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What happens is that your wretched memory remembers the words and forgets what's behind them.

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The Memory of Water (for Scarlet)

Water remembers you
falling now on your sleeping face

waking you from dreams
with its surprise

after you fell asleep
at your first pinic.

Water remembers your childish
laughter.

Water remembers you

holding your body
in its body

as you learn not to fear it
as you learn the words float...sink...swim.

Water remembers you
becoming its friend.

Water remembers you
diving into its honeymoon waters

becoming fishes....kisses
lasting from here to eternity.

Water remembers two
delerious skinnydippers.

Water remembers you
crying in its rain

sobbing 'I'll never fall in love again! '
as if you were an old 1950's tune.

Water remembers such tears
hiding them in its rain.

Water remembers you
laughing in the rain

having fallen in love again

so quick to change
your tune.

Water remembers you

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Must --ness

only happens this.
only happens this.
only happens this.
only happens this.
only happens this.
only happens this.
only happens this.
only happens this.
only happens this.
only happens this.
only happens this.
only happens this.
only happens this.
only happens this.
only happens this.
only happens this.
only happens this.
only happens this.
only happens this.
only happens this.
only happens this.
only happens this.
only happens this.
only happens this.

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Gebir

FIRST BOOK.

I sing the fates of Gebir. He had dwelt
Among those mountain-caverns which retain
His labours yet, vast halls and flowing wells,
Nor have forgotten their old master's name
Though severed from his people here, incensed
By meditating on primeval wrongs,
He blew his battle-horn, at which uprose
Whole nations; here, ten thousand of most might
He called aloud, and soon Charoba saw
His dark helm hover o'er the land of Nile,
What should the virgin do? should royal knees
Bend suppliant, or defenceless hands engage
Men of gigantic force, gigantic arms?
For 'twas reported that nor sword sufficed,
Nor shield immense nor coat of massive mail,
But that upon their towering heads they bore
Each a huge stone, refulgent as the stars.
This told she Dalica, then cried aloud:
'If on your bosom laying down my head
I sobbed away the sorrows of a child,
If I have always, and Heaven knows I have,
Next to a mother's held a nurse's name,
Succour this one distress, recall those days,
Love me, though 'twere because you loved me then.'
But whether confident in magic rites
Or touched with sexual pride to stand implored,
Dalica smiled, then spake: 'Away those fears.
Though stronger than the strongest of his kind,
He falls-on me devolve that charge; he falls.
Rather than fly him, stoop thou to allure;
Nay, journey to his tents: a city stood
Upon that coast, they say, by Sidad built,
Whose father Gad built Gadir; on this ground
Perhaps he sees an ample room for war.
Persuade him to restore the walls himself
In honour of his ancestors, persuade -
But wherefore this advice? young, unespoused,
Charoba want persuasions! and a queen!'
'O Dalica!' the shuddering maid exclaimed,
'Could I encounter that fierce, frightful man?
Could I speak? no, nor sigh!'
'And canst thou reign?'
Cried Dalica; 'yield empire or comply.'
Unfixed though seeming fixed, her eyes downcast,
The wonted buzz and bustle of the court
From far through sculptured galleries met her ear;
Then lifting up her head, the evening sun
Poured a fresh splendour on her burnished throne-

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Dead Boys Poem

The child sits and weeps,
How could this be all that matters,
Why did this have to hurt so deep,
How could this be life?

The child sits with the pain inside,
He sits with his heart in his chest,
‘How could I have died? ’
Is all he thinks, he forgets the rest.

The child’s eyes closed so tight,
His fists clenched so strong
He feels the night,
He knows everything that happened was wrong.

The child stands and looks into the houses light
He stares at not the window,
Not at the sight,
Yet only for the weeping widow.

The child stands holding the gun,
The gun he died holding,
As he remembers his father killing him, his only son
He remembers his father scolding.

He knows he took a life,
Yet he knows his father took his,
He remembers not the taking of his father’s life,
Only the pain of his father stealing his.

His eyes so dark,
His mind so lost,
His hand tracing deaths mark,
As he remembers it’s cost.


He remembers the scene, the time,
He remembers the look in his father’s face,
He remembers doing the crime,
He remembers seeing the pain in his father’s face.

But then his memory stops,
And reality takes place,
For this is when he dropped,
This is when life left his face.

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Maverick

He remembers the backstabbing laughter.
And the heartfelt pain.
He remembers the innuendoed gossip...
And the slander done to him,
Still within him often remains.
He remembers his loved ones...
As some withered and died.
He remembers crying alone,
With no one to confide.
He remembers his struggles,
With aches in his body that persisted.
He remembers failed relationships...
With those who could not resist,
Communicating nothing but lies and conflict!
He remembers all of it,
And sometimes with a hidden bitterness that sits!
He remembers what it took,
To get released...to become unhooked.
With faith and a stick-to-itness,
Feeling as if dragging cinder blocks on each foot.
He remembers once being called a maverick!
And how today...
His maverick ways,
Bestows upon him a happiness...
Chartered by conviction.
And nothing he read from 'how-to-do' books.
Or afflictions of limiting restrictions.

Could he do it 'all' over again?
Probably not!
And why would he choose to?
To prove what?
And to who?

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Reminders

Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As word
s confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.

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The Aeneid of Virgil: Book 2

ALL were attentive to the godlike man,
When from his lofty couch he thus began:
“Great queen, what you command me to relate
Renews the sad remembrance of our fate:
An empire from its old foundations rent, 5
And ev’ry woe the Trojans underwent;
A peopled city made a desart place;
All that I saw, and part of which I was:
Not ev’n the hardest of our foes could hear,
Nor stern Ulysses tell without a tear. 10
And now the latter watch of wasting night,
And setting stars, to kindly rest invite;
But, since you take such int’rest in our woe,
And Troy’s disastrous end desire to know,
I will restrain my tears, and briefly tell 15
What in our last and fatal night befell.
“By destiny compell’d, and in despair,
The Greeks grew weary of the tedious war,
And by Minerva’s aid a fabric rear’d,
Which like a steed of monstrous height appear’d: 20
The sides were plank’d with pine; they feign’d it made
For their return, and this the vow they paid.
Thus they pretend, but in the hollow side
Selected numbers of their soldiers hide:
With inward arms the dire machine they load, 25
And iron bowels stuff the dark abode.
In sight of Troy lies Tenedos, an isle
(While Fortune did on Priam’s empire smile)
Renown’d for wealth; but, since, a faithless bay,
Where ships expos’d to wind and weather lay. 30
There was their fleet conceal’d. We thought, for Greece
Their sails were hoisted, and our fears release.
The Trojans, coop’d within their walls so long,
Unbar their gates, and issue in a throng,
Like swarming bees, and with delight survey 35
The camp deserted, where the Grecians lay:
The quarters of the sev’ral chiefs they show’d;
Here Phœnix, here Achilles, made abode;
Here join’d the battles; there the navy rode.
Part on the pile their wond’ring eyes employ: 40
The pile by Pallas rais’d to ruin Troy.
Thymoetes first (’t is doubtful whether hir’d,
Or so the Trojan destiny requir’d)
Mov’d that the ramparts might be broken down,
To lodge the monster fabric in the town. 45
But Capys, and the rest of sounder mind,
The fatal present to the flames designed,
Or to the wat’ry deep; at least to bore
The hollow sides, and hidden frauds explore.
The giddy vulgar, as their fancies guide, 50

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Ode to the Modern Work-Man

O, wretched modern work-man
The years, they pass you by
Everything you believe
Is nothing but a lie.

O, wretched modern work-man
From your neckties to your socks
You’re nothing but a slave
To pictures in a box.

O, wretched modern work-man
You live for the Public Eye
Your life is but a parody
Whose foundation is a lie.

O, wretched modern work-man
You strive, and save, and yearn
To keep up with the Kamaus
Spending more than you earn.

O, wretched modern work-man
You’re nothing but a slave
Your dreams are dead and buried
Lying in a shallow grave.

O, wretched modern work-man
You strangled your own dreams
You smothered your own happiness
Your hand stifled its screams.

O, wretched modern work-man
For the camera so aesthetic
Beneath the plastic smile
You’re pitiful and pathetic.

O, wretched modern work-man
You work yourself half to death
Chasing pounds and shillings
To swell another’s wealth.

O, wretched modern work-man
You lived your whole life as a show
Yet the only Watcher who mattered
Didn’t like what He saw.

O, wretched modern work-man
When you finally died
Your surname, and hospital bill
Were all you left behind

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Byron

Lara. A Tale

The Serfs are glad through Lara's wide domain,
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord--
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.

II.
The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself;--that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest!--
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.

III.
And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
'Yet doth he live!' exclaims the impatient heir,
And sighs for sables which he must not wear.
A hundred scutcheons deck with gloomy grace
The Laras' last and longest dwelling-place;
But one is absent from the mouldering file,
That now were welcome to that Gothic pile.

IV.
He comes at last in sudden loneliness,
And whence they know not, why they need not guess;

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Making Love With Memories

You poked my blurring eye,
Let me lift your mushy breast.

We aged onwards
While you stroked flaccidity –
Recalling decades of
Blood-gorged coming, shuddering to boot.

I kissed a venerable mouth
Crammed with falsities –
Once brilliant keys
Guarded by crimson lips
Washed by a sensual tongue.

And so we writhed in wrinkles,
Tiring effort, and
Memories.


Copyright © Mark R Slaughter 2010

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Byron

Lara

LARA. [1]

CANTO THE FIRST.

I.

The Serfs are glad through Lara's wide domain, [2]
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord —
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.

II.

The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself; — that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest! —
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.

III.

And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
"Yet doth he live!" exclaims the impatient heir,
And sighs for sables which he must not wear.

[...] Read more

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Rosalind and Helen: a Modern Eclogue

ROSALIND, HELEN, and her Child.

SCENE. The Shore of the Lake of Como.

HELEN
Come hither, my sweet Rosalind.
'T is long since thou and I have met;
And yet methinks it were unkind
Those moments to forget.
Come, sit by me. I see thee stand
By this lone lake, in this far land,
Thy loose hair in the light wind flying,
Thy sweet voice to each tone of even
United, and thine eyes replying
To the hues of yon fair heaven.
Come, gentle friend! wilt sit by me?
And be as thou wert wont to be
Ere we were disunited?
None doth behold us now; the power
That led us forth at this lone hour
Will be but ill requited
If thou depart in scorn. Oh, come,
And talk of our abandoned home!
Remember, this is Italy,
And we are exiles. Talk with me
Of that our land, whose wilds and floods,
Barren and dark although they be,
Were dearer than these chestnut woods;
Those heathy paths, that inland stream,
And the blue mountains, shapes which seem
Like wrecks of childhood's sunny dream;
Which that we have abandoned now,
Weighs on the heart like that remorse
Which altered friendship leaves. I seek
No more our youthful intercourse.
That cannot be! Rosalind, speak,
Speak to me! Leave me not! When morn did come,
When evening fell upon our common home,
When for one hour we parted,--do not frown;
I would not chide thee, though thy faith is broken;
But turn to me. Oh! by this cherished token
Of woven hair, which thou wilt not disown,
Turn, as 't were but the memory of me,
And not my scornèd self who prayed to thee!

ROSALIND
Is it a dream, or do I see
And hear frail Helen? I would flee
Thy tainting touch; but former years
Arise, and bring forbidden tears;

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Sometimes She Forgets

If you see her out tonight
And she tells you that it's just the lights
That bring her here and not her loneliness
That's what she says but sometimes she forgets
If she tells you she don't need a man
She's had all the comfort she can stand
You best believe every word she says
But don't give up 'cause sometimes she forgets
And sometimes she forgets that not too long ago she swore
She wasn't gonna let her heart be broken anymore
So now she keeps it locked away
And it grows colder everyday
And it won't warm to any man's caress
That's what she says but sometimes she forgets
And sometimes she forgets that not too long ago she swore
She wasn't gonna let her heart be broken anymore
If you see her out tonight
And she tells you that it's just the lights
That bring her here and not her loneliness
That's what she says but sometimes she forgets
Yeah, that's what she says, but sometimes she forgets
So don't you dare give up 'cause sometimes she forgets

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Cellophane Spirit: Improvisation 10 19 2004

Old men have seen a memory blown by sleeping,
wails of grief kisses sucked up excavated noses
soul stirring psalms to the very top of the lung
energy boasts of a golden but feared recall, I
have seen the fingering of Miles Davis’ trumpet
wail of sex instincts on Stella by Starlight sung
Jesus looking for guileless disciples in the gilded
night I have seen a memory, driven by alleys of
Georgetown fences, noted gentries out-of-the-way
welcome entries, walked to mama’s down at the
very end of towns, P Street’s dead turn onto the
Avenue of murderer’s row in a town’s strip of
social clubs, I have walked sidewalk storm drains
from stoops of filth down to Main & Baltimore
streets, I have seen memory collect in the smaller
towns of Shelbyville, Indiana, Kentucky, Ohio,
Tennessee, and Springfield, Illinois, cellophane
swathes the memory, whats known of selected
service towns, soldiers never coming home,
where divine earth gardens of herbs, salts, and
sugary loves are grown, I have seen a memory
stripped off every language, a cappella chanting
of soliloquists, ritual Griot and orphaned rappers
of cellophane spirit; porno on sheets of exhibited
joy, I have seen a memory cruising the boulevards
to The Louver and the mall to The Smithsonian, got
down with nightfall song on Martin Luther King Jr.
Avenues with whores pimps of priest and mothers,

LEE MACK
(Cellophane Spirit, Page 2)


memory eyes that burn high with desire set afire
the fricative nature of her cellophane spirit,
I have seen a memory of towns of orphaned sons
bound for locomotive dreams there in old houses on
Rose Street, Spanish laborers now rent overcrowded
dream Tudor houses, mansions of memories now city
neighbors with funeral homes where strange crowds
gather in games of wake, I have seen a memory
for the dead a picnic and a park of spirits set aside
in stone, strange crowds in games of joy a girl’s legs
too young consent to cellophane; raps disown me,

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Just So Happens

Just so happens that Im tired of your face
Just so happens that Im tired of this place
Just so happens that I can not endure
The pain and the suffering thats caused when I touch you anymore
Just so happens that Im tired of this song
Cuz everything I ever tried to do just came out wrong
And every honest thing I ever tried to do
Was turned to pain and misery when laid before the godly feet of you
[chorus]
Theres no words left to say
Cuz all the words between us have already gone away
It just so happens that my flesh is turning pale
And pieces of me are disappearing as though my hands were whales
And it just so happens beauty, you could never recognize
And I simply faded away, before your eyes
Just so happens that these last two years
Been a completely meaningless waste of my tears
And if I had a toothpick for every vow you made
Id build a boat of your promises, and Id sail away
*chorus
Just so happens itd take a swift kick to the heart
To make you take back everything that you said
Just so happens that we stuck around too long
We should have abandoned ship, rather than go down with it, now its
Gone
Just so happens that I hate your mother-in-law
And I hate your dog, henry, Id like to fondle him with a saw
Just so happens that Im walking out the door
And p.s., and by the way, I dont love you anymore
Theres no words left to say
Cuz all the words between us have already gone,
Theyve already gone
Theyve already gone away

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Solomon on the Vanity of the World, A Poem. In Three Books. - Pleasure. Book II.

The Argument


Solomon, again seeking happiness, inquires if wealth and greatness can produce it: begins with the magnificence of gardens and buildings; the luxury of music and feasting; and proceeds to the hopes and desires of love. In two episodes are shown the follies and troubles of that passion. Solomon, still disappointed, falls under the temptations of libertinism and idolatry; recovers his thought; reasons aright; and concludes that, as to the pursuit of pleasure and sensual delight, All Is Vanity and Vexation of Spirit.


Try then, O man, the moments to deceive
That from the womb attend thee to the grave:
For wearied Nature find some apter scheme;
Health be thy hope, and pleasure be thy theme;
From the perplexing and unequal ways
Where Study brings thee from the endless maze
Which Doubt persuades o run, forewarn'd, recede
To the gay field, and flowery path, that lead
To jocund mirth, soft joy, and careless ease:
Forsake what my instruct for what may please:
Essay amusing art and proud expense,
And make thy reason subject to thy sense.

I communed thus: the power of wealth I tried,
And all the various luxe of costly pride;
Artists and plans relieved my solemn hours:
I founded palaces and planted bowers,
Birds, fishes, beasts, of exotic kind
I to the limits of my court confined,
To trees transferr'd I gave a second birth,
And bade a foreign shade grace Judah's earth.
Fish-ponds were made where former forests grew
And hills were levell'd to extend the view.
Rivers, diverted from their native course,
And bound with chains of artificial force,
From large cascades in pleasing tumult roll'd,
Or rose through figured stone or breathing gold.
From furthest Africa's tormented womb
The marble brought, erects the spacious dome,
Or forms the pillars' long-extended rows,
On which the planted grove and pensile garden grows.

The workmen here obey the master's call,
To gild the turret and to paint the wall;
To mark the pavement there with various stone,
And on the jasper steps to rear the throne:
The spreading cedar, that an age had stood,
Supreme of trees, and mistress of the wood,
Cut down and carved, my shining roof adorns,
And Lebanon his ruin'd honour mourns.

A thousand artists show their cunning powers
To raise the wonders of the ivory towers:
A thousand maidens ply the purple loom

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Edmund Spenser

The Teares of the Muses

Rehearse to me ye sacred Sisters nine:
The golden brood of great Apolloes wit,
Those piteous plaints and sorrowful sad tine,
Which late ye powred forth as ye did sit
Beside the siluer Springs of Helicone,
Making your musick of hart-breaking mone.
For since the time that Phoebus foolish sonne
Ythundered through Ioues auengefull wrath,
For trauersing the charret of the Sunne
Beyond the compasse of his pointed path,
Of you his mournfull Sisters was lamented,
Such mournfull tunes were neuer since inuented.

Nor since that faire Calliope did lose
Her loued Twinnes, the dearlings of her ioy,
Her Palici, whom her vnkindly foes
The fatall Sisters, did for spight destroy,
Whom all the Muses did bewaile long space;
Was euer heard such wayling in this place.

For all their groues, which with the heauenly noyses,
Of their sweete instruments were wont to sound,
And th' hollow hills, from which their siluer voyces
Were wont redoubled Echoes to rebound,
Did now rebound with nought but rufull cries,
And yelling shrieks throwne vp into the skies.

The trembling streames, which wont in chanels cleare
To romble gently downe with murmur soft,
And were by them right tunefull taught to beare
A Bases part amongst their consorts oft;
Now forst to ouerflowe with brackish teares,
With troublous noyse did dull their daintie eares.

The ioyous Nymphes and lightfoote Faeries
Which thether came to heare their musick sweet,
And to the measure of their melodies
Did learne to moue their nimble shifting feete;
Now hearing them so heauily lament,
Like heauily lamenting from them went.

And all that els was wont to worke delight
Through the diuine infusion of their skill,
And all that els seemd faire and fresh in sight,
So made by nature for to serue their will,
Was turned now to dismall heauinesse,
Was turned now to dreadfull vglinesse.

Ay me, what thing on earth that all thing breeds,
Might be the cause of so impatient plight?

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The Vision Of The Maid Of Orleans - The Second Book

She spake, and lo! celestial radiance beam'd
Amid the air, such odors wafting now
As erst came blended with the evening gale,
From Eden's bowers of bliss. An angel form
Stood by the Maid; his wings, etherial white,
Flash'd like the diamond in the noon-tide sun,
Dazzling her mortal eye: all else appear'd
Her THEODORE.
Amazed she saw: the Fiend
Was fled, and on her ear the well-known voice
Sounded, tho' now more musically sweet
Than ever yet had thrill'd her charmed soul,
When eloquent Affection fondly told
The day-dreams of delight.
'Beloved Maid!
Lo! I am with thee! still thy Theodore!
Hearts in the holy bands of Love combin'd,
Death has no power to sever. Thou art mine!
A little while and thou shalt dwell with me
In scenes where Sorrow is not. Cheerily
Tread thou the path that leads thee to the grave,
Rough tho' it be and painful, for the grave
Is but the threshold of Eternity.

Favour'd of Heaven! to thee is given to view
These secret realms. The bottom of the abyss
Thou treadest, Maiden! Here the dungeons are
Where bad men learn repentance; souls diseased
Must have their remedy; and where disease
Is rooted deep, the remedy is long
Perforce, and painful.'
Thus the Spirit spake,
And led the Maid along a narrow path,
Dark gleaming to the light of far-off flames,
More dread than darkness. Soon the distant sound
Of clanking anvils, and the lengthened breath
Provoking fire are heard: and now they reach
A wide expanded den where all around
Tremendous furnaces, with hellish blaze,
Flamed dreadful. At the heaving bellows stood
The meagre form of Care, and as he blew
To augment the fire, the fire augmented scorch'd
His wretched limbs: sleepless for ever thus
He toil'd and toil'd, of toil to reap no end
But endless toil and never-ending woe.

An aged man went round the infernal vault,
Urging his workmen to their ceaseless task:
White were his locks, as is the wintry snow
On hoar Plinlimmon's head. A golden staff

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YOUR MEMORY [by Redscar McOdindo K'Oyuga & Muna Moons Ahmed]

YOUR MEMORY
[by Redscar McOdindo K’Oyuga & Muna Moons Ahmed]

Redscar McOdindo:

I’ve tried to forget your cultures
I’ve taken down all of your pictures
I’ve even changed my manners
And tried to get yet another missus…
I’ve cleaned out all of your drawers
I’ve painted over the scratches
From all our little wars
But it has never been a savory
To erase your memory.

Muna Moons:

I live beyond earthly possessions
I, I am your emotions
We have lost directions
Trying to conform to different directions.
You, you come in to ease these confusions
But we are lost. Are we lost in institutions?
Baseless yet holding on to unique fusions?

Redscar McOdindo:

Since you left
I’ve acted swift
To wander away adrift
And widen the rift
Between you and me….
Too hard has it been to shift
But I’ve put away every gift
That you ever gave to me –
Including your flowers and their vase –
And now everything is in its place
Except for one quandary:
Your Memory.

Muna Moons:

Honey, the flower dried
And the vase was then deprived
But its memory can’t be denied
I loved you so much it sighed
You loved me too much it died
And now that we are sidelined
Our memories we can’t hide.

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[9] O, Moon, My Sweet-heart!

O, Moon, My Sweet-heart!
[LOVE POEMS]

POET: MAHENDRA BHATNAGAR

POEMS

1 Passion And Compassion / 1
2 Affection
3 Willing To Live
4 Passion And Compassion / 2
5 Boon
6 Remembrance
7 Pretext
8 To A Distant Person
9 Perception
10 Conclusion
10 You (1)
11 Symbol
12 You (2)
13 In Vain
14 One Night
15 Suddenly
16 Meeting
17 Touch
18 Face To Face
19 Co-Traveller
20 Once And Once only
21 Touchstone
22 In Chorus
23 Good Omens
24 Even Then
25 An Evening At ‘Tighiraa’ (1)
26 An Evening At ‘Tighiraa’ (2)
27 Life Aspirant
28 To The Condemned Woman
29 A Submission
30 At Midday
31 I Accept
32 Who Are You?
33 Solicitation
34 Accept Me
35 Again After Ages …
36 Day-Dreaming
37 Who Are You?
38 You Embellished In Song

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