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Douglas Hofstadter

This sentence contradicts itself - no actually it doesn't.

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Bad Writing

the sentence & the paragraph had agreed upon meeting at dawn
out in the middle of the page
as the reflection off the fine silver pen being lifted by the human hand in the sky
shone off the bright white recycled paper
there stood one strong paragraph,
which
was armed with clever words, quirky verbs & quiet frankly,
a whole slew of other sentences
who may or may not be brought into the fray
with this
vigilante,
who stood a good distance away from the paragraph
with its shadow blotting out part of the page-
the sentence was tight
knit
&
written in a language that the paragraph had never heard of
before-
the paragraph tilted it’s font a bit, to stave off the human shifting the paper,
causing a bit of a breeze across the soft plane,
but the sentence hadn’t come here today
to waste its time flashing its
fashion sense, and in
standard
new times roman,
it spoke out in italics
“we gonna do this or not? ”
& the paragraph,
without a moment’s hesitation,
nodded, saying, in some bold n’ fancy variation of
book antiqua,
“i been ready since i saw the punctuation at the end of your
babbling jumble of foreign words”-
at that point,
the title of the page & the
header
walked in tandem to the place in between both the paragraph
and the sentence-
now equidistant apart from both,
they talked of what had brought both these forms of writing
to the page
this brisk & early morning in
june-
to make a story short,
the foreign language sentence & the
english (current language of commerce) paragraph
had come to this duel over a
beautiful
metaphor-
and while both the title & the header could understand,

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Love Is A Crime

Oooh Yeah
Chicago
If love is a crime baby
I'd do my time
Whether it's wrong or right
You can sentence me to life
If love is a crime baby
I'd do my time
Whether it's wrong or right
You can sentence me
Sentence me to life
Some might say I'm guilty of loving the first degree
If the jury wants to lock me up and throw away the key
There's no greater punishment than what I face inside
Won't tamper with the evidence cause there's nothing to hide
(He lives inside my heart)
(I'm in the middle too)
I'm in the middle too
(You never had a clue)
Unless you felt it too
(If love is a crime) baby
I'd do my time
(Whether it's wrong or right)
(You can) sentence me
Sentence me to life
(If love is a crime) baby
I'd do my time
(Whether it's wrong or right)
You can sentence me
Sentence me to life
Better tell the truth, just let me plead my case
The thief who stole my heart from me I couldn't let escape
He's my only alibi, but I won't drop a dime
So how can I give up to you, my partner in crime
(He lives inside) my heart
(I'm in the middle too)
Ooh yeah yeah
(You never had a clue)
Unless you felt it too
(If love is a crime) baby
I'd do my time
Whether it's wrong or right
You can sentence me
Sentence me to life
(If love is a crime) baby
I'd do my time
Whether it's wrong or right
You can sentence me
(Sentence me to life)
You can take away my freedom

[...] Read more

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John Milton

Paradise Lost: Book 10

Mean while the heinous and despiteful act
Of Satan, done in Paradise; and how
He, in the serpent, had perverted Eve,
Her husband she, to taste the fatal fruit,
Was known in Heaven; for what can 'scape the eye
Of God all-seeing, or deceive his heart
Omniscient? who, in all things wise and just,
Hindered not Satan to attempt the mind
Of Man, with strength entire and free will armed,
Complete to have discovered and repulsed
Whatever wiles of foe or seeming friend.
For still they knew, and ought to have still remembered,
The high injunction, not to taste that fruit,
Whoever tempted; which they not obeying,
(Incurred what could they less?) the penalty;
And, manifold in sin, deserved to fall.
Up into Heaven from Paradise in haste
The angelick guards ascended, mute, and sad,
For Man; for of his state by this they knew,
Much wondering how the subtle Fiend had stolen
Entrance unseen. Soon as the unwelcome news
From Earth arrived at Heaven-gate, displeased
All were who heard; dim sadness did not spare
That time celestial visages, yet, mixed
With pity, violated not their bliss.
About the new-arrived, in multitudes
The ethereal people ran, to hear and know
How all befel: They towards the throne supreme,
Accountable, made haste, to make appear,
With righteous plea, their utmost vigilance
And easily approved; when the Most High
Eternal Father, from his secret cloud,
Amidst in thunder uttered thus his voice.
Assembled Angels, and ye Powers returned
From unsuccessful charge; be not dismayed,
Nor troubled at these tidings from the earth,
Which your sincerest care could not prevent;
Foretold so lately what would come to pass,
When first this tempter crossed the gulf from Hell.
I told ye then he should prevail, and speed
On his bad errand; Man should be seduced,
And flattered out of all, believing lies
Against his Maker; no decree of mine
Concurring to necessitate his fall,
Or touch with lightest moment of impulse
His free will, to her own inclining left
In even scale. But fallen he is; and now
What rests, but that the mortal sentence pass
On his transgression,--death denounced that day?
Which he presumes already vain and void,

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The Example of Vertu : Cantos I.-VII.

Here begynneth the boke called the example of vertu.

The prologe.

Whan I aduert in my remembraunce
The famous draughtes of poetes eloquent
Whiche theyr myndes dyd well enhaunce
Bokes to contryue that were expedyent
To be remembred without Impedyment
For the profyte of humanyte
This was the custume of antyquyte.
I now symple and moost rude
And naked in depured eloquence
For dulnes rethoryke doth exclude
Wherfore in makynge I lake intellygence
Also consyderynge my grete neglygence
It fereth me sore for to endyte
But at auenture I wyll now wryte.
As very blynde in the poetys art
For I therof can no thynge skyll
Wherfore I lay it all a part
But somwhat accordynge to my wyll
I wyll now wryte for to fulfyll
Saynt Powles wordes and true sentement
All that is wryten is to oure document
O prudent Gower in langage pure
Without corrupcyon moost facundyous
O noble Chauser euer moost sure
Of frutfull sentence ryght delycyous
O vertuous Lydgat moche sentencyous
Unto you all I do me excuse
Though I your connynge do now vse
Explicit prologus.

Capitulum Primsi.
In Septembre in fallynge of the lefe
Whan phebus made his declynacyon
And all the whete gadred was in the shefe
By radyaunt hete and operacyon
Whan the vyrgyn had full domynacyon
And Dyane entred was one degre
Into the sygne of Gemyne
Whan the golden sterres clere were splendent
In the firmament puryfyed clere as crystall
By imperyall course without incombrement
As Iuppyter and Mars that be celestyall
With Saturne and Mercury that wer supernall
Myxt with venus that was not retrograte
That caused me to be well fortunate
In a slombrynge slepe with slouth opprest

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The Course Of Time. Book X.

God of my fathers! holy, just, and good!
My God! my Father! my unfailing Hope!
Jehovah! let the incense of my praise,
Accepted, burn before thy mercy seat,
And in thy presence burn both day and night.
Maker! Preserver! my Redeemer! God!
Whom have I in the heavens but Thee alone?
On earth, but Thee, whom should I praise, whom love?
For Thou hast brought me hitherto, upheld
By thy omnipotence; and from thy grace,
Unbought, unmerited, though not unsought—
The wells of thy salvation, hast refreshed
My spirit, watering it, at morn and even!
And by thy Spirit, which thou freely givest
To whom thou wilt, hast led my venturous song,
Over the vale, and mountain tract, the light
And shade of man; into the burning deep
Descending now, and now circling the mount,
Where highest sits Divinity enthroned;
Rolling along the tide of fluent thought,
The tide of moral, natural, divine;
Gazing on past, and present, and again,
On rapid pinion borne, outstripping Time,
In long excursion, wandering through the groves
Unfading, and the endless avenues,
That shade the landscape of eternity;
And talking there with holy angels met,
And future men, in glorious vision seen!
Nor unrewarded have I watched at night,
And heard the drowsy sound of neighbouring sleep;
New thought, new imagery, new scenes of bliss
And glory, unrehearsed by mortal tongue,
Which, unrevealed, I trembling, turned and left,
Bursting at once upon my ravished eye,
With joy unspeakable, have filled my soul,
And made my cup run over with delight;
Though in my face, the blasts of adverse winds,
While boldly circumnavigating man,
Winds seeming adverse, though perhaps not so,
Have beat severely; disregarded beat,
When I behind me heard the voice of God,
And his propitious Spirit say,—Fear not.
God of my fathers! ever present God!
This offering more inspire, sustain, accept;
Highest, if numbers answer to the theme;
Best answering if thy Spirit dictate most.
Jehovah! breathe upon my soul; my heart
Enlarge; my faith increase; increase my hope;
My thoughts exalt; my fancy sanctify,
And all my passions, that I near thy throne

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An Abc Of Inner Peace

inner peace: a to z (© Raj Arumugam, September 2008)

Inner peace is effortless, as it’s always there within.
One just has to see it.

And once one truly sees this inner peace – not with words or just
intellectually, but actually see this inner peace within – it is one’s, always;
no one takes away that…

Nothing and no evil and no violent force or even the most difficult
of circumstances in one’s life can remove that inner peace that one
sees within; but let one see this not as a word, or as a phrase
but as an actuality.

Feel that peace, see that inner peace and let it radiate always – for it is
the harmony within each and it is always one’s own.


A


Let amity be your constant companion….Be at peace with all beings, equally at peace with those near and those far, and thus walk hand in hand with amity as in a bounteous garden…





B


Be mindful of your blessings always…To be alive, to breathe in fresh air;
and to be with the family and the companionship of good fellow-human
beings; and the kindness of strangers; and the creatures of this world
and the flowers that bloom, and to have a place in this marvelous planet
of ours….all these too are blessings….

There is a life of the body in the domain of the physical, and
the legitimate needs of the body are just as important as
one’s inner needs…

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Reverse Reality

when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision
when one becomes somebody, it is actually nobody
when one happens naturally to be nobody, it is a real somebody by decision

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Geoffrey Chaucer

The Canterbury Tales; The Phisiciens Tale

Heere folweth the Phisiciens tale.

Ther was, as telleth Titus Livius,
A knyght that called was Virginius,
Fulfild of honour and of worthynesse,
And strong of freendes, and of greet richesse.
This knyght a doghter hadde by his wyf,

No children hadde he mo in al his lyf.
Fair was this mayde in excellent beautee
Aboven every wight that man may see.
For Nature hath with sovereyn diligence
Yformed hir in so greet excellence,

As though she wolde seyn, 'Lo, I, Nature,
Thus kan I forme and peynte a creature
Whan that me list; who kan me countrefete?
Pigmalion noght, though he ay forge and bete,
Or grave, or peynte, for I dar wel seyn

Apelles, Zanzis sholde werche in veyn
Outher to grave or peynte, or forge, or bete,
If they presumed me to countrefete.
For He that is the former principal
Hath maked me his vicaire general

To forme and peynten erthely creaturis
Right as me list, and ech thyng in my cure is
Under the Moone, that may wane and waxe,
And for my werk right nothyng wol I axe.
My lord and I been ful of oon accord;

I made hir to the worship of my lord,
So do I alle myne othere creatures,
What colour that they han, or what figures.'
Thus semeth me that Nature wolde seye.
This mayde of age twelf yeer was and tweye,

Is which that Nature hadde swich delit.
For right as she kan peynte a lilie whit,
And reed a rose, right with swich peynture
She peynted hath this noble creature,
Er she were born, upon hir lymes fre,

Where as by right swiche colours sholde be.
And Phebus dyed hath hir treses grete,
Lyk to the stremes of his burned heete;
And if that excellent was hir beautee,
A thousand foold moore vertuous was she.

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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus

Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—

Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse

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Geoffrey Chaucer

The Canterbury Tales; Chaucer's Tale of Sir Thopas

PROLOGUE TO CHAUCER'S TALE OF SIR THOPAS

Bihoold the murye wordes of the Hoost to Chaucer.

Whan seyd was al this miracle, every man
As sobre was, that wonder was to se,
Til that oure Hooste japen tho bigan,
And thanne at erst he looked upon me,
And seyde thus, 'What man artow,' quod he,
'Thow lookest as thou woldest fynde an hare,
For ever upon the ground I se thee stare.

Approche neer, and looke up murily;
Now war yow, sires, and lat this man have place.
He in the waast is shape as wel as I;
This were a popet in an arm tenbrace
For any womman smal, and fair of face.
He semeth elvyssh by his contenaunce,
For unto no wight dooth he daliaunce.

Sey now somwhat, syn oother folk han sayd,
Telle us a tale of myrthe, and that anon.'
'Hooste,' quod I, 'ne beth nat yvele apayed,
For oother tale certes kan I noon
But of a ryme I lerned longe agoon.'
'Ye, that is good,' quod he, 'now shul we heere
Som deyntee thyng, me thynketh by his cheere.'
Part 11

SIR THOPAS

Heere bigynneth Chaucers tale of Thopas.

Listeth, lordes, in good entent,
And I wol telle verrayment
Of myrthe and of solas,
Al of a knyght was fair and gent
In bataille and in tourneyment,
His name was Sir Thopas.

Yborn he was in fer contree,
In Flaundres, al biyonde the see,
At Poperyng in the place;
His fader was a man ful free,
And lord he was of that contree,
As it was Goddes grace.

Sir Thopas wax a doghty swayn,
Whit was his face as payndemayn,
Hise lippes rede as rose;

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You Might Actually Care

So many times my heart leans over
Psst David, look, she's pretty, she's nice, she could be your lover
So many times Heart tells me how great she is
Heart prods me: 'Hey what if that your first kiss '
Heart says: 'You've only seen this side of her but she's actually like this'
Heart says: 'This isn't your idea of her this is her' what hypnosis
Heart says: 'She thinks you're worth it '
Heart says: 'She's wants romance, she wants you, you're a perfect fit'
Heart prods me: 'Wouldn't it be wonderful if...'
Heart says: 'Hey she actually cares, don't wait take the risk '
Heart says: 'Hey come this is your chance, she's like your serif'
Heart says: 'You want her, no you need her, like dawn needs dusk.'
Heart says: 'Don't suppress your feelings you were made for it'

Deceit... could this be deceit... Heart are you my friend?

Because of this, no hopefully in spite of this I think you care
I think that maybe I could say this love, maybe it's love... do I dare?
I think you might actually truly value me
Maybe you don't know to say 'you're worth it' but I hope you think that
I sincerely hope if I love you it's for you, not the you I see
I want to love you for who you really are, I want to love you at
Every single, breathing moment of my life, if I say I love you
It means I want to spend my entire life with you, I really do
So now you see why I can't just walk up and say how I feel
I'm not sure if my heart will ever heal
It's destroyed by lust, deceived by Heart... I don't want to offer you that
No you deserve better, but what if you actually care... I dunno if I was at
Even though I want you to have someone better I can't help it
I love you or so I think, I wish I could take a hit
For you and just not pursue so that someone worthy might find you
I'm sorry for my selfishness too

But maybe you don't care... maybe you'd only accept another
I don't want to fall in love with an idea of you
But maybe you could actually love me
Maybe you return my feelings and because maybe you're the first one
Who actually cares. Or maybe Heart has won
Again... do you actually care? Can I say that I love you?
Or could I let you go?

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Homer

The Iliad: Book 8

Now when Morning, clad in her robe of saffron, had begun to suffuse
light over the earth, Jove called the gods in council on the topmost
crest of serrated Olympus. Then he spoke and all the other gods gave
ear. "Hear me," said he, "gods and goddesses, that I may speak even as
I am minded. Let none of you neither goddess nor god try to cross
me, but obey me every one of you that I may bring this matter to an
end. If I see anyone acting apart and helping either Trojans or
Danaans, he shall be beaten inordinately ere he come back again to
Olympus; or I will hurl him down into dark Tartarus far into the
deepest pit under the earth, where the gates are iron and the floor
bronze, as far beneath Hades as heaven is high above the earth, that
you may learn how much the mightiest I am among you. Try me and find
out for yourselves. Hangs me a golden chain from heaven, and lay
hold of it all of you, gods and goddesses together- tug as you will,
you will not drag Jove the supreme counsellor from heaven to earth;
but were I to pull at it myself I should draw you up with earth and
sea into the bargain, then would I bind the chain about some
pinnacle of Olympus and leave you all dangling in the mid firmament.
So far am I above all others either of gods or men."
They were frightened and all of them of held their peace, for he had
spoken masterfully; but at last Minerva answered, "Father, son of
Saturn, king of kings, we all know that your might is not to be
gainsaid, but we are also sorry for the Danaan warriors, who are
perishing and coming to a bad end. We will, however, since you so
bid us, refrain from actual fighting, but we will make serviceable
suggestions to the Argives that they may not all of them perish in
your displeasure."
Jove smiled at her and answered, "Take heart, my child,
Trito-born; I am not really in earnest, and I wish to be kind to you."
With this he yoked his fleet horses, with hoofs of bronze and
manes of glittering gold. He girded himself also with gold about the
body, seized his gold whip and took his seat in his chariot. Thereon
he lashed his horses and they flew forward nothing loth midway twixt
earth and starry heaven. After a while he reached many-fountained Ida,
mother of wild beasts, and Gargarus, where are his grove and
fragrant altar. There the father of gods and men stayed his horses,
took them from the chariot, and hid them in a thick cloud; then he
took his seat all glorious upon the topmost crests, looking down
upon the city of Troy and the ships of the Achaeans.
The Achaeans took their morning meal hastily at the ships, and
afterwards put on their armour. The Trojans on the other hand likewise
armed themselves throughout the city, fewer in numbers but
nevertheless eager perforce to do battle for their wives and children.
All the gates were flung wide open, and horse and foot sallied forth
with the tramp as of a great multitude.
When they were got together in one place, shield clashed with
shield, and spear with spear, in the conflict of mail-clad men. Mighty
was the din as the bossed shields pressed hard on one another-
death- cry and shout of triumph of slain and slayers, and the earth
ran red with blood.

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In A Request To Be Left Alone

In a request to be left alone,
Is often demanded by one who contradicts.
I have made similar comments myself.
To only annoy someone,
By calling them too much...
Until they pretended not to be home.

As a child I would say, 'Leave me alone.'
Not expecting anyone to believe me.
Or have my wish condoned.
And when I am successfully left alone,
I began to feel quite lonely.
Not expecting a loneliness to be so overwhelming.

To request to be left alone,
Is often demanded by one who contradicts.
I have made similar comments myself.
To only annoy someone,
By calling them too much...
Until they pretended not to be home.

To be left alone...
Not expecting a loneliness,
Can be quite overwhelming.
And...
Contradicting as well.

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Thick At that! ...And Glossy!

How much admitted,
Actually exists?
If you talk about someone
In a negative light,
What makes that which is expressed,
Alright to dance on gossip licked lips?
Thick
At that...
And glossy!

How much admitted,
Actually exists?
We know of no one's true feelings,
But our own.
No conflicts inflicted will be felt,
With a depthness known,
No one knows...
Who's in bed with who,
And who is left alone.

But there is no stopping,
Having a fling or two
With someone new.
Who knows what to do,
With a stiffened bone!
How much admitted,
Actually exists?
How much has been changed
To arrange point of views,
By those who discreetly
Do what they do!

How much admitted,
Actually exists...?
Has driven misfits
To even more exposure.
And Rod Sterling has passed...
To worlds beyond Twilight Zones.
And he was very comfortable,
With discussing 'possibilities'!

If it is worthy to admit
Situations believed to be unfit...
One must sit and evaluate,
Being in someone's business not theirs...
How much actually exists?
And whoever committed an admission...
Please admit it!
So we can move 'that hell',
Away from here and us.

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Telephone Conversation

Wednesday, January 23,2008
Week 10: Telephone Conversation by Wole Soyinka

Week 10 Dividing lines: Differences in Class, race, Gender and Ideology

Telephone Conversation
by Wole Soyinka

The price seemed reasonable, location
Indifferent. The landlady swore she lived
Off premises. Nothing remained
But self-confession. 'Madam, ' I warned,
'I hate a wasted journey—I am African.'
Silence. Silenced transmission of
Pressurized good-breeding. Voice, when it came,
Lipstick coated, long gold rolled
Cigarette-holder pipped. Caught I was foully.
'HOW DARK? '... I had not misheard... 'ARE YOU LIGHT
OR VERY DARK? ' Button B, Button A.* Stench
Of rancid breath of public hide-and-speak.
Red booth. Red pillar box. Red double-tiered
Omnibus squelching tar. It was real! Shamed
By ill-mannered silence, surrender
Pushed dumbfounded to beg simplification.
Considerate she was, varying the emphasis-
'ARE YOU DARK? OR VERY LIGHT? ' Revelation came.
'You mean-like plain or milk chocolate? '
Her assent was clinical, crushing in its light
Impersonality. Rapidly, wave-length adjusted,
I chose. 'West African sepia'-and as afterthought,
'Down in my passport.' Silence for spectroscopic
Flight of fancy, till truthfulness clanged her accent
Hard on the mouthpiece. 'WHAT'S THAT? ' conceding
'DON'T KNOW WHAT THAT IS.' 'Like brunette.'
'THAT'S DARK, ISN'T IT? ' 'Not altogether.
Facially, I am brunette, but, madam, you should see
The rest of me. Palm of my hand, soles of my feet
Are a peroxide blond. Friction, caused-

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XII. The Book and the Ring

Here were the end, had anything an end:
Thus, lit and launched, up and up roared and soared
A rocket, till the key o' the vault was reached,
And wide heaven held, a breathless minute-space,
In brilliant usurpature: thus caught spark,
Rushed to the height, and hung at full of fame
Over men's upturned faces, ghastly thence,
Our glaring Guido: now decline must be.
In its explosion, you have seen his act,
By my power—may-be, judged it by your own,—
Or composite as good orbs prove, or crammed
With worse ingredients than the Wormwood Star.
The act, over and ended, falls and fades:
What was once seen, grows what is now described,
Then talked of, told about, a tinge the less
In every fresh transmission; till it melts,
Trickles in silent orange or wan grey
Across our memory, dies and leaves all dark,
And presently we find the stars again.
Follow the main streaks, meditate the mode
Of brightness, how it hastes to blend with black!

After that February Twenty-Two,
Since our salvation, Sixteen-Ninety-Eight,
Of all reports that were, or may have been,
Concerning those the day killed or let live,
Four I count only. Take the first that comes.
A letter from a stranger, man of rank,
Venetian visitor at Rome,—who knows,
On what pretence of busy idleness?
Thus he begins on evening of that day.

"Here are we at our end of Carnival;
"Prodigious gaiety and monstrous mirth,
"And constant shift of entertaining show:
"With influx, from each quarter of the globe,
"Of strangers nowise wishful to be last
"I' the struggle for a good place presently
"When that befalls fate cannot long defer.
"The old Pope totters on the verge o' the grave:
"You see, Malpichi understood far more
"Than Tozzi how to treat the ailments: age,
"No question, renders these inveterate.
"Cardinal Spada, actual Minister,
"Is possible Pope; I wager on his head,
"Since those four entertainments of his niece
"Which set all Rome a-stare: Pope probably—
"Though Colloredo has his backers too,
"And San Cesario makes one doubt at times:
"Altieri will be Chamberlain at most.

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The Court Of Love

With timerous hert and trembling hand of drede,
Of cunning naked, bare of eloquence,
Unto the flour of port in womanhede
I write, as he that non intelligence
Of metres hath, ne floures of sentence;
Sauf that me list my writing to convey,
In that I can to please her hygh nobley.


The blosmes fresshe of Tullius garden soote
Present thaim not, my mater for to borne:
Poemes of Virgil taken here no rote,
Ne crafte of Galfrid may not here sojorne:
Why nam I cunning? O well may I morne,
For lak of science that I can-not write
Unto the princes of my life a-right


No termes digne unto her excellence,
So is she sprong of noble stirpe and high:
A world of honour and of reverence
There is in her, this wil I testifie.
Calliope, thou sister wise and sly,
And thou, Minerva, guyde me with thy grace,
That langage rude my mater not deface.


Thy suger-dropes swete of Elicon
Distill in me, thou gentle Muse, I pray;
And thee, Melpomene, I calle anon,
Of ignoraunce the mist to chace away;
And give me grace so for to write and sey,
That she, my lady, of her worthinesse,
Accepte in gree this litel short tretesse,


That is entitled thus, 'The Court of Love.'
And ye that ben metriciens me excuse,
I you besech, for Venus sake above;
For what I mene in this ye need not muse:
And if so be my lady it refuse
For lak of ornat speche, I wold be wo,
That I presume to her to writen so.


But myn entent and all my besy cure
Is for to write this tretesse, as I can,
Unto my lady, stable, true, and sure,
Feithfull and kind, sith first that she began
Me to accept in service as her man:

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Geoffrey Chaucer

The Canterbury Tales; the Seconde Nonnes Tale

The Prologe of the Seconde Nonnes Tale.

The ministre and the norice unto vices,
Which that men clepe in Englissh ydelnesse,
That porter of the gate is of delices,
To eschue, and by hir contrarie hir oppresse,
(That is to seyn by leveful bisynesse),
Wel oghten we to doon al oure entente,
Lest that the feend thurgh ydelnesse us shente.

For he, that with hise thousand cordes slye
Continuelly us waiteth to biclappe,
Whan he may man in ydelnesse espye,
He kan so lightly cacche hym in his trappe,
Til that a man be hent right by the lappe,
He nys nat war the feend hath hym in honde.
Wel oghte us werche, and ydelnesse withstonde.

And though men dradden nevere for to dye,
Yet seen men wel by resoun, doutelees,
That ydelnesse is roten slogardye,
Of which ther nevere comth no good encrees;
And seen that slouthe hir holdeth in a lees,
Oonly to slepe, and for to ete and drynke,
And to devouren al that othere swynke.

And for to putte us fro swich ydelnesse,
That cause is of so greet confusioun,
I have heer doon my feithful bisynesse,
After the legende, in translacioun
Right of thy glorious lyf and passioun,
Thou with thy gerland wroght with rose and lilie,
Thee meene I, mayde and martir, seint Cecilie.

Invocacio ad Mariam.

And thow that flour of virgines art alle,
Of whom that Bernard list so wel to write,
To thee at my bigynnyng first I calle,
Thou confort of us wrecches, do me endite
Thy maydens deeth, that wan thurgh hir merite

The eterneel lyf, and of the feend victorie,
As man may after reden in hir storie.

Thow mayde and mooder, doghter of thy sone,
Thow welle of mercy, synful soules cure,
In whom that God for bountee chees to wone,
Thow humble and heigh, over every creature
Thow nobledest so ferforth oure nature,

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Geoffrey Chaucer

The Parliament Of Fowles

Here begynyth the Parlement of Foulys

THE PROEM

The lyf so short, the craft so long to lerne,
Thassay so hard, so sharp the conquering,
The dredful Ioy, that alwey slit so yerne,
Al this mene I by love, that my feling
Astonyeth with his wonderful worching
So sore y-wis, that whan I on him thinke,
Nat wot I wel wher that I wake or winke.

For al be that I knowe nat love in dede,
Ne wot how that he quyteth folk hir hyre,
Yet happeth me ful ofte in bokes rede
Of his miracles, and his cruel yre;
Ther rede I wel he wol be lord and syre,
I dar not seyn, his strokes been so sore,
But God save swich a lord! I can no more.

Of usage, what for luste what for lore,
On bokes rede I ofte, as I yow tolde.
But wherfor that I speke al this? not yore
Agon, hit happed me for to beholde
Upon a boke, was write with lettres olde;
And ther-upon, a certeyn thing to lerne,
The longe day ful faste I radde and yerne.

For out of olde feldes, as men seith,
Cometh al this newe corn fro yeer to yere;
And out of olde bokes, in good feith,
Cometh al this newe science that men lere.
But now to purpos as of this matere --
To rede forth hit gan me so delyte,
That al the day me thoughte but a lyte.

This book of which I make of mencioun,
Entitled was al thus, as I shal telle,
`Tullius of the dreme of Scipioun.';
Chapitres seven hit hadde, of hevene and helle,
And erthe, and soules that therinnr dwelle,
Of whiche, as shortly as I can hit trete,
Of his sentence I wol you seyn the grete.

First telleth hit, whan Scipion was come
In Afrik, how he mette Massinisse,
That him for Ioye in armes hath y nome.
Than telleth hit hir speche and al the blisse
That was betwix hem, til the day gan misse;
And how his auncestre, African so dere,

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Superlative Story

Superlative Story


I Syntaxical Sequence

II Strange Stanza Succession Starts

III Scenario Synopsis

IV Sensuality, sense, sensibility,

V Substitute Spousal Suggestions

VI Seesaw Simplicity: Seraglio Simularities Spurned

VII Solution

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I SYNTAXICAL SEQUENCE

Special scansion ‘S’ syllabic
specious solicisms scraps,
solo solving sounds strabismic,
syllogistic systole scraps.
Syllables spring, shuffle, scuttle,
skittle syntax, scintillate
syntonically sans snuffle, shuttle –
synonyms shake sides, spine straight.

Stanza stanza swift succeeding
senses sweeps, song swifter swims,
succulent succession seeding
substitutions, surface skims.
Scrupulous semantics subtle
switchback spiral, summarize,
seek solutions smart, scrolled, supple,
solve set spectrum's smallish size.

Synonymous synchronising
sympathetic symphony
scores - Socratic symbolizing –
swivelling sonority.
Scansion salvo salvo scansion
strong succeeds, succeeding sends
successors streamlined sampling surging –
sanction seems so slight, scourge spends.

Systematic symbol spreading
'sses something sacred, seeks, -

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