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W. Somerset Maugham

It seems that the creative faculty and the critical faculty cannot exist together in their highest perfection.

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Condition Critical

Oh the tension's mounting
The pressure starts to show
All the men in haunting
Please don't let me go
(Don't go)
Try to free my body
(Don't go)
Try to strap me down
(Don't go)
These'll never break me
(Don't go)
Free wheel to look at me
Condition critical
I'm feeling physical
Condition critical
Now I'm really cynical
The bells they are ringing
Or is it in my head
My nerves numb understanding
I'm falling out of bed
(Don't go)
So call it paranoia
(Don't go)
I don't see it that way
(Let's go)
You say I adore ya
(Hell no)
We're gonna rock they way
Condition critical
I'm feeling physical
Condition critical
Now I'm really cynical
Ooh ooh
Whips and chains
Don't feel no pain
What's so wrong
I think I'm going out of my head
Over heels
I can't feel
No pain, only pleasure
Get me out
Take me home
Can't you see my condition
Woo-woo-woo
Condition
Condition
Condition critical, critical
Condition
Condition
Condition critical

[...] Read more

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Life-An immortal Love poetry

Life is unconquerably; resplendent poetry of the most
highest degree; incredibly pacifying every
infinitesimal urge of the miserably unfinished soul,

Life is perpetually; majestic poetry of the most
highest degree; royally gifting countless impoverished
souls; with insatiably unending fantasy,

Life is ubiquitously; vibrant poetry of the most
highest degree; triumphantly metamorphosing each
ethereal trace of misery; into a fireball of
ingratiatingly untamed happiness,

Life is marvelously; bountiful poetry of the most
highest degree; beautifully placating every
hedonistically traumatized agony; with the exuberance
of untainted breath,

Life is indomitably; enchanting poetry of the most
highest degree; harmoniously coalescing every organism
irrespective of caste; creed; color or tribe; into the
religion of Omnipresent oneness,

Life is unceasingly; triumphant poetry of the most
highest degree; wholesomely massacring every speck of
the horrifically parasitic devil; with the scepter of
unshakable righteousness,

Life is tirelessly; fantastic poetry of the most
highest degree; iridescently glimmering like the
stream of ultimate unity; even in the heart of
insidiously macabre midnight,

Life is blessedly; exotic poetry of the most highest
degree; inevitably triggering an unprecedented
maelstrom of eclectic fantasy; in every brain on this
planet; enigmatically alike,

Life is irrefutably; sensuous poetry of the most
highest degree; miraculously rekindling every shade of
claustrophobically dwindling expression; with a wave
of undauntedly perennial heavenliness,

Life is astoundingly; impeccable poetry of the most
highest degree; forever erasing the wounds of
dastardly salaciousness; with its eternal mantra of
everlasting mankind,

Life is unrestrictedly; divinely poetry of the most
highest degree; spell bindingly mollifying every

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Life-An Immortal Poetry

Life is unconquerably; resplendent poetry of the most
highest degree; incredibly pacifying every
infinitesimal urge of the miserably unfinished soul,

Life is perpetually; majestic poetry of the most
highest degree; royally gifting countless impoverished
souls; with insatiably unending fantasy,

Life is ubiquitously; vibrant poetry of the most
highest degree; triumphantly metamorphosing each
ethereal trace of misery; into a fireball of
ingratiatingly untamed happiness,

Life is marvelously; bountiful poetry of the most
highest degree; beautifully placating every
hedonistically traumatized agony; with the exuberance
of untainted breath,

Life is indomitably; enchanting poetry of the most
highest degree; harmoniously coalescing every organism
irrespective of caste; creed; color or tribe; into the
religion of Omnipresent oneness,

Life is unceasingly; triumphant poetry of the most
highest degree; wholesomely massacring every speck of
the horrifically parasitic devil; with the scepter of
unshakable righteousness,

Life is tirelessly; fantastic poetry of the most
highest degree; iridescently glimmering like the
stream of ultimate unity; even in the heart of
insidiously macabre midnight,

Life is blessedly; exotic poetry of the most highest
degree; inevitably triggering an unprecedented
maelstrom of eclectic fantasy; in every brain on this
planet; enigmatically alike,

Life is irrefutably; sensuous poetry of the most
highest degree; miraculously rekindling every shade of
claustrophobically dwindling expression; with a wave
of undauntedly perennial heavenliness,

Life is astoundingly; impeccable poetry of the most
highest degree; forever erasing the wounds of
dastardly salaciousness; with its eternal mantra of
everlasting mankind,

Life is unrestrictedly; divinely poetry of the most
highest degree; spell bindingly mollifying every

[...] Read more

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Edmund Spenser

Colin Clouts Come Home Againe

Colin Clouts Come Home Againe
THe shepheards boy (best knowen by that name)
That after Tityrus first sung his lay,
Laies of sweet loue, without rebuke or blame,
Sate (as his custome was) vpon a day,
Charming his oaten pipe vnto his peres,
The shepheard swaines, that did about him play:
Who all the while with greedie listfull eares,
Did stand astonisht at his curious skill,
Like hartlesse deare, dismayed with thunders sound.
At last when as he piped had his fill,
He rested him: and sitting then around,
One of those groomes (a iolly groome was he,
As euer piped on an oaten reed,
And lou'd this shepheard dearest in degree,
Hight Hobbinol) gan thus to him areed.
Colin my liefe, my life, how great a losse
Had all the shepheards nation by thy lacke?
And I poore swaine of many greatest crosse:
That sith thy Muse first since thy turning backe
Was heard to sound as she was wont on hye,
Hast made vs all so blessed and so blythe.
Whilest thou wast hence, all dead in dole did lye:
The woods were heard to waile full many a sythe,
And all their birds with silence to complaine:
The fields with faded flowers did seem to mourne,
And all their flocks from feeding to refraine:
The running waters wept for thy returne,
And all their fish with langour did lament:
But now both woods and fields, and floods reuiue,
Sith thou art come, their cause of meriment,
That vs late dead, hast made againe aliue:
But were it not too painfull to repeat
The passed fortunes, which to thee befell
In thy late voyage, we thee would entreat,
Now at thy leisure them to vs to tell.
To whom the shepheard gently answered thus,
Hobbin thou temptest me to that I couet:
For of good passed newly to discus,
By dubble vsurie doth twise renew it.
And since I saw that Angels blessed eie,
Her worlds bright sun, her heauens fairest light,
My mind full of my thoughts satietie,
Doth feed on sweet contentment of that sight:
Since that same day in nought I take delight,
Ne feeling haue in any earthly pleasure,
But in remembrance of that glorious bright,
My lifes sole blisse, my hearts eternall threasure.
Wake then my pipe, my sleepie Muse awake,
Till I haue told her praises lasting long:

[...] Read more

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

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Perfection

Hush little baby, gotta be strong
cause in this world we are born to fight
Be the best prove them wrong
A winners work is never done
Reach the top number one
Perfection...
Oh perfection
You drive me crazy with perfection
Ive worn my pride as my perfection
Perfection....oh!
I was taught to be tough
That the best that you can be aint enough
Crack the whip, sacrifice
But I found out paradise had a price
I didnt know it then
But oh I know it now
You gotta work as hard at love
To make the love work out
You know this heart of mine
Had made some big mistakes
I guess that when it comes to love
I just dont know what it takes...
Chorus:
All my life Ive been driven by perfection
Pushed it to the limit every day and night
Whoa...Ive been driven by perfection
But nothins perfect when love aint right
Nothins perfect when love aint right
Gave it all played my part
I gave everything I had but my heart
Worked so hard made a name
But the loneliness inside stays the same
When love is here to today
And then its gone today
You got a list of lovers like a resume
You gotta take some times
To make it something real
I guess that when it comes to love
I just dont know how to feel
Chorus repeat
Oh perfection
You drive me crazy with perfection
Ive worn my pride as my perfection
Im goin crazy with perfection

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Perfection

(desmond child/ diane warren)
Producer for bonnie, cher & darlene: desmond child
Recorded in 1987, bonnie did guest vocals on this song for cher's self-titled lp, along with 60's session queen darlene love.lyrics taken from uk cd sleeve.
Hush little baby, gotta be strong
'cause in this world we are born to fight...
Be the best, prove them wrong
A winner's work is never done...
Reach the top, number one
Perfection...
Oh, perfection
You drive me crazy with perfection
I've worn my pride as my protection
Perfection...oh!
I was taught to be tough
The best that you can be ain't enough
Crack the whip, sacrifice
But i found out paradise had a price
I didn't know it then
But oh i know it now
You gotta work as hard as love
To make the love work out
You know this heart of mine
Has made some big mistakes
I guess that when it comes to love
I just don't know what i takes...
Chorus:
All my life i've been driven by perfection
Pushed it to the limit every day and night
Whoa...i've been driven by perfection
But nothing's perfect when love ain't right
Nothing's perfect when love ain't right...
Gave it all
Played my part
I gave everything i had but my heart
Worked so hard
Made a name
But the loneliness inside stays the same
When love is here today
And then it's gone today
You got a list of lovers lookin' like a resum?br> you gotta take some time
To make it something real
I guess that when it comes to love
I just don't know how to feel
(chorus)
Oh, perfection
You drive me crazy with perfection
I've worn my pride as my protection
I'm goin' crazy with perfection

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John Donne

Epithalamion Made At Lincoln's Inn

I

HAIL sun-beams in the east are spread ;
Leave, leave, fair bride, your solitary bed ;
No more shall you return to it alone ;
It nurseth sadness, and your body's print,
Like to a grave, the yielding down doth dint ;
You, and your other you, meet there anon.
Put forth, put forth, that warm balm-breathing thigh,
Which when next time you in these sheets will smother,
There it must meet another,
Which never was, but must be, oft, more nigh.
Come glad from thence, go gladder than you came ;
To-day put on perfection, and a woman's name.
Daughters of London, you which be
Our golden mines, and furnish'd treasury ;
You which are angels, yet still bring with you
Thousands of angels on your marriage days ;
Help with your presence, and devise to praise
These rites, which also unto you grow due ;
Conceitedly dress her, and be assign'd,
By you fit place for every flower and jewel ;
Make her for love fit fuel,
As gay as Flora and as rich as Ind ;
So may she, fair and rich in nothing lame,
To-day put on perfection, and a woman's name.

And you frolic patricians,
Sons of those senators, wealth's deep oceans ;
Ye painted courtiers, barrels of other's wits ;
Ye countrymen, who but your beasts love none ;
Ye of those fellowships, whereof he's one,
Of study and play made strange hermaphrodites,
Here shine ; this bridegroom to the temple bring.
Lo, in yon path which store of strew'd flowers graceth,
The sober virgin paceth ;
Except my sight fail, 'tis no other thing.
Weep not, nor blush, here is no grief nor shame,
To-day put on perfection, and a woman's name.

Thy two-leaved gates, fair temple, unfold,
And these two in thy sacred bosom hold,
Till mystically join'd but one they be ;
Then may thy lean and hunger-starvèd womb
Long time expect their bodies, and their tomb,
Long after their own parents fatten thee.
All elder claims, and all cold barrenness,
All yielding to new loves, be far for ever,
Which might these two dissever ;
Always, all th'other may each one possess ;

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Images-Perfection Ever Flames, An Endless Supply of Moths

As I am,
I'm perceived Perfection
upon my ivory pedestal
in brilliant light
crystalline.

But these are my prison walls
Uniques Glow
is Perfection's Pall
which exiles me from that outer world
of reality.
I cannot mingle there.

My existence is constrained.

As bright as my Radiant Glow,
upon approach
to your world
I would dim
and be destroyed.

We can talk you and I
in Perfection's Harmony
but the moment you gain
my speaking voice,
my thoughts,
all is taken from Perfection's Shelf
and another less perfect me appears.


Nothing will compare
to me as I was.
Should I
in coming to you
destroy that Perfection which is now so dear?

Conundrum.

Corporeal life
is Kryptonite
yet mental isolation is too numbing.
I am Beauty in the light
but unavailable;
forever Uncoming.

Sometimes
Beauty is torture
we ourselves inflict
to escape our worldly life.
But since its shape

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Saul

I.

Said Abner, ``At last thou art come! Ere I tell, ere thou speak,
``Kiss my cheek, wish me well!'' Then I wished it, and did kiss his cheek.
And he, ``Since the King, O my friend, for thy countenance sent,
``Neither drunken nor eaten have we; nor until from his tent
``Thou return with the joyful assurance the King liveth yet,
``Shall our lip with the honey be bright, with the water be wet.
``For out of the black mid-tent's silence, a space of three days,
``Not a sound hath escaped to thy servants, of prayer nor of praise,
``To betoken that Saul and the Spirit have ended their strife,
``And that, faint in his triumph, the monarch sinks back upon life.

II.

``Yet now my heart leaps, O beloved! God's child with his dew
``On thy gracious gold hair, and those lilies still living and blue
``Just broken to twine round thy harp-strings, as if no wild beat
``Were now raging to torture the desert!''

III.

Then I, as was meet,
Knelt down to the God of my fathers, and rose on my feet,
And ran o'er the sand burnt to powder. The tent was unlooped;
I pulled up the spear that obstructed, and under I stooped
Hands and knees on the slippery grass-patch, all withered and gone,
That extends to the second enclosure, I groped my way on
Till I felt where the foldskirts fly open. Then once more I prayed,
And opened the foldskirts and entered, and was not afraid
But spoke, ``Here is David, thy servant!'' And no voice replied.
At the first I saw nought but the blackness but soon I descried
A something more black than the blackness---the vast, the upright
Main prop which sustains the pavilion: and slow into sight
Grew a figure against it, gigantic and blackest of all.
Then a sunbeam, that burst thro' the tent-roof, showed Saul.

IV.

He stood as erect as that tent-prop, both arms stretched out wide
On the great cross-support in the centre, that goes to each side;
He relaxed not a muscle, but hung there as, caught in his pangs
And waiting his change, the king-serpent all heavily hangs,
Far away from his kind, in the pine, till deliverance come
With the spring-time,---so agonized Saul, drear and stark, blind and dumb.

V.

Then I tuned my harp,---took off the lilies we twine round its chords
Lest they snap 'neath the stress of the noon-tide---those sunbeams like swords!

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With A Downsizing Subsidized

Opps!
Caught in the middle of being super critical.
Opps!
Caught in the middle of being super critical.
Opps!
Caught in the middle of being super critical.

Sitting in the middle and being hypocritical.

They use denial in attempt to disguise...
With a minimizing done to be felt inside.
With a downsizing subsidized tried,
With a hiding pushed aside.
But what is scooped...
Can not be duped to opps!

As they sit in the middle,
Knowing they are hypocritical.

Opps!
Caught in the middle of being super critical.
Opps!
Caught in the middle of being super critical.
Opps!
Caught in the middle of being super critical.

But what is scooped...
Can not be duped to opps!
With a downsizing subsidized,
And pushed aside!

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Feeling Obligated

Someone has to give in and give up,
A dream...
About to be touched.
If a love of another is wanted that much.
Someone has to give in and give up.
Someone has to give in and give up.

Someone has to give in and give up,
A dream...
About to be touched.
If a love of another is wanted that much.
Someone has to give in and give up.
Someone has to give in and give up.

It's hard to love someone,
If that one is creative.

It's hard to leave and separate from...
Someone loved that's very innovative.
Someone loved that is creative,
Someone loved that is creative.

It's hard to love someone,
If that one is creative.

It's hard to leave and separate from...
Someone loved that's very innovative.
Someone loved that is creative,
Someone loved that is creative.

When one wants to be that one and only...
Someone is feeling isolated.
When one wants to be that one and only...
Someone else is feeling obligated.
Someone else is feeling obligated.

It's hard to love someone,
If that one is creative.

It's hard to leave and separate from...
Someone loved that's very innovative.
To leave another feeling obligated.
To leave another feeling obligated.

It's hard to leave and separate from...
Someone loved that's very innovative.
To leave another feeling obligated.

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William Cowper

Adam: A Sacred Drama. Act 2.

SCENE I. -- CHORUS OF ANGELS Singing.

Now let us garlands weave
Of all the fairest flowers,
Now at this early dawn,
For new-made man, and his companion dear;
Let all with festive joy,
And with melodious song,
Of the great Architect
Applaud this noblest work,
And speak the joyous sound,
Man is the wonder both of Earth and Heaven.

FIRST Angel.

Your warbling now suspend,
You pure angelic progeny of God,
Behold the labour emulous of Heaven!
Behold the woody scene,
Decked with a thousand flowers of grace divine;
Here man resides, here ought he to enjoy
In his fair mate eternity of bliss.

SECOND Angel.

How exquisitely sweet
This rich display of flowers,
This airy wild of fragrance,
So lovely to the eye,
And to the sense so sweet.

THIRD Angel.

O the sublime Creator,
How marvellous his works, and more his power!
Such is the sacred flame
Of his celestial love,
Not able to confine it in himself,
He breathed, as fruitful sparks
From his creative breast,
The Angels, Heaven, Man, Woman, and the World.

FOURTH Angel.

Yes, mighty Lord! yes, hallowed love divine!
Who, ever in thyself completely blest,
Unconscious of a want,
Who from thyself alone, and at thy will,
Bright with beignant flames,
Without the aid of matter or of form,

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Picking It Up

Picking it up.
Picking it up.
Picking it up,
From the middle can be critical.
Picking it up.
Picking it up.
Picking it up...
Like that does not ensure,
Self assurance to occur.

Picking it up.
Picking it up.
Picking it up,
From the middle can be critical.
Picking it up.
Picking it up.
Picking it up...
Like that does not ensure,
Self assurance to occur.

It is a strategy that one should seek.
With satisfaction first examined.
To make sure that one increases harmony!
With a proactive way,
Of life to live.

Picking it up.
Picking it up.
Picking it up,
From the middle can be critical.

It is the heat that one releases.
When nothing satisfies to analyzing eyes...
Only seeing with a vision that's fixed.
As if in a tunnel,
To rip through quick.

It's not a riddle when one plays it second fiddle,
Oh...
Picking it up.
Picking it up.
Picking it up,
From the middle can be critical.
Picking it up.
Picking it up.
Picking it up,
With proactive actions to prevent blurs.

And...
Don't be vague!

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A Map Of Culture

Culture


Contents

What is Culture?

The Importance of Culture

Culture Varies

Culture is Critical

The Sociobiology Debate

Values, Norms, and Social Control

Signs and Symbols

Language

Terms and Definitions

Approaches to the Study of Culture

Are We Prisoners of Our Culture?



What is Culture?


I prefer the definition used by Ian Robertson: 'all the shared products of society: material and nonmaterial' (Our text defines it in somewhat more ponderous terms- 'The totality of learned, socially transmitted behavior. It includes ideas, values, and customs (as well as the sailboats, comic books, and birth control devices) of groups of people' (p.32) .

Back to Contents

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This peach my teacher

This peach
that I’ve just eaten,
been graced by,
been blessed by,
been taught by,
been transformed by…

it’s as if some
Messenger of the Gods
had arrived, stopwatch in hand,
saying, everything holds in perfection
but a little moment -
as William Shakespeare noted:

so I’m going to arrange things so that
as the stopwatch ticks out
ten seconds to that moment,
you’ll reach out your hand to the fruitbowl,
take it, feel its yielding softness under velvet skin,
cut it carefully twice through the poles,
once equatorially… and as it falls apart,
spear one segment; eat…

this peach
was full of what even Rilke
could say no more than, peachness..

it was a living proof of Plato:
its perfection taught me
where essence meets experience,
where actuality meets the ideal of peach;
where a singular perfection speaks of
all perfections; where perfection
leaves from perfection, naught else but perfect…

how could such a perfect thing
have been invented by one
who does not love? Who is not love?
This peach is love itself, and I the worshipper
must needs make of myself a living God
to whom to kneel, to offer praise and gratitude
for all perfection known..

this peach my teacher.

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Perfection

Your cold and poor-spirited love
Was like running water upon my hands...
I did for your love, all that I could....
As an imperfect man that I am...
I offered you just possible things...
Warmth when you were cold,
And consolation when you felt hopeless...
You search for perfection
Which you will never find...
Perfect is the rain that falls
In the spring time...
Perfect are the flowers that grow
in a real garden of love....
Perfect is the smile in a child
Who plays with toys...
Perfection is a man
Who had it all
And now is getting tired and old...
Perfection are the memories
In your heart and mind...
Perfection is something
You shall never find
On me or any other man
Since perfection is just
In your dreams and imagination...
Now perfection becomes
Just like a story untold....
How sad it is
That my love you can no longer have
Neither my hands again hold...
o! Woman, wish you good luck
In your new try...


COPY WRITE©2009

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The Four Seasons : Autumn

Crown'd with the sickle and the wheaten sheaf,
While Autumn, nodding o'er the yellow plain,
Comes jovial on; the Doric reed once more,
Well pleased, I tune. Whate'er the wintry frost
Nitrous prepared; the various blossom'd Spring
Put in white promise forth; and Summer-suns
Concocted strong, rush boundless now to view,
Full, perfect all, and swell my glorious theme.
Onslow! the Muse, ambitious of thy name,
To grace, inspire, and dignify her song,
Would from the public voice thy gentle ear
A while engage. Thy noble cares she knows,
The patriot virtues that distend thy thought,
Spread on thy front, and in thy bosom glow;
While listening senates hang upon thy tongue,
Devolving through the maze of eloquence
A roll of periods, sweeter than her song.
But she too pants for public virtue, she,
Though weak of power, yet strong in ardent will,
Whene'er her country rushes on her heart,
Assumes a bolder note, and fondly tries
To mix the patriot's with the poet's flame.
When the bright Virgin gives the beauteous days,
And Libra weighs in equal scales the year;
From Heaven's high cope the fierce effulgence shook
Of parting Summer, a serener blue,
With golden light enliven'd, wide invests
The happy world. Attemper'd suns arise,
Sweet-beam'd, and shedding oft through lucid clouds
A pleasing calm; while broad, and brown, below
Extensive harvests hang the heavy head.
Rich, silent, deep, they stand; for not a gale
Rolls its light billows o'er the bending plain:
A calm of plenty! till the ruffled air
Falls from its poise, and gives the breeze to blow.
Rent is the fleecy mantle of the sky;
The clouds fly different; and the sudden sun
By fits effulgent gilds the illumined field,
And black by fits the shadows sweep along.
A gaily chequer'd heart-expanding view,
Far as the circling eye can shoot around,
Unbounded tossing in a flood of corn.
These are thy blessings, Industry! rough power!
Whom labour still attends, and sweat, and pain;
Yet the kind source of every gentle art,
And all the soft civility of life:
Raiser of human kind! by Nature cast,
Naked, and helpless, out amid the woods
And wilds, to rude inclement elements;
With various seeds of art deep in the mind

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James Russell Lowell

A Fable For Critics

Phoebus, sitting one day in a laurel-tree's shade,
Was reminded of Daphne, of whom it was made,
For the god being one day too warm in his wooing,
She took to the tree to escape his pursuing;
Be the cause what it might, from his offers she shrunk,
And, Ginevra-like, shut herself up in a trunk;
And, though 'twas a step into which he had driven her,
He somehow or other had never forgiven her;
Her memory he nursed as a kind of a tonic,
Something bitter to chew when he'd play the Byronic,
And I can't count the obstinate nymphs that he brought over
By a strange kind of smile he put on when he thought of her.
'My case is like Dido's,' he sometimes remarked;
'When I last saw my love, she was fairly embarked
In a laurel, as _she_ thought-but (ah, how Fate mocks!)
She has found it by this time a very bad box;
Let hunters from me take this saw when they need it,-
You're not always sure of your game when you've treed it.
Just conceive such a change taking place in one's mistress!
What romance would be left?-who can flatter or kiss trees?
And, for mercy's sake, how could one keep up a dialogue
With a dull wooden thing that will live and will die a log,-
Not to say that the thought would forever intrude
That you've less chance to win her the more she is wood?
Ah! it went to my heart, and the memory still grieves,
To see those loved graces all taking their leaves;
Those charms beyond speech, so enchanting but now,
As they left me forever, each making its bough!
If her tongue _had_ a tang sometimes more than was right,
Her new bark is worse than ten times her old bite.'

Now, Daphne-before she was happily treeified-
Over all other blossoms the lily had deified,
And when she expected the god on a visit
('Twas before he had made his intentions explicit),
Some buds she arranged with a vast deal of care,
To look as if artlessly twined in her hair,
Where they seemed, as he said, when he paid his addresses,
Like the day breaking through, the long night of her tresses;
So whenever he wished to be quite irresistible,
Like a man with eight trumps in his hand at a whist-table
(I feared me at first that the rhyme was untwistable,
Though I might have lugged in an allusion to Cristabel),-
He would take up a lily, and gloomily look in it,
As I shall at the--, when they cut up my book in it.

Well, here, after all the bad rhyme I've been spinning,
I've got back at last to my story's beginning:
Sitting there, as I say, in the shade of his mistress,
As dull as a volume of old Chester mysteries,

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John Milton

Paradise Regained

THE FIRST BOOK

I, WHO erewhile the happy Garden sung
By one man's disobedience lost, now sing
Recovered Paradise to all mankind,
By one man's firm obedience fully tried
Through all temptation, and the Tempter foiled
In all his wiles, defeated and repulsed,
And Eden raised in the waste Wilderness.
Thou Spirit, who led'st this glorious Eremite
Into the desert, his victorious field
Against the spiritual foe, and brought'st him thence 10
By proof the undoubted Son of God, inspire,
As thou art wont, my prompted song, else mute,
And bear through highth or depth of Nature's bounds,
With prosperous wing full summed, to tell of deeds
Above heroic, though in secret done,
And unrecorded left through many an age:
Worthy to have not remained so long unsung.
Now had the great Proclaimer, with a voice
More awful than the sound of trumpet, cried
Repentance, and Heaven's kingdom nigh at hand 20
To all baptized. To his great baptism flocked
With awe the regions round, and with them came
From Nazareth the son of Joseph deemed
To the flood Jordan--came as then obscure,
Unmarked, unknown. But him the Baptist soon
Descried, divinely warned, and witness bore
As to his worthier, and would have resigned
To him his heavenly office. Nor was long
His witness unconfirmed: on him baptized
Heaven opened, and in likeness of a Dove 30
The Spirit descended, while the Father's voice
From Heaven pronounced him his beloved Son.
That heard the Adversary, who, roving still
About the world, at that assembly famed
Would not be last, and, with the voice divine
Nigh thunder-struck, the exalted man to whom
Such high attest was given a while surveyed
With wonder; then, with envy fraught and rage,
Flies to his place, nor rests, but in mid air
To council summons all his mighty Peers, 40
Within thick clouds and dark tenfold involved,
A gloomy consistory; and them amidst,
With looks aghast and sad, he thus bespake:--
"O ancient Powers of Air and this wide World
(For much more willingly I mention Air,
This our old conquest, than remember Hell,
Our hated habitation), well ye know
How many ages, as the years of men,

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