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Henry Miller

Actors die so loud.

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Afrikaans: Sterregordels, Stilsonjare, Tydsbroekspypdinge, Haarsliert

Sterregordels

Cosmology in Afrikaans is an ode to joy, the
terms form sing-song strings with delightful
sounds “ewigbewegende elektron”
continuously spinning electron

“elektron in die hart van die atoomkorrel”
electron in the centre of the atom particle
- what a song!

“Triljoene Melkwegstelsels waaromheen ons
Melkweg elke tweehonderdmiljoenjaar
wentel – ‘n mallemeule van sterregordels…”

“Dobberende patrone, mesone en elektrone,
'n konfigurasie van konvekse novae”…

- these terms are singing to me!

A merry-go-round of star systems

Quotes from Adriaan Snyman “Die Messias Kode” (The Messiah Code) pp.9,10


Bombardement Van Frekwensies (English Explanation)

Waarmee sal ek hierdie leë oomblikke,
ankerloos, betekenisloos; aan die ewigheid
vasmaak - die gevoelsruimte in my hart

Is leeg, alle gevoel en denke het gesamentlik
in die donker duisternis van my brein ingeval
‘n laserbrein wat die hologramwêreld

Self moet konsituteer uit ‘n bombardement
van betekenislose frekwensies – maar
vandag is die ligstraalfokus uit

My pendulumgedagtes swaai ongefokus rond
die opgerolde, ingevoude ses-en-twintig of
meer dimensies van die virtuele werklikheid

Wil nie vir my oopgaan nie…


All thought and feeling fell into the black hole in my brain and the twenty-six or more rolled-up frequencies of reality does not want to open for me today…


Geloof In Liefde - Faith In Love

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Lets Get Loud[Pablo Flores Remix]

Hey! hey!hey! hey!hey! hey!hey! hey!hey! hey!hey! hey!hey
Chorus: lets get loud, lets get loud
Turn the music up, lets do it
Cmon people lets get loud
Lets get loud
Turn the music up to hear that sound
Lets get loud, lets get loud
Aint nobody gotta tell ya
What you gotta do
If you wanna live your life
Live it all the way and dont you waste it
Every feelin every beat
Can be so very sweet you gotta taste it
You gotta do it (you gotta do it)
You gotta do it your way
You gotta prove it (you gotta prove it)
You gotta mean what you say
You gotta do it (do it)
You gotta do it your way
You gotta prove it (prove it)
You gotta mean what you say
Lifes a party, make it hot
Dance dont ever stop, whatever rhythm
Every minute, every day
Take them all the way you gotta live em (cause Im going to live my life)
You gotta do it (you gotta do it)
You gotta do it your way
You gotta prove it (you gotta prove it)
You gotta mean what you say
You gotta do it (do it)
You gotta do it your way
You gotta prove it (prove it)
You gotta mean what you say
Chorus:
Lets get loud, lets get loud
Turn the music up to hear that sound
Lets get loud, lets get loud
Aint nobody gotta tell you
What you gotta do, oh no
(make it hot)
Lets get loud, lets get loud
Lets get loud, letsget loud
Its just a party, baby
Lets get loud, lets get loud
Lets get loud, pop it up
(hey! hey!hey! hey!hey! hey!hey! hey!hey! hey!hey! hey!)
Life is meant to be big fun
Youre not hurtin anyone
Nobody loses
Let the music make you free

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I Cant Take It Anymore

I cant take it any more
I cant take it any more
I cant take it any more
I cant take it any more
Too loud, too loud
Too loud, too loud
Too loud, too loud
Too loud, too loud
I cant take it any more
Can you take it any more?
Can you take it any more?
Can we take it any more?
Can we take it any more?
Too loud, too loud
Too loud, too loud
Too loud, too loud
Too loud, too loud
Ha, ha, ha
Ha, ha, ha
Ha, ha ...
Too loud, too loud
Too loud, too loud
Too loud, too loud
Too loud, too loud
Too loud ......

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Die Schwalbenhode

1.

weh unser guter kaspar ist tot
wer trägt nun die brennende fahne im zopf wer dreht die
kaffeemühle
wer lockt das idyllische reh
auf dem meer verwirrte er die schiffe mit dem wörtchen
parapluie und die winde nannte er bienenvater
weh weh weh unser guter kaspar ist tot heiliger bimbam
kaspar ist tot
die heufische klappern in den glocken wenn man seinen vornamen
ausspricht darum seufze ich weiter kaspar
kaspar kaspar
warum bist du ein stern geworden oder eine kette aus wasser
an einem heißen wirbelwind oder ein euter aus
schwarzem licht oder ein durchsichtiger Ziegel an der
stöhnenden trommel des felsigen wesens
jetzt vertrocknen unsere scheitel und sohlen und die feen
liegen halbverkohlt auf den scheiterhaufen

2.

jetzt donnert hinter der sonne
die schwarze kegelbahn und keiner zieht mehr die kompasse
und die räder der schiebkarren auf
wer ißt nun mit der ratte am einsamen tisch wer verjagt den
teufel wenn er die pferde verführen will wer erklärt uns
die monogramme in den sternen
seine büste wird die kamine aller wahrhaft edlen menschen
zieren doch das ist kein trost und schnupftabak für einen
totenkopf

3.

auf den wasserkanzeln bewegten die kaskadeure ihre
fähnchen wie figura 5 zeigt
die abenteurer mit falschen bärten und diamantenen hufen
bestiegen vermittels aufgeblasener walfischhäute
schneiend das podium
der große geisterlöwe harun al raschid sprich harung al radi
gähnte dreimal und zeigte seine vom rauchen schwarz
gewordenen zähne
die merzerisierten klapperschlangen wickelten sich von ihren
spulen mähten ihr getreide und verschlossen es in steine
aus dem saum des todes traten die augen der jungen sterne
nach der geißelung auf der sonnenbacke tanzten die hufe des
esels auf flaschenköpfen
die toten fielen wie flocken von den ledernen türmen
wieviel totengerippe drehten die räder der tore
als der wasserfall dreimal gekräht hatte erblich seine tapete bis

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We Want It Loud

Tonight - is a show
And I gotta be there
Banging my head to a metal attack
We got nothing to fear
Dancing and screaming begging our heroes for more
Burning the streets cause we gotta be first thru the door
We want it loud
Theres no other reason we came for
We want it loud
The louder the better we need more
They keep us locked, locked in
For hours and hours we wait in line
You get pushed to the limit
We cant even breath no more
Like a volcano were boiling and ready to blow
Fight all the way got to see this damn rock and roll show
We want it loud
Theres no other reason we came for
We want it loud
The louder the better we need more
We want it loud - we want it loud - we want it loud
Yeah, its gotta be loud
Yeah - we want it loud
Theres no other reason we came for
We want it loud
The louder the better we need more
We want it loud
Theres no other reason we came for
We want it loud
The louder the better we need more
We want it loud - we want it loud - we want it loud
We want it loud - we want it loud - we want it loud
Yeah, its gotta be loud

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The Undying One- Canto III

'THERE is a sound the autumn wind doth make
Howling and moaning, listlessly and low:
Methinks that to a heart that ought to break
All the earth's voices seem to murmur so.
The visions that crost
Our path in light--
The things that we lost
In the dim dark night--
The faces for which we vainly yearn--
The voices whose tones will not return--
That low sad wailing breeze doth bring
Borne on its swift and rushing wing.
Have ye sat alone when that wind was loud,
And the moon shone dim from the wintry cloud?
When the fire was quench'd on your lonely hearth,
And the voices were still which spoke of mirth?

If such an evening, tho' but one,
It hath been yours to spend alone--
Never,--though years may roll along
Cheer'd by the merry dance and song;
Though you mark'd not that bleak wind's sound before,
When louder perchance it used to roar--
Never shall sound of that wintry gale
Be aught to you but a voice of wail!
So o'er the careless heart and eye
The storms of the world go sweeping by;
But oh! when once we have learn'd to weep,
Well doth sorrow his stern watch keep.
Let one of our airy joys decay--
Let one of our blossoms fade away--
And all the griefs that others share
Seem ours, as well as theirs, to bear:
And the sound of wail, like that rushing wind
Shall bring all our own deep woe to mind!

'I went through the world, but I paused not now
At the gladsome heart and the joyous brow:
I went through the world, and I stay'd to mark
Where the heart was sore, and the spirit dark:
And the grief of others, though sad to see,
Was fraught with a demon's joy to me!

'I saw the inconstant lover come to take
Farewell of her he loved in better days,
And, coldly careless, watch the heart-strings break--
Which beat so fondly at his words of praise.
She was a faded, painted, guilt-bow'd thing,
Seeking to mock the hues of early spring,
When misery and years had done their worst

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I Believe I'm Gonna Die

Dark rewrite of R Kelly's I Believe I Can Fly

I now know
I've been told that no longer can I go on
All because against God I committed such an awful wrong
Thought I knew the meaning of true love
Too late I discovered
It was just the devil's lust
Found in the wrong one's arms
If only I had't rode it then maybe I would't have caught it
If only I had't let myself fall for it then maybe I would't be having to live through it

Chorus

I believe I'm gonna die
I believe it because of all the unprotected things
All the naughty, unprotected things I did with that last guy
I suffer for it every night and day
I believe he's the one who made me this way
He's the one who made me feel so sore
'Cause I let him pound it so hard through my wide open door
I believe I'm gonna die
I believe I'm gonna die
I believe I'm gonna die

So alone
Feels like I'm on the cusp
On the verge of breaking down
Sometimes the silence in this room is so loud
I feel as if there's nothing, no miracle left in this life that I can achieve
As ever stronger, the weakness grows inside of me
If only I had't rode it then maybe I would't have caught it
If only I had't let myself fall for it then maybe I would't be having to live through it

I believe I'm gonna die
I believe it because of all the unprotected things
All the naughty, unprotected things I did with that last guy
I suffer for it every night and day
I believe he's the one who made me this way
He's the one who made me feel so sore
'Cause I let him pound it so hard through my wide open door
I believe I'm gonna die
I believe I'm gonna die
I believe I'm gonna die

Hey, Markus, 'cause I fell so blindly in love with you
Oh.....

If only I had't rode it then maybe I would't have caught it
If only I had't let myself fall for it then maybe I would't be having to live through it

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Die Die My Darling

(originally recorded by the misfits)
Ah
Yeah
Die, die, die my darling
Dont utter a single word
Die, die, die my darling
Just shut your pretty eyes
Ill be seeing you again
Yeah, Ill be seeing you, in hell
So dont cry to me oh baby
Your futures in an oblong box
Dont cry to me oh baby
You should have seen it a-coming on
Dont cry to me oh baby
I dont know it was in your card
Dont cry to me oh baby
Dead-end soul for a dead-end girl
Dont cry to me oh baby
And now your life drains on the floor
Dont cry to me oh baby
Die, die, die my darling
Dont utter a single word
Die, die, die my darling
Just shut your pretty mouth
Ill be seeing you again, yeah-yeah
Ill be seeing you, in hell
Dont cry to me oh baby
Your futures in an oblong box
Dont cry to me oh baby
You should have seen it a-coming on
Dont cry to me oh baby
I dont know it was in your card
Dont cry to me oh baby
Dead-end soul for a dead-end girl
Dont cry to me oh baby
And now your life drains on the floor
Dont cry to me oh baby
Die, die, die my darling
Dont utter a single word
Die, die, die my darling
Shut your pretty mouth
Ill be seeing you again
Ill be seeing you, in hell
Die-die-die
Die-die-die
Die-die-die
Die

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Oenone

There lies a vale in Ida, lovelier
Than all the valleys of Ionian hills.
The swimming vapour slopes athwart the glen,
Puts forth an arm, and creeps from pine to pine,
And loiters, slowly drawn. On either hand
The lawns and meadow-ledges midway down
Hang rich in flowers, and far below them roars
The long brook falling thro' the clov'n ravine
In cataract after cataract to the sea.
Behind the valley topmost Gargarus
Stands up and takes the morning: but in front
The gorges, opening wide apart, reveal
Troas and Ilion's column'd citadel,
The crown of Troas. Hither came at noon
Mournful Œnone, wandering forlorn
Of Paris, once her playmate on the hills.
Her cheek had lost the rose, and round her neck
Floated her hair or seem'd to float in rest.
She, leaning on a fragment twined with vine,
Sang to the stillness, till the mountain-shade
Sloped downward to her seat from the upper cliff.

"O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
For now the noonday quiet holds the hill:
The grasshopper is silent in the grass:
The lizard, with his shadow on the stone,
Rests like a shadow, and the winds are dead.
The purple flower droops: the golden bee
Is lily-cradled: I alone awake.
My eyes are full of tears, my heart of love,
My heart is breaking, and my eyes are dim,
And I am all aweary of my life.

"O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
Hear me, O Earth, hear me, O Hills, O Caves
That house the cold crown'd snake! O mountain brooks,
I am the daughter of a River-God,
Hear me, for I will speak, and build up all
My sorrow with my song, as yonder walls
Rose slowly to a music slowly breathed,
A cloud that gather'd shape: for it may be
That, while I speak of it, a little while
My heart may wander from its deeper woe.

"O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
I waited underneath the dawning hills,
Aloft the mountain lawn was dewy-dark,

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Œnone

. There lies a vale in Ida, lovelier
Than all the valleys of Ionian hills.
The swimming vapour slopes athwart the glen,
Puts forth an arm, and creeps from pine to pine,
And loiters, slowly drawn. On either hand
The lawns and meadow-ledges midway down
Hang rich in flowers, and far below them roars
The long brook falling thro' the clov'n ravine
In cataract after cataract to the sea.
Behind the valley topmost Gargarus
Stands up and takes the morning: but in front
The gorges, opening wide apart, reveal
Troas and Ilion's column'd citadel,
The crown of Troas. Hither came at noon
Mournful Œnone, wandering forlorn
Of Paris, once her playmate on the hills.
Her cheek had lost the rose, and round her neck
Floated her hair or seem'd to float in rest.
She, leaning on a fragment twined with vine,
Sang to the stillness, till the mountain-shade
Sloped downward to her seat from the upper cliff.

'O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
For now the noonday quiet holds the hill:
The grasshopper is silent in the grass:
The lizard, with his shadow on the stone,
Rests like a shadow, and the winds are dead.
The purple flower droops: the golden bee
Is lily-cradled: I alone awake.
My eyes are full of tears, my heart of love,
My heart is breaking, and my eyes are dim,
And I am all aweary of my life.

'O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
Hear me, O Earth, hear me, O Hills, O Caves
That house the cold crown'd snake! O mountain brooks,
I am the daughter of a River-God,
Hear me, for I will speak, and build up all
My sorrow with my song, as yonder walls
Rose slowly to a music slowly breathed,
A cloud that gather'd shape: for it may be
That, while I speak of it, a little while
My heart may wander from its deeper woe.

'O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
I waited underneath the dawning hills,
Aloft the mountain lawn was dewy-dark,

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Sir Peter Harpdon's End

In an English Castle in Poictou. Sir Peter Harpdon, a Gascon knight in the English service, and John Curzon, his lieutenant.

John Curzon

Of those three prisoners, that before you came
We took down at St. John's hard by the mill,
Two are good masons; we have tools enough,
And you have skill to set them working.


Sir Peter

So-
What are their names?


John Curzon

Why, Jacques Aquadent,
And Peter Plombiere, but-


Sir Peter

What colour'd hair
Has Peter now? has Jacques got bow legs?


John Curzon

Why, sir, you jest: what matters Jacques' hair,
Or Peter's legs to us?


Sir Peter

O! John, John, John!
Throw all your mason's tools down the deep well,
Hang Peter up and Jacques; they're no good,
We shall not build, man.


John Curzon


going.

Shall I call the guard
To hang them, sir? and yet, sir, for the tools,
We'd better keep them still; sir, fare you well.

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Love You Out Loud

I sit in my living room thinking of you
And the feelings I fear are coming true
And everything about you is wrong I know it
But I still taste you on my tongue
And I still breathe you in my lungs
And I wish I could stop breaking down
Wish I could love you out loud
Wish I could love you out loud
But I'll just keep it to myself
Wish I could hear how it sounds
To be with you and no one else
Don't make a sound
Don't tell a soul
It's 7:00am and I just want to call you
And tell you I'm falling in love
But, there's someone else inside these four walls
If she smells you on my skin
I can't let her know where I've been
I wish I could be with you now
Wish I could love you out loud
Wish I could love you out loud
But I'll just keep it to myself
Wish I could hear how it sounds
To be with you and no one else
Wish I could love you out loud
Because I'm under your spell
Wish I could tell the whole world
But I'll just keep it to myself
Don't make a sound
Don't tell a soul
Don't tell them anything
And I won't let you go
Don't say a word
Don't tell a soul
And I shiver at the thought of you
I can't believe that you love me too
And we quiver when we touch
I can't believe I love you so much
And I hate it when you walk away
I know we can't go on this way
But there's magic when we touch
I can't believe I love you so much
Wish I could love you out loud
Wish I could hear how it sounds
Wish I could love you out loud
Wish I could hear how it sounds
Wish I could love you out loud
But I'll just keep it to myself
Wish I could hear how it sounds
To be with you and no one else

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Marmion: Canto V. - The Court

I.

The train has left the hills of Braid;
The barrier guard have open made
(So Lindesay bade) the palisade,
That closed the tented ground;
Their men the warders backward drew,
And carried pikes as they rode through
Into its ample bound.
Fast ran the Scottish warriors there,
Upon the Southern band to stare.
And envy with their wonder rose,
To see such well-appointed foes;
Such length of shaft, such mighty bows,
So huge, that many simply thought,
But for a vaunt such weapons wrought;
And little deemed their force to feel,
Through links of mail, and plates of steel,
When rattling upon Flodden vale,
The clothyard arrows flew like hail.

II.

Nor less did Marmion's skilful view
Glance every line and squadron through;
And much he marvelled one small land
Could marshal forth such various band:
For men-at-arms were here,
Heavily sheathed in mail and plate,
Like iron towers for strength and weight,
On Flemish steeds of bone and height,
With battle-axe and spear.
Young knights and squires, a lighter train,
Practised their chargers on the plain,
By aid of leg, of hand, and rein,
Each warlike feat to show,
To pass, to wheel, the croupe to gain,
The high curvet, that not in vain
The sword sway might descend amain
On foeman's casque below.
He saw the hardy burghers there
March armed, on foot, with faces bare,
For vizor they wore none,
Nor waving plume, nor crest of knight;
But burnished were their corslets bright,
Their brigantines, and gorgets light,
Like very silver shone.
Long pikes they had for standing fight,
Two-handed swords they wore,
And many wielded mace of weight,

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The Aeneid of Virgil: Book 2

ALL were attentive to the godlike man,
When from his lofty couch he thus began:
“Great queen, what you command me to relate
Renews the sad remembrance of our fate:
An empire from its old foundations rent, 5
And ev’ry woe the Trojans underwent;
A peopled city made a desart place;
All that I saw, and part of which I was:
Not ev’n the hardest of our foes could hear,
Nor stern Ulysses tell without a tear. 10
And now the latter watch of wasting night,
And setting stars, to kindly rest invite;
But, since you take such int’rest in our woe,
And Troy’s disastrous end desire to know,
I will restrain my tears, and briefly tell 15
What in our last and fatal night befell.
“By destiny compell’d, and in despair,
The Greeks grew weary of the tedious war,
And by Minerva’s aid a fabric rear’d,
Which like a steed of monstrous height appear’d: 20
The sides were plank’d with pine; they feign’d it made
For their return, and this the vow they paid.
Thus they pretend, but in the hollow side
Selected numbers of their soldiers hide:
With inward arms the dire machine they load, 25
And iron bowels stuff the dark abode.
In sight of Troy lies Tenedos, an isle
(While Fortune did on Priam’s empire smile)
Renown’d for wealth; but, since, a faithless bay,
Where ships expos’d to wind and weather lay. 30
There was their fleet conceal’d. We thought, for Greece
Their sails were hoisted, and our fears release.
The Trojans, coop’d within their walls so long,
Unbar their gates, and issue in a throng,
Like swarming bees, and with delight survey 35
The camp deserted, where the Grecians lay:
The quarters of the sev’ral chiefs they show’d;
Here Phœnix, here Achilles, made abode;
Here join’d the battles; there the navy rode.
Part on the pile their wond’ring eyes employ: 40
The pile by Pallas rais’d to ruin Troy.
Thymoetes first (’t is doubtful whether hir’d,
Or so the Trojan destiny requir’d)
Mov’d that the ramparts might be broken down,
To lodge the monster fabric in the town. 45
But Capys, and the rest of sounder mind,
The fatal present to the flames designed,
Or to the wat’ry deep; at least to bore
The hollow sides, and hidden frauds explore.
The giddy vulgar, as their fancies guide, 50

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My Love Will Never Die

I was so good
I felt like this
I want everything
Now it likes me
My love will never die
My love will never die
And I felt it like your so depressed
And my whole buzz broke like nothing
My love will never die
My love will never die
My love will never die
My love will never die
Couldnt fit in an hour
Like never saw
I was hell in in a moment
I couldnt live at all
Love will never die
My love will never die
My so look to feel so good, I want everything now it likes me
My love will never die
My love will never die
And my so good I felt so bad
Like hell maybe
Come quick and I know that
My love will never die
My love will never die
My love will never die
Cant do in an hour
You gotta figure it all
My love is over and I dont know
Like never going under
Love will never die
Love will never die
And I felt like I could not live I said no hey, make it not mine
My love will never die
My love will never die
My love will never die
My love will never die
My love will never die
My love will never die
My love will never die
My love will never die

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The Rosciad

Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.

Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,

[...] Read more

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The Apology

ADDRESSED TO THE CRITICAL REVIEWERS.

Tristitiam et Metus.--HORACE.

Laughs not the heart when giants, big with pride,
Assume the pompous port, the martial stride;
O'er arm Herculean heave the enormous shield,
Vast as a weaver's beam the javelin wield;
With the loud voice of thundering Jove defy,
And dare to single combat--what?--A fly!
And laugh we less when giant names, which shine
Establish'd, as it were, by right divine;
Critics, whom every captive art adores,
To whom glad Science pours forth all her stores;
Who high in letter'd reputation sit,
And hold, Astraea-like, the scales of wit,
With partial rage rush forth--oh! shame to tell!--
To crush a bard just bursting from the shell?
Great are his perils in this stormy time
Who rashly ventures on a sea of rhyme:
Around vast surges roll, winds envious blow,
And jealous rocks and quicksands lurk below:
Greatly his foes he dreads, but more his friends;
He hurts me most who lavishly commends.
Look through the world--in every other trade
The same employment's cause of kindness made,
At least appearance of good will creates,
And every fool puffs off the fool he hates:
Cobblers with cobblers smoke away the night,
And in the common cause e'en players unite;
Authors alone, with more than savage rage,
Unnatural war with brother authors wage.
The pride of Nature would as soon admit
Competitors in empire as in wit;
Onward they rush, at Fame's imperious call,
And, less than greatest, would not be at all.
Smit with the love of honour,--or the pence,--
O'errun with wit, and destitute of sense,
Should any novice in the rhyming trade
With lawless pen the realms of verse invade,
Forth from the court, where sceptred sages sit,
Abused with praise, and flatter'd into wit,
Where in lethargic majesty they reign,
And what they won by dulness, still maintain,
Legions of factious authors throng at once,
Fool beckons fool, and dunce awakens dunce.
To 'Hamilton's the ready lies repair--
Ne'er was lie made which was not welcome there--
Thence, on maturer judgment's anvil wrought,
The polish'd falsehood's into public brought.

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Freedom Fighters

Today I heard what them people say
Dem want to live free greedily, with everyone to pay.
You play under the sun while others fight and dies away
but I say if you don't like it this way, then why stay? Go away
Freedom Fighters
Ignite Jah
Freedom Fighters
Shine Jah
Live free, Be free, Die free
Freedom Fighters
Live free, Be free, Die free
Ignite Jah
Live free, Be free, Die free
Freedom Fighters
Live free, Be free, Die free
Shine Jah
Today I heard what them people say
Them say "The Man came in and he took our choice away"
You portray selfishness and hate
While some prepare to die today
I say you fade away, appreciate life and liberate
Freedom Fighters
Ignite Jah
Freedom Fighters
Shine Jah
Live free, Be free, Die free
Freedom Fighters
Live free, Be free, Die free
Ignite Jah
Live free, Be free, Die free
Freedom Fighters
Live free, Be free, Die free
Shine Jah
We have the right - to live in peace
and you must fight - for what you keep
If what you keep - holds truth inside
Stand up, defend - lay down and die
We have the right to live in peace
You must fight for what you keep
If what you keep holds truth inside
Stand up, defend, or lay down and die
Freedom Fighters
Ignite Jah
Freedom Fighters
Shine Jah
Live free, Be free, Die free
Freedom Fighters
Live free, Be free, Die free
Ignite Jah
Live free, Be free, Die free

[...] Read more

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Turn The Music Loud (Rock Lyrics) :

If you're looking for a great adventure honey.
Lookin' for the things you need.
If you're lookin' for times of passion baby.
Someone you can meet.
I suggest the local tavern honey.
I suggest a real good time.
You should try to throw a party baby.
Buy the bar a round.
Try to keep this party going till morning.
Bring along a crowd.
I suggest we go to your apartment baby.
Turn the music loud.
Turn the music way up loud now.
Turn the music loud.
Turn the music way up loud now.
Turn the music loud..

We can keep this party movin' honey.
If we turn the music loud.
Turn the music way up loud now.
Turn the music loud.
We can really crank it up now.
Just turn the music loud.
Turn the music way up loud now.
Turn the music loud.

Turn the music loud...

Rock Lyrics By Kim Robin Edwards
Copyright 1984,2009..
ALL rights reserved..

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Every Day I Die (reworked By Andy Gray)

Gary Numan's Tubeway Army
"Everyday I Die".
problems of need i need you
obscene dreams in rusty beds
no one came here tonight
i pulled on me i need to
i unstick pages and read
i look at pictures of you
i smell the lust in my hands
everyday i die
her favorite trick was to suck me inside
oh so very art nouveau
completely false feelings of love i don't
no one knows but that died years ago
i unstick pages and read
i look at pictures of you
i smell the lust in my hands
everyday i die
die die die die die die die die die die die die die die die die die die
---------------------------------------------------------------------------
remember that the french term for "orgasm" translates to "the little death".

song performed by Gary NumanReport problemRelated quotes
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