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Italy is a geographical expression.

quote by Prince Metternich
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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On Dante's Monument, 1818

Though all the nations now
Peace gathers under her white wings,
The minds of Italy will ne'er be free
From the restraints of their old lethargy,
Till our ill-fated land cling fast
Unto the glorious memories of the Past.
Oh, lay it to thy heart, my Italy,
Fit honor to thy dead to pay;
For, ah, their like walk not thy streets to-day!
Nor is there one whom thou canst reverence!
Turn, turn, my country, and behold
That noble band of heroes old,
And weep, and on thyself thy anger vent,
For without anger, grief is impotent:
Oh, turn, and rouse thyself for shame,
Blush at the thought of sires so great,
Of children so degenerate!

Alien in mien, in genius, and in speech,
The eager guest from far
Went searching through the Tuscan soil to find
Where he reposed, whose verse sublime
Might fitly rank with Homer's lofty rhyme;
And oh! to our disgrace he heard
Not only that, e'er since his dying day,
In other soil his bones in exile lay,
But not a stone within thy walls was reared
To him, O Florence, whose renown
Caused thee to be by all the world revered.
Thanks to the brave, the generous band,
Whose timely labor from our land
Will this sad, shameful stain remove!
A noble task is yours,
And every breast with kindred zeal hath fired,
That is by love of Italy inspired.

May love of Italy inspire you still,
Poor mother, sad and lone,
To whom no pity now
In any breast is shown,
Now, that to golden days the evil days succeed.
May pity still, ye children dear,
Your hearts unite, your labors crown,
And grief and anger at her cruel pain,
As on her cheeks and veil the hot tears rain!
But how can I, in speech or song,
Your praises fitly sing,
To whose mature and careful thought,
The work superb, in your proud task achieved,
Will fame immortal bring?

[...] Read more

poem by Count Giacomo Leopardi
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Streets Of Little Italy

(robbie seidman)
Producer for bonnie: desmond child
The narrow and the winding ways
The streets of old new york
The families, the street life, the spark
The rooftop where we watched
San gennaros festival
Masquerades in the dark...
On the streets down in little italy
Where the past goes on and on forever
And I feel it ever present
In every step I take alone
On the streets down in little italy
The oceans and the years
That separate our lives
From these streets we once called our home
Those distances of space and time
How strong they are
And how weak they are...
On the streets down in little italy
Where the past goes on and on forever
And I feel it ever present
In every step I take alone
On the streets down in little italy
Does the morning sunlight
Still hit the bed where we used to lie
Do the sidewalk stands and markets still overflow
Where I lingered till I was empty
Where I stayed till I had to go
Though in the night
Sometimes I see you disappear
Down cobblestones...
On the streets down in little italy
Where the past goes on and on forever
And I feel it ever present
In every step I take alone
Like your presence in my bones
On the streets down in little italy

song performed by Bonnie Tyler
Added by Lucian Velea
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Seventh Book

'THE woman's motive? shall we daub ourselves
With finding roots for nettles? 'tis soft clay
And easily explored. She had the means,
The moneys, by the lady's liberal grace,
In trust for that Australian scheme and me,
Which so, that she might clutch with both her hands,
And chink to her naughty uses undisturbed,
She served me (after all it was not strange,;
'Twas only what my mother would have done)
A motherly, unmerciful, good turn.

'Well, after. There are nettles everywhere,
But smooth green grasses are more common still;
The blue of heaven is larger than the cloud;
A miller's wife at Clichy took me in
And spent her pity on me,–made me calm
And merely very reasonably sad.
She found me a servant's place in Paris where
I tried to take the cast-off life again,
And stood as quiet as a beaten ass
Who, having fallen through overloads, stands up
To let them charge him with another pack.

'A few months, so. My mistress, young and light,
Was easy with me, less for kindness than
Because she led, herself, an easy time
Betwixt her lover and her looking-glass,
Scarce knowing which way she was praised the most.
She felt so pretty and so pleased all day
She could not take the trouble to be cross,
But sometimes, as I stooped to tie her shoe,
Would tap me softly with her slender foot
Still restless with the last night's dancing in't,
And say 'Fie, pale-face! are you English girls
'All grave and silent? mass-book still, and Lent?
'And first-communion colours on your cheeks,
'Worn past the time for't? little fool, be gay!'
At which she vanished, like a fairy, through
A gap of silver laughter.
'Came an hour
When all went otherwise. She did not speak,
But clenched her brows, and clipped me with her eyes
As if a viper with a pair of tongs,
Too far for any touch, yet near enough
To view the writhing creature,–then at last,
'Stand still there, in the holy Virgin's name,
'Thou Marian; thou'rt no reputable girl,
'Although sufficient dull for twenty saints!
'I think thou mock'st me and my house,' she said;
'Confess thou'lt be a mother in a month,

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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Caesar Redivivus

In the olive groves of Italy
Men minds are all aflame;
For the war-lust spreads thro' Italy,
Where war-lords call the game.
And they dream of Roman legions
And the glory that was Rome's;
Yet reck not of the misery
That stalks Italian homes.

By the vine-clad hills of Italy
Men talk and dream of war;
Of the triumphs that were Caesar's,
And the glories known of yore.
But a mockery of triumph,
And an end to dreaming vain
Comes to victor, as to vanquichsed,
With a counting of the slain.

Oh, the women-folk of Italy,
They give their sons to Mars;
For they would be Spartan mothers,
Dams of splendid avitars.
But the fever shall be ending
In numb grief and shuddering fears,
When the spurious pearls of victory
Dissolve in women's tears.

In the pleasant land of Italy
The fever runs apace,
And the man who would be Caesar
From war's lesson turns his face.
With dreams of olden Empire
Would he set men's minds aflame,
Nor count the cost to Italy
In agony and shame.

poem by Clarence Michael James Stanislaus Dennis
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Orlando Furioso Canto 3

ARGUMENT
Restored to sense, the beauteous Bradamant
Finds sage Melissa in the vaulted tomb,
And hears from her of many a famous plant
And warrior, who shall issue from her womb.
Next, to release Rogero from the haunt
Of old Atlantes, learns how from the groom,
Brunello hight, his virtuous ring to take;
And thus the knight's and others' fetters break.

I
Who will vouchsafe me voice that shall ascend
As high as I would raise my noble theme?
Who will afford befitting words, and lend
Wings to my verse, to soar the pitch I scheme?
Since fiercer fire for such illustrious end,
Than what was wont, may well my song beseem.
For this fair portion to my lord is due
Which sings the sires from whom his lineage grew.

II
Than whose fair line, 'mid those by heavenly grace
Chosen to minister this earth below,
You see not, Phoebus, in your daily race,
One that in peace or war doth fairer show;
Nor lineage that hath longer kept its place;
And still shall keep it, if the lights which glow
Within me, but aright inspire my soul,
While the blue heaven shall turn about the pole.

III
But should I seek at full its worth to blaze,
Not mine were needful, but that noble lyre
Which sounded at your touch the thunderer's praise,
What time the giants sank in penal fire.
Yet should you instruments, more fit to raise
The votive work, bestow, as I desire,
All labour and all thought will I combine,
To shape and shadow forth the great design.

IV
Till when, this chisel may suffice to scale
The stone, and give my lines a right direction;
And haply future study may avail,
To bring the stubborn labour to perfection.
Return we now to him, to whom the mail
Of hawberk, shield, and helm, were small protection:
I speak of Pinabel the Maganzeze,
Who hopes the damsel's death, whose fall he sees.

[...] Read more

poem by Ludovico Ariosto
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Mother and Poet

I.

Dead ! One of them shot by the sea in the east,
And one of them shot in the west by the sea.
Dead ! both my boys ! When you sit at the feast
And are wanting a great song for Italy free,
Let none look at me !

II.
Yet I was a poetess only last year,
And good at my art, for a woman, men said ;
But this woman, this, who is agonized here,
-- The east sea and west sea rhyme on in her head
For ever instead.

III.
What art can a woman be good at ? Oh, vain !
What art is she good at, but hurting her breast
With the milk-teeth of babes, and a smile at the pain ?
Ah boys, how you hurt ! you were strong as you pressed,
And I proud, by that test.

IV.
What art's for a woman ? To hold on her knees
Both darlings ! to feel all their arms round her throat,
Cling, strangle a little ! to sew by degrees
And 'broider the long-clothes and neat little coat ;
To dream and to doat.

V.
To teach them ... It stings there ! I made them indeed
Speak plain the word country. I taught them, no doubt,
That a country's a thing men should die for at need.
I prated of liberty, rights, and about
The tyrant cast out.

VI.
And when their eyes flashed ... O my beautiful eyes ! ...
I exulted ; nay, let them go forth at the wheels
Of the guns, and denied not. But then the surprise
When one sits quite alone ! Then one weeps, then one kneels !
God, how the house feels !

VII.
At first, happy news came, in gay letters moiled
With my kisses, -- of camp-life and glory, and how
They both loved me ; and, soon coming home to be spoiled
In return would fan off every fly from my brow
With their green laurel-bough.

[...] Read more

poem by Elizabeth Barrett Browning
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Canto the Fourth

I.

I stood in Venice, on the Bridge of Sighs;
A palace and a prison on each hand:
I saw from out the wave her structures rise
As from the stroke of the enchanter’s wand:
A thousand years their cloudy wings expand
Around me, and a dying glory smiles
O’er the far times when many a subject land
Looked to the wingèd Lion’s marble piles,
Where Venice sate in state, throned on her hundred isles!

II.

She looks a sea Cybele, fresh from ocean,
Rising with her tiara of proud towers
At airy distance, with majestic motion,
A ruler of the waters and their powers:
And such she was; her daughters had their dowers
From spoils of nations, and the exhaustless East
Poured in her lap all gems in sparkling showers.
In purple was she robed, and of her feast
Monarchs partook, and deemed their dignity increased.

III.

In Venice, Tasso’s echoes are no more,
And silent rows the songless gondolier;
Her palaces are crumbling to the shore,
And music meets not always now the ear:
Those days are gone - but beauty still is here.
States fall, arts fade - but Nature doth not die,
Nor yet forget how Venice once was dear,
The pleasant place of all festivity,
The revel of the earth, the masque of Italy!

IV.

But unto us she hath a spell beyond
Her name in story, and her long array
Of mighty shadows, whose dim forms despond
Above the dogeless city’s vanished sway;
Ours is a trophy which will not decay
With the Rialto; Shylock and the Moor,
And Pierre, cannot be swept or worn away -
The keystones of the arch! though all were o’er,
For us repeopled were the solitary shore.

V.

[...] Read more

poem by Byron from Childe Harold's Pilgrimage (1818)
Added by Veronica Serbanoiu
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Without Expression

Written by: Terry Reid 1968
Have you ever ridden horses through a rainstorm?
Or a lion through a busy street bazarre?
There are many things I'd love to turn you on to
But somehow I feel they're safer where they are
Yes, there's a man I know
With no expression
He's got none at all
Yes, there's a man that I know
With no expression, darling
He's got none at all
Well, some people are inbound with infatuation
And some others spill depression as the law
From one's mother getting at no imagination
So beware then, maybe sin is at your door
Yes, there's a man that I know
With no expression
He's got none at all
Yes, there's a man I know
With no expression
He's got none at all
But you may never, never
See this man laughing
Come to think of it,
I've never seen him cry
But he might be sitting
And you hear him singing
And by and by he'll stop and sigh
Before his voice would even begin to speak
And he'd just cry
Yes, There's a man I know
With no expression, darling
He's got none at all
Yes, There's a man that I know
With no expression
He's got none at all
Have you ever, ever ridden horses through a rainstorm?
Or a lion through a busy street bazarre?
There are many things I'd love to turn you on to
But somehow I feel they're safer where they are
Yes, There's a man that I know
With no expression
He's got none at all
There's a man that I know
With no expression
He's got none at all

song performed by John Mellencamp
Added by Lucian Velea
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Childe Harold's Pilgrimage: A Romaunt. Canto IV.

I.
I stood in Venice, on the Bridge of Sighs;
A palace and a prison on each hand:
I saw from out the wave her structures rise
As from the stroke of the enchanter's wand:
A thousand years their cloudy wings expand
Around me, and a dying Glory smiles
O'er the far times, when many a subject land
Look'd to the winged Lion's marble piles,
Where Venice sate in state, thron'd on her hundred isles!

II.
She looks a sea Cybele, fresh from ocean,
Rising with her tiara of proud towers
At airy distance, with majestic motion,
A ruler of the waters and their powers:
And such she was; her daughters had their dowers
From spoils of nations, and the exhaustless East
Pour'd in her lap all gems in sparkling showers.
In purple was she rob'd, and of her feast
Monarchs partook, and deem'd their dignity increas'd.

III.
In Venice Tasso's echoes are no more,
And silent rows the songless gondolier;
Her palaces are crumbling to the shore,
And music meets not always now the ear:
Those days are gone -- but Beauty still is here.
States fall, arts fade -- but Nature doth not die,
Nor yet forget how Venice once was dear,
The pleasant place of all festivity,
The revel of the earth, the masque of Italy!

IV.
But unto us she hath a spell beyond
Her name in story, and her long array
Of mighty shadows, whose dim forms despond
Above the dogeless city's vanish'd sway;
Ours is a trophy which will not decay
With the Rialto; Shylock and the Moor,
And Pierre, cannot be swept or worn away --
The keystones of the arch! though all were o'er,
For us repeopl'd were the solitary shore.

V.
The beings of the mind are not of clay;
Essentially immortal, they create
And multiply in us a brighter ray
And more belov'd existence: that which Fate
Prohibits to dull life, in this our state

[...] Read more

poem by Byron
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The Italian in England

That second time they hunted me
From hill to plain, from shore to sea,
And Austria, hounding far and wide
Her blood-hounds thro' the country-side,
Breathed hot and instant on my trace,--
I made six days a hiding-place
Of that dry green old aqueduct
Where I and Charles, when boys, have plucked
The fire-flies from the roof above,
Bright creeping thro' the moss they love:
--How long it seems since Charles was lost!
Six days the soldiers crossed and crossed
The country in my very sight;
And when that peril ceased at night,
The sky broke out in red dismay
With signal fires; well, there I lay
Close covered o'er in my recess,
Up to the neck in ferns and cress,
Thinking on Metternich our friend,
And Charles's miserable end,
And much beside, two days; the third,
Hunger overcame me when I heard
The peasants from the village go
To work among the maize; you know,
With us in Lombardy, they bring
Provisions packed on mules, a string
With little bells that cheer their task,
And casks, and boughs on every cask
To keep the sun's heat from the wine;
These I let pass in jingling line,
And, close on them, dear noisy crew,
The peasants from the village, too;
For at the very rear would troop
Their wives and sisters in a group
To help, I knew. When these had passed,
I threw my glove to strike the last,
Taking the chance: she did not start,
Much less cry out, but stooped apart,
One instant rapidly glanced round,
And saw me beckon from the ground.
A wild bush grows and hides my crypt;
She picked my glove up while she stripped
A branch off, then rejoined the rest
With that; my glove lay in her breast.
Then I drew breath; they disappeared:
It was for Italy I feared.

An hour, and she returned alone

Exactly where my glove was thrown.

[...] Read more

poem by Robert Browning from Dramatic Romances and Lyrics (1845)
Added by Veronica Serbanoiu
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Super Flumina Babylonis

By the waters of Babylon we sat down and wept,
Remembering thee,
That for ages of agony hast endured, and slept,
And wouldst not see.

By the waters of Babylon we stood up and sang,
Considering thee,
That a blast of deliverance in the darkness rang,
To set thee free.

And with trumpets and thunderings and with morning song
Came up the light;
And thy spirit uplifted thee to forget thy wrong
As day doth night.

And thy sons were dejected not any more, as then
When thou wast shamed;
When thy lovers went heavily without heart, as men
Whose life was maimed.

In the desolate distances, with a great desire,
For thy love's sake,
With our hearts going back to thee, they were filled with fire,
Were nigh to break.

It was said to us: "Verily ye are great of heart,
But ye shall bend;
Ye are bondmen and bondwomen, to be scourged and smart,
To toil and tend."

And with harrows men harrowed us, and subdued with spears,
And crushed with shame;
And the summer and winter was, and the length of years,
And no change came.

By the rivers of Italy, by the sacred streams,
By town, by tower,
There was feasting with revelling, there was sleep with dreams,
Until thine hour.

And they slept and they rioted on their rose-hung beds,
With mouths on flame,
And with love-locks vine-chapleted, and with rose-crowned heads
And robes of shame.

And they knew not their forefathers, nor the hills and streams
And words of power,
Nor the gods that were good to them, but with songs and dreams
Filled up their hour.

[...] Read more

poem by Algernon Charles Swinburne
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The Aeneid of Virgil: Book 7

AND thou, O matron of immortal fame,
Here dying, to the shore hast left thy name;
Cajeta still the place is call’d from thee,
The nurse of great Æneas’ infancy.
Here rest thy bones in rich Hesperia’s plains; 5
Thy name (’t is all a ghost can have) remains.
Now, when the prince her fun’ral rites had paid,
He plow’d the Tyrrhene seas with sails display’d.
From land a gentle breeze arose by night,
Serenely shone the stars, the moon was bright, 10
And the sea trembled with her silver light.
Now near the shelves of Circe’s shores they run,
(Circe the rich, the daughter of the Sun,)
A dang’rous coast: the goddess wastes her days
In joyous songs; the rocks resound her lays: 15
In spinning, or the loom, she spends the night,
And cedar brands supply her father’s light.
From hence were heard, rebellowing to the main,
The roars of lions that refuse the chain,
The grunts of bristled boars, and groans of bears, 20
And herds of howling wolves that stun the sailors’ ears.
These from their caverns, at the close of night,
Fill the sad isle with horror and affright.
Darkling they mourn their fate, whom Circe’s pow’r,
(That watch’d the moon and planetary hour,) 25
With words and wicked herbs from humankind
Had alter’d, and in brutal shapes confin’d.
Which monsters lest the Trojans’ pious host
Should bear, or touch upon th’ inchanted coast,
Propitious Neptune steer’d their course by night 30
With rising gales that sped their happy flight.
Supplied with these, they skim the sounding shore,
And hear the swelling surges vainly roar.
Now, when the rosy morn began to rise,
And wav’d her saffron streamer thro’ the skies; 35
When Thetis blush’d in purple not her own,
And from her face the breathing winds were blown,
A sudden silence sate upon the sea,
And sweeping oars, with struggling, urge their way.
The Trojan, from the main, beheld a wood, 40
Which thick with shades and a brown horror stood:
Betwixt the trees the Tiber took his course,
With whirlpools dimpled; and with downward force,
That drove the sand along, he took his way,
And roll’d his yellow billows to the sea. 45
About him, and above, and round the wood,
The birds that haunt the borders of his flood,
That bath’d within, or basked upon his side,
To tuneful songs their narrow throats applied.
The captain gives command; the joyful train 50

[...] Read more

poem by Publius Vergilius Maro
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Soccer Under 20

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poem by Rwetewrt Erwtwer
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Italian In England, The

That second time they hunted me
From hill to plain, from shore to sea,
And Austria, hounding far and wide
Her blood-hounds thro' the country-side,
Breathed hot and instant on my trace,---
I made six days a hiding-place
Of that dry green old aqueduct
Where I and Charles, when boys, have plucked
The fire-flies from the roof above,
Bright creeping thro' the moss they love:
---How long it seems since Charles was lost!
Six days the soldiers crossed and crossed
The country in my very sight;
And when that peril ceased at night,
The sky broke out in red dismay
With signal fires; well, there I lay
Close covered o'er in my recess,
Up to the neck in ferns and cress,
Thinking on Metternich our friend,
And Charles's miserable end,
And much beside, two days; the third,
Hunger o'ercame me when I heard
The peasants from the village go
To work among the maize; you know,
With us in Lombardy, they bring
Provisions packed on mules, a string
With little bells that cheer their task,
And casks, and boughs on every cask
To keep the sun's heat from the wine;
These I let pass in jingling line,
And, close on them, dear noisy crew,
The peasants from the village, too;
For at the very rear would troop
Their wives and sisters in a group
To help, I knew. When these had passed,
I threw my glove to strike the last,
Taking the chance: she did not start,
Much less cry out, but stooped apart,
One instant rapidly glanced round,
And saw me beckon from the ground.
A wild bush grows and hides my crypt;
She picked my glove up while she stripped
A branch off, then rejoined the rest
With that; my glove lay in her breast.
Then I drew breath; they disappeared:
It was for Italy I feared.

An hour, and she returned alone
Exactly where my glove was thrown.
Meanwhile came many thoughts: on me

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poem by Robert Browning
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Man With No Expression

There's a man I know with no expression no not none at all
Have you ever ridden horses through a rainstorm
or led a lion through a busy street bazaar
There are many things I'd like to turn you on to
but somehow I feel you're safer where you are
If you're looking for examples to refer to
take a look around yourself I'm sure you'll find
there are many things to make your life much brighter
and I'd bet there's many more inside your mind
There's a man I know with no expression no not none at all
There's a man I know with no expression no not none at all
But I've never seen this man laughing
and come to think of it I've never seen him cry
But I might by sitting hear him singing
By and by he'll stop and sigh
he'll feel a breeze and then begin to freeze
as he thinks goodbye
Have you ever ridden horses through a rainstorm
or led a lion through a busy street bazaar
There are many things I'd like to turn you on to
but somehow I feel you're safer where you are
There's a man I know with no expression no not none at all
There's a man with no expression
man with no expression
man with no expression

song performed by Hollies
Added by Lucian Velea
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To Angelo Mai,

ON HIS DISCOVERY OF THE LOST BOOKS OF CICERO,
'DE REPUBLICA.'

Italian bold, why wilt thou never cease
The fathers from their tombs to summon forth?
Why bring them, with this dead age to converse,
That stifled is by enemies and by sloth?
And why dost thou, voice of our ancestors,
That hast so long been mute,
Resound so loud and frequent in our ears?
Why all these grand discoveries?
As in a flash the fruitful pages come,
What hath this wretched age deserved,
That dusty cloisters have for it reserved
These hidden treasures of the wise and brave?
Illustrious man, with what strange power
Does Fate thy ardent zeal befriend?
Or does Fate vainly with man's will contend?

Without the lofty counsel of the gods,
It surely could not be, that now,
When we were never sunk so low,
In desperate oblivion of the Past,
Each moment, comes a cry renewed,
From our great sires, to shake our souls, at last!
Heaven still some pity shows for Italy;
Some god hath still our happiness at heart:
Since this, or else no other, is the hour,
Italian virtue to redeem,
And its old lustre once more to impart,
These pleading voices from the grave we hear;
Forgotten heroes rise from earth again,
To see, my country, if at this late day,
Thou still art pleased the coward's part to play.

And do ye cherish still,
Illustrious shades, some hope of us?
Have we not perished utterly?
To you, perhaps, it is allowed, to read
The book of destiny. _I_ am dismayed,
And have no refuge from my grief;
For dark to me the future is, and all
That I discern is such, as makes hope seem
A fable and a dream. To your old homes
A wretched crew succeed; to noble act or word,
They pay no heed; for your eternal fame
They know no envy, feel no blush of shame.
A filthy mob your monuments defile:
To ages yet unborn,

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poem by Count Giacomo Leopardi
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Amours de Voyage, Canto IV

Eastward, or Northward, or West? I wander and ask as I wander;
Weary, yet eager and sure, Where shall I come to my love?
Whitherward hasten to seek her? Ye daughters of Italy, tell me,
Graceful and tender and dark, is she consorting with you?
Thou that out-climbest the torrent, that tendest thy goats to the summit,
Call to me, child of the Alp, has she been seen on the heights?
Italy, farewell I bid thee! for whither she leads me, I follow.
Farewell the vineyard! for I, where I but guess her, must go;
Weariness welcome, and labour, wherever it be, if at last it
Bring me in mountain or plain into the sight of my love.

I. Claude to Eustace,--from Florence.

Gone from Florence; indeed! and that is truly provoking;--
Gone to Milan, it seems; then I go also to Milan.
Five days now departed; but they can travel but slowly;--
I quicker far; and I know, as it happens, the home they will go to.--
Why, what else should I do? Stay here and look at the pictures,
Statues and churches? Alack, I am sick of the statues and pictures!--
No, to Bologna, Parma, Piacenza, Lodi, and Milan,
Off go we to-night,--and the Venus go to the Devil!

II. Claude to Eustace,--from Bellaggio.

Gone to Como, they said; and I have posted to Como.
There was a letter left; but the cameriere had lost it.
Could it have been for me? They came, however, to Como,
And from Como went by the boat,--perhaps to the Splügen,--
Or to the Stelvio, say, and the Tyrol; also it might be
By Porlezza across to Lugano, and so to the Simplon
Possibly, or the St. Gothard,--or possibly, too, to Baveno,
Orta, Turin, and elsewhere. Indeed, I am greatly bewildered.

III. Claude to Eustace,--from Bellaggio.

I have been up the Splügen, and on the Stelvio also:
Neither of these can I find they have followed; in no one inn, and
This would be odd, have they written their names. I have been to Porlezza;
There they have not been seen, and therefore not at Lugano.
What shall I do? Go on through the Tyrol, Switzerland, Deutschland,
Seeking, an inverse Saul, a kingdom to find only asses?
There is a tide, at least, in the love affairs of mortals,
Which, when taken at flood, leads on to the happiest fortune,--

[...] Read more

poem by Arthur Hugh Clough
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Orlando Furioso Canto 17

ARGUMENT
Charles goes, with his, against King Rodomont.
Gryphon in Norandino's tournament
Does mighty deeds; Martano turns his front,
Showing how recreant is his natural bent;
And next, on Gryphon to bring down affront,
Stole from the knight the arms in which he went;
Hence by the kindly monarch much esteemed,
And Gryphon scorned, whom he Martano deemed.

I
God, outraged by our rank iniquity,
Whenever crimes have past remission's bound,
That mercy may with justice mingled be,
Has monstrous and destructive tyrants crowned;
And gifted them with force and subtlety,
A sinful world to punish and confound.
Marius and Sylla to this end were nursed,
Rome with two Neros and a Caius cursed;

II
Domitian and the latter Antonine;
And, lifted from the lowest rabble's lees,
To imperial place and puissance, Maximine:
Hence Thebes to cruel Creon bent her knees,
Mezentius ruled the subject Agiline,
Fattening his fields with blood. To pests like these
Our Italy was given in later day,
To Lombard, Goth, and Hun a bleeding prey.

III
What shall I of fierce Attila, what say
Of wicked Ezzeline, and hundreds more?
Whom, because men still trod the crooked way,
God sent them for their pain and torment sore.
Of this ourselves have made a clear assay,
As well as those who lived in days of yore;
Consigned to ravening wolves, ordained to keep
Us, his ill-nurturing and unuseful sheep;

IV
Who, as if having more than served to fill
Their hungry maw, invite from foreign wood
Beyond the mountain, wolves of greedier will,
With them to be partakers of their food.
The bones which Thrasymene and Trebbia fill,
And Cannae, seem but few to what are strewed
On fattened field and bank, where on their way
Adda and Mella, Ronco and Tarro stray.

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poem by Ludovico Ariosto
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Humanitad

IT is full Winter now: the trees are bare,
Save where the cattle huddle from the cold
Beneath the pine, for it doth never wear
The Autumn's gaudy livery whose gold
Her jealous brother pilfers, but is true
To the green doublet; bitter is the wind, as though it blew

From Saturn's cave; a few thin wisps of hay
Lie on the sharp black hedges, where the wain
Dragged the sweet pillage of a summer's day
From the low meadows up the narrow lane;
Upon the half-thawed snow the bleating sheep
Press close against the hurdles, and the shivering house-dogs creep

From the shut stable to the frozen stream
And back again disconsolate, and miss
The bawling shepherds and the noisy team;
And overhead in circling listlessness
The cawing rooks whirl round the frosted stack,
Or crowd the dripping boughs; and in the fen the ice-pools crack

Where the gaunt bittern stalks among the reeds
And flaps his wings, and stretches back his neck,
And hoots to see the moon; across the meads
Limps the poor frightened hare, a little speck;
And a stray seamew with its fretful cry
Flits like a sudden drift of snow against the dull grey sky.

Full winter: and the lusty goodman brings
His load of faggots from the chilly byre,
And stamps his feet upon the hearth, and flings
The sappy billets on the waning fire,
And laughs to see the sudden lightening scare
His children at their play; and yet,--the Spring is in the air,

Already the slim crocus stirs the snow,
And soon yon blanchèd fields will bloom again
With nodding cowslips for some lad to mow,
For with the first warm kisses of the rain
The winter's icy sorrow breaks to tears,
And the brown thrushes mate, and with bright eyes the rabbit peers

From the dark warren where the fir-cones lie,
And treads one snowdrop under foot, and runs
Over the mossy knoll, and blackbirds fly
Across our path at evening, and the suns
Stay longer with us; ah! how good to see
Grass-girdled Spring in all her joy of laughing greenery

Dance through the hedges till the early rose,

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poem by Oscar Wilde
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