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I did write a couple of original screenplays, but I'd rather write plays.

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Why Do I Write

I write from my sadness
I write from the madness
I write because I have something to say
I write to pass the day
I write only from the heart
I write for sometimes I am not that smart
Whatever is in head just comes out on paper (in this case a word document) , and I go with the flow
Write to let my mind go

I follow my hand to where ever it takes me
I write all the things that I can see
I write when I am happy, but not as much
I write from my heart that you can touch
I write because Id go insane
I am driven to write quell my pain

At times I feel alone so I write what I am feeling
I write for it is self-healing
Confident not so I write it all away
I write and write to pass the day
I write to comfort my soul that cries out in the night
I write for love is always out of sight
I write so I don't have to cry any more
I write for I have no one to adore
I write so someone somewhere will hear my plea
I write for someone is out there for me
I am lost and I the clown
I write to turn my frown upside down

I write to embrace the sadness I hide inside
I write with my heart opened wide
I write to silence the ghost
I write for I’ve been let down by the one I loved the most
I write through the stormy weather
I write for I am light as a feather
I am not a writer nor am I a poet
I write for the grief I do know it

I will write until I draw my last breath
I write because I'll die a lonely death
I have to write for strangers delight
I write because I have to write
I write for my own happiness
I write to relieve my stress
I write because I have no other choice
I write as if I was writing a letter
I write because I can’t do any better
I write because I am afraid not to
I write for this is what I do
I write for I give a damn

[...] Read more

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A Poem Written By A Confessed Bipolar (her Name To Be Revealed Upon Her Permission)

I write because I can
I write because there are so many things to be written.
I write because I can make a painting without a brush and paints in my hand.
I write because I can capture the moment without having a camera.
I write because letters and words are the only recipe I know how to cook.
I write because I want to read what I’ve written.
I write because I’m used to speak in silence.
I write because I have a story to tell.
I write because I want to strip off my flesh and live as a pure being.
I write because I can record my “voice” without having a recorder.
I write because it’s like a cup of coffee, it keeps me awake
I write because I want to live even when I do not exist.
I write because this is my throwing stones when I’m frustrated.
6/11/09 at 4: 42 PM
I write because I can flaunt my being when I don’t have clothes to show off.
I write because this is like making an encyclopedia to a coloring book.
I write because it’s more effective than my lithium medication.
I write because I’m tired of carrying these baggages on the road.
I write because I’m tired of talking too much.
I write because it’s a healthier diversion than smoking.
I write because it’s more therapeutic than analyzing my problem.
I write because I want to paint a thousand pictures with words.
I write because I can put colors to the letters and make a rainbow of words.
I write because it’s the key combinations to my hidden vaults.
I write because my ball pen is my best friend in the darkest nights.
I write because it surprises me with what I am capable of thinking&doing. 6/11/09 at 4: 43 PM
I write because I like that ideas are popping like pop corns.
I write because I can wander in the adventures of my own world.
I write because I have to cleanse my collection of memories of an old home.
I write because like a mirror you need to do a lot of reflections.
I write because I want to fight the battle of life.
I write because I wanted my little voice to be heard.
I write because I want to run from the insanities of the world.
I write because pictures don’t talk.
I write because it helps me connect the dots when I look back in my life.
I write because it brings me back to my crib of silence.
I write because it makes a buzz to other bees in my beehive.
I write because unlike my bike my destination is limitless.
I write because I want to become an inspiration without extinction 6/11/09 at 4: 43 PM
I write because like strumming of the guitar, it vibrates in my soul.
I write because I love to write.

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Polyhymnia

[Polyhymnia: Describing, The honourable Triumph at Tylt,
before her Maiestie, on the 17. of Nouember, last past,
being the first day of the three and thirtith yeare of
her Highnesse raigne. With Sir Henrie Lea, his resignation
of honour at Tylt, to her Maiestie, and receiued by the right
honourable, the Earle of Cumberland.]

[Polyhimnia. Entituled, with all dutie to the Right
Honourable, Lord Compton of Compton.]


Therefore, when thirtie two were come and gone,
Years of her raigne, daies of her countries peace,
Elizabeth great Empresse of the world,
Britanias Atlas, Star of Englands globe,
That swaies the massie scepter of her land,
And holdes the royall raynes of Albion:
Began the gladsome sunnie day to shine,
That drawes in length date of her golden raigne:
And thirtie three shee numbreth in her throne:
That long in happinesse and peace (I pray)
May number manie to these thirtie three.
Wherefore it fares as whilom and of yore,
In armour bright and sheene, faire Englands knights
In honour of their peerelesse Soueraigne:
High Maistresse of their seruice, thoughtes and liues
Make to the Tyltamaine: and trumpets sound,
And princelie Coursers neigh, and champ the byt,
When all addrest for deeds of high deuoyre,
Preace to the sacred presence of their Prince.


The 1. couple. Sir Henrie Lea. The Earle of Cumberland.

Mightie in Armes, mounted on puissant horse,
Knight of the Crown in rich imbroderie,
And costlie faire Caparison charg'd with Crownes,
Oreshadowed with a withered running Vine,
As who would say, My spring of youth is past:
In Corslet gylt of curious workmanship,
Sir Henry Lea, redoubted man at Armes.
Leades in the troopes, whom woorthie Cumberland
Thrice noble Earle, aucutred as became
So greate a Warriour and so good a Knight.
Encountred first, yclad in coate of steele,
And plumes and pendants al as white as Swanne,
And speare in rest, right readie to performe
What long'd vnto the honour of the place.
Together went these Champions, horse and man,
Thundring along the Tylt, that at the shocke

[...] Read more

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Write Me

Aerosmith
Write Me
Well I've been away forever, suicide's crossin' my mind,
But I'll never never never never never get so far behind.
I said, the ways of the night are evil with eyes that love the day,
but I'll never never never never never get so far away.
I said write me, write me, write me.
I said write me, write me, write me.
Well there's nothin' I can see that'd ever make
me want to be without her she's good, she's good to me.
Said there's no way to explain the kind of feeling
that you get out in the rain she's good, she's good to me.
See this emptiness inside it makes me scream
it make me crawl out of my high, she's good, she's good to me.
I love her.
Write me a letter, write me a letter, write it today, I'm goin' away.
Well I've been away forever, suicide's crossin' my mind,
But I'll never never never never never get so far behind.
Well I've been so many places hidin' from the wind and the rain,
But you could write me a letter for to save me from a goin' insane.
I said write me, write, write, write me.
Write me, write, write, write me.
Write me, write, write, write.
I said write me, write, write, write me.
Write me, write, write, write me.
Don't write me baby.

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The Original Wrapper

I was sittin home on the west end
Watchin cable tv with a female friend
We were watchin the news, the worlds in a mess
The poor and the hungry, a world in distress
Herpes, aids, the middle east at full throttle
Better check that sausage, before you put it in the waffle
And while youre at it, check whats in the batter
Make sure that candys in the original wrapper
Hey, pitcher, better check that batter
Make sure that candys in the original wrapper
Reagan says abortions murder
While hes looking at cardinal oconnor
Look at jerry falwell louis farrakhan
Both talk religion and the brotherhood of man
They both sound like they belong in teheran
Watch out, theyre goin full throttle
Better check that sausage, before you stick it in the waffle
And while youre at it better check, whats in the batter
Make sure that candys in the original wrapper
Hey, pitcher, better check that batter
Make sure that candys in the original wrapper
White against white, black against jew
It seems like its 1942
The baby sits in front of mtv
Watching violent fantasies
While dad guzzles beer with his favorite sport
Only to find his heroes are all coked up
Classic, original, the same old story
The politics of hate in a new surrounding
Hate if its good and hate if its bad
And if this all dont make you mad
Ill keep yours and Ill keep mine
Nothing sacred and nothing divine
Father, bless me, were at full throttle
Better check that sausage, before you put it in the waffle
And while youre at it better check that batter
Make sure the candys in the original wrapper
Hey, pitcher, better check that batter
Make sure that candys in the original wrapper, hey, hey
I was born in the united states
And I grew up hard but I grew up straight
I saw a lack of morals and a lack of concern
A feeling that theres nowhere to turn
Yippies, hippies and upwardly mobile yuppies
Dont treat me like Im some dumb lackey
cause the murderer lives while the victims die
Id much rather see it an eye for an eye
A heart for a heart, a brain for a brain
And if this all makes you feel a little insane
Kick up your heels, turn the music up loud

[...] Read more

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Pinball Wizard

Local lad:
Ever since I was a young boy,
Ive played the silver ball.
Ever since I was a young boy,
>from soho down to brighton
Ive played the silver ball.
I must have played them all.
]from soho down to brighton
But I aint seen nothing like him
I must have played them all.
In any amusement hall...
But I aint seen nothing like him
That deaf dumb and blind kid
In any amusement hall...
Sure plays a mean pin ball !
That deaf dumb and blind kid
Sure plays a mean pin ball !
He stands like a statue,
Becomes part of the machine.
He stands like a statue,
Feeling all the bumpers
Becomes part of the machine.
Always playing clean.
Feeling all the bumpers
He plays by intuition,
Always playing clean.
The digit counters fall.
He plays by intuition,
That deaf dumb and blind kid
The digit counters fall.
Sure plays a mean pin ball !
That deaf dumb and blind kid
Sure plays a mean pin ball !
Hes a pin ball wizard
There has got to be a twist.
Hes a pin ball wizard
A pin ball wizard,
There has got to be a twist.
Sgot such a supple wrist.
A pin ball wizard,
Sgot such a supple wrist.
how do you think he does it? I dont know!
What makes him so good?
how do you think he does it? I dont know!
What makes him so good?
He aint got no distractions
Cant hear those buzzers and bells,
He aint got no distractions
Dont see lights a flashin
Cant hear those buzzers and bells,

[...] Read more

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

[...] Read more

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III. The Other Half-Rome

Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!

There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk

[...] Read more

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Write Me A Letter

Write me a letter
Write me a letter
Write it today
Im goin away (yes it has)
Write me a letter
Write me a letter
Write it today
Im goin away (yes it is)
Well Ive been away forever
Suicides crossin my mind
Well Ill never, never get so far behind
I said, the ways of the night are evil
Without that lord of day
But Ill never, never get so far away
I said write me
Write me
Write me
Write me
I said write me
Write me
Write me
Well theres nothin I can see
Thatd ever make me
Want to be without her
Shes good, she good to me
Said theres no way to explain
The kind of feelin that you get out in the
She good, she good to me
She good, she good to me
I love her
Write me a letter
Write me a letter
Write it today
Im goin away (yes it has)
Write me a letter
Write me a letter
Write it today
Im goin away (yes it is)
Well Ive been away forever
Suicides crossin my mind
Well Ill never, never get so far behind
Well Ive been so many places
Hidin from the wind and the rain
But you could write me a letter
For to save me from goin insane
Write me
Excite me
Write me
Write me
Write me

[...] Read more

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Original Sin

Ive been looking for an original sin.
One with a twist and a bit of a spin.
Ive done all of the old ones.
Till theyve all been done in.
Now Im just looking -
Then Im gone with the wind -
Endlessly searching for an original sin.
You can dance forever.
You got a fire in your feet.
But will it ever be enough?
You know itll never be enough.
You can fly and never land.
And never need to sleep.
But will it ever be enough?
You know itll never be enough.
Not enough to make the nightmares go away.
Not enough to make the tears run dry.
Not enough to live a littel better everyday.
Everything that they taught us.
Was nothing but lies.
Everthing thing they brought us.
Was nothing but bribes.
But itll all be over now -
All I wanted was a piece of the night.
I never got an equal share.
When the stars are out of sight.
And the moon is down -
The natives are so restless tonight.
Ive been looking for an original sin.
One with a twist and a bit of a spin.
Ive done all of the old ones.
Till theyve all been done in.
Now Im just looking -
Then Im gone with the wind -
Endlessly searching for an original sin.
You can lose yourself in pleasure.
Till your bodys going numb.
But will it ever be enough?
You know itll never be enough.
You can always take whatever.
You conceivably could want.
But will it ever be enough?
You know itll never be enough.
Not enough to make the nightmares go away.
Not enough to make the tears run dry.
Not enough to live a littel better everyday.
Everything that they taught us.
Was nothing but lies.
Everthing thing they brought us.
Was nothing but bribes.

[...] Read more

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II. Half-Rome

What, you, Sir, come too? (Just the man I'd meet.)
Be ruled by me and have a care o' the crowd:
This way, while fresh folk go and get their gaze:
I'll tell you like a book and save your shins.
Fie, what a roaring day we've had! Whose fault?
Lorenzo in Lucina,—here's a church
To hold a crowd at need, accommodate
All comers from the Corso! If this crush
Make not its priests ashamed of what they show
For temple-room, don't prick them to draw purse
And down with bricks and mortar, eke us out
The beggarly transept with its bit of apse
Into a decent space for Christian ease,
Why, to-day's lucky pearl is cast to swine.
Listen and estimate the luck they've had!
(The right man, and I hold him.)

Sir, do you see,
They laid both bodies in the church, this morn
The first thing, on the chancel two steps up,
Behind the little marble balustrade;
Disposed them, Pietro the old murdered fool
To the right of the altar, and his wretched wife
On the other side. In trying to count stabs,
People supposed Violante showed the most,
Till somebody explained us that mistake;
His wounds had been dealt out indifferent where,
But she took all her stabbings in the face,
Since punished thus solely for honour's sake,
Honoris causâ, that's the proper term.
A delicacy there is, our gallants hold,
When you avenge your honour and only then,
That you disfigure the subject, fray the face,
Not just take life and end, in clownish guise.
It was Violante gave the first offence,
Got therefore the conspicuous punishment:
While Pietro, who helped merely, his mere death
Answered the purpose, so his face went free.
We fancied even, free as you please, that face
Showed itself still intolerably wronged;
Was wrinkled over with resentment yet,
Nor calm at all, as murdered faces use,
Once the worst ended: an indignant air
O' the head there was—'t is said the body turned
Round and away, rolled from Violante's side
Where they had laid it loving-husband-like.
If so, if corpses can be sensitive,
Why did not he roll right down altar-step,
Roll on through nave, roll fairly out of church,
Deprive Lorenzo of the spectacle,

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No Poem Is An Original

No poem is an original
everyone who writes
poetry thinks their poem
was an original, it just so
happens that their poem just
surfaced to the top
of their mind first, so they
were able to write it.

Everyone has love, hate
compassion buried deep
in their soul.

Poets are able to bring
all of this to the surface,
to construct, add the words,
but it is not an original
idea, for the poet because
they wrote it now, it
becomes an original for them.

Who has not heard a song,
read a poem, story or book,
seen a movie and said,
to themselves, hey I had
that same idea.

Only thing is, someone else
brought it to the surface
of the mind, and wrote it first.
Even this poem I'm writing
now is not an original
someone out there
has this idea buried
deep in their soul.

So if you have an idea
for a poem, get busy
write it, don't wait,
or you won't write an original
start today,
don't delay.

wrote 2-2-07

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0005 Letter to a Younger Poet

Thanks for your letter. Though
you’ve caught me at a rather awkward time –
I’m going into surgery tomorrow – a rather
risky op; so I’ll try to put all the answers that I’ve got
into this one letter;
I hope you'll understand...

and that helps me to make my first point to you:
write as if you, too, may not live
beyond tomorrow – write as if
it’s the last thing that you’ll ever write
give it everything you’ve got,
hold nothing back;

or better still – write as if
the world will end for everyone tomorrow:
write so that in their last hours, too, this
will make them feel, will make them know
we’ve faced life fully, faced it so complete
that death is relatively unimportant now…

write as if it were only yesterday
that, in an air crash, all your family –
parents, wife or husband, partner, children, and best friend,
had lost their lives; write as if,
were you not to write,
your heart would break forever, or you would go mad...

write as if you’re writing somewhere
where there’s no such thing around, as ink;
you’ll have to use your own blood in the pen,
so use it carefully; so red, so living,
look at it… so beautiful, so precious,
and so solemn – use it carefully, don’t spill a drop…

write as if you’re borrowing every word
from the very centre of the universe, where suns and gods are made;
and need thus to account for every word
with your whole life, no less; know that every word
must be given back, cleaner, stronger, brighter
with your own power, than when you borrowed it;

write as if every poet that ever lived
is leaning over your shoulder, so that you
can feel their breath upon your neck as they say
‘Tell them all that we would tell,
but cannot now; tell them all of this’…
this, now, is how you must deeply be and speak;

write as if you are the only being on earth

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Paul Eluard

The Human Face

I. Soon

Of all the springtimes of the world
This one is the ugliest
Of all of my ways of being
To be trusting is the best

Grass pushes up snow
Like the stone of a tomb
But I sleep within the storm
And awaken eyes bright

Slowness, brief time ends
Where all streets must pass
Through my innermost recesses
So that I would meet someone

I don’t listen to monsters
I know them and all that they say
I see only beautiful faces
Good faces, sure of themselves
Certain soon to ruin their masters

II. The women’s role

As they sing, the maids dash forward
To tidy up the killing fields
Well-powdered girls, quickly to their knees

Their hands -- reaching for the fresh air --
Are blue like never before
What a glorious day!

Look at their hands, the dead
Look at their liquid eyes

This is the toilet of transience
The final toilet of life
Stones sink and disappear
In the vast, primal waters
The final toilet of time

Hardly a memory remains
the dried-up well of virtue
In the long, oppressive absences
One surrenders to tender flesh
Under the spell of weakness

III. As deep as the silence

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Big Ten Inch Record

Got me the strangest woman
Believe it, this chicks no sinch
When I wanna get her goin
Then I whip out my big ten inch
Record of the band that plays the blues
Well the band that plays the blues
She just loved my big ten inch
Record of her favorite blues
Last night I tried to tease her
I gave my love a little pinch
But she said now stop that jivin
Now whip out your big ten-inch
Record of the band that plays the blues
Well the band that plays the blues
She just loved my big ten inch
Record of her favorite blues
Ill cover her with kisses
And when were in a lovers clinch
She gets all excited
When she puts on my big ten-inch
Record of the band that plays the blues
Well the band that plays the blues
She just loved my big ten inch
Record of her favorite blues
My gal dont go smokin
And liquor just makes her flinch
Seems she dont go for nothin
cept for my big ten-inch
Record of the band that plays the blues
Band that plays the blues
She just loved my big ten inch
Record of her favorite blues

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In twin

It needs a couple of wings
To fly
A couple to walk
A couple to talk
And for love a couple of hearts
to beat
To rain it needs a couple
To shine it needs a couple
And the life it needs to share
With couple
For one smile it needs
two hearts

In one band
in the bundle of love
The heart is not alone
Not bachelor
That is way
They beat
In twin.

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A Couple More Years

I've got a couple more years on you, baby...that's all.
I've had more chances to fly and more places to fall.
And it ain't that I'm wiser...
It's only that I've spent more time with my back to the wall.
And I've picked up a couple more years on you, baby.. that's all.

I've walked a couple more roads than you, baby...that's all.
And I'm tired of runnin' while you're only learning to crawl.
And you're headin somewhere...
But I've been to somewhere... and found it was nowhere at all.
And I've picked up a couple of years on you baby... that's all.

Now sayin' goodbye, girl don't never come easy at all.
But you've got to fly 'cuz you're hearin' those young eagles call.
And someday when you're older, you'll smile at a man strong and tall.
And you'll say I've got a couple more years on you, baby... that's all.

I've got a couple more years on you baby... that's all.
You'll say I've had more chances to fly and more places to fall.
It ain't that I'm wiser...
It's only that I've spent more time with my back to the wall.
And I've picked up a couple more years on you baby... that's all.

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Well, you just know, as a writer, I didn't really write one of the five best screenplays of the year. There were lots of brilliant screenplays; I was just one of the lucky ones who got nominated.

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The Original You

So damn... do you know that
I can do the things you say
Whatever it might be, again
I show you what you wanna see
So come on now, I am the wrecking ball
and you control the swing
We're gonna go far, far tonight
my queen cause I am the king
So boom boom can't you see
that this is how I wanna be
I'm coming up hard, mean and lean
I am the fighting machine
You're gonna go down if you
push me far enough,you will see
I'm coming down hard, hard on you
if you go up against me
You better believe I was born on top
because I'm better than the rest of you
And you'll never see me coming 'til
it's too late
I'm gonna go wild like the berserk
I always wanted to be
The original rude boy
Why is it that you always have to be
Someone else than before,
why can't you see
I just wanna hold on to what I had
The original you
Why is it that you always try to be
Someone I can no longer stand to see
I just wanna hold on to what I had
The original you
So damn... do you know that
I can do the things you say
Whatever it might be, again
I show you what you wanna see
So come on now, I am the wrecking ball
and you control the swing
We're gonna go far, far tonight
my queen cause I am the king
You better believe I was born on top
because I'm better than the rest of you
And you'll never see me coming 'til
it's too late
I'm gonna go wild like the berserk
I always wanted to be
The original rude boy
Why is it that you always have to be
Someone else than before,
why can't you see

[...] Read more

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Thespis: Act II

DRAMATIS PERSONAE

GODS

Jupiter, Aged Diety
Apollo, Aged Diety
Mars, Aged Diety
Diana, Aged Diety
Mercury

THESPIANS

Thespis
Sillimon
TimidonTipseion
Preposteros
Stupidas
Sparkeio n
Nicemis
Pretteia
Daphne
Cymon

ACT II - The same Scene, with the Ruins Restored


SCENE-the same scene as in Act I with the exception that in place
of the ruins that filled the foreground of the stage, the
interior of a magnificent temple is seen showing the background
of the scene of Act I, through the columns of the portico at the
back. High throne. L.U.E. Low seats below it. All the substitute
gods and goddesses [that is to say, Thespians] are discovered
grouped in picturesque attitudes about the stage, eating and
drinking, and smoking and singing the following verses.

CHO. Of all symposia
The best by half
Upon Olympus, here await us.
We eat ambrosia.
And nectar quaff,
It cheers but don't inebriate us.
We know the fallacies,
Of human food
So please to pass Olympian rosy,
We built up palaces,
Where ruins stood,
And find them much more snug and cosy.

SILL. To work and think, my dear,
Up here would be,

[...] Read more

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