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I used to get letters from girl reporters saying that their lives were nowhere near as exciting as Brenda's. I told them that if I made Brenda's life like theirs, nobody would read it.

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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III. The Other Half-Rome

Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!

There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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Girlzilla

Baby Girl, Glamour Girl, Strawberry Girl struts
Candy Girl, Sexy Girl, Bossy Girl fuss
Gansta Girl, Dream Girl, Independent Girl shops
Virtuous Girl, Glitter Girl, Hot Girl pops
Cover Girl, Naughty Girl, Jazzy Girl sings
Phat Girl, Ghetto Girl, Bling Girl blings
Sassy Girl, Cool Girl, Girly Girl rocks
Mama's Girl, Daddy's Girl, Wild Girl stocks
Strong Girl, Sister Girl, Church Girl preach
Flower Girl, Black Girl, American Girl reach
Thick Girl, School Girl, Smart Girl moves
Bad Girl, Spoiled Girl, Bitchy Girl grooves
God's Girl, Quiet Girl, Sweet Girl blessed
Beautiful Girl, Young Girl, Talented Girl impressed
Prom Girl, City Girl, Business Girl works
Play Girl, Outgoing Girl, Dance Girl tworks
Lavish Girl, Promiscuous Girl, Anonymous Girl rolls
Country Girl, Island Girl, Bobby V's Girl controls

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Big Ole Butt

I was at the mall, sippin on a milkshake
Playin the wall, takin a break
Admirin the girls with the bamboo earings
Baby hair and bodies built to swing
Thats when I seen her
Her name was tina
Grace and poise kinda like a ballerina
I said, how you doin, my names big l
Dont ask me how Im livin, cause, yo, Im living swell
But then again Im livin kind of foul
cause my girl dont know that Im out on the prowl
To make a long story short, I got the digits
Calls her on my car phone and paid her a visit
I was spankin her and thankin her, chewin her and doin her
Layin like a king on sheets of satin
Thats what time it is, you know whats happenin
She had a big ole booty, I was doin my duty
I mean, yo, I admit that my girls a cutie
But tina was erotic, earls my witness
With the kind of legs that put stockings out of business
When I went home, I kissed my girl on the cheek
But in the back of my mind it was this big butt freak
I sat my girl down, I couldnt hold it in
And said to her with a devilish grin...
Tina got a big ole butt
I know I told you Id be true
But tina got a big ole butt
So Im leavin you
Tina got a big ole butt
I know I told you Id be true
But tina got a big ole butt
So Im leavin you
I went to the high school about three oclock
To try to catch a cutie ridin my jock
My homeboys jeep, the system blastin
Cold forty dogs, smilin and laughin
Girls all over, the kind I adore
I felt like a kid in a candy store
Thats when I seen her
Her name was brenda
She had the kind of booty that Id always remember
I said to my man, stop the jeep
Shes only senteen but, yo, dont sleep
I kicked the bass like an nfl punter
And scoped the booty like a big game hunter
I said to the girl, yo, you look tired
Lets go get some rest, relax by the fire
I put the big booty on a bearskin rug
She gave me a kiss, I have her a hug
I said to the girl, them young boys aint nothin

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All Different Girls

All Different Girls
By: Sabrina Smith

Pretty girl, who is to blame
Frightened girl, they don’t know her name
Saddened girl, who cries at night
Distant girl, who’s out of sight
Psycho girl, with scars on her wrists
Fairytale girl, who don’t exist
Silent girl, without a name
Ignored girl, who’s filled with shame
Faking girl, with plastic smiles
Freakish girl, from a thousand miles
Emotionless girl, cant feel much pain
Darkened girl, who brings the rain
Crying girl, tears start to flood
Psychotic girl, who drains her blood
Hated girl, who no one loves
Such a weak girl, who’s no longer though
Angry girl, there is no cure
Happy girl, she is no more
Hidden girl, she covers her scars
Prisoned girl, lived behind her lifes bars
Crazy girl, who bleeds so much
Lonely girl, who’s out of touch
Stupid girl, who no one likes
Beaten girl, who always fights
Pretty girl, don’t give up now
Suicide girl, there’s someway, somehow
Scared girl, don’t be afraid
Distant girl, don’t go away
Morbid girl, don’t die tonight
Worried girl, it'll be alright
Stoner girl, tonight she'll smoke her sorrow
Alcoholic girl, she'll drink tomorrow
Furious girl, who has no more faith
Depressed girl, who cries and aches
Fallen girl, with broken wings
Disturbed girl, fell off the swing
Pretty girl, you are my friend
Aching girl, just try to mend
Ugly girl, not like before
Beautiful girl, she is no more
Pretty girl, who made her life end
Pretty girl...no...Not again...

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All Different Girls

Pretty girl, who is to blame
Frightened girl, they don't know her name
Saddened girl, who cries at night
Distant girl, who's out of sight
Psycho girl, with scars on her wrists
Fairytale girl, who don't exist
Silent girl, without a name
Ignored girl, who's filled with shame
Faking girl, with plastic smiles
Freakish girl, from a thousand miles
Emotionless girl, cant feel much pain
Darkened girl, who brings the rain
Crying girl, tears start to flood
Psychotic girl, who drains her blood
Hated girl, who no one loves
Such a weak girl, who's no longer though
Angry girl, there is no cure
Happy girl, she is no more
Hidden girl, she covers her scars
Prisoned girl, lived behind her life's bars
Crazy girl, who bleeds so much
Lonely girl, who's out of touch
Stupid girl, who no one likes
Beaten girl, who always fights
Pretty girl, don't give up now
Suicide girl, there's someway, somehow
Scared girl, don't be afraid
Distant girl, don't go away
Morbid girl, don't die tonight
Worried girl, it'll be alright
Stoner girl, tonight she'll smoke her sorrow
Alcoholic girl, she'll drink tomorrow
Furious girl, who has no more faith
Depressed girl, who cries and aches
Fallen girl, with broken wings
Disturbed girl, fell off the swing
Pretty girl, you are my friend
Aching girl, just try to mend
Ugly girl, not like before
Beautiful girl, she is no more
Pretty girl, who made her life end
Pretty girl...no...Not again..

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Used To Be My Girl

Good loving, the girl's got plenty good lovin'
Ask me how I know, and I'll tell you so
Used to be my girl
I respect her, when she was mine, I used to neglect her
Oh, she wanted more than I could give
But as long as I live, she'll be my girl
She (She used to be my girl)
Oh (She used to be my girl)
Oh, her personality, the girl was so right for me
She's my girl
And If I had the chance once more, I'd take her back
As a matter a fact, right away (I'd take her back)
I'd take her back
Not only good-lookin'
But lookin' smart, got a thing cooking
Ask me how I know, and I'll tell you so
She used to be my girl
(She used to be my girl) Used to be my girl
(She used to be my girl) My girl, my girl
Oh, her personality, the girl was so right for me
She's my girl
And If I had the chance, I'd take her back
As a matter a fact, right away, right away
Where's my girl?
Don't you know I'm way down, way down
Don't you know, way down, way down
Listen, ooh, good loving, the girl's got plenty good lovin'
Ask me how I know, and I'll tell you so
Used to be my girl, my girl
She used to be (She used to be my girl)
Oh, she used to be (She used to be my girl)
All mine, all mine, all mine (She used to be my girl)
As matter of fact, I want you back, I want you back
(She used to be my girl) Can't you come back right now?
(She used to be my girl) My girl, my girl, my girl
(She used to be my girl) Hmm, too hot to handle
(She used to be my girl) My girl, my girl, my girl
(She used to be my girl) She used to be, she used to be
(She used to be my girl)
(She used to be my girl) Aah, there she goes
(She used to be my girl)
(She used to be my girl)
(She used to be my girl)
(She used to be my girl) Used to be my girl
(She used to be my girl)
Oh, I love her, it's a matter of fact
(She used to be my girl) Too hot to handle

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Athena

Athena, I had no idea how much Id need her
Athena, I had no idea how much Id need her
In peaceful times I hold her close and I feed her
In peaceful times I hold her close and I feed her
My heart starts palpitating when I think my guess was wrong
My heart starts palpitating when I think my guess was wrong
But I think Ill get along
But I think Ill get along
Shes just a girl - shes a bomb
Shes just a girl - shes a bomb
Athena, all I ever want to do is please her
Athena, all I ever want to do is please her
My life has been so settled and shes the reason
My life has been so settled and shes the reason
Just one word from her and my troubles are long gone
Just one word from her and my troubles are long gone
But I think Ill get along
But I think Ill get along
Shes just a girl - shes a bomb
Shes just a girl - shes a bomb
Just a girl just a girl
Just a girl just a girl
Just a girl just a girl
Just a girl just a girl
Just a girl just a girl
Just a girl just a girl
Shes just a girl
Shes just a girl
Athena, my heart felt like a shattered glass in an acid bath
Athena, my heart felt like a shattered glass in an acid bath
I felt like one of those flattened ants you find on a crazy path
I felt like one of those flattened ants you find on a crazy path
Id of topped myself to give her time she didnt need to ask
Id of topped myself to give her time she didnt need to ask
Was I a suicidal psychopath?
Was I a suicidal psychopath?
Shes just a girl - shes a bomb
Shes just a girl - shes a bomb
Consumed, there was a beautiful white horse I saw on a dream stage
Consumed, there was a beautiful white horse I saw on a dream stage
He had a snake the size of a sewer pipe living in his rib cage
He had a snake the size of a sewer pipe living in his rib cage
I felt like a pickled priest who was being flambed
I felt like a pickled priest who was being flambed
You were requisitioned blondie
You were requisitioned blondie
Shes just a girl - shes a bomb
Shes just a girl - shes a bomb
Im happy, Im ecstatic
Im happy, Im ecstatic

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Tale XXI

The Learned Boy

An honest man was Farmer Jones, and true;
He did by all as all by him should do;
Grave, cautious, careful, fond of gain was he,
Yet famed for rustic hospitality:
Left with his children in a widow'd state,
The quiet man submitted to his fate;
Though prudent matrons waited for his call,
With cool forbearance he avoided all;
Though each profess'd a pure maternal joy,
By kind attention to his feeble boy;
And though a friendly Widow knew no rest,
Whilst neighbour Jones was lonely and distress'd;
Nay, though the maidens spoke in tender tone
Their hearts' concern to see him left alone,
Jones still persisted in that cheerless life,
As if 'twere sin to take a second wife.
Oh! 'tis a precious thing, when wives are dead,
To find such numbers who will serve instead;
And in whatever state a man be thrown,
'Tis that precisely they would wish their own;
Left the departed infants--then their joy
Is to sustain each lovely girl and boy:
Whatever calling his, whatever trade,
To that their chief attention has been paid;
His happy taste in all things they approve,
His friends they honour, and his food they love;
His wish for order, prudence in affairs,
An equal temper (thank their stars!), are theirs;
In fact, it seem'd to be a thing decreed,
And fix'd as fate, that marriage must succeed:
Yet some, like Jones, with stubborn hearts and

hard,
Can hear such claims and show them no regard.
Soon as our Farmer, like a general, found
By what strong foes he was encompass'd round,
Engage he dared not, and he could not fly,
But saw his hope in gentle parley lie;
With looks of kindness then, and trembling heart,
He met the foe, and art opposed to art.
Now spoke that foe insidious--gentle tones,
And gentle looks, assumed for Farmer Jones:
'Three girls,' the Widow cried, 'a lively three
To govern well--indeed it cannot be.'
'Yes,' he replied, 'it calls for pains and care:
But I must bear it.'--'Sir, you cannot bear;
Your son is weak, and asks a mother's eye:'
'That, my kind friend, a father's may supply.'

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Seasonable Retour-Knell

SEASONABLE RETOUR KNELL
Variations on a theme...
SEASONABLE ROUND ROBIN ROLE REVERSALS

Author notes

A mirrored Retourne may not only be read either from first line to last or from last to first as seen in the mirrors, but also by inverting the first and second phrase of each line, either rhyming AAAA or ABAB for each verse. thus the number of variations could be multiplied several times.- two variations on the theme have been included here but could have been extended as in SEASONABLE ROUND ROBIN ROLE REVERSALS robi03_0069_robi03_0000

In respect of SEASONABLE ROUND ROBIN ROLE REVERSALS
This composition has sought to explore linguistic potential. Notes and the initial version are placed before rather than after the poem.
Six variations on a theme have been selected out of a significant number of mathematical possibilities using THE SAME TEXT and a reverse mirror for each version. Mirrors repeat the seasons with the lines in reverse order.

For the second roll the first four syllables of each line are reversed, and sense is retained both in the normal order of seasons and the reversed order as well... The 3rd and 4th variations offer ABAB rhyme schemes retaining the original text. The 5th and 6th variations modify the text into rhyming couplets.

Given the linguistical structure of this symphonic composition the score could be read in inversing each and every line and each and every hemistitch. There are minor punctuation differences between versions.

One could probably attain sonnet status for each of the four seasons and through partioning in 3 groups of 4 syllables extend the possibilites ad vitam.

Seasonable Round Robin Roll Reversals
robi03_0069_robi03_0000 QXX_DNZ
Seasonable Retour-Knell
robi03_0070_robi03_0069 QXX_NXX
26 March 1975 rewritten 20070123
lllllllllllllllllllllllllllllllllllll lllllllllllllllllll
For previous version see below
_______________________________________
SPRING SUMMER


Life is at ease Young lovers long
Land under plough; To hold their dear;
Whispering trees, Dewdrops among,
Answering cow. Bold, know no fear.

Blossom, the bees, Life full of song,
Burgeoning bough; Cloudless and clear;
Soft-scented breeze, Days fair and long,
Spring warms life now. Summer sends cheer.


AUTUMN WINTER


Each leaf decays, Harvested sheaves
Each life must bow; And honeyed hives;
Our salad days Trees stripped of leaves,
Are ending now. Jack Frost has knives.

Fruit heavy lays Time, Prince of thieves,
Bending the bough, - Onward he drives,

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Ella Wheeler Wilcox

Three Women

My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.

Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.

Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.


Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.


Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.


1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.


Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,

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IV. Tertium Quid

True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently

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This Little Girl

Here she comes, walking down the street
You know shes walking just like shes walking to come and see
Oh shes so young
And shes so fine
I know whats on your mind, know what you want to do
But if you mess with her, Im gonna mess with you
You better watch your step, you better stay in line
This little girl is mine, oh oh
This little girl is mine, oh oh
This little girl is mine, this little girl, this little girl is mine
Oh oh this little girl is mine
This little girl is mine, oh oh
This little girl is mine, this little girl, this little girl is mine
Well if the world were mine to do with what I want to do, sir
Well Id wrap it up in a bow and giver it all to her
Yeah and all of my love, all of the time
You know Id hold her tight, Id never let her go
And late at night you know Id love her so
Yeah Id treat her right, so shed never mind
That
This little girl is mine, oh oh
This little girl is mine, oh oh
This little girl is mine, this little girl, this little girl is mine
Hey ! you better watch out
Im telling you the score
Or youre gonna be sweeping your broken heart up off the floor
Oh and that aint all
Im telling you my friend
I know whats on your mind, know what you wanna do
But if you mess with her, Im gonna mess with you
You like the way she moves, you like to watch her walk
You better listen up, cause man this aint just talk
You better watch your step, you better stay in line
This little girl is mine, oh oh
This little girl is mine, oh oh
This little girl is mine, this little girl, this little girl is mine
Oh oh this little girl is mine
This little girl is mine, oh oh
This little girl is mine, this little girl, this little girl is mine
This little girl is mine, oh oh
This little girl is mine, oh oh
This little girl is mine, this little girl, this little girl is mine
Oh oh this little girl is mine
This little girl is mine, oh oh
This little girl is mine, this little girl, this little girl is mine

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II. Half-Rome

What, you, Sir, come too? (Just the man I'd meet.)
Be ruled by me and have a care o' the crowd:
This way, while fresh folk go and get their gaze:
I'll tell you like a book and save your shins.
Fie, what a roaring day we've had! Whose fault?
Lorenzo in Lucina,—here's a church
To hold a crowd at need, accommodate
All comers from the Corso! If this crush
Make not its priests ashamed of what they show
For temple-room, don't prick them to draw purse
And down with bricks and mortar, eke us out
The beggarly transept with its bit of apse
Into a decent space for Christian ease,
Why, to-day's lucky pearl is cast to swine.
Listen and estimate the luck they've had!
(The right man, and I hold him.)

Sir, do you see,
They laid both bodies in the church, this morn
The first thing, on the chancel two steps up,
Behind the little marble balustrade;
Disposed them, Pietro the old murdered fool
To the right of the altar, and his wretched wife
On the other side. In trying to count stabs,
People supposed Violante showed the most,
Till somebody explained us that mistake;
His wounds had been dealt out indifferent where,
But she took all her stabbings in the face,
Since punished thus solely for honour's sake,
Honoris causâ, that's the proper term.
A delicacy there is, our gallants hold,
When you avenge your honour and only then,
That you disfigure the subject, fray the face,
Not just take life and end, in clownish guise.
It was Violante gave the first offence,
Got therefore the conspicuous punishment:
While Pietro, who helped merely, his mere death
Answered the purpose, so his face went free.
We fancied even, free as you please, that face
Showed itself still intolerably wronged;
Was wrinkled over with resentment yet,
Nor calm at all, as murdered faces use,
Once the worst ended: an indignant air
O' the head there was—'t is said the body turned
Round and away, rolled from Violante's side
Where they had laid it loving-husband-like.
If so, if corpses can be sensitive,
Why did not he roll right down altar-step,
Roll on through nave, roll fairly out of church,
Deprive Lorenzo of the spectacle,

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Girl Power

So what's up?
Did U forget I was here?
What makes U look when another comes near?
Everyone U see, U think U can get
If that was the case, I'd be a bracelet
Oh, hey hey, yeah
This is called girl power, yeah
This is called girl power and it's all because I love our ball
2night, my dear, U can sleep alone
U can beg and scream and moan
It's all because I love our ball
U can be mine or not at all
Girl power (Oh)
Girl power (Yeah)
Girl power (Yeah)
U can be mine or not at all
Girl Power (Oh)
Girl Power (Yeah)
Girl Power
It's all because I love our ball
Don't look now, here comes a blonde
2 minutes later U're Don Juan
Turned my head, U tried 2 grab it
How did I know she's in your lap?
U say it's your cousin from Omaha
U took that number - gave her a call
If we get in trouble 4 the lies we tell
Child, I do believe we're gonna burn in hell
Girl power - U will be mine or not at all
Girl power - It's all because I love our ball
Looka here
2night, my dear, U can sleep alone
U can beg, U can scream and moan
It's all because I love our ball
U can be mine or not at all
Girl power (Oh, yeah) (U can be mine or not at all)
Girl power
U will be mine or not at all
Girl power (Oh)
Girl power (Yeah)
Girl power
It's all because I love our ball
What makes U look when another comes near?
What makes the sun set in my hemisphere?
Girl power!
Powerful girl, wave your hands
(Girl power) {x4}
8 + 8 is 16
9 - 6 is 3
3 + 11 is 14

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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The Victories Of Love. Book I

I
From Frederick Graham

Mother, I smile at your alarms!
I own, indeed, my Cousin's charms,
But, like all nursery maladies,
Love is not badly taken twice.
Have you forgotten Charlotte Hayes,
My playmate in the pleasant days
At Knatchley, and her sister, Anne,
The twins, so made on the same plan,
That one wore blue, the other white,
To mark them to their father's sight;
And how, at Knatchley harvesting,
You bade me kiss her in the ring,
Like Anne and all the others? You,
That never of my sickness knew,
Will laugh, yet had I the disease,
And gravely, if the signs are these:

As, ere the Spring has any power,
The almond branch all turns to flower,
Though not a leaf is out, so she
The bloom of life provoked in me;
And, hard till then and selfish, I
Was thenceforth nought but sanctity
And service: life was mere delight
In being wholly good and right,
As she was; just, without a slur;
Honouring myself no less than her;
Obeying, in the loneliest place,
Ev'n to the slightest gesture, grace
Assured that one so fair, so true,
He only served that was so too.
For me, hence weak towards the weak,
No more the unnested blackbird's shriek
Startled the light-leaved wood; on high
Wander'd the gadding butterfly,
Unscared by my flung cap; the bee,
Rifling the hollyhock in glee,
Was no more trapp'd with his own flower,
And for his honey slain. Her power,
From great things even to the grass
Through which the unfenced footways pass,
Was law, and that which keeps the law,
Cherubic gaiety and awe;
Day was her doing, and the lark
Had reason for his song; the dark
In anagram innumerous spelt
Her name with stars that throbb'd and felt;

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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To Every Girl

To every girl that's said, 'Sex CAN wait'
To every girl that's said, 'You're handsome.'
To every girl that was never too busy to drive across town to see him.
To every girl that gives flowers and a card when he is sick.
To every girl who has given him flowers just because.
To every girl that said she would die for him.
To every girl that really would.
To every girl that took time to do what he wanted to do.
To every girl that he cried in front of.
To every girl that holds hands with him.
To every girl that kisses him with meaning.
To every girl that hugs him when he's sad.
To every girl that hugs him for no reason at all.
To every girl who would give their jacket up for him.
To every girl that calls to make sure he got home safe.
To every girl that would sit and wait for him for hours
just to see him for ten minutes.
To every girl that would give her seat up.
To every girl that just wants to cuddle.
To every girl that reassured that he was handsome
no matter what.
To every girl who told her secrets to him.
To every girl that tried to show how much she cared
through every word and every breath.
To every girl that thought maybe this could be the one.
To every girl that believed in his dreams.
To every girl that would have done anything
so he could achieve them.
To every girl that never laughed at him
when she told him her dreams.
To every girl that walked him to his car.
To every girl that gave her heart.
To every girl who prays that he is happy
even if she is not with him.

...This one bulletin is for you...

Not many girls appreciate nice guys anymore...
And because of this, there are not many left out there...

I guarantee 90% of the women on your page will not re post this because they care more about their image

If you are a nice girl re post this with 'We're a Dying Breed '

If you are a guy that thinks every girl should treat a guy this way
re post this with: 'To Every Girl...'

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