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Whatever tension is on set can end up on your face.

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At Tension

Music and lyrics: oates
Id like to join the army
Dont want to join the war
Id take my place in line hell (hell)
Never go awol
We keep on marching forward
Never will retreat
Dont let the enemy inside you
Thats the beginning of defeat
All good soliders stand (to arms)
All good soliers try (so hard)
To follow orders never asking why
Im standing at tension
(at tension)
Im standing at (tension)
Im standing at tension
(at tension)
Im standing at (tension)
So ill at ease with you
Afraid to make a move
Yeah
Now a shakey finger on the trigger
Ready aim to please
Now how can such a little bullet
Drop big solier to his knees
But theres no warning only waiting
When a strangelove drops the bomb
All this fighting it can hurt you
But its the little wounds that do the harm
All good soliders stand (to arms)
One good solider tries (so hard)
He follows orders never questioning why
Never questioning why
Im standing at tension
(at tension)
Im standing at (tension)
Im standing at tension
(at tension)
Standing at (tension)
So ill at ease with you
Afraid to make a move yeah
All good soldiers stand (to arms)
All good soliders try (so hard)
To follow orders never asking why
They never asking why
Im standing at tension
(at tension)
Im standing at (tension)
Im standing at tension
(at tension)

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I Like The Way

Somewhere inside my evolution
Karmically I seek retribution
Looking for love in physical beauty
Desire is the drug of the bourgeoisie
And now I try to intellectualize
Like a glimmer of good in a bad man's eyes
I am consumed by the flesh haunting me
I know temptation taunts the empty
So pour yourself over me
Until there's nothing left to see, yeah yeah
Because I like the way you move in the dark
I like the tension, the tension and the spark
The decadence of giving into desire
Creates such entropy within
Looking for love in spiritual faces
Blind to the art of fabrication
I'm like a baby sucking mama's milk
Want to drink my fill and then some
Leave me alone
I always thought I was better than this
But temptation tempts the temptee
Pour yourself over me
Until there's nothing left to see, yeah yeah
Oh, because I like the way you move in the dark
And I like the tension, the tension and the spark, oh
Because I like the way you move in the dark, oh
You know I like the tension, the tension and, the tension and the spark, oh
This physicality
Shifting me chemically
Such power over me
It's just desire
I know it's treachery (shifting me chemically)
I know it's just skin deep (such power over me)
I know I should resist
I'm just too tired
Too tired
There's just one thing missing
One thing missing here is
Love
I like the way you move in the dark
I like the tension, the tension and the spark (so pour yourself over me)
You know, I like the way you move in the dark (so pour yourself over me)
You know, I like the tension, the tension and, the tension and the spark
So pour yourself over me
(There's just one thing missing)
(One thing missing)
Until there's nothing left to see
(There's just one thing missing)
(The tension and the spark)
(One thing missing)

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National Health

Nervous tension, mans invention,
Is the biggest killer thats around today
Let the tension out or it will build and build inside
And strike you down some day
Nervous tension, mans invention
Is the biggest waste of human energy
Let the tension out, or it will surely kill
And that will be a tragedy
Valium helps you for a while
But somehow valium seems to bring me down
Theres no pill I can recommend where side effects
Arent guaranteed to send you round the bend
You gotta let out the tension
With a little bit of exercise
Loosen up your muscles
And feel the knots in your body untie
We oh we oh
Oh oh oh oh ah ah ah ah
Oh oh oh oh ah ah ah ah
It sure beats quaaludes
It sure beats cocaine
Even freud recommends it
Cos it relieves the strain
Altogether now
Oh oh oh oh ah ah ah ah
Oh oh oh oh ah ah ah ah
Some people say it sends you deaf
Some people say it sends you blind
Some people say it makes you old
Some people say it blows your mind
But I say
If its good for your health
Its good for your mind
If it keeps you together
Its really all right
We oh we oh
Oh cmon, kick the cat
Oh oh oh oh its the state of the national health
Oh oh oh oh blame it on the national health
Nervous tension, nervous tension, nervous tension
Nervous tension. nervous tension, nervous tension
Nervous tension, mans invention
Is the biggest killer thats around
Oh oh oh oh ah ah ah ah
Oh oh oh oh ah ah ah an
Valium helps you for a while
But somehow valium seems to bring me down
Theres no pill I can recommend where side effects
Arent guaranteed to drive you round the bend
I say I say

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Elizabeth Barrett Browning

Sixth Book

THE English have a scornful insular way
Of calling the French light. The levity
Is in the judgment only, which yet stands;
For say a foolish thing but oft enough,
(And here's the secret of a hundred creeds,–
Men get opinions as boys learn to spell,
By re-iteration chiefly) the same thing
Shall pass at least for absolutely wise,
And not with fools exclusively. And so,
We say the French are light, as if we said
The cat mews, or the milch-cow gives us milk:
Say rather, cats are milked, and milch cows mew,
For what is lightness but inconsequence,
Vague fluctuation 'twixt effect and cause,
Compelled by neither? Is a bullet light,
That dashes from the gun-mouth, while the eye
Winks, and the heart beats one, to flatten itself
To a wafer on the white speck on a wall
A hundred paces off? Even so direct,
So sternly undivertible of aim,
Is this French people.
All idealists
Too absolute and earnest, with them all
The idea of a knife cuts real flesh;
And still, devouring the safe interval
Which Nature placed between the thought and act,
They threaten conflagration to the world
And rush with most unscrupulous logic on
Impossible practice. Set your orators
To blow upon them with loud windy mouths
Through watchword phrases, jest or sentiment,
Which drive our burley brutal English mobs
Like so much chaff, whichever way they blow,–
This light French people will not thus be driven.
They turn indeed; but then they turn upon
Some central pivot of their thought and choice,
And veer out by the force of holding fast.
–That's hard to understand, for Englishmen
Unused to abstract questions, and untrained
To trace the involutions, valve by valve,
In each orbed bulb-root of a general truth,
And mark what subtly fine integument
Divides opposed compartments. Freedom's self
Comes concrete to us, to be understood,
Fixed in a feudal form incarnately
To suit our ways of thought and reverence,
The special form, with us, being still the thing.
With us, I say, though I'm of Italy
My mother's birth and grave, by father's grave
And memory; let it be,–a poet's heart

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Sand In My Face

I looked in the mirror
(what did you see looking at you? )
I saw a nine stone weakling
(what will you do? )
Dynamic tension waiting for you?
Dynamic tension make a man out of you
I opened my magazine
(what did you see? )
I saw mr. france
(what did he have? )
A girl on each shoulder
(what else? )
And one in his pants
Dynamic tension can do this for you
Dynamic tension make a man out of
You you you you you
So our hero goes down to the beach
Hes in real terrible shape
His chicks been seen with big alex
That mother kicked sand in his face
Now let me tell you about alex
Hes got:
Hands like hams
Knees like trees
200 lbs
Of surfboard hercules
Mr. atlas wont you bring her on back to me
I lost my girl down by the beach
Shes with alex and shes out of reach
So please mr. atlas wont you bring her on back to me
I saw your body in an advert on t.v.
But what convinced me was your money back guarantee
Now Im stronger than alex
(where is he now? )
Hes left in disgrace
(oh yeah? )
'cos I took back my girlfriend
(ha, ha, ha, ha)
And kicked sand in his face
(in his eyes, in his ears, in his nose)
Dynamic tension waiting for you
Dynamic tension make a man out of you
Dynamic tension, dynamic tension
Dynamic tension, dynamic tension

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Lancelot And Elaine

Elaine the fair, Elaine the loveable,
Elaine, the lily maid of Astolat,
High in her chamber up a tower to the east
Guarded the sacred shield of Lancelot;
Which first she placed where the morning's earliest ray
Might strike it, and awake her with the gleam;
Then fearing rust or soilure fashioned for it
A case of silk, and braided thereupon
All the devices blazoned on the shield
In their own tinct, and added, of her wit,
A border fantasy of branch and flower,
And yellow-throated nestling in the nest.
Nor rested thus content, but day by day,
Leaving her household and good father, climbed
That eastern tower, and entering barred her door,
Stript off the case, and read the naked shield,
Now guessed a hidden meaning in his arms,
Now made a pretty history to herself
Of every dint a sword had beaten in it,
And every scratch a lance had made upon it,
Conjecturing when and where: this cut is fresh;
That ten years back; this dealt him at Caerlyle;
That at Caerleon; this at Camelot:
And ah God's mercy, what a stroke was there!
And here a thrust that might have killed, but God
Broke the strong lance, and rolled his enemy down,
And saved him: so she lived in fantasy.

How came the lily maid by that good shield
Of Lancelot, she that knew not even his name?
He left it with her, when he rode to tilt
For the great diamond in the diamond jousts,
Which Arthur had ordained, and by that name
Had named them, since a diamond was the prize.

For Arthur, long before they crowned him King,
Roving the trackless realms of Lyonnesse,
Had found a glen, gray boulder and black tarn.
A horror lived about the tarn, and clave
Like its own mists to all the mountain side:
For here two brothers, one a king, had met
And fought together; but their names were lost;
And each had slain his brother at a blow;
And down they fell and made the glen abhorred:
And there they lay till all their bones were bleached,
And lichened into colour with the crags:
And he, that once was king, had on a crown
Of diamonds, one in front, and four aside.
And Arthur came, and labouring up the pass,
All in a misty moonshine, unawares

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Face To Face

We never talk to one another
We just disagree
Im the one who runs for cover
And you turn your back on me
They say nothings gonna last forever
But some things are worth fighting for
Yeah, well love could bring us back together
But love dont come round here no more
The words unspoken in the night
Locked away in my heart
And Im feeling out of place
But if love is the key
Let it open the door
So well be standing -- face to face
You never want to see me face to face
Think it over
Face to face
If only it could be just face to face
Baby you and me
Face to face
I may be better off without it
I cant go on this way
Time has come to talk about it
This is our judgement day
You know we swore it would last forever
Always felt so sure it would
But its looking like now or never
Time to turn a bad thing into good
The words that echo in the night
Theyre fading away
And theyre gone without a trace
Now its up to you and me
Lets open the door
And meet each other -- face to face
Its time we saw each other face to face
To talk it over
Face to face
You know its gotta be just face to face
Baby you and me
Face to face
We gotta see each other -- face to face
And talk about it
Face to face
Hope it aint too late to meet face to face
Just you and me
(solo)
Face to face
Its time we saw each other face to face
To talk it over
Face to face

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Give Your Heart To The Hawks

1 he apples hung until a wind at the equinox,

That heaped the beach with black weed, filled the dry grass

Under the old trees with rosy fruit.

In the morning Fayne Fraser gathered the sound ones into a

basket,

The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.

Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.

Fayne snatched for it and missed;


Michael stood by rejoicing, his rather small

Finely cut features in a dance of delight;

Fayne with one sweep flung at his face

All the bruised and half-spoiled apples in the pan,

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Set Me Free

You operate and motivate on synthetic fuel
you're Mother Nature and an atom bomb
As long as you're kept full of pretty bodies
your little secret will be safe with me
around again insane again
it somes again it sets me free
so set me free
set me free
'cause I think you need my soul
set me free
set me free
Your kept alive and polarized with one thing in mind,
metabolizin' everything that you see
but now and then or a little later
now I'm gonna take you down with me
Around again insane again
she comes again it sets me free
so set me free
set me free
'cause I think you need my soul
set me free
set me free
so set me free
set me free
'cuase I think you need my soul
set me free
set me free
So, take me down
take me down, down, down, down
take me down, take me down
So, take me down
take me down, down, down, down
take me down, take me down
So set me free
set me free
'cause I think you need my soul
set me free
set me free
So set me free
set me free
'cause I think you need my soul
set me free
set me free
So set me free
set me free
'cause I think you need my soul
set me free
set me free
So set me free
set me free

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Edward Lear

Teapots and Quails

Teapots and Quails,
Snuffers and Snails,
Set him a sailing
and see how he sails!
..
Mitres and Beams,
Thimbles and Creams,
Set him a screaming
and hark! how he screams!
..
Houses and Kings,
Whiskers and Swings,
Set him a stinging
and see how he stings!
..
Ribands and Pigs,
Helmets and Figs,
Set him a jigging
and see how he jigs!
..
Rainbows and Knives,
Muscles and Hives,
Set him a driving
and see how he drives!
..
Tadpoles and Tops,
Teacups and Mops,
Set him a hopping
and see how he hops!
..
Herons and Sweeps,
Turbans and Sheeps,
Set him a weeping
and see how he weeps!
Lobsters and Owls,
Scissors and Fowls,
Set him a howling
and hark how he howls!
..
Eagles and Pears,
Slippers and Bears,
Set him a staring
and see how he stares!
..
Sofas and Bees,
Camels and Keys,
Set him a sneezing
and see how he'll sneeze!
..
Wafers and Bears,

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Ill Never Set You Free

Theres nothing I can say
Theres nothing I can do
To show you the love
That I got for you
Theres nothing in this world
That could ever take your place
When I look into your eyes
I see a sweet face
Ill never set you free
till you give your love to me
cos I love you (Ill never set, set you free)
And I need you (Ill never set, set you free)
Yes I want you (Ill never set, set you free)
cos I love you (Ill never set, set you free)
Will you open up your heart
So love could make a start
I know that if you do
Dreams will come true
Ill never set you free
till you give your love to me
cos I love you (Ill never set, set you free)
And I need you (Ill never set, set you free)
Yes I want you (Ill never set, set you free)
cos I love you (Ill never set, set you free)
Ill never set you free
till you give your love to me
Theres nothing you can do
To stop my love for you
cos I love you (Ill never set, set you free)
And I need you (Ill never set, set you free)
Yes I want you (Ill never set, set you free)
cos I love you (Ill never set, set you free)
[repeat / fade]

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The Brus Book X

[Preparations for battle against John of Lorn]
Quhen Thomas Randell on this wis
Wes takyn as Ik her devys
And send to dwell in gud keping
For spek that he spak to the king,
The gud king that thocht on the scaith
The dispyt and felny bath
That Jhone off Lorne had till him doyn
His ost assemblyt he then sone
And towart Lorn he tuk the way
With his men intill gud aray.
Bot Jhone off Lorn off his cummyng
Lang or he come had wittering,
And men on ilk sid gadryt he
I trow twa thousand thai mycht be
And send thaim for to stop the way
Quhar the gud king behovyt away,
And that wes in an evill plas
That sa strayt and sa narow was
That twasum samyn mycht nocht rid
In sum place off the hillis sid.
The nethyr halff was peralous
For schor crag hey and hydwous
Raucht to the se doun fra the pas,
On athyr halff the montane was
Sua combrous hey and stay
That it was hard to pas that way.
I trow nocht that in all Bretane
Ane heyar hill may fundyn be.
Thar Jhone off Lorne gert his menye
Enbuschyt be abovyn the way,
For giff the king held thar away
He thocht he suld sone vencussyt be,
And himselff held him apon the se
Weill ner the pais with his galayis.
Bot the king that in all assayis
Wes fundyn wys and avisé
Persavyt rycht weill thar sutelte,
And that he neid that gait suld ga.
His men departyt he in twa
And till the gud lord off Douglas
Quham in herbryd all worschip was
He taucht the archerys everilkane
And this gud lord with him has tane
Schyr Alysander Fraser the wycht,
And Wylyam Wysman a gud knycht
And with thaim syne Schyr Androw Gray.
Thir with thar mengne held thar way
And clamb the hill deliverly
And or thai off the tother party

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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

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Elizabeth Barrett Browning

Second Book

TIMES followed one another. Came a morn
I stood upon the brink of twenty years,
And looked before and after, as I stood
Woman and artist,–either incomplete,
Both credulous of completion. There I held
The whole creation in my little cup,
And smiled with thirsty lips before I drank,
'Good health to you and me, sweet neighbour mine
And all these peoples.'
I was glad, that day;
The June was in me, with its multitudes
Of nightingales all singing in the dark,
And rosebuds reddening where the calyx split.
I felt so young, so strong, so sure of God!
So glad, I could not choose be very wise!
And, old at twenty, was inclined to pull
My childhood backward in a childish jest
To see the face of't once more, and farewell!
In which fantastic mood I bounded forth
At early morning,–would not wait so long
As even to snatch my bonnet by the strings,
But, brushing a green trail across the lawn
With my gown in the dew, took will and way
Among the acacias of the shrubberies,
To fly my fancies in the open air
And keep my birthday, till my aunt awoke
To stop good dreams. Meanwhile I murmured on,
As honeyed bees keep humming to themselves;
'The worthiest poets have remained uncrowned
Till death has bleached their foreheads to the bone,
And so with me it must be, unless I prove
Unworthy of the grand adversity,–
And certainly I would not fail so much.
What, therefore, if I crown myself to-day
In sport, not pride, to learn the feel of it,
Before my brows be numb as Dante's own
To all the tender pricking of such leaves?
Such leaves? what leaves?'
I pulled the branches down,
To choose from.
'Not the bay! I choose no bay;
The fates deny us if we are overbold:
Nor myrtle–which means chiefly love; and love
Is something awful which one dare not touch
So early o' mornings. This verbena strains
The point of passionate fragrance; and hard by,
This guelder rose, at far too slight a beck
Of the wind, will toss about her flower-apples.
Ah–there's my choice,–that ivy on the wall,
That headlong ivy! not a leaf will grow

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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Face To Face

Now I've got a chick who will be with me
Anytime, day or night
But I won't put up with no runnin' around
You know it just ain't right
I'm going down...
To the town -
Out to go drink with the clowns
You stay at home...
All alone -
And don't you talk on the phone
You're comin' face to face with the guy that's gonna knock you dead
Face to face with the guy that's gonna bust your head
I'm gonna knock you on the floor
You'll beg me for no more
You're comin' face to face with me, like it or not
When I got to town
The words going 'round
That you've been seen on your back
I open the door and you were on the floor
Spreadin' for the clowns in my pack
Now you were wrong...
If you thought -
I'd take it lyin' down like a dog
I put a match...
In her snatch
She thinks she's such a hot little vamp
You're comin' face to face with the guy that's gonna knock you dead
Face to face with the guy that's gonna bust your head
I'm gonna knock you on the floor
You'll beg me for no more
You comn' face to face with me, like it or not
Tear your face apart
Waste you in the dark
Rip you like a shark
Won't think you're so smart
Face to face (face to face) you disgrace
Face to face (face to face) you disgrace
Face to face (face to face) you disgrace
Face to face
Face to face
Face to face with the guy that's gonna knock you dead
Your're comin' face to face with the guy that's gonna bust your head
I'm gonna knock you on the floor
You'll beg me for no more
You're comin' face to face with me, like it or not
You're cominc12

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

[...] Read more

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Quatrains Of Life

What has my youth been that I love it thus,
Sad youth, to all but one grown tedious,
Stale as the news which last week wearied us,
Or a tired actor's tale told to an empty house?

What did it bring me that I loved it, even
With joy before it and that dream of Heaven,
Boyhood's first rapture of requited bliss,
What did it give? What ever has it given?

'Let me recount the value of my days,
Call up each witness, mete out blame and praise,
Set life itself before me as it was,
And--for I love it--list to what it says.

Oh, I will judge it fairly. Each old pleasure
Shared with dead lips shall stand a separate treasure.
Each untold grief, which now seems lesser pain,
Shall here be weighed and argued of at leisure.

I will not mark mere follies. These would make
The count too large and in the telling take
More tears than I can spare from seemlier themes
To cure its laughter when my heart should ache.

Only the griefs which are essential things,
The bitter fruit which all experience brings;
Nor only of crossed pleasures, but the creed
Men learn who deal with nations and with kings.

All shall be counted fairly, griefs and joys,
Solely distinguishing 'twixt mirth and noise,
The thing which was and that which falsely seemed,
Pleasure and vanity, man's bliss and boy's.

So I shall learn the reason of my trust
In this poor life, these particles of dust
Made sentient for a little while with tears,
Till the great ``may--be'' ends for me in ``must.''

My childhood? Ah, my childhood! What of it
Stripped of all fancy, bare of all conceit?
Where is the infancy the poets sang?
Which was the true and which the counterfeit?

I see it now, alas, with eyes unsealed,
That age of innocence too well revealed.
The flowers I gathered--for I gathered flowers--
Were not more vain than I in that far field.

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The Brus Book XVIII

Only Berwick remains in English hands; a burgess offers to betray it]

The lordis off the land war fayne
Quhen thai wist he wes cummyn agan
And till him went in full gret hy,
And he ressavit thaim hamlyly
5 And maid thaim fest and glaidsum cher,
And thai sa wonderly blyth wer
Off his come that na man mycht say,
Gret fest and fayr till him maid thai.
Quharever he raid all the countre
10 Gaderyt in daynte him to se,
Gret glaidschip than wes in the land.
All than wes wonnyn till his hand,
Fra the Red Swyre to Orknay
Wes nocht off Scotland fra his fay
15 Outakyn Berwik it allane.
That tym tharin wonnyt ane
That capitane wes of the toun,
All Scottismen in suspicioun
He had and tretyt thaim tycht ill.
20 He had ay to thaim hevy will
And held thaim fast at undre ay,
Quhill that it fell apon a day
That a burges Syme of Spalding
Thocht that it wes rycht angry thing
25 Suagate ay to rebutyt be.
Tharfor intill his hart thocht he
That he wald slely mak covyne
With the marchall, quhays cosyne
He had weddyt till him wiff,
30 And as he thocht he did belyff.
Lettrys till him he send in hy
With a traist man all prively,
And set him tym to cum a nycht
With leddrys and with gud men wicht
35 Till the kow yet all prively,
And bad him hald his trist trewly
And he suld mete thaim at the wall,
For his walk thar that nycht suld fall.

[The marischal shows the letter to the king,
who seeks to avoid jealousy between Douglas and Moray]

Quhen the marchell the lettre saw
40 He umbethocht him than a thraw,
For he wist be himselvyn he
Mycht nocht off mycht no power be
For till escheyff sa gret a thing,
And giff he tuk till his helping

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Set The Night To Music

Set the night to music
Set the night to music
Look at all the stars tonight, look at all the moonlight
Look at us were all alone
Oh and its just like a dream, some romantic fantasy
Darling come and hold, hold me close
We could be making love
And with the slightest touch
We could, set the night to music
We could set the night to music
We could do what we want to do
Itll only take me and you, to
Set the night to music
Find a rhythm all our own, melt into it nice and slow
Love ourselves away from here
Your heart beating next to mine, perfect love in perfect time
Watch the world disappear
This moment is ours to take (this moment is ours)
And with the love we make
We could set the night to music
We could set the night to music
We could do what we want to do
Itll only take me and you, to
Set the night to music
Oh, oh, oh, oh, oh, oh, yeah
Oh, oh, oh, oh, oh, oh, yeah
This moment is ours to take (this moment is ours)
And with the love we make
We could set the night to music
We could set the night to music
We could do what we want to do
Itll only take me and you,
To set the night, set the night
Set the night to music
Set the night to music
We could set the night to music
We could set the night to music
We could set the night to music
Set the night, set the night, set the night, set the night...

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