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Shakespeare also introduces the supernatural into some of his tragedies; he introduces ghosts, and witches who have supernatural knowledge.

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Supernatural

Interplanetary
Interplanetary
Supernatural
Supernatural
Supernatural
Lookin for that big honey
Youll find only in a dream
I searched around and still cant find her
? ? ? to extreme
Turned around, she caught my eye
Tell me am I seein things
Just might be imagination
? ? ? and hauntin me
This woman (supernatural)
The way she looks (supernatural)
The way she moves her body (supernatural)
Everything about this honey is so supernatural
Supernatural
As I watch her move in closer
Perfect beauty she exceeds
Never question mother nature
Shes an angel without wings
Her extension fills my body
I reach out to hold her hand
Tried to grab it, cant get a handle
The girl is gone, she was never here
This woman, yeah (supernatural)
The way she looks, uh-huh (supernatural)
The way she moves her body (supernatural)
Something about that woman that makes me feel so good
(supernatural)
The way she looks (supernatural)
Supernatural baby, yeah (supernatural)
Everything about this honey is so supernatural
Im tired of this cloud
Takin over the invisible force
Are they controllin me
Naw, thats a corny way I think
I take two beasts out to rethink
Im takin each in my dream
This is kind of extreme
Yo ron, help me out
You know what I mean
Yeah, biv
Its not that deep
Come go with me
And out that ghost to sleep
(? ? ? ) how shes possessin me
(? ? ? ) shes meta physical, super irical
(? ? ? ) might be imagination

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Believe In The Supernatural

(graham russell)
Believe in the supernatural
Believe in the supernatural
Believe in the supernatural
Believe in the supernatural
Believe in the supernatural
Believe in the supernatural
Im going back just a few years
All people used to seem tall
When everyday would be voices calling
Id take no notice at all
Id take no notice at all
Then when I asked if youd held conversation
I was the talk of the town
Until the voice let me see in the future
They didnt look so way down
I have to make them listen
Or they may never come back
I have to make them listen now
(chorus)
Believe in the supernatural
Believe in the supernatural
Believe in the supernatural
Believe in the supernatural
Believe in the supernatural
Believe in the supernatural
And so I heard and I saw something happening
They were just like you and me
But they were wiser and all had the messages
We really had to believe
We really had to believe
They showed me how the world keeps on turning
Its not as hard as it seems
So many secrets you wouldnt believe it
They manufacture our dreams
I have to make you listen
Or they may never come back
I have to make you listen now
(chorus)
I was afraid of things that I cant see
I cant see love but I like it a lot
I used to take a life in the back seat
Until the front row began to move off
There must be more to sleep than waking
I was so sure there was something waiting there
(chorus)
Im going back just a few years
All people used to seem tall
When everyday would be voices calling
Id take no notice at all

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Self Is Grand Mother Of All!

Knowledge is mother of fear,
minion of mother,
Understands what is fear,
Knowledge of pain,
Knowledge of failure,
knowledge of action and reaction
and when grown up,
becomes minion of fears!

Soul in the growing body,
knowledge becomes mother of fear,
May be pain of a fall,
Or a bite of ants or wasps,
knowledge of things around us is mother of fear!

Knowledge of own capabilities and inabilities,
Knowledge of bondage and faults,
Old age and death,
knowledge of pain
strain,
failure or insult,
knowledge of fall is mother of all fears!

Body, mind and intelligence,
When glows with knowledge of world,
Every thought and action,
Orbits around unknown fear,
Spinning or rotating around axis of fear,
its cute pet name is carefullness!

Paradoxically,
Fear is mother of all Knowledge,
Fear of fall,
Makes one carefull on walk,
Fear of consequences,
Makes one to think right,
act right or walk straight,
Fear is mother of all Knowledge,
Takes one above the plane,
or takes one to man of knowledge,
Make one polite and flexible,
fear of death makes one to think of eternal,
Fear of law, may be law of land,
Law of divine or law of nature is mother of knowledge,
Everyone is comes with lesson,
Either to teach or to learn,
Every fear of consequences is mother of all Knowledge divine!

Fear of flaws of own,
or flaws in human laws is mother of all Knowledge!

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Sonnet Cycle to M C after W S Sonnets CXXXI - CXXXIX

Sonnet Cycle to M C after William Shakespeare Sonnets CXXXI - CLIV

[c] Jonathan Robin

CARE IS OUR DREAM

Sonnet Cycle after William Shakespeare: Part II
Sonnets CXXXI - CLIV

Shakespeare Sonnet CXXXI

Thou art so tyrannous, so as thou art,
As those whose beauties proudly make them cruel;
For well thou know'st to my dear doting heart
Thou art the fairest and most precious jewel.
Yet, in good faith, some say that thee behold,
Thy face hath not the power to make love groan;
To say they err I dare not be so bold,
Although I swear it to myself alone.
And to be sure that is not false, I swear,
A thousand groans, but thinking on thy face,
One on another's neck, do witness bear
Thy black is fairest in my judgement's place.
In nothing art thou black save in thy deeds,
And thence this slander, as I think, proceeds.

Sonnet CXXXI
Swift in succession fleet speed thoughts when I
Allow time to rhyme contemplating smile.
Nefertiti resignèdly would cry
Grieving 'Quits' obliged to reconcile
To defeat, a feat none else dare try.
Outer skin and inner heart worthwhile
Most naturally ally I testify,
Adopt love’s truth to heart, scorn art and style.
Millions shudder – to your rank unworthy -
Aware all their priorities weigh zilch,
Understatements glib by small minds scurvy,
Deprived of value still your fame they’d filch.
Enshadowed, dark, stark dead their teeming dreams
Compelled to spell fell shutters, failing themes.

Shakespeare Sonnet CXXXII

Thine eyes I love, and they, as pitying me,
Knowing thy heart torments me with disdain,
Have put on black and ivory mourner she,
Looking with pretty ruth upon my pain.
And truly not the morning sun of heaven
Better becomes the grey cheeks of the east,

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Dragula

Dragula
Dead I am the one, exterminating son
Slipping through the trees, strangling the breeze
Dead I am the sky, watching angels cry
While they slowly turn, conquering the worm
Dig through the ditches,
Burn through the witches
I slam in the back of my
Dragula
Dig through the ditches,
Burn through the witches
I slam in the back of my
Dragula
Dead I am the pool, spreading from the fool
Weak and want you need, nowhere as you bleed
Dead I am the rat, feast upon the cat
Tender is the fur, dying as you purr
Dig through the ditches,
Burn through the witches
I slam in the back of my
Dragula
Dig through the ditches,
Burn through the witches
I slam in the back of my
Dragula
Do it baby, do it baby
Do it baby, do it baby
Burn like an animal
Dead I am the life, dig into the skin
Knuckle crack the bone, 21 to win
Dead I am the dog, hound of hell you cry
Devil on your back, I can never die
Dig through the ditches,
Burn through the witches
I slam in the back of my
Dragula
Dig through the ditches,
Burn through the witches
I slam in the back of my
Dragula
Do it baby, do it baby
Do it baby, do it baby
Burn like an animal
Dig through the ditches,
Burn through the witches
I slam in the back of my
Dragula
Dig through the ditches,
Burn through the witches
I slam in the back of my

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Oscar Wilde

The Teacher Of Wisdom

From his childhood he had been as one filled with the perfect
knowledge of God, and even while he was yet but a lad many of the
saints, as well as certain holy women who dwelt in the free city of
his birth, had been stirred to much wonder by the grave wisdom of
his answers.

And when his parents had given him the robe and the ring of manhood
he kissed them, and left them and went out into the world, that he
might speak to the world about God. For there were at that time
many in the world who either knew not God at all, or had but an
incomplete knowledge of Him, or worshipped the false gods who dwell
in groves and have no care of their worshippers.

And he set his face to the sun and journeyed, walking without
sandals, as he had seen the saints walk, and carrying at his girdle
a leathern wallet and a little water-bottle of burnt clay.

And as he walked along the highway he was full of the joy that
comes from the perfect knowledge of God, and he sang praises unto
God without ceasing; and after a time he reached a strange land in
which there were many cities.

And he passed through eleven cities. And some of these cities were
in valleys, and others were by the banks of great rivers, and
others were set on hills. And in each city he found a disciple who
loved him and followed him, and a great multitude also of people
followed him from each city, and the knowledge of God spread in the
whole land, and many of the rulers were converted, and the priests
of the temples in which there were idols found that half of their
gain was gone, and when they beat upon their drums at noon none, or
but a few, came with peacocks and with offerings of flesh as had
been the custom of the land before his coming.

Yet the more the people followed him, and the greater the number of
his disciples, the greater became his sorrow. And he knew not why
his sorrow was so great. For he spake ever about God, and out of
the fulness of that perfect knowledge of God which God had Himself
given to him.

And one evening he passed out of the eleventh city, which was a
city of Armenia, and his disciples and a great crowd of people
followed after him; and he went up on to a mountain and sat down on
a rock that was on the mountain, and his disciples stood round him,
and the multitude knelt in the valley.

And he bowed his head on his hands and wept, and said to his Soul,
'Why is it that I am full of sorrow and fear, and that each of my
disciples is an enemy that walks in the noonday?' And his Soul
answered him and said, 'God filled thee with the perfect knowledge
of Himself, and thou hast given this knowledge away to others. The

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Homer

The Odyssey: Book 11

Then, when we had got down to the sea shore we drew our ship into
the water and got her mast and sails into her; we also put the sheep
on board and took our places, weeping and in great distress of mind.
Circe, that great and cunning goddess, sent us a fair wind that blew
dead aft and stayed steadily with us keeping our sails all the time
well filled; so we did whatever wanted doing to the ship's gear and
let her go as the wind and helmsman headed her. All day long her sails
were full as she held her course over the sea, but when the sun went
down and darkness was over all the earth, we got into the deep
waters of the river Oceanus, where lie the land and city of the
Cimmerians who live enshrouded in mist and darkness which the rays
of the sun never pierce neither at his rising nor as he goes down
again out of the heavens, but the poor wretches live in one long
melancholy night. When we got there we beached the ship, took the
sheep out of her, and went along by the waters of Oceanus till we came
to the place of which Circe had told us.
"Here Perimedes and Eurylochus held the victims, while I drew my
sword and dug the trench a cubit each way. I made a drink-offering
to all the dead, first with honey and milk, then with wine, and
thirdly with water, and I sprinkled white barley meal over the
whole, praying earnestly to the poor feckless ghosts, and promising
them that when I got back to Ithaca I would sacrifice a barren
heifer for them, the best I had, and would load the pyre with good
things. I also particularly promised that Teiresias should have a
black sheep to himself, the best in all my flocks. When I had prayed
sufficiently to the dead, I cut the throats of the two sheep and let
the blood run into the trench, whereon the ghosts came trooping up
from Erebus- brides, young bachelors, old men worn out with toil,
maids who had been crossed in love, and brave men who had been
killed in battle, with their armour still smirched with blood; they
came from every quarter and flitted round the trench with a strange
kind of screaming sound that made me turn pale with fear. When I saw
them coming I told the men to be quick and flay the carcasses of the
two dead sheep and make burnt offerings of them, and at the same
time to repeat prayers to Hades and to Proserpine; but I sat where I
was with my sword drawn and would not let the poor feckless ghosts
come near the blood till Teiresias should have answered my questions.
"The first ghost 'that came was that of my comrade Elpenor, for he
had not yet been laid beneath the earth. We had left his body
unwaked and unburied in Circe's house, for we had had too much else to
do. I was very sorry for him, and cried when I saw him: 'Elpenor,'
said I, 'how did you come down here into this gloom and darkness?
You have here on foot quicker than I have with my ship.'
"'Sir,' he answered with a groan, 'it was all bad luck, and my own
unspeakable drunkenness. I was lying asleep on the top of Circe's
house, and never thought of coming down again by the great staircase
but fell right off the roof and broke my neck, so my soul down to
the house of Hades. And now I beseech you by all those whom you have
left behind you, though they are not here, by your wife, by the father
who brought you up when you were a child, and by Telemachus who is the

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The Broomstick Train; Or, The Return Of The Witches

LOOK out! Look out, boys! Clear the track!
The witches are here! They've all come back!
They hanged them high,--No use! No use!
What cares a witch for a hangman's noose?
They buried them deep, but they wouldn't lie still,
For cats and witches are hard to kill;
They swore they shouldn't and wouldn't die,--
Books said they did, but they lie! they lie!

A couple of hundred years, or so,
They had knocked about in the world below,
When an Essex Deacon dropped in to call,
And a homesick feeling seized them all;
For he came from a place they knew full well,
And many a tale he had to tell.
They longed to visit the haunts of men,
To see the old dwellings they knew again,
And ride on their broomsticks all around
Their wide domain of unhallowed ground.

In Essex county there's many a roof
Well known to him of the cloven hoof;
The small square windows are full in view
Which the midnight hags went sailing through,
On their well-trained broomsticks mounted high,
Seen like shadows against the sky;
Crossing the track of owls and bats,
Hugging before them their coal-black cats.

Well did they know, those gray old wives,
The sights we see in our daily drives
Shimmer of lake and shine of sea,
Browne's bare hill with its lonely tree,
(It was n't then as we see it now,
With one scant scalp-lock to shade its brow;
Dusky nooks in the Essex woods,
Dark, dim, Dante-like solitudes,
Where the tree-toad watches the sinuous snake
Glide through his forests of fern and brake;
Ipswich River; its old stone bridge;
Far off Andover's Indian Ridge,
And many a scene where history tells
Some shadow of bygone terror dwells,--
Of 'Norman's Woe' with its tale of dread,
Of the Screeching Woman of Marblehead,
(The fearful story that turns men pale
Don't bid me tell it,--my speech would fail.)

Who would not, will not, if he can,
Bathe in the breezes of fair Cape Ann,--

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I Try To Think Why Her Answer Always Ends In A No

May be she is trapped inside a water droplet
Resting on a green leaf
Of a rose plant
in the eden garden

The garden has a fairy
the fairy has a curse
the curse has a name
the name has a price

There are witches in the story
The witches are very bad
They rob the the flowers of smell
And kill the fairy’s smile

One day, a little boy
with a little heart
and two teddy bears
walks along that way

He kisses and walk -
The jasmine and the daisies
The lilac and the lilies
The roses and the fairies.


The rose has a name
It holds a dropp of love
The kiss is a game
Pushes the dropp of love

The lady in the droplet
Falls down the leaves
The boy leaps down
To hold it before breaks

The droplet breaks
The water splinters
the boy drops his heart
and break it into pieces

The girl is freed
The boy is dying
The girl does cry
The boy does smile

The fairy is sad
The witches are mad
The fairies are hot
The witches are not

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Samuel Butler

Hudibras: Part 3 - Canto I

THE ARGUMENT

The Knight and Squire resolve, at once,
The one the other to renounce.
They both approach the Lady's Bower;
The Squire t'inform, the Knight to woo her.
She treats them with a Masquerade,
By Furies and Hobgoblins made;
From which the Squire conveys the Knight,
And steals him from himself, by Night.

'Tis true, no lover has that pow'r
T' enforce a desperate amour,
As he that has two strings t' his bow,
And burns for love and money too;
For then he's brave and resolute,
Disdains to render in his suit,
Has all his flames and raptures double,
And hangs or drowns with half the trouble,
While those who sillily pursue,
The simple, downright way, and true,
Make as unlucky applications,
And steer against the stream their passions.
Some forge their mistresses of stars,
And when the ladies prove averse,
And more untoward to be won
Than by CALIGULA the Moon,
Cry out upon the stars, for doing
Ill offices to cross their wooing;
When only by themselves they're hindred,
For trusting those they made her kindred;
And still, the harsher and hide-bounder
The damsels prove, become the fonder.
For what mad lover ever dy'd
To gain a soft and gentle bride?
Or for a lady tender-hearted,
In purling streams or hemp departed?
Leap'd headlong int' Elysium,
Through th' windows of a dazzling room?
But for some cross, ill-natur'd dame,
The am'rous fly burnt in his flame.
This to the Knight could be no news,
With all mankind so much in use;
Who therefore took the wiser course,
To make the most of his amours,
Resolv'd to try all sorts of ways,
As follows in due time and place

No sooner was the bloody fight,
Between the Wizard, and the Knight,

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Supernatural

Built a king on compliments
Charisma, and advertisements
Still they see him shimmering ephemeral
If it aint supernatural
If it aint supernatural
Supernatural, or maybe
It was an out of body experience
Yes I flew around
A hospital room once
On intreveneous demerol
You werent supernatural
Supernatural, or maybe
A sudden smell
A certain view
Sparked a whoppin case
Of the deja vu
Is it inexplicable?
No,no,no it aint
Supernatural
Supernatural, or maybe

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Sonnet LX - Variations In Imitation - after William Shakespeare

See below W S Sonnet LX for English and French variations

Sonnet LX

Like as the waves make towards the pebbled shore
So do our minutes hasten to their end;
Each changing place with that which goes before,
In sequent toil all forwards do contend.
Nativity, once in the main of light
Crawls to maturity, wherewith being crown’d,
Crooked eclipses ‘gainst his glory fight
And Time that gave doth now his gift confound.
Time doth transfix the flourish set on youth
And delves the parallels in beauty’s brow
Feeds on the rareities of Nature’s truth,
And nothing stands but for his scythe to mow;
And yet to times in hope my verse shall stand,
Praising thy worth despite his cruel hand.

William SHAKESPEARE shak1_0008_shak1_0000 PST_DZX
________________________


So nnet LX Imitation - Par Vagues

Par vagues, s’approchant à la rive pierreuse,
Nos instants précieux écument leur destin,
Chacun son précédent remplaçant en chemin,
Le tout se bousculant - avancée périlleuse.
Le Temps notre jeunesse avale et l’âme heureuse,
Avance, et, mûrissant, se voit sacrée: sa main
Dispute nos chansons, gloires d’antan, - déclin
Que le faucheur étale, éclipse malheureuse.
Le Temps reprend ses dons, de profonds sillons creuse,
Des affronts forts profonds au front jadis si saint,
En dévorant les traces de notre grâce éteinte,
Aucun ne faisant face à sa fauche rieuse!
Pourtant malgré le Temps, sa main sans pitié,
Ces lignes attendent un jour coulant de vérité.

15 December 1991 revised 2005 robi3_0508_shak1_0008 PFT_DZX see robi3_0654
Translation William SHAKESPEARE – Sonnet LX for previous version see below

__________________

Sonnet LX

Ainsi qu’aux vagues visant la rive pierreuse,
Nos instants précieux se hâtent vers leur destin,
Chacun son précedent remplaçant en chemin,

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Shakespeare Daughter's Hungry Street

Jules travelled down smoking art surreal street
to explore bohemian style flavoured beat.
Where all the noble artist souls are found
carrying her doves heart, she was stage bound.
Down to Shakespeare daughter's hungry street.

Jazz sax soared art savouring lovers danced.
Midget naked dancing twin brothers pranced.
Fire eater sister showed her fiery flash style.
Marching the military two step erotic mile.
Down upon Shakespeare daughter's hungry street.

Some priest held paintings of narrow grief.
Some lovers carried crosses of their belief.
Some miracle workers photographed their smile.
Some frozen suit prophets flaunted their style.
Down upon Shakespeare daughter's hungry street.

The red body wine skull shape face glowed.
Humanities blood of experience muse flowed.
Sax and ghost trumpeter explore reality theme.
Every jazz hip poet was singing up wild scene.
Down upon Shakespeare daughter's hungry street.

Some choir angels sung 'let humanity be heard'.
Redemptions poems quote reality to disturb.
Let the high barbed pitched tongues glow.
Artist dreams and mad sanity will overflow.
Down upon Shakespeare daughter's hungry street.

The immaculate dripping sky turned bright red.
Some saint laughed loud, cool your aching head.
Poets, junkies, taxman, lovers played high dice.
Each and every sister painted their own paradise.
Down upon Shakespeare daughter's hungry street.

Drinking her own redemption flavour wine divine.
Slept childlike and woke mysteriously to fine.
The seven stone evangelist had shifted outa town.
The sculptured Valentino had fallen nose down.
Down upon Shakespeare daughter's hungry street.

Jules travelled down smoking art valley street.
To savour bohemian flavour feel burning heat,
but finally her natural innocence was blown.
All the poets ritual seers faces had flown.
Down to Shakespeare daughter's hungry street.

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You Want To Be A Real Big Witch

You want to really be a witch?
Well...
I knew some pretty wicked witches,
Who...
Made me pitch to them,
Many a fit.
And I split.

You want to be a real big witch,
Well...
I knew some pretty wicked witches,
Who...
Made me pitch to them,
Many a fit.
And I split.

You want to be the biggest at the ball of all witches,
Don't you?

You do.
Don't you.

You do.
Don't you.
You do.
And you're proving it too!
You do.

You want to be the biggest at the ball of all witches...
Don't you?
You do.
Don't you?
You want to be a real big witch,
Don't you?
You want to be the biggest at the ball of all witches.
You want to be a real big witch,
Don't you?
You want to be the biggest at the ball of all witches.
You want to be a real big witch,
Don't you?
You want to be a real big witch,
Don't you?
You want to be a real big witch,
Don't you?
You want to be a real big witch.

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Bishop Blougram's Apology

No more wine? then we'll push back chairs and talk.
A final glass for me, though: cool, i' faith!
We ought to have our Abbey back, you see.
It's different, preaching in basilicas,
And doing duty in some masterpiece
Like this of brother Pugin's, bless his heart!
I doubt if they're half baked, those chalk rosettes,
Ciphers and stucco-twiddlings everywhere;
It's just like breathing in a lime-kiln: eh?
These hot long ceremonies of our church
Cost us a little—oh, they pay the price,
You take me—amply pay it! Now, we'll talk.

So, you despise me, Mr. Gigadibs.
No deprecation—nay, I beg you, sir!
Beside 't is our engagement: don't you know,
I promised, if you'd watch a dinner out,
We'd see truth dawn together?—truth that peeps
Over the glasses' edge when dinner's done,
And body gets its sop and holds its noise
And leaves soul free a little. Now's the time:
Truth's break of day! You do despise me then.
And if I say, "despise me"—never fear!
1 know you do not in a certain sense—
Not in my arm-chair, for example: here,
I well imagine you respect my place
(Status, entourage, worldly circumstance)
Quite to its value—very much indeed:
—Are up to the protesting eyes of you
In pride at being seated here for once—
You'll turn it to such capital account!
When somebody, through years and years to come,
Hints of the bishop—names me—that's enough:
"Blougram? I knew him"—(into it you slide)
"Dined with him once, a Corpus Christi Day,
All alone, we two; he's a clever man:
And after dinner—why, the wine you know—
Oh, there was wine, and good!—what with the wine . . .
'Faith, we began upon all sorts of talk!
He's no bad fellow, Blougram; he had seen
Something of mine he relished, some review:
He's quite above their humbug in his heart,
Half-said as much, indeed—the thing's his trade.
I warrant, Blougram's sceptical at times:
How otherwise? I liked him, I confess!"
Che che, my dear sir, as we say at Rome,
Don't you protest now! It's fair give and take;
You have had your turn and spoken your home-truths:
The hand's mine now, and here you follow suit.

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Sonnet: On Knowledge

Knowledge is one thing priceless, people want;
Knowledge is something gained by labor long;
Knowledge is infinite; master, you-can't;
Knowledge is changeable, much like a song.

Knowledge is deeper than the oceans deep;
Knowledge is larger than the Universe;
Knowledge is barely in life, just a peep;
Knowledge if badly used becomes God's curse.

Knowledge remains undiminished, tho' you- share;
Knowledge gives man, a civilised outlook;
Knowledge if improper, you ought to pare;
Knowledge is gained from Nature and by book.
Knowledge can make a man a wiser one;
Knowledge gives Wisdom in the longer run.

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The War of the Ghosts

Three Ghosts that haunt me have I,
Three Ghosts in my soul that fight,
Three grandsire Ghosts in my soul,
That haunt me by day and by night.

The first was a dark mountaineer,
Who hunted with arrow and knife,
To whom the turf was a bed,
And the wind of the moorland was life.
And the next was a mariner rude,
Whose home and whose grave was the sea,
For whom the land was a prison
And only the ocean was free.
And the last was a shrunken recluse,
Who lived with the dust and the gloom
And wrote of the Saints and of Him
Who went for us to His doom.

And all through the days and years
These ancient Ghosts contend,
And my soul is a battle-field
Of passions that pierce and rend.
And whenever a sunbeam alights
All gleaming and fresh on my page,
I am wild for the hills and the bush,
I am torn with the hunter's rage.
I am sick of the smell of a book,
I am off with the dogs or a gun,
Or I gallop my fifty miles
Before the set of the sun.
And yet from some loftier peak
When I look on the sea from afar,
I feel like one in a grave;
And I long for a ship full-sailed
And an ocean wide on the lee
I choke on the solid land
For the lift of the undulant sea.

Yet ever the battle goes on,
And ever there rises a day
When the Ghosts of the wave and the wood
To the Ghost of the cell give way.
Then the land is a wilderness drear,
And dismal and vast is the sea,
But cloistered in peace with my books
My soul is uplifted and free.

Three Ghosts that haunt me have I,
Three Ghosts in my soul that fight,
Three grandsire Ghosts in my soul,

[...] Read more

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Haunted

Haunted? Ay, in a social way
By a body of ghosts in dread array;
But no conventional spectres they -
Appalling, grim, and tricky:
I quail at mine as I'd never quail
At a fine traditional spectre pale,
With a turnip head and a ghostly wail,
And a splash of blood on the dickey!

Mine are horrible, social ghosts, -
Speeches and women and guests and hosts,
Weddings and morning calls and toasts,
In every bad variety:
Ghosts who hover about the grave
Of all that's manly, free, and brave:
You'll find their names on the architrave
Of that charnel-house, Society.

Black Monday - black as its school-room ink -
With its dismal boys that snivel and think
Of its nauseous messes to eat and drink,
And its frozen tank to wash in.
That was the first that brought me grief,
And made me weep, till I sought relief
In an emblematical handkerchief,
To choke such baby bosh in.

First and worst in the grim array-
Ghosts of ghosts that have gone their way,
Which I wouldn't revive for a single day
For all the wealth of PLUTUS -
Are the horrible ghosts that school-days scared:
If the classical ghost that BRUTUS dared
Was the ghost of his "Caesar" unprepared,
I'm sure I pity BRUTUS.

I pass to critical seventeen;
The ghost of that terrible wedding scene,
When an elderly Colonel stole my Queen,
And woke my dream of heaven.
No schoolgirl decked in her nurse-room curls
Was my gushing innocent Queen of Pearls;
If she wasn't a girl of a thousand girls,
She was one of forty-seven!

I see the ghost of my first cigar,
Of the thence-arising family jar -
Of my maiden brief (I was at the Bar,
And I called the Judge "Your wushup!")
Of reckless days and reckless nights,

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The Double Image

1.

I am thirty this November.
You are still small, in your fourth year.
We stand watching the yellow leaves go queer,
flapping in the winter rain.
falling flat and washed. And I remember
mostly the three autumns you did not live here.
They said I'd never get you back again.
I tell you what you'll never really know:
all the medical hypothesis
that explained my brain will never be as true as these
struck leaves letting go.

I, who chose two times
to kill myself, had said your nickname
the mewling mouths when you first came;
until a fever rattled
in your throat and I moved like a pantomine
above your head. Ugly angels spoke to me. The blame,
I heard them say, was mine. They tattled
like green witches in my head, letting doom
leak like a broken faucet;
as if doom had flooded my belly and filled your bassinet,
an old debt I must assume.

Death was simpler than I'd thought.
The day life made you well and whole
I let the witches take away my guilty soul.
I pretended I was dead
until the white men pumped the poison out,
putting me armless and washed through the rigamarole
of talking boxes and the electric bed.
I laughed to see the private iron in that hotel.
Today the yellow leaves
go queer. You ask me where they go I say today believed
in itself, or else it fell.

Today, my small child, Joyce,
love your self's self where it lives.
There is no special God to refer to; or if there is,
why did I let you grow
in another place. You did not know my voice
when I came back to call. All the superlatives
of tomorrow's white tree and mistletoe
will not help you know the holidays you had to miss.
The time I did not love
myself, I visited your shoveled walks; you held my glove.
There was new snow after this.

[...] Read more

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The Season of the Witch

Most of the country is hushed out there
As the Moon climbs over the hill,
The creatures out in the wild beware
And the air is breathless, still,
The deer is stood at the edge of the wood
Afraid to go in too soon,
With the animals skittish, out in the yard
A hare stares up at the Moon.

There's something amiss in the air tonight
Both furtive and dark, unclean,
Shadows are lurking by old stone walls
In wait for a sign to be seen,
The men all sit in a vacant trance
As the women go out by the ditch,
Wearing their smoke-black cloaks in the dance
For the Season of the Witch.

Then like the flutter of vampire bats
The witches take to their brooms,
Hang on to their tall black pointed hats
And fly low over the tombs,
They head in a swarm up Gallows Hill
Fulfilling some ancient rite,
While watchful eyes at the window-sill
Will get little sleep this night.

For Alison, Lindy, Carmen and Deb
Are watching their mothers leave,
Tucked into bed as their mothers' fled
The girls creep out to deceive,
Pulling the curtains aside they see
The flight go over the hill,
And hear the cackling sounds of glee,
Then the air is cold and still.

Then Lindy calls to the other three
Through the window out to the farm:
‘Let's climb up there, where we all can see
What they're doing from high in the barn! '
So they dress themselves in their winter cloaks
And they put on their witches hats
That the mothers had made for Halloween,
Had decorated with bats.

They climbed up over the stacked up hay
To the roof of the timbered barn,
And they peered from the moonlit bullock dray
To the trees by the hilltop farm,
But the witches danced in a grove of trees

[...] Read more

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