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I go the way that Providence dictates with the assurance of a sleepwalker.

quote by Adolf Hitler
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Sleepwalker

Maybe I could be the one they adore
That could be my reputation
Its where Im from that lets them think Im a whore
Im an educated virgin
Sleepwalker, dont be shy
Now dont open your eyes tonight
Youll be the one that defends my life
While Im dead asleep dreamin
Cupid, dont draw back your bow
Sam cooke didnt know what I know
Ill never be your valentine
The sleepwalker in me
And God only know that Ive tried
Let me in, let me drown or learn how to swim
Just dont leave me at the window
I could be the one to be your next best friend
You may need someone to hold you
Sleepwalker, take this knife
You may see someone tonight
Youd be the one that saves my life
When Im dead asleep dreamin
Cupid, dont draw back your bow
Sam cooke didnt know what I know
Ill never be your valentine
The sleepwalker in me
And God only know that Ive tried
Im in your movie and everyone looks sad
But I can hear you, your voice, the laughtrack
But you never saw my best scene
The one where I sleep
Sleepwalk into your dreams
Now, sleepwalker, whats my line
Its only a matter of time
Until I learn to open up my eyes
When Im dead asleep dreamin
Cupid, dont draw back your bow
Sam cooke didnt know what I know
Ill never be your valentine
The sleepwalker in me
Now, the sleepwalker in me
Now, the sleepwalker in me
And God only know that Ive tried

song performed by Wallflowers
Added by Lucian Velea
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Sleepwalker

Maybe I could be the one they adore
That could be my reputation
Its where Im from that lets them think Im a whore
Im an educated virgin
Sleepwalker, dont be shy
Now dont open your eyes tonight
Youll be the one that defends my life
While Im dead asleep dreamin
Cupid, dont draw back your bow
Sam cooke didnt know what I know
Ill never be your valentine
The sleepwalker in me
And God only know that Ive tried
Let me in, let me drown or learn how to swim
Just dont leave me at the window
I could be the one to be your next best friend
You may need someone to hold you
Sleepwalker, take this knife
You may see someone tonight
Youd be the one that saves my life
When Im dead asleep dreamin
Cupid, dont draw back your bow
Sam cooke didnt know what I know
Ill never be your valentine
The sleepwalker in me
And God only know that Ive tried
Im in your movie and everyone looks sad
But I can hear you, your voice, the laughtrack
But you never saw my best scene
The one where I sleep
Sleepwalk into your dreams
Now, sleepwalker, whats my line
Its only a matter of time
Until I learn to open up my eyes
When Im dead asleep dreamin
Cupid, dont draw back your bow
Sam cooke didnt know what I know
Ill never be your valentine
The sleepwalker in me
Now, the sleepwalker in me
Now, the sleepwalker in me
And God only know that Ive tried

song performed by Wallflowers
Added by Lucian Velea
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Hudibras: Part 3 - Canto II

THE ARGUMENT

The Saints engage in fierce Contests
About their Carnal interests;
To share their sacrilegious Preys,
According to their Rates of Grace;
Their various Frenzies to reform,
When Cromwel left them in a Storm
Till, in th' Effigy of Rumps, the Rabble
Burns all their Grandees of the Cabal.

THE learned write, an insect breeze
Is but a mungrel prince of bees,
That falls before a storm on cows,
And stings the founders of his house;
From whose corrupted flesh that breed
Of vermin did at first proceed.
So e're the storm of war broke out,
Religion spawn'd a various rout
Of petulant Capricious sects,
The maggots of corrupted texts,
That first run all religion down,
And after ev'ry swarm its own.
For as the Persian Magi once
Upon their mothers got their sons,
That were incapable t' enjoy
That empire any other way;
So PRESBYTER begot the other
Upon the good old Cause, his mother,
Then bore then like the Devil's dam,
Whose son and husband are the same.
And yet no nat'ral tie of blood
Nor int'rest for the common good
Cou'd, when their profits interfer'd,
Get quarter for each other's beard.
For when they thriv'd, they never fadg'd,
But only by the ears engag'd:
Like dogs that snarl about a bone,
And play together when they've none,
As by their truest characters,
Their constant actions, plainly appears.
Rebellion now began, for lack
Of zeal and plunders to grow slack;
The Cause and covenant to lessen,
And Providence to b' out of season:
For now there was no more to purchase
O' th' King's Revenue, and the Churches,
But all divided, shar'd, and gone,
That us'd to urge the Brethren on;
Which forc'd the stubborn'st for the Cause,

[...] Read more

poem by Samuel Butler
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The Victories Of Love. Book II

I
From Jane To Her Mother

Thank Heaven, the burthens on the heart
Are not half known till they depart!
Although I long'd, for many a year,
To love with love that casts out fear,
My Frederick's kindness frighten'd me,
And heaven seem'd less far off than he;
And in my fancy I would trace
A lady with an angel's face,
That made devotion simply debt,
Till sick with envy and regret,
And wicked grief that God should e'er
Make women, and not make them fair.
That he might love me more because
Another in his memory was,
And that my indigence might be
To him what Baby's was to me,
The chief of charms, who could have thought?
But God's wise way is to give nought
Till we with asking it are tired;
And when, indeed, the change desired
Comes, lest we give ourselves the praise,
It comes by Providence, not Grace;
And mostly our thanks for granted pray'rs
Are groans at unexpected cares.
First Baby went to heaven, you know,
And, five weeks after, Grace went, too.
Then he became more talkative,
And, stooping to my heart, would give
Signs of his love, which pleased me more
Than all the proofs he gave before;
And, in that time of our great grief,
We talk'd religion for relief;
For, though we very seldom name
Religion, we now think the same!
Oh, what a bar is thus removed
To loving and to being loved!
For no agreement really is
In anything when none's in this.
Why, Mother, once, if Frederick press'd
His wife against his hearty breast,
The interior difference seem'd to tear
My own, until I could not bear
The trouble. 'Twas a dreadful strife,
And show'd, indeed, that faith is life.
He never felt this. If he did,
I'm sure it could not have been hid;
For wives, I need not say to you,

[...] Read more

poem by Coventry Patmore
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Hand Of Providence

Michael w. smith
Providence, providence
See it laying down the cornerstone
The hand of providence - its evident
For we could never make it on our own
Apportioning the power
Weighing all that it entails
Giving us the fulcrum
And a balance to the scales
Chorus:
Oh, the hand of providence
Is guiding us through choices that we make
Oh, the hand of providence
Is reaching out to help us on our way
Providence, ever since
Any thesis ever entered man
The hand of providence
Has been our best defense
Tho his ways are sometimes hard to understand
From the dying of a heartbeat
To another soul reborn
From in between and circling
Our thoughts of love and war
Chorus

song performed by Michael W. Smith
Added by Lucian Velea
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Sleepwalker

Evrybody got problems, buddy. I got mine.
When midnight comes around, I start to lose my mind.
When the sun puts out the light,
I join the creatures of the night,
Oh yeah.
Im a sleepwalker.
Im a night stalker.
Im a street walker.
Im a night hawker.
Evrybody got secrets that they wanna hide.
When midnight comes along, I take a look inside.
Dont go talkin in your sleep:
I might come in for a peep,
Oh yeah.
Im a sleepwalker.
Im a night stalker.
When evrybodys fast asleep, I start to creep.
Through the shadows of the moonlight, I walk my beat.
Better close your window tight:
I might come in for a bite,
Oh yeah.
When the night time comes, I start to creep.
I prowl around when youre fast asleep.
I walk around on my tippy toes,
And I get into places that nobody knows.
Im always around if you wanna meet.
You can find me on almost evry street.
Youll always get me on the telephone.
Ill even come to your home if youre ever alone.
Im a sleepwalker.
Im a night stalker.
Im a street walker.
Im a night hawker.
(repeat)

song performed by Kinks
Added by Lucian Velea
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

poem by Robert Browning (1871)
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Solomon on the Vanity of the World, A Poem. In Three Books. - Power. Book III.

The Argument

Solomon considers man through the several stages and conditions of life, and concludes, in general, that we are all miserable. He reflects more particularly upon the trouble and uncertainty of greatness and power; gives some instances thereof from Adam down to himself; and still concludes that All Is Vanity. He reasons again upon life, death, and a future being; finds human wisdom too imperfect to resolve his doubts; has recourse to religion; is informed by an angel what shall happen to himself, his family, and his kingdom, till the redemption of Israel; and, upon the whole, resolves to submit his inquiries and anxieties to the will of his Creator.

Come then, my soul: I call thee by that name,
Thou busy thing, from whence I know I am;
For, knowing that I am, I know thou art,
Since that must needs exist which can impart:
But how thou camest to be, or whence thy spring,
For various of thee priests and poets sing.

Hearest thou submissive, but a lowly birth,
Some secret particles of finer earth,
A plain effect which Nature must beget,
As motion orders, and as atoms meet,
Companion of the body's good or ill,
From force of instinct more than choice of will,
Conscious of fear or valour, joy or pain,
As the wild courses of the blood ordain;
Who, as degrees of heat and cold prevail,
In youth dost flourish, and with age shalt fail,
Till, mingled with thy partner's latest breath,
Thou fliest, dissolved in air and lost in death.

Or, if thy great existence would aspire
To causes more sublime, of heavenly fire
Wert thou a spark struck off, a separate ray,
Ordain'd to mingle with terrestrial clay,
With it condemn'd for certain years to dwell,
To grieve its frailties, and its pains to feel,
To teach it good and ill, disgrace or fame,
Pale it with rage, or redden it with shame,
To guide its actions with informing care,
In peace to judge, to conquer in the war;
Render it agile, witty, valiant, sage,
As fits the various course of human age,
Till, as the earthly part decays and falls,
The captive breaks her prison's mouldering walls,
Hovers awhile upon the sad remains,
Which now the pile or sepulchre contains,
And thence, with liberty unbounded, flies,
Impatient to regain her native skies?

Whate'er thou art, where'er ordain'd to go,
(Points which we rather may dispute than know)
Come on, thou little inmate of this breast,
Which for thy sake from passions'l divest
For these, thou say'st, raise all the stormy strife,

[...] Read more

poem by Matthew Prior
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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus

Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—

Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse

[...] Read more

poem by Robert Browning from The Ring and the Book
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The Task: Book V. -- The Winter Morning Walk

‘Tis morning; and the sun, with ruddy orb
Ascending, fires the horizon; while the clouds,
That crowd away before the driving wind,
More ardent as the disk emerges more,
Resemble most some city in a blaze,
Seen through the leafless wood. His slanting ray
Slides ineffectual down the snowy vale,
And, tinging all with his own rosy hue,
From every herb and every spiry blade
Stretches a length of shadow o’er the field.
Mine, spindling into longitude immense,
In spite of gravity, and sage remark
That I myself am but a fleeting shade,
Provokes me to a smile. With eye askance
I view the muscular proportion’d limb
Transform’d to a lean shank. The shapeless pair
As they design’d to mock me, at my side
Take step for step; and as I near approach
The cottage, walk along the plaster’d wall,
Preposterous sight! the legs without the man.
The verdure of the plain lies buried deep
Beneath the dazzling deluge; and the bents
And coarser grass, upspearing o’er the rest,
Of late unsightly and unseen, now shine
Conspicuous, and in bright apparel clad,
And fledged with icy feathers, nod superb.
The cattle mourn in corners, where the fence
Screens them, and seem half petrified to sleep
In unrecumbent sadness. There they wait
Their wonted fodder; not like hungering man,
Fretful if unsupplied; but silent, meek,
And patient of the slow-paced swain’s delay.
He from the stack carves out the accustom’d load,
Deep plunging, and again deep plunging oft,
His broad keen knife into the solid mass:
Smooth as a wall the upright remnant stands,
With such undeviating and even force
He severs it away: no needless care,
Lest storms should overset the leaning pile
Deciduous, or its own unbalanced weight.
Forth goes the woodman, leaving unconcern’d
The cheerful haunts of man; to wield the axe
And drive the wedge in yonder forest drear,
From morn to eve his solitary task.
Shaggy, and lean, and shrewd, with pointed ears
And tail cropp’d short, half lurcher and half cur,
His dog attends him. Close behind his heel
Now creeps he slow; and now, with many a frisk
Wide scampering, snatches up the driften snow
With ivory teeth, or ploughs it with his snout;

[...] Read more

poem by William Cowper
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Religio Laici

(OR A LAYMAN'S FAITH)

Dim, as the borrow'd beams of moon and stars
To lonely, weary, wand'ring travellers,
Is reason to the soul; and as on high,
Those rolling fires discover but the sky
Not light us here; so reason's glimmering ray
Was lent not to assure our doubtful way,
But guide us upward to a better day.
And as those nightly tapers disappear
When day's bright lord ascends our hemisphere
So pale grows reason at religion's sight:
So dies, and so dissolves in supernatural light.
Some few, whose lamp shone brighter, have been led
From cause to cause, to Nature's secret head;
And found that one first principle must be:
But what, or who, that Universal He;
Whether some soul incompassing this ball
Unmade, unmov'd; yet making, moving all;
Or various atoms' interfering dance
Leapt into form (the noble work of chance
Or this great all was from eternity;
Not even the Stagirite himself could see;
And Epicurus guess'd as well as he:
As blindly grop'd they for a future state;
As rashly judg'd of Providence and Fate:
But least of all could their endeavours find
What most concern'd the good of human kind.
For happiness was never to be found;
But vanish'd from 'em, like enchanted ground.
One thought content the good to be enjoy'd:
This, every little accident destroy'd:
The wiser madmen did for virtue toil:
A thorny, or at best a barren soil:
In pleasure some their glutton souls would steep;
But found their line too short, the well too deep;
And leaky vessels which no bliss could keep.
Thus anxious thoughts in endless circles roll,
Without a centre where to fix the soul:
In this wild maze their vain endeavours end:
How can the less the greater comprehend?
Or finite reason reach infinity?
For what could fathom God were more than He.

The Deist thinks he stands on firmer ground;
Cries [lang g]eur{-e}ka[lang e] the mighty secret's found:
God is that spring of good; supreme, and best;
We, made to serve, and in that service blest;
If so, some rules of worship must be given;
Distributed alike to all by Heaven:

[...] Read more

poem by John Dryden
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William Bond

I wonder whether the Girls are mad
And I wonder whether they mean to kill
And I wonder if William Bond will die
For assuredly he is very ill

He went to Church in a May morning
Attended by Fairies one two and three
But the Angels Of Providence drove them away
And he returnd home in Misery

He went not out to the Field nor Fold
He went not out to the Village nor Town
But he came home in a black black cloud
And took to his Bed and there lay down

And an Angel of Providence at his Feet
And an Angel of Providence at his Head
And in the midst a Black Black Cloud
And in the midst the Sick Man on his Bed

And on his Right hand was Mary Green
And on his Left hand was his Sister Jane
And their tears fell thro the black black Cloud
To drive away the sick mans pain

O William if thou dost another Love
Dost another Love better than poor Mary
Go and take that other to be thy Wife
And Mary Green shall her Servant be

Yes Mary I do another Love
Another I Love far better than thee
And Another I will have for my Wife
Then what have I to do with thee

For thou art Melancholy Pale
And on thy Head is the cold Moons shine
But she is ruddy and bright as day
And the sun beams dazzle from her eyne

Mary trembled and Mary chilld
And Mary fell down on the right hand floor
That William Bond and his Sister Jane
Scarce could recover Mary more

When Mary woke and found her Laid
On the Right hand of her William dear
On the Right hand of his loved Bed
And saw her William Bond so near

[...] Read more

poem by William Blake from Songs and Ballads (1794)
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Demon Alcohol

Hard times comin? so the messenger said
Better guard your liquor like your own homestead
Took it under cover, then we took it underground
In temptation, we had another round
Governor came, bout eleven or twelve
Under so much pressure,couldnt help himself
Word got out to the national guard
Spread like a fire in a lumber yard
Saddle up boys,and call up the mission
A hundred strong in the providence hall
Pray boys for the prohibition
Damn that demon alcohol
Cavalry came, and we were tumblin? dice
Wouldnt let them in cos they wouldnt ask nice
Drank to the health of friends and foe
Thanks to the lord, but he never did show
Second wind gone as the second wave came
Manned in command, in the presidents name
Kept at bay, kept knockin? at the door
Couldnt care less cos we all wanted more
Saddle up boys and call up the mission
A hundred strong in the providence hall
Pray boys for the prohibition
Damn that demon alcohol
Dried up supplies till the morning sun
Never realized where it all couldve gone
List up boys, its plain to see
Hell is merely sobriety
Saddle up boys and call up the mission
A hundred strong in the providence hall
Pray boys for the prohibition
Damn that demon alcohol
Saddle up boys and call up the mission
A hundred strong in the providence hall
Pray boys for the prohibition
Damn that demon alcohol
The saddle up, boys
You better pray, boys
Saddle up, boys
You better pray, boys
Damn that demon alcohol.
(rankin.....polygram songs)
Published by nazareth (dunfermline) ltd.
Copyright 1994 polydor gmbh, hamburg

song performed by Nazareth
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Hannah

Now Crowds more off, retiring trumpetts sound
On Eccho's dying in their last rebound,
The notes of fancy seem no longer strong,
But sweetning closes fitt a private song.
So when the storms forsake ye seas command
To break their forces in the winding land,
No more their blasts tumultuous rage proclaim,
But sweep in murmurs ore a murm'ring stream.

Then Seek ye Subject & its song be mine
Whose numbers next in Sacred story shine;
Go brightly-working thought, prepard to fly
Above ye page on hov'ring pinnions ly,
& beat with stronger force to make thee rise
Where beautious Hannah meets ye searching eyes.

There frame a town & fix a tent with cords,
The town be Shiloh calld, the tent ye Lords.
Carvd pillars filleted with silver rear
To close ye curtains in an outward square,
But those within it which ye porch uphold
Be finely wrought & overlaid with gold.

Here Eli comes to take ye resting Seat,
Slow-moving forward with a revrend gate,
Sacred in office, venerably sage
& venerably great in silverd age.

Here Hannah comes, a melancholly wife
Reproachd for barren in ye marriage life.
Like summer-mornings she to sight appears,
Bedewd & shining in the midst of tears.
Her heart in bitterness of grief she bowd,
& thus her wishes to the Lord she vowd.
If thou thine handmaid with compassion see,
If I my God am not forgott by thee,
If in mine offspring thou prolong my line,
The Child I wish for all his days be thine,
His life devoted in thy courts be led,
& not a rasour come upon his head.

So from recesses of her inmost soul
Through moving lips her still devotion stole:
As silent waters glide through parted trees
Whose branches tremble with a rising breeze.
The words were lost because her heart was low,
But free desire had taught ye mouth to go.
This Eli markd, & with a voice severe,
While yet she multiplyd her thoughts in prayr,
How long shall wine he crys distract thy breast,

[...] Read more

poem by Thomas Parnell
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Expostulation

Why weeps the muse for England? What appears
In England's case to move the muse to tears?
From side to side of her delightful isle
Is she not clothed with a perpetual smile?
Can Nature add a charm, or Art confer
A new-found luxury, not seen in her?
Where under heaven is pleasure more pursued
Or where does cold reflection less intrude?
Her fields a rich expanse of wavy corn,
Pour'd out from Plenty's overflowing horn;
Ambrosial gardens, in which art supplies
The fervor and the force of Indian skies:
Her peaceful shores, where busy Commerce waits
To pour his golden tide through all her gates;
Whom fiery suns, that scorch the russet spice
Of eastern groves, and oceans floor'd with ice
Forbid in vain to push his daring way
To darker climes, or climes of brighter day;
Whom the winds waft where'er the billows roll
From the World's girdle to the frozen pole;
The chariots bounding in her wheel-worn streets,
Her vaults below, where every vintage meets;
Her theatres, her revels, and her sports;
The scenes to which not youth alone resorts,
But age, in spite of weakness and of pain,
Still haunts, in hope to dream of youth again;
All speak her happy; let the muse look round
From East to West, no sorrow can be found;
Or only what, in cottages confined,
Sighs unregarded to the passing wind.
Then wherefore weep for England? What appears
In England's case to move the muse to tears?
The prophet wept for Israel; wish'd his eyes
Were fountains fed with infinite supplies;
For Israel dealt in robbery and wrong;
There were the scorner's and the slanderer's tongue;
Oaths, used as playthings or convenient tools,
As interest biass'd knaves, or fashion fools;
Adultery, neighing at his neighbor's door;
Oppression laboring hard to grind the poor;
The partial balance and deceitful weight;
The treacherous smile, a mask for secret hate;
Hypocrisy, formality in prayer,
And the dull service of the lip were there.
Her women, insolent and self-caress'd,
By Vanity's unwearied finger dress'd,
Forgot the blush that virgin fears impart
To modest cheeks, and borrow'd one from art;
Were just trifles, without worth or use,
As silly pride and idleness produce;

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poem by William Cowper
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It's not that I hate women, Dear homegrown comrades

By Ombuge Moses

Dear Homegrown comrades,
It’s not that I hate women
As naught as I may look
As humble as I am
In-fact,
I treasure women
I love women
I adore women
I want to date a woman
Marry a woman
Have children
Have a birth control
Be a village elder
Not a polygamist
As you say it, culture dictates
But the way you do it!
It’s not that I hate women
Dear homegrown comrades

At 12 years
Young girl is sent
A razor to buy
A river to wash
The bush to host
Home not to turn
The cut, so merciless
So inhuman
So painful
The elder women
Steer the process
Culture to maintain
The men are mobilized
Bidding for a wife
A wife at 12
This is not human
It’s not that I hate women
Dear homegrown comrades

The young girl wails
Pain to suffocation
Pain of a bloody cut
A cut treasured by society
Maintained by women
Elderly, to be home
Preparations to make
To make, a wife
A wife at 12
Dear homegrown comrades

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poem by Ombuge M Moses
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An Alliterative Amorous Answer

Alliterative Love Letter

Adored and angelic Amelia. Accept an ardent and artless amourist’s affections, alleviate an anguished admirer’s alarms, and answer an amorous applicant’s avowed ardour. Ah, Amelia! all appears an awful aspect! Ambition, avarice and arrogance, alas are attractive allurements, and abase an ardent attachement. Appease an aching and affectionate adorer’s alarms, and anon acknowledge affianced Albert’s alliance as agreeable and acceptable.

Anxiously awaiting an affectionate and affirmative answer, accept an ardent admirer’s aching adieu. Always angelic and admirable Amelia’s admiring and affectionate amourist, Albert
Wit and Wisdom 1826

An Alliterative Answer

Artless Amelia Acme’s answer adamantly admonishing artful Albert Acne’s announced amorous ambitions, and assertive advances, actively advocates appropriate alternatives. Also, attesting abhorrent Albert’s attempted abduction, Amelia asks an adequate aureate award. Advance “ amical ” arrangements are altogether abjured.

Adieu Albert!

Abused Amelia, an adorable angel, aghast and askance, acknowledges agile apostate Albert’s apparently avuncular, albeit astonishingly audacious application, and, as alleged affiancement alliances and anticipations are absent, appends an acceptable, accurate answer.

Aggressively accosted, Amelia acts advisedly, asking an acceptably authentic apology affirming all Albert’s avowed affiancement allegations as archetypal authoritarian autocratic attempts at annulling Amelia’s autonomy. Also, Albert’s absolutely alarmingly acquisitive ambitions afford anguish, anxiety, and, afterall, acute anger. All are anathema, as Albert, an adder, assumed angelic approbation after an abject attempt at abrogating and appropriating all Amelia’s assets.

Agamous Albert’s age, adiposity, and abnormally abrasive accents also argued against amorous agglutination. Agamy appeared advisable as Amelia always aspired at attaining an absolute amour, assiduously avoiding ambiguity. Ardent admiration activated Albert’s appetite as Amelia’s allure and accomplishments attracted all-round applause.

Amelia and Albert are at an apogee. Alliance anticipations are antilogical as Amelia’s aplomb and articulateness, and Albert ’s anthropomorphic antics are as antipodes apart as Aphrodite and an anthropoid ape. Acataleptic Albert, Amelia’s antithesis, acting almost as an aggressive animal, abused Amelia’s adolescent acquaintance, Anabelle, an alluring afro actress, - actually auditionning as an aria alto, - adventuring affront abruptly abbreviated.

Albert’s apologists are accomplices aiding and abetting an attack (after anticipating advantages agreed aforehand) .... At Ashcloth Abbey altar agnostic Albert asked Assyriac Abyssinian Archdeacon Ahasuerus and Arabian acolyte Abdul abn Abdulaziz abn Abdullah Abu an aboveboard absolution although Abbott Abraham Allsaints’ anterior abjuration altered all accomodating actions.

Apprehending arrogant acquiline Albert’s arbitrary approach, Amelia appositely acted appropriately, adjusting apparel. Applause and approbation are apropos.

Albert abusively alledges aristocratic alabaster Amelia’s assent - an assumption as absurd as an ass astride an advocate assiduously assembling an ascorbic acid apparatus!

Abstemious Amelia’s abilities attract acclaim - above all admirable administrative aptitudes, artistic aims, analytical assurance, amiability and amenability. Altruistic Amelia amalgamating agreeableness and authority, always assists aliens.

Alcoholic Albert’s abominations abound, as aforementioned as all adults agree, admonishing an aggressive ambiance........Albert apes affability!

Abusive adulation appalls, accelerates aversion and attracts adverse acknowledgements alienating affirmative adhesions. Allegorical accolades, artificially addressed, accumulate absurdities. although amiable acolytes are acceptable additions. Argot argues against acceptance as avid adventurers assume affected accents -, acquiring added artificial accomplishments.

Addressing amoral Albert, and apprehending amorphous arrangements, Amelia advises acrimonious Albert’s accepting any alternative Abigail, Alice and Anabella, as affianced amourette. Auburns are also admired as are armed assegaie’d ashanti, andalousian, algonquin, anabaptist and amerindian amours:

Abigail, Ada, Adrienne, Adriana, Adelaide, Agatha, Aglaë, Alice, Aliette, await Albert,
Aline, Alison, Amy Amanda, Amandine Andrea, Angela, Angelica, Ann, anticipate Albert
Anna, Annabelle, Anne, Annette, Angelina, Annick, Annie, Andrée, Anthea, alleviate Albert
April, Ariane, Ariane, Arlette, Armande, Armelle, Ashley, Astarte, Ava, appreciate Albert
.....And Albert annoys Amelia! - aggravating!

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poem by Jonathan Robin
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Picking It Up

Picking it up.
Picking it up.
Picking it up,
From the middle can be critical.
Picking it up.
Picking it up.
Picking it up...
Like that does not ensure,
Self assurance to occur.

Picking it up.
Picking it up.
Picking it up,
From the middle can be critical.
Picking it up.
Picking it up.
Picking it up...
Like that does not ensure,
Self assurance to occur.

It is a strategy that one should seek.
With satisfaction first examined.
To make sure that one increases harmony!
With a proactive way,
Of life to live.

Picking it up.
Picking it up.
Picking it up,
From the middle can be critical.

It is the heat that one releases.
When nothing satisfies to analyzing eyes...
Only seeing with a vision that's fixed.
As if in a tunnel,
To rip through quick.

It's not a riddle when one plays it second fiddle,
Oh...
Picking it up.
Picking it up.
Picking it up,
From the middle can be critical.
Picking it up.
Picking it up.
Picking it up,
With proactive actions to prevent blurs.

And...
Don't be vague!

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poem by Lawrence S. Pertillar
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The Believer's Principles : Chap. IV.

Faith and Sense Natural, compared and distinguished.

When Abram's body, Sarah's womb,
Were ripe for nothing but the tomb,
Exceeding old, and wholly dead,
Unlike to bear the promis'd seed:

Faith said, 'I shall an Isaac see;'
'No, no,' said Sense, 'it cannot be;'
Blind Reason, to augment the strife,
Adds, 'How can death engender life?'

My heart is like a rotten tomb,
More dead than ever Sarah's womb;
O! can the promis'd seed of grace
Spring forth from such a barren place?

Sense gazing but on flinty rocks,
My hope and expectation chokes:
But could I, skill'd in Abram's art,
O'erlook my dead and barren heart;

And build my hope on nothing less
That divine pow'r and faithfulness;
Soon would I find him raise up sons
To Abram, out of rocks and stones.

Faith acts as busy boatmen do,
Who backward look and forward row;
It looks intent to things unseen,
Thinks objects visible too mean.

Sense thinks it madness thus to steer,
And only trusts its eye and ear;
Into faith's boat dare thrust its oar,
And put it further from the shore.

Faith does alone the promise eye;
Sense won't believe unless it see;
Nor can it trust the divine guide,
Unless it have both wind and tide.

Faith thinks the promise sure and good;
Sense doth depend on likelihood;
Faith ev'n in storms believes the seers;
Sense calls all men, ev'n prophets, liars.

Faith uses means, but rests on none;
Sense sails when outward means are gone:

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poem by Ralph Erskine
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Threnodia Augustalis: A Funeral Pindaric Poem, Sacred To The Happy Memory Of King Charles II.

I.
Thus long my grief has kept me dumb:
Sure there's a lethargy in mighty woe,
Tears stand congealed, and cannot flow;
And the sad soul retires into her inmost room:
Tears, for a stroke foreseen, afford relief;
But, unprovided for a sudden blow,
Like Niobe, we marble grow,
And petrify with grief.
Our British heaven was all serene,
No threatening cloud was nigh,
Not the least wrinkle to deform the sky;
We lived as unconcerned and happily
As the first age in nature's golden scene;
Supine amidst our flowing store,
We slept securely, and we dreamt of more;
When suddenly the thunder-clap was heard,
It took us, unprepared, and out of guard,
Already lost before we feared.
The amazing news of Charles at once were spread,
At once the general voice declared,
“Our gracious prince was dead.”
No sickness known before, no slow disease,
To soften grief by just degrees;
But, like a hurricane on Indian seas,
The tempest rose;
An unexpected burst of woes.
With scarce a breathing space betwixt,
This now becalmed, and perishing the next.
As if great Atlas from his height
Should sink beneath his heavenly weight,
And, with a mighty flaw, the flaming wall,
As once it shall,
Should gape immense, and, rushing down, o'erwhelm this nether ball;
So swift and so surprising was our fear:
Our Atlas fell indeed; but Hercules was near.

II.
His pious brother, sure the best
Who ever bore that name,
Was newly risen from his rest,
And, with a fervent flame,
His usual morning vows had just addressed,
For his dear sovereign's health;
And hoped to have them heard,
In long increase of years,
In honour, fame, and wealth:
Guiltless of greatness, thus he always prayed,
Nor knew nor wished those vows he made,
On his own head should be repaid.

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poem by John Dryden
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