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John Le Carre

A spy, like a writer, lives outside the mainstream population. He steals his experience through bribes and reconstructs it.

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Spy

I see you from my spy plane, baby
I see you walking on the ground
I see you through my spy glasses, baby
I can see right through the ground
If you want to be a spy
Then you must really see
And you must really see
If you want to be a spy like me
Come on
I might gaze on a submarine
I see your face smiling at me
Even when I close my eyes
Your silhouette is smiling at me
But you will never understand me
Because I have a special job
I wish I could break the spy glass
Set it free
So we could be
Spy spy spy spy
Spy spy spy spy
Spy spy spy spy
Spy spy spy spy
Spy

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Paperback Writer

(LennonMcCartney)
Paperback writer
Dear Sir or Madam, will you read my book?
It took me years to write, will you take a look?
It's based on a novel by a man named Lear
And I need a job, so I want to be a paperback writer
Paperback writer
It's the dirty story of a dirty man
And his clinging wife doesn't understand
His son is working for the Daily Mail
It's a steady job but he wants to be a paperback writer
Paperback writer
Paperback writer
It's a thousand pages, give or take a few
I'll be writing more in a week or two
I can make it longer if you like the style
I can change it round and I want to be a paperback writer
Paperback writer
If you really like it you can have the rights
It could make a million for you overnight
If you must return it, you can send it here
But I need a break and I want to be a paperback writer
Paperback writer
Paperback writer
Paperback writer, paperback writer
Paperback writer, paperback writer
Paperback writer, paperback writer
Paperback writer, paperback writer (fade out)

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Rudyard Kipling

The Spies' March

There are not leaders to lead us to honour, and yet without leaders we sally,
Each man reporting for duty alone, out of sight, out of reach, of his fellow.
There are no bugles to call the battalions, and yet without bugle we rally
From the ends of the earth to the ends of the earth, to follow the Standard of Yellow!
Fall in! O fall in! O fall in!

Not where the squadrons mass,
Not where the bayonets shine,
Not where the big shell shout as they pass
Over the firing-line;
Not where the wounded are,
Not where the nations die,
Killed in the cleanly game of war --
That is no place for a spy!
O Princes, Thrones and Powers, your work is less than ours --
Here is no place for a spy!

Trained to another use,
We march with colours furled,
Only concerned when Death breaks loose
On a front of half a world.
Only for General Death
The Yellow Flag may fly,
While we take post beneath --
That is the place for a spy.
Where Plague has spread his pinions
Over Nations and Dominions --
Then will be work for a spy!

The dropping shots begin,
The single funerals pass,
Our skirmishers run in,
The corpses dot the grass!
The howling towns stampede,
The tainted hamlets die.
Now it is war indeed --
Now there is room for a spy!
O Peoples, Kings and Lands,
We are waiting your commands --
What is the work for a spy?
(Drums) -- Fear is upon us, spy!

"Go where his pickets hide --
Unmask the shape they take,
Whether a gnat from the waterside,
Or a stinging fly in the brake,
Or filth of the crowded street,
Or a sick rat limping by,
Or a smear of spittle dried in the heat --
That is the work of a spy!

[...] Read more

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Mainstream

Can I have this last dance, my darling?
Can I have this last dance with you?
I wanna dance the whole night tonight
And can I have this last dance, my darling?
Can I have this last dance with you?
These are the words that he told to the fellow next door
Mainstream, u.s.a.
I flipped that guy the bird
Mainstream, u.s.a.
Is all I wanna say
Mainstream, u.s.a.
I flipped that guy the bird
Mainstream, u.s.a.
Is all I wanna say
We are the world (back off, fool)
We are (Im talking to you)
We are the world (back off, fool)
Mainstream, u.s.a.
I flipped that guy the bird
Mainstream, u.s.a.
Is all I wanna say
Mainstream, u.s.a.
I flipped that guy the bird
Mainstream, u.s.a.
Is all I wanna say
Notes
The lyrics above are as heard on the original dial-a-song version. the following verse is tacked on to the end of the lofi (das online) version, and is sung superimposed with the first verse in
Hen version:
As I rode the subway this morning
There was a man with a boat beside me
And he tapped out rhythms with a smile on his face
And the tip of his finger
That he found on the floor
And these are the words that he told to the fellow next door

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Mainstream U. S. A.

Can I have this last dance, my darling?
Can I have this last dance with you?
I wanna dance the whole night tonight
And can I have this last dance, my darling?
Can I have this last dance with you?
These are the words that he told to the fellow next door
Mainstream, U.S.A.
I flipped that guy the bird
Mainstream, U.S.A.
Is all I wanna say
Mainstream, U.S.A.
I flipped that guy the bird
Mainstream, U.S.A.
Is all I wanna say
We are the world (back off, fool)
We are (I'm talking to you)
We are the world (back off, fool)
Mainstream, U.S.A.
I flipped that guy the bird
Mainstream, U.S.A.
Is all I wanna say
Mainstream, U.S.A.
I flipped that guy the bird
Mainstream, U.S.A.
Is all I wanna say
Notes
The lyrics above are as heard on the original Dial-a-Song version. The following verse is tacked on to the end of the LoFi (DAS Online) version, and is sung superimposed with the first verse in the Then version:
As I rode the subway this morning
There was a man with a boat beside me
And he tapped out rhythms with a smile on his face
And the tip of his finger
That he found on the floor
And these are the words that he told to the fellow next door

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Z. Comments

CRYSTAL GLOW

Madhur Veena Comment: Who is she? ? ? ? ? ? ? ? ? ? ? ....You write good!

Margaret Alice Comment: Beautiful, it stikes as heartfelt words and touches the heart, beautiful sentiments, sorry, I repeat myself, but I am delighted. Your poem is like the trinkets I collect to adorn my personal space, pure joy to read, wonderful! Only a beautiful mind can harbour such sentiments, you have a beautiful mind. I am glad you have found someone that inspires you to such heights and that you share it with us, you make the world a mroe wonderful place.

Margaret Alice Comment: Within the context set by the previous poem, “Cosmic Probe”, the description of a lover’s adoration for his beloved becomes a universal ode sung to the abstract values of love, joy and hope personified by light, colours, fragrance and beauty, qualities the poet assigns to his beloved, thus elevating her to the status of an uplifting force because she brings all these qualities to his attention. The poet recognises that these personified values brings him fulfilment and chose the image of a love relationship to illustrate how this comes about; thus a love poem becomes the vehicle to convey spiritual epiphany.


FRAGRANT JASMINE

Margaret Alice Comment: Your words seem to be directed to a divine entity, you seem to be addressing your adoration to a divinity, and it is wonderful to read of such sublime sentiments kindled in a human soul. Mankind is always lifted up by their vision and awareness of divinity, thank you for such pure, clear diction and sharing your awareness of the sublime with us, you have uplifted me so much by this vision you have created!

Margaret Alice Comment: The poet’s words seem to be directed to a divine entity, express adoration to a divinity who is the personification of wonderful qualities which awakens a sense of the sublime in the human soul. An uplifting vision and awareness of uplifting qualities of innocence represented by a beautiful person.


I WENT THERE TO BID HER ADIEU

Kente Lucy Comment: wow great writing, what a way to bid farewell

Margaret Alice Comment: Sensory experience is elevated by its symbolical meaning, your description of the scene shows two souls becoming one and your awareness of the importance of tempory experience as a symbol of the eternal duration of love and companionship - were temporary experience only valid for one moment in time, it would be a sad world, but once it is seen as a symbol of eternal things, it becomes enchanting.


I’M INCOMPLETE WITHOUT YOU

Margaret Alice Comment: You elevate the humnan experience of longing for love to a striving for sublimity in uniting with a beloved person, and this poem is stirring, your style of writing is effective, everything flows together perfectly.

Margaret Alice Comment:

'To a resplendent glow of celestial flow
And two split halves unite never to part.'

Reading your fluent poems is a delight, I have to tear myself away and return to the life of a drudge, but what a treasure trove of jewels you made for the weary soul who needs to contemplate higher ideals from time to time!


IN CELESTIAL WINGS

Margaret Alice Comment: When you describe how you are strengthened by your loved one, it is clear that your inner flame is so strong that you need not fear growing old, your spirit seems to become stronger, you manage to convey this impression by your striking poetry. It is a privilege to read your work.

Obed Dela Cruz Comment: wow.... i remembered will shakespeare.... nice poem!

Margaret Alice Comment: The poet has transcended the barriers of time and space by becoming an image of his beloved and being able to find peace in the joy he confers to his beloved.

'You transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.'

Margaret Alice Comment: You are my peace and solace, I know, I am, yours too; A mere flash of your thoughts Enlivens my tired soul And fills me with light, peace and solace, A giant in new world, I become, I rise to divine heights in celestial wings. How I desire to reciprocate To fill you with light and inner strength raise you to divine heights; I must cross over nd hold you in arms, light up your soul, Fill you with strength from my inner core, Wipe away your tears burst out in pure joy How I yearn to instill hope and confidence in you we never part And we shall wait, till time comes right. the flame in my soul always seeks you, you transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.


RAGING FIRE

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The Writer's Dream

A writer wrote of the hearts of men, and he followed their tracks afar;
For his was a spirit that forced his pen to write of the things that are.
His heart grew tired of the truths he told, for his life was hard and grim;
His land seemed barren, its people cold—yet the world was dear to him;—
So he sailed away from the Streets of Strife, he travelled by land and sea,
In search of a people who lived a life as life in the world should be.
And he reached a spot where the scene was fair, with forest and field and wood,
And all things came with the seasons there, and each of its kind was good;
There were mountain-rivers and peaks of snow, there were lights of green and gold,
And echoing caves in the cliffs below, where a world-wide ocean rolled.
The lives of men from the wear of Change and the strife of the world were free—
For Steam was barred by the mountain-range and the rocks of the Open Sea.

And the last that were born of a noble race—when the page of the South was fair—
The last of the conquered dwelt in peace with the last of the victors there.
He saw their hearts with the author’s eyes who had written their ancient lore,
And he saw their lives as he’d dreamed of such—ah! many a year before.
And ‘I’ll write a book of these simple folk ere I to the world return,
And the cold who read shall be kind for these—and the wise who read shall learn.

‘Never again in a song of mine shall a jarring note be heard:
‘Never again shall a page or line be marred by a bitter word;
‘But love and laughter and kindly hours will the book I’ll write recall,
‘With chastening tears for the loss of one, and sighs for their sorrows all.
‘Old eyes will light with a kindly smile, and the young eyes dance with glee—
And the heart of the cynic will rest awhile for my simple folk and me.’

The lines ran on as he dipped his pen—ran true to his heart and ear—
Like the brighter pages of memory when every line is clear.
The pictures came and the pictures passed, like days of love and light—
He saw his chapters from first to last, and he thought it grand to write.
And the writer kissed his girlish wife, and he kissed her twice for pride:
‘’Tis a book of love, though a book of life! and a book you’ll read!’ he cried.

He was blind at first to each senseless slight (for shabby and poor he came)
From local ‘Fashion’ and mortgaged pride that scarce could sign its name.
What dreamer would dream of such paltry pride in a scene so fresh and fair?
But the local spirit intensified—with its pitiful shams—was there;
There were cliques wherever two houses stood (no rest for a family ghost!)
They hated each other as women could—but they hated the stranger most.

The writer wrote by day and night and he cried in the face of Fate—
‘I’ll cleave to my dream of life in spite of the cynical ghosts that wait.
‘’Tis the shyness born of their simple lives,’ he said to the paltry pride—
(The homely tongues of the simple wives ne’er erred on the generous side)—
‘They’ll prove me true and they’ll prove me kind ere the year of grace be passed,’
But the ignorant whisper of ‘axe to grind!’ went home to his heart at last.

The writer sat by his drift-wood fire three nights of the South-east gale,
His pen lay idle on pages vain, for his book was a fairy tale.

[...] Read more

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The Lady of the Lake: Canto II. - The Island

I.
At morn the black-cock trims his jetty wing,
'T is morning prompts the linnet's blithest lay,
All Nature's children feel the matin spring
Of life reviving, with reviving day;
And while yon little bark glides down the bay,
Wafting the stranger on his way again,
Morn's genial influence roused a minstrel gray,
And sweetly o'er the lake was heard thy strain,
Mixed with the sounding harp, O white-haired Allan-bane!

II.
Song.

'Not faster yonder rowers' might
Flings from their oars the spray,
Not faster yonder rippling bright,
That tracks the shallop's course in light,
Melts in the lake away,
Than men from memory erase
The benefits of former days;
Then, stranger, go! good speed the while,
Nor think again of the lonely isle.

'High place to thee in royal court,
High place in battled line,
Good hawk and hound for sylvan sport!
Where beauty sees the brave resort,
The honored meed be thine!
True be thy sword, thy friend sincere,
Thy lady constant, kind, and dear,
And lost in love's and friendship's smile
Be memory of the lonely isle!

III.
Song Continued.

'But if beneath yon southern sky
A plaided stranger roam,
Whose drooping crest and stifled sigh,
And sunken cheek and heavy eye,
Pine for his Highland home;
Then, warrior, then be thine to show
The care that soothes a wanderer's woe;
Remember then thy hap erewhile,
A stranger in the lonely isle.

'Or if on life's uncertain main
Mishap shall mar thy sail;
If faithful, wise, and brave in vain,

[...] Read more

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Experiencia Religiosa (remix)

Un poco de ti para sobrevivir
Esta noche ue viene fria y sola
Un aire de extasis en la ventana
Para vestirme de fiesta y ceremonia
Cada vez que estoy contigo
Yo descubro el infinito
Tiembla el suelo
La noche se ilumina
El silencio se vuelve melodia
Y es casi un
experiencia religiosa
Sentir que resucito si me tocas
Subir al firmamento prendido de tu
cuerpo
es un experiencia religiosa
Casi una experiencia religiosa
Contigo cada instante en cada cosa
Besar la boca tuya merece
un aleluya
Es una experiencia religiosa
Vuelve pronto mi amor
te necesito ya
Porque esta noche tan honda
me da miedo
Necesito la musica de tu alegria
Para callar los demonios que
llevo dentro
Cada vez que estoy contigo
Yo descubro el infinito
Tiembla el suelo
La noche se ilumina
El silencio se vuelve melodia
Y es casi un
experiencia religiosa
Sentir que resucito si me tocas
Subir al firmamento prendido de tu
cuerpo
es un experiencia religiosa
Casi una experiencia religiosa
Contigo cada instante
en cada cosa
Besar la boca tuya merece
un aleluya
Es una experiencia religiosa
Y es casi un
experiencia religiosa
Sentir que resucito si me tocas
Subir al firmamento
prendido de tu cuerpo
Es un experiencia religiosa

[...] Read more

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Seasonable Retour-Knell

SEASONABLE RETOUR KNELL
Variations on a theme...
SEASONABLE ROUND ROBIN ROLE REVERSALS

Author notes

A mirrored Retourne may not only be read either from first line to last or from last to first as seen in the mirrors, but also by inverting the first and second phrase of each line, either rhyming AAAA or ABAB for each verse. thus the number of variations could be multiplied several times.- two variations on the theme have been included here but could have been extended as in SEASONABLE ROUND ROBIN ROLE REVERSALS robi03_0069_robi03_0000

In respect of SEASONABLE ROUND ROBIN ROLE REVERSALS
This composition has sought to explore linguistic potential. Notes and the initial version are placed before rather than after the poem.
Six variations on a theme have been selected out of a significant number of mathematical possibilities using THE SAME TEXT and a reverse mirror for each version. Mirrors repeat the seasons with the lines in reverse order.

For the second roll the first four syllables of each line are reversed, and sense is retained both in the normal order of seasons and the reversed order as well... The 3rd and 4th variations offer ABAB rhyme schemes retaining the original text. The 5th and 6th variations modify the text into rhyming couplets.

Given the linguistical structure of this symphonic composition the score could be read in inversing each and every line and each and every hemistitch. There are minor punctuation differences between versions.

One could probably attain sonnet status for each of the four seasons and through partioning in 3 groups of 4 syllables extend the possibilites ad vitam.

Seasonable Round Robin Roll Reversals
robi03_0069_robi03_0000 QXX_DNZ
Seasonable Retour-Knell
robi03_0070_robi03_0069 QXX_NXX
26 March 1975 rewritten 20070123
lllllllllllllllllllllllllllllllllllll lllllllllllllllllll
For previous version see below
_______________________________________
SPRING SUMMER


Life is at ease Young lovers long
Land under plough; To hold their dear;
Whispering trees, Dewdrops among,
Answering cow. Bold, know no fear.

Blossom, the bees, Life full of song,
Burgeoning bough; Cloudless and clear;
Soft-scented breeze, Days fair and long,
Spring warms life now. Summer sends cheer.


AUTUMN WINTER


Each leaf decays, Harvested sheaves
Each life must bow; And honeyed hives;
Our salad days Trees stripped of leaves,
Are ending now. Jack Frost has knives.

Fruit heavy lays Time, Prince of thieves,
Bending the bough, - Onward he drives,

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M'Fingal - Canto IV

Now Night came down, and rose full soon
That patroness of rogues, the Moon;
Beneath whose kind protecting ray,
Wolves, brute and human, prowl for prey.
The honest world all snored in chorus,
While owls and ghosts and thieves and Tories,
Whom erst the mid-day sun had awed,
Crept from their lurking holes abroad.


On cautious hinges, slow and stiller,
Wide oped the great M'Fingal's cellar,
Where safe from prying eyes, in cluster,
The Tory Pandemonium muster.
Their chiefs all sitting round descried are,
On kegs of ale and seats of cider;
When first M'Fingal, dimly seen,
Rose solemn from the turnip-bin.
Nor yet his form had wholly lost
Th' original brightness it could boast,
Nor less appear'd than Justice Quorum,
In feather'd majesty before 'em.
Adown his tar-streak'd visage, clear
Fell glistening fast th' indignant tear,
And thus his voice, in mournful wise,
Pursued the prologue of his sighs.


"Brethren and friends, the glorious band
Of loyalty in rebel land!
It was not thus you've seen me sitting,
Return'd in triumph from town-meeting;
When blust'ring Whigs were put to stand,
And votes obey'd my guiding hand,
And new commissions pleased my eyes;
Blest days, but ah, no more to rise!
Alas, against my better light,
And optics sure of second-sight,
My stubborn soul, in error strong,
Had faith in Hutchinson too long.
See what brave trophies still we bring
From all our battles for the king;
And yet these plagues, now past before us,
Are but our entering wedge of sorrows!


"I see, in glooms tempestuous, stand
The cloud impending o'er the land;
That cloud, which still beyond their hopes
Serves all our orators with tropes;

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Everybody is Getting Out of Town

Population getting out of town,
Population wearing running shoes,
Population wondering which road to choose,
Everybody's getting out of town.

They all want to leave; they would if they could,
But right now the road ain't no good,
If you ain't crying, you might as well laugh,
While you're trying to get out of town.

Power plant, glowing in the dark,
Nobody sure what set off the spark,
They say the island is sinking fast,
Everybody's getting out of town.

Population looking for a sign,
Whose fault is it, living on the fault line,
Better do better if there IS a next time,
But for now, just get out of town.

Population looking for something to eat,
Population looking for what was the street,
If you leaving, all you got is your feet,
Good luck getting out of town.

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Ch 01 Manner Of Kings Story 06

It is narrated that one of the kings of Persia had stretched forth
his tyrannical hand to the possessions of his subjects and had begun
to oppress them so violently that in consequence of his fraudulent
extortions they dispersed in the world and chose exile on account of
the affliction entailed by his violence. When the population had
diminished, the prosperity of the country suffered, the treasury
remained empty and on every side enemies committed violence.

Who desires succour in the day of calamity,
Say to him: 'Be generous in times of prosperity.'
The slave with a ring in his ear, if not cherished will depart.
Be kind because then a stranger will become thy slave.

One day the Shahnamah was read in his assembly, the subject being
the ruin of the dominion of Zohak and the reign of Feridun. The vezier
asked the king how it came to pass that Feridun, who possessed neither
treasure nor land nor a retinue, established himself upon the
throne. He replied: 'As thou hast heard, the population
enthusiastically gathered around him and supported him so that he
attained royalty.' The vezier said: 'As the gathering around of the
population is the cause of royalty, then why dispersest thou the
population? Perhaps thou hast no desire for royalty?'

It is best to cherish the army as thy life
Because a sultan reigns by means of his troops.

The king asked: 'What is the reason for the gathering around of
the troops and the population?' He replied: 'A padshah must practise
justice that they may gather around him and clemency that they may
dwell in safety under the shadow of his government; but thou
possessest neither of these qualities.'

A tyrannic man cannot be a sultan
As a wolf cannot be a shepherd.
A padshah who establishes oppression
Destroys the basis of the wall of his own reign.

The king, displeased with the advice of his censorious vezier,
sent him to prison. Shortly afterwards the sons of the king's uncle
rose in rebellion, desirous of recovering the kingdom of their father.
The population, which had been reduced to the last extremity by the
king's oppression and scattered, now assembled around them and
supported them, till he lost control of the government and they took
possession of it.

A padshah who allows his subjects to be oppressed
Will in his day of calamity become a violent foe.
Be at peace with subjects and sit safe from attacks of foes
Because his subjects are the army of a just shahanshah.

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Stream Line Consciousness

Big brother voyeur blimps unidentified spies
uncle sam peeping toms patrolling skies
bird brain police intelligence
remote viewing homeland pest control
pentagon private eye monitoring the public's every move
mass produced micro chips intercepting prayers patrolling citizens from heaven
Bentham's Panopticon NSA
super computer surveillance cameras
world police spying Manhattan streets

'Athens plummets Euro death spiral
suicide rates soar deepening into despair'

haaretz..the post.. the times
blogs tribunes dailies all in a mad gab
headlong headline attention grabbing scramble

'Yugoslavia - Iraq - Egypt - Yemen - Iran - Syria - United States'
bilderberg building blocks New American Century post apocalyptic prophecy

'foreign mercenaries …national guard...DOD
homeland security to amass covert munitions stockpile
Americans on guard anxieties mounting surrounding
the stripping of amendments 1st if you swing to your left
2nd if you stand on the right
whispers of martial law circulate Anarchical reverberations
emanate from internet Alt culture epicenters
bottle necking global tensions'

'common feeling of deepening disappointment...
heightened expectations...
people expecting an explosive situation over the
next few weeks'

...riot police respond 'to preserve public order'
public roads barricaded to 'protect security of citizens'

'blatant act of censorship
western mainstream media staying away
from Myanmar massacres of Mohammedan Angels
further showing strong anti Muslim bias'

'Media blackout Burmese army
seeking coverage under propaganda blankets'

from the middle east throughout the western world
planet consciousness blurring lines between conspiracy/reality
conflicting global network narratives multiply violent scenarios daily
Victims in a world wide scramble
Government Banking Military

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Sci-fi

I'm into sci-fi (sci-fi, sci-fi),
I'm into sci-fi UFO,
I think that I spy (I spy, I spy),
That where I go,
The force will go,
But these opinions,
I keep to myself,
I leave my Asimov,
Closed on the shelf.
Do you dig Einstein? (Einstein, Einstein),
Yeah, but only relatively,
Well its a fine time,
To take a bash,
At his theories,
I think a Star Wars,
Headed this way,
Well go to Mars,
We can work, rest and play.
I'm into sci-fi (sci-fi, sci-fi),
I'm into sci-fi UFO,
Its an agent from Mars,
And hes calling me from the moon,
It's there in the stars,
I've got a gig there in june.
I'm into sci-fi (sci-fi, sci-fi),
I'm into sci-fi UFO,
I think that I spy (I spy, I spy),
Alien stars on our tv shows,
But these opinions I keep to myself,
I leave my Asimov closed on the shelf.
I'm into sci-fi (sci-fi, sci-fi),
I'm into sci-fi UFO,
And to the martians I'm gonna say,
Hello hello,
I'm into sci-fi.

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Said the Kaiser to the Spy

“Now tell me what can England do?”
Said the Kaiser to the Spy.
“She can do nought, your Majesty—
You rule the sea and sky.
Her day of destiny is done;
Her path of peace is plain;
For she dare never throw a troop
Across the Strait again.”
The Kaiser sent his mighty host,
With Bombast in advance,
To set his seal on Paris first,
And make an end of France.
Their guns were heard in Paris streets,
And trembling Europe heard;
(They’re staggering back in Belgium now)
And England said no word.

“Now tell me what can England do?”
Said the Kaiser to the Spy.
“She can do nought in Southern seas
Where her possessions lie!
Her colonies are arming now—
They only wait your aid!”
“I’ll send my ships,” the Kaiser said,
And I will kill her trade!”

The Kaiser sent his cruisers forth
To do their worst or best;
And one made trouble in the North—
The Cocos tell the rest.
He sent a squadron to a coast
Where treachery prevailed—
Gra’mercy! They were stricken hard
On seas that Raleigh sailed!

“Now tell me what can England do?”
Said the Kaiser to the Spy.
“Her ports are all unfortified
And there your chances lie!”
He sent his ships to Scarborough,
And called them back again.
The Blucher lies in Channel ooze
With seven hundred men.

“Oh, tell me what can England do?”
Said the Kaiser to the Spy.
“She can’t hold Egypt for a day—
(I have it from On High.”)
And so the Kaiser paid the Turk
To put the matter through

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Homer

The Iliad: Book 10

Now the other princes of the Achaeans slept soundly the whole
night through, but Agamemnon son of Atreus was troubled, so that he
could get no rest. As when fair Juno's lord flashes his lightning in
token of great rain or hail or snow when the snow-flakes whiten the
ground, or again as a sign that he will open the wide jaws of hungry
war, even so did Agamemnon heave many a heavy sigh, for his soul
trembled within him. When he looked upon the plain of Troy he
marvelled at the many watchfires burning in front of Ilius, and at the
sound of pipes and flutes and of the hum of men, but when presently he
turned towards the ships and hosts of the Achaeans, he tore his hair
by handfuls before Jove on high, and groaned aloud for the very
disquietness of his soul. In the end he deemed it best to go at once
to Nestor son of Neleus, and see if between them they could find any
way of the Achaeans from destruction. He therefore rose, put on his
shirt, bound his sandals about his comely feet, flung the skin of a
huge tawny lion over his shoulders- a skin that reached his feet-
and took his spear in his hand.
Neither could Menelaus sleep, for he, too, boded ill for the Argives
who for his sake had sailed from far over the seas to fight the
Trojans. He covered his broad back with the skin of a spotted panther,
put a casque of bronze upon his head, and took his spear in his brawny
hand. Then he went to rouse his brother, who was by far the most
powerful of the Achaeans, and was honoured by the people as though
he were a god. He found him by the stern of his ship already putting
his goodly array about his shoulders, and right glad was he that his
brother had come.
Menelaus spoke first. "Why," said he, "my dear brother, are you thus
arming? Are you going to send any of our comrades to exploit the
Trojans? I greatly fear that no one will do you this service, and
spy upon the enemy alone in the dead of night. It will be a deed of
great daring."
And King Agamemnon answered, "Menelaus, we both of us need shrewd
counsel to save the Argives and our ships, for Jove has changed his
mind, and inclines towards Hector's sacrifices rather than ours. I
never saw nor heard tell of any man as having wrought such ruin in one
day as Hector has now wrought against the sons of the Achaeans- and
that too of his own unaided self, for he is son neither to god nor
goddess. The Argives will rue it long and deeply. Run, therefore, with
all speed by the line of the ships, and call Ajax and Idomeneus.
Meanwhile I will go to Nestor, and bid him rise and go about among the
companies of our sentinels to give them their instructions; they
will listen to him sooner than to any man, for his own son, and
Meriones brother in arms to Idomeneus, are captains over them. It
was to them more particularly that we gave this charge."
Menelaus replied, "How do I take your meaning? Am I to stay with
them and wait your coming, or shall I return here as soon as I have
given your orders?" "Wait," answered King Agamemnon, "for there are so
many paths about the camp that we might miss one another. Call every
man on your way, and bid him be stirring; name him by his lineage
and by his father's name, give each all titular observance, and

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Hes A Thief

He steals hearts and he steals my kisses
He stole away my love
He steals my thoughts
And now it seems
He stole into my dreams
Cos hes a thief , oh
Hes a thief
Hes a thief
Hes got me ensnared in his clutches
His love does not seem real
Hes got me there , in solitaire
His love is made of steel
But hes a thief , oh yeah
Hes a thief , oh
Hes a thief
I locked my heart and threw away the key
But hes knocked once and open sesame
He steals hearts and he steals my kisses
He stole away my love
He steals my thoughts
And now it seems
He stole into my dreams
But hes a thief
Oh, hes a thief
Hes a thief ( fadeout)

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He Lives In You

(mark a. mancina/jay rifkin/lebohang morake)
Ingonyama nengw enamabala
Ingonyama nengw enamabala
Night and the spirit of life calling
Oh, oh, iyo mamela oh, oh, iyo
And the voice with the fear of a child answers
Oh, oh, iyo iyo mamela
Wait! theres no mountain too great
Hear these words and have faith
Oh, oh, iyo
Have faith
Hela hey mamela, hela hey mamela
Hela hey mamela, hela hey mamela
He lives in you, he lives in me (hela hey mamela)
He watches over everything we see
Into the waters, into the truth
In your reflection, he lives in you
Dream, and the voice in the wind whispers
Oh, oh, iyo, iyo mamela oh, oh, iyo
Wait! theres no mountain too great
Hear these words and have faith
Oh, oh, iyo
He lives in you, he lives in me
He watches over everything we see
Into the waters, into the truth
In your reflection, he lives in you
Ingonyama nengw enamabala
Ingonyama nengw enamabala
He lives in you, he lives in me
He watches over everything we see
Into the water, into the truth
In your reflection, he lives in you
He lives in you (oh yeah), he lives in me
He watches over everything we see
Into the water, into the truth
In your reflection, he lives, he lives, he lives, he lives in you
He lives, he lives, he lives in you
He watches over everything we see

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The Vision of Don Roderick

Introduction.

I.
Lives there a strain, whose sounds of mounting fire
May rise distinguished o'er the din of war;
Or died it with yon Master of the Lyre
Who sung beleaguered Ilion's evil star?
Such, WELLINGTON, might reach thee from afar,
Wafting its descant wide o'er Ocean's range;
Nor shouts, nor clashing arms, its mood could mar,
All, as it swelled 'twixt each loud trumpet-change,
That clangs to Britain victory, to Portugal revenge!

II.
Yes! such a strain, with all o'er-pouring measure,
Might melodise with each tumultuous sound
Each voice of fear or triumph, woe or pleasure,
That rings Mondego's ravaged shores around;
The thundering cry of hosts with conquest crowned,
The female shriek, the ruined peasant's moan,
The shout of captives from their chains unbound,
The foiled oppressor's deep and sullen groan,
A Nation's choral hymn, for tyranny o'erthrown.

III.
But we, weak minstrels of a laggard day
Skilled but to imitate an elder page,
Timid and raptureless, can we repay
The debt thou claim'st in this exhausted age?
Thou givest our lyres a theme, that might engage
Those that could send thy name o'er sea and land,
While sea and land shall last; for Homer's rage
A theme; a theme for Milton's mighty hand -
How much unmeet for us, a faint degenerate band!

IV.
Ye mountains stern! within whose rugged breast
The friends of Scottish freedom found repose;
Ye torrents! whose hoarse sounds have soothed their rest,
Returning from the field of vanquished foes;
Say, have ye lost each wild majestic close
That erst the choir of Bards or Druids flung,
What time their hymn of victory arose,
And Cattraeth's glens with voice of triumph rung,
And mystic Merlin harped, and grey-haired Llywarch sung?

V.
Oh! if your wilds such minstrelsy retain,
As sure your changeful gales seem oft to say,
When sweeping wild and sinking soft again,

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