I know what I want at least, and the older I get I think I'm better at getting it out of players and singers.
quote by Peter Maxwell Davies
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Related quotes
If I Was Older
you should have seen her she was about 17 and knew that i was to young but I knew she was the oneand if I was oldershe would be my girl and i would be her man there's no doubt I knew ther's no doubt
cause if i could be so older to her and give her everything that she wants everything that she wants but until then imma keep on thinking of ways to let this girl really know i gotta let her know
if I was older she would be my girl if I was older I'd give her the world ifnI was older I'd treat her like a queen if I was older always take her out if I was older always ice her out if I was older treat her like a queen if I was older
Now listenshe's so pretty (yea) If I was only (yea) a little bit older (yea) I would tell her (yea) that i like her (that I like her) really like her (really like her) and to me she's just a dime piece all of my friends think my friends think that im crazy to be in love with her the way that i do but they don't know what i do so until them i keep thinking of ways to let this girl really no i gotta let her know if I was older (if I was older) I'd treat her like a queen If I was older (older) if I was older (eyy)
If I was older I would always take her out if I was older always ice her out If I was older (older) and i gotta let her know (i gotta let her know) How i feel (how I feel)and i gotta let her know that love is real (and i gotta let her know its real) ohh ohh yea yea ohh ohh ohh un hun If I was older say she would be my girl
If I wsa older I'd treat her like a queen if I was older (older) If i was older I'd treat her like a queen If I was older always take her out (always take her out) If I was older always ice her out (keep her iced out)
If i was older treat her like a queen (treat her like a queen) If i was older say only If i was older only If i was older
song performed by Corey from I'm Just Corey
Added by Lucian Velea
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Now You're Here (Rock Ballad) :
Now you're here, we're ready to play.
Ready to play for you..
And now you're here, we're ready to sing.
Ready to sing for you..
We are the players, the singers.
We play for your town.
We keep you rockin', a rollin', a movin' around.
We get you movin', a groovin'..Yaahh! feelin' real fine.
We get you screamin', a shoutin'..
We get your hands in the air..
We are the players, the singers.
We play for your town.
We keep you rockin', a rollin', a movin' around.
We are the players, the singers.
And we bring on the sound..
So now you're here, we're ready to play.
Ready to play for you.
And now you're here, we're ready to sing.
Ready to sing for you..
We are the players, the singers.
We play for your town.
We keep you rockin', a rollin', a movin' around.
We get you swingin', a swayin', so join in the crowd.
We get you spinnin', a grinnin', a turnin' around.
We are the players, the singers.
And we play for your town.
So now you've stayed, you've listened to us.
We're so glad we played for you.
And now you've stayed, you've listened to us.
We're so glad we sang this tune..
We're so glad we sang this tune..
Rock-Ballad-By Kim Robin Edwards
Copyright 1987,2009..
ALL rights reserved..
poem by Kim Robin Edwards
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Older
Youre older that youve ever been
And now youre even older
And now youre even older
And now youre even older
Youre older that youve ever been
And now youre even older
And now youre older still
Time - is marching on
And time - is still marching on
This day will soon be at an end
And now its even sooner
And now its even sooner
And now its even sooner
This day will soon be at an end
And now its even sooner
And now its sooner still
Youre older that youve ever been
And now youre even older
And now youre even older
And now youre even older
Youre older that youve ever been
And now youre even older
And now youre older still
song performed by They Might Be Giants
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Saga Of Dandy, The Devil & Day
[kool keith]
Why don't y'all play that pitch
The right manage gonna be in the game
[moe love]
It's the top of the ninth
Josh gibson is at the plate
The bases are loaded, it's a three and two count
And here's the pitch
[kool keith]
Steppin up to the plate, first batter
[moe love]
Kool keith
[kool keith]
Black baseball, it was a known fact jack
With the weather so hot, who could play like danny day
The greatest and the best, like the satchel brother paige
Long tom and little bomb, in the hall of fame
Like josh and bunt, be alert, duck
Everybody was down for beer and peanuts
Foxes in their sunday's best, their brightest dress
[moe love]
And on deck, ced g
[ced g]
Now baseball today troop, is mostly not racial
But back in the days it was all segregated
The whites had the majors and then the blacks had the negro leagues
They both had great talent but then us blacks have no history
Of all our great players, the teams in the ballpark
But we're here to shed light, restore the glory they haven't got
Black baseball, they paved the way
With players like dandy, the devil, and day
(repeat 3x)
Black baseball
[moe love]
Bring er home
[ced g]
Now the ballparks they played in was very far from a stadium
They only sat hundreds troops as opposed to the thousands
But the stands they was packed, for the league that was fat
With teams like the baccarats and the homestead grays
The eagles and many more, came ready to play
In cities like birmingham, newark and chi-town
The bus trips were very long, paychecks would bring a frown
But not to these players, cause they really loved baseball
You could ban them from majors, but not from the game
With players like leon day, who pitched almost every day
His arm would hold up, blowin hitters with smoke away
And then there was bullet joe, also was smokey joe
King richard and savateen, and brothers like ed pole
Next, batter up!
[...] Read more
song performed by Ultramagnetic Mc's
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Soccer–Passion Song
Soccer–Passion Song
Soccer in the evening;
Soccer in the morning;
Soccer in spring and fall.
Soccer in the raining;
Soccer in the snowing;
Soccer in winter and summer.
Soccer in between my feet,
where I walk;
Soccer in my heart and mind,
how I live;
Soccer my love and life.
Soccer I wake up and play;
Soccer I hold it to sleep;
Soccer my work and rest.
Soccer I sing a new song;
Soccer I dance the magic steps;
Soccer my tears and joy.
Soccer my Mom buys it for me to play;
Soccer my Dad brings me to the game;
Soccer my dear Love watches me to score.
Soccer I dribble and shoot;
Soccer I pass and fall;
Soccer my glory and downfall.
Soccer I strike to attack;
Soccer I tackle to defend;
Soccer my struggle and survival.
Soccer I receive the flags and the whistles;
Soccer I get the yellow and red card;
Soccer my moves and stop.
Soccer I meet my friends;
Soccer I make my enemies;
Soccer my conflict and peace.
Soccer I play and watch;
Soccer I watch but cannot play;
Soccer my dream and reality.
Soccer I learn the rights;
Soccer I confess the fouls;
[...] Read more
poem by Laijon Liu
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The Indications
THE indications, and tally of time;
Perfect sanity shows the master among philosophs;
Time, always without flaw, indicates itself in parts;
What always indicates the poet, is the crowd of the pleasant company
of singers, and their words;
The words of the singers are the hours or minutes of the light or
dark--but the words of the maker of poems are the general light
and dark;
The maker of poems settles justice, reality, immortality,
His insight and power encircle things and the human race,
He is the glory and extract thus far, of things, and of the human
race.
The singers do not beget--only the POET begets;
The singers are welcom'd, understood, appear often enough--but rare
has the day been, likewise the spot, of the birth of the maker
of poems, the Answerer, 10
(Not every century, or every five centuries, has contain'd such a
day, for all its names.)
The singers of successive hours of centuries may have ostensible
names, but the name of each of them is one of the singers,
The name of each is, eye-singer, ear-singer, head-singer, sweet-
singer, echo-singer, parlor-singer, love-singer, or something
else.
All this time, and at all times, wait the words of true poems;
The words of true poems do not merely please,
The true poets are not followers of beauty, but the august masters of
beauty;
The greatness of sons is the exuding of the greatness of mothers and
fathers,
The words of poems are the tuft and final applause of science.
Divine instinct, breadth of vision, the law of reason, health,
rudeness of body, withdrawnness,
Gayety, sun-tan, air-sweetness--such are some of the words of
poems. 20
The sailor and traveler underlie the maker of poems, the answerer;
The builder, geometer, chemist, anatomist, phrenologist, artist--all
these underlie the maker of poems, the answerer.
The words of the true poems give you more than poems,
They give you to form for yourself, poems, religions, politics, war,
peace, behavior, histories, essays, romances, and everything
else,
They balance ranks, colors, races, creeds, and the sexes,
They do not seek beauty--they are sought,
Forever touching them, or close upon them, follows beauty, longing,
[...] Read more
poem by Walt Whitman
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LPGA (Is Racism On The Ladies Pro Tour?)
Will someone please say it’s a rumor and not true,
That professional woman’s golf is not going to,
Require that players who play in any LPGA events,
Have to speak English or back home they are sent.
Wow! Why not take the lead of the PGA men’s side?
When Tiger Woods emerged did others run and hide?
No! They practiced, worked out and hired coaches,
As brighter lights shined some women hid like roaches.
2009 from September 7, is just over 100 days away,
It takes years to learn English unless sports you play,
Basketball, football, baseball are a few that come to mind,
The Ladies Profession Golf Association is ahead, not behind.
Many ex-players are making the adjustment to play by play,
Far from the days when, “you know” was all they could say,
But, this progress has taken decades and now you expect,
Better golfers to learn proficient English just to get a check?
What’s happened to competition, head to head with the best?
Do we have to wait for another Olympics to put skill to the test?
I though only in politics via the cold war did this stuff exist,
Now the “sport” of women’s golf is going be added to the list.
Sports is an activity governed by a set of competitive rules,
Not to be goverend by where you did or did not go to school,
Going from one country to another you don’t need a visa to play,
Just a passport, there is no test as to what you can or cannot say.
True, not every country like our United States has free speech,
However, you need not be fluent in the local just to compete,
Playing against the world’s best is what makes golf so sweet,
Not sending them home because you’re tired of getting beat.
I know this is not all the players only a handful of spoiled quitters,
Sometimes is seems as though a few caddies are also baby sitters,
The one and only way to be the best is to beat the ones that are,
Who wants to watch a match with winners barely breaking par?
This a demeaning, stupid, selfish, insensitive, bitter, jealous rule,
You become a better golfer by going to UCLA instead of Q school?
I certainly hope this insensitiveness doesn’t too last long or go very far,
Will parking a Taurus next to a S600 Benz make the Ford a better car?
Didn’t the word golf mean, “Gentlemen Only Ladies Forbidden? ”
Now it’s the ladies who are trying to keep the best players hidden?
OK, hide your mama, jewelry, money, Picasso, Rembrandt or Monet,
But don’t hide the best foreign players by not allowing them to play.
[...] Read more
poem by Luke Easter
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Soccer Rollback
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[...] Read more
poem by Rwetewrt Erwtwer
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Cold On The Sholder
All you need is time
All you need is time, time, time to make me bend
Give it a try, don't be rude
Put it to the test and I'll give it right back to you
It's cold on the shoulder
And you know that we get a little older every day
Kick it around, take it to town
Try to defy what you feel inside
You better be strong
Your love belongs to us
It's cold on the shoulder
And you know that we get a little older every day
All I need is trust
All I need is trust, trust, trust to make it show
I don't want to know everything you done
If you get a tip then tell it to the eskimos
It's cold on the shoulder
And you know that we get a little older every day
It's cold on the shoulder
And you know that we get a little older every day
All we need is faith
All we need is faith, faith, faith to make it nice
Kick it around, don't be rude
If you're gonna make a mistake don't you make it twice
It's cold on the shoulder
And you know that we get a little older every day
It's cold on the shoulder
And you know that we get a little older every day
It's cold on the shoulder
And you know that we get a little older every day
It's cold on the shoulder
And you know that we get a little older every day
song performed by Gordon Lightfoot
Added by Lucian Velea
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Cold On The Shoulder
All you need is time
All you need is time, time, time to make me bend
Give it a try, dont be rude
Put it to the test and Ill give it right back to you
Its cold on the shoulder
And you know that we get a little older every day
Kick it around, take it to town
Try to defy what you feel inside
You better be strong
Your love belongs to us
Its cold on the shoulder
And you know that we get a little older every day
All I need is trust
All I need is trust, trust, trust to make it show
I dont want to know everything you done
If you get a tip then tell it to the eskimos
Its cold on the shoulder
And you know that we get a little older every day
Its cold on the shoulder
And you know that we get a little older every day
All we need is faith
All we need is faith, faith, faith to make it nice
Kick it around, dont be rude
If youre gonna make a mistake dont you make it twice
Its cold on the shoulder
And you know that we get a little older every day
Its cold on the shoulder
And you know that we get a little older every day
Its cold on the shoulder
And you know that we get a little older every day
Its cold on the shoulder
And you know that we get a little older every day
song performed by Gordon Lightfoot
Added by Lucian Velea
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Once In Love With Amy
I caught you sir
Having a look at her
As she went strolling by
Now didn't your heart go
Boom,boom,boom,boom,boom
And didn't you sigh a sigh
I warned you sir
Never to dream of her
Just bid such thoughs begone
Or it'll be
Boom,boom,boom,boom,boom,boom,boom
Boom,boom,boom,boom
From then on
For once in love with Amy
Always in love with Amy
Ever and ever fasinated by her
Sets your heart a fire to stay
Once you're kissed by Amy
Tear up your list it's Amy
Ply her with bon-bons, poetry,and flowers
Moon a million hours away
You might be quiet the fickle hearted rover
So care free and bold
Who loves a girl
And later thinks it over
And just quits cold
But once in love with Amy
Alway in love with Amy
Ever and ever sweetly you'll romance her
Trouble is the answer will be
That Amy rather stay in love with me
Da,da,da,da,da,da,da,da,da,da
Ever and ever fasinated by her
(Barry talks) oh I just love this song so much
I want everybody to sing along with me
Once your kissed by Amy
(backround singers)once your kissed by Amy
(Barry)tear up your list it's Amy
(backround singers)tear up your list it's Amy
(Barry) ply her with bon-bon,poetry,and flowers
(backround singers)ply her with bon-bons, poetry,and flowers
(Barry) moon a million hours away
(backround singers)moon a million hours away
(Barry)come on let me take it please
You might be quite the fickle hearted rover
So care free and bold
Who loves a girl and later thinks it over
And just quits cold
(Barry)everybody sing
Once in love with Amy
[...] Read more
song performed by Barry Manilow
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Imagination
Imagine the concert
The concert did not cost a dime
But every soul was there- from the beginning of time.
It was the biggest concert the heavens had ever seen.
The greatest dancers and singers that were ever known.
On the largest television screen it was shown.
You had the crooners, the swooners,
the rockers, the boppers, and the opera singers
All gathered together for one big show.
In heaven- this is the way to go.
It started off with the “tappers” coming on to the stage
All well known in the archives of fame.
First Bill “Bo jangles” Robinson with Fred Astaire in back.
Then Jean Kelly. Ginger Rodgers,
and Gregory Hines picking up the slack.
Then came the female singers who were all
In the hall of fame, and all well known by their names.
Billie holiday, Lena Horne, Doris Day and Peggy Lee
Judy Garland and Dinah Shore-and lets not forget
The Andrew Sisters- who gave us so much more.
Then out came the male singers who touched the
Hearts of women all around the world
And made all their hair stand up and curl.
Mario Lanza, Frank Sinatra, Perry Como, Dean Martin
Just to name a few, then let us not forget the soul singers
Otis Redding, Sam Cooke, and Nat “king” Cole
Then Marvin Gaye who really put on a show.
OH! This concert was a wonder to behold!
And the greatest one was yet to unfold.
Everyone waited in anticipation
As the angels blew their trumpets
And the harps let out the most beautiful melody.
For behind that big curtain
Walked out our all Mighty King.
All knees bent, and all heads bowed
You couldn’t hear a pin drop
Not a single solitary sound.
He gave the heavens his blessings
As every face lit with delight
And all the way to earth
You could see this glaring light.
[...] Read more
poem by Louis Rams
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Soccer Under 20
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[...] Read more
poem by Rwetewrt Erwtwer
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The one game we all play
The one game we all play
We play games
To show our valour
And mainly to win
We do not mind going for coaching
If we feel we do not have the
Required strength to win
We play games
Either as a team or individual
The attempt is to demonstrate
That we are better talented
Than the team or member
Against whom we play
Nations enthuse people to play games
So that they add pride
Some games are played with
Gadgets and protective accessories
We have spectators to watch
The way we play
We have umpires and referees
Who ensure rules of the games
Are strictly adhered
And it is all a fair play
We play games indoor or outdoor
We play games in daylight
Or under artificial illumination
We score while playing
And the score achieved by a team or individual
In a specific time
Decides the winner
We telecast the games
We comment on the strengths and weaknesses
Of a team or individual
We conduct national and international
Tournaments to declare a team or individual
As champion
Irrespective of skills, race, gender
We all play a game
Which is played mainly to lose
[...] Read more
poem by Bashyam Narayanan
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Irony And Unthinkability
Just like football helmets that create
illusions of invulnerability
irony can’t truly mitigate
the trauma of unthinkability.
Lacking helmets football would not be
the game it is, but they do not protect
the wearer any more than irony
protects politically the incorrect.
The trauma that’s inflicted when a skull
is fractured is no less than the concussion
that’s suffered by those people who are dull,
but miss the irony of a discussion.
Inspired by an article in the WSJ on November 11,2009 (Is It Time to Retire the Football Helmet? New Research Says Small Hits Do Major Damage—and There's Not Much Headgear Can Do About It, by Reed Albergotti and Shirley S. Wang) :
This football season, the debate about head injuries has reached a critical mass. Startling research has been unveiled. Maudlin headlines have been written. Congress called a hearing on the subject last month. As obvious as the problem may seem (wait, you mean football is dangerous?) , continuing revelations about the troubling mental declines of some retired players—and the ongoing parade of concussions during games—have created a sense of inevitability. Pretty soon, something will have to be done. But before the debate goes any further, there's a fundamental question that needs to be investigated. Why do football players wear helmets in the first place? And more important, could the helmets be part of the problem? 'Some people have advocated for years to take the helmet off, take the face mask off. That'll change the game dramatically, ' says Fred Mueller, a University of North Carolina professor who studies head injuries. 'Maybe that's better than brain damage.'
The first hard-shell helmets, which became popular in the 1940s, weren't designed to prevent concussions but to prevent players in that rough-and-tumble era from suffering catastrophic injuries like fractured skulls. But while these helmets reduced the chances of death on the field, they also created a sense of invulnerability that encouraged players to collide more forcefully and more often. 'Almost every single play, you're going to get hit in the head, ' says Miami Dolphins offensive tackle Jake Long. What nobody knew at the time is that these small collisions may be just as damaging. The growing body of research on former football players suggests that brain damage isn't necessarily the result of any one trauma, but the accumulation of thousands of seemingly innocuous blows to the head…
Nonetheless, the strongest argument for the helmet may turn out to be an economic one. The NFL is shaped around the notion that players can run into each other at high speeds without consequence. It's the same sort of idea that has made Nascar the nation's most popular form of motorsport. And beyond all this, there's the very real question of whether the prospect of serious mental impairment later in life will ever discourage people from playing the game—let alone watching. 'Without the helmet, they wouldn't hit their head in stupid plays, ' says P. David Halstead, technical director for the Nocsae, the group that sets helmet-safety standards. But without helmets, the game 'wouldn't be football, ' he says.
11/11/09
poem by Gershon Hepner
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I Know Their Name
I know their name. I saw their picture in the paper yesterday
I know their name. I saw the story that was written on the page
I know their name. I used to play with them they lived a block away
I know their name. Their father used to drive a light blue chevrolet
I know their name. I used to play with them I swear I know their name.
I know their name. I used to play with them I swear I know their
I know their name. I know their name. I know their name.
I know their name.
I know their name. I saw their picture in the paper yesterday
I know their name. I saw the story that was written on the page
I know their name. They had a dog that used to answer to Barney
I know their name. I used to play with them they lived a block away
I know their name. I used to play with them I swear I know their name.
I know their name. I used to play with them I swear I know their
I know their name. I know their name. I know their name.
I know their name.
(La guitar)
I know their name. I used to play with them I swear I know their name.
I know their name. I used to play with them I swear I know their
I know their name. I know their name. I know their name.
I know their name.
I say. I know. I know
I know their name. I know. I know
I know their name. I know. I know
I know their name. I know. I know (their name)
I say:
I I I I I I I know their name. I know. I know. I know their name.
I I I I I I I know their name. I know. I know. I know their name.
I say. I know. I know
I know their name. I know. I know
I know their name. I know. I know
I know their name. I know. I know (their name)
I know their name.
I know their name.
I know their name
song performed by Men Without Hats
Added by Lucian Velea
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6 Minutes Of Pleasure
Six minutes, six minutes
Six minutes, six minutes
(Sample)
I know why you're here
I ain't sayin nothin
(LL Cool J)
Aiyyo baby I know why you're here
I know what you're doing
I can see it in your eyes you're up to somethin
I know what it is, but we're still cool
And we can socialize, I'm peepin ya baby
I'm holdin back I'm not lettin go
Cause a fool doesn't have a shoulder to cry on
So, give me a kiss and you service
Whether you like a mister or a miss
(Chorus sample in the background)
(LL Cool J)
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
(LL Cool J)
Baby you're my dear I know why you're here
I know why you came I know what you're thinkin
I know what you need and that's what I've got
You think I'm goin crazy no I'm not drinking
I know what you want, I made ya want it
Take my hand listen to the man
You have a plan don't even risk it
What do you want a biscuit?
(Chorus sample in the background)
(LL Cool J)
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
I know why you're here
But I ain't sayin nothin
Aiyyo baby I know you don't love me
[...] Read more
song performed by LL Cool J
Added by Lucian Velea
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Judgement Day
(Ohhhh, yeah yeah yeah yeah)
[Chorus: singers]
You can turn your back and then walk away
(You can turn your back and then walk away)
Soon be comin the judgement day
(Ahh, soon there be comin the judgement day)
[Xzibit - starts over Chorus]
Yes, uhh, breathe with me
C'mon.. listen, yo
I know you're fed up, feel like you can't get up
Have faith, stay strong, keep your head up
Yo, it only gets worse; we in a world
where your status and your bank account determine your worth
There's no time to rehearse, the clock been tickin
cause we all started dyin at birth, I speak the truth and it hurts
It felt like I was dyin of thirst
'til I was blessed with my voice, I move mountains with verse
The worst thing you ever seen in your life, "The Passion of Christ"
Pregnant chicks buyin rock, hittin the pipe
It ain't like I ain't tried to tell ya; misery love company
Keepin the wrong company brings failure
Cause people use people like paraphenalia
With a scam, with a scheme, with a dream to sell ya
But I ain't got nothin but love for all my soldiers and thugs
To all of my women, we gotta keep livin, c'mon
[Chorus: singers]
You can turn your back and then walk away
(Ohh, don't turn your back and then walk away y'all)
Soon be comin the judgement day
(Soon there be comin judgement day)
[Xzibit - starts over Chorus]
Yeah! C'mon
Mr. X to the Z had to raise the stakes
Had to touch my people like T.D. Jakes
On the ground like a nigga flippin crumbs to cake
I won't stop like an eighteen wheeler with no brakes
Bein dipped in her-on so each CD's weight
Niggaz be fake, they speak what they can't create (create)
You won't, see me break, I'm built for a tough frame
One-eighty-five and I'm still on huff
I was only 15, tryin to pass that rock
Never got caught, just sat down, collected my thoughts
This is bullshit, I ain't got a plane or a boat
I'm just another nigga sellin some coke, y'know?
Had to grab life right by the throat, murder I wrote
My callin for ballin wasn't pedalin dope
It was oversea convoys, bangin out cuts
No police or government agency lockin me up, so what?
[Chorus: singers]
You can turn your back and then walk away
[...] Read more
song performed by Xzibit
Added by Lucian Velea
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Now, Heart' - Some Of What I Remember When I Listen
A river is a process through time, and the river stages are its momentary parts.
—Willard Van Orman Quine
From early poems,1970s, youthful indiscretions/attempts to vocally/poetically arrive at/derive a worthwhile writer's voice. Some explication might serve or enhance these under serving, undeserving though 'striving-after' poems hidden in old journals understandably unpublished but now so with apologies which are these expiatory explanations. Recently rediscovering these early arrivals, derivative yet aspiring I recognized and reembraced an enduring self maturing, arriving into late middle age:
Obsessed newly by jazz, mad about the many miraculous lady singers, entranced all too easily as youth are wont to be by sorrows and sexual infatuations which feel, emphasis on 'feel', like love, here are two of many 'songs' as tributes and life markers to jazz singers who provided soundtrack and felt expression to my angst and easily inflated/deflated sense of self, of beloved others, and of that new territory, independent life away from parental home and childhood community discovering, blundering into the fray of separate hearts and minds, irresponsible genitals and insouciant jouissance ('juiciness', in French) , discovering then and again and again that like Walt Whitman I 'contain worlds' and many disparate selves poorly formed, most of them collective projections and expectations of who or what I wanted to be, what others wanted and expected me to be, resulting in much confusion, tumult and multitudes of momentary throw-away selves. Thus singers like Bessie Smith and Dinah Washington became anchors, warm contexts and containers, for my daily fragmentation and re-formation.
I lived on 3rd street in downtown Chattanooga, a refugee from zealous, politically conservative white evangelicals and the vestigial yet still viral Southern Confederacy. Just a block or two from where Bessie Smith was born, I used to watch from my upstairs porch the steep hilly street's comings and goings with a glimpse of the Tennessee River between tenements across the street, its persistent rich aroma heavy in the air. I imagined Bessie Smith as a little girl playing up and down the street like the kids I saw then - once, two of them gleefully chasing a frighteningly large and confused looking rat.
William—he insisted on 'Willie'—an old man down the street who knew Bessie as a little girl, used to come up to my porch after one day hearing Bessie from my phonograph singing blues onto the always busy but attentive street. One of the first and permanent things I learned from my porch is that a city street has keen, observant eyes, acute ears, omnivorously seeing/hearing everything, indifferently, perhaps, but nothing escapes it, a roving, all-knowing urban Eye of God.
Extremely green and eager as green always is though stutteringly, and without apology, I enjoyed Willie's many stories and back pocket bottles of Old Mr. Boston Apricot Brandy, both of which—story and spirits/spirited story —dissolved or appeared to, age, racial, cultural, and sociological differences, along with those catalysts/cata-lusts, the forever alchemical Bessie and other jazz singers, Billie! Dinah! Ella! Sassy! Lil Ester Phillips! Nina Simone! to name only a few of the sensuous solutio chanteuses resolving sexual confoundaries by Miss-ambiguating sins' plethera with loose lilt and will- o-the-lisp whisper tongues.
One night Willie, much 'in the pocket'—an expression for being well onto tipsy which I've never heard from anyone but him—wanted to dance to a Bessie tune playing, 'Back Water Blues', him recalling nights as a young man in rural Tennessee where he'd worked hard days in oppressive vegetable fields then hit the after hours juke joints for 'colored, twas segregation days, ' he explained, where he would go to drink, dance then dive/delve, as it were, into the sensual mysteries of moist skin, hot breath, mutually open mouths with their commodious moans and mumbles, venial hands, always vital parts, private hearts mutually pounding ancient known rhythms, odors and tastes of gin and those slender, forbidden, now greedily stolen bites in those all too short nights with their damned intrusive dawns.
'Dawnus interuptus, ' I quipped, us both slapping knees, passing the narrative bottle fore and aft hefting moments re-grasped between us, offerings to the equally narrative river, the all-knowing hungry street.
Jumping to his feet, Willie described 'powder dancin'' (pronounced marvelously, 'powdah') which I had never heard of. Talcum powder would be copiously scattered onto the dance floor where couples in stocking or bare feet would ecstatically dance, gliding and sliding sweetly scented, muskily bent toward later glides and slides in the slippery joy of momentary allure and amour on dimmed porches or surrounding woods often enough and gratis upon delicate slabs of moonlight gratuitously dewy providing cushion for Passion's out and in, honoring and dignifying deities of skin wanting more making more skin, headlong Nature's frictional algo-rhythms indelibly scored in every/each his/her yawing yen.
Willie shouted, 'YOU GOT ANY TALC POWDER? ! '
...The jazz us trembled...
'NO! ' I bellowed, curious.
'YOU GOT ANY FLOUR? ! '
Even more curious, 'YEAH! ! '
'GO GIT IT! QUICK! ! '
He grinned an Old Mr. Boston juke-joint night-memories quaff-again grin.
Martha White, a brand of flour sold down South, has never been put to better use. Willie threw handfuls of 'Martha' over the tenement-planked living room floor as I half protested at the mess it (and me and Willie) was and would become. Completely gripped by his present-in-the-past brandy trance, a much younger man now, he suddenly grabbed me, brandied and tranced, too, my long hair flying, and danced me all over the floor the night through with swigs of Old But Now Spry 'n' Sprightly Mr. Boston with pauses to change record albums on the phonograph, 'catching up our breaths, ' he panted.
Next morning (more likely early afternoon) , Willie long gone, I awakened sprawled on the penitent porch—a cool concrete floor my sinner's bench—sweaty and thick as pan gravy, mosquito bitten, marinaded in Tennessee night mists. I staggered into the living room onto the ghostly floor powdery white, 'stroked' with two attached, or close to, sets of foot prints, heel slides and smears, a kind of 'Jackson Pollock meets Tibetan sand painting 'yazzed' yantra'**' with cigarette ashes flicked into the flickering impermanent mix. I've not powder danced since when we drank discovering oral history's joys, opened eager ears and fraternal arms forgetting fears of race and religion, age and expressed/ espressed Desire's multilingual disseminations.
I know that wheat is anciently sacred but now even more so for flour, the sight and feel of it, its unbaked smell, turns me again toward a Chattanooga 3rd street, its compass river swelling like bread nearby bearing witness still for one cannot say too much about rivers—their irreverence of edges scored, spilling themselves, proclaiming natural gods deeper than memory yet dependent upon it for traced they must be in every human activity, no matter the breech, for something there is to teach even deity though it may be wrong to do so, or hearsay to say it or sing, but the song is there for those whose ears are broken onto bottoms from which cry urgencies of Being and between, dutiful banks barely containing the straining Word.
**From Tibetan Buddhism. Visual meditation devices,
Yantras function as revelatory conduits of cosmic truths.
1. To Bessie Smith,3rd Street Chattanooga (circa 1971)
Already the river begins its sweat.
April to September I'll be on the porch
Come sunsets listening to cars in the
Dark and you, remembering the flour
On the floor and me and Willie in
Stocking feet dancing till dawn,
[...] Read more
poem by Warren Falcon
Added by Poetry Lover
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Player's Ball
Here's a little somethin for the players out there hustlin
Gettin down for theirs
From east pointe, college park, decatur, devries...
My man, the scene was so thick
Lowriders, seventy-seven sevilles
El do's, nuttin but them 'llacs
All the players (deporte in the house) all the hustlers
I'm talkin bout a black man heaven here
Youknowhati'msayin? yeah
*singing*
Cadillacs are comin, from everywhere (yeahhh)
Limbo boppin good cause love is in the air
To all you players and you pimps smoke out and have a ball
And if your hoe is actin crazy --
-- put her on the wall
Now now now everybody's dancin and just feelin right
I see all of you players got yourselves laid in on ice
I hope when all y'all dance is over, can i get onn, yeah
My kids'll have a story, that still be told, whoooa, about
All the players came, from far and wide
Wearin afros and braids, kickin them gangster rides
Now i'm here to tell ya, there's a better day
When the player ball is happenin, all day eryday
song performed by Outkast
Added by Lucian Velea
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