It's easy to understand why the most beautiful poems about England in the spring were written by poets living in Italy at the time.
quote by Philip Dunne
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Related quotes
0005 Totally Boring Poem
I’m totally bored by:
poems that sound like other poems
poems that try to sound unlike any other poems
poets who never take risks
poets who think that taking risks
makes them good poets
poems with 'meaning'
poems with no meaning
poets who slag off other poets
as if that achieves something
poets that tell you that rhyme
is not for an age but for all time
poets that tell you that rhyme is outmoded and boring
poets who think that the poetry of 'the past'
is greater than that of 'the present'
poets who think that the poetry of 'the present'
is greater than that of 'the past'
poems that tell you the poet's the first to discover sex
poets that tell you they’re the best sex you’ll ever have
although you’ll never meet them to find out
poets that tell you they’ve been dumped
poets who've never known love and being dumped
poets who are ambitious
poets who are unambitious
poets who tell you all about higher things
poets who reject higher things
poets who think life’s just a joke
poets who think life’s no joke
[...] Read more
poem by Michael Shepherd
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The White Cliffs
I
I have loved England, dearly and deeply,
Since that first morning, shining and pure,
The white cliffs of Dover I saw rising steeply
Out of the sea that once made her secure.
I had no thought then of husband or lover,
I was a traveller, the guest of a week;
Yet when they pointed 'the white cliffs of Dover',
Startled I found there were tears on my cheek.
I have loved England, and still as a stranger,
Here is my home and I still am alone.
Now in her hour of trial and danger,
Only the English are really her own.
II
It happened the first evening I was there.
Some one was giving a ball in Belgrave Square.
At Belgrave Square, that most Victorian spot.—
Lives there a novel-reader who has not
At some time wept for those delightful girls,
Daughters of dukes, prime ministers and earls,
In bonnets, berthas, bustles, buttoned basques,
Hiding behind their pure Victorian masks
Hearts just as hot - hotter perhaps than those
Whose owners now abandon hats and hose?
Who has not wept for Lady Joan or Jill
Loving against her noble parent's will
A handsome guardsman, who to her alarm
Feels her hand kissed behind a potted palm
At Lady Ivry's ball the dreadful night
Before his regiment goes off to fight;
And see him the next morning, in the park,
Complete in busbee, marching to embark.
I had read freely, even as a child,
Not only Meredith and Oscar Wilde
But many novels of an earlier day—
Ravenshoe, Can You Forgive Her?, Vivien Grey,
Ouida, The Duchess, Broughton's Red As a Rose,
Guy Livingstone, Whyte-Melville— Heaven knows
What others. Now, I thought, I was to see
Their habitat, though like the Miller of Dee,
I cared for none and no one cared for me.
III
A light blue carpet on the stair
And tall young footmen everywhere,
Tall young men with English faces
Standing rigidly in their places,
Rows and rows of them stiff and staid
[...] Read more
poem by Alice Duer Miller
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A Country Path in Late Spring
The path of mossy ground nestled
In between maternal hedgerows,
That overgrew atop, dimming down
The brilliance of the day.
Embosomed, a calm-cool vision –
Abstract takes of nature, in
Leaf-spattered green shades;
Stem-speckled brown hues;
Shards of sunlight percolating
Through the random flaws to
Up glittering sprites upon the leaves.
And avian chatter bounced along the burrow,
Smattered by the crosstalk
Of busybody insects;
But outside the green comfort zone,
Other worlds of other sounds of other life
Otherwise gave a hint of
Other dozy goings on.
Hawthorn filled the air,
Filled the nose,
Filled the head –
Pungency had overpowered all –
Gave the late-spring-early-summer haze.
Here and there a break of colour:
Odd bluebells – escapees from nearby woods –
Blue-blushing bell faces glancing down,
Aware of their erectness in the stem;
The flaming wing of red admirals
Broke through a hedge hole to
Break up the calm backdrop,
While flitting blue tits gave
To greater-bodied animation.
Nature’s warm narration –
The undertones of life.
Copyright © Mark R Slaughter 2010
[...] Read more
poem by Mark R Slaughter
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Fifth Book
AURORA LEIGH, be humble. Shall I hope
To speak my poems in mysterious tune
With man and nature,–with the lava-lymph
That trickles from successive galaxies
Still drop by drop adown the finger of God,
In still new worlds?–with summer-days in this,
That scarce dare breathe, they are so beautiful?–
With spring's delicious trouble in the ground
Tormented by the quickened blood of roots.
And softly pricked by golden crocus-sheaves
In token of the harvest-time of flowers?–
With winters and with autumns,–and beyond,
With the human heart's large seasons,–when it hopes
And fears, joys, grieves, and loves?–with all that strain
Of sexual passion, which devours the flesh
In a sacrament of souls? with mother's breasts,
Which, round the new made creatures hanging there,
Throb luminous and harmonious like pure spheres?–
With multitudinous life, and finally
With the great out-goings of ecstatic souls,
Who, in a rush of too long prisoned flame,
Their radiant faces upward, burn away
This dark of the body, issuing on a world
Beyond our mortal?–can I speak my verse
So plainly in tune to these things and the rest,
That men shall feel it catch them on the quick,
As having the same warrant over them
To hold and move them, if they will or no,
Alike imperious as the primal rhythm
Of that theurgic nature? I must fail,
Who fail at the beginning to hold and move
One man,–and he my cousin, and he my friend,
And he born tender, made intelligent,
Inclined to ponder the precipitous sides
Of difficult questions; yet, obtuse to me,–
Of me, incurious! likes me very well,
And wishes me a paradise of good,
Good looks, good means, and good digestion!–ay,
But otherwise evades me, puts me off
With kindness, with a tolerant gentleness,–
Too light a book for a grave man's reading! Go,
Aurora Leigh: be humble.
There it is;
We women are too apt to look to one,
Which proves a certain impotence in art.
We strain our natures at doing something great,
Far less because it's something great to do,
Than, haply, that we, so, commend ourselves
As being not small, and more appreciable
To some one friend. We must have mediators
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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Beautiful
The most beautiful girl in the world
Beautiful
Beautiful
Beautiful
(beautiful)
Beau - beau
Could u be
The most beautiful girl in the world
Its plain 2 see
Ure the reason that God made a girl
When the day turns into the last day of all time
I can say, I hope that u are in these arms of mine (oh yeah) (beautiful)
When the night falls before that day I will cry
I will cry tears of joy cause after u all one can do is die (oh yeah)
Could u be
The most beautiful girl in the world (beautiful)
Its plain 2 see
Ure the reason that God made a girl (beautiful)
How can I get through days when I cant get through hours
(tick tock u dont stop, tick tock u dont stop)
I can try but when I do I see u and Im devoured
Oh yes
Whod allow, whod allow a face 2 be as soft as a flower (oh yeah)
(beautiful)
I could bow and feel proud in the light of this power
Oh yeah (beautiful)
Could u be
The most beautiful girl in the world (beautiful)
Its plain 2 see
Ure the reason that God made a girl (beautiful)
Oh yes u are
(beautiful)
Beautiful beautiful
(beautiful)
Beautiful beautiful
(beautiful)
Beautiful beautiful
(beautiful)
(beautiful)
And when the stars fall one by one from the sky
I know mars could not be 2 far behind
Cuz baby, this kind of beauty has got no reason 2 ever be shy
Cuz honey this kind of beauty is the kind that comes from inside
Could u be (could u be)
The most beautiful girl in the world
So beautiful, beautiful (beautiful)
Its plain 2 see (its plain 2 see)
Ure the reason that God made a girl (beautiful) (ooh yeah yeah yeah yeah)
Could u be
Beautiful (beautiful) (oh yeah)
[...] Read more
song performed by Prince
Added by Lucian Velea
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Prince Hohenstiel-Schwangau, Saviour of Society
Epigraph
Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.
I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.
You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:
[...] Read more
poem by Robert Browning (1871)
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Easy Skanking
Easy skanking (skankin it easy);
Easy skanking (skankin it slow);
Easy skanking (skankin it easy);
Easy skanking (skankin it slow).
Excuse me while I light my spliff; (spliff)
Good god, I gotta take a lift: (lift)
From reality I just cant drift; (drift)
Thats why I am staying with this riff. (riff)
Take it easy (easy skankin);
Lord, I take it easy! (easy skankin);
Take it easy (easy skankin);
Got to take it easy (easy skankin).
See: were takin it easy (ooh-wah-da da-da)
We taking it slow, (ooh-wah-da da-da)
Takin it easy (easy);
Got to take it slow (slow-slow)
So take it easy (easy skankin - da-da-da-da-da-da)
Wo-oh, take it easy (easy skankin)
Take it easy (easy skankin - da-da-da-da-da-da)
Take it easy. (easy skankin)
Excuse me while I light my spliff; (spliff)
Oh, god, I gotta take a lift: (lift)
From reality I just cant drift; (drift)
Thats why I am staying with this riff. (riff)
Take it easy (takin it easy);
Got to take it easy (takin it slow);
Take it easy (takin it easy);
Skanky, take it easy (takin it slow).
Tell you what:
Herb for my wine; (ooh-wa-da-da-da)
Honey for my strong drink; (ooh-wa-da-da-da)
Herb for my wine; (ooh-wa-da-da-da)
Honey for my strong drink.
I shake it easy (takin it easy);
Skanky, take it easy (skankin it slow);
Take it (takin it easy) easy;
Take it (skankin it slow) easy;
Take it easy (takin it easy);
Oh-oh-ooh! (skankin it slow);
Little bit easier (takin it easy);
Skanky, take it easy (skankin it slow).
Take it easy! take it easy! take it easy! /fadeout/
song performed by Bob Marley
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First Book
OF writing many books there is no end;
And I who have written much in prose and verse
For others' uses, will write now for mine,–
Will write my story for my better self,
As when you paint your portrait for a friend,
Who keeps it in a drawer and looks at it
Long after he has ceased to love you, just
To hold together what he was and is.
I, writing thus, am still what men call young;
I have not so far left the coasts of life
To travel inland, that I cannot hear
That murmur of the outer Infinite
Which unweaned babies smile at in their sleep
When wondered at for smiling; not so far,
But still I catch my mother at her post
Beside the nursery-door, with finger up,
'Hush, hush–here's too much noise!' while her sweet eyes
Leap forward, taking part against her word
In the child's riot. Still I sit and feel
My father's slow hand, when she had left us both,
Stroke out my childish curls across his knee;
And hear Assunta's daily jest (she knew
He liked it better than a better jest)
Inquire how many golden scudi went
To make such ringlets. O my father's hand,
Stroke the poor hair down, stroke it heavily,–
Draw, press the child's head closer to thy knee!
I'm still too young, too young to sit alone.
I write. My mother was a Florentine,
Whose rare blue eyes were shut from seeing me
When scarcely I was four years old; my life,
A poor spark snatched up from a failing lamp
Which went out therefore. She was weak and frail;
She could not bear the joy of giving life–
The mother's rapture slew her. If her kiss
Had left a longer weight upon my lips,
It might have steadied the uneasy breath,
And reconciled and fraternised my soul
With the new order. As it was, indeed,
I felt a mother-want about the world,
And still went seeking, like a bleating lamb
Left out at night, in shutting up the fold,–
As restless as a nest-deserted bird
Grown chill through something being away, though what
It knows not. I, Aurora Leigh, was born
To make my father sadder, and myself
Not overjoyous, truly. Women know
The way to rear up children, (to be just,)
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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Good Poets and Bad Poets
Some poets get awards and think they are good poets.
Some poets never get awards and think they are bad poets.
Some poets think they are good poets only in their own mind
Some poets think they are bad poets in somebody's else mind.
Some poets think they are good poets in somebody else mind.
Some poets think others think they are good poets but they don't in their hearts.
Some poets think they are good poets in their hearts but not in anyone else's mind.
All are insecure, except those who get security from the opinions of others and that, alas, doesn't last and isn't real.
Some poets have left the entire scene and live only in their mind.
Some poets take criticism and don't mind.
Some poets avoid criticism and do mind.
Some poets write poetry to get love.
Some poets love to write poetry.
Some poets are ahead of their time, in their mind
Some poets spend a lifetime feeling like failures in their mind
Some poets live only after they die.
Some poets have much to say but can't articulate
Some poets retreat, believing others don't understand
So which one of these am I?
I guess I am all of these and none of these
and no matter what my description
I intend to keep doing what I do:
Write. Right
poem by Lonnie Hicks
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Seventh Book
'THE woman's motive? shall we daub ourselves
With finding roots for nettles? 'tis soft clay
And easily explored. She had the means,
The moneys, by the lady's liberal grace,
In trust for that Australian scheme and me,
Which so, that she might clutch with both her hands,
And chink to her naughty uses undisturbed,
She served me (after all it was not strange,;
'Twas only what my mother would have done)
A motherly, unmerciful, good turn.
'Well, after. There are nettles everywhere,
But smooth green grasses are more common still;
The blue of heaven is larger than the cloud;
A miller's wife at Clichy took me in
And spent her pity on me,–made me calm
And merely very reasonably sad.
She found me a servant's place in Paris where
I tried to take the cast-off life again,
And stood as quiet as a beaten ass
Who, having fallen through overloads, stands up
To let them charge him with another pack.
'A few months, so. My mistress, young and light,
Was easy with me, less for kindness than
Because she led, herself, an easy time
Betwixt her lover and her looking-glass,
Scarce knowing which way she was praised the most.
She felt so pretty and so pleased all day
She could not take the trouble to be cross,
But sometimes, as I stooped to tie her shoe,
Would tap me softly with her slender foot
Still restless with the last night's dancing in't,
And say 'Fie, pale-face! are you English girls
'All grave and silent? mass-book still, and Lent?
'And first-communion colours on your cheeks,
'Worn past the time for't? little fool, be gay!'
At which she vanished, like a fairy, through
A gap of silver laughter.
'Came an hour
When all went otherwise. She did not speak,
But clenched her brows, and clipped me with her eyes
As if a viper with a pair of tongs,
Too far for any touch, yet near enough
To view the writhing creature,–then at last,
'Stand still there, in the holy Virgin's name,
'Thou Marian; thou'rt no reputable girl,
'Although sufficient dull for twenty saints!
'I think thou mock'st me and my house,' she said;
'Confess thou'lt be a mother in a month,
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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England, My England
WHAT have I done for you,
England, my England?
What is there I would not do,
England, my own?
With your glorious eyes austere,
As the Lord were walking near,
Whispering terrible things and dear
As the Song on your bugles blown,
England--
Round the world on your bugles blown!
Where shall the watchful sun,
England, my England,
Match the master-work you've done,
England, my own?
When shall he rejoice agen
Such a breed of mighty men
As come forward, one to ten,
To the Song on your bugles blown,
England--
Down the years on your bugles blown?
Ever the faith endures,
England, my England:--
'Take and break us: we are yours,
England, my own!
Life is good, and joy runs high
Between English earth and sky:
Death is death; but we shall die
To the Song on your bugles blown,
England--
To the stars on your bugles blown!'
They call you proud and hard,
England, my England:
You with worlds to watch and ward,
England, my own!
You whose mail'd hand keeps the keys
Of such teeming destinies,
You could know nor dread nor ease
Were the Song on your bugles blown,
England,
Round the Pit on your bugles blown!
Mother of Ships whose might,
England, my England,
Is the fierce old Sea's delight,
England, my own,
Chosen daughter of the Lord,
Spouse-in-Chief of the ancient Sword,
[...] Read more
poem by William Ernest Henley
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Pro Rege Nostro
WHAT have I done for you,
England, my England?
What is there I would not do,
England, my own?
With your glorious eyes austere,
As the Lord were walking near,
Whispering terrible things and dear
As the Song on your bugles blown, England --
Round the world on your bugles blown!
Where shall the watchful Sun,
England, my England,
Match the master-work you've done,
England, my own?
When shall he rejoice again
Such a breed of mighty men
As come forward, one to ten,
To the Song on your bugles blown, England --
Down the years on your bugles blown?
Ever the faith endures,
England, my England: --
'Take and break us: we are yours,
England, my own!
Life is good, and joy runs high
Between English earth and sky:
Death is death; but we shall die
To the Song on your bugles blown, England --
To the stars on your bugles blown!'
They call you proud and hard,
England, my England:
You with worlds to watch and ward,
England, my own!
You whose mailed hand keeps the keys
Of such teeming destinies,
You could know nor dread nor ease,
Were the Song on your bugles blown, England --
Round the Pit on your bugles blown!
Mother of Ships whose might,
England, my England,
Is the fierce old Sea's delight,
England, my own,
Chosen daughter of the Lord,
Spouse-in-Chief of the ancient Sword,
There's the menace of the Word
In the Song of your bugles blown, England --
Out of heaven on your bugles blown!
poem by William Ernest Henley
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What Have I Done For You
What have I done for you,
England, my England?
What is there I would not do,
England, my own?
With your glorious eyes austere,
As the Lord were walking near,
Whispering terrible things and dear
As the Song on your bugles blown,
England -
Round the world on your bugles blown!
Where shall the watchful Sun,
England, my England,
Match the master-work you've done,
England, my own?
When shall he rejoice agen
Such a breed of mighty men
As come forward, one to ten,
To the Song on your bugles blown,
England -
Down the years on your bugles blown?
Ever the faith endures,
England, my England:-
'Take and break us: we are yours,
'England, my own!
'Life is good, and joy runs high
'Between English earth and sky:
'Death is death; but we shall die
'To the Song on your bugles blown,
'England -
'To the stars on your bugles blown!
They call you proud and hard,
England, my England:
You with worlds to watch and ward,
England, my own!
You whose mailed hand keeps the keys
Of such teeming destinies
You could know nor dread nor ease
Were the Song on your bugles blown,
England,
Round the Pit on your bugles blown!
Mother of Ships whose might,
England, my England,
Is the fierce old Sea's delight,
England, my own,
Chosen daughter of the Lord,
Spouse-in-Chief of the ancient sword,
[...] Read more
poem by William Ernest Henley
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Fresh Air
I
At the Poem Society a black-haired man stands up to say
“You make me sick with all your talk about restraint and mature talent!
Haven’t you ever looked out the window at a painting by Matisse,
Or did you always stay in hotels where there were too many spiders crawling on your visages?
Did you ever glance inside a bottle of sparkling pop,
Or see a citizen split in two by the lightning?
I am afraid you have never smiled at the hibernation
Of bear cubs except that you saw in it some deep relation
To human suffering and wishes, oh what a bunch of crackpots!”
The black-haired man sits down, and the others shoot arrows at him.
A blond man stands up and says,
“He is right! Why should we be organized to defend the kingdom
Of dullness? There are so many slimy people connected with poetry,
Too, and people who know nothing about it!
I am not recommending that poets like each other and organize to fight them,
But simply that lightning should strike them.”
Then the assembled mediocrities shot arrows at the blond-haired man.
The chairman stood up on the platform, oh he was physically ugly!
He was small-limbed and –boned and thought he was quite seductive,
But he was bald with certain hideous black hairs,
And his voice had the sound of water leaving a vaseline bathtub,
And he said, “The subject for this evening’s discussion is poetry
On the subject of love between swans.” And everyone threw candy hearts
At the disgusting man, and they stuck to his bib and tucker,
And he danced up and down on the platform in terrific glee
And recited the poetry of his little friends—but the blond man stuck his head
Out of a cloud and recited poems about the east and thunder,
And the black-haired man moved through the stratosphere chanting
Poems of the relationships between terrific prehistoric charcoal whales,
And the slimy man with candy hearts sticking all over him
Wilted away like a cigarette paper on which the bumblebees have urinated,
And all the professors left the room to go back to their duty,
And all that were left in the room were five or six poets
And together they sang the new poem of the twentieth century
Which, though influenced by Mallarmé, Shelley, Byron, and Whitman,
Plus a million other poets, is still entirely original
And is so exciting that it cannot be here repeated.
You must go to the Poem Society and wait for it to happen.
Once you have heard this poem you will not love any other,
Once you have dreamed this dream you will be inconsolable,
Once you have loved this dream you will be as one dead,
Once you have visited the passages of this time’s great art!
2
“Oh to be seventeen years old
Once again,” sang the red-haired man, “and not know that poetry
[...] Read more
poem by Kenneth Koch
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The History Poems Have Not Been Written
The history poems have not been written
The poems after Milosz
The Wallace Stevens poems will never be written
I can’t come close
I have tried the Blake poems
But of course I am not near them either
I would like to the ironic intellectual poems
I might be able to do them
I could do a kind of surrealistic association mind poem a prose poem
But I don’t like that very much
The poems of Jerusalem have not been good enough
Poems of propaganda are awkward and unacceptable
The small poems that tell of my life
They are for me the chance at real poetry
And I will continue as best I can with them
The American poems I have not yet found the idiom for
I can be epigrammatic in Emerson Thoreau fashion
But not with the hard New England observing eye
Borges poems I love
And the stories of mind and literature
Making the drama of a life of a storyteller
Interest me
But I doubt I could truly do them well
Imitation can only take one so far
And through it one may lose one’s way entirely
I can really do only what I am
Not the Dickinson poems nor the Hopkins poems nor the Wordsworth poems nor the Keats poems nor the Amichai poems nor the poems of many others whose poetry I love
The Biblical poems have been tried
The poems of cosmic and scientific reflection
I could try to improve them
There are too many different kinds of poems to write
And I cannot write almost all of them
This is another poem about poems and poetry
I have written many for a long time now
Perhaps I need to go elsewhere and write in a new way
A way I have not dreamed or even remotely understood possible before.
The poems of the unknown poetry await me
I will go on but I am not sure now I know in which wa
poem by Shalom Freedman
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Sixth Book
THE English have a scornful insular way
Of calling the French light. The levity
Is in the judgment only, which yet stands;
For say a foolish thing but oft enough,
(And here's the secret of a hundred creeds,–
Men get opinions as boys learn to spell,
By re-iteration chiefly) the same thing
Shall pass at least for absolutely wise,
And not with fools exclusively. And so,
We say the French are light, as if we said
The cat mews, or the milch-cow gives us milk:
Say rather, cats are milked, and milch cows mew,
For what is lightness but inconsequence,
Vague fluctuation 'twixt effect and cause,
Compelled by neither? Is a bullet light,
That dashes from the gun-mouth, while the eye
Winks, and the heart beats one, to flatten itself
To a wafer on the white speck on a wall
A hundred paces off? Even so direct,
So sternly undivertible of aim,
Is this French people.
All idealists
Too absolute and earnest, with them all
The idea of a knife cuts real flesh;
And still, devouring the safe interval
Which Nature placed between the thought and act,
They threaten conflagration to the world
And rush with most unscrupulous logic on
Impossible practice. Set your orators
To blow upon them with loud windy mouths
Through watchword phrases, jest or sentiment,
Which drive our burley brutal English mobs
Like so much chaff, whichever way they blow,–
This light French people will not thus be driven.
They turn indeed; but then they turn upon
Some central pivot of their thought and choice,
And veer out by the force of holding fast.
–That's hard to understand, for Englishmen
Unused to abstract questions, and untrained
To trace the involutions, valve by valve,
In each orbed bulb-root of a general truth,
And mark what subtly fine integument
Divides opposed compartments. Freedom's self
Comes concrete to us, to be understood,
Fixed in a feudal form incarnately
To suit our ways of thought and reverence,
The special form, with us, being still the thing.
With us, I say, though I'm of Italy
My mother's birth and grave, by father's grave
And memory; let it be,–a poet's heart
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Canto the Fourth
I.
I stood in Venice, on the Bridge of Sighs;
A palace and a prison on each hand:
I saw from out the wave her structures rise
As from the stroke of the enchanter’s wand:
A thousand years their cloudy wings expand
Around me, and a dying glory smiles
O’er the far times when many a subject land
Looked to the wingèd Lion’s marble piles,
Where Venice sate in state, throned on her hundred isles!
II.
She looks a sea Cybele, fresh from ocean,
Rising with her tiara of proud towers
At airy distance, with majestic motion,
A ruler of the waters and their powers:
And such she was; her daughters had their dowers
From spoils of nations, and the exhaustless East
Poured in her lap all gems in sparkling showers.
In purple was she robed, and of her feast
Monarchs partook, and deemed their dignity increased.
III.
In Venice, Tasso’s echoes are no more,
And silent rows the songless gondolier;
Her palaces are crumbling to the shore,
And music meets not always now the ear:
Those days are gone - but beauty still is here.
States fall, arts fade - but Nature doth not die,
Nor yet forget how Venice once was dear,
The pleasant place of all festivity,
The revel of the earth, the masque of Italy!
IV.
But unto us she hath a spell beyond
Her name in story, and her long array
Of mighty shadows, whose dim forms despond
Above the dogeless city’s vanished sway;
Ours is a trophy which will not decay
With the Rialto; Shylock and the Moor,
And Pierre, cannot be swept or worn away -
The keystones of the arch! though all were o’er,
For us repeopled were the solitary shore.
V.
[...] Read more
poem by Byron from Childe Harold's Pilgrimage (1818)
Added by Veronica Serbanoiu
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Purgatory
Beautiful people - got their beautiful lives - got their
Beautiful husbands - got their beautiful wives - got their
Beautiful bankers - got their beautiful lawyers
All things bright and beautiful
The beautiful people are sent to destroy us
Beautiful people - got their beautiful kids - got their
Beautiful schools where the beautiful other half live - got their
Beautiful futures in their beautiful professions
All things bright and beautiful
The beautiful people got the money for the lessons
I'm living in purgatory - I know what purgatory is
This ain't no sanctuary - This ain't no way to live
You gotta have a sense of humour - you gotta know how to laugh at it
Cos, I'm living in Purgatory 'n anything's better than this
Beautiful people got their beautiful clothes - got their
Beautiful mansions - down their beautiful country roads - got their
Beautiful Doctors - in their beautiful surgeries
All things bright and beautiful
The beautiful people like a little privacy
I'm living in purgatory - I know what purgatory is
This ain't no sanctuary - This ain't no way to live
You gotta have a sense of humour - you gotta know how to laugh at it
Cos, I'm living in Purgatory 'n anything's better than this
Beautiful losers on their beautiful estates got their
beautiful job centres on the beautiful welfare wait and wait
Beautiful dreamers - out of their beautiful skulls
All things are bright and beautiful
As long as they're beautiful, people stay beautiful.
Beautiful, beautiful, beautiful, beautiful
I'm living in purgatory - I know what purgatory is
This ain't no sanctuary - This ain't no way to live
You gotta have a sense of humour - you gotta know how to lau
song performed by Ian Hunter
Added by Lucian Velea
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Backdoor Medley
I. backdoor love affair
Got to have you, baby, even
Though you say that you dont care.
Got to have you, baby, even
Though you say that you dont care.
Any way you want it,
Settle for a backdoor love affair.
Ii. mellow down easy
Jump, jump here, jump, jump there,
Jump, jump, baby, everywhere.
Dont you mellow down easy,
Babe, you got to mellow down easy.
Dont you mellow down easy.
Got to mellow down easy.
Dont you mellow down easy.
Got to mellow down easy, babe.
Dont you mellow down easy.
Got to mellow down easy.
Dont you mellow down easy.
Mellow down easy when you really wanna blow your top.
Shake, shake here, shake, shake there,
Shake, shake, baby, everywhere.
Dont you mellow down easy,
Babe, you got to mellow down easy.
Dont you mellow down easy.
Got to mellow down easy.
Dont you mellow down easy.
Got to mellow down easy, babe.
Dont you mellow down easy.
Got to mellow down easy.
Dont you mellow down easy.
Mellow down easy when you really wanna blow your top.
Shake, shake here, shake, shake there,
Shake, shake, baby, everywhere.
Dont you mellow down easy,
Babe, you got to mellow down easy.
Dont you mellow down easy.
Got to mellow down easy.
Dont you mellow down easy.
Got to mellow down easy, babe.
Dont you mellow down easy.
Got to mellow down easy.
Dont you mellow down easy.
Mellow down easy when you really wanna blow your top.
Iii. backdoor love affair no.2
Baby baby baby baby, dont you want a man like me?
Uh-huh uh-huh, yes I do, yes I do.
Oh, baby baby baby baby, dont you want a man like me?
Uh-huh uh-huh, uh-huh uh-huh, uh-huh uh-huh.
Oh, I give you lovin by the daytime,
[...] Read more
song performed by ZZ Top
Added by Lucian Velea
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Easy Thing
Love, love is so hard
Love is so hard to find
When love, such an easy thing
Such an easy thing
Such an easy thing to lose, yeah
Words, words are so hard
Words are so hard to find
When love, such an easy thing
Such an easy thing
Such an easy thing to lose, yeah
When you find your love
Will you know its real
When you lose it all
Will you really feel love
Love, love is so hard
Love is so hard to find
cause loves such an easy thing
Such an easy thing
Such an easy thing to lose, yeah
When you find your love
Will you know its real
When you lose it all
Will you really feel love
Love, love is so hard
Love is so hard to find
cause love (love) such an easy thing (so easy)
Such an easy thing (love is so easy)
Such an easy thing to lose, yeah (love)
Love (love) such an easy thing (so easy)
Such an easy thing (love is so easy)
Such an easy thing to lose, yeah (love, love is so easy to lose)
Love (love) such an easy thing (so easy)
Such an easy thing (love is so easy)
Such an easy thing to lose, yeah (love)
Love (love) such an easy thing (so easy)
Such an easy thing (love is so easy)
Such an easy thing to lose, (love, love is so easy to lose)
song performed by Kiss
Added by Lucian Velea
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