I'd like to think the scientists need us - but do they? Did Newton need Blake?
quote by James Merrill
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Related quotes
Goody Blake and Harry Gill
Oh! what's the matter? what's the matter?
What is't that ails young Harry Gill?
That evermore his teeth they chatter,
Chatter, chatter, chatter still!
Of waistcoats Harry has no lack,
Good duffle grey, and flannel fine;
He has a blanket on his back,
And coats enough to smother nine.
In March, December, and in July,
'Tis all the same with Harry Gill;
The neighbours tell, and tell you truly,
His teeth they chatter, chatter still.
At night, at morning, and at noon,
'Tis all the same with Harry Gill;
Beneath the sun, beneath the moon,
His teeth they chatter, chatter still!
Young Harry was a lusty drover,
And who so stout of limb as he?
His cheeks were red as ruddy clover;
His voice was like the voice of three.
Old Goody Blake was old and poor;
Ill fed she was, and thinly clad;
And any man who passed her door
Might see how poor a hut she had.
All day she spun in her poor dwelling:
And then her three hours' work at night,
Alas! 'twas hardly worth the telling,
It would not pay for candle-light.
Remote from sheltered village-green,
On a hill's northern side she dwelt,
Where from sea-blasts the hawthorns lean,
And hoary dews are slow to melt.
By the same fire to boil their pottage,
Two poor old Dames, as I have known,
Will often live in one small cottage;
But she, poor Woman! housed alone.
'Twas well enough when summer came,
The long, warm, lightsome summer-day,
Then at her door the 'canty' Dame
Would sit, as any linnet, gay.
But when the ice our streams did fetter,
Oh then how her old bones would shake!
You would have said, if you had met her,
'Twas a hard time for Goody Blake.
Her evenings then were dull and dead:
[...] Read more
poem by William Wordsworth
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Tiger's Rumour and other Parodies William Blake - The Tyger
Tyger’s Rumour
Rumour rushing rampant right
round faithless forests of wraith night,
what immoral hand or eye
could frame fly tearless symmetry?
In what deep and dark disguise
spread irking libel, lurking lies?
on what wasp wings dare they aspire –
e’er slander sting tongues air fame liar?
What woeful infamous black art
wrung toxic sinews, tocsin heart
rung when sin heart broke cheating beat,
what sleight of hand to greet deceit!
What wrong's hammer, what strong chain?
in what furnace forged? What brain
fed wily worms sly envy's [g]rasp,
bred spiteful deadly [t]errors’ [g]asp?
11 December 1991 revised 18 September 2009 robi3_0504_blak1_0003 PXX_JXX for previous version see below
Parody William BLAKE 1757_1827 The Tyger
Tyger’s Rumour
Rumour rushing rampant right
round faithless forests of wraith night,
what immortal hand or eye
could frame fly tearless symmetry?
In what deep and dark disguise
spread irking libel, lurking lies?
On what wasp wings dare they aspire –
e’er slander sting tongues air fame liar?
What woeful infamous black art
wrung toxic sinews, tocsin heart
rung when sin heart broke cheating beat,
what sleight of hand to greet deceit!
What wrong's hammer, what strong chain?
In what furnace forged? What brain
fed wily worms sly envy's [g]rasp,
bred them deadly, errors’ [g]asp?
[...] Read more
poem by Jonathan Robin
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Tyger's Eye - after William Blake
Tyger's Eye
Tyger Tyger, once again
we'll praise your uncontested reign
where golden eye implies rebirth,
of jungle lord's word none constrain.
From distant deeps of tropic skies.
to forests sparse where eagle flies,
your power ripples round world's girth -
how could it e'er be otherwise?
Strength in each and every part
needs no paltry poet's art
to illustrate your peerless worth
which rhymes through time in class apart.
Neither hammer, chain, may blind
furnace features, anvil mind,
you represent upon this Earth
both force and freedom none may bind.
[c] Jonathan Robin - parody William Blake written 27 June 2008 robi3_1775_blak1_0003 PXX_CNX
___________
The Tyger
Tyger Tyger, burning bright,
In the forests of the night;
What immortal hand or eye,
Could frame thy fearful symmetry
In what distant deeps or skies.
Burnt the fire of thine eyes!
On what wings dare he aspire?
What the hand, dare sieze the fire!
And what shoulder, and what art.
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand! and what dread feet!
What the hammer! what the chain,
In what furnace was thy brain
What the anvil, what dread grasp,
[...] Read more
poem by Jonathan Robin
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Hunted Down
Two years had the tiger, whose shape was that of a sinister man,
Been out since the night of escape - two years under horror and ban.
In a time full of thunder and rain, when hurricanes hackled the tree,
He slipt through the sludge of a drain, and swam a fierce fork of the sea.
Through the roar of the storm, and the ring
and the wild savage whistle of hail,
Did this naked, whipt, desperate thing
break loose from the guards of the gaol.
And breasting the foam of the bay, and facing the fangs of the bight,
With a great cruel cry on his way, he dashed through the darkness of night.
But foiled was the terror of fin, and baffled the strength of the tide,
For a devil supported his chin and a fiend kept a watch at his side.
And hands of iniquity drest the hellish hyena, and gave
Him food in the hills of the west - in cells of indefinite cave.
Then, strengthened and weaponed, this peer
of the brute, on the track of its prey,
Sprang out, and shed sorrow and fear through the beautiful fields of the day.
And pillage and murder, and worse, swept peace from the face of the land -
The black, bitter work of this curse with the blood on his infamous hand.
But wolf of the hills at the end - chased back to the depths of his lair -
Had horror for neighbour and friend - he supped in the dark with despair.
A whisper of leaf or a breath of the wind in the watch of the night
Was ever as message of death to this devil bent double with fright.
For now were the hunters abroad; and the fiend like an adder at bay,
Cast out of the sight of the Lord, in the folds of his fastnesses lay.
Yea, skulking in pits of the slime - in venomous dens of eclipse -
He cowered and bided his time, with the white malice set on his lips.
Two years had his shadow been cast in forest, on highway, and run;
But Nemesis tracked him at last, and swept him from under the sun.
Foul felons in chains were ashamed to speak of the bloodthirsty thing
Who lived, like a panther inflamed, the life that no singer can sing -
Who butchered one night in the wild three women, a lad, and a maid,
And cut the sweet throat of a child - its mother's pure blood on his blade!
But over the plains and away by the range and the forested lake,
Rode hard, for a week and a day, the terrible tracker, Dick Blake.
Dick Blake had the scent of a hound, the eye of a lynx, and could track
Where never a sign on the ground or the rock could be seen by the black.
A rascal at large, when he heard that Blake was out hard at his heels,
Felt just as the wilderness bird, in the snare fettered hopelessly, feels.
And, hence, when the wolf with the brand of Cain written thrice on his face,
Knew terrible Dick was at hand, he slunk like a snake to his place -
To the depths of his kennel he crept, far back in the passages dim;
But Blake and his mates never slept; they hunted and listened for him.
The mountains were many, but he who had captured big Terrigal Bill,
The slayer of Hawkins and Lee, found tracks by a conical hill.
[...] Read more
poem by Henry Kendall
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Lost Mr. Blake
Mr. Blake was a regular out-and-out hardened sinner,
Who was quite out of the pale of Christianity, so to speak,
He was in the habit of smoking a long pipe and drinking a glass of
grog on a Sunday after dinner,
And seldom thought of going to church more than twice or - if Good
Friday or Christmas Day happened to come in it - three times a
week.
He was quite indifferent as to the particular kinds of dresses
That the clergyman wore at church where he used to go to pray,
And whatever he did in the way of relieving a chap's distresses,
He always did in a nasty, sneaking, underhanded, hole-and-corner
sort of way.
I have known him indulge in profane, ungentlemanly emphatics,
When the Protestant Church has been divided on the subject of the
proper width of a chasuble's hem;
I have even known him to sneer at albs - and as for dalmatics,
Words can't convey an idea of the contempt he expressed for THEM.
He didn't believe in persons who, not being well off themselves,
are obliged to confine their charitable exertions to collecting
money from wealthier people,
And looked upon individuals of the former class as ecclesiastical
hawks;
He used to say that he would no more think of interfering with his
priest's robes than with his church or his steeple,
And that he did not consider his soul imperilled because somebody
over whom he had no influence whatever, chose to dress himself up
like an exaggerated GUY FAWKES.
This shocking old vagabond was so unutterably shameless
That he actually went a-courting a very respectable and pious
middle-aged sister, by the name of BIGGS.
She was a rather attractive widow, whose life as such had always
been particularly blameless;
Her first husband had left her a secure but moderate competence,
owing to some fortunate speculations in the matter of figs.
She was an excellent person in every way - and won the respect even
of MRS. GRUNDY,
She was a good housewife, too, and wouldn't have wasted a penny if
she had owned the Koh-i-noor.
She was just as strict as he was lax in her observance of Sunday,
And being a good economist, and charitable besides, she took all
the bones and cold potatoes and broken pie-crusts and candle-ends
(when she had quite done with them), and made them into an
excellent soup for the deserving poor.
I am sorry to say that she rather took to BLAKE - that outcast of
[...] Read more
poem by William Schwenck Gilbert
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The Canon Of Aughrim
You ask me of English honour, whether your Nation is just?
Justice for us is a word divine, a name we revere,
Alas, no more than a name, a thing laid by in the dust.
The world shall know it again, but not in this month or year.
Honour? Oh no, you profane it. Justice? What words! What deeds!
Look at the suppliant Earth with its living burden of men.
Here and to Hindostan the nations and kings and creeds
Praise your name as a god's, the god of their children slain.
Which of us doubts your justice? It is not here in the West,
After six hundred years of pitiless legal war,
The sons of our soil are in doubt. They know, who have borne it, best:
The world is famished for justice. You give us a stone, your law.
These are its fruits. Yet, think you, the Ireland where men weep
Once was a jubilant land and dear to the Saints of God.
All you have made it to--day is a hell to conquer and keep,
Yours by the right of the strongest hand, the right of the rod.
History tells the story in signs deep writ on the soil,
Plain and clear in indelible type both for fools and wise.
Here is no need of books, of any expositor's coil.
He who runs may read, and he may weep who has eyes.
This is the plain of Aughrim, renowned in our Irish story
Because of the blood that was shed, the last in arms by our sons,
A fight in battle array, with more of grief than of glory,
Where as a Nation we died to dirge of your English guns.
So the Chroniclers tell us, and turn in silence their page,
Ending the fighting here. I tell you the Chroniclers lie.
Spite of the hush of the dead, the battle from age to age
Flames on still through the land, and still at men's hands men die.
Look! I will show you the footsteps of those who have died at your hand,
Done to death by your law, alas, and not by the sword,
Only their work remaining, a nations's track in the sand,
Ridge and furrow of ancient fields half hid in the sward.
Step by step they retreated. You fenced them out with your Pale,
Back from township and city and cornland fair by the Sea.
Waterford, Youghal and Wexford you took and the Golden Vale.
Tears were their portion assigned: for you their demesnes in fee.
Back to the forest and bog. They shouldered their spades like men,
Fought with the wolf and the rock and the hunger which holds the hill.
Still new homesteads arose where fever lurked in the fen,
Still your law was a sword that hunted and dogged them still.
[...] Read more
poem by Wilfrid Scawen Blunt
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Sprinkle drinkle in the bar
Sprinkle drinkle in the bar
how I wonder what side car
I’ll rush into as some knight
whets my blurry appetite.
Drinkle, twinkle, little bar –
only hope you’re up to par!
When to blazes one is gone
ten more line up for the fun,
can I, canned, quite see the light,
can I dream of selenite?
Drinkle drinkle nothing bar –
spare a dropp for grandmama!
When rich traveller in the dark
thanks one for the little lark
two play at in dark car park,
take him for a ride stripped stark.
One should thank that lucky star
and save a tip[ple] for mamma!
But – night’s curtains rise – still keep
all Tom’s change to pay for peep,
one should never shut an eye
till its time to say goodbye!
Drinkle’s cost? - what’s lost won’t count
[hope it is a large amount] J
As his drooping tiny spark
stands not on ceremony, mark,
one should heave par[s]ting remark -
“ciao” then leave him in the dark!
Drinkle, drinkle little bar
Closing time’s the best by far!
When at last Night’s curtain falls
Knight takes no more curtain calls,
see his bark grow[l] worse than bite –
both, if witnessed, could indict –...
Help I’m summoned to the bar
no-contest? judgement won by star?
19 March 2005 Parody Ann & Jane TAYLOR The Star, William Blake Tyger
'The Star'
Twinkle, twinkle, little star,
How I wonder what you are!
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poem by Jonathan Robin
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Now I Need You
You parting words still echo clear on the day you left me
If you need me Ill be there, you said youd always help me
Now l need you, l need you, l need you, l need you
L need you, l need you right now
Now l need you, l need you, l need you, l need you
L need you, l need you right now
L cant seem to satisfy anyone around me
You hold my hand and see me through
All the things that bound me
Now l need you, l need you, l need you, l need you
L need you, l need you right now
Now l need you, l need you, l need you, l need you
L need you, l need you right now
Now l need you, l need you, l need you, l need you
L need you, l need you right now
Now l need you, l need you, l need you, l need you
L need you, l need you right now
Im calling you now (oh now I need you)
Calling you now (oh how I need you)
Please come to me now
I need you
I need you (oh how l need you)
I need you (oh how I need you)
I need you (oh how I need you)
I need you (oh how I need you)
Oh how I need you, oh how I need you
Having learned to live with you
Its hard to live without you
You always said if I were down,
To cheer me you would be around
Now l need you, l need you, l need you, l need you
L need you, l need you right now
Now l need you, l need you, l need you, l need you
L need you, l need you right now
Now l need you, l need you, l need you, l need you
L need you, l need you right now
Now l need you, l need you, l need you, l need you
L need you, l need you right now
Im calling you now
(oh how I need you)
Calling you now
(oh how I need you)
Please come to me now
(oh how I need you)
Please come to me now
(oh how I need you) I need you now
(oh how I need you)
song performed by Donna Summer
Added by Lucian Velea
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Now, Heart' - Some Of What I Remember When I Listen
A river is a process through time, and the river stages are its momentary parts.
—Willard Van Orman Quine
From early poems,1970s, youthful indiscretions/attempts to vocally/poetically arrive at/derive a worthwhile writer's voice. Some explication might serve or enhance these under serving, undeserving though 'striving-after' poems hidden in old journals understandably unpublished but now so with apologies which are these expiatory explanations. Recently rediscovering these early arrivals, derivative yet aspiring I recognized and reembraced an enduring self maturing, arriving into late middle age:
Obsessed newly by jazz, mad about the many miraculous lady singers, entranced all too easily as youth are wont to be by sorrows and sexual infatuations which feel, emphasis on 'feel', like love, here are two of many 'songs' as tributes and life markers to jazz singers who provided soundtrack and felt expression to my angst and easily inflated/deflated sense of self, of beloved others, and of that new territory, independent life away from parental home and childhood community discovering, blundering into the fray of separate hearts and minds, irresponsible genitals and insouciant jouissance ('juiciness', in French) , discovering then and again and again that like Walt Whitman I 'contain worlds' and many disparate selves poorly formed, most of them collective projections and expectations of who or what I wanted to be, what others wanted and expected me to be, resulting in much confusion, tumult and multitudes of momentary throw-away selves. Thus singers like Bessie Smith and Dinah Washington became anchors, warm contexts and containers, for my daily fragmentation and re-formation.
I lived on 3rd street in downtown Chattanooga, a refugee from zealous, politically conservative white evangelicals and the vestigial yet still viral Southern Confederacy. Just a block or two from where Bessie Smith was born, I used to watch from my upstairs porch the steep hilly street's comings and goings with a glimpse of the Tennessee River between tenements across the street, its persistent rich aroma heavy in the air. I imagined Bessie Smith as a little girl playing up and down the street like the kids I saw then - once, two of them gleefully chasing a frighteningly large and confused looking rat.
William—he insisted on 'Willie'—an old man down the street who knew Bessie as a little girl, used to come up to my porch after one day hearing Bessie from my phonograph singing blues onto the always busy but attentive street. One of the first and permanent things I learned from my porch is that a city street has keen, observant eyes, acute ears, omnivorously seeing/hearing everything, indifferently, perhaps, but nothing escapes it, a roving, all-knowing urban Eye of God.
Extremely green and eager as green always is though stutteringly, and without apology, I enjoyed Willie's many stories and back pocket bottles of Old Mr. Boston Apricot Brandy, both of which—story and spirits/spirited story —dissolved or appeared to, age, racial, cultural, and sociological differences, along with those catalysts/cata-lusts, the forever alchemical Bessie and other jazz singers, Billie! Dinah! Ella! Sassy! Lil Ester Phillips! Nina Simone! to name only a few of the sensuous solutio chanteuses resolving sexual confoundaries by Miss-ambiguating sins' plethera with loose lilt and will- o-the-lisp whisper tongues.
One night Willie, much 'in the pocket'—an expression for being well onto tipsy which I've never heard from anyone but him—wanted to dance to a Bessie tune playing, 'Back Water Blues', him recalling nights as a young man in rural Tennessee where he'd worked hard days in oppressive vegetable fields then hit the after hours juke joints for 'colored, twas segregation days, ' he explained, where he would go to drink, dance then dive/delve, as it were, into the sensual mysteries of moist skin, hot breath, mutually open mouths with their commodious moans and mumbles, venial hands, always vital parts, private hearts mutually pounding ancient known rhythms, odors and tastes of gin and those slender, forbidden, now greedily stolen bites in those all too short nights with their damned intrusive dawns.
'Dawnus interuptus, ' I quipped, us both slapping knees, passing the narrative bottle fore and aft hefting moments re-grasped between us, offerings to the equally narrative river, the all-knowing hungry street.
Jumping to his feet, Willie described 'powder dancin'' (pronounced marvelously, 'powdah') which I had never heard of. Talcum powder would be copiously scattered onto the dance floor where couples in stocking or bare feet would ecstatically dance, gliding and sliding sweetly scented, muskily bent toward later glides and slides in the slippery joy of momentary allure and amour on dimmed porches or surrounding woods often enough and gratis upon delicate slabs of moonlight gratuitously dewy providing cushion for Passion's out and in, honoring and dignifying deities of skin wanting more making more skin, headlong Nature's frictional algo-rhythms indelibly scored in every/each his/her yawing yen.
Willie shouted, 'YOU GOT ANY TALC POWDER? ! '
...The jazz us trembled...
'NO! ' I bellowed, curious.
'YOU GOT ANY FLOUR? ! '
Even more curious, 'YEAH! ! '
'GO GIT IT! QUICK! ! '
He grinned an Old Mr. Boston juke-joint night-memories quaff-again grin.
Martha White, a brand of flour sold down South, has never been put to better use. Willie threw handfuls of 'Martha' over the tenement-planked living room floor as I half protested at the mess it (and me and Willie) was and would become. Completely gripped by his present-in-the-past brandy trance, a much younger man now, he suddenly grabbed me, brandied and tranced, too, my long hair flying, and danced me all over the floor the night through with swigs of Old But Now Spry 'n' Sprightly Mr. Boston with pauses to change record albums on the phonograph, 'catching up our breaths, ' he panted.
Next morning (more likely early afternoon) , Willie long gone, I awakened sprawled on the penitent porch—a cool concrete floor my sinner's bench—sweaty and thick as pan gravy, mosquito bitten, marinaded in Tennessee night mists. I staggered into the living room onto the ghostly floor powdery white, 'stroked' with two attached, or close to, sets of foot prints, heel slides and smears, a kind of 'Jackson Pollock meets Tibetan sand painting 'yazzed' yantra'**' with cigarette ashes flicked into the flickering impermanent mix. I've not powder danced since when we drank discovering oral history's joys, opened eager ears and fraternal arms forgetting fears of race and religion, age and expressed/ espressed Desire's multilingual disseminations.
I know that wheat is anciently sacred but now even more so for flour, the sight and feel of it, its unbaked smell, turns me again toward a Chattanooga 3rd street, its compass river swelling like bread nearby bearing witness still for one cannot say too much about rivers—their irreverence of edges scored, spilling themselves, proclaiming natural gods deeper than memory yet dependent upon it for traced they must be in every human activity, no matter the breech, for something there is to teach even deity though it may be wrong to do so, or hearsay to say it or sing, but the song is there for those whose ears are broken onto bottoms from which cry urgencies of Being and between, dutiful banks barely containing the straining Word.
**From Tibetan Buddhism. Visual meditation devices,
Yantras function as revelatory conduits of cosmic truths.
1. To Bessie Smith,3rd Street Chattanooga (circa 1971)
Already the river begins its sweat.
April to September I'll be on the porch
Come sunsets listening to cars in the
Dark and you, remembering the flour
On the floor and me and Willie in
Stocking feet dancing till dawn,
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poem by Warren Falcon
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Need Ya
I used to be a very carefree man,
A loving man of the world.
Yeah, I would still be except for the time
When I met ya, little girl.
Say, I've tried and I've tried but I just can't.
You sure got a hold on me.
Ah, your good, good lovin' is makin' me faint,
Mama, please don't set me free.
Because I need ya, need ya, need ya, need ya, yeah.
(Need ya, need ya)
Oh, need ya, need ya, need ya, need ya, yeah.
(Need ya, need ya)
You got that kinda air that drives me insane
And sometime ya sure got me new.
Ah, sometimes I feel like knockin' you down,
But I would never pull that scene.
Though I get tired, I know that you know
That I'd never do you wrong.
'Cause when it's late and I feel down, turn the lights on low
And I will hold things in my soul.
'Cause I need ya, need ya, need ya, need ya, yeah.
(Need ya, need ya)
I'm gonna need ya, need ya, need ya, need ya, yeah.
(Need ya, need ya)
Yeah ... ooh yeah.
Ah, need ya, need ya, need ya, need ya, yeah.
(Need ya, need ya, need ya, need ya)
You know I need ya, need ya, need ya, need ya, yeah.
(Need ya, need ya, need ya, need ya)
Yeah, oh, oh, need ya, need ya, need ya, need ya, yeah.
(Need ya, need ya, need ya, need ya)
Oh yeah, need ya, need ya, need ya, need ya, yeah.
Oh, ... (Need ya, need ya, need ya, need ya )
Oh, ... (Need ya, need ya, need ya , need ya)
song performed by Bob Seger
Added by Lucian Velea
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Why Does The Sun Shine
The sun is a mass of incandescent gas
A gigantic nuclear furnace
Where hydrogen is built into helium
At a temperature of millions of degrees
Yo ho, its hot, the sun is not
A place where we could live
But here on earth thered be no life
Without the light it gives
We need its light
We need its heat
We need its energy
Without the sun, without a doubt
Thered be no you and me
The sun is a mass of incandescent gas
A gigantic nuclear furnace
Where hydrogen is built into helium
At a temperature of millions of degrees
The sun is hot
It is so hot that everything on it is a gas: iron, copper, aluminum, and many others.
The sun is large
If the sun were hollow, a million earths could fit inside. and yet, the sun is only a middle-sized star.
The sun is far away
About 93 million miles away, and thats why it looks so small.
And even when its out of sight
The sun shines night and day
The sun gives heat
The sun gives light
The sunlight that we see
The sunlight comes from our own suns
Atomic energy
Scientists have found that the sun is a huge atom-smashing machine. the heat and light of the sun come from the nuclear reactions of hydrogen, carbon, nitrogen, and helium.*
The sun is a mass of incandescent gas
A gigantic nuclear furnace
Where hydrogen is built into helium
At a temperature of millions of degrees
Notes
*live versions of this song are improvised extensively. some variants on this section:
Scientists have found that the sun is a huge atom-smashing machine. the heat and light of the sun are caused by the nuclear reaction between hydrogen, nitrogen, carbon, and helium.
Scientists have found that the sun is a huge atom-smashing machine. the heat and light from the sun come from the nuclear reaction between oxygen, hydrogen, helium, and hydrogen.
You know, frank, scientists have found that the sun is a huge atom-smashing machine. the heat and light from the sun are caused by the nuclear reaction between hydrogen and you, frank otoole.
Scientists have found that the sun is a huge atom-smashing machine. the heat and light from the sun come from the nuclear reaction between hydrogen, nitrogen, helium, carbon, boron, chloron, flu
Moron, and estrogen.
song performed by They Might Be Giants
Added by Lucian Velea
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Cromwell
They took dead Cromwell from his grave,
And stuck his head on high;
The Merry Monarch and his men,
They laughed as they passed by
The common people cheered and jeered,
To England’s deep disgrace—
The crowds who’d ne’er have dared to look
Live Cromwell in the face.
He came in England’s direst need
With law and fire and sword,
He thrashed her enemies at home
And crushed her foes abroad;
He kept his word by sea and land,
His parliament he schooled,
He made the nations understand
A Man in England ruled!
Van Tromp, with twice the English ships,
And flushed by victory—
A great broom to his masthead bound—
Set sail to sweep the sea.
But England’s ruler was a man
Who needed lots of room—
So Blake soon lowered the Dutchman’s tone,
And smashed the Dutchman’s broom.
He sent a bill to Tuscany
For sixty thousand pounds,
For wrong done to his subjects there,
And merchants in her bounds.
He sent by Debt Collector Blake,
And—you need but be told
That, by the Duke of Tuscany
That bill was paid in gold.
To pirate ports in Africa
He sent a message grim
To have each captured Englishman
Delivered up to him;
And every ship and cargo’s worth,
And every boat and gun—
And this—all this, as Dickens says—
“Was gloriously done.”
They’d tortured English prisoners
Who’d sailed the Spanish Main;
So Cromwell sent a little bill
By Admiral Blake to Spain.
To keep his hand in, by the way.
[...] Read more
poem by Henry Lawson
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A Poem Sacred to the Memory of Sir Isaac Newton
Shall the great soul of Newton quit this earth,
To mingle with his stars; and every muse,
Astonish'd into silence, shun the weight
Of honours due to his illustrious name?
But what can man?--Even now the sons of light,
In strains high-warbled to seraphic lyre,
Hail his arrival on the coast of bliss.
Yet am not I deterr'd, though high the theme,
And sung to harps of angels, for with you,
Ethereal flames! ambitious, I aspire
In Nature's general symphony to join.
And what new wonders can ye show your guest!
Who, while on this dim spot, where mortals toil
Clouded in dust, from motion's simple laws,
Could trace the secret hand of Providence,
Wide-working through this universal frame.
Have ye not listen'd while he bound the suns
And planets to their spheres! th' unequal task
Of humankind till then. Oft had they roll'd
O'er erring man the year, and oft disgrac'd
The pride of schools, before their course was known
Full in its causes and effects to him,
All-piercing sage! who sat not down and dream'd
Romantic schemes, defended by the din
Of specious words, and tyranny of names;
But, bidding his amazing mind attend,
And with heroic patience years on years
Deep-searching, saw at last the system dawn,
And shine, of all his race, on him alone.
What were his raptures then! how pure! how strong!
And what the triumphs of old Greece and Rome,
By his diminish'd, but the pride of boys
In some small fray victorious! when instead
Of shatter'd parcels of this earth usurp'd
By violence unmanly, and sore deeds
Of cruelty and blood, Nature herself
Stood all subdu'd by him, and open laid
Her every latent glory to his view.
All intellectual eye, our solar-round
First gazing through, he by the blended power
Of gravitation and projection saw
The whole in silent harmony revolve.
From unassisted vision hid, the moons
To cheer remoter planets numerous pour'd,
By him in all their mingled tracts were seen.
He also fix'd the wandering Queen of Night,
[...] Read more
poem by James Thomson
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Confessio Amantis. Explicit Liber Septimus
Incipit Liber Octavus
Que favet ad vicium vetus hec modo regula confert,
Nec novus e contra qui docet ordo placet.
Cecus amor dudum nondum sua lumina cepit,
Quo Venus impositum devia fallit iter.
------------------------------------ -----------------------------------------------
The myhti god, which unbegunne
Stant of himself and hath begunne
Alle othre thinges at his wille,
The hevene him liste to fulfille
Of alle joie, where as he
Sit inthronized in his See,
And hath hise Angles him to serve,
Suche as him liketh to preserve,
So that thei mowe noght forsueie:
Bot Lucifer he putte aweie,
With al the route apostazied
Of hem that ben to him allied,
Whiche out of hevene into the helle
From Angles into fendes felle;
Wher that ther is no joie of lyht,
Bot more derk than eny nyht
The peine schal ben endeles;
And yit of fyres natheles
Ther is plente, bot thei ben blake,
Wherof no syhte mai be take.
Thus whan the thinges ben befalle,
That Luciferes court was falle
Wher dedly Pride hem hath conveied,
Anon forthwith it was pourveied
Thurgh him which alle thinges may;
He made Adam the sexte day
In Paradis, and to his make
Him liketh Eve also to make,
And bad hem cresce and multiplie.
For of the mannes Progenie,
Which of the womman schal be bore,
The nombre of Angles which was lore,
Whan thei out fro the blisse felle,
He thoghte to restore, and felle
In hevene thilke holy place
Which stod tho voide upon his grace.
Bot as it is wel wiste and knowe,
Adam and Eve bot a throwe,
So as it scholde of hem betyde,
In Paradis at thilke tyde
Ne duelten, and the cause why,
Write in the bok of Genesi,
[...] Read more
poem by John Gower
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You Dont Pull No Punches But You Dont Push The River
(da da da....)
When you were a child, you were a tomboy
Gimme soul satisfaction
Way back in shady lane
Do you remember darlin?
And its the woman in you, and its the woman in you
Gimme soul satisfaction
And it takes the child in you to know
The woman an you are one
Were goin out in the country to get down to the real soul,
I mean the real soul, people,
Were goin out in the country, get down to the real soul
Were gettin out to the west coast
Shining our light into the days of bloomin wonder
Goin as much with the river as not, as not, yeah, yeah
An Im goin as much with the river as not
Yeah, yeah, right, yeah
Blake and the eternals oh standin with the sisters of mercy
Looking for the veedon fleece, yeah
William blake and the eternals oh standin with the sisters of mercy
Looking for the veedon fleece, yeah
You dont pull no punches, but you dont push the river
You dont pull no punches, and you dont push the river
You dont pull no punches, and you dont push the river, no, no
Goin as much with the river as not
Were goin out in the west, down to the cathedrals
Were goin out in the west (alright), down to the beaches
And the sisters of mercy, behind the sun
Oh behind the sun
And william blake and the sisters of mercy looking for the veedon fleece,
Yeah
You dont pull no punches, goin west, goin as much with the river as not
With the river as not, with the river as not, goin as much,
Goin as much with the river as not, no, ah
You dont pull no punches, and you dont push the river, no
You dont pull no punches, but you dont push the river, no
You dont pull no punches, but you dont push the river, no
You dont pull no punches, but you dont push the river
And we was contemplating baba, william blake and the eternals
Goin down to the sisters of mercy
Looking for the veedon fleece
Looking for the veedon fleece
Looking for the veedon fleece
Looking for the veedon fleece
You dont pull no punches, but ya, you dont push the river
You dont pull no punches, but ya, you dont push the river, no
You dont pull no punches, but ya, you dont push the river
You dont push the river, you dont push the river
song performed by Van Morrison
Added by Lucian Velea
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A Tribute To Blake
When I behold the works of Blake, his visions to unfold,
I see the journey I must take to sift out all that gold.
I see the sun, the moon and stars, the tiger and the lamb,
I see Man's sin that often bars from God, the great I AM.
I look at Adam and at Eve, once holy in God's sight,
Until the day they had to leave God's Garden of Delight.
When Satan's subtle serpent's hiss shared whispers soft and low.
Such that nigh Eve, truths went amiss and sins they, too, would know.
When Adam found poor Abel dead, what thoughts ran through his mind?
For Cain, his angry thoughts had fed and rocks weren't hard to find.
And while times past, not even kings were free from sin's embrace,
And were not slaves their underlings, to favour or erase?
To think, that Blake could weave his spell, depict the good and bad
And with his visions, tales to tell, the wondrous and the sad.
And even now, his art survives the centuries untamed,
With verses scrawled, till truth arrives, anointed and enflamed!
What righteous thoughts the prophet shared, recalling Bethlehem,
A thousand angels Heaven spared near to Jerusalem.
The poet knows their harmonies, the artist knows their joys,
No wonder, then, Blake pictured peace with Scriptures as his choice.
Such precious prose writ for that time, produced a millionfold,
Such that his legacy's sublime, distinctive, faithful, bold.
Could you devote your life to art? Could you excel like Blake?
If so, God bless your noble heart, as you, your journey take!
Denis Martindale, copyright, October 2012.
We can hear the word of the Lord on
Revelation TV on UK Sky Digital 581
as well as the WATCH NOW link on
the revelationtv-dot-com website...
poem by Denis Martindale
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I Need Your Loving
I need your loving
I need your kissing, baby
I need your loving
I need your kissing, baby
Moonlit sky casts shadows down
Romance in the air is strong
Somethings telling me
I need your love
I need your loving
I need your kissing, baby
And thats a fact
I need your loving
I need your kissing, baby
Where are you at?
Looking glass reflects the moon
Your loves missing from this room
Baby, now I see
I need your love
I need your loving
I need your kissing, baby
And thats a fact
I need your loving
I need your kissing, baby
Where are you at?
I need your loving
I need your love
I need your kissing, baby
And thats a fact
I need your loving
I need your love
I need your kissing, baby
Where are you at?
Oh, I need your love
I need you tonight
Cant do without
Oh, I need your love
Oh, I need your love
So I can hug
And squeeze you tight
Oh, I need your love
Oh, I need your love
I need you tonight
Cant do without
Oh, I need your love
Oh, I need your love
So I can hug
And squeeze you tight
Oh, I need your love
Baby
Come on home to me
[...] Read more
song performed by Human League
Added by Lucian Velea
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The Origin Of The Universe -ten Questions Answered
1.How did the UNIVERSE originate?
It was from the bang, bang and the bang,
It was through the big bang
And you know it for certain.
Yes, the universe originated through the Big Bang.
2.What was the Big Bang?
An explosion of a particle was it
And the particle was smaller than an atom.
It was first explosion for our cause.
Yes, it was a causeless act of explosion of a small particle that resulted in the evolution of an ever expanding universe. Before the Big Bang the universe was smaller than an atom! There was only a point of time then and not a place! The Big Bang theory is the prevailing cosmological model that describes the early development of the Universe.According to the Big Bang theory, the Universe was once in an extremely hot and dense state which expanded rapidly.
3.What followed the act of expansion of the universe?
Then began the expansion,
An expansion that is still going on
And then and thus began the life of our universe.
The rapid expansion caused the Universe to cool and resulted in its present continuously expanding state. According to the most recent measurements and observations, the Big Bang occurred approximately 13.75 billion years ago, which is thus considered the age of the Universe.
4.What happened in the next stage?
There came the phases of energy
And the wonder of electrons, protons and neutrons.
We learnt about from the sweet mouth of our teacher first.
After its initial expansion from a singularity, the Universe cooled sufficiently to allow energy to be converted into various subatomic particles, including protons, neutrons, and electrons.While protons and neutrons combined to form the first atomic nuclei only a few minutes after the Big Bang, it would take thousands of years for electrons to combine with them and create electrically neutral atoms.The first element produced was hydrogen, along with traces of helium and lithium. Giant clouds of these primordial elements would coalesce through gravity to form stars and galaxies, and the heavier elements would be synthesized either within stars orduring supernovae.
5.What is the scientific theory/relevance of the Big Bang?
Truth is that matters much to us
And the core ideas have to lead us.
Or else we might go back to life darker still.
The Big Bang is a well-tested scientific theory and is widely accepted within the scientific community. It offers a comprehensive explanation for a broad range of observed phenomena. Since its conception, abundant evidence has been uncovered in support of the model. The core ideas of the Big Bang—the expansion, the early hot state, the formation of helium, and the formation of galaxies—are derived from many observations that are independent from any cosmological model; these include the abundance of light elements, the cosmic microwave background, large scale structure, and the Hubble diagram for Type I - a supernovae.
6.What will be the phases of the expansion of the universe?
An ever expanding mystery it is
Closer it was then and now it will be farther and farther.
And once begun it can`t go back ever.
As the distance between galaxy clusters is increasing today, it can be inferred that everything was closer together in the past. This idea has been considered in detail back in time to extreme densities and temperatures, and large particle accelerators have been built to experiment in such conditions, resulting in further development of the model. On the other hand, these accelerators have limited capabilities to probe into such high energy regimes.
7.Does the Big Bang theory explain everything?
[...] Read more
poem by M.d Dinesh Nair
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I Need You
Dont need a roller or a limousine
I don't need my picture in a magazine
I don't need approval from a chosen few
Tell you what I do need, I need you
Don't need no fixtures or feelings of home
I'm so unfurnished, I'm on my own
I don't need reminding when the rent is due
Tell you what I do need, I need you
I need you like a fly needs a plane
I need you like a ball needs a game
I need you like a pool needs a cue
I need you, need you, need you, I need you
I don't need no covered kisses for company
I don't want no washed up dishes soft soapin' me
I don't need no Cinderella in high-heeled shoes
I tell you what I do need, I need you
I need you like a fly needs a plane
I need you like a ball needs a game
I need you like a shot needs to shoot
I need you, need you, need you, I need you
I need you, need you, need you, I need you
Said I want you (I need you)
I need you, need you, need you, I need you
But I want, I want you (I need you)
Yes, I need (I need you)
I need you, need you, need you, I need you
I want you, want you, want you (I need you)
song performed by Paul Carrack
Added by Lucian Velea
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Blake's Victory
On the Victory Obtained by Blake over the Spaniards in the Bay of Santa Cruz, in the Island of Tenerife, 1657
Now does Spain's fleet her spacious wings unfold,
Leaves the New World and hastens for the old:
But though the wind was fair, they slowly swum
Freighted with acted guilt, and guilt to come:
For this rich load, of which so proud they are,
Was raised by tyranny, and raised for war;
Every capacious gallion's womb was filled,
With what the womb of wealthy kingdoms yield,
The New World's wounded entrails they had tore,
For wealth wherewith to wound the Old once more:
Wealth which all others' avarice might cloy,
But yet in them caused as much fear as joy.
For now upon the main, themselves they saw--
That boundless empire, where you give the law--
Of winds' and waters' rage, they fearful be,
But much more fearful are your flags to see.
Day, that to those who sail upon the deep,
More wished for, and more welcome is than sleep,
They dreaded to behold, lest the sun's light,
With English streamers, should salute their sight:
In thickest darkness they would choose to steer,
So that such darkness might suppress their fear;
At length theirs vanishes, and fortune smiles;
For they behold the sweet Canary Isles;
One of which doubtless is by Nature blessed
Above both Worlds, since 'tis above the rest.
For lest some gloominess might strain her sky,
Trees there the duty of the clouds supply;
O noble trust which heav'n on this isle pours,
Fertile to be, yet never need her show'rs.
A happy people, which at once do gain
The benefits without the ills of rain.
Both health and profit fate cannot deny;
Where still the earth is moist, the air still dry;
The jarring elements no discord know,
Fuel and rain together kindly grow;
And coolness there, with heat doth never fight,
This only rules by day, and that by night.
Your worth to all these isles, a just right brings,
The best of lands should have the best of kings.
And these want nothing heaven can afford,
Unless it be--the having you their Lord;
But this great want will not a long one prove,
Your conquering sword will soon that want remove.
For Spain had better--she'll ere long confess--
Have broken all her swords, than this one peace,
Casting that legue off, which she held so long,
[...] Read more
poem by Andrew Marvell
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