And we sent her food and firewood but took small heed of her prayers.
We were blasphemous and beery, we were free from Creed or Care,
Till they sent their prettiest Lassies—and they broke our centre there.
So that, moderately sober, we could stand to hear them sing—
And we’d chaff their Testifiers, and throw quids into the ring.
(Never less than bobs or “dollars”—sometimes quids into the ring.)

They have “stormed” our sinful cities—banged for all that they were worth—
From Port Darwin to Port Melbourne, and from Sydney round to Perth.
We’d no need for them (or woman) when we were all right and well,
But they took us out of prison, and they took us out of Hell.
And they helped our fallen sisters who went down for such as we,
And our widows and our orphans in distress and poverty.
And neglected wives and children of the worst of us that be;
And they made us fit for Glory—or another Glorious Spree.
(So I rather think there’s something that is up to you or me.)

Oh! the Blindness of the Future!—Ah, we never reckoned much
That they’d beat the quids we gave them into bayonets and such.
That the coin would be devoted, when our world was looking blue,
To another kind of orphan—wife, or child, or widow too.

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Honest Men

Were just a stones throw
From burning hellfire
Does anybody know,
Where did all the heroes go?
Weve had our fill of
This gallery of scoundrels,
The leaders of the world,
Those power hungry liars
Rise up and sound the sirens,
Send out the searching powers,
All we need is a few good men
Send the s.o.s. and red alerts
All across the universe
Calling your honest men?
S.o.s. emergency,
Sinking fast and getting worse.
Wheres your honest men?
In some village, far away,
Or in a little town pub.
High on a mountain top
There must be an honest man
Calling all honest men
Throw out the tyrants,
The aged fat cats
Outlived their usefulness
They have led us to this mess
Make them answer,
Hold them to their promises,
And throw them in the street
If they wont tell the truth
S.o.s. and red alert
All across the universe,
Calling all honest men
S.o.s. emergency,
Sinking fast and getting worse,
Wheres your honest men?
To your stations,
Man the ramparts,
The barricades
We need new heroes urgently
We need a few good honest men
Calling all honest men
Calling all honest men
Call to him
He lives next door,
Across the street
On the upper floor.
Its our only hope we need him now
Send the s.o.s. and red alert,
All across the universe,

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The Dean & I

Hum drum days
And a hum drum ways
Hey kids, let me tell you how I met your mom
We were dancin and romancin at the senior prom
It was no infatuation
But a gradual graduation
From a boy to a man
Let me tell you while I can
The soda pop came free
Hey sis, one kiss, and I was heaven bound
Now who would have guessed miltons paradise lost could
Be found
But in the eyes of the dean, his daughter
Was doin what she shouldna oughta
But a mans gotta do
What a mans gotta do
The consequence should be
Church bells, three swells
The dean, his daughter and me
They were dating in the park
They were smooching in the dark
Of a doorway for two
She whispered I love you -
Ooh, you know I never felt this way before
Ooh, you know the elevator in my heart
Has gone awol, awol, awol, awol
And then I kissed her
And when I kissed her
Its a wonderful world
When youre rolling in kisses
Now, the paint is peeling
(hum drum days and hum drum ways)
Now, and when the chips are down
(hum drum days and hum drum ways)
Now, you kinda lose all feeling
(hum drum days and hum drum ways)
Now, your head goes round and round
(hum drum days and hum drum ways)
Round and round and round and round and round
Im throwing myself off this train
Hum drum days
And a hum drum ways
Hum drum days, hes got
Hum drum ways, oh boy
Hey, you know Im really earning now
My ship came in with a cargo of dollars
My names lit up on the prow
Its a wonderful world
When youre rolling in dollars
Now!

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Ill Be With You Tonight

Words and music by rick nielsen, bun e. carlos, robin zander, and tom petersson
Tonight, tonight, Ill be with you tonight.
Tonight, tonight, Ill be with you tonight, tonight, tonight.
You got me burnin, burnin with desire,
You got me burnin, burnin like a fire, oh yeah.
You got me thinkin, thinkin what Ill do,
No doubt about it, I want it with you.
Though youre not my first love,
You just might be my last.
My heart is poundin like a drum, drum, drum, drum, drum, drum, drum, yeah.
Tonight will be the first night that Ive been in love with you.
You get me so excited, Im not sure what Im gonna do.
Tomorrow you wont be here, and I dont expect you to.
Tonight is all I really want, I really want from you.
Tonight, tonight, Ill be with you tonight.
Tonight, tonight, Ill be with you tonight.
Tonight, tonight.
Everything about you is more than everything
You make me crazy, Im doin crazy things, oh yeah.
Tonight when I first saw you I knew it had to be,
Whyd you have to be so right for me?
Though youre not my first love, you just might be my last.
My heart is poundin like a drum, drum, drum, drum, drum, drum, drum, yeah.
Tonight will be the first night that Ive been in love with you.
You get me so excited, Im not sure what Im gonna do.
Tomorrow you wont be here, and I dont expect you to.
Tonight is all I really want, I really want from you.
Tonight, from you, from you.
(chorus)
Oo, tonight, be with ya, Ill be with ya, Ill be with ya, Ill be with ya tonight, tonight.
Ill be with ya.
(repeat to coda)

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Can You Hear It

Drum, drum, tipi tap, tong,
I like that beat as it comes along.
It’s the same beat and the same tune,
we all know it’ll be here soon.

Drum, drum, tipi tap, tong,
fast or slow it’s a catchy song.
I kind of look forward to its day
and it's a shame when it goes away.

Drum, drum, tipi tap, tong,
It's getting closer and it won’t be long.
At last it's coming down our street
with its catchy drumming beat.

Drum, drum, tipi tap, tong,
it's so simple I can’t go wrong.
It's getting louder as it comes near,
the people watching give it a cheer.

Drum, drum, tipi tap, tong,
the beat’s blasting out loud and strong.
The man inside this sweeping machine
sings as he works to keep the streets clean.

Drum, drum, tipi tap, tong,
the sounds are fading as it goes along.
But it's nice to know as he sweeps the curb,
his drum, drum, tipi tap, tong, has the final word.

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No Good/start The Dance (Bad For You Mix)

Come on, who can, who can, can hear the bass drum?
Come on, who can, who can, can hear the bass drum?
Come on, who can, who can, can hear the bass drum?
Come on, who can, who can, can hear the bass drum?
You're no good for me,
I don't need nobody.
Don't need no-one,
That's no good for me.
You're no good for me,
I don't need nobody.
Don't need no-one,
That's no good for me.
You're no good for me,
I don't need nobody.
Don't need no-one,
That's no good for me.
You're no good for me,
I don't need nobody.
Don't need no-one,
That's no good for me.
You're no good for me,
I don't need nobody.
Don't need no-one,
That's no good for me.
You're no good for me,
I don't need nobody.
Don't need no-one,
That's no good for me.
You're no good for me,
I don't need nobody.
Don't need no-one,
That's no good for me.
You're no good for me,
I don't need nobody.
Don't need no-one,
That's no good for me.
Come on, who can, who can, can hear the bass drum?
Come on, who can, who can, can hear the bass drum?
Come on, who can, who can, can hear the bass drum?
Come on, who can, who can, can hear the bass drum?
Come on, who can, who can, can hear the bass drum?
Come on, who can, who can, can hear the bass drum?
You're no good for me,
I don't need nobody.
Don't need no-one,
That's no good for me.
You're no good for me,
I don't need nobody.
Don't need no-one,
That's no good for me.

[...] Read more

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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Long Song Comin

Politician 'bout to make his speech
Signal for attention, please
Then he shuffled his notes
And wiped his sweating brow
I looked at my friend next to me
And we don't dare agree
Before this is over
We'll wish we woulda left right now
'Cause it sounds like a long song comin'
And it looks like he might throw in a little dancin', too
Yes, it sounds like a long song comin'
And buddy, listen buddy
We got better things to listen to
Lady from a church bizarre
Was smiling from her head to her feet
All the way down to her feet
That she couldn't see
She started speeking her piece
I said "Stop, Wait a minute, please
Before you start talkin'
I wish you'd please listen to me."
'Cause it sounds like a long song comin'
And though some of the things you say might be true
It still sounds like a long song comin'
And baby, listen lady, I got better things to listen to
Yes, it sounds like a long song comin'
And it looks like you might throw in a little dancin', too
Yes, it sounds like a long song comin'
And buddy, listen buddy, I got better things to listen to
Say, so it sounds like a long song comin'
And it sounds like some just might be true
Still it sounds like a long song comin'
And buddy, listen buddy, I got better things to listen to
And buddy, listen buddy, we got better things to listen to

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The Parish Register - Part III: Burials

THERE was, 'tis said, and I believe, a time
When humble Christians died with views sublime;
When all were ready for their faith to bleed,
But few to write or wrangle for their creed;
When lively Faith upheld the sinking heart,
And friends, assured to meet, prepared to part;
When Love felt hope, when Sorrow grew serene,
And all was comfort in the death-bed scene.
Alas! when now the gloomy king they wait,
'Tis weakness yielding to resistless fate;
Like wretched men upon the ocean cast,
They labour hard and struggle to the last;
'Hope against hope,' and wildly gaze around
In search of help that never shall be found:
Nor, till the last strong billow stops the breath,
Will they believe them in the jaws of Death!
When these my Records I reflecting read,
And find what ills these numerous births succeed;
What powerful griefs these nuptial ties attend;
With what regret these painful journeys end;
When from the cradle to the grave I look,
Mine I conceive a melancholy book.
Where now is perfect resignation seen?
Alas! it is not on the village-green: -
I've seldom known, though I have often read,
Of happy peasants on their dying-bed;
Whose looks proclaimed that sunshine of the breast,
That more than hope, that Heaven itself express'd.
What I behold are feverish fits of strife,
'Twixt fears of dying and desire of life:
Those earthly hopes, that to the last endure;
Those fears, that hopes superior fail to cure;
At best a sad submission to the doom,
Which, turning from the danger, lets it come.
Sick lies the man, bewilder'd, lost, afraid,
His spirits vanquish'd, and his strength decay'd;
No hope the friend, the nurse, the doctor lend -
'Call then a priest, and fit him for his end.'
A priest is call'd; 'tis now, alas! too late,
Death enters with him at the cottage-gate;
Or time allow'd--he goes, assured to find
The self-commending, all-confiding mind;
And sighs to hear, what we may justly call
Death's common-place, the train of thought in all.
'True I'm a sinner,' feebly he begins,
'But trust in Mercy to forgive my sins:'
(Such cool confession no past crimes excite!
Such claim on Mercy seems the sinner's right!)
'I know mankind are frail, that God is just,
And pardons those who in his Mercy trust;

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Losing My Senses

Dave mustaine
One man speaking the truth
No one likes when it fits
So we tell soothing lies
And betray our own lips
The uncivilized world
And its people decay
Once sweet breeze is defiled
Sucking our breath away
Fill solos - mustaine
Yesterdays answers has nothing to do
With todays questions
Life can only be understood in reverse
But must be lived forwards
Im losing my senses, Im losing my senses
Fill solos - mustaine
We watch as the living all die
Contemplating if we should
Ever open our eyes
If all that we touch
Keeps turning to sand
We will cease to exist
Till the last living man
Fill solos - mustaine
Yesterdays answers has nothing to do
With todays questions
Life can only be understood in reverse
But must be lived forward
Life can only be understood in reverse
But must be lived forward
Im losing my senses
Fill solos - mustaine / solo - pitrelli
Yesterdays answers has nothing to do
With todays questions
Life can only be understood in reverse
But must be lived forwards
Life can only be understood in reverse
But must be lived forwards
Fill solos and synth - mustaine
String arrangement - suzie katayama

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Little Drummer Boy

Come they told me
Pa rum pum pum pum
A new born king to see,
Pa rum pum pum pum
Our finest gifts we bring
Pa rum pum pum pum
To lay before the king
Pa rum pum pum pum
Rum pum pum pum
Rum pum pum pum
So to honor him
Pa rum pum pum pum,
When we come.
Little baby
Pa rum pum pum pum
I am a poor boy too,
Pa rum pum pum pum
I have no gift to bring
Pa rum pum pum pum
Thats fit to give our king
Pa rum pum pum pum
Rum pum pum pum
Rum pum pum pum
Shall I play for you!
Pa rum pum pum
On my drum.
Mary nodded
Pa rum pum pum pum
The ox and lamb kept time
Pa rum pum pum pum
I played my drum for him
Pa rum pum pum
I played my best for him
Pa rum pum pum pum
Rum pum pum pum
Rum pum pum pum
Then he smiled at me
Pa rum pum pum pum
Me and my drum.
Mary nodded
Pa rum pum pum pum
The ox and lamb kept time
Pa rum pum pum pum
I played my drum for him
Pa rum pum pum
I played my best for him
Pa rum pum pum pum
Rum pum pum pum
Rum pum pum pum
Then he smiled at me

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III. The Other Half-Rome

Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
Andwith best smile of all reserved for him
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!

There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk

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The Libelle of Englyshe Polycye

Here beginneth the Prologe of the processe of the Libelle of Englyshe polycye, exhortynge alle Englande to kepe the see enviroun and namelye the narowe see, shewynge whate profete commeth thereof and also whate worshype and salvacione to Englande and to alle Englyshe menne.

The trewe processe of Englysh polycye
Of utterwarde to kepe thys regne in rest
Of oure England, that no man may denye
Ner say of soth but it is one the best,
Is thys, as who seith, south, north, est and west
Cheryshe marchandyse, kepe thamyralte,
That we bee maysteres of the narowe see.


For Sigesmonde the grete Emperoure,
Whyche yet regneth, whan he was in this londe
Wyth kynge Herry the vte, prince of honoure,
Here moche glorye, as hym thought, he founde,
A myghty londe, whyche hadde take on honde
To werre in Fraunce and make mortalite,
And ever well kept rounde aboute the see.


And to the kynge thus he seyde, 'My brothere',
Whan he perceyved too townes, Calys and Dovere,
'Of alle youre townes to chese of one and other
To kepe the see and sone for to come overe,
To werre oughtwardes and youre regne to recovere,
Kepe these too townes sure to youre mageste
As youre tweyne eyne to kepe the narowe see'.


For if this see be kepte in tyme of werre,
Who cane here passe withought daunger and woo?
Who may eschape, who may myschef dyfferre?
What marchaundy may forby be agoo?
For nedes hem muste take truse every foo,
Flaundres and Spayne and othere, trust to me,
Or ellis hyndered alle for thys narowe see.


Therfore I caste me by a lytell wrytinge
To shewe att eye thys conclusione,
For concyens and for myne acquytynge
Ayenst God, and ageyne abusyon
And cowardyse and to oure enmyes confusione;
For iiij. thynges oure noble sheueth to me,
Kyng, shype and swerde and pouer of the see.


Where bene oure shippes, where bene oure swerdes become?
Owre enmyes bid for the shippe sette a shepe.
Allas, oure reule halteth, hit is benome.

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